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Adding on to his extensive discography, Reboot has curated a fresh journey through his world with the aLIVE LP on Get Physical Music. A diverse selection worthy of the international dancefloor, the LP contains the culmination of the artist's long career and the many experiences, stories and inspirations that come with that.The LP includes a free download code for the full digital album + remixes from Ricardo Villalobos, Kölsch, ANNA & Nakadia.

Work Them Records producer P. Leone kick-starts his new Brooklyn-based imprint E-MISSIONS with three animated techno tracks featuring a twisted remix from label co-founder Caiazzo.

Beginning his journey through electronic music upon coming into contact with Sonic Groove record store in New York, P. Leone subsequently discovered the legendary Storm Rave parties run by Frankie Bones and Adam X before quickly immersing himself in underground rave culture. DJing house and experimental music in the Lower East Side of Manhattan before producing his own techno, it wasn't long until Spencer Parker signed two of his releases to Work Them Records label which garnered support from the likes of Slam, Roman Fluegel, The Black Madonna, Rolando, Midland and Axel Boman.

Crunchy kicks and ethereal atmospherics set the mood in 'Coast Atlantic' as echoing stabs heighten in intensity. 'Boil Until Pure' is more of a rolling percussive affair containing a medley of metallic nuances whilst 'Tears' demonstrates infectious chords, claps and vocal coos whilst ghostly pads add to an air of melancholy. Fellow Work Them Records artist Caiazzo then steps up to remix 'Tears' - completely reimagining it into a trippy shadowy cut.

Taking Under Black Helmet and TWR72 on board, KONFLKT presents its 3rd vinyl release 'Form Reality'. Two diverse vocal-driven originals by dotwav set the foundation. Under Black Helmet stomps his no-nonsense bassline over the title track while TWR72 shakes up 'Expecting You' into a siren-laced techno jam.

Andy Meecham returns once more under his Emperor Machine guise with a freshly delivered 4 track vinyl Ep of experimental peak time & back room jams on his brand new label Vertical Tones.Side A1, We play Perfect & A2 Dry Down the Middle sees a return to the vintage analog sonics & dusty warped House sound of Emperor Machine made with love on the MPC.
Side B1, Back to the electronics and Modulars with Got to warm ride a mid 80s style re-edit of the original unreleased 15 min track B2 Leggwork an electronic disco funk cut thats sees Andy with his multi-instrumentalist head on locked in a solo jam session full of original Llama Farm flavour. "

Garden Of God's Sodai imprint continues to unearth creative production talent from the label's native city of Vilnius with the third and latest artist from the city to feature on the label. Introducing Talassa Barda for his debut introducing three expertly crafted techno cuts.
Lead track Wolf has a howling big room sound effect and a dark Techno underbelly. Human with it's haunting like qualities develops into a peak time monster that is sure to thunder in vast spaces over the summer. Finally, Bleed is a rolling acid tinged track that fuses electro, breakbeat and techno for possibly the most interesting of all three.

Jos & Eli might seem unknown to many electronic music lovers but they have been releasing great music since 2013. They have been sending me music for a long time and I think we have spend about a year developing this first release on Noir Music, making sure it represented their debut on the label perfectly. When you hear the Adrenaline Hunt release you will notice that the 2 guys from Tel-Aviv have developed into a great production team over the years and these 3 tracks included here are not only cleverly crafted for the deeper dancefloors but can also be enjoyed on home stereo's. Opener 'Obscured Mind' features immense vocal-work by Jinadu and the song is wrapped in delicious and constantly intensified deephouse flavours whereas 'Initiation' has a more tribal, dubby and africanism edge to it. On the title track 'Adrenaline Hunt' which we build the EP aound things get a little more tech, darker and closer to what you would typically expect from Noir Music. Not only am I always excited to have new artists and talents on the label but I feel Jos & Eli bring a new dimension to Noir Music as well.

Rising Amsterdam-based star Esther Duijn leads the charge with a hypnotic, understated slice of dub techno that grooves in all the right places. Label boss Brothers' Vibe then steps up with a sharp-edged, percussion led workout that blooms into a fulsome, acidic jam laced with techno futurism and pure machine soul. German production duo youANDme are regular collaborators with Brothers' Vibe, and here they join forces for the tough, drum-pounding Playing With Toys. Rodriguez also takes the opportunity to unveil the Silent Rodgerz alias, championing the Toad Red vision with a daring, experimental trip through abstractmodular-synthesizer processes that build towards a jacking rhythmic throw-down.

Repress

After his warmly received digital release in our Aine Platform we are glad to introduce you the first solo Ep by Refracted in our label. This Berlin based spanish producer is a modular and analogue expert and this work is a perfect example of his scientific approach to techno.

Expedition 1 is the first cut: a tight drum kit and sub bass frequencies come along resonant sweeps and subtle drones in a non break arrangement that automatically leads to hypnosis.

The Exium duo takes over Expedition 1, reforming the frequencies, working wisely with drones and atmospheres preserving the pulsating feel below. extracting the mental spirit of the track in a continuously evolving structure.

