quête:veg

Red Vinyl

Acid techno banger !

2026 Black Vinyl Repress

We are extremely excited to share with you this wonderful piece of old skool hardcore. Created in Bristol in 1993 and released on a limited white label back then, this record has become a holy grail over the past 30 years. Very rare, very sought after and 100% original West Country vibes.

Written by Rich Williams, who emigrated to LA many years ago and James Towler – producer for John Lydon these days! These guys were on some next level vibes when they wrote this ultimate slice of darkcore rave!

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Jupiter and part of a 4 vinyl Cosmik series.

Is it dark enough???

Fruit & Veg is a hardcore collective from London and Bristol comprising of Martin Drake, Rich Williams, Dave Cridge and James Towler. With two white label releases to their name, differing members are responsible for each tune. These EPs are highly sought after on Discogs and change hands for high prices.

This EP is the first of their collaborative efforts and only 500 white labels were released and sold out the back of a van across London and the South West of England back in 1993. The are now brought to you on heavyweight green vinyl.

Light kick and electronica acid ambiances for a creative mental new style... Enjoy the last tune a pure shoot of mental techno.

A kind of morning party music, free of public most wanted styles, and really for the people of the sound... Free domain supporting the electro tribe spirit with a good knowledge of the reality of it. THANK YOU !!! A side opens with Viper, from Kernel Panik... The flip opens with Frost from Trackerz and finally the label boss do it himself with Ed Veg from No System.

Superb sleeve of the trip to Sri Lanka.. A new traveller adventure, Epic... and a superbe Funkt Ixindamix to remember Reno23. Tragic.... Legendary Hydrophonic records produkt !

Sweet Techno Sound ! Dancefloor And Electro.
Sweet Tempo !

The origins of Body System date back around 35 years. Dissatisfied with previous experiences, the project was conceived as a meeting point between Sheffield and Detroit techno and German and Belgian body music. At the time, it never fully developed and remained largely an idea, with only a few sketches recorded on DAT. More than three decades later, that original concept has been revived. Following an invitation to contribute the track In Your Mind to the soundtrack of Electronic Body Movie, directed by Pietro Anton, the project was reopened and reworked, taking shape in the present while remaining rooted in its initial vision. These five tracks reflect an awareness of both past and contemporary electronic music, filtered through an undiminished experimental approach and a conscious refusal to adhere to stylistic conventions or predefined genres. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Hiriketiya is a small, enclosed bay on Sri Lanka's southern coast, where jungle leans toward the water and the days unfold without urgency.
Passing through in early 2025 on the way to Europe, Alex Albrecht spent a week here at MOND's artist residency, allowing the rhythms of the place to quietly shape the work that followed.
During the residency, Albrecht recorded and exchanged ideas with Sri Lankan musicians Dhyan Basho on sitar, Dinelka Liyanage on electronics, Uvindu Perera on double bass and Pasindu Herath on saxophone.
Their performances appear throughout the album, sampled and re-contextualised, influencing its melodic language, pacing and emotional tone.

Much of the music was shaped directly by its surroundings. Field recordings were gathered across Hiriketiya, and instruments were played wherever it felt necessary. This included rocks beside the ocean where waves set irregular rhythms, tall grasslands where wind and insects blend into the recordings, and open decks overlooking the sea. 'Round Table' captures this approach most clearly. Recorded while sitting together overlooking the ocean, a large steel table in front of the group gradually became part of the composition, used instinctively as an unplanned percussive element.

Not everything could be captured. Some of the most meaningful moments occurred before recording was possible. Those sounds exist only in memory, and the album is shaped in part by an attempt to hold onto their feelings.

Rather than documenting the residency in a linear way, the album gathers fragments, recordings, electronic sketches and field sounds, assembling them into a continuous listening experience shaped by place and recollection. MOND owners Jess and Renato foster an environment that supports artists without directing them, creating space for focus, trust and connection.

The result is a record shaped by Hiriketiya's enclosed bay, dense vegetation, heat and night air. Music formed through listening, restraint, missed recordings and the sensation of being temporarily held by a place.

Brown Horse—named one of Brooklyn Vegan’s 10 Artists Shaping the New Indie-Country Boom—return with their third and best album in as many years, Total Dive. With songs from each of the four members (Patrick Turner, Nyle Holihan, Emma Tovell and Rowan Braham) the writing charts a world of small revelations and painful changes. Total Dive is out April 10 via Loose Music; pre-order today on LP and CD.

Loukeman is a Toronto-based producer, DJ, and songwriter. His music pulls from folk, pop, rap, and R&B, creating his own warped yet familiar forms. He’s earned support from the likes of a wide range of artists including Fred again.., Obongjayar, Aminé, Skin on Skin, Ecco2k, and more. He’s delivered official remixes for PinkPantheress, Vegyn, and Obongjayar, and he’s shared stages with some of the most exciting acts in the underground. Most recently, he's produced 5 tracks on ASAP Rocky's long awaited record, 'Don't Be Dumb.' Having garnered praise for his self-released Sd-1, Loukeman followed up with Sd-2, which established his cultural and critical presence.

Sd-2 — the second of a planned trilogy -- continued his display of range as one of the most exciting producers in recent years. Following the release, praise followed from the likes of Pitchfork, Resident Advisor, Mixmag, and numerous others. He launched a series of club nights titled BRXZN WXRLD in 2024, which sold out across London, Los Angeles, Toronto, and NYC. A recent guest mix on Rinse.fm provides a glimpse into his eclectic mix style and range of edits. His music has been used by a multitude of brands from Burberry, and Stussy to Nike and Apple. With a forthcoming album in 2026, he's also caught the attention of several pop acts as a producer and co-writer.

Vegas is the self-titled album from the one-off collaboration between Terry Hall (The Specials) and Dave Stewart (Eurythmics). Originally released in 1992, the album combines elements of electronic music and pop with alternative rock influences.

The album was recorded in London with additional contributions from drummer and programmer Olle Romö, and showcases a more atmospheric side of both Hall and Stewart. It includes the singles "Possessed", "She", and "Walk into the Wind", the latter featuring vocals by Siobhan Fahey (ex-Bananarama, Shakespears Sister).

Vegas is available as a limited edition on orange vinyl.

Rock 'n Roll With The Modern Lovers is the second album released by The Modern Lovers.

The band was formed in 1970 by singer, songwriter, and guitarist Jonathan Richman, with Jerry Harrison (keyboards - later went on to join Talking Heads), Ernie Brooks (bass), and David Robinson (drums). Richman's friend John Felice joined them occasionally. Their sound almost totally focuses on the sound from the Fifties. The lo-fi record breathes folky roots music and rock ‘n roll as it would sound ages ago. The albums features the popular tracks "Ice Cream Man", "Roller Coaster By The Sea", and "Egyptian Reggae". The latter was a cover version of Earl Zero "None Shall Escape The Judgement" and became a UK Top 5 hit.

Rock 'n Roll With The Modern Lovers is available as a limited edition of 750 individually numbered copies on silver vinyl.

Alex Wann & JUNO combine for ‘Allo’ on Crosstown Rebels.

Out on 8th May 2026, the two in-demand talents combine for a cinematic label debut on Damian Lazarus’ imprint. Parisian DJ/producer Alex Wann joins forces with German talent JUNO for a brooding two-track EP arriving via Crosstown Rebels on 8th May. Alex has become a formidable force within the melodic house landscape, performing at festivals and venues from Tomorrowland to Pacha Ibiza, while holding a Las Vegas residency at Wynn’s XS Nightclub. His reach extends far beyond the booth, with multiple Beatport chart-topping releases on renowned imprints and notable support from Keinemusik, Diplo, John Summit, BLOND:ISH, and more. Here he collaborates with JUNO, who comes off a breakout 2025 marked by his standout hit ‘Last Dance’ on Magnifik Music and a Hot Mix for Pete Tong on BBC Radio 1, delivering an impressive label debut for the pair.

