180 g black Vinyl, Gatefold, DLC, Insert
Seit 1988 stehen Cannibal Corpse an der Spitze des Death Metal und haben das Genre geprägt und definiert. Im Jahr 2021 setzten sie mit ihrem 15. Album Violence Unimagined die Messlatte erneut höher. 2023 kehren sie mit dessen Nachfolger, dem ebenso monströsen Chaos Horrific, zurück und schlagen damit ein neues Kapitel ihres Vermächtnisses auf. Kurz nach Abschluss der Violence Unimagined-Sessions geschrieben, finden sich in Chaos Horrific Anklänge an jenes Album. "Für mich fühlt sich dieses Album wie eine Art Fortsetzung von Violence Unimagined an. Der Stil ist ziemlich ähnlich, aber im Einzelnen klingt keiner der Songs auf Chaos Horrific wie die Songs auf Violence Unimagined", sagt Bassist Alex Webster. "Es ist ein vollwertiges Death-Metal-Album im Stil von Cannibal Corpse."
quête:vi
Ltd. Ltd.burned flesh marbled Vinyl, Gatefold, DLC, Insert
Seit 1988 stehen Cannibal Corpse an der Spitze des Death Metal und haben das Genre geprägt und definiert. Im Jahr 2021 setzten sie mit ihrem 15. Album Violence Unimagined die Messlatte erneut höher. 2023 kehren sie mit dessen Nachfolger, dem ebenso monströsen Chaos Horrific, zurück und schlagen damit ein neues Kapitel ihres Vermächtnisses auf. Kurz nach Abschluss der Violence Unimagined-Sessions geschrieben, finden sich in Chaos Horrific Anklänge an jenes Album. "Für mich fühlt sich dieses Album wie eine Art Fortsetzung von Violence Unimagined an. Der Stil ist ziemlich ähnlich, aber im Einzelnen klingt keiner der Songs auf Chaos Horrific wie die Songs auf Violence Unimagined", sagt Bassist Alex Webster. "Es ist ein vollwertiges Death-Metal-Album im Stil von Cannibal Corpse."
A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans. Recorded by the "classic" Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles "Cannonball" and "Divine Hammer", Last Splash was "an alt-rock classic" (Pitchfork"s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US. Despite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original y" tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road). Never sounding so good, the album for its 30th anniversary, it"s getting the ultimate vinyl pressing. Entitled Last Splash (the 30th Anniversary Original Analog Edition), this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm. A Japanese cd edition will also be available. This edition contains an exclusive, one-sided etched 12" which features two previously unreleased tracks - "Go Man Go" and "Divine Mascis" ("Go Man Go" is a track that Kim co-wrote with Black Francis while "Divine Mascis" is a different version of "Divine Hammer" with Dinosaur Jr."s J Mascis on lead vocals). Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master. The attention to detail continues to the album"s art, which equally celebrates Vaughan Oliver"s iconic sleeve. With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album"s sleeve for this new version.
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition of Miami's self-titled album! This record, which sadly became their last before disbanding in the early 1980s following the collapse of T.K. Records, for which they were the in-house band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible beats. It's a sonic experience that will make you want to move your feet and let loose to the soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition of Miami's self-titled album! This record, which sadly became their last before disbanding in the early 1980s following the collapse of T.K. Records, for which they were the in-house band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible beats. It's a sonic experience that will make you want to move your feet and let loose to the soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue
Mit einer fesselnden Zusammenstellung neu-geschriebener, klangmalerischer Arrangements für Violine und Orchester von bekannten Film- und Serien-Soundtracks und neuen Kompositionen der Oscar-prämierten Komponistinnen Rachel Portman und Anne Dudley zeigt die Geigerin Esther Abrami auf Cinéma ihre Vielseitigkeit, musikalische Sensibilität und Raffinesse. "Ich bin so stolz auf mein neues Album. Ich wollte eine abwechslungsreiche musikalischer Reise zusammenstellen, die meinen klassischen Hintergrund, mein französisch-jüdisches Erbe, meine Unterstützung für Frauen in der Musik und meine Liebe zu Filmen und Anime widerspiegelt und verschiedene Genres, Kulturen und Generationen verbindet. Ich hoffe, dass sich die Zuhörer*innen in die Musik von Cinéma genauso verlieben wie ich", erklärt Esther Abrami. Cinéma enthält neue Arrangements von Blockbuster-Hits aus Animes, Serien und Kinofilmen wie Naruto und Demon Slayer, The Witcher oder The Hunger Games, genauso wie Musik aus ikonischen französischen Filmen wie die Die fabelhafte Welt der Amelie und Die Kinder des Monsieur Mathieu. Darüber hinaus sind klassische Stücke aus Filmen mit Musik von Pjotr Tschaikowsky, Dmitri Schostakowitsch und Astor Piazzolla sowie zwei Weltpremieren der Oscar-prämierten Komponistinnen Anne Dudley und Rachel Portman enthalten, mit denen Esther Abrami persönlich bekannt ist. Besonders emotional ist die Verbindung der durch ihre Großmutter zur Geige gekommenen Musikerin jedoch zu den Filmen Das Leben ist schön und Das Tagebuch der Anne Frank. Ein ebenfalls sehr emotionales Stück auf Cinéma ist das neue Arrangement vom Thema des Protagonisten "Zeyn" aus dem Oscar-nominierten libanesischen Sozialdrama Capernaum, das Komponist und Film-Produzent Khaled Mouzanar eigens für Esther Abrami geschrieben hat. Für die Erstellung der Arrangements von Cinéma hat Esther Abrami mit einem Team von Arrangeur*Innen zusammengearbeitet. Bis auf das ursprünglich für Klavier geschriebene Stück "Comptine d'un autre été, l'après-midi" aus Die fabelhalte Welt der Amelie, das Esther Abrami mit einer Loop-Station auf der Geige neu aufgebaut hat, und "Libertango" von Astor Piazzolla aus Le Pont du Nord, für das sie nur von dem Gitarristen Marcin begleitet wird, ist jedes Stück auf dem Album mit Orchester produziert. Die Aufnahmen zu Cinéma fanden mit dem City of Prague Philharmonic Orchestra unter der Leitung des Dirigenten und Arrangeurs Ben Palmer in den legendären Smecky Studios in Prag statt.
KAU (previously KAU trio.) is an instrumental trio based in Brussels. Representing various European backgrounds, the Belgian capital and melting pot proves to be a never ending source of inspiration for the band. Taking influences from jazz, groove and dance music, their aim is simple but straightforward: to make your heads bob. The formula they use to do so has been the same since their early days: improvisation, never ending jam sessions and an open-mindedness towards various genres and styles. This gives their music an organic and vibrant feel. Furthermore, the three boys' long-lasting friendship is at the heart of it all, always relying on what brings them together: their love for music. The KAU cycle is bound to repeat itself and to birth something new - over and over again.
"The Cycle Repeats" is KAU's debut album, due on September 22 on SDBAN Ultra, the home of ECHT!, Black Flower, Glass Museum, STUFF. and more. It represents a milestone in the band's musical journey: it's their firm decision to present a strong and unified trio playing music that stands out through the combination of 80's synths, acoustic drums and electric bass. Moreover, the album succeeds in capturing the energy of their infectious and legendary live shows.
Highlights are album opener "Kampala", which has a throbbing bassline, jazzy synths and heavily modified arpeggiators at its core. The album's first single "Little Steps" starts with a strong hip hop groove, morphing into Herbie Hancock-style chords. "Amulet" is inspired by breakbeats, fast paced grooves and pentatonic bass lines. Both "Kautokeino" and "Alaska" are an invitation to travel to the utmost remote places of this earth, using intense sequencing and suffocating subbasses into an epic finish, probably demonstrating the trio in its most sincere form.
In short: with André Breidlid on drums, Matteo Genovese on bass and Jan Janzen on synths, KAU are a trio of childhood friends with a pan-European identity, whose music reflects the city they grew up in: unapologetic, richly diverse and with a spontaneous groove underlining it all. With their new album "The Cycle Repeats" they directly aim for your dancing shoes and souls.
Der britische Singer-Songwriter Bakar ist zurück mit seinem mit Spannung erwarteten zweiten Album "Halo", dem Nachfolger seines Debüts "Nobody's Home" aus dem Jahr 2022. Das Album enthält den britischen Top-20-Hit und die Gold-Single "Hell n Back" (über 60 Mio. Streams in Großbritannien) und die neue Single "Alive!", die am 21. Juni mit einem kultigen Video unter der Regie von Rubberband veröffentlicht wurde.
- A1: Dire Straits - Money For Nothing (4 04)
- A2: Violent Femmes - Blister In The Sun (2 27)
- A3: Rufus & Chaka Khan - Ain't Nobody (4 30)
- A4: Night Ranger - Sister Christian (4 59)
- A5: Bruce Springsteen - Born In The Usa (4 38)
- A6: The Alan Parsons Project - Sirius (1 44)
- B1: The Clash - Rock The Casbah (3 33)
- B2: Run Dmc - My Adidas (2 51)
- B3: Squeeze - Tempted (3 48)
- B4: Cyndi Lauper - Time After Time (3 57)
- B5: Reo Speedwagon - Can't Fight This Feeling (4 43)
"Air" enthüllt die unglaubliche, spielverändernde Partnerschaft zwischen dem NBA-Superstar Michael Jordan und der jungen Basketballabteilung von Nike, die mit der Marke Air Jordan die Welt des Sports und der Kultur revolutionierte. Air (Amazon Original Motion Picture Soundtrack) entführt die Zuhörer in die 80er Jahre mit Hits von Bruce Springsteen, Cyndi Lauper, REO Speedwagon, The Clash, Night Ranger, Dire Straits, Squeeze und vielen anderen. In den Hauptrollen: Ben Affleck, Matt Damon, Chris Tucker, Viola Davis und Jason Bateman.
Daniel Ögren is one of the key artists in Sweden’s contemporary, underground music scene. He has already accrued quite the back catalogue, both as a member of the sensational quartet Dina Ögon and also as a solo artist with eight albums already under his belt. ‘Fastingen-92’ was originally released as a limited-edition vinyl pressing in 2020 on the independent label Sing A Song Fighter Records (the same label that first introduced us to Dina Ögon's music). The album came to our attention after hearing Daniels' solo band performing live at the Stockholm Jazz Club, Fasching. The band featured Love Örsan and Christopher Cantillo of Dina Ögon fame (who also records with the incredible Sven Wunder), and their sensational genre-busting set blew us away. It convinced us that this now out-of-print album needed to reach a wider audience.
‘Fastingen-92’ doesn't sit in one genre, it draws from Daniels's love of South American folk music, soul, Nordic folk music and film soundtracks, resulting in something unique, dreamlike and transformational.
It features 'Idag’, an epic, beautiful, cinematic song that introduces the ethereal vocalist Anna Ahnlund. ‘Idag’ has gained a cult following and Daniel has stated that it was the spark that started the Dina Ögon project. Tracks like 'Annalena' and 'Kristinehamn by Night (for Christopher)' sound like a new club sound that hasn't yet been invented (which Nicola Cruz would spin in his DJ sets), mysterious, hypnotic, and engaging. Other songs like 'Maj (for Tintin)' and 'Picasso' venture into blissed-out Scando-Balearic realms. Daniel's love of nature and the inspiration he draws from the geographic environment of the Swedish countryside can be felt in these tracks, they take you to other places and times and are simultaneously familiar, ancient and alien.
Alongside the collaborations with Anna and Christoper, the album features Josefin Runsteen playing the drums on 'Idag' and Swedish musicians Edvin Nahlin and Ulrik Ordin. The majority of the album was played, recorded and mixed by Daniel. For the Mr Bongo edition, we have added the bonus track 'April’, which was previously only available digitally. ‘Fastingen - 92’ is a truly remarkable record that gets into your soul, so please delve in!
'Faces In The Fire' von 1984 war das erste Album der englisch-niederländischen Rockband, die 1980 in London gegründet und 1984 nach Amsterdam umzog. Ein einzigartiger und experimenteller Mix aus Psychedelic-Rock, Industrial, Ambient und Synthpop mit sinnlichen Auschweifungen. Im Rahmen des 40-jährigen Jubiläums von PIAS, erscheint das Album nun wieder auf Vinyl!
'Million Lights' von 1987 ist in der Diskografie von Trisomie 21 mit Sicherheit der absolute Höhepunkt. Die beiden Lomprez-Brüder lieferten ein Album voller emotionaler Kraft, subtil und zerbrechlich, in dem die ganze Magie des Duos zum Vorschein kam. 'Million Lights' weist keinerlei Unklarheiten auf und ist das mutigste und vielleicht auch beste Album von Trisomie 21 - ein Klassiker! Im Rahmen des 40-jährigen Jubiläums von PIAS, erscheint das Album nun wieder auf Vinyl!
'Official Version' ist das dritte Album der belgischen EBM-Giganten Front 242 und erschien ursprünglich im März 1987. Front 242 prägten das Industrial Genre maßgeblich und ermöglichten damit Bands wie Nine Inch Nails. Das Album wird nun wiederaufgelegt und erscheint endlich wieder auf Vinyl!