Expedition 2 is a more profound number, low filtered components, again drones and atmos as fundamental ingredient until shuffled hihats add the needed movement to keep things on place.

Expedition 3 fattens the bass, and has a more complex synth approach while preserving the ambiental factor, the elements come in and out of the game wisely creating a profound but still danceable track.

with his third album 'vin ploile' the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.
well known as one of the key figures of the romanian electronic dance music scene since his first ep 'tips' on luciano's label cadenza, inspirescu stepped away from club sounds that made him famous due to releases on labels like vinyl club, lick my deck or amphia.
also his two solo albums 'intr-o seara organica...' and 'gradina onirica', both released on (a:rpia:r), the record label he initiated with his buddies rhadoo and raresh in 2007, do not have much in common with the sound of 'vin ploile' - a mesmerizing deeply musical album that he only tuned in with some elements of piano, string and wind instruments as well as analogue electronics.
at the end of 2015 his nine slow swinging arrangements where celebrated in many polls and now, just a bit more than one year after the release of 'vin ploile' petre inspirescu delivers 'vîntul prin salcii' - another longplayer enlarged with seven, up to epic twelve minutes long arrangements, that continue where 'vin ploile' ceased.
they all listen to the name 'miroslav' and only differ numerically in their title. you can call them ambi-ent. you can call them minimal music in the sense of classic compositions by steve reich or terry riley. they groove - sometimes more, sometimes less. and they spread the sounds of flutes or saxophones, delicate piano figures, organic jazz drumming, arpeggiated analogue synth-lines, mesmerizing strings, choral singing, alienated looped vocals and spaced out new aged spheres.
what unites them all is the way, the melodies dance upon and in each single tune. their beautiful tex-tures ensnare and they are continuously engaged with experimentation. a mystical album full of evolu-tionary music to which each listener is able to paint his very own emotional picture. moody, dark and at the same time light-flooded shape-shifting compositions - made for those who love to surrender them-selves to a gentle dance between experimentation and attractiveness.
the cover artwork for petre inspirescu's album was made again by the illustrator and photographer julian vassallo, who's artistic works fascinate with a touching spirit of distance, that captures the truth in each single motif. just like petre inspirescu's music, only that his art grooves with notes that tell somehow: there is no truth. there is only perception.

we are very much excited to support this re-issue, credited by jacob f. desvarieux, a composer and also well known as the guitarist of kassav - the only-one band which continually embodies the word 'zouk" for last few decades.
a1 is the tune showing us psychedelic guitar phrases fused together with wobbling heavy synthesizer. you'd better hurry to get the copy for this song, since this is just simply a killer. besides it, a2 is also a tropical danceable tune with moving bass and impressive vocoder chorus, makes everyone literally "emotional" on the floor.
kuniyuki joins with more deep spacey re-edit on the b side, probably we need few words to describe this man in our bio because of his right craftsmanship.
following re-issue could be expected from us in near future. grab one and find yourself in caribbean exotica!

After sending out these tracks last summer and getting great reactions from DJs and dancers alike, Hell Yeah is pleased to finally officially release virtuoso musician Verdo's Little Blue EP, complete with a remix from Lauer. Fully remastered for vinyl, the likes of Lexx, Chris Coco, Soft Rocks, Leo Mas and many more have all be playing these tunes with great results.

The talented Verdo runs the famous Gratis Club in Senigallia on the Italian east coast. It is a place he calls home, and that has really allowed him to hone and sharpen his DJ skills so that now he is a slick, unpredictable and singular DJ with many tricks up his sleeve. Bjorn Torske, DJ Fettburger, Prins Thomas, Kenji Takimi, Glenn Underground and more have all played there in the last decade and Verdo himself is a skilled pianist who has played for Zero7 singer Mozez in the past. He has worked with Hell Yeah before now, as well as releasing on Danny Was A Drag King, and here serves up his biggest bit of dance floor dynamite to date, including his previously digital only cut 'Big Fish' (mixed by DJ Rocca).

Opener 'Little Blue' is a perfectly sunny track with hip swinging claps, bobbling bass and boat party vibes that soothe your soul. Rich with instrumentals and golden synth lines, it's a perfect beat that gets followed up by the retro disco pump of 'Sazerac', another tropical cut with loose drums and rubbery bass to get you up on your toes.

The massive 'Big Fish' then hits hard with its tin pot percussion and wild synths all making you flail your arms like you just don't care. Jumbled jungle vibes and big chords all swell your heart as your feet skip about down low.

Closing out the package is Phillip Lauer (Tuff City Kids), one of the most in demand stars of the day, and his version is a direct house jam with percolating and rugged synths and slapping hits, all demanding you ditch your cocktail and get up and groove.