Title track ‘Allo’ sees the pair lock into a deep, groove-led collaboration that balances warmth and intensity, built around a driving low end and a steadily rising sense of pressure as its growling basslines, echoing synth textures, and razor-sharp percussion slowly unfold. On the fl ip, ‘IDONE’ fi nds Alex Wann stepping out solo with an introspective fi nish, featuring pulsing riff s and pensive, elongated piano chords, threaded by a winding, gritty synth line that gradually builds toward a powerful climax.

Originally from Florence, Italy, Elio made an impression in the Seattle underground through his deejaying at DAZED parties alongside his evolution as a producer. On his first vinyl EP, two original productions channel an early 2000s melodic minimalism with a touch for evocative composition paired with memorable grooves. A remix of each completes the record.

The title track “Still Love” opens the EP with a series of contemplative notes. As the bass stirs, the track expands, adding energy alongside the breakbeat. The synth unfurls in a melodic crescendo before pads add emotive accents.

Kurilo steps into the lab to reconstruct “Still Love” into an afterhours potion. The Ukrainian producer showcases the psychedelic and sumptuous grooves that established him as one of the finest purveyors of hypnotic tech house at Trance Pandemic. The influence of cinematic acid house washes over the driving groove.

“Vegas Jam” opens side-b and again emphasizes Elio's sense for musical composition and progression. Adding swing and jazz techniques to the synth melody, variations of the piano hook improvise blissfully above the rolling bass.

A warm yet powerful kick sets the tone for the final track of the EP. China's electro and techno wiz B.AI remixes “Vegas Jam” into a mind melting sensory stimulus. The remix gathers intensity and drive, an irresistible late night brain worm.

Die Original Vinyl-LP von 1984 wurde in einer kleinen Auflage neu aufgelegt. Die Songs wurden von Barrington Levy im Channel One Studio eingesungen, mit den Roots Radics als Backing Band, um dann von Soldgie Hamiltion, Scientist und Sylvan Morris im Harry J und Channel One Studio abgemischt zu werden, als Produzent zeichnete Henry "Junjo" Lawes verantwortlich. Das Titelstück "Prison Oval Rock" war als Single bereits 1982 erfolgreich in Jamaika erschienen und ist hier neben dem Original auch in der Dubversion zu hören, und wurde später von Collie Buddz in "Hustle" (2001) und von Mr. Vegas' "Mus Come A Road" (2008) gesampled. Als weitere klassische Reggae Riddims wurden identifiziert "Skylarking" ( Song"Good Loving"), Pressure And Slide (Song "Please Jah Jah") und "Boops" (Song "Rip & Run Off").

Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.

With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.

Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.

Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.

DJ Support: Kerri Chandler, Folamour, Louie Vega, Jazzy Jeff, Dimitri From Paris, David Morales, Dave Lee, The Shapeshifters, Brian Tappert, Quentin Harris, Michael Gray, Terry Hunter, Hector Romero, Tedd Patterson, Dr. Packer, Marcel Vogel, Dj Pippi and many others

Groove Culture main men Micky More and Andy Tee are once again at the controls as the label presents its' Third collection of “Groove Is In The Heart”. As with the popular imprint's various EPs, the focus is on joining the dots between organic house, revivalist disco, uplifting dancefloor soul and colourful jazz-funk. There's much to admire from start to finish, a very strong bunch including MM & AT,Gianni Bini and Angela Johnson celebratory cover of EWF swirling disco-funk ‘In The Stone', a wonderfully rolling and funky-House joint titled ‘Let The Rhythm’ from Ralph Session & Djfudge, Memi P. And Gisele Jackson tasty Feel Good Classic-house Tune “Make It On My Own” and the soulful-house warmth of Audiowhores ‘Touch The Ground' Feat. Angela Johnson.

Produced by Masters At Work (Kenny Dope and Louie Vega).

'Collaboration is stimulating, it's in my blood.' Thus speaks Brian Jackson and his philosophy for making music and it's indeed collaboration that runs through this amazing album of reimagined and revisited songs from his artistic past. Featuring artists such as Black Thought, Rahsaan Patterson, Josh Milan, Moodymann, Omar, J. Ivy and others and being produced by Masters At Work, Now More Than Ever takes the enduring classic tracks that Brian made with Gil Scott-Heron and places them in the now over nineteen tracks and across a triple vinyl LP or double CD.

Songs such as Lady Day & John Coltrane, The Revolution Will Not Be Televised, Home Is Where The Hatred Is, Winter In America, The Bottle and more soundtracked a generational movement of Black Consciousness in the 70s and 80s. As Brian says, 'This album is one way to connect to what we were about in the 70s; we were about change and this is part of the lineage of resistance. These tracks mark a period of time when resistance was essential and now a younger generation has picked them up.'

'As young men in their twenties we (Brian and Gil) just wrote about what we saw and were feeling and people interpreted these songs in ways we never thought about but as Sly stone said the song comes from me but it's for you.' This statement from Brian perfectly sums up the collaborative nature of Now More Than Ever and the relevance of these songs in a contemporary perspective can be perfectly summed up by the songs themselves. The formidable stable of artists contributing to each track and the excellent production from Louie Vega and Kenny 'Dope' Gonzalez make this album an event in itself. However, these songs are there to be enjoyed as a canon or as individual masterpieces, whether on the dancefloor or on a home system. ‘Now More Than Ever’ just has to be in everybody’s music collection.

For the first time in its 27-year history, Defected compile its greatest hits, underground anthems and bonafide house music classics into a five volume triple vinyl collectors series.

Volume One collects twelve of Defected’s most established and sought after releases.
Featuring arguably ‘the' Defected anthem; Kings of Tomorrow ‘Finally’ alongside Solomon’s huge Noir & Haze remix, Ibiza anthems ‘Guitarra G’, ‘At Night’ and ‘Coma Cat’ plus productions and remixes from Louie Vega, Dennis Ferrer and Dimitri From Paris.

An essential addition to your record collection.

Das Indie-Pop-Quartett Veps aus Oslo ist zurück mit seinem dritten Album ,ChurchyardStreet 8B", dem ersten beim schwedischen Indie-Label PNKSLM Recordings (ShitKid, Clutter, Vegas Water Taxi etc.). Die Band hat sich als eine der interessantesten Indie-Bands Nordeuropas etabliert. Helena, Laura, June und Maja kennen sich schon seit der Grundschule und gründeten die Band im Alter von 14 Jahren. Ihre brillante Debüt-EP ,Open The Door" (veröffentlicht 2021 bei Kanine Records) ebnete den Weg für ihr ebenso großartiges Debütalbum ,Oslo Park" und den Nachfolger ,Dedicated To". Mit gerade einmal 22 Jahren auf diesem Planeten stehen Veps erst am Anfang ihrer Karriere, haben aber schon eine Fülle von Erfahrungen gesammelt, während sie weitermachen, mit ihrem neuen Album "ChurchyardStreet 8B", ihrem bisher besten Werk.

Die in Stockholm lebende Sibille Attar ist seit 15 Jahren eine der herausragenden Künstlerinnen in ihrer Heimat Schweden und verbindet perfekte Popsongs mit vielseitigen Klangwelten. Als Liebling der Kritiker wurde sie für die schwedischen Grammys nominiert und erhielt einen ständigen Strom an Lobeshymnen von nationalen Medien sowie internationalen Publikationen wie Pitchfork, Stereogum, The Line of Best Fit und Brooklyn Vegan. Sibille Attar versammelt auf diesem Album Tracks aus ihren 14 Jahre als Solokünstlerin, mit Titeln von der bahnbrechenden Debüt-EP ,The Flower's Bed" aus dem Jahr 2012, dem gefeierten Debüt-Album ,Sleepyhead", ihrem Comeback-Mini-Album ,Paloma's Hand" aus dem Jahr 2018 bis hin zu ihrem 2021 erschienenen Album ,A History of Silence", zu einem zusammenhängenden Set, das eine der faszinierendsten Künstlerinnen ihrer Generation präsentiert. "Sibille Attar" erscheint als limitierte Edition über PNKSLM Recordings (ShitKid, Clutter, vegas water taxi etc.) im Vorfeld ihres kommenden vierten Albums, das im Herbst 2026 erscheinen soll.

