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Making his debut on Depth.Request, Duellist delivers Intensive Living - a fierce three-track statement inspired by the restless energy and chaos of modern city life. Reinforced by remixes from industrial heavyweights Orphx, Statiqbloom, and label co-founder G.xist, the EP captures the tension between control and collapse - where rhythm becomes ritual and distortion takes on a human pulse.
'Burn Your Way Out' opens with offbeat crunch and abrasive energy, setting a volatile tone. The title track 'Intensive Living' moves with rhythmic swagger and pounding drums, its momentum unwavering. 'Ritual Component' closes the originals with throbbing low-end pressure and hypnotic drive - the sound of machinery breathing.
On remix duty, Statiqbloom transforms 'Intensive Living' into a desolate, melodic descent, Orphx expand its framework into a widescreen rework charged with cinematic tension, and G.xist pushes 'Burn Your Way Out' into industrial hypnosis, fusing intensity and groove in equal measure.
Intensive Living stands as a hard-edged introduction to Duellist's world - precise, forceful, and fully alive in its urban grit.

Domenic Cappello, key resident at the legendary 'Sub Club' in Glasgow graces us with a stylish four tracker for the Royal Oak Series. Showcasing the deeper side where house and techno collide. Warming things up or getting deep during the night..? Dominic's got you covered...

Pilot Talk II is the fourth studio album by New Orleans rapper Curren$y, and follow up to his widely celebrated release, Pilot Talk. Originally released in November 2010, and initially only available on CD & digitally, Pilot Talk II was first pressed on vinyl and exclusively available in the Jet Life: Pilot Talk Collection Vinyl Box Set. For the very first time ever and after much anticipation from fans, Pilot Talk II will be released as a standalone vinyl product, exclusively available for Record Store Day Black Friday 2025 to celebrate the album's 15 year anniversary. Pilot Talk II includes standout tracks such as "Michael Knight," "Famous," "Hold On (feat. Trademark Da Skydiver & Young Roddy," & perhaps one of Curren$y's biggest solo songs, "Airborne Aquarium." Pressed on stunning Purple, Black & White 3 Color A Side B Side Vinyl and limited to 3000 copies worldwide, Pilot Talk II is a must have for any Curren$y or blog-era rap aficionado.

A BAG FULL OF NASTY R&B, ROCKIN' COUNTRY SOUL AND CRUDE GARAGE ROCK!

Retro Party Dancing - The Best Performers - The Best Hits!

One of Tom Trago's biggest tracks, now repressed! The Original Mix and backed with the huge Carl Craig Rework.

'Use Me Again' is Tom Trago's evergreen club classic. Originally released at the start of 2010 it became a staple track in many a DJ set. The track is based around an infectious loop in true disco spirit. It lights up every dancefloor its been played to - and still does.

Carl Craig has been one of the track's biggest fans ever since it came out, playing it out in almost every set at a certain point. For this release he came up with a typical c2 re-tweak. Big one!

Originally issued in 1996 and now re-pressed for the first time by A.R.X. and Krisis Publishing, Pressure of Speech ''Our Common Past, Our Common Future'' remains one of the best-kept secrets of 1990s British electronica. Founded by Mickey Mann, together with fellow explorers Luke Losey (lighting designer for Orbital) and DJ Stika (already part of Spiral Tribe), their elusive second album is an obsidian relic of screwed ambient techno, mutant breakbeat and hypnotic radical sounds excavated from the goldmine of the UK's post-rave underground.

One of the founding figures of Amsterdam's underground Techno culture Dimi Angelis has been shaping the scene in the late 90s, throwing warehouse raves living up to the underground standards. Until today his approach remains unchanged: uncompromising, opinionated, and never aimed at easy pleasing.
Drawing from decades of crate-digging and an encyclopedic knowledge of Techno's evolution, Dimi crafts sets that feel familiar a reveal unexpected depths on closer listening.
These tracks follow that same philosophy as they are straightforward and honest on the surface, but wrapped in something appropriately unexpected.

Kucera & Delayed Sentence Present the Analog Rhythms EP

Scrap & Delete continues its trajectory as a home for uncompromising techno with the Analog Rhythms EP. A collaborative release from Kucera and Delayed Sentence that merges their respective strengths into a tightly honed four-tracker of futuristic machine music.



Opening cut "Analog Rhythms" sets the tone with raw propulsion and hypnotic focus. Anchored by a driving low end and jagged synth pulses, it balances grit with surgical control. A track built for long blends and warehouse immersion.

"Between Networks" dials into a more kinetic space. Its interlaced groove patterns, off-axis drum programming and haunting vocal grooves create a feeling of constant shift, evoking unstable connections and digital interference while maintaining absolute floor impact.

On "Synthax," the duo lean into sci-fi atmospheres. Bleeding-edge textures swirl through a thickly percussive dancefloor orientated framework, creating a dark yet spacious momentum that's equal parts cerebral and physical.

Closing cut "Twisted Ankl3" is the EP's most unhinged moment. A wonky workout full of broken signal bursts and twitchy rhythmic grooves. It's a subtly evolving sequenced post-industrial DJ tool, leaving dancers disoriented and locked in.

With Analog Rhythms EP, Kucera and Delayed Sentence showcase a shared vision rooted in sonic discipline, hardware fluency, and unrelenting energy. This is high-functioning techno at its most distilled. A perfect fit for Scrap & Delete's refined catalogue.

Swiss-born, Berlin-based artist Stallo makes his anticipated vinyl debut on Casanova Bar Records with Mifepan EP.

After first appearing on the label in 2020 with a contribution to CBB007 a digital VA, he now returns as the main artist on CBR008, delivering two original tracks that define his signature sound.

The EP opens with Bleenthal, a hypnotic journey built on rolling drums and immersive textures. On the flip, "Wavoom" pulsates with a constantly evolving synth, pushing forward with relentless energy.
Elevating the release, Japanese techno legend Takaaki Itoh delivers a raw and powerful remix of Wavoom, while Italian innovator Fabio Florido reinvents Bleenthal with his cutting-edge sound design.
Mifepan EP is a bold statement from Stallo, an immersive exploration of deep grooves and evolving driving textures.





d B2 Bleenthal Reinvented (Fabio Florido remix)




Reinvented (Fabio Florido remix)

DJ Support: Laurent Garnier, Radio Slave, Carl Cox, Eliza Rose, Peggy Gou, Carlita, Skream, Hi Fi Sean, Riva Starr, Anja Schneider, Terry Farley, Heidi Lawden, Marcel Vogel, Alan Dixon, Mele, Jovonn and more

London-based DJ and producer Hilit Kolet is defining the sound of 2025’s fiercest dancefloors.