Everything becomes fluid when you can pass through time and space like a ghost, a story, a melody. Boy Golden manifests all three on For Jimmy. When listening to his music, it feels easy to dissolve into the ether. Everything flows. From classic country to psych-folk, Alternative to roadhouse pop to Appalaichan bluegrass, Boy Golden’s music is easy, breezy, warm and gritty. And don’t it just feel good to listen to it. Since releasing his debut album, Church of Better Daze, in 2021, he’s played every summer festival on your list, produced a number of albums with friends, released a dozen videos, curated and directed an art show and music video for “KD & Lunchmeat”, the Seth-Rogenesque hit single that charted to #1 on Alternative Radio, and toured with The Sheepdogs on their most recent North American tour. Introspective and vulnerable, traditional and queer, hard-headed and sensual, Boy Golden’s everyman-aesthetic can appeal to all of us. This ability lies in his songwriting: the songs your friends tell you about, the stories you hear from your neighbours, your community. He’s comfortable both in the spotlight and just outside it, sharing the moments with other artists, lifting others up along with him. He’s a genuine student of Townes Van Zandt and Willie Nelson as much as Dwight Yoakam and Stevie Ray Vaughan . Plus his C.O.B.D philosophy, “You can blaze and still get paid” might help us all to blur borders and old definitions of genres we thought we knew, like Steve Lacy or Justin Vernon do for Pop music. Boy Golden is able to maintain his own unique blend of Boy Golden using whatever frame of mind he’s in to fit us into this time. We’re here right now.
Bobby Caldwell's second album, Cat In The Hat, from 1980, is one of his greatest moments and another masterwork of soulful sophistication. Featuring the eternal "Open Your Eyes", brilliantly sampled by J Dilla for Common's "The Light", it's about as essential as records get. Like its eponymous predecessor, it's been out of print for far too long. To finally release the hugely-anticipated reissue is one of our sincerely proudest moments.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
Right from the off, it's easy to tell that Cat In The Hat is a deeply special record. It's fantastically produced and incredibly well-rounded, carving its own lane with deep soul, warm jazz and a stunning vocal delivery that really helped Bobby reach out to some big new audiences at the time. Goosebumps at the ready for the rolling power-piano funk of "Coming Down From Love", opening up the album with a track as good as anything Steely Dan or The Doobies ever crafted, with a vocal performance from the heavens. Pumping AOR wonder "Wrong Or Right" is up there with the slick, classy rhythms of prime Ned Doheny whilst the cool, skipping soul of guitar-drenched "To Know What You've Got" is a funky ballad par excellence, with elemental traces of "What A Fool Believes". No bad thing. Closing out Side A, the folk-funk of "You Promised Me" is a bright, soulful strut with a wonderful vocal coda that just builds. Sensational.
The delicate bounce and falsetto self-harmonising of "It's Over" offers a truly delightful introduction to Side B, and serves as a great precursor to what follows. Bobby's dynamite "Open Your Eyes" is likely the reason you're all here. As if he needed it, the eternal J Dilla further immortalised Caldwell in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic. You'd think that would be hard to follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the horn-drenched stepper "Mother Of Creation" is absolutely ace, and, whisper it, possibly the album's finest track, all funky piano and guitars with horn lines to die for. Exquisite ballad "I Don't Want To Lose Your Love" rounds out the album beautifully.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of Cat In The Hat will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
Die Neuauflage von des "Rock Action" Albums von Mogwai, streng limitiert auf Transparent Red Vinyl.
High Roller Records, black vinyl, ltd 450, 4 page insert, download code, poster
High Roller Records, transparent blood red vinyl, ltd 400, 4 page insert, download code, poster
- A1: Intro
- A2: Da Ist Immer Noch Mein Herz
- A3: Stunde Null
- A4: Bis Ich Wieder Glauben Kann
- A5: Mit Jedem Schritt
- A6: Song Zu Viel
- A7: Kämpferherz (Feat. Iris Mareike Steen)
- B1: Periskop
- B2: Träumer
- B3: Vielleicht Irgendwann
- B4: Könige Auf Zeit
- B5: Dem Himmel So Nah
- B6: Alles Wird Gut (Feat. Steven „Elijah“ Neuhaus)
Es gibt auf "Da ist immer noch mein Herz" eine Menge Spannendes zu entdecken. Über Gefühle und Hoffnungen, über Schmerz und Niedergeschlagenheit, über Optimismus und Hingabe. Es sind Themen, die Staubkind derzeit beschäftigen und die ihn zu diesem wunderbaren Album inspiriert haben. Mitunter haben Krisen, wenn sie überstanden sind, eine heilende Wirkung. Die neuen Staubkind-Songs besitzen genau diese Fähigkeit! Und zwar nicht nur für Louis selbst. Denn für diese Musik gilt das Motto „Fang dir deine Träume“!
- A1: Intro
- A2: Da Ist Immer Noch Mein Herz
- A3: Stunde Null
- A4: Bis Ich Wieder Glauben Kann
- A5: Mit Jedem Schritt
- A6: Song Zu Viel
- A7: Kämpferherz (Feat. Iris Mareike Steen)
- B1: Periskop
- B2: Träumer
- B3: Vielleicht Irgendwann
- B4: Könige Auf Zeit
- B5: Dem Himmel So Nah
- B6: Alles Wird Gut (Feat. Steven „Elijah“ Neuhaus)
Es gibt auf "Da ist immer noch mein Herz" eine Menge Spannendes zu entdecken. Über Gefühle und Hoffnungen, über Schmerz und Niedergeschlagenheit, über Optimismus und Hingabe. Es sind Themen, die Staubkind derzeit beschäftigen und die ihn zu diesem wunderbaren Album inspiriert haben. Mitunter haben Krisen, wenn sie überstanden sind, eine heilende Wirkung. Die neuen Staubkind-Songs besitzen genau diese Fähigkeit! Und zwar nicht nur für Louis selbst. Denn für diese Musik gilt das Motto „Fang dir deine Träume“!
- A1: Intro
- A2: Da Ist Immer Noch Mein Herz
- A3: Stunde Null
- A4: Bis Ich Wieder Glauben Kann
- A5: Mit Jedem Schritt
- A6: Song Zu Viel
- A7: Kämpferherz (Feat. Iris Mareike Steen)
- B1: Periskop
- B2: Träumer
- B3: Vielleicht Irgendwann
- B4: Könige Auf Zeit
- B5: Dem Himmel So Nah
- B6: Alles Wird Gut (Feat. Steven „Elijah“ Neuhaus)
Es gibt auf "Da ist immer noch mein Herz" eine Menge Spannendes zu entdecken. Über Gefühle und Hoffnungen, über Schmerz und Niedergeschlagenheit, über Optimismus und Hingabe. Es sind Themen, die Staubkind derzeit beschäftigen und die ihn zu diesem wunderbaren Album inspiriert haben. Mitunter haben Krisen, wenn sie überstanden sind, eine heilende Wirkung. Die neuen Staubkind-Songs besitzen genau diese Fähigkeit! Und zwar nicht nur für Louis selbst. Denn für diese Musik gilt das Motto „Fang dir deine Träume“!
Das von Kritikern hochgelobte zweite Album von Beach House aus dem Jahr 2007 ist jetzt endlich wieder auf Vinyl erhältlich.
It’s long believed that dreams are a way for our subconscious and conscious selves to interact. A chance meeting between cognitive thought and the expanse of imagination. Our dreams are often half remembered upon waking, leaving bits and shards of the story left to be pieced together. That process of pulling together fragments feels infused within Austin’s Neckbolt, a band with a radiant understanding of pairing disparate elements together to create something magnificent. Introduced back in 2021 with Midwestern Drawl, their self-released debut album, the duo of James Roo and Benjamin Krause formed the project with a specific energy and an alien sound. At its core, that record laid the blueprint for the band, a forward thinking mix of caustic noise rock and vivid psychedelic pop, combining to create something wild yet ingenious, reshaping common genre ideals.
At some point between the recording and release of their debut, Neckbolt expanded, reverse engineering their sound to form a live band that could pull off the music of their recordings. The line-up grew from a duo to the quintet, with Roo (vocals) and Krause (guitar) joined by longtime friends and collaborators, Bill Indelicato (bass), Brent Hodge (drums), and Kilyn Massey (guitar), forming an instant chemistry apparent in their earliest of live shows. With members split between Austin and Oklahoma City, the band adapted their approach to songwriting, opting to record in bits and pieces as they wrote, bouncing ideas back and forth, watching songs take shape in ways that none of the members had intended, but all were quick to embrace. Neckbolt are a freaky band and their second album, Dream Dump, seizes the opportunity to dial up the strange in their own vibrant way.
Transparent-bernsteinfarbenes Vinyl, limitiert auf 100 Exemplare! Values Here ist eine neue Band, gegründet von Sängerin Chui und dem legendären Gitarristen John Porcelly (Youth Of Today, Shelter, Judge). Die Entstehungsgeschichte von Values Here ist lang: Chui und Porcell trafen sich zum ersten Mal vor Jahren bei einer Shelter-Show in Chuis' Heimatstadt Barcelona, Spanien. Sie führten ein eher scherzhaftes Gespräch über die Gründung einer Band und Chui hielt den Kontakt zu Porcell über die sozialen Medien, bis er ihr eines Tages während der Pandemie einige ungenutzte Demos schickte und sie am nächsten Tag mit "Will Be Tomorrow" zurückkam, komplett mit mehreren Gesangsspuren und Harmonien. Von da an verbrachten die beiden ein Jahr mit dem Schreiben von Songs und beschränkten sich auf das, was schließlich die dreizehn Tracks auf "Take Your Time, I'll Be Waiting" werden sollten. Das Album selbst ist optimistisch und hoffnungsvoll und vermittelt ein positives Mindset. Es gibt Tracks mit klassischem New York Hardcore-Einfluss wie das treffend betitelte "Bring Me The PMA" und solche, die sich in Pop-Rock-Gefilde wagen, wie "We Get Stronger". Durch die Produktion von Tom Soares (Judge, Shelter) und dem Mastering von Dave Kutch (Billie Eilish, The Weeknd) war die Band in der Lage, einen dynamischen Sound zu kreieren, der sowohl ins Radio passt als auch zum Herumspringen in einem Moshpit geeignet ist. Über die klangliche Ausrichtung sagt Porcell: "Personally I always like to push the envelope with every band and record I do. I never just want to live off of past accomplishments and recreate a sound I did with previous bands just because I know it will be immediately accepted. I'd rather push forward and always challenge myself to make newer and more interesting music. I knew Chui was an amazing singer so I wanted to write songs that would showcase her voice and harmonies. I'm a punk rocker at heart so I'll always make music that's energetic and rallies around a message, but for this record I wanted to go further into the melodic side of things." Eines ist sicher: Values Here kreieren hymnische, energiegeladene Songs zum Mitschreien und Tanzen, die sich an die positive, optimistische Perspektive anlehnen, die dem Hardcore-Punk überhaupt erst ein Gefühl von Gemeinschaft und Verbundenheit verliehen hat.
- A1: African Dub - Joe Gibbs & The Professionals
- A2: Universal Dub - Joe Gibbs And The Professionals
- A3: Midnight Movie - Joe Gibbs And The Professionals
- A4: Getto Skank - Joe Gibbs And The Professionals
- A5: Lime Key Rock - Joe Gibbs And The Professionals
- A6: Lovers Serenade - Joe Gibbs And The Professionals
- B1: Treasure Dub - Joe Gibbs And The Professionals
- B2: Schooling The Beat - Joe Gibbs And The Professionals
- B3: Campus Rock - Joe Gibbs And The Professionals
- B4: Half Ounce - Joe Gibbs And The Professionals
- B5: Worrier - Joe Gibbs And The Professionals
- B6: East Africa - Joe Gibbs And The Professionals
Wenn ihr Dub-Reggae der 70er Jahre liebt, dann ist diese Limitierte Yellow LP eine wichtige Ergänzung eurer Sammlung! Der Produzent Joe Gibbs war für die vier Mitte der 70er Jahre unter dem Titel African Dub All-Mighty veröffentlichten Scheiben verantwortlich, aber die Musiker waren in Wirklichkeit eine wechselnde Ansammlung von Mitgliedern der Bands Soul Syndicate, We the People und The Revolutionaries sowie das ergänzende Genie hinter dem Mischpult Errol Thompson.