DJ Support: Louie Vega, Kenny Dope, Dave Lee, Dj Spen, Terry Hunter, Jimpster, Kevin Yost, Brian Tappert and more.

For the true listeners who still value the art of the record.

This project pays homage to the funk-disco aesthetic that defined the 70s and 80s crime-thriller genre. Paolo Fedreghini’s personal, cinematic journey through the American cityscape: an atmospheric landscape of high-speed chases, corrupt lawmen, and V8-powered escapes. The narrative weaves through gritty criminal underworlds and shady dealings, always balanced by the allure of the disco era. Rather than a mere imitation, the album distills the essential Blaxploitation sound for a modern audience, blending jazz-funk and disco with subtle, sophisticated electronic layers.

Die renommierte Electronic Music Anthology-Reihe von Wagram kehrt mit einem neuen Kapitel zurück - diesmal voll und ganz gewidmet den feinsten Perlen des Deep House. Kuratiert vom französischen Electronic-Aushängeschild FG Radio, präsentiert The Deep House Session eine sorgfältige Auswahl zeitloser Tracks, die die stilistische Breite und emotionale Tiefe dieses Genres perfekt einfangen. Die Compilation vereint international gefeierte Künstler wie Ben Böhmer, nTO, Bonobo, Solomun, Fritz Kalkbrenner, Kaytranada, Masters at Work, Dennis Ferrer, DJ Deep, St Germain, Môme und Soha - Namen, die sowohl im Club-Kontext als auch über Genregrenzen hinweg einen exzellenten Ruf genießen. Ob atmosphärische Synth-Texturen, organische Grooves, warme Basslinien oder hypnotische Melodien: Diese Edition destilliert alles, was Deep House seit Jahrzehnten zu einer der elegantesten und gefühlvollsten Spielarten elektronischer Musik macht. The Deep House Session ist eine hochwertige Sammlung für Liebhaber, DJs, Sammler und alle, die elektronische Musik zwischen Wärme, Groove und subtiler Eleganz schätzen.

2023 Repress


Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

Taeko Onuki will release an album “Peter and Friends” to commemorate the 50th anniversary of her debut.
This album includes Taeko Onuki's concert “Peter and His Friends”, which was planned and held mainly with electronic sound songs from the 1980s
and 1990s, represented by “Peter Rabbit and Me” and “Carnaval” by Taeko Onuki.

Although many fans had been waiting for the electronic style concert, which had been held only a few times in the 80's, it was difficult to reproduce it
in Onuki's satisfactory form, and it had not been performed.
The epoch-making concert “Peter and Friends” was held in Tokyo and Osaka in 2023 and sold out every performance. The epoch-making concert
“Peter and Friends” has been held in Tokyo and Osaka, and all concerts were sold out. This long-awaited work is a live recording of the concert held at
EX Theater Roppongi in Tokyo on July 9, 2024.

Celebrate four decades of the fan-favorite iconic film, Pretty In Pink with the ultimate soundtrack of the ‘80s. Now available on black vinyl.

Soul Jazz Records’ long out of print classic ‘Studio One Funk’ collection is being re-released in three new one-off limited-edition coloured pressing 18th anniversary format editions!
Firstly, a heavyweight special limited edition one-pressing only red 2xLP vinyl + download. Secondly, there is also a new special limited-edition one-off pressing edition red-pressed CD enclosed in jewel case and slipcase. And thirdly there is a very limited unique new one-off pressing red-cased cassette format (200 copies only)! 18 years on from its original release Studio One Funk remains one of our Studio One releases most in-demand titles and like all our earlier special coloured editions is sure to sell out fast!
Studio One Funk is made up of rare and unreleased Reggae Funk from the vaults of Studio One. Ever since the birth of Funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records with ‘Hang Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super-funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’ again by Cedric Im Brooks track - another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic ‘It’s A Shame’, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut “Now” by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.
Version-wise, we have ‘Idleberg’, Cedric Im Brooks tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove Black’s cut of Sidewalk Doctor (A/K/A Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio One’s heavyweight session players including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more and you have one of the finest selections of reggae and funk you will ever hear.







"This collection goes deep into the Brentford Road vaults and unearths a rake of previously unreleased gems alongside hard to find classics. Heavy and inspirational, totally unique and essentially timeless." Straight No Chaser
"An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own." Echoes
"A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” Touch
"The most satisfying listening experience so far in the Studio One series." The Wire
"Rare and unreleased grooves from Jamaica's house of excellence." Mojo

FIMIANI is an Italian music digger, passionate DJ and producer with an unmistakable House, Soul and American influences from black music, funk, soul and disco.

FIMIANI is one of the best DJs in the TOY TONICS camp.

His track “Disco Music” is a hit. Played by DJs like Palms Trax, Folamour, Louie Vega of Masters at Work, Horse Meat Disco, Seth Troxler, Mousse T. and many others.

Combining the original NYC house sound from the 1990ies with the best of Italian Disco history. Turning it all into a very contemporary flow of afro-american and Italian music based on funk, soul, melodies and rhythm. Just listen to his 2 EPs he did on Toy Tonics and you understand. All played live with musicans (no samples) this sounds like the best organic house tracks you can get at the moment.

Fimiani lands a major milestone with his remix of John Julius Knight’s Find a Friend (Sulfuric Trax), hitting number 1 on the Overall & House chart via Traxsource.

Check also FIMIANI’s edits of extremely rare Italian disco on his own imprint Caffè Corretto edits. Under the name BPLAN.

After “Messin plutôt que français / Enfonce-toi dans la ville” and “Gloire à Satan,” Noir Boy George, an iconic artist from Metz and a key figure in the French underground scene, unveils a new album: “Polytoxicomane de toi.”

The Trip To Vega is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another "favorable" star system 25.3 light-years away.

The time is year 2097, Sept 23rd.

To this day, Earthlings have managed to dodge some of nature's more dangerous extremities, massive volcanic eruptions, Earthquakes, solar burst that knocked out the Planet's entire electrical grid for 3 years, numerous plagues of disease, food and fresh water shortages, domestic and International Wars and many other life-changing operas, but for this event, what remains is a realization that has no remedy. The cause: Earth's physicality has changed. It is no longer favorable for living things.

It is the constant shifting of the planet's internal tectonic plates which has unfortunately produced an unexpected and impassable dilemma.

Because of the collisions, deep within the planet's core, the planet is now producing an extraordinary amount of sound that includes a specific harmonic frequency that erodes the natural senses of all life on Earth.

It is intensifying. It is intolerable and it is unlivable.

Yet, some humans prefer to stay, to "ride it out" like the Titanic captain going down with his ship. Some, in total disbelief as some have concluded it is the second coming of Jesus Christ. But for most, the decision is clear. Tolive another day, leaving is the only rational choice.

At an increasing rate, scientific research data shows that humans and most animals, excluding the Jellyfish will eventually lose the usage of hearing and are to greatly suffer from an array of other neurological and psychological effects. The sense of touch and taste, sleep depreciation, severe nerve damage, constant hallucinations. Everyone will lose many of their cognitive abilities within an estimated 12 months from now.

On this day and every 7 days afterwards until all registered passengers have departed, the first of a fleet of large number of massive size spacecraft carrying approximately 1 million humans per vessel will permanently leave Earth to begin the long and adventurous trek across outer space to a new home: Vega.

