quête:untitled

Strong Limited White Label. Amazing House Cuts. Special Music for special moments.

Unreleased Marcus Mixx session, recorded in 1988 at Head Studios in Chicago.

Sixth release of BinarySound’s limited vinyl series BS-LTD, featuring exclusively French producers.

On the A-side: Venetia, a rising star from Belle-Île, now based in Paris.

On the B-side: La Marmaille & SELA, two producers from Lyon who first met in La Marmaille’s basement studio.

Limited to 250 copies.

JUST IN TIME FOR FESTIVAL SEASON - UU013 HAS LANDED.

BUILT FOR SERIOUS PEAK-TIME BUSINESS.

THERE WILL VERY LIKELY BE NO REPRESS ON THIS ONE.

WITH LOVE AS ALWAYS.

UU

Limited copies. Graphic by Ludovica Padovani

VINYL ONLY! LIMITED EDITION!

deep dub techno for contemplative explorations

Network 23 - EP10 are 4 tracks by R-ZAC the tracks on the A-Side are made by Simon and on the B-Side by Seb. It goes without saying both sides are bangers and Stefan ZMK's remaster brings them up to nowadays standards.

Warehouse Find!

Here we go with number 6 of the carefully remastered Network 23 reissue series.
A-Side by Crystal Distortion and B-Side by 69db 4 classic bangers that you don't wanna miss in your record collection.

Marvin Gain presents four special cuts on the second output of Subsdance.

The VA theme on the LP series under the name Untitled || continues to explore the subject of 8 different minds from different corner of the globe connected by the principle and love for the audio frequencies in line with Exarde. Featuring two artists which already dear to label due to the fact of past releases on it and six new ones who have become instant people of love and admiration for me.

From the more deep and mellow to the higher pressure for the brain this double disc shall meet your demands. The art theme of this one is blobs & globs from space, whether they are emerging, fighting with their own shadow, or just simply floating and co-existing. This shall conclude my rambling for this body of work as I go and put these eight essences through my ear canals once again. Great deal of thanks for the hard work and dedication of these talented conductors.

Coming from a diverse background of equal amounts hip hop and rock, the producer behind the alias of nrl:ndr got into dance music late in his musical career. After playing in kraut-oriented bands like So Many Mammals, parts of that group reformed into the live techno outfit Tren Né, with the goal of fusing techno elements with live drums. Playing for illegal raves with a punk-like energy, nrl:ndr has cemented his relationship with his machines in service of the dance floor.

But his solo debut on blundar is quite far removed from that scene. To understand this music, one should be aware of the conditions under which it was manufactured. Reluctant to consider himself an artist in the traditional sense, nrl:ndr makes his music free of anticipation and without apparent goals. To glean into this outré musical space is like putting one's ear to the boarded up windows of the photograph that adorn the front sleeve.

The album makes extensive use of the Roland JV-2080, a sample-based synth rack from 1996 with a distinctly clean sound. Our producer dives deep into the expansion cards (labeled after genres like “Hip Hop” and “World”) for curious and sometimes cheesy samples. But he also forces the JV-2080 to do things which are not its forte, like the arduous task of programming decent kick drums.

Another technique that is testament to his experimental view on music making, is the idea of using sketches of unfinished tracks with different time signatures, and mash them together into something new - of which the results of one of these experiments can be heard on the closing track and its bilingual conversation between ambient and tribal.

Full of stunted rhythms and eerie melodies, the unclassifiable nature of the music of nrl:ndr lies somewhere in the vicinity of IDM, classical avant garde and private press synth. From the epic opening track - echoing the post-kraut drumming style of Michael Shrieve - to juggling with chopped up vocal samples and treading into almost trap-like territories on A4, he crosses into a multitude of genres without getting his hands too dirty with nostalgia.

Repress!

Odd breakbeat-influenced crazy rework by Locked Groove and a dope psychohouse remix by Simon Haydo on the already odd Outcast Oddity...Game changer!

Next up on our White Series are these 4 bangers from Italy.

Untitled Musica welcome "Root" to their expanding catalogue with ‘Sarab EP’. A deep and mind tripping release with 3 fresh cuts navigating the realms of stripped back soundscapes.
This one is for the heads.

