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Turntable / Plattenspieler - Pioneer Plx-500-k

The PLX-500 inherits the layout of the PLX-1000 professional turntable and produces a warm, clear analogue sound. The perfect deck if you want to start playing with vinyl or if you just want to listen to your record collection at home.

Solidly built with excellent vibration damping and precise audio playback, this high-torque deck has a USB out so you can make digital recordings of your vinyl collection in our free rekordbox software. You can also combine the PLX-500 with the rekordbox dvs Plus Pack, a compatible mixer and the RB-VS1-K Control Vinyl to play and scratch with digital files.

Included Accessories:
Slip mat
Dust cover with jacket stand
Adapter for 45 EP records
Head shell (with cartridge)
Balance and shell weights
Audio conversion cord:
1 Stereo pin plug (female)
1 Stereo mini plug (male)
USB cord

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336,09

Last In: 4 years ago
Disco Antistat - Ultraclean 200ml

!!! not possible to ship by UPS !!!

EN: - NEW - Highly effective cleaning concentrate - NEW -

Disco-Antistat Ultraclean, concentrate for record washing


200ml cleaning concentrate
Makes 5 litres of ready-mixed cleaning liquid (in a ratio of 1:25, e.g. with high-purity water Disco-Antistat BiDest)
Reliably removes dirt such as dust, grease, protein or nicotine
Antistatic effect
Alcohol-free
Dries without leaving residues
Disco-Antistat Ultraclean works deep into the groove and cleans your records gently and thoroughly, even from stubborn dirt. For an optimal cleaning result we recommend
the use of our highly purified special water Disco-Antistat BiDest.

Disco-Antistat Ultraclean concentrate is suitable for use with all record washers!

DE: Hochwirksames, alkoholfreies Reinigungskonzentrat

Disco-Antistat Ultraclean, Konzentrat zur Schallplattenwäsche

200ml Reinigungskonzentrat
ergibt 5 Liter fertig gemischte Reinigungsflüssigkeit (im Verhältnis 1:25, z.B. mit hochreinem Wasser Disco-Antistat BiDest)
Entfernt zuverlässig Verschmutzungen wie z.B. Staub, Fett, Eiweiß oder Nikotin
Antistatische Wirkung
Alkoholfrei
trocknet rückstandsfrei ab
waschen von Schellack Platten ist problemlos möglich!
Disco-Antistat Ultraclean wirkt bis in die Tiefe der Rille und reinigt Ihre Schallplatten schonend und gründlich auch von hartnäckigen Verschmutzungen. Für ein optimales Reinigungsergebnis empfehlen wir die Verwendung unseres hochreinen Spezialwassers Disco-Antistat BiDest.

Disco-Antistat Ultraclean Konzentrat eignet sich zur Anwendung mit allen Schallplattenwaschgeräten!

Produktionstechnisch kann es zu leichten Farbabweichungen (durchsichtig bis gelblich) kommen, dies hat aber keinen Einfluss auf die Qualität des Produkts!

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27,31

Last In: 2 years ago
Sun Ra & His Arkestra - Featuring Pharoah Sanders & Black Harold

BACK IN PRINT ON BLACK VINYL

“To understand the significance of the word ‘featuring’ on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used.
“The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution’s continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra performance presented Pharoah Sanders as well as a flautist (who was and remained obscure thereafter) named Harold Murray, nicknamed Black Harold.
“It wasn’t until long after Sanders had achieved worldwide acclaim with John Coltrane that Ra and manager Alton Abraham decided to issue the music they’d recorded at Judson Hall. After its first release in plain or hand-decorated covers in 1976, Featuring Pharoah Sanders And Black Harold remained an exceptionally rare item in the El Saturn discography, known to a few lucky collectors.
“We’re lucky to have this glimpse of what Sanders sounded like in such a different context, galvanizing the large group and in turn being inspired to make his first significant contribution on record.”
—John Corbett (excerpt from the liner notes)

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25,42
Udg Producer Bag - Producer Bag Large