This is not a precautionary tale as there is nothing to learn. Instead, a decision has been made and a Trip To Vega is the consequence.

- Jeff Mills

DJ Support: Kerri Chandler, Louie Vega, Dam Swindle, Jovonn, Brian Tappert, Grant Nelson, Mark Farina, DJ Mes, Cinthie, Floorplan, Kevin Yost, Fouk, Julius Papp, T. Markakis and more..

Raffaele Ciavolino is an Italian DJ, producer, and professional engineer who has carved out a significant niche in the global house music scene. His work is characterized by a sophisticated blend of Jazzy, Funky, and Deep House, often incorporating the high-energy "Jackin" house style that has earned him consistent recognition on major genre labels. “Come In To The Jazz”, the title of his new Album, gives you an idea of what to expect - jazzy melodies and sophisticated house beats. He does so with a modern viewpoint but also plenty of reverence for the glory days of jazzy house. Trumpets and guitars feature here and embellish the drums with quality, meaningful layers of melody and mood. As he merges the past and present, this richly textured work shines with improvisation and timeless deep house warmth.

DJ Support: Louie Vega, Dave Lee, Mousse T, The Brothers Macklovitch, Folamour, Bellaire, Moonboots, DJ Spen, Terry Hunter, Michael Gray, Dr Packer, JKriv, The Shapeshifters, Moplen, Melvo Baptiste, Saucy Lady, Tedd Patterson, John Morales, Maurice Joshua, DJ Minx, DJ Dove and DJ Disciple.

Big Love return with EP 7 in the A Touch Of Love vinyl series. Label head Seamus Haji kicks off proceedings with his popular ‘Disco Dreams’ feat Chicago legend Mike Dunn on vocals given a fresh new lick by Toronto’s jackin’ house master Hatiras. Shawn Christopher‘s 90’s house classic ‘Don’t Lose The Magic’ gets a sublimely soulful update from Chicago’s Emmaculate. On the flip side we have 2 French House veterans with Art Of Tones serving up the Chic inspired disco beauty ‘Hoping For Another Chance’ followed by Yass feat the vocal powerhouse Michelle Weeks on the disco driven gospel stormer ‘Hallelujah’.

Early Dj plays from Louie Vega, Dj Sneak & Carl Cox!

Brand new vinyl-exclusive music for 2026 from 4 legends of electronic music.

Teachers is a new series from Only Cuts showing love and respect to the architects of our sound.

5th release from the Only Cuts label run by Sydney maestros, Mo’funk & Encee

All new music from these Teachers, Dj Sneak returns with one of his best works in a long time with ‘Hear The Music’ Todd Terry appears under his ‘House of Gypsies’ alias with a horn driven percussive groover. Junior Sanchez with a brilliantly produced Wham flip & The Stanton Warriors come at it with an anthem used in their live sets, appearing for the 1st time on vinyl!

Repress!

Legendary NYC house label Strictly Rhythm is celebrating a mammoth 3 decades of cutting edge, roof-raising house music. Truly a benchmark.

Originally founded in 1989 by the dynamic pairing of music industry man Mark Finkelstein and A&R expert Gladys Pizarro, Strictly tapped directly into the fertile New York underground and after hours club scene, helping to launch and bolster the recording careers of dance music luminaries like Armand Van Helden, Roger Sanchez, Ultra Nate, Todd Terry, Wamdue Project, DJ Sneak, Louie Vega and many more. Strictly Rhythm is easily one of the most recognisable and respected dance music powerhouses of all time.

Across 3 limited double vinyl offerings, the Strictly catalogue has been expertly picked over to present you with a snapshot of some of the most earth shattering house music to emanate from the streets of New York City. A who's who of producers and artists, all killer and no filler. End to end classics that help to tell the story of one of dance music's most well loved labels. Classic cuts and essentials from DJ Sneak, Wamdue Project, Louie Vega (Sole Fusion), Essence and more all feature on part 2 in their unedited, 12" mix glory.

Fully legit, remastered and selected with love courtesy of Strictly Rhythm and Above Board distribution for 2020. Happy birthday Strictly Rhythm!

Whether you’re cheering for Montreal or Boston, Hollanov always comes out on top. Relive every beat of Shane and Ilya’s yearslong rivalry--turned--romance with the official Heated Rivalry soundtrack on vinyl, featuring a curated selection of needle--d-rops from the series by Wolf Parade, Feist, t.A.T.u, Harrison and more, alongside selections from Peter Peter’s pulse-pounding, heart-m-elting original score, from the Vegas penthouse all the way to the cottage.

Pressed on two striking block-c-olored discs (Montreal Metros Blue/Red and Boston Raiders Black/Yellow), the deluxe gatefold edition includes printed sleeves, two trading cards, a fold-out poster, and liner notes by show creator Jacob Tierney.

Clusters of Noise LPR-V006, kicks off 2026 for Loopaina Records with a powerful vinyl release crafted by two standout names in the international techno scene: Oliver Rosemann and Carmelo Ponente. Photo taken in Mundukalogue between both artists, each delivering their own raw, focused vision of contemporary techno.

The A-side features one original track from each artist, clearly defining their individual styles.

On the B-side, they switch roles to offer remixes of each other's work-expanding the sonic palette of the release while maintaining a cohesive and impactful sound.

Clusters of Noise is a bold statement for the new year at Loopaina Records: quality sound, committed artists, and a strong devotion to the vinyl format while embracing digital as well. A solid, high-impact release that perfectly captures the spirit of the label.

All music written and produced by Oliver Rosemann & Carmelo Ponente

Scott Pilgrim EX, the newest video game from the Scott Pilgrim franchise developed by Tribute Games, is out now with an all new original soundtrack from Anamanaguchi. The sprawling soundtrack, which accompanies a brand-new storyline co-written by series creator Bryan Lee O’Malley, perfectly connects the band's legendary electronic past with their fuzzed out garage rock present while maintaining their unmistakable punchy style. Known for resonant world building across past projects, the depth of emotion and the range of styles displayed on Scott Pilgrim EX are uniquely Anamanaguchi while delivering a host of melodically anthemic and new energetic hooks that are sure to pack a punch for both newcomers and old school fans of the band alike.

Anamanaguchi's collaborative relationship with the Scott Pilgrim universe goes back to the early days of the band. After cutting their teeth programming music with playable Nintendo cartridges and helping to bring a wider audience to a largely internet based 8-bit chiptune scene, the band was brought in to score the fan-favorite soundtrack for Scott Pilgrim vs. the World: The Game. The success of this game soundtrack would help them to launch an early crowdfunding success story with their campaign for their debut album, 2013's Endless Fantasy. From there the band would go on to collaborate with virtual pop star Hatsune Miku (resulting in the perpetually viral, Fortnite featured hit, “Miku”), and later develop the intricately soundscaped compositions displayed across their second album, USA, but throughout it all the connection between the band and the Scott Pilgrim universe would remain a pivotal source of inspiration.

After being brought in to score the animated Netflix series, Scott Pilgrim Takes Off, in 2023, band members Peter Berkman and Luke Silas would credit the live kinetic energy they channeled when writing songs for the in-universe garage band Sex Bob-Omb with helping them get back in touch with the roots of how they learned to play music even before Anamanaguchi's earliest releases.  This process would eventually lead to Peter and Luke alongside the remaining two band members — Ary Warnaar and James DeVito — flipping their typically meticulous digital writing process for the more collaborative, straight to tape, distorted angst that can be found on 2025's Anyway, marking another significant evolutionary turn for the band to come out of their relationship with Scott Pilgrim.  

Now fresh off the heels of a nationwide tour in support of Anyway, Anamanaguchi have returned to the 8-bit beat em up world of Scott Pilgrim with a relentlessly high energy and genre defying original soundtrack for Scott Pilgrim EX.  A return to form that comes with a depth of knowledge and innovative skills that have allowed the band to continue to evolve and grow alongside the characters in the Scott Pilgrim universe and the multi-generational fanbase that continues to follow along with them.

