There’s an element of emotional abstraction and also something very intimate simultaneously on ‘Break into Blossom’. The stories find characters experiencing (and trying to make sense of) certain circumstances, but there’s at the same time a kind of distance from those experiences — a kind of cognitive reckoning that eventually gives way to understanding and actually feeling them.
Like picking up a tiny stone from the bottom of a riverbed. Turning it over in your hand. Holding it up to the sun. Inspecting it from every angle. But instead of a rock, it’s memories, dreams, relationships, losses, desires, anxieties, triumphs.
I took the title of the record from a poem called “A Blessing” by James Wright (1927-1980).
In the poem, the narrator is experiencing a moment of sublime beauty that’s also colored with a tinge of loss and of loneliness. The poem ends with, “Suddenly I realize That if I stepped out of my body I would break Into blossom.”
When you’re wading in the river, it may be gold… or it may just be a plain old rock. And that’s okay. Sometimes the loss itself creates a space for something profoundly beautiful.
So you keep going out and digging around, nonetheless. That’s the important thing.
Suche:u stone
“Mekons fght off the darkness with stout hearts and great songs on
Exquisite…Recorded remotely during the pandemic, the eternally enduring
post-punk crew’s latest is a fne addition to their enormous catalog…
We’re living through history; it’s a blessing to have Mekons along for the
ride
”– Rolling Stone
Hunkered down and unable to record together, in 2020 the MEKONS created a
glorious digital chain letter of an album. Exquisite is a sprawling manifesto of
connection and defance that deftly slides through fddle tunes, digi-dub, freside
ballads and urgent rock & roll. And that’s just side A.
The original recording plan was to have been the whole-band-in-a-room session in
Valencia, Spain. When the pandemic rendered that impossible the process took a
sharp swerve. The album credits describe it this way: "Exquisite was recorded in
lockdown on mobile phones, broken cassette recorders, clay tablets & other
ancient technologies in Aptos, Chicago, London, Los Angeles, New York & Devon.
"
This legendary group from Leeds, have written contemporary music history for
the last 40 years as radical innovators of both frst generation punk and insurgent
roots music, and Exquisite is another powerful vector of that legacy.
It’s a sign of definite quality when a band can look back at a career which started as early as 1972 (!) and are still capable of thoroughly awing their fans with every new album. Magnum deliver this kind of quality on a regular basis and are set to prove their outstanding position once again with their latest studio offering ‘The Monster Roars’. Even after difficult months marked by pandemic-related concert cancellations, contact restrictions and uncertain perspectives for the whole music industry, the English rock act have succeeded in creating a vibrant, homogeneous work that impresses its listeners from the first to the last note and includes a number of surprises.
It’s a sign of definite quality when a band can look back at a career which started as early as 1972 (!) and are still capable of thoroughly awing their fans with every new album. Magnum deliver this kind of quality on a regular basis and are set to prove their outstanding position once again with their latest studio offering ‘The Monster Roars’. Even after difficult months marked by pandemic-related concert cancellations, contact restrictions and uncertain perspectives for the whole music industry, the English rock act have succeeded in creating a vibrant, homogeneous work that impresses its listeners from the first to the last note and includes a number of surprises.
Buckle in for an orgasmic Italo trip, courtesy of Argentinian duo Furor Exótica. The result of a sweaty and shaky journey in their Buenos Aires studio, here they deliver two stir-crazy babies, crafted for dancing lovers worldwide.
The title track ‘Macchina Bum Bum’ builds energy gradually from minimal beginnings, adding spine-tingling vocoder vocals, shimmering synth melodies and a familiar sample as it builds towards a euphoric climax. Prime sunset material.
Meanwhile ‘Fractal’ is a hot and heavy chugger, with its throbbing bassline, trippy vocals, and euphoric synth melodies swelling and swirling together. You can practically smell the sweat on leather.
On remix duties, Donald’s House kick things off with a brilliant reimagining of ‘Macchina Bum Bum’, complimenting the vocals with a squiggly, wiggly, funky and propulsive retro-futurist instrumental. Just try not to throw your hands in the air when the synth melody comes in around the halfway mark! A certified stone cold banger, ready for peak-time deployment.
Bringing things home, label founders Kayroy and GREETINGS deliver a dreamy, psychedelic rework of ‘Fractal’. The vocals are transformed into a trippy, gated refrain, taking center stage alongside mellow, warm synth lines, and underpinned by a robust 808 kick. The track ends in a final crescendo, which should please dancers in a club or lovers in a broom closet alike.