SODOMISERY spinnen auf ihrem zweiten Album "Mazzaroth" ein dunkles lyrisches Garn über den Irrsinn der Gesellschaft, Religion und den Kampf des Individuums. Das schwedische Melodic Death Quartett unterstreicht seinen locker-konzeptionellen Ansatz mit einer bemerkenswerten musikalischen Entwicklung, die ihren ursprünglichen Sound, der auf der Kraft und Präzision des Death Metal basiert, um die rasende und kalte Aggression des Black Metal erweitert. SODOMISERY verleihen ihrem Sound durch den Einsatz von Keyboards eine zusätzliche dramatische Tiefe. Kein Wunder, denn die Schweden zählen DIMMU BORGIR, CRADLE OF FILTH und CHILDREN OF BODOM zu den wesentlichen Quellen ihrer Inspiration. SODOMISERY entstanden aus einem Studioprojekt des Stockholmer Gitarristen Harris Sopovic, der die Band mit Hilfe von NETHERBIRD-Frontmann Johan Fridell, Bassist Niklas Sandin (KATATONIA, LIK) und Schlagzeuger Pär Johansson, der für seine Arbeit mit CRAFT und DIABOLICAL bekannt ist, im Jahr 2015 ins Leben rief. Das Resultat war die gleichnamige 3-Track-EP "Sodomisery", die im Jahr 2017 digital erschien. Angespornt von dem massiven Lob für die EP rekrutierte Sopovic neue Mitglieder und beschloss, die Band unter dem Namen SODOMISERY weiterzuführen. Das Debütalbum "The Great Demise" (2020) lässt sich auch als bewusste Absichtserklärung interpretieren, dabei nicht blindlings in die riesigen, obgleich auch etwas abgenutzten Fußstapfen der legendären Stockholmer Death Metal Szene zu treten. Stattdessen bevorzugen die schwedischen Newcomer einen melodischeren und vielseitigeren Ansatz. In der Zeit zwischen ihren Anfängen und dem zweiten Album haben sich SODOMISERY massiv weiterentwickelt, wofür "Mazzaroth" der schlagende Beweis ist!
Fachwerk boss Mike Denhert rolls up on TECH-UM 006 with for another heavy selection of intuitive techno jams on his 'TESTET' EP. With the focus squarely on the dance floor the Berlin-born wizard's latest creations makes for another unique voyage into cutting edge techno. Kostik with its dark wall of sound opens the release sporting an gargantuan bassline and metronomic percussion that resonates through the speakers. Freakin' Me offers a slow and low machine funk strut, with its heads-down groove and sassy vocal chops. On the flip Mike hits out hard with Mino. A heady concoction that's one part Chicago, one part Detroit, one part Berlin, coming together to create the perfect party piece. Dehnert then closes with one final gem. Sampling a broken escalator from a NYC train station, he engineers layer upon layer of mechanical madness. Creative clanging. Welding sounds and strikes like a vibrating visionary, he presents a final silvery sonic sensation.
Neil Young gilt als Godfather of Grunge Rock. Seine Karriere begann 1966 mit der Band Buffalo Springfield, absolvierte erfolgreich Tourneen mit The Crazy Horse und ist auch als Solo-Künstler ein Weltstar.
Im Jahr 1976 wurde dieses Akustik-Konzert vom US-Radiosender W CM-01 mitgeschnitten und erscheint nun als strikt limitierte, in weißem Vinyl gepresste Schallplatte.
Nur 1 Jahr nach ihrem erfolgreichen Album „Kreatura“ und einer ausverkauften ersten Headliner-Tour durch ganz Deutschland, sind MANNTRA mit ihrem neuen Album„War of the Heathens“ zurück!
Das epische neue Meisterwerk erscheint am 22.09.2023. Voller Energie, mit niederschmetternden Riffs und gewaltigen Melodien, die nicht aus dem Kopf gehen, sind MANNTRA zurück mit dem, was sie am besten können: einer einzigartigen Mischung aus Metal, Industrial und Folk.
Die vier kroatischen Musiker, die vom dämonischen Barren King unterstützt werden, vereinen die Energie und die Atmosphäre des Meeres der Adria und der Berge ihrer Heimat auf ihrem neuen Album. Lasst Euch entführen in die Welt der alten Legenden und Schlachten, die ganz Europa geprägt haben.
To be far ahead of your time sometimes means that you have to wait a while for the right moment to be understood. The visionary approach of multi-instrumentalist Johnny Lamas led him to experiment with a world of hybrid jazz-funk, ambient and electronic sounds while keeping the rhythms of Venezuelan traditional music alive. From 1993 to today, small recognition has grown into true admiration for this so specific sound and his "Danza Cósmica" masterpiece.
TrueClass Records are pleased to present as their second release a complete restoration of this gem, beautifully remastered and redesigned, making it available now for the first time in fine audio quality on vinyl and digital formats.
'Hearts For Sale' ist die fünfte und neueste Compilation der Ace-Serie mit Compilations, die den US-Girlgroup-Sound der 1960er Jahre in den Mittelpunkt stellen. Wie bei den Vorgängern liegen der LP umfangreich illustrierte Inner Sleeves mit 2.500 Wörter umfassenden Liner Notes des Compilers Mick Patrick bei. Klassisch, schwarzes Vinyl. Tracklisting auf B2B!
- 1: One Step Ahead Sugar Minott
- 2: If You Ask Me To Leon Dinero
- 3: Whatcha Doing (To Me) Charles Bradley
- 4: Icanbecool • Bob & Gene
- 5: Lover Like Me Binky Griptite
- 6: I’d Rather Go Blind The Frightnrs
- 7: I Can’t Stand These Lonely Nights Bob & Gene
- 8: It’s Not What You Know (It’s Who You Know) Bob & Gene
- 9: How Long Do I Have To Wait For You Sharon Jones
- 10: Conscience Is Heavy The Inversions
If youʼre a fan of Daptone Records, chances are youʼve read or heard the name Victor Axelrod, and even if you havenʼt, youʼve heard music from his hand. As a producer, arranger, recording and mixing engineer, and keyboardist, his creativity has extended across more than two decades of the labelʼs releases, even dating to its prehistory with Desco Records.
If You Ask Me To..., the first LP under his name for the label, is a collection of singles released between 2007-2023 as well as unreleased tracks from Sugar Minott and Binky Griptite. The genesis of which came via an 11th hour request from Daptone for a Sharon Jones remix (2007) that resulted in the reggae version of “How Long Do I Have To Wait For You?” found here.
This opened the door to additional explorations of reggae/soul synergies within the catalog, affirming the musical and cultural link between Daptoneʼs core soul sound and Axelrodʼs passion for Jamaican music. While previous projects like Ticklah Vs. Axelrod and Roots Combination (produced under the alias Ticklah) were inspired by the Jamaica of the 1970s and 80s, this set specifically channels an earlier period in the 1960s when Jamaica was both strikingly original in its continuum of genres but also closely and empathetically attuned to Black American music.
Through Axelrodʼs exceptional taste and the notable contributions of guitarist To
Ein ungewöhnliches Album und einzigartiger Einblick in die Arbeitsweise des 'Free -Jazz'-Pioniers in den frühen 70er Jahren. Aufgenommen in seinem großen Loft in der Innenstadt von New York, tobt eine Musikform bei dem Colemann sowohl Trompete als auch Saxophon spielt. Sein Quartett mit dem zweiten Saxophonisten Dewey Redman sowie den langjährigen Kollegen Ed Blackwell und Charlie Haden erweist sich als perfekte Ergänzung zu diesem legendären Set. Die erste Vinyl-Neuauflage seit fast 20 Jahren nutzt eine neue 24/96-Übertragung des ursprünglichen Produktionsmasters.
Marilyn Jess is the other icon of French erotism. This new book is the first one ever dedicated to the movie career of our beloved "Patinette" (her nickname), from her debuts to the erotic masterpieces directed by Gérard Kikoïne, Claude Mulot or Jean Rollin.
The book also takes a look at the US, italian and german productions she starred in, her collaboration to cult satirical magazine Hara Kiri and her photo novels, and we will investigate extensively the story of the movie she made with Traci Lords, Traci I Love you (1986).
304 pages of stories, anecdotes, firsthand accounts and many rare and unpublished pictures, and a complete filmography, as well as original pieces of art from illustrators and painters. A big and beautiful book with 276 color pages, 10.35 x 11.5 inches in size, hardcover with soft touch finish.
Their approach to music beckons the voices of years gone by, clearly evoking inspiration from bluegrass icons like Bill Monroe, Jimmy Martin and the Stanley Brothers. Described as one of the busiest, hardest working, and most entertaining bands in bluegrass, The Kody Norris Show brings back to the stage, old school suiting swagger with their custom matching suits, harkening visual spectaculars like those who donned the legendary western wears of designers like Nudie and
Manuel. Their sophomore album with Rebel Records, titled 'Rhinestone Revival' has everything that their fans love from The Kody Norris Show...and more! The album boasts 12 hard driving traditional bluegrass tracks, upping the honky-tonkanty, with the addition of percussion to really achieve a proper toe tapping collection.
Miles Davis is regarded to be one of the most influential and acclaimed figures in the history of jazz and 20th-century music. Quiet Nights is the fourth and last studio album that Davis collaborated on with Gil Evans. The 1963 release took inspiration from the bossa nova genre that rose to popularity during the time.
Quiet Nights is a mix of situations and sources: Brazilian folk (“Prenda Minha”, titled “Song #2” on the album), Spanish classical (“Adelita” by guitar pioneer Francisco Tárrega, here called “Song #1”), and a few ballads, including one that stands out from the rest of the big band album: “Summer Night,” a quintet take featuring Miles playing muted then open trumpet and the start of a new band: tenor saxophonist George Coleman, pianist Victor Feldman, bassist Ron Carter, and drummer Frank Butler.
The album was produced by Teo Macero. Some of the additional performers on this album include Paul Chambers, Bill Barber, Steve Lacy, Jimmy Cobb, Willie Bobo, and George Coleman amongst others.
Big tunes on this new Electronic Emergencies release!! Police des Moeurs deliver dark electronic turmoil on Sauvetage, Electronic Emergencies' 40th release. With four tracks full of gloomy soundscapes, gritty synths and beats leaning to hardcore, the duo from Quebec, Canada, show an uncompromising side of their character. Francophone lyrics are sparsely floating along, commanding at one time and velvety at the other. Sauvetage is pressed on solid gold vinyl and comes in haunting artwork that fits the mood perfectly.
Originally released on Rocket Girl in 2000, Piano Magic’s third album proper heralded a seismic and surprising shift away from its more electronic predecessors, ‘Popular Mechanics’ and ‘Low Birth Weight.’ ‘Artists’ Rifles’ is Piano Magic’s first band-band album and marks their debut, actual recording studio appearance. Improvised on the spot and produced/recorded over just five days by John A. Rivers (Dead Can Dance, Felt), at his Woodbine St Studios in Leamington Spa, stylistically, the record could feasibly be described as the first (only?) baroque post-rock record, utilising as it does, consciously or otherwise, influences as broad as Bach and Codeine.
For ‘Artists’ Rifles’ the core of Glen Johnson (vocals/guitars/keyboards), John Cheves (guitars), Paul Tornbohm (bass) and Miguel Marin (drums/percussion) were augmented by guests Caroline Potter (vocals) and Adrienne Quartly (cello).
The success of ‘Artists’ Rifles,’ particularly in Spain, kickstarted a wealth of touring possibilities and over the next 16 years, the band toured all over Europe. It also caught the attention of 4AD Records, for whom they signed to the following year.
This 2023 vinyl re-pressing honours the original (Matt Dornan) sleeve design and beautiful photography of Royal Artillery Memorial (Hyde Park, London), by John Cheves of the band.
“Classic English folk music for the 21st century” – Record Collector
“Glen Johnson and cohorts explore a doomed English romanticism, boldly linking contemporary romantic mores with the lost generation of 1914 – 18…. strangely it works….” – The Wire
“Another endearingly odd record, drifting along the seawall between the macabre and melancholy. This is the work of 4AD obsessives who have learnt to love electronica.” - Q
A/B-Side effect green/yellow/purple vinyl. Limited to 200 copies. "I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I'm rereleasing this record on HPS and I've decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again."
Colour in colour vinyl, transparent and red with blue splatter. Limited to 200 copies. "I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I'm rereleasing this record on HPS and I've decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again." New album cover by Maarten Donders. Remastered by John McBain !!
Alannah Myles is the debut album by Canadian singer Alannah Myles, released in 1989. It produced four Top 40 hits, including "Love Is", "Lover Of Mine", "Still Got This Thing", and her number one classic rock hit "Black Velvet". "Black Velvet" became ASCAP's most played song on radio for 1989 and 1990. By 2005, it had received ASCAP Millionaire Award for over four million radio airplays. “Black Velvet" also won Myles the Grammy Award for Best Female Rock Performance in 1991 and three Juno Awards. The album was a big seller worldwide and peaked on the Canadian charts, hit number five on the Billboard 200 in the US and the third position on the UK Album Chart.
Departing from the Steve Miller Band after a two-album stint, Boz Scaggs set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends. The Muscle Shoals rhythm section and guitarist Duane Allman give this music genuine grit. From the Jimmie Rodgers cover "Waiting for a Train" and the folky "Look What I Got!", to the extended 11-minute blues workout "Loan Me A Dime", this album is a thoroughly showcase for Boz Scaggs' musical vision and an enduring blue-eyed soul masterpiece.
Tilman teaches us how to fly. His Atmospheric Mix of Marc Brauners „The Feeling“ is a 90s shaker and takes you straight to the stars - What a feeling, what a rocket!
The A-Side ends with a solid groover. Soela teams up with her partner in crime Module One. They deliver a classy interpretation of Max Taelers „Running“. You like it deep? - this one is for you!?
On the flip side waits for you Eddie C. He maximized the Funkyness of „Heads Up High“ without losing sight of its origins. King Eddie does royal things!