With a stacked discography on labels like Rekids, Bush, COD3 QR and Defected, and a track record of private re-edits being picked up for official release, her reputation as the go-to name for high-energy, forward-thinking club cuts is undisputed.

The brand new 'Hot M3ss Edits' series kicks off with three of HK’s most sought-after re-edits - once secret weapons in her sets - just in time for the party season.

Limited pressing - grab them while they’re hot!

CLUB U NITE RECORDS PRESENTS: Furious Funk Essentials

Produced by Two 4 Phunk

Four cuts built for sweat-soaked floors and sunrise comedowns. Classic funky/soul DNA spliced with deep-house vibes, chunky beats and head-nodding grooves.

A1 — Bring 'Em Back
A stomper with a filthy-funky Rhodes loop, punchy, floor-kicking beat and hooky female vox chanting “bring ’em back.” Peak-time weapon, pure bounce.

A2 — Keep On Doin' It
Old-school heater. Funky chops and classic-soul snippets riding tough drums—loopy, raw and mixable. For the heads.

B1 — Ride In The Sky
Absolute deepness: a pumping kick, warm E-piano beds, a glowing Rhodes solo and soulful phrases drifting through the mix. Dancefloor and headphone gold.

B2 — I Need It
’90s-coded groove with slinky slap-bass, dope sax stabs and jazzy flair. Dusty, jackin’, irresistibly funky—proper closing cut.

VINYL - 1LP CRYSTAL CLEAR : 12 songs
" 12 songs. taking in the band's biggest global hits across a decade : 5 UK Top 10 Hits / 9 UK Top 40 hits / 2 US Billboard # 1 singles
" All versions are single versions where relevant
" From their first single 'Jonny Come Home' (1985) up to 'The Flame' (1996)
" New artwork, new liner notes, fully remastered





d A4. Funny How Love Is 3:29 rerecorded version



h B2. Don't Look Back 3:47 7" remix




d A4. Funny How Love Is 3:29 rerecorded version



[h] B2. Don't Look Back 3:47 [7" remix]

Earlier this year, VIL and Cravo introduced Caricia Records with Caricia 001, a debut that made clear the label would not be bound by techno alone. With the second release arriving soon after, the pair show no sign of slowing down.

Caricia 002 turns to Cravo, presenting a clear statement of his own. Techno, house, dub and jazz meet here, carrying a sense of peace, harmony and hope. Cravo always prefers to let the music speak for itself; here, it certainly does, at its most assured.

DELUXE 4LP-SET IN SLIPCASE WITH GLOSS FINISH/4 PRINTED INNERSLEEVES/12 PAGE BOOKLET/40 TRACKS/COLOURED VINYL

Liverpool-based DJ and production duo North 90 channel the raw energy of classic electro on their new EP, Panorama, via M.A.D Records. Fusing punchy drum programming, funk-laced basslines, and icy synth textures, the release pays homage to the genre’s old-school roots while keeping one foot firmly in the modern club landscape.

LSD or Linear Sound Delivery In audio, means a system reproduces an audio signal without altering its characteristics, except for a consistent change in volume. This means that all frequencies within the signal are delayed by the same amount, preserving the temporal integrity and natural sound of the original audio. Straight from producer to consumer, no filters, my input is your output.

Mastered at : BurbiDub
Artwork : Marcos Pedrero

BTS’s Japanese debut single NO MORE DREAM -Japanese Ver.-, originally released in 2014, is now coming to analog for the first time as a 12-inch color vinyl single!

Side B includes two fan favorites that light up the stage: Attack on Bangtan -Japanese Ver.- and the beloved track I Like It!

Remastered and newly cut for vinyl, this long-awaited analog release comes in a clear yellow pressing.

Secretsundaze lands on Echocentric’s 20th release with Flashlight EP, a breakneck blend of UK breakbeat, Italian prog house and sound system heat. From the raw drive of Flashlight (Stripped) to ODF’s tech-garage rework and the balearic shimmer of Style (VIP), it’s a full-circle nod to 1980s Blues Dances. the hidden roots of UK club culture.

LPV introduces his 'Tachyon Pulse EP' and brings relentless forward motion with no strings attached. He's taking full advantage of precision-engineered low end drive while the tension-building compositions keep the pressure high at all times.

Gledd returns home with an album full of collaborations and influences. He creates an atmosphere rich in samples and recorded instruments that together form an explosion of groove and driving melodies. The result is a mix of cultures and rhythms that shapes his increasingly distinctive sound

A transcontinental meeting of minds, methods, and Volvos. What started as a remix request became a studio session and, eventually, a four-track affair of acid-tinged house, Italo accents, trance echoes, and techno pulse.

In Love Again captures the shared DNA of Loods and Gerd Janson, bright, melodic, and built for the beach club (Massimo Vitali's cover makes it official). Four flavours of the same spirit, each mix a nod to a time when 12-inches told a whole story.

For best results: play loud, add sea breeze.

Photo titled Blooemendaal Night 3", 2001 by Massimo Vitali

Continually are proud to present Tonchius - Waiting for Tee EP, the long-anticipated debut EP from Continually label head and boss-lady Tonchius. This four-tracker move between steady percussion rhythms, minimalistic acid grooves, electro-breaks, and rooted in the raw energy of hardware drum machines and synthesizers. Crafted over several years, each track weaves together influences from Norwegian woods, mythology, and layered electronic soundscapes. A-side opens with "Metawoods" which builds on hypnotic evolving acid lines and grounded percussion, while “Ørret” continues the acid with a psychedelic flavour. On the flip-side, the title track "Waiting for Tee" pushes into bass-filled and breaky patterns, before "Pica Pollo" rounds off with a playful, percussive flow carried by a dreamstate foundation.

The Romanian duo Vinyl Speed Adjust returns with the captivating Hypnotizin EP on LOK Black, delivering two original cuts of stripped-back, hypnotic minimal techno. The standout track Acid Storm receives two stunning reinterpretations on the B-side: a deep analog-infused remix by Matt Thibideau and a pulsating, atmospheric take from Oleg Makovskiy. A must-have for deep techno selectors.