GLASVEGAS return with their triumphant fourth album ‘Godspeed’, – the music we all need right now. The latest single Shake The Cage (für Theo) sums up the dazzlingly eclectic sound of Godspeed perfectly – this is an electronic barrage with devastatingly powerful spoken word lyrics which call to mind I’m Gonna Get Stabbed from the band’s astonishing debut.
The single is perfectly positioned at the end credits of Alan McGee’ new movie ‘Creation Stories’, written by Irvine Welsh and executively produced by Danny Boyle. Hand picked as the only current track to grace the music mogul’s biopic, it is a kind of
dystopian, free-associative ‘Choose life’ sermon (’Stand on a wave / calculate quantum mechanics / Surf, dance / Believe in chance”) set to the escalating dread and claustrophobia of a John Carpenter murder-chase.
- A1: God Of War
- A2: Memories Of Mother
- A3: Witch Of The Woods
- A4: Lullaby Of The Giants
- A5: Ashes
- B1: Peaks Pass
- B2: A Giant's Prayer
- B3: The Dragon
- B4: Mimir
- B5: Magni And Modi
- B6: Echoes Of An Old Life
- B7: Helheim
- C1: The Healing
- C2: The Reach Of Your Godhood
- C3: Stone Mason
- C4: Valkyries
- C5: Deliverance
- D1: Salvation
- D2: The Ninth Realm
- D3: The Summit
- D4: Epilogue
Mondo is proud to present the soundtrack to Santa Monica Studio's GOD OF WAR. Composed by Bear McCreary, the soundtrack to GOD OF WAR is truly epic and emotionally powerful. This album features some of Bear's most beautiful compositions to date, bouncing back and forth between solemn and sublime.
Featuring original artwork by Jeff Langevin, and pressed on 2x BLACK 180 gram Vinyl , both the game and the soundtrack are modern masterpieces.
For nearly two decades, four-time GRAMMY® Award-winning multi-instrumentalist, bandleader, producer, arranger, and songwriter Michael League has been an innovative force in modern music, whose grass-roots approach to the industry has made an imprint across multiple continents and genres. Known best as the leader of the instrumental ensemble Snarky Puppy, League has performed thousands of shows, released dozens of studio and live albums, and garnered accolades from the New York Times, Downbeat, Jazz Times, and Rolling Stone, among many others. The busy artist is also a founding member of the GRAMMY®-nominated supergroup Bokanté and oversees GroundUP Music—a fiercely independent label which he established in 2012. As a versatile producer and songwriter, League has collaborated with a broad spectrum of artists, including David Crosby, Esperanza Spaulding, Kirk Franklin, Joe Walsh, Daedelus, and Terence Blanchard. Throughout his many ventures, however, League has always felt most comfortable within a collaborative setting, whether he’s bringing musicians together from across the globe, planning the latest edition of the GroundUP Music Festival, or writing one-on-one with a partner. While the notion of a solo record first took shape in 2015, League’s demanding schedule always prevented him from pursuing it in earnest. And then, in March 2020, the world went into lockdown amid the COVID-19 pandemic. With tours canceled, studios shuttered, and projects on hold indefinitely, League finally had the time to make this record—titled So Many Me. Yet, lyrically and musically, his first solo album was a very different project—and process—than what he had initially envisioned five years earlier.
- 1: The Legend
- 2: The House On Elm Street
- 3: Girl With No Eyes
- 4: The Psych Ward
- 5: Gibb Meets Freddy
- 6: Will's Story
- 7: French Kiss
- 8: The Control Room
- 9: Jason's Surprise Attack
- 10: Jason's First Dream
- 11: Stoner Creature
- 12: Freddy's Dream World
- 13: Jason Unmasked
- 14: In The Library
- 15: Freddy Gets Young Jason
- 16: Wake Up Lori
- 17: Freddy In The Real World
- 18: Fight On The Dock
- 19: Freddy Expires
- 20: Is It Ever Over?
Freddy vs. Jason hit theaters in 2003—60 years after the release of cinema’s first monumental monster team-up, Frankenstein Meets the Wolfman (1943). Directing this long-anticipated monster mashup was Ronny Yu, a Hong Kong action director,
Since '66, when the British singer- songwriter emerged as the voice of his
generation with the seminal Family band, through every twist of his four-decade
solo career, Chappo's output has defied music industry protocol, challenged
genre, and held up a mirror to the times. "I've never stopped writing," he reflects,
"and with Life In The Pond, I felt the need to hear what I'd put down in music."