Last but not least Denyl Brooks interpretation of Shakas „Overminded“ is a peak time dance floor shaper. This belter goes in the ears, stays in the legs - for sure!
Diese besondere 2LP-Pressung des mehrfach mit Platin ausgezeichneten und mit dem Juno-Album des Jahres prämierten Albums wird am 22. September veröffentlicht und enthält 10 Tracks auf drei Vinylseiten sowie ein Etching auf Seite vier.
A Crimson Shore is Saåad’s first studio album since Présence/Absente in 2018. In the interim, Toulouse-based composer and producer Romain Barbot has enriched his experience as an artist through multiple collaborations, the composition of soundtracks and commissioned pieces, as well his involvement with the bands FOUDRE! and Sables Noirs.
This new chapter in the artist’s discography reflects this artistic maturity, evoking the project’s finest ambient recordings while revealing a new, unfiltered and decisive personality. Saåad’s use of a more direct musical language (exclusively electronic on this album) is intended to lay bare the inner life of its creator: the tracks are structured in a cycle of loops, vibrations and drones which respond to and confront each other like the torments of existence, torn between the twilight of sombre music reduced to its purest function of catharsis and the dawn of a new, luminous narrative journey.
A Crimson Shore is a raw, all-encompassing album, shot through with the fear of death, of growing old, of accepting it, of grief — past, present, imagined and future — and the search for a transcendental refuge.
Das Debütalbum von Sheffield's Heaviest aus dem Jahr 2013 ist nun endlich als 10th Anniversary Re-Issue wieder erhältlich. MALEVOLENCEs "Reign Of Suffering" ist eine erfrischend old school klingende Platte, die die Genres Thrash, Death Metal und Beatdown-Hardcore unbeschwert überspannt. Bösartig groovig, schwerer als Beton und für den Pit gebaut! Nach der Veröffentlichung ihres dritten Albums "Malicious Intent" im Jahr 2022, das in Deutschland auf Platz 32 der offiziellen Albumcharts einstieg, tourten MALEVOLENCE zuletzt mit Heaven Shall Burn & Trivium durch Europa, sind derzeit mit Beartooth & Trivium in ganz Nordamerika unterwegs und werden im November/Dezember mit Sylosis, Guilt Trip und Justice For The Damned erneut in Europa headlinen. "Reign Of Suffering (Re-issue 2023)" ist als Jewelcase CD oder als Ltd. Edition auf transparentem, grün gefärbtem 180g Vinyl über Century Media Records erhältlich.
Das fünfte Studioalbum der polnischen Rockmeister RIVERSIDE aus dem Jahr 2013 ist endlich wieder auf Vinyl erhältlich: 10th Anniversary Re-Issue als Ltd. Edition transp. hellblau 2LP auf 180g Vinyl, inkl. 4-seitigem LP-Booklet und den beiden "Night Session" Bonustracks. "Shrine of New Generation Slaves" wurde im Serakos Studio in Warschau, Polen (wo auch die "Reality Dream"-Trilogie entstand) mit Magda Srzednicka und Robert Srzednicki aufgenommen, gemixt und gemastert. Es bietet über 50 Minuten hochklassige RIVERSIDE-Musik, aufgeteilt in 8 Songs, die nicht nur eine weiterentwickelte, moderne Sichtweise auf die charismatischen Trademark-Elemente der Band deutlich widerspiegeln, sondern auch weitere Vibes aus dem Classic-Rock-Segment sowie jazzige Art-Rock-Anteile wirkungsvoll in den immer wieder herausfordernden Mix einbringen, für den RIVERSIDE seit jeher steht, vielleicht nur weniger standardmetallisch und auch weniger komplex, ohne weniger progressiv zu sein.
Unknown Assailant is a limited run vinyl only label shrouded in mystery. Each of the four tracks on this second release touches on a different style of techno/deep tech, ranging from the timeless sound of the Detroit inspired “Ancient Beauty” to the peak time energy and in-your-face style of “Rude Awakening”.
It also incorporates the dark and stripped-back minimal style of “Isolated Mechanics” plus the trippy atmosphere and dystopian vibe of “How Has It Come To This”.
Unknown Assailant is a secretive artist who lets the music do the talking, and all four of the tracks on this release are solo productions from the illusive producer. Striking from the shadows to showcase an eclectic range of dancefloor focused techno/deep tech that orientates around raw grooves with machine driven sounds, this vinyl only release cuts straight to the heart of the dancefloor.
This release is limited to a vinyl pressing of only 200 copies with the previous release picking up support by artists ranging from Gerd to Arnaud Le Texier.
Written by Spiral Tribe’s co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system’s nomadic journey and the rapid escalation of their popularity – and notoriety.
From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.
- 1: Subterranean - Movement I
- 1: 2 Subterranean - Movement Ii
- 1: 3 Subterranean - Movement Iii
- 1: 4 The Long Wait - Movement I
- 1: 5 The Long Wait - Movement Ii
- 1: 6 To Hold And To Be Held - Movement I
- 1: 7 To Hold And To Be Held - Movement Ii
- 1: 8 Mon Coeur - Movement I
- 1: 9 Mon Coeur - Movement Ii
- 1: 0 Mon Coeur - Movement Iii
- 1: Be Without Being Seen - Movement I
- 1: 2 Be Without Being Seen - Movement Ii
- 1: 3 Be Without Being Seen - Movement Iii
- 1: 4 Les Parenthèses Enchantées - Movement I
- 1: 5 Les Parenthèses Enchantées - Movement Ii
- 1: 6 Les Parenthèses Enchantées - Movement Iii
- 1: 7 Les Parenthèses Enchantées - Movement Iv
- 1: 8 Les Parenthèses Enchantées - Epilogue
- 1: 9 Night Looping - Movement I
- 1: 20 Night Looping - Movement Ii
- 1: 2 Night Looping - Movement Iii
Colleen thrives on reinvention. For over two decades under the name, French artist Cécile Schott has continuously pushed her compositional practice into new directions. Her creative approaches have included complex samples and loops, instrumental processing and even dub production techniques applied to the baroque viola da gamba. Each album immerses the listener in a wholly unique world while remaining unmistakably a work by Colleen. Schott"s compositions glow with carefully considered textures that move in captivating revolutions while subtly evolving. A connective thread of Schott"s work is the exploration of the intricacies of emotion while reveling in the act of contorting pop and classical forms into new shapes. Colleen"s Le jour et la nuit du réel is a voyage deep into the world of synthesis, a dense thicket populated by drifting echoes and pulsating arpeggios. More than just a creative approach, sound synthesis here becomes a means to interrogate complex concepts, from the self and perception to shifting notions of what is "reality".
Clear Vinyl[52,90 €]
**AVAILABLE ON BLACK VINYL AND COKE CLEAR INDIE EXCLUSIVE**Detroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. Of note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as “more of an orchestral-type effort than just a combo per se.” in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform.
Black Vinyl[49,54 €]
**AVAILABLE ON BLACK VINYL AND COKE CLEAR INDIE EXCLUSIVE**Detroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. Of note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as “more of an orchestral-type effort than just a combo per se.” in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform.
Pink Vinyl[61,77 €]
**AVAILABLE ON BLACK VINYL AND INDIE EXCLUSIVE OPAQUE PINK** Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones’ incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it’s removed from the jacket.
Flint, Michigan-based rapped MC Breed and his crew DFC (Da Funk Clan aka Dope Flint Connection) put the Midwest on the map in 1991 with the release of their self-titled debut album, an underrated gem of the early 90s. The lead single, "Ain't No Future in Yo' Frontin'" with a boomin’ west coast sound would get radio play across the country and video rotation on YO! MTV Raps, BET’s Rap City, and Ralph McDaniels' Video Music Box. The album’s second single “Just Kickin’ It” with MC Breed’s laid-back vocal style over a funky groove landed in the top 10 on the Hot Rap Singles Chart. Tracks like “Underground Slang” have an 80s electro vibe and “Better Terms” has Breed rapping a little faster over a Bomb Squad influenced beat with his DJ on the cut. MC Breed would go on to release another 11 albums and collaborated with artists such as 2Pac on "Gotta Get Mine" and Too $hortís "Gettin It” as well as features with Slum Village, Pimp C, Kurupt, Erick Sermon, and The D.O.C. among others. Breed passed away in 2008 from kidney failure, but his legacy lives on having influenced other Midwest artists including Eminem, Proof, D12, Common, and Slum Village. Out of print on vinyl since 2018, Get On Down is bringing back this Midwest 90s classic on limited edition colored vinyl.
High Roller Records, picture vinyl, ltd 500, handnumbered, insert, A5 photo card, double-sided poster, Transfer, audio restoration and mastering by Patrick W. Engel in February 2023. Cutting by SST Germany on Neumann machines for optimal quality on all levels ... The ultimate audiophile reissue!
High Roller Records, picture vinyl, ltd 500, handnumbered, insert, A5 photo card, double-sided poster, Transfer, audio restoration and mastering by Patrick W. Engel in February 2023. Cutting by SST Germany on Neumann machines for optimal quality on all levels ... The ultimate audiophile reissue!
"In 2019, metal musicians CC McKenna (drums) and Doug Weiand (lead guitars) set forth on a dark musical path - aligning diverse metal influences with otherworldly channelings of alchemy, the occult and all things esoteric. Little did they know, the final ingredient of their impending amalgamation was on the horizon, set to emerge as DEATH DEALER UNION. After meeting acclaimed frontwoman Elena Cataraga (a.k.a. Lena Scissorhands of modern metal frontrunners Infected Rain), a musical pact was instantly formed - propelling the band into the studio with producer Valentin Voluta (also recognized for his work with Infected Rain) to conjure their lauded debut collaborations “Borderlines” and “Beneath The Surface”. The tracks went on to premiere in 2022 with top-notch music video visuals, garnering nearly 1 million views on YouTube alone to date.
Merging doom, pychedelic sludge, grind, black metal and mighty mighty riffs to create a sound wholly their own, INTER ARMA deliver their Relapse debut Sky Burial, easily an early contender for heavy music record of the year. Emerging from the ever-fertile metal breeding grounds of Richmond, Virginia, INTER ARMA have spent the last few years touring relentlessly, perfecting a hypnotically punishing live show. Sky Burial brings that focus onto record, and what a record it is. Truly heavy in all senses of the word, Sky Burial is a spiritually intense journey through the halls of extreme metal. INTER ARMA have made a decisively loud proclamation with Sky Burial---this is a band that could very well be the next crown-holder in a regal line of iconic Relapse bands. Includes Digital Download
The undisputed king of Japanese noise MERZBOW returns, as the landmark album Venereology celebrates 25 tinnitus-inducing years with its inaugural vinyl pressing! Remastered by James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL, and more) and featuring reworked art, this is the most extreme recording of harsh electronic sickness you will ever own! Venereology features a second LP with more than 20 minutes of unreleased bonus material. - Highly influential noise album from a scene torchbearer/pioneer - Remastered by James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL, and more) - Reworked cover art - 25th Anniversary - Bonus material with unreleased music For Fans of: Prurient, Whitehouse, Wolf Eyes, Masonna, Sunn 0))), Full Of Hell Select Press Quotes: - "A masterpiece..." - The Quietus - " severe and atrophic, but also entertaining, heterogeneous, energizing, malleable. " - Pitchfork
Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns!
Germany’s progressive death metal masters OBSCURA complete their long-running, four-album conceptual circle with the release of Diluvium (defined as a great oceanic flood), their most evocative, diverse and vibrant release to date. Recorded with longtime producer V. Santura (Triptykon, Pestilence) at Woodshed Studios in Landshut, Germany, Diluvium is a stunning achievement for the illustrious quartet and a landmark release for progressive metal as a whole. Complete with all the band's signature elements plus groundbreaking polyrhythms, dramatic songwriting, and jaw-dropping virtuosity, OBSCURA raise the bar once again with an album that will go down in the annals of metal history as one of the most astonishing performances the genre has to offer.