Udg Producer Bag

Producer Bag Large

Bag'sU9022BL/OR
UDG
Release unknown

Die große Tasche im Rucksack-Stil aus hochwertigem Nylon und mit gepolsterten Wänden kann aufgrund verstellbarer Trenner wunderbar dem eigenen Bedarf angepasst werden. Ingesamt sechs Außentaschen (jeweils zwei an der Seite, oben und vorne) bieten genügend Raum für jegliches Zubehör.
Für den komfortablen Transport sorgen ein Tragegriff sowie ergonomisch geformte, abnehmbare Schultergurte.
Mittels integriertem Zahlen-Schloss am Hauptfach besteht die Möglichkeit, den wertvollen Inhalt vor ungewünschten Zugriff zu schützen.
Spezifikationen
* Gepolstertes Fach für Midi Controller (z. B. Akai APC40/20, Vestax VCM-600 oder Denon MC600)
* Laptop Fach für bis zu 18,4" Modelle
* 6 Außentaschen für Accessoires
* 2 Tragegriffe oben
* Ergonomisch geformte und abnehmbare Schultergurte
* Integriertes Zahlenschloss
* Erhöhter Schutz vor Abnutzung durch verstärktes Material am Taschenboden

Maße (W x H x T):
Außen
cm: 46 x 56 x 25
inch: 18,1 x 22 x 9,8
Innen
cm: 32 x 46,5 x 15
inch: 12,6 x 18,3 x 5,9

Gewicht:
kg: 3,25
lbs: 7,2

Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment. The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

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167,64

Last In: 4 years ago
Audio-Technica - AT-XP5 Cartridge & Stylus

Cartridge & Stylus
Frequenzbereich 20 - 18,000 Hz
Kanaltrennung 20 dB at 1kHz
Vertikaler Abtastwinkel 20°
Empfohlene Lastimpedanz 47,000 ohms
Spuleninduktivität 1.0 H (1 kHz)

EN:
AT-XP5
Dual Moving Magnet Stereo Cartridge
The AT-XP5 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 5.5 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

Durable design for high-quality specialist DJ playback
Cartridges designed for DJ venue applications for their Hi Fi audio Performance
VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
Carbon ABS cantilever
Great visibility of stylus tip for DJ use
High-rigidity and Low-resonance cartridge housing
Durable design for high-quality DJ playback
Replacement Stylus: ATN-XP5

DE:
Dual-Moving-Magnet-Stereotonabnehmer
Der AT-XP5 wurde speziell für den DJ-Einsatz konzipiert und besitzt einen hochsteifen Korpus aus Polyphenylensulfid (PPS) und Glasfaser. Die Auflagekraft beträgt 2 bis 4 g. Außerdem bietet der Tonabnehmer eine hohe Ausgangsspannung von 5,5 mV. Die elliptische, gefasste Nadel (0,3 x 0,7 mil) tastet die Schallplattenrille mit hoher Genauigkeit ab und überzeugt durch eine herausragende Wiedergabequalität. Das spezielle Design des Tonabnehmers garantiert beste Sichtbarkeit der Nadelspitze.
• Robustes System für anspruchsvolle DJ-Einsätze
• Spezieller DJ-Tonabnehmer für den Live-Einsatz mit Hi-Fi-Performance
• VM-Dualmagnetsystem mit elliptischer, gefasster Abtastnadel (0,3 x 0,7 mil)
• Hi-Fi-Sound für DJs – Ausgangspegel und -impedanz speziell auf professionelle DJ-Mischpulte abgestimmt
• Carbonfaser-verstärkter ABS-Nadelträger
• Hervorragende Sichtbarkeit der Nadelspitze im DJ-Einsatz
• Hochsteifer, resonanzarmer Korpus
• Robustes, hochwertiges DJ-System
• Ersatznadel: ATN-XP5

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77,73

Last In: 3 years ago
Audio-Technica - AT-XP3 Cartridge Mounted with ATHS6BK Headshell

Cartridge & Stylus
Frequenzbereich 20 to 18,000 Hz
Kanaltrennung 20 dB (1 kHz)
Vertikaler Abtastwinkel 20 degrees
Schaftform der Nadel Bonded Round Shank
Empfohlene Lastimpedanz 47,000 Ω


AT-XP3/H
Audiophile DJ cartridge mounted on AT-HS6BK Headshell

Tonabnehmer der Serie AT-XP sind perfekte Partner für alle Vinyl-DJs, denn sie kombinieren die Features robuster DJ-Tonabnehmer mit erstklassigem HiFi-Sound – ideal für Live-Auftritte und alle Club-DJs, die Wert auf eine hervorragende Klangqualität legen.