Released in 2021 on Ruf Records and Chappo Music, Life In The Pond draws a
line under a period in which the 79-year-old had been absent from the studio but
privately prolific. Twelve years since 2009's acclaimed rarities collection Hide Go
Seek, "A true lionheart still roars," raved The Mirror, Life In The Pond reconnects
the veteran with faces from his past – including ex-Family multi-instrumentalist
John 'Poli' Palmer as co-writer and producer while taking the pulse of modern life.
"Mostly it's anger at politicians that's kept me fired up," says Chapman of the
lyrics.
As for the music, Life In The Pond connects the dots between Chapman's
founding influences. "It's about nostalgia for the different musical styles that
influenced my life. American rock from the '50s to now. British R'n'B from the '60s,
like Georgie Fame, the Stones, Zoot Money. Folk, Blues, Motown, Stax, Blue Note
jazz, Classical, Americana, and Country. A whole mess of influences…" More than
four decades later, Life In The Pond ties all those threads together, finding
Chapman's voice in vintage form and his musical radar more receptive than ever,
on a tracklisting that roams from hypnotic seven-minute epic "Nightmare #5" to
"Rabbit Got The Gun's" dystopian soul-funk.
The world has turned a few times since '66, but Roger Chapman still has
something to say – and with Life In The Pond, his voice as an artist is more vital
than ever. "I'm very pleased and grateful that Poli gave me the opportunity," he
says, "because I think we came up with the goods on this album."
- A1: Silhouettes (Vanishing Twin Remix)
- A2: C'est Charles (Shungu Remix)
- A3: Tout A Une Fin (The Notwist Version)
- A4: Eyelids & Phosphenes (Aksak Maboul Reconstruction)
- A5: Sophie La Bevue (Cate Le Bon Interpretation)
- B1: Hotel Suites (Carl Stone Redesign)
- B2: Un Caid (Spooky-J Remix)
- B3: Uccellini The Menace (Aksak Maboul Full Version)
- B4: Retour Chez A (Kate Nv Remix)
- B5: Charles Undresses (& Goes To Bed) (& Goes To Bed)
Im Mai 2020 erschien das Doppelalbum Figures der legendären belgischen Band Aksak Maboul. Nun folgen gleich zwei Alben mit Remixen, Coverversionen und neuen Versionen von fünfzehn ganz unterschiedlichen Musiker*innen auf Vinyl (jeweils streng auf 500 Exemplare limitiert). Betitelt sind sie Redrawn Figures 1 und Redrawn Figures 2. Mit von der Partie sind u.a. The Notwist, Cate Le Bon, Felix Kubin, Tolouse Low Trax und Matias Aguayo. Zu ihren Versionen kommen vier weitere von Aksak Maboul-Gründer Marc Hollander selbst. Wie im Albumtitel bereits anklingt, bat Aksak Maboul die Musiker*innen, sich nicht nur die Musik, sondern auch das von Véronique Vincent gestaltete Artwork von Figures vorzunehmen. Die daraus resultierenden sechzehn Bearbeitungen zieren das Cover von Redrawn Figures 1. Das Cover von Redrawn Figures 2 wiederum stammt vom französischen Maler Hervé Di Rosa, einem der Mitbegründer der "Figuration Libre"-Bewegung.
Clear Orange Vinyl w/ bone splatter. Limited edition of 300. Linernotes written by Josh Homme. Originally released on CD in 2001 on Josh Hommes own Rekords Rekords-label and now on vinyl for the first time! 20th anniversary! Remastered for the vinyl release. There must be something in the sand of sweltering Palm Desert, a California town that has birthed Kyuss and Queens of the Stone Age, as well as Fatso Jetson. Like Kyuss/QOTSA, Fatso Jetson built a name for themselves by putting their own unique spin on the Sabbath sound, but unlike their counterparts, larger than life singer/guitarist Mario Lalli's true love lies in both jazz (Thelonious Monk, Eric Dolphy) and experimental rock (Frank Zappa, Devo). On paper, this conglomeration of different styles sounds like the perfect recipe for a train wreck, but it somehow all comes together on disc, as evidenced by the trio's 2003 offering, Cruel & Delicious. Issued on old pal Josh Homme's label, Rekords Rekords, the trippy songs perfectly fit the feel of the album's cover (a sun-bleached photo of a long stretch of desert highway), especially such standouts as the saxophone free for all "Drinkin Mode," the melodic "Light Yourself on Fire," the bouncy instrumental "Heavenly Hearse," a barely recognizable cover of the Devo obscurity, "Ton O Luv," and the jazzoid freak-out, "Pig Hat Smokin." Cruel & Delicious is an enjoyable slice of hard rock, well off the beaten path
The classic debut LP by Dub Narcotic Sound System, originally released on K Records and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite," "Fuck Shit Up," "Booty Run," and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown, Ridin' Shotgun, and Ship to Shore, the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit."