Omnivium is the third studio album released by German death metal band Obscura, and the second album of Obscura's four album concept. The album was recorded at Woodshed Studio in southern Germany with engineer Victor Bullok (also known as V.Santura). It was released by Relapse Records on 29 March 2011. The album is based on Friedrich Schelling's Clara: or On Nature's Connection to the Spirit World (1810). Obscura released the track "Septuagint" to the public on 19 January 2011. The second song from Omnivium, "Vortex Omnivium", was released to the public on 24 February 2011. Omnivium debuted at #11 on the USA's Top Heatseekers chart, and at #14 on Germany's Media Control Newcomer chart. furthermore, within the first week the album sold 2,000 copies the US
Svart Records proudly presents the reissue of classic debut album by early 80’s Welsh punksters The Partisans! The Partisans, often described as “The Professionals meet The Clash”, were a punk band from Wales that started in '78, when all four members were still in their early teens. Their self titled debut album hit No.5 in the Independent Chart and No.1 in the Punk Chart when first released on (the highly collectable) No Future Records back in 1983. Police Story is an extended edition of their debut album accompanied with additional tracks from the Police Story / Killing Machine 7" (1981) and 17 Years Of Hell EP (1982). "Both consistent and powerful, this debut album by The Partisans contains a bevy of fine composition exploring themes of social protest and youth rebellion. An exciting version of “17 Years of Hell" accompanies new streamrollers like “No U-Turns” and “I Never Needed You”—possibly the best material this band has ever committed to vinyl." -Maximum Rocknroll
Svart Records proudly presents the reissue of classic debut album by early 80’s Welsh punksters The Partisans! The Partisans, often described as “The Professionals meet The Clash”, were a punk band from Wales that started in '78, when all four members were still in their early teens. Their self titled debut album hit No.5 in the Independent Chart and No.1 in the Punk Chart when first released on (the highly collectable) No Future Records back in 1983. Police Story is an extended edition of their debut album accompanied with additional tracks from the Police Story / Killing Machine 7" (1981) and 17 Years Of Hell EP (1982). "Both consistent and powerful, this debut album by The Partisans contains a bevy of fine composition exploring themes of social protest and youth rebellion. An exciting version of “17 Years of Hell" accompanies new streamrollers like “No U-Turns” and “I Never Needed You”—possibly the best material this band has ever committed to vinyl." -Maximum Rocknroll
Yoke Lore’s first full length album, Toward A Never Ending New Beginning is set to solidify Adrian Galvin as an indie pioneer, transcending beyond the genre with his unparalleled talent for captivating listeners with his distinct artistic vision and introspective lyricism. The 14-track album chronicles his journey of turning strengths into weaknesses, personal growth, and discovering who Yoke Lore truly is. It’s an album full of reflection and raw, unfiltered honesty that will most definitely connect with listeners on a deeper level. Combining electronic beats with subtle instrumentation, each song on Toward A Never Ending New Beginning is sonically diverse and thoughtfully crafted, taking listeners on a journey of self-discovery along with Galvin. Galvin views his debut record Toward a Never Ending New Beginning, as being guided by the principles of the I-Ching; an ancient Chinese divination text that maps out 64 transitions that you could possibly be going through at any time, reflected in the form of hexagrams. It is a meditation on all of the little changes he has gone through in his life: from celebrations to moments of sadness to moments of stillness. All of it is connected, all of it is related.
The Ventures return with their first all-new studio album in 24 years! Teaming up with Hi-Tide Recordings - global leader in surf music - “New Space” seeks to echo and pay homage to The Ventures “In Space” album, originally released in 1964, one of their biggest-selling and most popular albums of all time, still iconic and loved by fans the world over.
Dub FX (aka Benjamin Stanford) is a highly acclaimed artist renowned for his captivating live shows and a unique sound that defies specific genres but fuses Hip-Hop, Dancehall, Reggae and more. He also has an impressive talent for crafting complex, multi-layered compositions using just his voice, a sampler and some guitar pedals, earning him a vast and dedicated fanbase worldwide. Albums such as 'Roots' and 'Thinking Clear' have added to his reputation as a boundary-pusher. While some artists opt for flashy videos to promote their releases, Dub FX remains true to his unique approach by creating a series of live clips for ‘Infinite Reflection’, his brand new album. These exceptional performances not only showcase the album tracks, but also highlight his exceptional skills, adding an extra layer of magic to the overall experience. 'Infinite Reflection' is set to be another milestone in his career, showcasing his growth as an artist and his unwavering commitment to using music as a force for change.
- 1: Intro (Live)
- 2: Dfl
- 3: The Mosher
- 4: Dfl (Live)
- 5: U Don't Understand
- 6: The Mosher (Live)
- 7: U Don't Understand (Live)
- 8: Pizza Man
- 9: Pizza Man (Live)
- 10: Meter Maid
- 11: Monk's Honor
- 12: Meter Maid (Live)
- 13: Monk's Honor
- 14: Knucklehead Nation
- 15: Knucklehead Nation (Live)
- 16: America's Most Hardcore
- 17: Get The Fuck Out
- 18: America's Most Hardcore
- 19: Think About The Pit
- 20: Get The Fuck Out (Live)
- 21: Think About The Pit? (Live)
- 22: F.f.f
- 23: Smoke Bomb
- 24: F.f.f. (Live)
- 25: Don't Be A Kook
- 26: Cremecheese N' Hand Grenades
- 27: My Crazy Life
DFL is an American punk rock band founded in 1991 in Los Angeles, California, by Tom Davis, Monty Messex, Adam (Ad-Rock) Horovitz, and Tony Converse. The band, which included a noted skateboarder, a first wave punk rocker, and a Beastie Boy, turned heads by kicking out raw and ragged hardcore at a time when punk rock was becoming slick, poppy, and safe. Slamming riffs and lyrics that alternated between serious issues, such as depression, and the silly, like why pizza is so tasty, garnered them critical acclaim and a loyal fan base that continues to exist through to today. Now available for the first time ever on 12-inch vinyl, the entire album was remastered by Mario C with the band’s input. The deluxe reissue also includes a 20-page full-color oral history, a massive full color zine packed with unpublished flyers and, the pièce de resistance, a complete, totally unreleased, live show that was recorded at a huge party at G-Son studios the day after album tracking was completed.
OBSCURA's Relapse debut, Cosmogenesis is a front-to-back stroke of brilliance that seamlessly fuses modern metals extremity, the upper levels of technical virtuosity, and the symphonic grace of progressive music into a flawless album experience. On Cosmogenesis, OBSCURA more than justified their impressive pedigree as technical metal masters with what has been regarded as one of the best metal albums of the 21st century.
Five years since the release of the universally-acclaimed Omnivium, Germany's progressive metal masters OBSCURA are poised to return with their strongest and most dynamic release to date. The aptly-named Akroasis (Greek for "hearing" or "listening") draws on all the various elements of OBSCURA's signature sound and combines those qualities into a mind-blowing and cohesive whole. Produced by the band and V. Santura (Triptykon, Pestilence), Akroasis is eight songs diverse enough to serve as a near-comprehensive introduction to all of extreme metal. Packed to the gills with virtuosic musicianship, compelling themes, and airtight songwriting, OBSCURA will undoubtedly breathe new life into death metal, progressive metal and beyond.
Philadelphia's DEVIL MASTER stake their claim as one of the most venomous, twisted entities in the underground with their hellish debut, Satan Spits on Children of Light. The album, recorded, mixed, and mastered by Arthur Rizk (POWER TRIP, MAMMOTH GRINDER, OUTER HEAVEN, and more,) rattles the very gates of hell with a vile dose of black metal-infused punk mayhem. Commanding the steel of VENOM, the fury of BATHORY's earliest years, and the raw, uncompromising nature of the notorious GISM, Satan Spits on Children of Light sees DEVIL MASTER emerge from the grave and reach new blasphemous heights. Give in to the Satanic panic and obey your DEVIL MASTER!
After already having taken forward-thinking extreme music to unprecedented heights over the course of their short but propulsive career, Richmond's INTER ARMA are back with another opus of epic proportions. Like the band's previous works, the new album Paradise Gallows is direct and foreboding while maintaining a nuanced, artful perspective. INTER ARMA's signature palette of dissonant high-end and abyssal low-end has been augmented with swathes of thick, impressionistic melody that lend Paradise Gallows a truly biblical sense of scale, both lyrically and in terms of the album's sonic content. Harsh and acoustic passages (including the band's first-ever foray into clean vocals) spar with complex rhythmic structures across nine sweeping tracks over 71 minutes of expansive, progressive heaviness. Dense, funereal, and richly evocative, Paradise Gallows is a vibrant blend of doom, post-metal, sludge, avant-garde, black and death metal, and is a singular and powerful new addition to the band's already monumental discography. Includes Digital Download
Say Anything's 'Baseball' is the band's first full length album, originally self released and never before pressed to vinyl. Baseball is the predecessor to seminal album 'Is a Real Boy' and features 15 rare and hard to find tracks.
Engineered by Kurt Ballou at the band's longtime studio/practice spot God City, "No Heroes" shows the band exploring new sonic textures while still retaining the palpable energy they've become known for. While the album blazes out of the gate with the aptly titled "Heartache," songs like "Orphaned" and the intense "Plagues" prove that breakneck speed and heaviness aren't necessarily interrelated, and when Converge lower the tempo, they're able to effortlessly transcend traditional notions of heaviness. Devotees of "Jane Doe" will also be blown away by epic tracks like the nine-minute "Grim Heart/Black Rose," a doom masterpiece which features guest vocals from Only Living Witness' Jonah Jenkins. From Bannon's captivating artwork and introspective lyrics to Ballou's masterful production techniques, Converge's artistic vision has always separated the band from their peers, and "No Heroes" is no exception. Simply a great album.
A Grey Area is the brand new album from GRAMMY nominated Canadian singer-songwriter JP Saxe, featuring singles I Don't Miss You, Everything Ends (feat. Lizzy McAlpine & Tiny Habits) and Moderación (Con Camilo) via Arista Records/Sony Music. A Grey Area follows up on JP's hit 2021 album, Dangerous Levels of Introspection.
Mesmerizing live one takers from Soroosh Khavari & Will Yates recorded in Bristol, April 2022.
Stark, cavernous and politically critical dub-poetry lands next on FELT in a vital sign-of-the-times fashion. Where much new music in our scene seems to act as a conduit for escapism, usually via melodic mind-balm or, if vocal at all, lyrical surrealism and ambiguity, the collaborative works of ELDON & Withdrawn take the left turn. The sound design perfectly fits into the FELT jigsaw puzzle: cold, slightly glitch-inspired, echo/reverb minimalism etc, but things are kicked up a stratosphere with the half dancehall-toasting, half scathing analysis of modern Britain coming straight from the mouth of ELDON.
Processed, enveloping kalimba notes shatter off into the distance in the opening moments of 'reGenaRation' before we're plunged into the depths. Bleeding into the title track, the A-side is all claustrophobic commentary on trickle down economics, overdrafts, killer shark metaphors and empire. Adam & Eve? Rewind and there's Shango, god of thunder and lightning. 5 rewinds later - still going. The B-side continues with equal strength, amazing wordplay and broken, industrial rhythms for a broken United Kingdom.
IYA SHILLELAGH is ELDON & Withdrawn
Recorded at Zig Zag Zig Studios
A2 co-produced by How-du
B1 co-produced by Shifting Borders
Mastered by GENG PTP
Design by Fergus Jones
Die Rocklegende Paul Rodgers (”Bad Company” und ”Free”) meldet sich mit seinem Album ”Midnight Rose” mit brandneuen Originalen zurück, das von Sun Records veröffentlicht wird. Die Vinyl wird in einer Gatefold-Hülle mit spezieller Prägung (schwarze Linien sind ebenso wie der Titel hervorgehoben) und einer bedruckten Innenhülle erscheinen. Die Verpackung enthält eine Erläuterung zu den Bildern des Mosaiks auf dem Cover sowie persönliche Notizen und Bilder von Paul.
Vor gerade einmal zwei Jahren veröffentlichten JEREMIAS mit „golden hour“ ihr Debüt. Und was für eines: Auf ausverkaufte Tourneen folgten Streams in Millionenhöhe, Konzerte vor tausenden Fans. Auf dem zweiten Album „Von Wind und Anonymität“ verarbeitet die Band die letzten zwei Jahre im Leben von Sänger Jeremias Heimbach, Bassist Ben Hoffmann, Drummer Jonas Hermann und Gitarrist Oliver Sparkuhle. Es ist ein Aufbruch, der sich in der musikalischen Vielfalt des Albums widerspiegelt und zu dem alle Bandmitglieder beigetragen haben.
Es gibt keine andere Band in Deutschland, die so klingt wie JEREMIAS. Der Nachfolger von „golden hour“ strotz vor raffnierten Harmonien und klugem, reflektiertem Songwriting. Das Album erinnert zuweilen an Größen wie John Legend und Sam Smith, zwischen Sanftheit und Schwere stellt man sich die Band zwangsläufig auf den ganz großen Bühnen vor. Je länger man JEREMIAS auf „Von Wind und Anonymität“ zuhört, desto klarer wird: Das hier ist ein wirklich herausragendes deutschsprachiges Popalbum von einer Band, die ihren ganz eigenen Sound gefunden hat und von diesem Punkt aus losgezogen ist, um Experimente zu wagen. „Von Wind und Anonymität“ handelt von dunklen Zeiten, stellt diesen aber ein Grundvertrauen ins Leben entgegen, gibt sich zuversichtlich und zeugt von einer Band, die wieder gelernt hat, ihrem eigenen Traum zu vertrauen. Und das ist eine sehr gute Nachricht.
Die Rapperin Coi Leray veröffentlicht ihr neues Album „COI“ am 22.09.2023 auf LP.
Auf 16 eklektischen Tracks beweist sie ihre Vielseitigkeit und stellt ihren widererkennbaren Flow zur Schau. Neben Giggs, Lola Brooke und Saucy Santana sind auch David Guetta und James Brown auf dem selbst betitelten Album vertreten.
Ihr Musikstil wird oft als eine Mischung aus Rap, Trap und R&B beschrieben.
Ihr energetischer Rap-Flow und ihre eingängigen Hooks lassen so manches Herz höher schlagen.