Audiophiler DJ-Tonabnehmer AT-XP3, vormontiert auf Headshell AT-HS6BK
VM-Dualmagnetsystem
Robustes, langlebiges System für anspruchsvolle DJ-Einsätze
Carbonfaser-verstärkter ABS-Nadelträger und Nylon-Aufhängung für präzises Tracking
Upgrade-fähig: Kompatibel mit Ersatznadeln ATN-XP5 und ATN-XP7
Lieferbare Konfigurationen: Tonabnehmer, einzeln (AT-XP3), Ersatznadel (ATN-XP3) und Komplettsystem mit Headshell AT-HS6BK (AT-XP3/H)

Serie VM95 – Kompatibilitätsübersicht Tonabnehmer

Selbst die beste Diamantnadel verschleißt nach einiger Zeit – konische Nadeln nach ungefähr 500 Stunden, elliptische nach 300 Stunden, Microlinear-Nadeln nach 1000 Stunden und Shibata-Nadeln nach rund 800 Stunden.

Aus diesem Grund haben wir unsere Dual-Moving-Magnet-Tonabnehmer der VM95-Serie so konzipiert, dass sich die Abtastnadeln untereinander austauschen lassen und der Tonabnehmer selbst fast unbegrenzt eingesetzt werden kann. Ist die Abtastnadel abgenutzt, brauchen Sie also keinen neuen Tonabnehmer zu kaufen, sondern nur die passende Ersatznadel – oder können Ihr System mit einer anderen, höherwertigen Abtastnadel aufwerten.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

Alle sechs VM95-Tonabnehmermodelle verfügen über die gleiche elektromagnetische Antriebseinheit (Gehäuse). Daher sind auch die sechs Abtastnadeln dieser Serie 100% kompatibel.

AT-VMN95C

AT-VMN95E

AT-VMN95EN

AT-VMN95ML

AT-VMN95SH

AT-VMN95SP
Konische, gefasste Nadel

Der Vorteil konischer Nadeln (selbst bei „schlanken“, günstigeren Systemen) besteht darin, dass die gerundete Oberfläche die Rillen von Vinylschallplatten sehr präzise abtastet.
Vormontiert auf Headshell AT-HS6BK

Dieses Komplettsystem umfasst den Tonabnehmer AT-XP3 und die Headshell AT-HS6BK mit Druckgussaluminium-Gehäuse (9 g).

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77,31

Last In: 3 years ago
HARUOMI HOSONO - NON-STANDARD / TEICHIKU ENTERTAINMENT INC

Haruomi Hosono's first solo album after the breakup of YMO, released on the Non-Standard label that he established in 1984.It was a masterpiece that drew attention as a work that took a step away from the sound that had been practiced by YMO up to that point, and quickly embodied the latest methodology of expressing techno digitally by making full use of computers.

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45,25
HARUOMI HOSONO - PARADISE VIEW

This is a recording of the music used in a 16mm film of the same name made in Okinawa in 1984.It combines elements of Okinawan music with gamelan rhythms and mysterious synths to create an expansive sound that could be described as Asian.