Repress 2026

Born in Sant Cugat del Valles, Spain, Rosalia has spent the last decade reshaping the language of pop by folding flamenco's emotional gravity into experimental production. Her fourth studio record pushes that ambition further. Recorded at London's Studio 13 with the London Symphony Orchestra conducted by Daniel Bjarnason, Lux is conceived as a four-part suite exploring "feminine mysticism, transformation and transcendence". Across its eighteen tracks, she blends classical orchestration with industrial textures and devotional themes. The lead single 'Berghain' - featuring Bjork and Yves Tumor - fuses cathedral-scale electronics with liturgical chant while 'La Rumba Del Perdon' pairs Estrella Morente and Silvia Perez Cruz in a near-sacred lament. Sung in English, German and Spanish, it's Rosalia's boldest statement yet.

Deutsche Bank is the musical project by Mats From. Cool, modern & stylish electronic music in the tradition of bands like Kraftwerk, Komputer or Vorsprung Durch Technik! The sound of Düsseldorf meets Visby.This vinyl edition includes one previously unreleased unlisted bonus track!

Sixth release of BinarySound’s limited vinyl series BS-LTD, featuring exclusively French producers.

On the A-side: Venetia, a rising star from Belle-Île, now based in Paris.

On the B-side: La Marmaille & SELA, two producers from Lyon who first met in La Marmaille’s basement studio.

Limited to 250 copies.

Wasteland EP - debut solo from Tomie - six cuts running from electro to techno - 808drive, rough edges and stripped to its core.

Berlin-based, half Italian and half Moroccan. Runs the /xex label and the project torcidas mentes. Produces electro, techno, and EBM. Plays both live and DJ sets. Upcoming releases on Sismo 005 and XEX 002.

ZUKU’s second release see’s the spotlight turn to Scouse maestro and long-time label friend, Brent. He delivers an EP steeped in electronic influences, weaving together elements of house, disco, and electro.

Across five club-ready tracks, expect huge basslines, hefty kick drums, retro-styled vocoders, paired with 80s influenced synth work driving each piece forward. A beautiful record created with pure class, backed by Brent's extensive knowledge of dance music production.

Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with guest appearances from her close community of collaborators including claire rousay, Macie Stewart, Patrick Shiroishi, and others, reflecting the same sense of humor and mundanity.

The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces.

The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.

Lia Kohl is a composer and sound artist based in Chicago. Her wide-ranging practice includes composition and performance, installation, improvisation, and collaboration. She tours nationally and internationally, working in theater, jazz, rock, and experimental contexts. Her work centers curiosity and patience, an exploration of the mundane and profound possibilities of sound.

Some records are answers to questions no one asked out loud. With Where is Acid Eric, Cornelius Doctor & Tushen Raï deliver a psychedelic missive from a parallel timeline — a time-traveling tribute to Goa’s golden age, filtered through their unmistakable signature.

Returning to their home base, Hard Fist, the duo steps into new territory with this release, and yet, it feels like they’ve been heading here all along. This isn’t a retro-fetishist trip, nor a copy-paste homage. It’s a reimagination of a sound, a space, and most of all, a spirit.

The EP is rooted in the mythic nights of late-80s and early-90s Disco Valley, where British acid house collided with Indian hedonism, where freedom wasn’t a pose but a necessity, and where dancefloors became temporary utopias. But in the hands of Cornelius Doctor & Tushen Raï, this past gets warped, stretched and reanimated with 2025’s tools and sensitivities.

Across three extended tracks, the duo summons a sound that’s dense yet breathable, tribal yet precise, nostalgic yet futuristic.

They weave Goa’s swirling trance lines with broken rhythms, analog squelches, and post-industrial textures. The acid lines are sharp, but never cliché — more mantra than gimmick. Voices float in and out like half-remembered chants. Basslines slide, hypnotize, and then vanish in a cloud of smoke. It’s not a flashback. It’s a vision.

The title, Where is Acid Eric, feels like a lost broadcast — part question, part invocation. Eric is a symbol. IS Eric a ghost ? The true legend of a forgotten raver on a dusty Anjuna morning. What matters is the search. The longing. The dance.

Hard Fist, true to its form, continues to blur the lines between ritual and rave, tradition and invention. And with this record, Cornelius Doctor & Tushen Raï don’t just revive a genre — they reconnect with an ideal: dance music as exploration, as transcendence, as resistance.

One foot in the dust, one foot in the cosmos. The answer isn’t important. The trip is.

SOPHIE’s ‘OOH’ and ‘GET HIGHER’ are now available as a double A-side 12" vinyl. This release follows the single-series packaging format used for the other singles from PRODUCT: one track and slide image per side, black vinyl in a black inner sleeve, screen-printed with a white SOPHIE logo housed in a clear archive bag.

Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

• Digital download card

London duo Babeheaven — vocalist Nancy Andersen and producer/multi- instrumentalist Jamie Travis — return after four years with their highly anticipated 5-track EP ‘Slower Than Sound’, released via Scenic Route on October 24.

Following their singles ‘Beloved’ and the 6 Music-premiered track ‘Picture This’, ‘Slower Than Sound’ marks a deeply personal and intimate turn for Babeheaven. Written and recorded largely in Nancy’s home studio, the EP embraces minimal instrumentation, acoustic textures, and spacious arrangements, capturing the emotional vulnerability and euphoria the duo describe as “Post Rave” — the music you listen to on the ride home from a
party.

“It feels like a rebirth in a lot of ways,” says Nancy. “Writing at home gave me space to experiment, make mistakes, and rebuild confidence. Once I brought the songs to Jamie, we shaped them together into what you hear now.”

The EP explores love, reflection, and personal growth. Beloved conjures a comforting, almost mythic presence, while Lost For Words reflects the struggle to connect with the world and oneself. Picture This offers snapshots of a relationship, looking back while imagining its future. The cover Tiny Demons by Todd Rundgren blends seamlessly with the EP’s introspective mood, and Loud Thoughts, featuring Samba Jean-Baptiste, captures heartbreak, burnout, and creative pressure. “I hope people can find their own meaning in these songs,” Nancy says. “I’m writing for myself, but music is for each listener to interpret.”

Since debuting with Friday Sky in 2016, Babeheaven have steadily built a loyal following through their acclaimed albums Home For Now and Sink Into Me, amassing over 65 million Spotify streams and earning support from BBC Radio 1, 6 Music, and KCRW. Their live shows have sold out Village Underground,

Bush Hall, and Jazz Cafe, and they’ve shared stages with Cigarettes After Sex, Loyle Carner, and Nilüfer Yanya. Visually, Babeheaven’s world has been shaped alongside creatives including Margot Bowman, Frank Lebon, Tegen Williams, Sacha Beeley, and Joyce Ng, cementing their reputation as one of the UK’s most distinctive acts.

After facing cancelled tours, industry pressures, and a period of creative doubt, Slower Than Sound represents a return to the core of their artistry: intimate, honest, and self-produced. Jamie reflects: “Not putting out music for so long was hard, so we hope this is the start of a more prolific period for us, reconnecting with the London music community and beyond.”