- John Fitch & Associates - Romantic Attitude
- Charles Johnson - Good Good Lovin
- Cortex - Pauvre Star
- Carlo Maria Cordio & Franco Vinciguerra - Quips And Cra
- Calvin Davis - Train Ride To Nowhere
- Ultrafunk - Sting Your Jaws Part.1
- Maxayn - Gimme Shelter
- Barbara Mason - You Better Stop It
- The Heads Of Family - Ninety-Nine And One Half
- Mr Percolator - I Got A Thing For You Baby
- Almon Memela - The Things We Do In Soweto
- Prazsky Big Band Milana Svobody - Pockej Na Mne
Some are looking for gold or oil and others are passionately looking for forgotten treasures of music! Those who can be described as "sound gold diggers" criss cross record shops or confidential places to unearth musical nuggets previously kept in the dark. This practice began with sampling in the 80s and has now become a way of safeguarding the world"s musical heritage. With "Diggin" Collection" we invite you to discover Soul, Funk or Disco gems from the 70s and the 80s available in four volumes for your pleasure. Following the success of previous volumes of the Diggin" collection, discover groovy gems with Groove Diggin" : Barbara Mason, Cortex, Maxayn...
Third Matinee (or 3rd Matinee) was an American rock band formed by vocalist and bassist Richard Page with keyboardist Patrick Leonard. The group formed after the breakup of Page’s band, Mr. Mister, and the demise of Leonard’s band, Toy Matinee. Leonard and Page were writing partners whose efforts included the Madonna hit “I’ll Remember.”
The rest of the band were: Brian MacLeod (drums), Tim Pierce (guitar), and Guy Pratt (bass), Marc Bonilla (guitar) and was completed by keyboard player and Toto member Steve Porcaro.
Third Matinee released only one album, Meanwhile, which was released in 1994. It features artwork by Mark Ryden, who is also known as “the godfather of pop surrealism” and mastered the Lowbrow style. He previously designed artwork for Aerosmith’s Love In An Elevator, Michael Jackson’s Dangerous, and One Hot Minute by Red Hot Chili Peppers.
Built around recordings by the acclaimed pedal steel player Henry Senior, the album's six hypnotic and enveloping tracks are supplemented with piano, strings, synths and field recordings performed by Wallis.
The making of the album took an unplanned route. During the winter 2021 lockdown, Wallis began work on an album of more conventional songs, sending several to Henry Senior (Danny & The Champions Of The World, Honey Harper) to record pedal steel parts remotely. Though subsequently deciding to shelve the album, he realised that Senior's pedal steel outlines of the songs formed the basis of something completely different.
The result is an immersive, meticulously crafted album that recalls the ambient pedal steel work of Chuck Johnson and Daniel Lanois mixed with the ethereal post- classical instrumentation of Stars Of The Lid and the field recording work of Claire Rousay.
In Huge Gesturing Loops' is Wallis' fourth release in as many years. The album's title comes from a poem by Philip Larkin. The artwork was put together by designer Luke Jarvis based on the 1930s swimming pool on Marshall Street in Soho, where Wallis swam regularly while working on the album.
Louis' Yowie , laying down their first new music since the release of
"Synchromysticism".
This deluxe Gatefold Double Vinyl edition includes three sides of music, with side four silk-screened with exclusive new artwork by Gumballhead the Cat cartoonist Rob Syers and SKiN GRAFT Records' Mark Fischer. Resting inside the gatefold sit two uncut sheets of 18 collectible Lobby Cards. Each card casts a spotlight on one of the album's performers with a band photo and trivia on the flipside. The
entire package is topped off with a collectible "Footlong" OBI, featuring selling points and review snippets for retail display - and the final product is wrapped in a crystal clear resealable sleeve.
With drummer Kenny Wollesen (Tom Waits, John Zorn, Norah Jones) and Dave Harrington (of electronic duo Darkside) guitar/bass/electronics, New York-based Swedish/Turkish saxophonist, composer, club-label owner Ilhan Ersahin captures the vibe of impromptu, cross- pollinating, and heavily grooving late- night jam sessions at Nublu, his "East Village Club where everything goes" (New York Times).
The telepathy and intuition that flows between these three musicians is one that has developed over many years of playing together in different combinations, and on a permanent regular basis at NYC's Nublu, searching and creating together in the moment. What they have come up with has evolved steadily over that time and its current form can be heard to brilliant effect on their debut album "Invite Your Eye"
The exploratory instrumental space- jazz these gentlemen purvey has many antecedents and influences but perhaps it's best not to cite names and instead et the music speak for itself. This sound and approach comes as naturally to them as breathing, hence the album title which is also the title of the first single.
The album features arguably the band's two biggest hits, 'Needles And Pins' and 'Don't Throw Your Love Away', both UK No. 1 singles.
Also included are four other hits: 'Goodbye My Love', 'What Have They Done To The Rain', 'When You Walk In The Room' and 'He's Got No Love'.
Digitally remastered and issued on 180 gram vinyl / 300 gsm board sleeve.
It peaked at Number 5 in the UK Official Albums Chart, spending 21 weeks in total there.
Showcasing their Number 2 hit 'Sugar And Spice', the album also features the band's versions of songs such as 'Hungry For Love' and 'Some Other Guy'.
BGO has added four bonus tracks including their 1964 UK Number 11 hit, 'Someday We're Gonna Love Again'.
Digitally remastered and issued on 180 gram vinyl / 300 gsm board sleeve.
- Mission Statement
- First Strike
- Guillotine Dreams
- Grey's Lament (Grandmotherland)
- New Sight
- Quiet Strength
- Molotov Cocktails At Brunch (A Love Song)
- Dirty Hands
- Mood Swings
- Far Away (Champagne Steam Rooms)
Committed to tradition, yet set on innovation, Super Duty Tough Work is a constantly evolving, art-rap ensemble with their intentions set on shaking up the industry and providing offerings that elevate joy, while standing in opposition to the homicidal capitalist ideals of the ruling class and their aspiring accomplices.
Rooted in the tradition of Black American resistance arts, Super Duty Tough Work is known for their scathing wit and thorough analysis, pushing their radical politic of revolution, party, and bullshit - both on record and on stage.
Inspired by the dirty jazz sample sound of 90s east coast hip hop, Super Duty Tough Work are the live incarnation of hip hop culture's quintessential era, appearing as a band but manifesting a sound that's more akin to something straight out of an MPC or SP-404 sampler.
Revered for their methodically curated sets, Super Duty Tough Work mixes laidback rap action and razor- sharp delivery with hypnotic loops and effortless transitions, keeping audiences on their feet and transfixed in anticipation for what's coming next.
Simply put: internationalism is the theme, liberation through hedonism is the dream, and satisfaction is guaranteed from the team whose specialty is taking audiences on a journey through a culture where loops are slayed and jewels are the tools of the trade.
Super Duty Tough Work. Paradigm Shift. Worldwide 9/8 via Next Door Records.
- Unblock Obstacles
- Over & Over
- Over & Over Nena
- Bootgirl
- If I'd Known
- Blindfold 2
- Every House Has A Door 3
- Whinny
- Every House Has A Door 4
- Sun Inspector 2
They've crafted a swirling, past- future, future- past, sorta- rock, collage- rock, melange borne from the confined anxiety of the pandemic. It's a full- length undeniably of its moment, rich with musical references while radiating a visionary path forward.
To assemble Giddy Skelter, Kinsella and Pulse aggressively culled their tracklist until they had a lean and impactful 11 songs, unlike anything either musician has released before. Opening track "Unblock Obstacles" chugs along on a three-chord riff and dubbed-out drums before venturing into a hypnotic, feedback-filled drone that channels pre- Loveless My Bloody Valentine. "Over and Over" imagines a world where Slowdive or Lush collaborated with Prefuse 73. On "Nena," one minute features loops of classical piano, the next Spacemen 3-style psychedelic drone, and the next contemporary R&B. The majority of songs on Giddy Skelter foreground Pulse's yearning, ethereal vocals, giving the music a distinctly feminine overtone.
Sometimes the thing that makes great rock n' roll is the ineffable and the intangible, something you can only describe as alchemy; other times it's the rigors of process. On Kinsella and Pulse's Giddy Skelter, it's both -- and it sounds unlike anything else you'll hear this year.
Black Vinyl[28,99 €]
The kind of band whose members are fully immersed in their local scene-through a handful of notable side projects and the show- promoting Philly staple 4333 Collective- the quintet's sound takes wide- spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive.
On their debut longplayer Where the Heart Is, Sweet Pill's unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef's elastic, enrapturing voice- at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single "Blood" sees Youssef exploring a deteriorated friendship over Williams and McCall's trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song's foundations.
Second single "High Hopes" counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single "Diamond Eyes" momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive flurry from guest flutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill's penchant for combining punkish tropes enlivened with the vibrance of math- rock and the aggression of post- hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.
This will be an anniversary edition LP on clear vinyl in a jacket with a silver foil stamp on the lettering - It will also include a 12 page booklet, a printed innersleeve and a sales sticker
The LP was fully remastered from the original analog tapes, and includes a previously unreleased track called "Smile"
Welcome to the sweet-but-savory, suspiciously sticky, and slightly sinful world of old-school movie theater intermission messages
It's where big- band jazz, psychedelic rock, sequin- bedecked disco, virgin vanilla orchestrated pop, and more are pressed into service, with your satisfaction as the solitary goal! Features CD only bonus tracks!
Named after the fictional character created by James Thurber-- popularized by Ben Stiller in 2013's The Secret Life Of Walter Mitty--Hayes has always channeled his thoughts and emotions through that character, rather than write about himself directly. "I really related to the character of Walter Mitty," says Hayes. "He's known for daydreaming too much and being lost in his head, which has been accurate to the Walter in my songs.
But really it's all just a cover up because back in those days we were still on family computers and I didn't want anybody to see songs by Dustin Hayes on iTunes." The band released a number of EPs and albums before going on something of a hiatus in 2015. But the creative itch was something Hayes couldn't stop scratching, and in 2016 he reformed the band as Walter Etc., the idea being to allow members to come and go as they please, weaving in and out
of records as life and schedules allowed.
Now, though, Walter Etc. have returned with When The Band Breaks Up Again, a new album made by the original three members with a very telling title. "The three of us got into music together via Green Day and more '90s pop-punk and skate punk stuff," explains Hayes.
These powerhouse single A & B sides offer testament to the undiminished power of Dale's work, as well as his continuing status as one of rock's preeminent guitar innovators. As a result of Sundazed's unprecedented access to Dale's massive tape archive, this incredible double- LP collection has been sourced from the original analog reels and pressed on colored vinyl. These tracks capture the bigger-than-life guitar master at his absolute greatest... Jungle Fever, baby!!!
"Neural transmissions of crisis on the eve of WEB 3.0"
Net Prophet finds the band moving deeper into the vaporous territory of 21st century excess, where power casually corrupts absolutely and the mental netscape is more deranged in the membrane than we ever knew possible. A world on the edge, where imminent ecocide and violent social upheaval lurk beneath every minute mental distraction. The doomscroll gets longer and the attention span shorter as a disconnected global internet life takes over with its scepters of promise and looming evasiveness.
The sound is rich in variety from the darkwave pulsing synths of "Lichtenberg Monologue" reminiscent of Shape / Shifting's "Tomahawk" to the growling, slowdriving bass of "A New Dawn" which harks back to the bands S/ T 1st record, albeit with a synth instead of guitar. Even with the stark contrasts of murder-punk "AR-15" and jangle- pop "Purgatory Mall" the record never strays from the prime colors of the band: Vox, Drums, Bass, Guitar, Synth.
Recorded live in the Berlin studio Monoton, the record demonstrates the band in its prime - tightened up and influenced by their extensive touring, who have honed their sound from simple elements into a rich and tasty nugget, easily digestible for the modern consumer. Always true to their company slogan "tight, loose and evil".
But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions.
The pulsating "Circles" opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip- toeing around melodic drumming. supernowhere's cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them ("The Hand", "Ecdysis"). On upbeat "Dirty Tangle" Davey's voice glides through Pacing's angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style.
"Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone's-input-matters nature that characterizes supernowhere's dizzying yet meditative sophomore record.
For the 6th time, dark metal legends AMORPHIS hit the #1 chart position in Finland with an album and 'Halo' is a pure gem featuring some of the best melodies and progressive riffs that the band has written in their 3 decade spanning career. With hits like "The Moon" or "On The Dark Waters", 'Halo' was voted 'album of the month' in Metal Hammer (GER), Rock Hard (GER), Spark (CZ) and Legacy (GER) and now, right in time for their European Tour, AMORPHIS launch a beautiful blue blackdust vinyl of their latest album. A gem for every collector!