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45,34
Albert Hammond Jr - Melodies on Hiatus LP 2x12"

Pop/rock singer, songwriter, and guitarist Albert Hammond Jr. is the lead & rhythm guitarist and songwriting member of the GRAMMY® and BRIT Awards-winning band The Strokes. He has released 4 solo albums to date, most recently the acclaimed “Francis Trouble” in 2018 which spawned the radio single “Far Away Truths”. In the 4 years, since then, The Strokes released their US Top 10 charting GRAMMY® nominated rock record “The New Abnormal” and toured the world extensively. Albert also began the songwriting process for his 5th solo album “Melodies on Hiatus”, a 19-track album, crafted in a most experimental style. Albert teamed up with his writing partner, Canadian songwriter, and poet Simon Wilcox (whom he never met during the process) and had lengthy conversations via the telephone; Simon would jot down notes from Albert’s stream of consciousness, and draft the lyrics on her typewriter, and drop them into his letterbox! Albert then added the lyrics to the melodies he had already crafted. The songwriting process became a long distant “anonymous love affair of ideas & lyrics.” The album covers themes of childhood, surviving adolescence, adulthood, vulnerability, fame, relationship with self and others, and is Albert’s “deconstructed broken down ego reaction” to “Francis Trouble.” The album also features songs with GoldLink, Matt Helders (of the Arctic Monkeys), Steve Stevens and Rainsford, and was mixed by Tony Hoffer (known for his work with Beck, Air, M83, The Kooks, Fitz and the Tantrums, Metric, Chromeo, etc.) and mastered by Dave Cooley at Elysian Masters (Paramore, Spoon, Tame Impala, Jimmy Eat World, Peanut Butter Wolfe).

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28,57
Disco-Antistat - Ultrasonic 2.0

Disco-Antistat

Ultrasonic 2.0

Equipment1360008
vinyl cleaning tools
Release unknown

EN:

Automatic ultrasonic record washing machine

Disco-Antistat Ultrasonic - The most thorough way to wash records!
Our record washing machine Disco-Antistat Ultrasonic combines over 40 years of experience in the pflege and cleaning of records with highly developed, state-of-the-art cleaning technology.
The combination of ultrasonic cleaning and our proven goat hair brush system ensures gentle, groove-deep cleaning of your records and an audible improvement in the sound image. During operation, the cleaningfluid is permanently clarified by a filter system and dirt particles are rausgefiltert to minimize impurities in the liquid and thus achieve the best possible cleaning result.
Through our special cleaner, the record is treated antistatically and thus permanently prevented from re-soiling by adhering dust. With only a few handgriffen our washer is ready for operation and the intuitive operability ensures optimal results from the first record!

The simple and intuitive handling as well as the operating elements reduced to the essentials enable best cleaning results from the first record.

The cleaning time can be conveniently adjusted to the degree of soiling of the record, supported by a functional display.
A clearly visible progress indicator provides information on the cleaning status at a glance.

After use, the gefilterte Reinigungsflüssigkeit can be conveniently filled back into the bottle at the touch of a button via a built-in pump.
The permanent filtering of the cleaner prevents the liquid from accumulating dirt. Thus, a consistent cleaning result is achieved.
Thanks to the innovative magnetic coupling, inserting and removing the record is simple and quick.

Driven by an electric motor, the record rotates evenly in the tank, whereby a homogeneous treatment with ultrasound is achieved.

Cleanliness you can hear! A powerful ultrasonic transducer generates so-called cavitation bubbles, which act directly on the dirt and remove it gently and effectively. The ultrasonic waves also reach places that are inaccessible to conventional cleaning methods and ensure cleanliness down to the depth of the groove. The loosened dirt particles are then wiped off on the soft goat hair brushes.







DE:

Automatische Ultraschall Plattenwaschmaschine

Disco-Antistat Ultrasonic – Die gründlichste Art der Schallplattenwäsche!
Unsere Schallplattenwaschmaschine Disco-Antistat Ultrasonic vereint über 40 Jahre Erfahrung in der Pflege und Reinigung von Schallplatten mit hochentwickelter, modernster Reinigungstechnik.
Die Kombination aus Ultraschallreinigung und unserem bewährten Bürstensystem aus Ziegenhaar sorgt für eine schonende, rillentiefe Reinigung Ihrer Schallplatten und einer hörbaren Verbesserung des Klangbildes. Während des Betriebs wird die Reinigungsflüssigkeit permanent durch ein Filtersystem geklärt und Schmutzpartikel herausgefiltert, um Verunreinigungen der Flüssigkeit zu minimieren und somit das bestmögliche Reinigungsergebnis zu erreichen.