The new soundtrack for the latest installment in the Scott Pilgrim franchise, Scott Pilgrim EX

A Vega Records special edition 7” by Elements Of Life with sneak peaks of two new Elements Of Life tracks from the forthcoming 2026 album “Dreamer”.

Side A is a brilliant cover of the famed Brazilian band Black Banda Rio’s “Maria Fumaca”.

Side B an energetic Latin jazz infused cover of John Coltrane’s ultra class “Giant Steps” done up Rumba style tributing the great Tito Puente with special guest, the maestro Christian McBride on upright bass. Elements Of Life are on Fiyaaah and it’s just the beginning!

Once again Trunk Records comes through with an album of sublime 1980s new age synthwave
music from an artist and library company you have never heard of.

With most Trunk LPs we write the story about how Jonny came across the music. And yes, this LP is no different...over to Jonny…

“My first encounter with Peter Patzer was when I was writing and researching the updated and fully expanded version of The Music Library Book, published by Fuel. The initial book - called The Music Library, was the first ever overview of library music and the wild, unpredictable graphic art of their sleeves. It was first published in 2005 and featured about 400 sleeves and about 120 library companies over 200+ pages. The book was based on over a decade of intense library LP collecting by myself and a handful of other geeky weirdos and made for fascinating and revealing reading and looking. It was a great education for many entering this odd, hidden musical world for the first time. The book quickly sold out.

A few years later the price of the original book had gone bananas. But the geeky weirdos like me had all carried on voraciously consuming and collecting library music so I strongly felt the first book could easily be doubled in size with new info, new sleeves and many newly discovered lost library companies. Which is exactly what I set about doing. The Music Library expanded edition came out in 2015. You have to realise here that The Music Library book was very much a first - until its unexpected arrival (and even the arrival of the much larger expanded edition) there was no published survey, accessible catalogue or anything about international library music. It was still an odd old world shrouded in some historical mystery - even the internet had not really caught up. And I was still finding unusual British one-off library LPs, more unusual Italian library diversions, hidden French funky things and then I finally found Peter Patzer. From Germany.

Hidden away in a very obscure music library corner. All on his own.Peter was unusual in that he was an artist and musician who made his own music and issued it all on his own library, called Crea Music, based out of Bremen in North Germany. Over a series of eight whitevinyl LPs produced in the 1980s Peter Patzer created synth heavy experiments for possible use in film, TV, video and anything else coming along. All his LPs had the same simple red, white and blue sleeve and a typed name and number. Across the eight LPs Peter goes to musical space, creates post-disco funk,travels to Vegas, goes all geological and more.

The eight Peter Patzer / Crea Music LPs are as follows:

01 - Puddy’s Bus 02 - Straight Line 03 - Pos-Attractions 04 - Patterns 05 - Canyons 06 - MIls Maniac 07 - Classic Themes 08 - Formation 17

This is a compilation of some of the music featured across those eight LPs, and yes, it was initially
licensed a few years ago but I held it back as I wasn’t sure people were quite ready for the plugged-inway out drifting 1980s electro sound of Peter Patzer with his synth washes, rhythms and chords. Or maybe I wasn’t ready. Anyway it’s here now... and if this sells out there could be another Peter Patzer LPbut with all his longer 7 minute compositions which there wasn’t room for here.

‘Let’s take a trip’ – with major names on the psytrance scene Avalon and GMS releasing on KNTXT for the first time, combining forces for a full-on attack, 4-track EP ‘The Underground’, out December 11th. Their joint mission? ‘Combining two worlds where psytrance meets techno, a fusion which will take you on a mind-expanding journey! Welcome to The Underground…you have arrived!

London DJ/Producer Avalon was recently awarded the number 1 top-selling psytrance artist on Beatport with over 30+ psytrance chart #1s and 5 top-selling LPs to his name, and performs at the likes of Tomorrowland, Boom, EDC Las Vegas, Glastonbury, Exit, Burning Man, Ultra, ASOT, Ministry Of Sound,... GMS (Growling Mad Scientists) was founded by Dutch Ibiza-based DJ/Producer Riktam with the sadly late Bansi, to establish pioneering psytrance label Spun Records and to have director Tony Scott no less, using GMS tracks on three of his films. A prolific producer with over 300K album copies sold, GMS holds the most psytrance records released overall.

‘I'm beyond honoured to release this stunning four tracker from psytrance legends Avalon and GMS. With this release, friendships were formed and worlds truly started colliding. I have massive respect for both these artists and their long standing impact on electronic music. This release feels like a bridge between generations and genres. It carries an energy that deserves to be heard, experienced, and felt on dancefloors around the world.’ Charlotte de Witte

Title track ‘The Underground’: hyperspeed trance beats support a wild variety of acid-dripping pulsations, spacey arps, otherworldly swoops, mind-teasing stabs, it’s like a lightshow in sound. That transports its listeners into another dimension. On ‘Horizen’, psytrance thrives, while ethereal vocals call, with intricate sound design painting a mythical soundscape. On ‘Machines’, it’s driven by hypnotic acid lines, pulsating Kick & Bass with sprinkles of techno infused percussion! Its choral notes and alien-like spoken lyrics, both gripping and disorientating as builds & breaks come thick and fast. ‘Rave to the Grave’: constant pulsing high synth and vocals with twanging acid together with frantic percussion create a sustained, agonizing build, build, build – until ‘On the 7th day, the Lord said ‘Let the beat drop!’’ Phew!

‘We are very excited about our debut release on KNTXT ‘The Underground’ and can’t wait to share this 4 track EP with you all. We hope you enjoy it as much as we did creating it. This fusion of techno/psytrance is brought together by all of our mutual love for acid & driving hypnotic dance music! Enjoy… Play it loud! Welcome to The Underground… You have arrived!’- Avalon & GMS

A mind-bending EP, with racing beats that give the ‘trance’ in psytrance a huge adrenalin shot. This is high energy reaching new altitudes; hold on to your brain cells, they’re going for a ride!

Groovin Recordings proudly announce the forthcoming release of "Back From Paradise", a track co-produced by the legendary Italian DJ Costantino “MixMaster” Padovano and renowned South Italian producer Antony Reale.
This record is a dedication to the enduring legacy of Costantino MixMaster Padovano. Originally produced in the late 90's but never officially released, this collaborative piece is finally seeing the light of day as a powerful celebration and tribute.
Costantino MixMaster Padovano needs no introduction to house music aficionados. He was one of the first Italian DJs to achieve deep respect in the 90s US house scene, regularly sharing the decks with titans like Frankie Knuckles, Kenny Dope Gonzalez, Louie Vega, and Todd Terry. His studio influence was massive, including official remixes for legends such as Marvin Gaye, Diana Ross, Gloria Gaynor, Chaka Khan, Mary J. Blige and many more.
Antony Reale is an established Italian DJ and producer with a large discography spanning the last two decades. He has produced and remixed a roster of top artists, including Chaka Khan, Mary J. Blige, Ultra Naté, and RuPaul.
"Back From Paradise": Originally created by Antony and Costantino during their creative prime in the late 90's, Antony has now decided to finally release the track. It serves as a beautiful and fitting monument to the memory and fantastic career of this iconic Italian DJ and producer who helped define the 90's house scene.

Der britische Produzent und Elektronikkünstler Joe Thornalley, bekannt als Vegyn, interpretiert das kultige Debütalbum „Moon Safari“ von Air aus dem Jahr 1998 in einem gewagten Crossover der Genres und Epochen neu. Vegyn wurde durch seine Arbeit mit Künstlern wie Frank Ocean und Travis Scott bekannt und hat sich einen Namen als zukunftsorientierter Produzent gemacht, der üppige, atmosphärische Klanglandschaften mit experimentellen Beats und einem Sinn für Unvorhersehbarkeit verbindet. Mit seinem Remix von Moon Safari“ bringt Vegyn seine einzigartige Vision in das beliebte Ambient-Pop-Meisterwerk des französischen Duos ein und verleiht ihm eine frische, moderne Energie.