- 1: Devil In A Midnight Mass (Live)
- 2: This Suffering (Live)
- 3: I Beg To Differ (This Will Get Better) (Live)
- 4: Afraid Of Heights (Live)
- 5: Perfect World (Live)
- 6: Hanging Out With All The Wrong People (Live)
- 7: Try Honestly (Live)
- 8: Pins And Needles (Live)
- 9: Rusted From The Rain (Live)
- 10: Saint Veronika (Live)
- 11: The Wolf (Live)
- 12: Diamond On A Landmine (Live)
- 13: End Of Me (Live)
- 14: Surrender (Live)
- 15: Forgiveness I (Live)
- 16: Reckless Paradise (Live)
- 17: Surprise Surprise (Live)
- 18: Fallen Leaves (Live)
- 19: Devil On My Shoulder (Live)
- 20: Viking Death March (Live)
- 21: Red Flag (Live)
Billy Talent returns with Live at Festhalle Frankfurt, their first live album since 2007’s 666. The new album, produced by Juno Award nominee for Producer of the Year Ian D’sa and mixed by Juno Award winner Eric Ratz, sees the band perform 21 career spanning hits and was recorded this past November at the iconic German venue in front of a sold-out crowd. The 21-track set is slated for release digitally and on double disc CD on June 16, 2023 – with a vinyl pre order available now. The vinyl release is expected to ship to fans in late September. Following the release of Live at Festhalle Frankfurt, Billy Talent will drop several live videos from the show, culminating in a full-length concert film, directed by Dennis Dirksen that will premiere later this fall.
English: Melodies that stay in the ear, with at the same time merciless speed and brutality and always a clear political message – this is what the modern death metal band NECROTTED from Southern Germany stands for now more than 15 years! Founded back in 2008, the band from Abtsgmünd (Baden-Wuerttemberg) has since grown to become a notable force in the scene, constantly thrilling their growing fan base and the music press with both their musical releases and their energetic live shows. In the time of their existence, NECROTTED have already released four albums with ‘Anchors Apart’ (2012), ‘Utopia 2.0’ (2014), ‘Worldwide Warfare’ (2017) and ‘Operation: Mental Castration’ (2021) and two EPs with ‘Kingdom Of Hades’ (2010) and ‘Die For Something Worthwhile’ (2019). In addition, the quintet has played hundreds of live concerts over the years on smaller and bigger stages in various countries. Now, the new album ‘Imperium’ marks another milestone in the band’s history. The LP is once again designed as a concept album and consistently develops the elaborate storyline of its predecessor in a substantial as well as in a visual way. Also, NECROTTED continue to tread experimental parts in a musical way. Their proven recipe of melodic guitar riffs, thundering blast beats and oppressive slams is joined by more and more black metal elements. In the lyrics, which are basically written in English, there are also more and more text passages in the German native language, which are performed as usual in banefully deep growls and strident screams. ‘Imperium’ will be released in September 2023 via the label Reaper Entertainment Europe and will almost certainly leave a resounding echo in the field of contemporary, diversified death metal.
Blue Dolphin was a wild, iridescent punk band from Austin, Texas circa 2016. Over the course of a year, they created a buzzing, liberatory sound, a dark blood mix of melodic ease and existential gloom. This pairing suggests monuments like ’Peace?’ or ‘Is This Real?’ but Blue Dolphin found this path all on their own, through trust and reliance, that practice space unity that the best bands build simply through the joy of playing with each other.
Emboldened by this connection, the band birthed memorably fractured, brisk music full of daring and revelation.
At times, the songs barrel along as if the band is struggling to keep their instruments under control, an unrestrainable, breathless frenzy of notes. Other times, they take on a pensive ache, a weighted despair. Every time they form a perfect skeleton for Sarah Sissy’s vocal shove. The songs will squall and sway, reach overload, rattle half to death, and yet the moment Sissy begins singing they snap into a focused beam, a bulldozing, clear-eyed force.
‘Robert’s Lafitte’ is a rush of darkness, resilience, mystery and bliss, exactly what you’d want from a record named after Texas’s oldest running gay bar, and a band maybe named after the indescribable freedom of ocean life or maybe named after a type of ecstasy.
The LP contains the entire recorded output of Blue Dolphin, including all three self-released tapes and four previously unheard songs.
Members of Blue Dolphin have played in other bands like C.C.T.V., Chalk, Mystic Inane, Chronophage and NOSFERATU.
For fans of Silver Abuse, Chalk, Twelve Cubic Feet, Chronophage, C.C.T.V., Mystic Inane.
Includes poster / insert.
Formed in 2009 by guitarist Jari, Helslave are a Rome-based death metal band taking their influences from the 1990s Swedish (melo-)death scene, crafting a perfect mix of brutality and melody.
After releasing a demo and two EPs, their first full length album, ‘An Endless Path’ (on Revalve Records), saw the light on CD in 2015 and got raving reviews by the metal underground press.
The second album from the band, ‘From The Sulphur Depths’ (mixed and mastered by Swedish metal-wizard Dan Swano), came out in 2021 via Pulverised Records, and this album also received enthusiastic reviews from fans and critics.
These Italian youngsters play their music like it’s the thing they need to do to survive; it’s energetic and powerful - this is melodic death metal as it is supposed to be.
The much praised debut album was never released on vinyl, so Doc Records present this gem in three different LP versions - Clear Smoked,
Dark Hell Marbled and black vinyl.
For fans of Children Of Bodom, At The Gates, Scar Symmetry, Edge Of Sanity, In Flames, Callenish Circle, Dark Tranquillity
Formed in 2009 by guitarist Jari, Helslave are a Rome-based death metal band taking their influences from the 1990s Swedish (melo-)death scene, crafting a perfect mix of brutality and melody.
After releasing a demo and two EPs, their first full length album, ‘An Endless Path’ (on Revalve Records), saw the light on CD in 2015 and got raving reviews by the metal underground press.
The second album from the band, ‘From The Sulphur Depths’ (mixed and mastered by Swedish metal-wizard Dan Swano), came out in 2021 via Pulverised Records, and this album also received enthusiastic reviews from fans and critics.
These Italian youngsters play their music like it’s the thing they need to do to survive; it’s energetic and powerful - this is melodic death metal as it is supposed to be.
The much praised debut album was never released on vinyl, so Doc Records present this gem in three different LP versions - Clear Smoked,
Dark Hell Marbled and black vinyl.
For fans of Children Of Bodom, At The Gates, Scar Symmetry, Edge Of Sanity, In Flames, Callenish Circle, Dark Tranquillity
Formed in 2009 by guitarist Jari, Helslave are a Rome-based death metal band taking their influences from the 1990s Swedish (melo-)death scene, crafting a perfect mix of brutality and melody.
After releasing a demo and two EPs, their first full length album, ‘An Endless Path’ (on Revalve Records), saw the light on CD in 2015 and got raving reviews by the metal underground press.
The second album from the band, ‘From The Sulphur Depths’ (mixed and mastered by Swedish metal-wizard Dan Swano), came out in 2021 via Pulverised Records, and this album also received enthusiastic reviews from fans and critics.
These Italian youngsters play their music like it’s the thing they need to do to survive; it’s energetic and powerful - this is melodic death metal as it is supposed to be.
The much praised debut album was never released on vinyl, so Doc Records present this gem in three different LP versions - Clear Smoked,
Dark Hell Marbled and black vinyl.
For fans of Children Of Bodom, At The Gates, Scar Symmetry, Edge Of Sanity, In Flames, Callenish Circle, Dark Tranquillity
Lost in time yet always in season, here’s a blast of that old perennial, the punk rock, representative of the swiftly changing times around Bailey’s Crossroads, just outside Washington DC, in the early 80s. Skam recorded this stuff in 1982-1983, then broke up, leaving these songs to be released… maybe never? Or more preferably, now, to race into the bloodstream of jaded, faded today with all the vigour and rigour of Skam’s eternal youth.
Though they didn’t release any records during their three years of existence, it’d be wrong to call Skam ‘never-was’ - in addition to these recordings, there’s a trail of flyers for shows with Scream, No Trend, United Mutations and Media Disease, as well as the memories of the student alumni from Bishop O’Connell High, class of ‘83 or so.
The conglomeration of scenes around the greater DC area at that time produced a variety of bands, but the prevailing recollection of the era is of the incendiary hardcore punk and subsequent straight edge values of the Dischord bands. The band that became Skam was a world apart; they were posited for the first time by 8th graders Vince Forcier and Jack Anderson at a Jackson Browne concert, and their initial rehearsals in their parents’ basement were highlighted by covers of Beatles, Stones, Who and Led Zeppelin songs. Bad covers.
It wasn’t until they’d been playing a bit that they discovered The Ramones, and it was then that the die was cast and pedal pressed to the metal for another frantic couple of years.
The Skam recordings from 1982 have an undeniably Clash-like countenance that sets them definitively apart from the ‘First Four’ of Dischord - in some ways, prefiguring the pop-punk sound of Green Day at the dawn of the 1990s instead - but subsequent recordings found them quickly evolving - or devolving - into a personal mastery of savage riffs and tempos, as well as post-punk conceptions.
But even as they were verging into this new territory, their three years together had frayed their alliance and they soon broke up. Jack joined No Trend, Vince played in Racer X and then Second Wind. And life went on. However, the rediscovered Skam tapes make for an incredible addendum to the more well-known music of that incredible time and place
Punk pioneers Crass continue their vinyl reissue series, repressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; ‘Farce’ by Rudimentary Peni and ‘Can’t Cheat Karma’ by Zounds.
Zounds are an English post-punk band from Reading, Berkshire, formed in 1977. Originally, they were part of the cassette culture movement, releasing material on the Fuck Off Records label, and were also involved in the squatting and free festival scene. The name of the band is derived from the old English ‘zounds’, a contraction of ‘God’s wounds’, referring to the crucifixion wounds of Jesus Christ, formerly used as a mildly blasphemous oath.
The band met up with fellow anarchists Crass when, legend has it, their van broke down on the road. They made their way to nearby Dial House, where Crass were based, who helped them with repairs. The two bands became friends, and although musically very divergent, they shared many common political views. Zounds shortly afterwards released their first EP, ‘Can't Cheat Karma’, on the Crass Records label in 1980. The EP featured possibly their most well-known track ‘Subvert’, a call to arms against the grind of daily life. The release of this EP and association with Crass led to an increase in the band's profile in the embryonic anarcho-punk scene, touring with both Crass and Poison Girls. They split in 1982 but reformed in 2007, and remain active today.
Penny continues; “Zounds could have made a fine pop group, but they were far too socially sassy to fall for that one. No, their commitment to radical political change, so abundantly clear in their lyrics, set them apart from the commercialism that had so blighted the likes of The Clash and other punkish pretenders. Having been drawn from the ranks of hippy bands like Here and Now, Zounds encouraged dissent and personal change, and, at their own cost, to pursue and promote them as ideologies. Can't cheat karma? No, nor ever beat it. Zounds were hip to this fine point. Want a better life?
Then make it for yourself. Ain't no one gonna help you out on that one. Find your own way, it's the only way there is.”
First released on 7” vinyl, limiting the sound, the new series has been remastered for 12” by Alex Gordon at Abbey Road Studios, allowing them to be heard as never before. This, plus enlarged replicas of the original covers, brings new gusto to their already radical sound.
Jonny Benavidez, the sweet-spoken soul virtuoso, is back with his latest 7" double-sider drawn from the album "My Echo, Shadow and Me". Backed by Cold Diamond & Mink's mesmerizing grooves, Jonny delivers another extraordinary musical voyage.
The top side, 'Do What You Wanna Do,' intertwines his golden voice with a steady dance groove, the determinate message getting wings under Jonny's majestic command. Flipping the record reveals 'Your Last Song,' a heartfelt bluesy downtempo soul gem that will leave an indelible mark on the hearts of those who appreciate the power of soulful melodies.
This record showcases Jonny's distinct sound and evolving style blending a firm understanding on the origins of his craft with a contemporary touch. Prepare to be transported to a world of soulful ecstasy as Jonny Benavidez continues to enchant with his undeniable style and unwavering passion.
- 01: Destin (00349)
- 02: Comme Des Sauvages (00307)
- 03: Stigmate (010)
- 04: Le Piège (00310)
- 05: Langue De P*** (00245)
- 06: Laisse Aller Ton Corps (00312)
- 07: Le Dernier Sur La Piste (00245)
- 08: Sans Se Dire Adieu - (Feast. Liv Del Estal) (00249)
- 09: Toute La France (00255)
- 10: Ctrl+Z - (Feat. Youv Dee) (00234)
- 11: C'est La Vie (Ok) (00300)
- 12: Aïe (00254)
- 13: Otage (00229)
- 14: Pulsations
Zaoui is the former leader of Therapie Taxi (over 500,000 albums sold, over 900M streams...). Today he unveils his first solo album, on which he worked for three years, after a first EP released in June 2022. The album features feelgood tracks, sunny pop and raw songs. He can sing deliciously provocative lyrics as well as words of abysmal depth. Zaoui is a human, and like all humans, he is multiple. He is Doctor Jekyll and Mister Hyde, lightness and turmoil: at once a brat and a caring father. This is a modern album by a man who has torn off all his masks. And taken a lot of risks. A furiously lively record.
Sofia Grant überzeugt auf ihrer Debüt-EP mit komplizierten Gesangsharmonien, lyrischem Geschichtenerzählen und delikater Studioproduktion. Die aufstrebende, britische Jazzsängerin, Pianistin, Komponistin und Arrangeurin trat im Laufe ihrer Karriere an Orten wie der Royal Albert Hall (BBC Proms), Alexandra Palace (Later... with Jools Holland), Ronnie Scotts und Village Underground auf. Sie ist ferner Gründerin der Jam-Session HIGHER GROUND, die einen sichereren und integrativeren Raum für Künstler aller Geschlechter und musikalischer Backgrounds schaffen will. Ihr atemberaubendes Debüt festigt sie als eine Person, die man im Jahr 2023 im Auge behalten sollte.