‘3' saw the core Lifted duo of Max D & Matt Papich unravel their visions of excess into their most divergent and wide-eyed collection to date. Presented here by Peak Oil in a vinyl edition featuring the painting of Jordan Kasey (yes, related to Martin Kasey, saxophonist on 2019’s LP 2) and packaged for a seamless listen.

First scene ‘Chefs’ places us squarely off-center, landing in a cinematic environment that feels a bit like steadycam Luis Bunuel , wine bottle whoo-ing and horn fanfare. Its music without a hard surface, defined more by its fluidity and characters, found sounds and performed dialogue. “Cymbecko” shifts gears into blissful ambient dub, and paves the way for a Luke Stewart led excursion into the uncanny that is ‘Trip Tongue’. Stewart’s upright bass never stops seeking, while Jordan GCZs Rhodes barely touches down before lifting back up into and out of Jacob Long’s (Earthen Sea, Esau) liquid tone sheets. An outside world of percussion accompanies.

The mood morphs and the scene cuts in hard with “Born in the Roof”, slacker techno that grows shimmering parts, Perlon for potheads. Voiceover slacks right with it, a half-convo caught in the billowing chorus of fx. “Macarena” snaps things into focus, working almost like an open window to airing out the heady fog. Simplicity in the vignette.

After “Mecha Perfume & Variety”, “Snow Dancing” reignites the drama, with burning guitar by Jonny Nash taking a plucky and sliding lead over wildly fused drums by Max D, we get a test of new depths for Lifted with the somber and exuberant “Whipped Cream”. Crackling like a radio but with modern propulsion in the form of richly evocative pads courtesy of Motion Graphics, it sounds like a dinner, a space trip, a storyboard, a scene, threaded together in bouncing, oblique ways.

"Bobby V" drops refreshingly, timed like a credit roll and leaving an afterglow that feels more tuned-in than ever.

Players on this album include: Luke Stewart (Irreversible Entanglements, Blacks Myths), Jeremy Hyman, Jonny Nash (Melody As Truth), Jordan GCZ, Matt Papich, Josh Levi, Mezey, Hirama, Dawit Eklund (1432 R), Motion Graphics, Max D, Jacob Long (Earthen Sea, Esau)




d 4.Born In The Roof Radio Mix
e 5.Macarena Radio Edit

Samuel Kerridge, with his signature sonic arsenal, stands alone in the worlds of rhythm and noise. A singular artist, his music is to be appreciated on its own terms. Here, he returns to James Ruskin's Blueprint Records with the eleven track album, "Memoir Of Disintegration".

The British producer has been carefully turning techno inside-out for over a decade. Taking a distinctly post-punk approach to the genre, he has become an integral part of Regis' legendary imprint Downwards. Kerridge has helped to define the label's contemporary sound: broken techno and snarling punk, informed by industrial music and metal.

Samuel Kerridge has released seven EPs and five albums (including a collaboration with Dva Damas' Taylor Burch) and his recent, "Kick To Kill", has become something of a statement of intent, blossoming into a new label and event series with a focus that broadens beyond techno tracks into full-blown song writing. Aside from his solo work, he collaborates with OAKE in what he describes as the "power metal techno" duo UF, and has recently started his own guitar band, Death Disco.

Kerridge ran the Berlin-based Contort label and party series and curated the legendary Berlin Atonal festival for three years, underlining his credentials as a stalwart figure in the world of experimental, boundary-pushing techno. He's also an accomplished live performer, most recently developing a hybrid live-DJ set that dismantles hundreds of tracks into a sampler to make new music in real time. It's an inventive process that places him in the lineage of iconic and ground-breaking techno acts, while still carrying the flag for the darkest corners of underground electronic music.

Berlin-based Amy Dabbs makes a long-awaited return to Shall Not Fade with Green Room EP - four uptempo club heaters spanning UKG, high-energy house, and breaks.

The EP’s title pays homage to Renate’s Green Room, the floor within the renowned Berlin club where Dabbs has held her residency since early 2023. Each track was both written for and road-tested at her monthly Dabbs Traxx events in this space, where she’s cultivated a tight-knit community of UKG lovers in the heart of Berlin.

“When I started writing this EP, my goal was to create music that would fit perfectly into my nights in the Green Room, bringing in the London sounds I grew up on, across all the genres I usually play at Renate. This EP is a tribute to everything Renate has given me: opportunity, community, and a platform for my authentic UK sound.”

Opening track Take Me High launches straight into peak-time territory, with old-school-inspired rave stabs, staccato vocal flicks, and deep, subby basslines. Over You turns the heat up even further - a track built from choppy vocals and UKG basslines before melting into a warm chord progression; a perfect example of Dabbs’ ability to fuse high-energy rhythms with spine-tingling emotion.

On the flip side, Style & Pattern, featuring the signature tones of London’s Alfie Fraser, is a pure UKG cut - underpinned by lush pads and arpeggiators, topped with Alfie’s unmistakable live vocals to create an uplifting dancefloor heater dripping with London swagger. Closing the EP, The Way delivers a tear-jerking breakbeat finale, layering syncopated percussion, emotive vocals, and an old-school piano breakdown; it’s a sublime end-of-the-night moment and a fitting closing track for an EP which honours one of Berlin’s most beloved clubs.

The highly anticipated Platipus 30 Years – Volume 10 arrives to mark a landmark chapter in the anniversary vinyl series, celebrating three decades of timeless electronic music from one of the UK’s most influential labels. This special release features four standout tracks that showcase the depth and diversity of the Platipus sound: the hypnotic Art of Trance – Easter Island (Cygnus X Remix), the progressive brilliance of POB & Taylor – Baba (Marc Mitchell’s ‘Human Movement’ Remix), the melodic journey of Union Jack – Papillon (Original Mix), and the driving energy of Jamnesia – She’s My Friend (Original Mix). Volume 10 is both a tribute to the label’s rich heritage and a must-have collector’s item for fans of classic trance and progressive house.

12th Isle founding member Stewart Brown and London-based percussionist Pike present six tracks born out of preparations for live shows at Cafe Oto and The Three Wheel Drive festival, the culmination of collaborating on ‘No Direction’ from the first Material Things album (with DJ support from Donato Dozzy, Orpheu The Wizard, Not Waving, I-Sha, Donna Leake, Optimo and Huntley & Palmers).