Vegyns „Moon Safari“-Überarbeitung wird in einer neuen Tracklist enthüllt und erscheint auf schwarzem Vinyl und einem CD-Digisleeve, beide in einer schönen, transparenten blauen Hülle verpackt.

Shoegaze slow dance where distortion and desire merge into a single narcotic pulse. Each track feels like a transmission from a beautiful but broken future, numbing the senses before consuming them completely. Much like the most immersive works of Tropic of Cancer or Death in Vegas, the album drifts beneath a flickering sodium sky, lost in reverb and ritual. This is not just another new release—it’s an unforgettable sonic hallucination, a cinematic comedown carved in echo and melancholy, where time and thought dissolve in waves of velvet static. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl, including printed innersleeve with lyrics.

"H." is the band's new album, conceived as a tribute to the Beat poet Harold Norse, from whom the band already takes its name. The record develops an uninterrupted musical flow across eight tracks where post-punk, noise-rock, and shoegaze merge with an hardcore approach.

On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian & Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The ‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto, and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between electronica, ambient, drone, and trance-inducing soundscapes.

9th release from the Madrid-based label Kunda Records.

This time, it features the participation of “El-y”, aka Techno, and the well-known French artist AcidUPDub (co-founder of Dune Records, 2008).

On the A-side, we’re treated to two heavy-hitting tracks:

- “Andromeda”, a dancefloor destroyer with an intriguing rhythmic progression that builds into a climax of sinister melody, leaving a repeating echo resonating in our heads.

- “Torpedo”, a projectile of pure hypnotic techno.


On the B-side, we find two aliases behind which stands the same person: José María Moreno Vega (Granada, Spain):

- C-system, presenting “темный век” (Dark Ages), a pure Tekno track with pounding kicks and a martial rhythm.

- And Spectrums Data Forces, bringing us “Revenant” and “Space Crucifix”. Both tracks will take us on a spacey, robotic journey full of electro rhythms and broken beats.

Straight-up bombs!

Alex Puddu returns to the origins of his first sound that launched him with the original soundtrack of The Golden Age Of Danish Pornography presenting us with a new work inspired by the music and soundtracks of hard and erotic films of the late seventies and early80s with the new album
“I Desideri di Sadie (Piaceri Tropicali)"
is the new concept album written, arranged, produced, performed and conceived by Alex Puddu, It is the first album of the erotic/hard series Sadie.
A heroic female character fantasized by Alex Puddu of a rich and charming young woman, sexy, strong, brave and free with a great spirit of adventure, always traveling around the world in search of new experiences in the erotic and dark world that surrounds her.
The music is inspired by the soundtracks of adult movies of the late Seventies and early Eighties.The story takes you into a journey set in the countries of South-East Asia and the Pacific islands, in exotic landscapes, among jungle, lush vegetation and enchanting tropical beaches. A magical trip among temptations, on the islands, to discover the beauty of the "Erotic World" of Alex Puddu

On April 13th, 2019 Record Day, Vega Records celebrates with the new release 'My Body' performed by none other than the Legend and King Luther Vandross. This is a song that was never released and was recorded back in 1979 by Luther Vandross when he was working on the colossal album 'Never Too Much'. Brought to Louie Vega by artist and renowned background singer to the greats Mr. Fonzi Thornton, Vega was able to work on the immaculate sounds of Vandross. As Vega recalls 'When I put up the tracks in my studio it sounded as if Luther were singing today, it made it so easy to come with the house grooves having such a perfect vocal performance and one of kind tone. Once I came with the music, I felt I needed to call his original background singer team, which Fonzi organized in a flash. He called upon the genius background singers Brenda White, Lisa Fischer, Cindy Mizelle, Tawatha Agee and Fonzi himself. We are talking the A-Team of background singers, a dream come true in my studio', Vega recalls.
The Result is a stunning art piece by Richard Wilson on the cover of the vinyl double pack 12'. There are seven versions to choose from ready to work back to back.
So not only is it record day, it's also the birthday of Luther Vandross which is on April 20,
HAPPY BIRTHDAY LUTHER VANDROSS!!!
LOUIE VEGA SENDS A BIG HAPPY BIRTHDAY TO LUTHER VANDROSS & THANK YOU TO FONZI THORNTON, SEVETA WILLIAMS, AND VANDROSS MUSIC, LLC.

After two self-produced EPs, Sarah Maison (2018) and Soleils (2021), and the EP Karma (2021) with Anoraak, French singer, musician, author, composer, arranger, and producer Sarah Maison finally unveils her first album, DIVAD, the fruit of four years of creation. Sarah opens up, tackling personal themes through an exploration of the soul and existential questions. She also ventures into more autobiographical subjects such as melancholy, derealization, the search for meaning, and the breakdown of romantic or friendly relationships: often through coded language but always with a touch of humor. DIVAD is a manifesto of artistic independence, boldly and uncompromisingly fusing French chanson, Egyptian music, 70s disco, synth-pop, and English pop. Her influences draw on musical history while reinventing it, bringing together Alan Vega and Martin Rev, the 70s Egyptian band Al Massrieen, the king of Iranian psychedelia Kourosh Yaghmei, as well as Brigitte Fontaine and Françoise Hardy. Each track is a cinematic tableau, where the artist"s theatrical voice, both imperious and vulnerable, carries an intimate narrative with universal overtones. Co-produced with Steve Surmely (sound engineer) and Timotée Pédron (sound designer), the album blurs the lines and asserts an artist who defies categorization. Throughout these twelve tracks, we witnessa rebirth, with Sarah fully embracing her character as a dark, grandiose, and tragicomic diva straight out of a Dario Argentofilm, a sort of tribute to her Italian muses. Danceable, elegant, and elusive, DIVAD is a flamboyant work that reflects Sarah Maison"s image: free, sunny, and daring.

Dutch DJ & Producer Serti Drops New Album on Structured Records.

Structured Records, in collaboration with Pax Romana, is proud to present the new album from Dutch DJ and producer Serti, “If u are curious”, arriving worldwide on October 23, 2025, as a double vinyl release and on all digital platforms.

This album is the result of three years of experimentation and dedication, a project made from a pure love of music. Designed as a front-to-back listening experience, it moves seamlessly between high-energy tracks and more intricate, textural compositions, rewarding listeners who take it all in from start to finish.

While not a conventional club record, it features dancefloor-ready tracks built with raw intensity, driving beats, and striking melodic moments that hit hard on any system.

Serti crafted the album using a wide range of gear, including Eurorack modular systems, Sherman Filter Bank, DSI Pro 2, Korg MS-20, Digitone, and Analog Rytm.

Inspired by artists like Clark, Plaid, and Piezo, he experimented with off-grid melodies and live-played sequences, creating a dynamic record full of character and immediacy.

With this release, Serti delivers a bold statement: a record that combines technical skill, adventurous sound design, and undeniable energy, establishing him as one of the Netherlands’ most exciting new voices in electronic music.

El AMBIE—TÓN is back. The reference #002 is an exercise of Memory (Memoria), it is a place where the water blooms on the earth and the wind in the mountains. It is jungle and city. Mountain and noise. Imbalance and harmony. It is a lake in the sky, a forest between seas. A still cloud in la cordillera, a name that floats. This collaboration between Colombian Drone Mafia and Gibrana Cervantes is the beginning and end of a fragile geography, like the magic and mafia of our platanal.