"all good stuff here! OG for early / mornings and Lauer for peak. really nice release! " Piers - Soft Rocks

"Big fan of Verdo! great tunes here as expected. Sezarac fav at first listen." - Dream Chimney

"Little blue is super nice!!" - Phil South (Golf Channel)

"Yes, some great stuff here. Sezerac and the Lauer mix are really great, perfect sunshine session material." - Chris Coco

"I love Big Fish's keyboards! strong!!! Arigato!!!" - Chida

"Little Blue and Big Fish are fun for sure, def will play em on a rooftop sooooon" - Jacques Renault

"Yeah, feeling Little Blue, heavy rotation this Summer! " - Jason Boardman (Aficionado)

"Little Blue, i like." - Lexx

"This is tremendous. Driving peak time track that you can imagine Joe Claussell really working the dancefloor with." - Andrew Pirie

"killer ep guys!!!" - Discodromo

Superfreq kicks off the New Year with Stand Up, the first single of three from Mr.C's forthcoming album Incidents. How Mr.C has found time to present an acid masterclass while touring the world, throwing events & running a label is testament to his passion. Stand Up is a politically motivated rebellious song that takes issue with the way nightclubs the world over have been closed down due to the financial greed of property developers at the expense of our beloved dance music community. This track is a call for the dance music community to stand up & unite against the continued aggressive affront on electronic dance music culture.
From Mr.C's electro, ska & acid inspired radio mix, to his Club Dub, to Jay Haze's slow acid house, to Tripwire's modern take on acid, to Omid 16B's retro acid house, the single really does show why acid house is back with a vengeance with Superfreq leading the field.

MFM 019 will be an EP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes

RAWAX welcomes Maartenvan der Vleuten to the family!

We have the honour to present you some unreleased tracks from the 90'!

The Dutch producer, composer and recording artist born in Vught, The Netherlands in 1967.

From 1987 to 2007 he has used over two dozen aliases producing Detroit techno, electro, house, experimental and ambient tracks and remixes.
Early 2008 he announced to only use his real name (or his initials MVDV) for future releases.

During the 90's he recorded mainly dance/techno for R&S Records, Outrage Recordings, Apollo Records (Belgium), Djax-Up-Beats, See Saw, ESP and Klang Elektronik and several other labels. Since 1996 he is also releasing music on his own label Signum Recordings. The two sublabels of Signum; Passiflora and Glam, are now both defunct.

He is the founder of Signum Recordings, Passiflora Records and Glam Records.

Max Cooper is releasing an EP of remixes by friends and other artists he admires, on a DJ friendly 12" vinyl with 6 remixes.

It takes the LP from an incredible home listening experience and onto the dance floor. On the 12" will be the remixes from Vessels, Rival Consoles, Tom Hodge, Kimyan Law, Christian Loffler and Ash Koosha.

In November last year Max Cooper released EMERGENCE , an epic, operatic, amalgamation between audio-visual show, scientific research project, art installation and IDM record. EMERGENCE is the story of the development of the universe, the way in which, very complex things like human beings were created from the immaterial by the action of simple laws.

The totality of the many in one: Cologne Tape, an on and off gathering band from all over the world, did not call their second album "Welt" without reason. The collective incorporates the nucleus of the label Magazine and consists of the artists Ada, Barnt, Jens-Uwe Beyer, Jörg Burger, John Harten, Philipp Janzen, Mario Katz, John Stanier and Axel Willner. All members live scattered between Berlin, Cologne and Hamburg. They meet rarely and abruptly, but each of them always has the feeling that something relevant needs to be done. The ensemble's name represents a city and the musical recordings that are made in it.
Their "rst release, "Render", marked the start of the label Magazine in 2010 and found the way into DJ sets by famed artists like Dixon with music, which does not necessarily have the dance#oor in mind. Subsequently, little, absolutely sublime pieces of Cologne Tape appeared in the public.
Sometimes in the middle of a Magazine mix for London's online magazine Dummy, or on compilations like "My Heart's In My Hand, And My Hand Is Pierced And My Hand's In The Bag, And My Heart Is Caught" a double-vinyl sampler for an exhibition by British video artist Phil Collins.
And now, after six years of more or less overwhelming silence, "Welt" arrives and brings the world eight musical arrangements, all of which answer to the same name and only differ numerically in their title. They were performed and recorded at the Dumbo Studios in Cologne as part of a happening, during which the nine Cologne Tape members gathered in a room to play a solemn concert for themselves without a given frame.
Un"ltered emotions, which were later, re"ned with drums and synth sounds by John Stanier and Axel Willner and then arranged into a dramatic story arc under the direction of Jens-Uwe Beyer. Furthermore some of the recordings feature friends of the collective such as Mexican artist Rebolledo, the guitarist Burkhard Mönnich and the singer Isis Lace, who all happened to be close by and joined the band spontaneously during in their musical ritual. Now the recordings of their time without time will see the light of the day.
They all tell - together and alone - stories of deeply felt musical
experiences, which quickly become profound experiences too for those who listen to Cologne Tape, when they play the grand piano, synthesizer,vibraphone, organ, drums, guitar and more while celebrating afreewheeling ceremony. Panoramic music that enables the listener to enter a world of sounds and rhythms, which all re#ect in depth what Cologne Tape is as a band and a piece of art.

Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

And full-length it is:

The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period by record label, HippieDance.
We are thrilled to bring you the third chapter of The Golden Ravedays saga, released in March 2017.

Number 3 of the series introduces two further tracks of the haunting sound adventure that Superpitcher is taking his fans on during 2017.

Side A features 1984.

It has nothing to do with George Orwell's magnificent book but it could remind some of how the apocalypse might sound one day.

1984 is as sweet as the very first track, Little Raver, of The Golden Ravedays album but it stresses the fact that even though Superpitcher produces music mainly intended for the dance floor, he creates sound that is bordering on the shamanic.

1984 might as well be the meeting of a group of supersonic bottlenose whales that are overly excited to see each other after being separated by many an ocean and moon.

Side B of this edition brings us Pocket Love.

Or shall we rather say, Side B gifts us Pocket Love

Because we believe this is nothing other than a gift to us all.

Imagine looking into a kaleidoscope and turning the dial and experiencing all those colors as pockets of love rushing your way and exploding in satin wonderment the moment they past your eyes and ears. Imagine how it must sound like if all the e mails, tweets, facebook posts, instagrams, pinterests, grandma's postcards, text messages, letters on rice paper, hearts scratched into trees, declarations of eternal loyalty written in sand, phone calls and videos of the whole universe were all messages of love stuffed into pockets and sent to you.

Imagine the treasure you will receive!

Imagine being one big ear drum and listening to the very energy that this love exists of - imagine it and you will find yourself inside Pocket Love.

180grams, Hand - stamped, Silver Grey Vinyl

RUIS is back after a year with the Spanish artist Baraso on RUIS008. After putting out several tracks on Park & Ride over the last few years it's now time for his first solo EP. Expect stripped minimal, techno and broken grooves for the dancefloor.

Newly launced Samo Records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.The NYC label's first release comes from Pixelife (Sean Dack), a highly accomplished visual artist and veteran of NYC's underground. In addition to releasing on such respected labels as Throne of Blood, Horn Wax, and Let's Play House, he also makes up half of GHOST COP, a band known for its textured synths, iconic vocals, dissonant beats, and captivating live sets. Incorporating the same expert sonic-layering techniques he employs in his live analog sets, he's created a dynamic EP that's both intimate in feel and broad in scope.'Omega Block' stomps out of the gate, all driving rhythms and throbbing basslines with an underlying element of frenetic foreboding — aptly reflecting these geopolitically tense times, while still remaining suitable for losing yourself on the dancefloor. The track gets the remix treatment by Bristol, U.K.-born, Berlin-based Antoni Maiovvi, a self-described 'electrodisco horror mindmelt DJ/live performer/film composer' who heads up Giallo Disco Records with Vercetti Technicolor. Here, he trades his trademark horror elements for successions of staccato beats and a stripped-down sensibility that successfully translates to perfect late-night-at-a-warehouse vibes.Chimeras in the Matrix' soars with gorgeous dystopian melodies overlaying squelchy undertones, revealing labyrinthine layers and anxious crescendos before building to a full-on acid frenzy. Producer/remixer/DJ Tronik Youth (who, like Maiovvi, also hails from the U.K. and currently lives in Berlin) is co-head of the prolific (averaging nearly a release a week in 2016) NEIN Records, which he founded five years ago with Ian Considine; the label has released music from the likes of Rodion, Curses, In Flagranti, Heretic, Man Power, Daniele Baldelli, The Emperor Machine, and Moscoman, to name but a few. He is also a member of Permanent Wave, a spooky, pitched-down, dark-wave-inspired disco project with French singer Justine. He brings a chuggy, bleepy edge to his take on 'Chimeras in the Matrix' with bouncy rhythms, multiple breakdowns, and echoing robo-vocals, taking the original's intensity down while upping the dancefloor quotient.

French producer Moresounds makes a welcome return to Cosmic Bridge five years after his debut. The Paris-based dub scientist was one of the first artist Om Unit picked for the label and the co-sign helped launch his career, which has since included contributions to Astrophonica, Doc Scott's 31 Records, and remixes for Machinedrum as well as a growing touring schedule that saw him take his unique live show to Asia and America in 2016. Mutation Experts catches Moresounds in a more experimental vibe with four cuts that play with the rhythmic potentials of jungle in a different style. Ting N Tings sets the mood with rolling breaks in a sea of soothing pads, subtle loops, vocal samples, and recurring sound effects anchored by deep bass to create a subtle, implied tension. Mutation Experts makes use of a catchy melody to take the listener along and once again the mood is one of subtle changes and blissful exploration, a junglist daydream. Ruff Times is the darker of the tracks on offer, a creeping roller wrapped around a two-note melody and drenched in dub, a hypnotic descent down a rabbit hole. The EP closes with Positive Yourself a mellow, downtempo production that plays with African motifs and samples for a gentle return to reality. Mutation Experts offers a perfect example of how Moresounds combines the rhythmic appeal of jungle with the transformative potential of dub, sidestepping obvious signifiers to play with possibilities. Mutation Experts invites you to take a different trip with Moresounds as your guide