Durch unseren speziellen Reiniger wird die Schallplatte antistatisch behandelt und so dauerhaft die erneute Verschmutzung durch anhaftenden Staub verhindert. Mit nur wenigen Handgriffen ist unser Waschgerät betriebsbereit und die intuitive Bedienbarkeit sorgt für optimale Resultate ab der ersten Platte!

Die einfache und intuitive Handhabung sowie die auf das wesentliche reduzierten Bedienelemente ermöglichen beste Reinigungsergebnisse ab der ersten Schallplatte.

Die Reinigungsdauer kann, unterstützt durch ein funktionales Display, bequem dem Verschmutzungsgrad der Schallplatte angepasst werden.
Eine gut sichtbare Fortschrittsanzeige informiert auf einen Blick über den Status der Reinigung.

Nach Gebrauch kann die gefilterte Reinigungsflüssigkeit auf Knopfdruck über eine eingebaute Pumpe bequem in die Flasche zurück gefüllt werden.
Durch die permanente Filterung des Reinigers wird verhindert, dass sich die Flüssigkeit mit Schmutz anreichert. Somit wird ein gleichbleibendes Reinigungsergebnis erzielt.

Das Einsetzen und Entnehmen der Schallplatte ist Dank der innovativen Magnetankopplung simpel und schnell erledigt.
Angetrieben von einem Elektromotor rotiert die Schallplatte gleichmäßig in der Wanne, wodurch eine homogene Behandlung mit Ultraschall erreicht wird

Sauberkeit, die man hören kann! Ein leistungsstarker Ultraschallschwinger erzeugt sogenannte Kavitationsblasen, die direkt an den Verschmutzungen wirken und diese schonend und effektiv ablösen. Die Ultraschallwellen erreichen auch Stellen, die für konventionelle Reinigungsverfahren nicht zugänglich sind und sorgen für Sauberkeit bis in die Tiefe der Rille. Anschließend werden die gelösten Schmutzpartikel an den weichen Ziegenhaarbürsten abgestreift.

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840,29
Disco-Antistat - Filter Ultrasonic

EN: Replacement filter for record washing machine Disco-Antistat Ultrasonic (1360008)

Durable, reusable filter with housing made of high-quality anodised aluminium and glass
Extremely easy to maintain, as the filter can be removed in just a few steps and completely dismantled for cleaning
Easy to use, you can see at a glance when the filter needs cleaning
Suitable for all record washing machines Disco-Antistat Ultrasonic, units with older filters can be converted without any problems.

DE: Ersatzfilter für Schallplattenwaschmaschine Disco-Antistat Ultrasonic (1360008)

Langlebiger, wiederverwendbarer Filter mit Gehäuse aus hochwertigem, eloxiertem Aluminium und Glas
Extrem wartungsfreundlich, da der Filter mit wenigen Handgriffen ausgebaut und zur Reinigung komplett zerlegt werden kann
Einfache Handhabung, auf einen Blick lässt sich erkennen, wann der Filter gereinigt werden muss
Für alle Schallplattenwaschmaschinen Disco-Antistat Ultrasonic geeignet, Geräte mit älteren Filtern können problemlos umgerüstet werden.

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7,52
Disco-Antistat - Mixing Bottle

Disco-Antistat

Mixing Bottle

Equipment1302002
vinyl cleaning tools
Release unknown

EN: Bottle for mixing ‘Disco-Antistat Ultraclean’ concentrate (1302000) with the high-purity water ‘Disco-Antistat BiDest’ (1302001) and for storing the cleaning liquid.

Easy mixing of the concentrate in 3 steps (marking on the bottle)
Easy handling thanks to large opening
Practical storage option for mixed record cleaner
- We recommend the purchase of 2 mixing bottles. This allows you to keep and store the freshly mixed cleaning liquid separately from the liquid that has already been used. -


DE: Flasche zum Mischen von "Disco-Antistat Ultraclean" Konzentrat (1302000) mit dem hochreinen Wasser "Disco-Antistat BiDest" (1302001) und zur Aufbewahrung der Reinigungsflüssigkeit.

