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Dusky return to Anjunadeep with their forthcoming studio album ‘Signals’. The London duo first debuted on Anjunadeep in 2011 with their critically acclaimed album Stick By This. Expanding the boundaries of deep house and UK club music, the record marked the beginning of Dusky’s rise as one of the scene’s most respected acts. Their breakout track ‘Careless’, released via Aus Music, further cemented their reputation, amassing more than 14 million streams and becoming one of the defining UK house records of its generation. In 2014, the pair launched their own imprint, 17 Steps, which has since hosted releases and remixes from artists including Nathan Micay, LTJ Bukem, Interplanetary Criminal, Denham Audio and Shed. Since then, Dusky have released two further studio albums, Joy and Pressure, alongside a string of acclaimed singles. Their music has earned support from Pete Tong, Danny Howard and Sarah Story on BBC Radio 1, as well as widespread backing from leading DJs including Jamie Jones, Peggy Gou, Gorgon City, TEED and TSHA. While 'Signals' represents a natural continuation of the Dusky story, it also ventures into more reflective territory than previous releases. The album's wider range of influences and more contemplative mood offer a fresh perspective on the duo's sound, while also paying subtle homage to their acclaimed debut album ‘Stick By This’. Featuring multiple collaborations with vocalist Rromarin, alongside a contribution from Nadeem and Pritt, 'Signals' reflects a creative process that unfolded over many years. Some tracks grew from ideas first sketched long ago, while others emerged more recently, giving the album a sense of both history and momentum. Across its 13 tracks, 'Signals' balances Dusky's club-rooted instincts with downtempo offerings. Tracks such as 'Next Life', 'Kadhalan' and 'Lab' showcase the duo's signature combination of bold basslines, driving rhythms and emotional resonance. Elsewhere, 'Elm' and 'Bindweed' slow the tempo and draw on the warmth of soul, the deeper edges of disco and richly textured live instrumentation.

Riviera Records presents XTC002: The Atlantic Connection with non-stop flights to X-Coast from Ireland, UK and USA.

The first route offers a very intuitive bass and breakbeat driven ride with a Tama Gucci signature, sensual vocals cutting through the airspace. The second journey is flying over (hard) house territory
with DJ Torture serving the snacks.

The B side we have a UK to X-Coast red eye flight with a trance edge courtesy of Capt. Ejeca. B2 is the only supersonic flight offered at this time navigated by Tommy Holohan: a shuffled up Reese bass powered techno from Ireland to X-Coast in just 4 minutes and 57 seconds - buckle up.

Attention: BPM changes at short notice!

Born 2 Be Free label head Azaad has been kicking out his twist on UKG for a few years now, and in that same time he has also been beavering away on his debut album. Ahead of that drop, he teases us with a sampler from it that covers plenty of ground. 'Isthisluv (feat Elias Mazian)' is a deep one with an expansive comic backdrop and cool grooves. 'Dubble Lively' is more tightly coupled and punchy, kick-driven garage house, then he remixes 'Lost Worlds' into something dubby but kicking. Two B-side cuts roll deep with deft sampling. Bring on the album!

It's 1995 and techno has hit max speed while house is going deep. UK soon-to-be-legend Baby Ford has different ideas as he kicks off his now cult Trelik label with this EP from Ian David Loveday aka Tan-Ru that strips everything back, layers in dubby low ends and masters the art of loop building. It's still driving and mind-melting but with a restrained and futuristic sound that is utterly fresh. As well as the original is a more textured dub and the flip-side classic ' Assembly'. This one is in a hurry, with claps and feathery snares riding the swinging drums. Freaky stabs bring some fun and decades on the EP, which started it all, still sounds unmatched.

KKYV10 is a four-track EP by Bulgarian producer Loopdeville, currently based in Spain. The release explores a flexible space between minimal, breakbeat and house, shaped by groove-led structures, textured sampling and a slightly twisted, off-centre energy. Built to move through different moments — daytime light, peak pressure, late fade. The EP opens with "The Bizz", a track built around jazzy elements, vocal cuts and a jackin low-end. Its warm, rolling groove sets a natural tone for the record, balancing playfulness with reflections. "Shmuck Norris" follows with a heavier, more direct approach. Driven by raw drums and a rolling bassline, the track leans into a big-beat aesthetic while maintaining a stripped structure. On "Rashford", the EP shifts into a breakbeat framework. The track carries a deeper, more introspective mood, with subtle background movement adding acid tension beneath it’s surface. The closing track, "Septimo", draws from UK-influenced minimal with garage elements. Focused on sub frequencies it is designed for systems that favour depth and clarity in low parts. Together, the four tracks form a cohesive yet varied release, reflecting Loopdeville’s recognisable sense of tension and detail while staying totally aligned with Kooky’s sonic direction.

My Chemical Romance's "The Black Parade (20th Anniversary Edition) vinyl" includes the original fourteen-track album. Released in October 2006, The Black Parade follows The Patient through his reflections on life and his passage into the afterlife, built on the concept that death visits people in the form of their earliest cherished memory.