Shara Music starts 2017 with the second vinyl of our label called 'Basic Drink'.Signed by one of the most prolific Italian producers of this past 2016, Dj Rocca. Also along with the Marc Piñol remix. It's the beggining of a year loaded with great references A vinyl that consists of 4 cuts, 3 originals plus the Piñol remix. A new bet for the slow European sound. As a prolific prolific producer Rocca this time show us that electronic music is experiencing a great artistic moment, in which more and more sophisticated producers opt for quality harmonies, arpeggios, solos and other musical aspects. A palette of sounds that cover diverse styles like the Funk, Disco or hippest House and perfect for the most cultured sessions.The remix by Marc piñol revolves around a more minimal world but with a great Techno feeling. Darkness of quality and a long journey to mix.

Lagartijeando is the name of producer, musician and DJ Mati Zundel. Born, raised and currently living in a small town on the outskirts of Buenos Aires called Dolores. From a very early age, he was musically curious- experimenting with percussion, charango, guitar, bass, voice, and beyond.

Strongly influenced by his travels through Latin America, Mati's signature psychedelic dance tracks latch onto everything from traditional folk sounds from the Bolivian altiplano to the jungle beats of Brazil. Mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left NPR speechless.

Lagartigeando was signed to the infamous ZZK Records in 2009 (Chancha Via Circuito, Nicola Cruz, etc.) on which he released his first EP Neobailongo- a mix of cumbias with electro and dubstep elements. After releasing the EP, Mati soon took to the road and dove deeper into the music of the Andes, studying charango and various traditional folk styles. In 2012, under the name Mati Zundel, he released his first full length album Amazonico Gravitante, via ZZK as well as Waxploitation (Gnarls Barkley, Danger Mouse) in the U.S.

Some more miles later, Mati released his second LP Cardos Redondo also on Waxploitation, which featured 8 songs recorded across Latin America- an album he calls an 'imaginary sound map of Latin America,'

Freshly into 2017, Mati brings us El Gran Poder via Wonderwheel (Novalima, Alsarah & The Nubatones)- named after an important Aymara festival that takes place in Bolivia and Peru, purely to celebrate family. At these festivals, the community also celebrates their culture and the importance of the collective identity. Like these festivals, the album is a celebratory one, and will tempt any listener out of their seat. The album was recorded in Mati's town, Dolores, outside of Buenos Aires. Once again taking a huge variety of sounds- this time influenced by Brazilian house,afro-brazilian rhythms, and folkloric Andean music. All songs are written and produced by Mati, apart from Lunita, a danceable track written in collaboration with Barrio Lindo.

Peter Hunnigale aka Mr Honeyvibes was born in South London on December 12th, 1960. Peter Hunnigale was to develop into one of Britain's most formidable reggae 'Lovers Rock' artist of our time. It was clear at a tender age Peter's main interest was in music and being born of Jamaican parentage, he was exposed and influenced by music of West Indian culture.

Untamed Love is an UFO in Peter Hunnigale's career, recorded at Omega studio (London) and originally released on the Cosmic label in 1986. Some people have no words to describe it. You can call it brit-boogie, rare funk, sick jam, musical bomb, or god jam, whatever it's a typical mid 80's tune with a rhythmic background sound that is captivating and memorable, thanks to heavyweight synth and awesome vocals. The original 12'' vinyl record is still very hard to find and expensive nowadays. If you are about to discover this song, make sure you are sit down when you listen to it because this song will blow you down hey girl I like the way you smile'.

Growing up in Britain meant that Peter Hunnigale was also open to other genres of music and with seeing the popular acts of the day perform on television and hearing the songs on the radio Peter knew what he wanted to be. Peter is also a great musician and did live work with reggae legends such as The Chosen Few, The Pioneers, B.B. Seaton and many others, while earning the respect of their peers as a competent bassist and qualified engineer. He won a Best Newcomer award at the Celebrity Awards in 1987, and won Best British Reggae Album at the British Reggae Industry Awards the same year.

Orbis X is a sublabel of Orbis Records and will be mainly focusing on softer yet often usable as DJ material for the broader mass interested in Electronic music. This sublabel is an extension of Orbis Records softer, more melodical and experimental side. Music will be ranging from house, dub, chicago over melodic acid and even breaks. Not any track makes it to this sublabel if it can't stand on its own and stand the test of time!

Aleksander Zekovski might not ring a bell but it should ring a bell within a few months.
We warmly welcome Moda on OrbisX with his very special and pure analog feel to sound.
Unique, funky, very good arrangements and multi-talented. Nothing more, nothing less.
Someone who deserves to be discovered or at least get a bigger audience.