Einfaches Mischen des Konzentrats in 3 Schritte (Markierung auf der Flasche)
Einfache Handhabung durch große Öffnung
Praktische Aufbewahrungsmöglichkeit für gemischten Schallplattenreiniger
- Wir empfehlen den Kauf von 2 Mischflaschen. So kann man die frisch angemischte Reinigungsflüssigket separat zur bereits benutzten Flüssigkeit aufheben und lagern. -

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4,16
Jake Muir - Enmixed

Jake Muir

Enmixed

CassetteENMX-XB
enmossed
Release unknown

Moody cacophonies, sonic dispatches from Japan, crystalline breakbeats that are more environment than rhythm: Jake Muir’s enmixed, described by Muir as a “(re)mixtape,” is a mind-bending deep dive into the enmossed archive. Besides reflecting the history of the label, Muir’s mix is a production in its own right. A Los Angeles native based in Berlin, Muir is a DJ and field recordist who “sees mixes as a vehicle to explore narratives outside of the album format.”

In Bathhouse Blues (2023), where Muir sampled various sources to explore gay cruising culture and sensuality, his more expansive, conceptual approach to the form is illuminated. Mixes are not just a linear succession of tracks with transitions—they’re excavations that also result in the creation of new audio artifacts. Inspired by the psychedelic impulses of illbient, Muir uses DJ and sound engineering techniques to melt down genre distinctions and create alien atmospheres.

From the enmossed community, Muir pulls from artists like bad lsd trips, Angelo Harmsworth, Nick Klein, Tetsuya Nakayama, and Patrick Gallagher to coalesce a super-compendium of the global sonic underground, all viewed through his own unique lens. Muir takes major liberties with processing and effects automation to carve new worlds from the soil of these preexisting works. Some of the tracks and material on enmixed are heavily edited, emphasizing specific harmonics or bass frequencies, and some portions contain three or four layers, putting artists in direct conversation with each other.

This heady approach—using the tools of both mixtape and remix—results in a super textual and dense palimpsest of the enmossed catalog. “Because mixes are more open- source,” Muir says, “it’s easier to express some ideas since there is more material to pull from.”

- Rob Goyanes

Silver foil printed j-cards on heavyweight iridescent ('Lapis Lazuli') recycled paper Duplicated at a carbon-neutral facility

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15,92
Alien Alien, Foresta, Prokofiev - Visioni fuggitive LP

Visioni Fuggitive” is an unconventional project by Alien Alien and Foresta, influenced by Sergei Prokofiev’s “Visions fugitives, Op. 22.” The composition reimagines Prokofiev’s piano miniatures using electroacoustic music, combining various elements like piano fragments, electronic sounds, and field recordings. The result is a 45-minute immersive and emotive piece that beautifully evolves and shifts throughout. Alien Alien and Foresta successfully draw inspiration from classical music history, bringing Prokofiev’s work into a new age and context.

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29,37
FOANS - Atria

Foans

Atria

12inchPLR27
Perfect Location
Release unknown

"Atria" is an exceptionally deep, easy-to-play-on-repeat work from Denver-based FOANS, a continuity of heartbreaking melodic interludes and nostalgic, otherworldly softness. Originally self-released in 2014, "Atria", comprised of 9 tracks simply titled "Diorama", is a plunge into dubby textures, meditative rhythmic cadence, lamenting chords, and shimmering neon pads. While growing to become a household name, especially for fans of 100% SILK and the now sadly defunct Danish label Speaker Footage, FOANS has offered numerous beloved releases over the last decade, showing listeners who stumble across his artistic microcosm that he has his own trademark sound, one that is often very recognizable even in a crowded space; a remnant from his early years as a bedroom producer, Atria shows us that FOANS’ sound has always shimmered, has always moved through heavy emotions and uneasy silliness. It will likely continue to do so for years to come.