Inspired by various traditions of experimentalism, the pair touch upon reference points such as Eliane Radigue and Nurse With Wound’s “Soliloquy for Lilith” (on “Coastal Town”), as well as the wider canon of motorik, dub and drone practitioners over the past 60 years. Concerned with the interplay between early exports of free jazz and more modern electronics, Rain & Cymbals builds on the project's first outing with a more refined approach to production and a clearer modus operandi, combining ambient pads with additional synth work by Dan Macintyre, multifaceted percussion work and heads-down, emotive minimalism.

MAIDEN is Laurine Frost's third instalment of the 'LENA' series - where the narrative conceptually revolves around the fictional musical journey of his imaginary daughter over the course of a series of albums. ‘MAIDEN' is deemed to be the most intense piece of the series yet, with the figure of the unstable, hesitant protagonist teetering between light and shadow. Dramatic depths and heights, often dark tones, composed chaos and rumbling polyrhythmia - somewhere far on the edge of jazz and rusty contemporary electronica.

*Mastered and cut by Stefan Betke at Scape Mastering

* 12” 180gr heavyweight vinyl, with printed inside-out cardboard cover

Cassette music from Belgium and The Netherlands.

Again, a unique compilation by the leading Belgian re-release label Walhalla Records, specialized in minimal synth, cold wave, electro, and more. Following the widely acclaimed — and mostly sold-out — previous Underground Wave releases, totaling six albums so far and counting, there is now Volume 7. This release features Dutch and Belgian bands, each filling one side of the record. It offers a wealth of ultra-rare and previously unreleased material sourced from cassettes, deeply rooted in the electronic scene of the 80s and 90s.

Back on the black gold! Originally released in 1995, Andrea Mendez – Bring Me Love became a timeless house anthem, loved for its soulful vocals and uplifting groove. Present in the sets of legendary DJs throughout the 90s, this record captured the true spirit of classic house.

Now, nearly three decades later, this essential track returns on fresh vinyl, ready to bring that unmistakable 90s energy back to today’s dancefloors or in your vinyl collection.

PYRAMID TRANSMISSIONS present our 20th vinyl release in our 25th year as a label.
It seems apt to celebrate this with the 3rd ep from label owners ADJ and PATHIC. We have gone to the roots of the original PT sound with some Deep Electro/Electronica with a solo track each and 2 remixes of previous unreleased tracks from back in the day!!!

Fresh off the success of her sold-out self-titled debut ERIN BUKU returns with a collaborative EP with legendary producer DJ SPINNA. Weaving SPINNA's cosmic production with ERIN's rich, honeyed vocals. Feat. collabs from CHALI 2NA, STEVE SPACEK, and more. Full pic sleeve.

Limited 12”, 180gr, Vinyl Only


Little Sea is back with a new Sublabel series of Sea Horse Records born to share ideas and collaborate with artists to connect people with music.

“The two producers from the city of two seas Fisherman & Little Sea
join forces for this next chatpter.”
“These are their Mental Tools”

Experience a trance classic like never before with the limited edition purple vinyl of Gaia - "Tuvan". This collector's release features the original mix that captivated a generation, alongside powerful reimaginings by Gareth Emery, bringing his signature melodic uplift, and AVIRA, delivering a deep, modern twist. A must-have for vinyl lovers and dance music aficionados alike-only a select few will own this stunning homage to an iconic track.

(limited white vinyl) Sander Kleinenberg's iconic "My Lexicon" returns on limited edition white vinyl, featuring the timeless Original Mix and Helsloot's fresh, modern rework. A pivotal track in progressive house history, now pressed for collectors and dancefloor devotees alike.

Delirium Records re-issues the high demanded record by Two On Acid aka Jörg Henze & Steve Stoll from 1995!!!

The last original stock of legrndary Source Records, founded by Move D and Jonas Grossmann!
First come - first serve!

Get ready for a fresh journey on Phunkit Records! This new release brings together the talents of Hawkinson, Ray Kajioka, and Joel Mull. Across four tracks, they deliver a spectrum from driving techno to deep dub techno grooves. It's a must-have for any techno lover's collection.

Housewives, househusbands, ladies, gentlemen, and everyone in between… Avril A is ready for relaunch.

A - V - R - I - L

Never released Hi-NRG, synth-pop, wonky rock n' roll from a queer Manchester underground icon of the 80s and 90s.

By day, Avril Eventhal was a housewife in North Manchester's Orthodox Jewish community. By night, she was the fabulous Avril A, a larger than life cabaret performer who found a loyal audience in gay venues across the country and was adored for her outrageous live shows.

With her signature leopard print dress and feather duster in hand she delivered an unforgettable song and dance routine - as it was billed, “an audio-visual assault on the audience”.

She celebrated her unconventional style, finding joy and space for creative reinvention with the queer community.

Avril died in 2017, leaving behind a massive archive of material documenting every aspect of her career in songwriting and performance. For two years, Memory Dance has been working with Avril's niece and family on a digitisation and restoration project bringing these audio recordings back to life.

Test Pilot is the second solo album by Michael Zodorozny, post-punk icon and founding member of Crash Course in Science. On Test Pilot, he continues to explore his personal and poetic interpretation of the post-punk, new wave and no wave sound. Homemade and self-invented instruments complete his specific, extraordinary style that leans towards EBM and thrusting electro. After contributing to the latest Celldod album, the Swedish master of dark synths returns the favour here on the track Higher. Test Pilot was produced by Matia Simovich aka INHALT, and Michael Zodorozny himself painted and designed the cover art.

EMEX is the emergent project of Modular Expansion. The "né.on" project expresses a contemporary retrofuturism that is based on current but simultaneously changing concepts of "the future". Retrofuturism embodies two overlapping trends that can be summarized as the future as seen from the past and the past as seen from the future.

Chicago legend Boo Williams returns to the spotlight with a stunning collection of brand-new, unreleased tracks. This record is a true gem, showcasing the timeless artistry and unmistakable groove that have defined his career. Drawing on deep Chicago influences, Boo masterfully blends soulful textures and hypnotic rhythms into an elegant house journey fit for any dancefloor. Sophisticated, inspired, and beautifully produced, this release once again highlights the endless class and musical vision of a true master of the craft.

Luke Hess invites four artists to reimagine his latest ARKEO album on DeepLabs, each bringing their own unique perspective to the label’s sound.
Handpicked for their shared friendship, history, and the lasting impact of their music in his DJ sets, every contributor delivers a remix that resonates with authenticity and depth.
Together, these tracks form a cohesive body of work that captures the essence of DeepLabs and the timeless spirit of Detroit techno.

The final release in Eddie Richards’s Time Travel series, includes some of his rare and hidden remixes from past years.
A special look at the music of a UK tech house legend.