We re taking the leap of faith with Moda, serving him a full EP to experiment.
The Roots EP was born.
The full EP is a mixture of funky beats with some housy touches with, in some phases, gentle and experimental dirty glitches.
Something to add to your collection. This EP can be played in quirky eclectic DJ sets, lounge bars or just at home with a nice glass of red wine.
Background music while having dinner with friends and you want to serve something special This is one of those special EP s!


Something To Talk About is funky, dreamy and sparks that twitchy leg movement when you doubt if you should be dancing or be slightly head banging to that tune.
That kinda track. Serves well with candles, wine and late night talks.

Under Her Skin might take off on a weird bit quirky dirty start, but when that lead kicks in, ... we were sold.
Extremely funky. Be aware: you can t hold yourself from clapping to this song.

On the B-side, "Winter Tale" counts as the second A track on the EP. Deep! Gentle and yet so snappy in it's own dirty way.
We fell in love from the first note, or should we say that filthy deep baseline, those dirty well mixed-in toms and snappy rude claps!

"Running Man". Well... if you like dreamy catchy house. This is for you.
A nice extra track, making this EP a brilliant pressing.

We can't emphasize the talent Alexander has.
We hope he gets more attention with this EP.
Full support for you Alex.

- mau

Wizards of Ooze was a Belgian band that released 3 albums between 1994 - 1999 and toured the whole of Europe. The bands sound is a mixture of different genres, combining elements from primarily soul, fusion and psychedelica. On their second album Bambee! the band took it even further. Press-quote: "What can you expect Take the best fusion-band ever (Chick Corea's Return to Forever), some James Brown funk, synth-fun like Tangerine Dream and even a bit of hardrock, and you're getting close. This is Zappa, the Flemish Zappa: cool, nervous, funny, sad, difficult, ... No record for those who love the traditional verse-chorus-verse, and so probably as uncommercial as it can get."

Shelter is one Alan Briand, a young Parisian producer with a strong melodic centre producing a sound that pulls on the Zouk, the Afro, the Balearic and the Ambient palette. Zon Zon Zon is only his fifth release and his first mini album, following the series on International Feel that has brought us material from Len Leise, Wolf Muller and CFCF.

International Feel first met Shelter on a trip to Paris a few years back. It sounds like a story from a Nick Hornby novel, but there's a record shop in Paris called L'International Records, run by a guy called Dave who has a group of young French DJs, producers and promoters that visit the store, hang out and buy and listen to music - a story no doubt currently being repeated throughout the world as new generations immerse themselves in the culture. Shelter is a producer who has sucked up all that he has been hearing around him for a number of years and is now producing a quality sound, pulling on the exotic.

The seven tracks on this mini-album are taken from an extensive pool of Shelter's melodic magic. Some people lead on the beats, some on the production, but Alan focuses on the melody, with the beat closely tied in as support. Señor Zalla starts the album with an afro vibe, closely followed by the Zouk-style of Zon Zon Zon and Port-au-Cœur's mellow Balearic tones, as Shelter twists nature's sounds into his own sonic world. Bucolica, an upbeat wonder of a track, turns to the ambient mantra of Courant Rouge and it's distant cousin Courant Bleu, a classic rhythmic balearic piece with syncopated melody and delayed drums. La Volière (the French can make even bird cage sound beautiful) brings the album to a close with a smile in the mind's eye.


Zon Zon Zon is universal. It could easily have been created in Ibiza or Canada, Australia or Africa. It was in fact recorded at Paris 11, where Shelter forged beauty through the sounds of nature and uncovers a wisdom in its simplicity. We can expect good things from Alan. Here's the first chapter.

New versions of Tensal's 'Opposite Inertia' EP, with a remake of his own and contributions from Mike Parker and Pangaea.

New versions of Tensal's 'Opposite Inertia' EP, with a remake of his own and contributions from Mike Parker and Pangaea.

One the most distinctive artists in techno, Mike Parker, combines his signature, modulated bassline and sharp claps with the off-kilter rhythm of 'Inertia 1'. Tensal's remake of 'Inertia 2' is direct, peak-time gear. The synth line is kept front and centre, the beat is heavy and expertly arranged. Pangaea, of Hessle Audio, switches up the broken rhythm of 'Inertia 3' and adds the kind of unusual touches that make his records stand out.

Mastered by Giuseppe Tillieci aka Neel @ EnissLab Studio, Rome. Pressed at at Optimal Media. Packaged in a house sleeve. All artwork designed by Christopher Honeywell.