The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents their first ever 12” release which contains the stunning Christopher Williams tune “Fine As Gold”!
This release is definitely worth its weight in gold, the Bronx (New
York) native Christopher Williams delivers an amazing tune and most
certainly lives up to the nickname “The modern Teddy Pendergrass”. The track is penned and produced by Stone Paxton and on the flip we are spoiled with an exquisite remix by genius Yuki “T-Groove” Takahashi.
Definitely not to be missed as it is a very limited UK press with full
colour printed picture cover!
"Another stone cold classic from the vaults of Taxi Records. The Cool Ruler, aka singer songwriter Gregory Isaacs. Perfectly crafted songs and precise rhythm construction by the Taxi Gang
at Channel One Studio. Each song drifts seamlessly into percussive dubs with subtle sonic landscapes sculpted by the engineers Maxie & Ernest Hookim at the mixing board."
Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping and now Grammy nominated "Distance” as well as “Don’t Back Down,” “Epiphany,” “Mammoth” and more.
This stunning debut is one of hands down one of our highlights of the year and is still available on a lovely Black Ice Transluscent vinyl.
Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC, Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument.
Mammoth WVH will be touring Europe extensively in 2022 supporting Scorpions in Germany and headlining shows in Paris, London or Zurich.
New Originals 45 – you know the drill – B side samples the A side and the sample in question is JC Davis’ stone cold classic breakbeat A New Day as featured on DJ Shadow’s Entroducing LP sleeve – absolute fire! Hell Razah calls on some help from a couple of legends Talib Kweli & MF DOOM (RIP) who also produced the track which leans heavily on the JC Davis track to great effect – doubles are mandatory!!
- A1: Rhucle - Off
- A2: Maiya Hershey - Morte Branca (From Coast To Coast)
- A3: E57 & Haunted Ghost - Euphoria Factory
- A4: Lake Turner - Amber At The Iris
- A5: Øjerum - Uden Navn
- A6: Benoit Pioulard - In Just-Red
- B1: Sangam - Wonders
- B2: Cmd094 - Autonomic
- B3: 36 - They Sleep In The Dream Of Their Ego
- B4: Zakè & City Of Dawn - Sfocatura
- B5: Dravier - Alkali
- B6: Forest Management - The Drake
- C1: Otto Taimela - I Know How U Feel
- C2: Wax D - There Is No Secret
- C3: So, Lately & E-Motion - D I L At E
- C4: Cryosauna - Forgiven
- C5: Palms High & Goaty - Forgiven
- C6: Stonemist - Si V
- D1: Chaos Control - Halo Killer
- D2: Heartwerk - The Alley Behind Elgin Ave
- D3: Cult Member - 4Ay
- D4: Dj Javascript - Weizenbier
- D5: Broosnica - Tomorrow Already Today
- D6: Ezzy - Late Night Jame
This is the 30th release and 3rd Anniversary of our first tape, so to celebrate the label has brought together friends new and old for a spectacular compilation ranging from ambient to dreampunk to uk garage to house. All proceeds from this release will be donated to the Coral Reef Alliance.
Digital Afrika return to the fray with this incredible EP for ASW. Featuring the original Gnawa plus it’s acoustic source recording as performed by Radouan Naim in Morocco PLUS two truly excellent remixes from the legendary Jose Marquez and Melbourne’s own TEYMORI (Amin Payne).
The original source recording for this track was laid down in Planet Essaouira and recorded by Zhonu “Nui” Moon (Digital Afrika ) on one of his many cultural trips to his ancestral home land. The studio is situated on the Moroccan coastal town of Essaouira , a cultural hub for the Berber (indigenous Moroccan) traditions.
This enigmatic town , popularised by the beatniks and bohemians of the 60ʼs, most famously by Jimi Hendrix and The Rolling Stones , has a mystique all its own as well as a long musical history.
“Gnawa” in Berber language literally translates as “Trance“ music , and is traditionally performed in “Lilas” musical ceremonies accompanied by dance that can go on for days .. where the purpose is to produce trance-like states of being where different types of healing or catharsis can occur ..
The recording was then brought back to Melbourne, Australia. Where the Digital Africa team applied its electronic Afro-house touches , while keeping true to its original North African aesthetic.




