Pressed as a single LP on Concrete Grey vinyl in a single-pocket jacket with a new art insert and printed inner sleeve.

My Chemical Romance's "The Black Parade (20th Anniversary Deluxe Edition) CD" includes the original album plus six bonus tracks: three live performances from The Black Parade World Tour (2007), never before released on physical music formats, and three rare B-sides. The live performances include "Someone Out There Loves You," long referred to by MCR fans as "Stay," performed on the tour but never officially recorded. Released in October 2006, The Black Parade follows The Patient through his reflections on life and his passage into the afterlife, built on the concept that death visits people in the form of their earliest cherished memory.

Packaged in an O-card and wallet with a 16-page lyric folder and new art insert

UK house mainstay Hodge releases his long-awaited second album, eight tracks of high-calibre house and club music with a focus firmly on the dance floor.

Powerful early 90s house pieces by the mysterious D.J. J.A.
This tracks were unearthed in a secluded backyard in Bristol, UK - or maybe behind the liberty bell of Philly, USA?
The truth remains a mystery. Directly recorded from original cheese plate and polished for todays DJ demands.
Enough talk - play it, say it!

Following the strong response to Late Checkout 001 and support from DJs including Louise Chen and Mafalda, Mark Sexton returns with four more hazy club excursions that blur the lines between deep house, UK Garage and sample-heavy soul. Warm, dusty and effortlessly musical, Late Checkout 002 builds confidently on the sound that made its predecessor a favorite among discerning selectors.

Ultra Knites back with the Sensations EP. Four cuts of deep house, warm and dub tinged. Throughout, the mood stays warm and unhurried, favouring feel over force. This is deep house made with care, the kind of record that quietly holds a room together rather than demanding attention.

New school meets old school on Visitors’ third release!

Returning with a second Various Artists EP, Visitors bring together two pioneers of an authentic tech house sound alongside a new generation of producers. Scene legends Pete Hurst aka Sloth UK and Adam Collins join newcomers Locky Mazzucchelli and Sweater for a versatile four-track offering. Acidic touches run throughout, alongside raw bassline house and broken techno rhythms, with the modern sounds of the A-side flowing seamlessly into some classic flavours on the flip. A versatile and highly playable EP that balances contemporary club energy with old-school attitude - four tracks made to fit your record bag and stay there

This Cologne-based producer still serves 90s UK tech house the old fashioned way! While collectors and resellers scour Discogs and Dollar bins for forgotten treasures from the golden age of tech house, another generation of producers is looking to start a new one: One of them is Cologne’s Anatoli, whose “class struggle ep” on Das ist das Ja delivers four deep cuts inspired by his love for and stompy US and UK tech house from the turn of the millennium. With its driving basslines, stripped down arrangements and dubby chords “class struggle” is crafted to get a dancefloor going like it’s 1999 – not a phone in sight. by DJ Fucks Himself

Radiant, spring-loaded and alive with movement, Lab Boogie sees Jupiter’s Depth go full dancefloor as Vienna-based Nizar Sarakbi makes his first appearance on the label.

The A-side cuts a brighter path through house, with rolling low-end, dubby flashes and percussion flickering from every angle. Across the B-side, the groove turns techier and the mood slightly darker, before Bella Sarris closes the record with a warped, off-centre take on “Angel Dust”.

Ukrainian-born and now based in Vienna, Nizar follows releases on Outdom and Naked Groove Records, including the recent *Truth Seekers* EP alongside COZi. The record is already picking up support from label favourites Julian Anthony, Christopher Ledger, Roza Terenzi, Eoin DJ and Jennifer Cardini.

CFUNK 050 is presented as a special collector edition commemorating the 50th Cyberfunk release. The package celebrates more than two decades of the label's music, artwork and visual identity.
The accompanying booklet brings together artwork from across the Cyberfunk catalogue, including labels from some of Quest's biggest and most memorable releases, alongside a personal retrospective from DJ Quest looking back at the creation of the label, the artists who shaped it and the journey back to vinyl.
Dedicated artist pages introduce DJ Quest, Paket, Destroyers, Code BreakerZ and Groovebox, connecting the artists behind release 050 with the wider story of Cyberfunk and the international breakbeat community that continues to support it.
More than simply a four-track 12", CFUNK 050 is designed as a physical celebration of Cyberfunk: its records, its artwork, its artists and the people who have kept the sound alive.


Cyberfunk reaches release number 50. To mark the milestone, DJ Quest opens up the Cyberfunk archives for a special four-track vinyl release featuring new interpretations from Paket, Destroyers, Code BreakerZ and Groovebox.
CFUNK 050 connects the label's original UK Bassline Breaks foundations directly with a new generation of producers. Each artist has been given the freedom to reinterpret classic Quest material in their own style while retaining the character, bass pressure and dancefloor attitude that made the originals unmistakably Cyberfunk.
From Paket's reworking of Muffled Mayhem and Destroyers' take on Cybanet, through to two very different versions of Back To The Old Skool from Code Breakerz and Tech House maestro Groovebox, the release moves across modern breaks, heavyweight club production and rolling groove-led territory.
It is both a celebration of 50 Cyberfunk releases and a statement about what comes next.