But who is behind this new combo and bridge between South and Central America? CDM is the new alias of Nyksan, a Bogota-born techno-affiliated deejay and sound artist who is also one of the co-founders of TraTraTrax. From the other side, Mexican composer and violinist Gibrana Cervantes is one of the most outstanding string voices in the daring electronic music landscape in recent times. The duo's cabalistic work creates intricate and dark ambient, all woven around gut-moving sonorities. Colombian Drone Mafia dissolves the boundaries between synthesis and field recordings, crafting experimental yet primitive textures that infect listeners through the layered melodic spaces that Gibrana masters.

We cordially invite you to listen to this journey of immersive drones through vegetation and concrete jungle, music that is at times contemplative and at other times violent. Music framed between deep listening and deep boredom. A glimpse of the sound of the end.

Two Grammy Award–winning artists joined forces for this inspired peak-hour track, originally featured on Louie Vega’s Expansions In The NYC album. The pairing of Louie’s signature house-driven percussive energy with Robyn’s instantly recognizable vocals created a moment that pushed boundaries and hinted at a future direction for the genre.

The remix package builds on that vision, showcasing a stellar line-up of some of the scene’s most innovative tastemakers—including Honey Dijon, KDA, and Dam Swindle—each delivering their own unique grooves while honoring the spirit of the original.

The idea of the project is to reconstruct a different perspective of Tribal Italia, an imprint set in 1995 in Riccione.

The label recollected the attitude of the Afro/Cosmic djs of the region like Meo, Fary, Fattori and Brahms that created a distinctive "world-sound trademark" in whole Italy and Europe (as seen lately in the Austrian experiments of Stefan Egger).

There was a side of the label that was clearly influenced by the "heavy-sample" culture of Hip-Hop and, especially, by what was going on in the UK where groups like Transglobal Underground and Loop Guru were creating a new identitarian imagination.

These influences gave birth to a suggestive selection of the best breaks of the Tribal Italia catalogue

The 15th release on Ohm Series features tracks by Alessandro Crimi, TmShuffle, Armin Bender, Nacime B.
It's another strong releases - well selected by label boss Bjarnar Jónsson aka OHM.
Don't miss!

Limited repress!

What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch


Billy Idol - "Catch My Fall" (From The 1987 Movie 'Some Kind Of Wonderful')
The Association - "Cherish" (From The 1986 Movie 'Pretty In Pink')
Penguin Cafe Orchestra - "Music For A Found Harmonium" (From The 1988 Movie 'She's Having A Baby')
Zapp - "Radio People" (From The 1986 Movie 'Ferris Bueller's Day Off')
Blue Room - "Cry Like This" (From The 1987 Movie 'Some Kind Of Wonderful')
Ray Charles - "Mess Around" (From The 1987 Movie 'Planes, Trains & Automobiles')
Joe Turner - "Lipstick, Powder & Paint" (From The 1989 Movie 'Uncle Buck')
Darlene Love - " (Today I Met) The Boy I'm Gonna Marry" (From The 1984 Movie 'Sixteen Candles')
Marvin Gaye - "How Sweet It Is (To Be Loved By You)" (From The 1988 Movie 'She's Having A Baby')
Perry Como/Mitchell Ayres & His Orchestra/The Ray Charles Singers - "Juke Box Baby" (From The 1989 Movie 'Uncle Buck')
The Chordettes - "Mr Sandman" (From The 1989 Movie 'Uncle Buck')
Ray Anthony & His Orchestra - "The Peter Gunn Theme" (From The 1984 Movie 'Sixteen Candles')
Lindsey Buckingham - "Holiday Road" (From The 1983 Movie 'National Lampoon's Vacation')
Emmylou Harris - "Back In Baby's Arms" (From The 1987 Movie 'Planes, Trains & Automobiles')
Hugh Harris - "Rhythm Of Life" (From The 1989 Movie 'Uncle Buck')
Spandau Ballet - "True" (From The 1984 Movie 'Sixteen Candles')
Propaganda - "Abuse" (From The 1987 Movie 'Some Kind Of Wonderful')
The Dream Academy - "The Edge Of Forever" (From The 1986 Movie 'Ferris Bueller's Day Off')
Yello - "Lost Again" (From The 1987 Movie 'Planes, Trains & Automobiles')
Bryan Ferry - "Crazy Love" (From The 1988 Movie 'She's Having A Baby')
The Rave-Ups - "Positively Lost Me" (From The 1986 Movie 'Pretty In Pink')
Los Lobos - "Don't Worry Baby" (From The 1985 Movie 'Weird Science')
Steve Earle - "Continental Trailways Blues" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Revillos - "Rev Up" (From The 1984 Movie 'Sixteen Candles')
Boston - "More Than A Feeling" (From The 1988 Movie 'She's Having A Baby')
Balaam & The Angel - "I'll Show You Something Special" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Rave-Ups - "Rave Up/Shut Up" (From The 1986 Movie 'Pretty In Pink')
Pop Will Eat Itself - "Beaver Patrol" (From The 1988 Movie 'The Great Outdoors')
The Vapors - "Turning Japanese" (From The 1984 Movie 'Sixteen Candles')
Silicon Teens - "Red River Rock" (From The 1987 Movie 'Planes, Trains & Automobiles')
out

Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch

This package of strictly dub mixes from Louie Vega, Tommy Musto and Soul Clap push 2fox and Laville’s 'Elevation' further into the night. Louie Vega’s dub mix of 'Elevation' gives the DJs a chugging tool to work it out complete with a chant - 'Everbody!'.

Tommy Musto’s 'Zero Hour Dub Mix' folds over Renell Shaw’s bassline into a thick throbbing bounce. With knife-like precision Musto slices up components from the original including the drums, percussions, organs and pianos, serving up the individual musical ingredients of 'Elevation' on a delicious sonic platter. The Soul Clap Dub digs even deeper into its Detroit influence, building and uplifting with chord stabs, melodic themes and glistening arpeggiation.

“Futurespective” is a remastered compilation featuring the very best releases from the iconic Bulgarian band Les Animaux Sauvages. For the first time ever, these timeless tracks are available on vinyl. Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

gyrofield is 22-year-old, Utrecht-via-Hong-Kong producer Kiana Li, who has put out several albums and over a dozen EPs since 2018, from self-released productions to projects on Metalheadz, XL Recordings and FABRICLIVE among many others.

Their next EP is Suspension of Belief, and it arrives on Objekt's label, Kapsela. (Following last year's Ganzfeld and Chicken Garaage, it's Kapsela's first record by an artist other than Objekt himself.) In keeping with her recent releases, it shows Li continuing a creative renaissance, moving beyond the outer fringes of drum & bass to present what they call "a set of deeper, shapeshifting tracks, cross-pollinating ideas from house, free jazz and techno."

Suspension of Belief was written between June and October of 2024, inspired by a summer spent in nature and encapsulating Li's lived experiences and personal reflections in this time. "Thoughts about the boundaries between civilisation and nature began to take on a charged meaning," she says. "How can we, as people, live on the backs of others’ suffering, and see emotionally vacant newscasting on the desecration of the world around us? We ought to be angry, but we also ought to find healing and love somewhere. A representation of this thinking exists in the record."

The result is an elegant paradox. From the warm upright bass on "Vegetation Grows Thick" to the rattling, "Spastik”-esque snare rolls of “Bolete”, the record is at once steely and organic, with dreamlike states giving way to depth and intensity. It’s functional enough for rituals of escapism but determined to confront the world as it really is. As Li puts it:

"Suspension of Belief is a play on the suspension of disbelief, the common convention for us to immerse ourselves in fictional worlds. In turn, the record’s title suggests the idea of immersing in the real world, an antifiction, facing reality.”



Mastered by Beau at Ten Eight Seven

Artwork and design by Brodie Kaman

Vinyl distributed by Rubadub

On June 6th, Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get.