Cosmic Club 17's in the house, and for this one Skylax have delved deep into the mystic universe of the ultra prolific photonz with a four track EP quite simply out of this dimension ! Photonz is the artist name of Marco Rodrigues, a London-based DJ and producer who's been championing the new sound of Portuguese house and techno worldwide since the early 2000s. He has done tracks for various labels such as crème organization, unknown to the unknown, hot haus, the "cult" dissident and many more. His first cut "memories of burma" that gave the title to the ep is an infinite groove that builds and builds with arabic synths, a perfect crossover between balearic & old school jackin house. "Baronrevxp" & "agape" moves into the same territories with some sharp clap, hi hats and some big retro vintage sounds. While "stealth predator" catches him at his most experimental, upping the tempo and unleashing an ambitious techno juke roller, think about drexcya, 1990s techno, Plink Plonk and you're not even close ! Photonz music sounds extremely big for the big rooms, and still very large indeed for the smaller ones.His music is praised by The Chemical Brothers, Jackmaster, Optimo, Ivan Smagghe, Daniel Avery, James Holden, Ewan Pearson, Auntie Flo, Tim Sweeney, just to name a few. 'Memories of Burma' EP is not just a cosmic experience, but a voyage into the realms of a producer in a world of his own. Must have. Essential item. SKYLAX RECORDS 4 EVER !

2 black LPs in gatefold sleeve with CD included T
A relentless vinyl collector and a fervent connoisseur of Anglo-American culture, the founding painter of the Figuration Libre movement (with Di Rosa, Blanchart and Boisrond) in the early 80's, Robert Combas has always connected his art with rock music. The two are always intertwined and fuel his inspiration. During his exhibition Sans Filet, Robert Combas made an essential encounter: the artist and video maker Lucas Mancione, also from the town of Sete, and decided to make the leap. Together, at the start of the decade, they created the band Les Sans Pattes. Notre Renaissance is a dazzling discharge, a geyser of cold and searing emotions, a conscious search for a unique and extreme experience. The tension in each track is palpable, as constant as it is pregnant. This band is full of character. Sometimes electronic, often a bit punk, always particularly rock'n'roll. Raw and physical tracks, compact and heady. Les Sans Pattes always lean towards psychedelics and repetition.

Palto Flats & WRWTFWW Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.

Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.

Cr= Craig Richards, Va= Volkan Akin, Jt= Josh Tweek, Yy= Yonatan Yudkovitz, Jm= Jesse Morrison, H= Hamid

HPLS 002 sees the concept unfold a little bit more by showcasing six of the different collaborations featured on the forthcoming releases. The highlight would be indeed the collaboration with all time favourite ,and Fabric DA , Craig Richards.

The result captured perfectly the mind bending essence that you usually encounter in his early morning or after party sets .Tracks with Volkan Akin , Josh Tweek and Jesse Morrison will fit perfectly in more conventional narratives , when the live saxophone from Yonatan Yudkovitz compliment a more down tempo and experimental exercise.

High Plains is the duo of Scott Morgan and Mark Bridges.

Morgan, based in the Canadian Pacific Northwest, is predominantly known for his drifting, textured soundscapes released under the pseudonym LOSCIL.

Bridges is an accomplished, classically-trained cellist residing in Madison, Wisconsin.

The two met in Banff, Alberta while they were simultaneously there on residencies at the Banff Centre for the Arts in 2014. They first collaborated when Bridges contributed cello parts to Morgan's generative music app ADRIFT, recorded in Seattle in 2015.

In early 2016, the duo embarked on a collaborative set of compositions in the oxygen thin air of Wyoming, spending two weeks holed up in a refurbished school house in the town of Saratoga, where this album was recorded.

Inspired by Schubert's Die Winterreiseand the rolling landscapes of
their surroundings, the collaboration culminated in a collection of recordings that evoke a shadowy, introspective and dizzying winter journey.

Cinderland takes cues from classical, electronic and cinematic
musical traditions but is mostly a product of the rugged, mythic landscape; vast and sprawling with a wild, uncertain edge.

The recording was made with a portable studio and all sounds were sourced on site, most notably from Bridges' cello, the resident Steinway D piano, and field recordings collected from the local soundscape.

The results are a site specific, wide scope view of thehigh valley terrain the duo worked in, a mix of analog and digital, neoclassical and modern electronic sounds, a complemental series of tracks to become absorbed in, a truly deep listening experience.

The cover art forCinderland was created by London-based artist, Peter Liversidge.

Espen Beranek Holm is a Norwegian musician and comedian, born 1960 and began his music career as a clarinetist. Inspired by early synthesizer bands Kraftwerk and The Residents, he began making experimental pop music. His debut single Dra te' hælvete' was released in 1981 and was immediately banned by national TV/radio channel NRK due to explicit lyrics. This gave the young artist tons of publicity, helping the single spend almost 6 months on the national charts.

Beranek returned to the Starholm Studios in Oslo from June - September 1981 to record nine new compositions. His debut album, Sound of Danger', was released on Mind Expanding Records in November 1981. Nowhere near as accessible as the previous single, the album fared poorly commercially. Withdrawing from the single's fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. Taking heavy cues from David Bowie, all of the songs are sung in a nasally English accent, a rare occurrence in Norway at the time. The lyrics are melancholic, but tinged with paranoia. There are also upbeat tracks that evoke a prog or glam sensibility a la King Crimson, Alan Parsons, or Roxy Music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring red, black, and white lines that evoke a visualized Richter Scale designed by Monica Moltzau. Each copy includes a 2-sided 8x11' insert with lyrics and an autographed press photo of Beranek.