Following a number of more vocal-led releases, French deep house don Franck Roger returns to his tracky house roots with this latest drop on Seasons Limited. Kicking off is 'Mind Games', a swirling, peak-time house seducer built for late night floors and on the flip, 'I Can Feel Ur Love' stays deep but has a subtle skip to the kicks, while molten chords are draped over the beats and subtle vocal swirls marble the mood. 'Gerkin Moods' pays tribute to the legend Larry Heard, not just in title. It's got real emotional depth and a deeply cosmic atmosphere.

For the 25th anniversary of the release of Strange Attitude on Sony, TMS Records has decided to re-release the album in a deluxe version (new artwork by H5) on vinyl, as well as digitally on October 24, 2025.



The album will feature an acoustic version of "You Were Born" and an original remix of "Little Scare" by Todd Edwards.

It's ten up for Ira James's so-far-so-superb Vessel Recordings Group label as the duo of Nonfiction and Kid Enigma step up for a fresh new single. 'Make It Look Good' is an instant house classic with all the key elements nailed: the drums are deep but driving, while the percussion adds texture and bite. And who better to add some further layers of house authenticity than the one and only Chicago don DJ Sneak. First up he goes raw and loop as you would expect, then dubs things out with his second offering. Another doozy from this imprint.

Everybody loves a disco gram or two, wink wink, but Spanish label DiscoGram is also a sign of a good time. The main label has put out more than 30 juicy tunes but here they launch a new sub-series, again with the in-house production team at the helm. 'Linda' kicks it off with bright, extroverted and slightly camp disco energy and diva vocals. 'Pages' is a slinky strider with a pained vocal bringing the soulful heat and offering a hugely impressive falsetto crescendo. 'Tabaco Y Ron' gets more florid with its Latin flutes and rhythmic vocal coos, then 'Xulipa' ends with swooning strings and a graceful air of disco cool with some recognisable vocal hooks.

Deeppa Record is turning five with a superb two-part compilation, and this second half dives into deeper waters than the first. It comes from a mix of both longtime contributors and contemporary artists whose evolving sounds inspire the label's direction today. Lars Behrenroth remix kick off with a tender and vulnerable deep house sound and Christophe Salin's gets more physical but no less gooey with its lush pads and rubbery kicks. Elsewhere, Thierry Tomas layers up lush r&b vocals and warming synth hues, Darryl Baalki brings jazzy expression to his fulsome house grooves and Eloi's 'Take Your Time' is a dusty closer laced up with lovely pianos. This is house for mature dance floors.

Ralph Rodriguez aka Ralph Session is a Barcelona-based NYC-born house artist who kicks off this lush new Silver Walker 12" with 'Voices Rising', a smooth and song-driven deep house cut with a summery soul and stylish female vocals that hark back to the earliest soulful OGs. DFRA & MissFly combine then for 'Thinking', which is a more percussive and steamy, intense house sound with jazzy chords. Session's 'Love's Dance Floor' (instrumental mix) then taps into smoky late-night soul vibes with meandering leads allowing your mind to get lost in the moment and DFRA's 'Kiss My Soul' closes with a more playful and jazzy sound thanks to the charming flute leads and nimble, dancing keys.

Quartz is a respected drum & bass head with a precise and minimalist - but always cinematic - production style and that's clear again on this new one for Droogs. The A-side features solo cut 'Duplicity', which is a stark and electrifying trip into drum & bass darkness with tight basslines and subtle shifts that prove less is more. The B-side, 'Black Prism,' sees Quartz team up with Overlook for a throwback to raw 90s techstep and all the tight but manic breakbeat action that comes with it. It's a tune of unrelenting tension that resolves into an unexpectedly serene close. Sophisticated stuff from all.

Eddie C's Disko Universal continues its run of deep and diverse releases with 'A New Chapter' EP from Southside Chicago legend Ellery Cowles and Austin up-and-comer Open Soul...

Ellery Cowles lives House Music. He's rocked it with Lil Louis, Roy Davis Jr, Steve Poindexter and the Chicago Bad Boys.
Here we dive straight into Midwest territory - raw machine funk, smoky house grooves, and the kind of no-nonsense acid you'd expect from someone with DJAX and Cajual credentials.

Timeless, floor-ready material from true craftsmen - deep groove, no filler.
Sounds like the kind of record you'd pull from a beat-up crate in a corner of Detroit Threads and never put back.

Oslo based house pushers ́badabing diskos ́ follow up their hyped first release with a four tracker covering a fine specter of modern house vibes. A solo jacking house trip from label honcho Vinny Villbass, followed up by mexican/norwegian percussive collaboration of Picotropico and Vinny give you a full summer club journey The secret alias Smalltownboy ejaculates an eminent homage to sweaty dance floor flirts, while house orchestra LAFT shows off club muscles with a minimal studio escapade.

All art carries politics, even when it dreams. This album imagines a utopian offshoot of Detroit techno where rhythm grows wild beyond the grind of so-called "business techno." Longtime Kimochi Sound ally SW. continues to carve his own path in that regard, having evolved from early UD remixes to his acclaimed 2020 solo release. Here he merges heady atmosphere with crooked retro-futurist grooves to build worlds that falter between optimism and unease. It's partly surreal, partly idealistic, fully immersive and evocative techno from another dimension.

Third outing here from Benedict following two incredibly well-received debuts
His familiar sound palette is in place across these four cuts, stripped down, classic, driving House music with hooks for days...

Get to know.

Musikalisch bleiben Northern Lite ihrer DNA treu. Elektronische Popästhetik trifft auf clubtaugliche Beats und gitarrengetriebene Rockmomente. Die Songs balancieren zwischen tanzbarem Electropop und introspektiven Arrangements, mal kühl und reduziert, mal warm pulsierend. Es ist ein Klangbild, das vertraut und doch neu wirkt, getragen von klarer Produktion, in der Vocals, Synths und Gitarren zu einem atmenden Ganzen verschmelzen.

Die Texte kreisen um Alltag, Zweifel, Hoffnung und das Sichbesinnen. Statt lauter Parolen gibt es ein Gespräch: direkt, manchmal ironisch, manchmal verletzlich, aber immer mit dem Blick nach vorn. Parallel zur Veröffentlichung des Albums startet im November die Vorwärts Leben Tour, mit der Northern Lite ihre neuen Songs und ihre beliebtesten Klassiker dorthin bringen, wo sie ihre größte Kraft entfalten - auf die Bühne und mitten ins Publikum.