“I’ve been soaking in Ramleh’s ‘Hole In the Heart’, the machine funk of Terrence Dixon’s Population One, Jamal Moss’ psychedelic techno jams, the stunning minimalism of Mika Vanio’s Ø and Panasonic, the layered drones of LOOP, and drowning in the acid of TM 404”

Broader inspirations are weaved into the album’s fabric too; from his Thameside Metal Box studio and evocations of nautical ghosts, to lamentations for a broken world, to memories of a youthful Detroit pilgrimage, and the innocent fraternity of rave euphoria, there’s a lot going on, acting as a chronicle of moments, and locations.

To celebrate their landmark 60th release, Analogical Force proudly present ''Sixty'', a lengthy compilation (3x12'' - 17 tracks) that chronicles the label's journey from its inception to its current cutting edge form. Featuring new unreleased tracks from regular collaborators alongside exciting up-and-coming artists, plus some gems rescued from the past and remastered for the occasion. This release is a sonic time capsule and a forward-looking statement that serves as both a reflection of AF's past and a bold vision for the future. A must have for AF heads or virtually anyone into forward thinking music.





c 03 Gherat - Micfrk Bamb Mix



g 07 Oh Mr James - Rechargeable Battery Acid [ESC Mix]
[h] 08 Meta Program - VHJhbnNjZW5kIFlvdXIgRXhpc3RlbmNl [AF Edit]

DJ Support: Louie Vega, DJ Sneak, Todd Terry, Phil Weeks

After 3 releases Only Cuts is building a solid following.

For Vol 4 Only Cuts Head Honcho Encee steps up for his debut EP 'Will 2 Move' featuring 4 bumping cuts to move the dancefloors.- For Dj Use Only

Vicino O' Mare is the first single from a unique project recorded in Naples, featuring some incredibly talented musicians. Sung in the vibrant Neapolitan dialect, this track brings a fresh blend of funk and disco vibes.

Get your swimsuits ready for those pool parties!

Enjoy the music!

Kiko Navarro & Pere Navarro land on Radio Slave’s Rekids with their first-ever EP, ‘Les Cousins’. Their debut release counts three tracks, merging infectious House grooves with Pere’s Jazz-inflected trumpet solos for a stylish EP rooted in classic sounds, yet with a distinct modern edge to it. Both hailing from the Balearic Islands, Kiko, a seasoned DJ and producer from Mallorca with music on King Street Sounds, Pacha Recordings, Shall Not Fade and more, and Pere, a multi-instrumentalist, composer and producer from Ibiza. Despite sharing a last name, the pair are not related, meeting for the first time at a private party where Pere spontaneously joined Kiko’s DJ set on trumpet, after which their partnership continued when Kiko invited Pere to record a trumpet solo for a Louie Vega remix, leading up to the creation of their debut ‘Les Cousins’ EP, landing on Rekids this May.

Something special happens when acts like 2fox and vocalists like Laville team up. In 2024 theybrought us one of the year’s most exciting soulful house releases called 'Elevation'. The trackhit #2 on Traxsource’s Best of ADE 2024 and it was consistentlyin the top 10 of soulful housecharts across DJ retail sites. This catchy vocal floating on top of a modern Motown inspiredbass line has had crowds singing along night after night. On this vinyl and digital package,legends Louie Vega and Tommy Musto take their remix turns on 'Elevation' along with labelbosses Soul Clap plus an exclusive percapella from 2Fox.

Louie Vega’s remix turns up the tempo and swings with a heavy bass piano line, knocking percussions, sweeping synth pads. Laville and background vocalists Nandi and Beth Aggetthave plenty of space to soar and give this remix a gospel tinge. It’s a nine plus minute ceremonyof sound that will still leave you wanting more and more!

Tommy Musto’s Zero Hour Mix dials in the soulful sounds of the track, bringing the organforward for a jazzy take for those who want to feel cosmic vibrations.

Soul Clap’s remix is future forward and Detroit inspired. As it evolves over 8 plus minutes, astrong melodic build up and eventual release will leave every listener feeling elevated!

These remixes along with original extended mix are available digitally and also packaged on 12-inch vinyl with artwork designed by Noah Prebish of Unknown Pleathers. Stay tuned for a dubs 12-inch release just a few weeks from now with unique versions of these remixes

Hot Creations kicks off its 2021 release schedule next January with a stunning two tracker from Dateless. Titled Bee, the release marks the LA-based artists debut on the label, having previously released on offshoot imprint Hottrax.

The title track takes charge with punchy four-four drum patterns and an infectious lead synth. Driving kick-hat combos provide the overarching rhythm before groove-lead bell chimes come in and out, creating a peak-time dancefloor cut. Line In The Dirt takes things back to basics, blending stripped-back percussion with minimal-laced kicks and a powerful lyrical offering throughout.

Los Angeles’ Dateless is swiftly cementing his reputation as one of contemporary house music’s true heavy-hitters. Performances across major stages in the form of EDC Las Vegas, EDC Mexico as well as Claude von Stroke’s iconic Dirtybird Campouts have brought his unique sound to global audiences. Production-wise, his Cuando Mueves single recently amassed 1.6 million Spotify streams, whilst standout releases on Hottrax, Solid grooves and Viva Music have rightfully established his presence in the scene.

Venice Affaie seeks only to give humans a look into their own lives, history, suffering, and peace, all while providing a backbeat sprinkled with sexuality, romanticism, and especially entertainment. The concept of “Ascension” is much larger than a description of upward motion; it is the human description of our evolution from four to two, from caves to high rises, from child to elder, and from stardust to flesh. This collection of songs has been in the works since 2021 and meticulously arranged to provide the best possible lens into Venice Affair’s concept of human existence.

The track “Alive” seeks to display the contrast between the wholesomeness of romantic affection and the emotional torture of such affection falling through due to externalities. “Dead of Night” is an observation of emotions one may feel when the subject of their love is away without care, leaving in their path longing and unspecified vitriol. “The Web” is a natural progression of these emotions in the verses, a culmination of feelings that leads one to leave. Leaving a once bountiful love is compared through the analogy of nomadic people leaving a region which was once home, now depleted of resources, rain, and vegetation.

Classic 1988 'early' house LP reissued on yellow vinyl for the first time for RSD 2025. Made by Royal House aka Todd Terry, the legendary producer & DJ from New York who was a staple for house music and produced under many different aliases throughout his time such as Black Riot, CLS, D'Effect, Dred Stock, Frontline, Frozen Inc., Gypsymen, Hardhouse, House Of Gypsies, Limelife, and amongst many others, Masters At Work (Before he gifted the name to Louie Vega & Kenny Dope). Everybody who was into house and it’s culture in 1988 owned this record, now you have the chance to own this on yellow vinyl for the first time. 'Can you Party' is still played on national radio stations and one of the staples in rave and it’s scenes. Remastered for 2025 in the original 'PAID' designed sleeve but now in transparent yellow vinyl for RSD. Limited edition.

DJ Support: Louie Vega, Kerri Chandler, Jimpster, Kevin Yost, Mr. V, Brian Tappert, Julius Papp, Jovonn and many others

Italian DJ and Producer Jo Paciello makes his debut on Groove Culture with 'The Jazz Syndicate' a stunning 10-track album melting House with Jazz. An album with warm sounds that takes us back to the good glory times of jazzy house. Trumpets, saxophones and guitars grooves dominate the minor chords of piano and rhodes. The Producer invites you to explore a realm where the past and present merge, creating a soundscape that is both nostalgic and refreshingly unique. It's a richly textured journey that combines jazz's improvisational spirit with house and deep-house influences.

GU are very proud to present a brand new City Series from Montreal. Joseph Capriati is one of the scene’s most in demand headliners and he delivers a masterclass in music with this journey through house and techno. Featuring tracks & remixes from Louie Vega, Solomun, Âme, Carl Cox, Deetron, Marc Romboy & Oliver Huntemann, Len Faki & more. "If you close your eyes you might find yourself in a loft party in ‘90s Montreal dancing while the sun rises" (ALICE AUSTIN)