A1. DJ Quest feat. Yoof - Muffled Mayhem (Paket Remix)
Spanish breaks heavyweight Paket takes on Muffled Mayhem, retaining the attitude and personality of the original while rebuilding it for contemporary dancefloors with heavyweight drums, powerful bass and the polished low-end pressure that has made him a leading figure in the new generation of Andalusian Breakbeat.
A2. DJ Quest - Cybanet (Destroyers Remix)
Destroyers turns his attention to Cybanet, pushing one of Quest's darker electronic productions firmly into modern club territory. Futuristic electronics, heavyweight rhythm programming and serious dancefloor pressure meet the machine-driven character of the original.
B1. DJ Quest - Back To The Old Skool (Code BreakerZ Remix)
Code BreakerZ completely re-engineer one of Quest's defining tracks for a new generation. Their acid-tinged, hard-hitting approach injects fresh energy into Back To The Old Skool while keeping the hooks and attitude that made the original such an important Quest record.
B2. DJ Quest - Back To The Old Skool (Groovebox Remix)
Groovebox closes the release with a deeper, tech house, groove-led interpretation. Built around movement, rhythm and rolling dancefloor momentum, his remix takes the original somewhere different while preserving the unmistakable old-skool spirit at its core.

We Shine In The Darkness have made a superb start to life with two first EPs that both sold out. Their third is another hot one with dancefloor-savvy reworkings set to light up summer floors. The A-side reimagines 'Beachball', the beloved 1997 Ibiza house anthem that here becomes a smooth, nu-disco bumper with fine-grain synths and an electro-funk vibe that is finished with a great vocal from Ukrainian singer Teya Flow, lending the track fresh emotional pull. The B-side shifts into 'Gulf Dream', a deeper, more hypnotic and cosmic disco sound that takes its time to unfold, before closer 'Shining Star' channels New York's Neo funk lineage into something super cool and loved up, swaggy and full of summer heat. Vital cuts for vibey selectors.

An anniversary of sorts (30 years !) for this vintage UK House collection...

One limited, clear vinyl press.

Farid Boudinar alias F.E.X. is back. He drops four mindblowing tracks, stylish, house Uk, deeptech, special 90's vibes.

Already played and supported by Raresh, Traumer, Enzo Siragusa, Reflex Blue, Olivier Romero...

Infinite Search is the first label launched by Lifted Trax, and the beginning of a larger effort to highlight music coming out of Singapore and broader region.

The label will be home to the deeper shades of shop founder Dexter Colt’s productions, showcasing his dubby and introspective style that has coalesced over the last several years. The four cuts that make up Syncretic represent a melding of deep dance music styles, taking inspiration from dub techno, US deep house, leftfield electronix, UK tech and more, filtered through the perspective of Asia’s dancefloors. Limited run, vinyl-only release.

Pariter continues its acclaimed archive series with another essential London tech house reissue from the Strange Weather Studios catalogue. Produced by two of the scene's key figures, Timmy S and Justin Bailey, this release captures a defining moment in the evolution of the UK sound.

Originally released on Wiggle in 2001, the EP arrived during the golden era of Nathan Coles and Terry Francis's legendary Fabric residency, when Strange Weather was helping shape the future of London's underground tech house. More than twenty years on, these tracks have lost none of their impact.

Meticulously remastered from the original DAT masters, the EP features three deep, tripped-out, acid-tinged tech house cuts, now presented on heavyweight 180g vinyl for the first time. Gold.

Hot on the heels of their new UK street soul-inspired LP ‘Feel In Motion’, Leeds three-piece Galaxians enlist Steven Julien (Apron Records), Boys Shorts (Phantasy Sound), Cervo (Banana Hill) and Vanity Project (Claptrap Records) for remixes of the album's singles.

Adopting his 808 PRINCE moniker, the London DJ, producer & Apron Records label boss Steven Julien beefs up World Apart with his unique live 808 programming, imbuing it with an urgent machinefunk groove in keeping with his consistently electrifying live performances & DJ sets.

Coming straight from the release of their ambitious debut album ‘What Does It Take To Make These Men Happy?’, Greek duo Boys’ Shorts create a heady club moment with their take on Lose My Head, cutting up Sinead Campbell’s vocal while zeroing in on the original’s undeniable bassline & piano melody.

Best known for his Banana Hill label & Manchester club night, Stockport’s Cervo brings the global rhythms and balearic wistfulness of his previous output to bear on his evolution of Fantasy, while Claptrap Records boss Matt Bruce AKA Vanity Project reimagines the track as a cosmic house chugger that further highlights the exceptional vocal performance Beccy Young recalling Madonna at her most iconic.

The package is completed with Gramrcy & John Loveless’s 12” Mixes of Worlds Apart and Fantasy, expanding and reshaping the album originals into pure dancefloor bliss.