Vorwärts Leben ist kein trotziges „alles wieder gut“. Es ist ein Plädoyer fürs Weitermachen. Northern Lite liefern damit nicht nur ein Album, sondern eine Haltung: realistisch, zugewandt und zukunftsorientiert.

Very excited to present this new project on Macadam Mambo, actually it’s not properly new…
Dr Strange was one of the alias of Erick ‘ADN’ Ckrystall’ circa mid-90’s till early 2000’s, when he was producing a sort of Leftfield-Trippy-Goa music, including a lot of Ambient stuff mostly released on CD on a series called Animorph. Everything had a very cinematographic touch like it was made for some documentaries about amphibians and snakes that would evoluate in the deepness of the jungle or on some exotic island...

The music was so magical, that the envie to do a mini-retrospective of the CD series came instantly, specially because none of those golden gems had never been printed on vinyl, It was also a good way to put into the light the Dr. Strange side of ADN’ Ckrystall which was kept in the shadow since many years and that deserves much more attention as the regain of interest for the goa scene has been rising in the last few years.

For the afficionados of proto/early Goa music and trippy ambient in the vibe of the Orb or labels like em:t or Barooni…

Japanese crossover and fusion are hot again now. As either an outgrowth of, or a spin-off phenomenon from, the global reappraisal of city pop,
Japanese fusion has been rapidly rising since around last year.
This was the second release on AURA, the band’s own label established under Polydor, and their 13th studio album overall.
Because they had continued recording overseas for some time, they chose not to bring in guest musicians for this album, instead settling into their
home base at STUDIO JIVE and creating it solely with the band members.
As a result, the album offers a fresh and lively sound that returns to the group’s roots.
Alongside the live staple "SUPER SONIC MOVEMENT," it is also packed with new attempts, including the Japanese-flavored "Old Times," the technodriven big band-style jazz track "SOLID SWING," and the high-speed Latin funk number "RED ZONE."
This also became the final CASIOPEA album for the duo of Tetsuo Sakurai and Akira Jimbo.

Cody 'Coflo' Ferreira is hyped right now, and for all the right reasons. Spinning all over the world and producing killer tunes on all the right labels (including Local Talk).
But we think he is at his very best when he goes in the studio with US vocalist Lee Wilson. Even though they delivered some great tunes in the past, we can honestly say that this is the best one by far...yet.
The track 'We Can Make It' comes in two versions, one "soulful mix" for all the garage heads, and on the flip, there's a darker and more electronic mix (but still loaded with soul).

Tre Turner bounces back on Belters4u with two unashamedly old-school Scottish club cuts alongside two remixes from London prog trance upstarts Close Proximity.

With shared spiritual roots in the West of Scotland early 90s rave scene, Belters4U and Tre Turner realise their adolescent dream in releasing this love letter to a decadent lost reality. Title track ”Scottish Piano” amalgamates a million shared moments on Scottish dance-floors and living room afterparties. On the flip, Ultra-Free samples the vocal hook from the ultimate Scottish old skool rave anthem ”Obsession” by legends ‘Ultra-Sonic.’ Hardcore pianos meet gated synths and thumping solid bass, the sound of many a misspent youth.

Through the haze of smoke and strobes, the Close Proximity Trance Mix recalls the wildest, most ecstatic, face-melting moments from the legendary Metro and Hangar 13 clubs. Close Proximity round things off by taking you further into euphoric dreamland with their ever-evolving Paradise Mix of Ultra-Free.

Japanese crossover and fusion are hot again now. As either an outgrowth of, or a spin-off phenomenon from, the global reappraisal
of city pop, Japanese fusion has been rapidly rising since around last year.
This is the 1978 debut album by Carioca, one of Japan’s leading Brazilian fusion units of the 1970s and 1980s.
The group began as the backing band for Kiyoshi Hasegawa, and on this debut release they used the name "Samba Calioca." True to that
band name, they were quite unusual at the time for presenting samba and bossa nova with a resort-flavored sound, and they also
produced specialists such as drummer Antonio Ishida and guitarist Masami Sato. This highly club-popular first album also features a
diverse lineup of guest musicians including Masayoshi Takanaka, Ryuichi Sakamoto, Shuichi "Ponta" Murakami, and Shigeharu Mukai.

This project seeks connections between what is happening in biogenetics (cloning, biomechanical grafts), in art (the body as a territory to be redesigned), and all modern practices of intervention in music such as remixing, cutting and pasting, sampling.
To consider the sonic landscape as an unstable, moving cell culture, which allows experimentation on the body of musical pieces, on their chemical composition in an entirely artificial way. Surgical score, altered rhythms, reworkings.
Music is a mirror of what is happening in our time.

Japanese crossover and fusion are hot again now. As either an outgrowth of, or a spin-off phenomenon from, the global reappraisal of
city pop, Japanese fusion has been rapidly rising since around last year.
Widely known as a support member for YMO and also popular on the overseas club music scene through Colored Music, her cuttingedge dance-pop unit with Atsuo Fujimoto, keyboardist, composer, and vocalist Ichiko Hashimoto released this, her second solo work, in
1985. Released on DOMO, the label headed by Kazumi Watanabe, and naturally produced by Kazumi Watanabe himself, who also plays
guitar on the album.
A truly crossover work of remarkable freedom, moving across fusion, techno, piano pieces, danceable music, classical, Japanesque
sounds, bossa nova, ambient, and more. Her fleeting singing voice is wonderful as well.

5 ausgewählte Italo Disco Maxi Singles in einer Box.

Eine limitierte Sonderauflage für unsere vielen treuen Italo Disco Fans.

Lectric Workers feat. Funny R
Dario Dell‘Aere
Delanua
Claudio Mingardi
Art Fine

Ein Highlight zu einem unschlagbaren Preis!

Hissing Nest is something like a carnivorous plant growing in the little piss patch just left of the well-beaten earth stage front. It’s something dense, unhygienic and purposefully inconvenient, like a smoker’s mating call for seducing your madness. Rhythms descending and ascending staircases simultaneously, bathrooms with holes cut in the floor so you can see the crashing waves below, or a giant lurching mechanism one loose screw from a total collapse. Sadly there’s nothing here resembling a safe-room, every wall is violently splattered with red paint. It’s a tumultuous space built by one-take analog sessions in the backdrop of murderous, racist, colonial ideologies ever encroaching on the zen garden so desperately needed in the floor plan.
Text about Rank+File:
Rank+File is a record label and event series based in New York City. It exists within and opposed to the empire, focusing on sounds and scenes that both challenge and provide release from its crushing grip. We’re entangled by our common threads, and sewn together by our collective unraveling.