The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo.

It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.

Standout track, Wondering' is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart", all the songs, in their own ways, build to a roiling boil of a fate in vanishing.

The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.' FORGET is both the palliative fade out of a traumatic's past but also the trampling pain of a beautiful one's decay.

Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart.

marvin horsch debuts on Berlin's FILM with an EP of exquisitely produced, cinematic electronica. the cologne based producer develops the colourful house found on previous work for the dorfjungs la-bel, with three playful compositions that draw as much on jazz and krautrock as more contemporary strains of alternative electronic music. opener 'omnisession#1' marries a beautifully shifting organ with live drum work before segueing into the glorious softness of 'sun after rain,' a rich synth solo drenched in tape hiss. closer 'negobebo#2' wraps up the EP - an energetic, looping recording replete with staccato drum-machine strikes and warm, wet verbs carrying a spirited lead across it's six minute duration. An honest record, open and expertly executed - fukushisha is an admirable addition to the FILM cata-logue.

Visible Cloaks' Reassemblage is a collection of delicately rendered passages of silence and sound that invokes - and invites - consciousness. The foundation of the duo's second album is gently poured upon the ground their musical predecessors explored, using the materials of chance operations, MIDI translation,' and other generative principles that favor inclusive musical environments over the narrowly constrained.

In 2010, Spencer Doran, one part of Visible Cloaks alongside Ryan Carlile, prepared the first volume of Fairlights, Mallets, and Bamboo, a mixtape indicated by Doran as an investigation into fourth-world undercurrents in Japanese ambient and pop music, years 1980 - 1986.' These mixes contextualized the outré orbit of Yellow Magic Orchestra-related solo projects and their abstract, radiant forays as forever futuristic modes of music.

Reassemblage evokes similar musical futures celebrated on the Fairlights mixes, but does so observantly rather than reverently. The title Reassemblage, for example, is taken from a film essay by Trinh T. Minh-ha, which explores the impossibility of ascribing meaning to ethnographic images. The author aims to speak nearby' rather than speak about.' In other words, to embrace lapses of understanding, and realize that the impulse to map direct meaning across a cultural gap often results in further disconnect.

In an effort to speak nearby' rather than speak about,' Visible Cloaks filters and forms source material to become young again. Often the duo strip tonal elements of their specificity or randomize melodies so they become stirring and lucid. Essential patterns emerge, conscious experience heightens. In these moments, the musical language of Reassemblage finds unlimited resonance and presents a path to uninhabited realities.

The origin of this language could be described as translingual or polyglottal, working within the eastern / western feedback loop of influence, Fourth World ambiguity, and the universality of human emotion. Incorporating an international array of virtual instruments to advance the idea of panglobalism through digital simulation, tones and colors cohere into a living, breathing pool of sensorial experience in Visible Cloaks' environs.

Beyond embracing the fluidity of worldly musical influences, Visible Cloaks works fluently between mediums. The contribution of stalwart digital and installation artist Brenna Murphy's dream dimensions to Reassemblage's cover artwork and surrounding videos extends the album's exploration of global headspace into a visual, visceral reality.

An object resists changing its state of motion with inertia. What pushes back must then be even more vigorous in order to create a uid movement. An example of the force that embodies this dynamic can be found clearly on the appropriately titled Inertia, Aiken's much anticipated return to Chronicle. The Spanish artist has been spending years honing his craft, focusing on sharp, distinct sounds that create a pure sense of kinetic energy. The title track of
the EP bolsters a erce disarray of carefully (de)constructed atonal synthwork and a rhythm section that is set to detonate. It is then followed by 'Axial', a track that stays as true to modular miscalculations as it does to stripped down techno, combining both in a subliminal cessation of sanity. However Aiken isn't done there. He continues with 'Magnetism', which throws a brick in the glass of conventionality with its earth-shaking layers of textured momentum. Phased pads then wash over 'Soul Drama', bringing the entire experience

to an emotionally laced denouement. After the potency of his last record on Chronicle as well as his releases on imprints such as his own label Timeline and the Spanish powerhouse Semantica, Inertia marks a de nitive step forward for an already exceptionally de ned artist.

Co-Founder of The Galactic Shelf Records and resident DJ for MODU:LAR - Nerram is a Liverpool-based artist that's been making music and DJing for over six years. Having spent this time carefully refining his productions and growing a unique record collection; he's built up an edgy style based around original, rare house music and punchy minimal. Nerram is an exciting UK artist embarking on the next stage of his career.

Nerram launches The Galactic Shelf with a debut 3-track EP including a remix by Voigtmann. Combining driving, futuristic sounds with deep grooves and breaks - this trio of cosmic cuts come dancefloor-ready and represent the artist's diverse sound encapsulated. Enigmatic and Micron on the A side are an Odyssey through big basslines and twisting synths, followed up by the experimental, spacey Round and Round on B1. Completing the release is an altogether different interpretation of the first B side track by Voigtmann - a grooving, stripped-back outro by this excellent producer.