NEXT UP ON OUR WHITE SERIES, FOUR TRACK VA FROM AROUND THE WORLD... 12" hand-stamped wax

"Sounds Over Seas" is the new label bringing banging beats straight from the depths of the heart. Spearheaded by label head and DJ/Producer Julian Bainbridge, "Sounds Over Seas“ intention is to deliver groovy and dreamy vibes by new and established artists, whilst remaining genuine to its true nature; music not just for the dancefloor.

SOS001 brings all this together, delivering rhythmic and jacking beats on the A-Side and a more dreamy and spacious vibe on the reverse side.

Straight from the East, druzhba001 presents three original tracks by the Bucharest based talent Triptil. The release also includes a groovy remix courtesy of the Berlin resident Patrice Meiner. Limited to 300 copies. Tip!

Black strikes back.

Pom Pom.
Bumm Bumm.
Ja Ja.

Modularz returns again with another, various artists this release this time on the more driving side of the techno spectrum keeping things raw for those warehouse or late club nights this EP is packed with sonic power. play loud and often TIP

After a string of solo eps Modularz returns with a wave of various artists releases pushing established and emerging producers laying down strong tracks made for the warehouse or the club. These releases are really getting the pick of the litter when it comes to techno. play these loud and often.

Office Recordings continues to surprise us. After Baaz' Techno-/Ambient-hybrid on Office 011 the label from Berlin comes up with a stunning new and anonymous project called 'One Day' featuring four also unnamed tracks. The A-side of the record starts off with a with a superb Deep Techno track which tempts us with very emotional pads and a strong kick and bass fundament - an irresistible combination. A2 goes in the same direction but feels like the slightly mellower and softer brother of its predecessor - a little bit moody but still straightforward at the same time. The flip side is dedicated to two freestyle electronic tracks standing in the tradition of the best Warp offerings from their heyday in the 90s. We're talking charming melodies and sparse but elaborate rhythmic patterns. The record comes in a hand stamped and with a lovely artwork also hand made by Office art director Super Quiet. All tracks have been mastered and cut by sound engineering proficient Pole at Scape Mastering.

UU014 IS HERE.

NO SALES NOTES NEEDED.

THESE SIX TRACKS SPEAK FOR THEMSELVES.

HEAVYWEIGHT UKG. BY. DESIGN.

SETTING THE TONE RIGHT FOR 2026.

WITH LOVE AS ALWAYS.

Mental and acid nice stuff... Definitely deep and digging... With some broken and some ambient. Acid Textures and mental beats !

Magestic EP with Korus from Intersphere :)

BIG true NL underground sound !

Seventh release of BinarySound’s limited vinyl series BS-LTD, featuring Die Angst, an electronic live duo based in Bologna formed by Francesco and Giuseppe Distefano. Limited to 250 copies.

Clubhouse Vice President Oldboy supplies the fairway with 2 swift crowd pleasers – hole in one settings.

"deathcrash’s third album, Somersaults, glimmers with an everyday euphoria. The London-based slowcore/ post-rock quartet has always had an affinity for building worlds only to crush them. From their breakout EP, People thought my windows were stars (2021), through two critically acclaimed studio albums, Return (2022) and Less (2023), they have been both the architects and the destroyers, the creationists and the ones manning the flood barrier. But, recorded between Black Box Studio in the Loire Valley and Haggerston’s Holy Mountain, Somersaults is almost joyful.

Its ten tracks are more vocal heavy than any of the band’s catalogue – think Mark Linkous via The Kinks – but lyrically, Somersaults resists revelation. For all its abrasion, phrases appear half-swallowed, broken off at the edge of meaning, consumed by the smaller textures of living. “Thirty, no career, it fucking worries me / And doing the band doesn’t help,” Banks sings in ‘NYC’. But, “This life is the best life,” he finishes in ‘CMC’ on top of the ambient white noise of an office printer, thankful that the band is still there, “still making noise in the doorway.”

Their role as caretakers of Duster, Low and Codeine’s slowcore lineage is all across Somersaults – songs scud to a narcotic crawl, sound monolithic and inwards before spotlighting a crystalline nothing. Cathartic builds are muddied with tenderness, the bass a heavy grounding, the drums an exhausted heartbeat grasping for air. But more so than ever, even the silence feels collaborative – a gesture of communal trust – friends celebrating the room they’ve made for each other’s ghosts, and some of the biggest, brightest songs they’ve made to date."