R.i.O. welcomes a new member. Straight in full length. An album created by Dorsten,North-Rhine-Westfalia based producer Aroma Von Troisdorf - a man who refuses to be putin a box. Unlike others, who politely stay in one lane, he is a tuneful shape shifter. Alreadyhis 2021 debut on the Cologne based label Papercup Records smashed Krautrock, Synthpop,Electro, Ambient, and dub together. His 2023 and 2024 Papercup Ep's "Buttergolem"and "Rodeln am Rhein" added Italo-Disco, Synth-pop and a drop of experimental Electroto his versatility. Now eight new creations, brilliantly composed, yet - even in odd flashes -effortlessly catchy. They bring once more a stylistic melting pot, now enlarged with TheCure-ish dreamscapes, stretching over guitar riffs and bass grooves, like in the closingambient-folk star "Zeiten" or the dreamy opening track "Fog Frog Green". There is themotorik krautrock pulse of "Osmopower", that boogies heavy in drum machine hypnosisunder Aroma's entrancing new-wave vocals. Tunes like "Dreams Unfold" or "AmplifyShrooms" are likewise propulsive, each one psyching in its very own rhythmic sector. Morevoices are present too. In the two-minute manic preacher "Colas", were Togolese rapperand political activist Yao Bobby chants edgy. Or in "Closer", where singer Aprico sendsspoken-word trances echoing through the cosmic jacking. And there is "Lovers Lake", ahypnotic drift of witchy vocals, bluesy chords, and endless synthscapes, that makes youswim on your feed. Shift the shapes, "Blaumilch" opens the gates.

(12” black vinyl) The legendary 1999 trance classic “Symmetry C” by Brainchild is back on vinyl! This special reissue includes the original mix and three iconic remixes, featuring the highly sought-after extended Lange Remix - a true gem for trance DJs and collectors. Don't forget that the original track is the much sought after trance classic, which was released already in 1995 on the iconic compilation "Fact" from Carl Cox. Don’t miss your chance to own a piece of trance history, limited stock available.

Another YUKU classic in the making: More introspective than some of Muskila's earlierwork, but still heavy and rhythmic. One of the highlights is a collab with Aunty Razor,who brings her powerful Yoruba rap energy into the mix; her flow cuts right through thelow-end and adds a whole new dimension.
The release also includes remixes from Toumba and Hassan Abou Alam, who eachtook the tracks somewhere else; warped, clubby, but still in line with the mood of theproject.

Knob twisters Biesmans & Johannes Albert are back at it with another sun-drenched late summer weapon. This time they shine a "Tangerine Beam" straight onto the dancefloor. Expect a cheeky disco spark that might remind you of something at the core, bouncing rhythms, and a melody so infectious you'll catch yourself humming along after the first round. Both playful and relentless, "Tangerine Beam" connects the dots between timeless disco heat and modern club thunder. One spin and you'll know: this beam is unstoppable. For the vinyl fan, there will be an orange 12" even. When life gives you tangerines...

Neon Castle hones in on a fleeting sub-genre of early to mid-’80s folk-rock. For a brief moment, glistening slide guitar, fretless bass, satin floating over drum machines intertwined with ethereal female voices, conjuring a sound at once familiar and otherworldly—pop structures touched by myth. Some songs sway with the warmth of open ranch-land, crystal visions beneath thundering skies; others shimmer with candlelit mysticism, as if born in a pagan stone tower, crafted with the very staff Kate Bush might have wielded. Together, these pieces reveal a singular cloth.

Compiled by Charles Bals—now in his third collaboration with Smiling C—Neon Castle affirms his rare gift for storytelling through sound. Each track unfolds like a scene from an imagined film: castles glowing with noble gas, kingdoms awash in purple haze, white horses roaming free, hair cascading to the waist. The collection sketches a realm both new and upon a time, a world where fantasy takes shape through music. With Neon Castle, attentive listening becomes narrative.

"Apopi doesn't give answers, it asks questions

It doesn't narrate events, it describes their premises and effects

It's not explicit, it's opaque

It's not a sumptuous meal, but only the meager crumbs

It's not figurative, it's the context around the frame

Apopi is everything that exists beyond the mirror

Apopi is deafening silence"

Apopi is the new project of Pepi & Katrina, two established italian djs, producers and musicians, owners of their brand new independent label Porta Nuova Records.

Other projects concerning Pepi & Katrina are: Bait e Borghi, MisteriSeParli.

DJ Support: Oliver Dollar, Harri Subclub, Boogs, DJ Sneak, Pinto (NYC), Moonboots, Joey Coco, A.Well, Oscar de Lima, Dubble D, Charles Eddy, CA LOU

Tiptoes drops a 4 tracks with the help of Ben Silver on the remix to round out the Fire EP. Built for the club, Fire sounds its exactly how its titled, a club weapon with all heat from start to finish. My Love offers a refined deep house number for those who like to deep subtle and groovy. Switching gears on Sumn Raw, Tiptoes layers down heavy drums and sampling at its finest. This one will be a smash for those late night sets and Ben Silver offers up something special in his remix, encompassing what the 24 hour session at Revolver sounds like, big, bumpy and full of groove.

Tom Sharkett arrives on Discotecas hot on the heels of his DFA-released rework of LCD Soundsystem’s ‘Home.'

On the A side is Certamente, driven by a catchy hook — think Tom’s Diner reimagined for house heads — which is followed by an instrumental. On the flip, Pinballed drops into deep, low-slung territory — pure drug-chug at its finest, already getting road-tested on the dancefloor.

The LP “Cassiopeia”, sets the tone with its mysterious, latesummer atmosphere. Drawing inspiration from cinematic storytelling and layered soundscapes, it unfolds as both intimate and expansive, resonating with themes of release and tension - proper to Butschi and DJ Sonnenbrand music identities. The LP comes with two extended B-side remixes, embodied with a grittier and raw sound, channeling nostalgic 90s trance aesthetics and early Ibiza vibes.

Positions of Power is the debut EP of Berlin-based DJ and producer Souci. This love letter to Detroit pays homage to the foundations of house and techno, and features several of the Motor City's rising stars. Blending hi-tech production and dusty drum machine loops, Souci and her remix artists deliver six driving floorfillers for basements and ballrooms that continue the musical lineage connecting Berlin and Detroit.

unearthed records "Timeless Choices" marks Moray's debut release on Unearthed-featuring four dancefloor-driven tracks that reflect his distinctive, raw, and timeless sound.

Originally from the Canary Islands and now based in Barcelona, Moray is the founder of Focus On Egoless and remains steadfast in his artistic vision.