Perfect Location Records is honored to commit this stunning work to vinyl for the first time, with a digital remaster for digital collectors as well. The record will be packaged in a black die-cut jacket and include a download code along with a small matte print of the acrylic-on-canvas cover art by painter Andrea Willems.

Limited run of 200 physical copies.

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22,27
Biz Markie - ReAction Figure

Biz Markie

ReAction Figure

equipmentRE-BIZMW01-BIZ-01
SUPER 7
Release unknown

With his stripped down and raw vocal style, DMX didn’t need lyrical trickery, he just got straight to the point! This articulated, 3.75” scale DMX ReAction Figure is inspired by the cover art from his debut album, It’s Dark and Hell is Hot, and comes with microphone accessory. Is you wit us, or what- add this DMX ReAction figure to your collection of hip-hop legends today!

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23,11
Blondie Reaction Figures Wave 01 - Debbie Harry

Blondie Reaction Figures Wave 01

Debbie Harry

equipmentRE-BLNDW01-DEB-01
SUPER 7
Release unknown

With his stripped down and raw vocal style, DMX didn’t need lyrical trickery, he just got straight to the point! This articulated, 3.75” scale DMX ReAction Figure is inspired by the cover art from his debut album, It’s Dark and Hell is Hot, and comes with microphone accessory. Is you wit us, or what- add this DMX ReAction figure to your collection of hip-hop legends today!

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23,11
Circle Jerk - Reaction Figure - Skank Man

Circle Jerk

Reaction Figure - Skank Man

equipmentRE-JERKW01-SKK-02
SUPER 7
Release unknown

With his stripped down and raw vocal style, DMX didn’t need lyrical trickery, he just got straight to the point! This articulated, 3.75” scale DMX ReAction Figure is inspired by the cover art from his debut album, It’s Dark and Hell is Hot, and comes with microphone accessory. Is you wit us, or what- add this DMX ReAction figure to your collection of hip-hop legends today!

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23,11
VENEDIKTOS TEMPELBOOM - SYNE VUYLE HACKS

The Ghentian skyline has low peaks and hides its horrors in full view ~ walk streamside and you’ll quickly be confronted with façades that leer with their tales and secrets, the angels and demons that built this city holding up its mortar and stone in an inextricable embrace. It is within this incongruous backdrop that Benoît Monsieurs has fostered the Venediktos Tempelboom persona. Using the 12-string guitar as his main instrument, the self-taught musician creates passages that take fingerpicking Americana and Eastern transcendence into the Flanders fields, with winding compositions that distill the essence of giants like John Fahey, Robbie Basho and Jack Rose and folds them into the dark drone melancholia of Funeral Folk/KRAAK stalwarts like Silvester Anfang, Helvete and Ignatz. The results are ringing meditations of awe and terror, flamboyant and grotesque yet utterly mesmerizing in their unrooted sonic imagery.

In his debut LP, Syne Vuyle Hoeck, the Tempelboom amalgamates his influences - East, West and deep Flanders alike - into a flurry of acid-drenched tracks that spread out into a distinctive musical iconography. Each composition carries a facet, highlighting angel and demon in equal measure: the solemn opener “De woelige rit op een roze wolkje” is a threading of melodies that carry pensive heft and hopeful asides, as hints of ragtime buoyancy lead into sullen ruminations in a fully lucid change of course; “Ocharme Ochgod” is a sober penitence, slowly and almost imperceptibly building up into a tangle of lines that inexorably coil back into their brooding backbone; the echoing tape loop of “In Flock” reverberates and torments, steel sharpness and frayed magnetic disintegration finding improbable common ground; “El Contrario” swerves unforgivingly in an Eastern-infused openness reminiscent of Six Organs’ rawer days and unnervingly giving way to a forceful - dare we say upbeat - conclusion. And so one treks into the depths of the Tempelboomian universe, a place of high drama and low morals inhabited by a prankster creator who deploys euphoria and distress in equal measure. Just as the strings of his guitar are left to echo like sparkles in the dark, so his music lingers in the soil of our humanity, redolent of the kind of peace one can only make with the demons of the self.

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