The Durutti Column viola-playing master - a composer and
arranger for the likes of U2, Coldplay, Peter Gabriel and Blur, as
well as co-founder with Tony Wilson of the Factory Classical
label - had been composing music spontaneously, instinctively,
when the idea of ‘Tree’ arrived. The album came from a desire
in John Metcalfe to write at scale - perhaps a natural reaction
for a composer writing out of the silences and solitude of our
recent pandemic years.
After the success of Death Walks Behind You, an appearance on Top of the Pops, and a successful tour, it was time for emerging stars Atomic Rooster to record their third studio album, In Hearing Of. The album is a perfect example of a band evolving and in constant transition, such as they show with this little-known gem of the '70s British rock.
Much less bombastic than the band's earlier releases, In Hearing Of is almost funky at times. The lyrics are doom-laden in the spirit of much of this genre of British hard rock at the time, and pseudo-classical references crop up from time to time, but Vincent Crane's keyboards are generally tasty, and the melodies are often downright memorable.
In Hearing Of is available as a limited edition of 750 individually numbered copies on translucent magenta coloured vinyl.
C-50 Cassette Tape. 100 Copies only.
dispari introduces you to Hanoi-based Vietnamese artist Trần Uy Đức. Carried by large curiosity, urgency and delight, their sonic expression can be grasped as a self-exploration which is touchingly intimate, fragile, rebellious and cociliating. In their own words:
„It's my desire to escape into this person I don't know.
Die, orphaned kite flutes.
Watch me escape the orphaned kite flutes.
If you beat it up many times.
Don’t, don't, he predict thunder.
Who asked me tonight to explain one, two, two miracles.
Same problem.
C-c-c-fuck
I'm singing for my body.“
Trần Uy Đức
- A1: Eazycon -Double Life
- A2: The Modern Model - (The) Days On
- A3: Die Form - No Kill
- A4: Bisca - Dott. Jekyll
- A5: Funkwagen – Ebdomero
- A6: Nofun –Mongolia
- B1: Hakkah – Stairs
- B2: Illogico - 871Zx
- B3: Rinf - Was Besonders
- B4: State Of Art - Scoop 'N' Loop
- B5: Hi-Fi Bros -Stranger In The Night
- B6: Band Aid - L’inviato D’oltreoceano/Festa Happening
- B7: Confusional Quartet - Nebdo Zip
Taking up the gauntlet thrown down by New York's no wave scene, many Italian bands of the early '80s, playing far from the footlights of the world's stage, began creating compelling, and often cutting edge, hybrid sounds. This kind of experimenting soon went viral along the entire peninsula: from Southern Italy to the Alps, creating a brave new Italian take on post-punk. From the nervous white funk of Neopolitans Bisca, to the instrumental explorations of Confusional Quartet, to the "fake jazz" of the Hi-Fi Bros (who even had a track produced by Arto Lindsay), to Band Aid, this collection testifies to one of the most creative periods of the Italian underground. Also features: Eazycon, Modern Model, Die Form, Funkwagen, Nofun, Hakkah, Illogico, Rinf, and State Of Art. Includes CD; CD features the previously unreleased bonus track by La Maison, "Noise Express".
Majid Jordan is presented in a blue vinyl pressing. Majid Jordan was featured on and co-produced Drake’s triple-platinum #1 hit "Hold On, We’re Going Home" from Nothing Was The Same. Their next collaboration with the hip-hop superstar was "Mine" for Beyonce’s self-titled fifth offering. Solidifying their sound and identity, 2014’s EP A Place Like This would see them construct the framework for this, their self-titled full-length debut original issued in 2016. Majid Jordan features the single ""Something About You"" and the critically acclaimed track "My Love" featuring Drake.
Farewell To The Welfare is now available in a limited edition teal vinyl pressing. The Tribe Records co-founder’s lost album, rumored to exist no more. Mastered from the original tapes and lacquered by Bernie Grundman. “As I thought about reflecting on an aggregate of music for this album, I projected my attitude and spirit while living and working here, in Detroit, Michigan. We are earning and learning a new way of life, which explicitly tells us to become self-reliant in taking care of our families and each other. Government hand-outs are not an option for us.” Wendell Harrison. The first ever issue of this Spiritual Jazz album. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
“It was a rainy day at the recycling centre in Leitrim. There, amongst the tangle of discarded kettles and broken-down toasters, I first laid eyes on her…” A few years after her stand-out contribution to our ‘Wacker That’ compilation and following a bunch of purple patch releases for Nyahh Records, TakuRoko, Fort Evil Fruit and Eiderdown Records, Natalia Beylis graces Touch Sensitive with a true landmark album for the label – ‘Mermaids. Recorded both at home in Leitrim and at neighbour Mat Warren’s studio (Studio Moo Moo – a converted cow shed), ‘Mermaids’ was inspired by two salvaged items: a CRB Elettronica Ancona - Model: Diamond 708 E electric keyboard from the local tip and a photo taken by her father found in a pile of old family scraps. Smuggled home in the back of the van and ridded of the nine purple crayons lodged inside, the keyboard sounded perfect to Natalia; “The sounds that come from her when I play always move me like water; swimming in rivers and floating in the murk beneath the surface.” The striking image which would become the cover art features Natalia’s mother and two friends during a dip in the ocean. We see three women hanging out on a large rock – their bad-ass hairdos and poses perfectly framed and saturated in sepia. “There are complete siren vibes coming from the rock. Three women, three girls, three witches, three mermaids. I wish I was one of them. Or friends with them.’ After testing compositions and recordings for months on the rescued keys, the discovery of her father’s image formed the final work: “A confluence of the sounds and the image charged through me, and the album began to flicker into being.” Much like the push and pull of the River Shannon, Natalia’s own local swimming spot, ‘Mermaids’ flow is both organic but unstoppable. Anchored around the album’s hypnotic 17-minute title track, we are fully immersed within this subaquatic suite from the first splash. Alongside the keyboard’s glistening tone, field recordings from Natalia’s expansive archive bring us back up for air; taking stops to check in with the chittering chickens and ducks of Athlone. In keeping with her back catalogue and extensive body of work, ‘Mermaids’ exists within its own imagined universe. This is truly singular work that continues to underline Natalia as one of the finest underground artists of her time. We wholeheartedly encourage you to take a forty-minute sonic dip into a deep, murky, watery world of her own creation.
- A1: No Good
- A2: Friends (Feat. Partynextdoor)
- A3: Still Pray For You
- A4: Courtside (Feat. Jessie Reyez)
- B1: Miss Me?
- B2: No Cryin (Feat. Future)
- B3: Dangerous City (Feat. Buju Banton, Ty Dolla $Ign)
- B4: So What (Feat. Popcaan)
- C1: Outlandish
- C2: Keep It Going
- C3: Flawless' Do It Well Pt. 3 (Feat. Summer Walker)
- C4: Greedy
- D1: Between Us (Feat. Snoh Aalegra)
- D2: A Muse
- D3: For Us
- D4: Again (Feat. Shantel May)
dvsn have turned the page to a new chapter in their career with the release of their fervently anticipated third studio album, A Muse In Her Feelings, via OVO Sound. The album is a beautifully crafted body of work boasting an all-star cast of collaborators, including the likes of Future, PartyNextDoor, Popcaan, Buju Banton, Summer Walker, Jessie Reyez, Snoh Aalegra, Ty Dolla $ign and Shantel May. A Muse In Her Feelings brings R&B back to tropes that built the genre. Incorporating vulnerability, yearning and lust, the album draws inspiration from the early aughts with Daniel Daley's pen sharper than ever, coupled with Nineteen85's cutting edge production. All while rooted in the tenets of golden-era R&B.
Colours collects ParyNextDoor's 2014 EP Colours 1 - long heralded as a contemporary classic - with his critically acclaimed Colours 2. Both rank among the most memorable works in PND’s stellar catalog. The first volume showcases emotionally raw, true-to-life narratives and the range of his arresting vocals. Whether it's songs like "Girl From Oakland" or the Travis Scott-assisted "Jus Know," PND proves himself one of this generationís most gifted songwriters. He confirms as much with each subsequent record, including slow jams like "Freak In You" from Colours 2. Now that both EPs are side by side, listeners can trace PND’s artistic growth by revisiting these early classics, and for the very first time, fans can listen to this joint project on limited edition white vinyl!
Das Album "La Düsseldorf" ist das Debütalbum der deutschen Krautrock-Band La Düsseldorf. Es wurde im Jahr 1976 veröffentlicht und wurde zu einem kommerziellen Erfolg.
Es gilt als eines der einflussreichsten Alben des Krautrock-Genres und hat zahlreiche Musiker wie Brian Eno beeinflusst. „La Düsseldorf sind definitiv der Soundtrack für die 80er!“
orakelte damals David Bowie. Ihre Kompositionen waren bereits Mitte der 70er Ihrer Zeit voraus und nahmen vieles an Musik und Sound vorweg, was ein paar Jahre später Usus
werden sollte. In Berlin nahmen Bowie & Eno mit „Low“ kurz darauf ihre ganz eigene Version des Krautrock auf, die ohne La Düsseldorfs Erstling nicht denkbar gewesen wäre.
Das Album ist eine Mischung aus experimentellem Rock, elektronischer Musik und psychedelischen Klängen. Die Texte sind größtenteils auf Deutsch und behandeln Themen wie
Liebe, Freiheit und das Leben in der Großstadt. Das Album wurde von Conny Plank produziert, einem bekannten deutschen Musikproduzenten, der auch mit anderen Krautrock-
Bands wie Kraftwerk und Can zusammengearbeitet hat. Neben dem gekonnt ausufernden Titelsong „Düsseldorf“ gilt vor allem das finale Stück „Time“ als Meilenstein.
La Düsseldorf wurde von Klaus Dinger gegründet. Neben Dinger gehörten auch sein Bruder Thomas Dinger und Hans Lampe zur Band, die später mit „Viva“ (1978) und „Individuellos“
(1981) noch zwei weitere kommerziell erfolgreiche Alben veröffentlichte. Dinger gehörte mit Ralf Hütter und Florian Schneider auch zu den ersten Urmitgliedern der elektronischen
Klangpioniere „Kraftwerk“, die er 1971 jedoch bereits nach ein paar Monaten im Streit wieder verließ um gemeinsam mit Michael Rother ihre eigne (legendäre) Krautrock-Band Neu!
zu gründen.
Portland-based Kevin Palmer returns to blundar with his Best Available Technology for another release (having previously been featured on cassette). This time it’s on vinyl but still messing about with the same business of constructing and deconstructing head-nodding beats into a foggy bowl of ambience that has become the trademark sound of BAT.
Initially inspired and influenced by the sound-worlds created by Hank Shocklee, BDP and KDAY, Palmer spent his formative years combing pawn shops for samplers. This kicked off his self-described obsessive compulsive work crunching out impossibly naive and obviously unschooled jams in what might have been and continues to be an attempt to capture and document something he felt when listening to the bombastic sonic collages of early hip hop.
Going backwards in order to go forward could be an apt mantra to describe the philosophy behind BAT. Often attached with labels like nostalgia and melancholy, Palmer surely deals with the longing for that perfect time capsule of N.Y. hip hop in the 90s - but where others zoning in on that era simply imitate it, Palmer goes way further into a world of his own making.
Far removed in both time and place to the outskirts of Portland, the sonics of Palmer filters through an outsider’s perspective, sometimes offering a personal journal of the here and now via field recordings from skateparks and surfing trips.
As if one would imagine looking slightly to the left of what was supposedly going on, these tracks continuously shift one's focus. That funky feel good beat is there, but almost always just out of grasp. Palmer gives us the sound of a memory slipping away.
Yet this reads not as the end of something, but rather a stepping stone into a world of possibilities. Operating at the outskirts of genre, you could imagine anything from dub, hip hop, ambient or techno to emerge and crystalize from the haze, yet it never does. This is all those things and nothing. Or maybe it’s just some “sad fucked up funk” as Palmer puts it.
- A1: Santiano
- A2: Die Antwort Weiß Der Wind
- A3: Davy Jones
- A4: Ode An Das Meer
- A5: Durch Jeden Sturm
- A6: Tanz Mit Mir
- A7: Wellerman
- A8: Steh Auf
- A9: Bis In Alle Ewigkeit (Walhalla) (Nordmannversion)
- A10: Alle Die Mit Uns Auf Kaperfahrt Fahren (Rockversion)
- B1: Was Du Liebst (Orchesterversion)
- B2: Gott Muss Ein Seemann Sein (Jubiläumsmix)
- B3: Könnt Ihr Mich Hören
- B4: Weh Mir (Jubiläumsmix)
- B5: Wenn Die Kälte Kommt
- B6: Es Gibt Nur Wasser (Jubiläumsmix)
- B7: Hoch Im Norden (Jubiläumsmix)
- B8: Lieder Der Freiheit (To France) (Jubiläumsmix)
- B9: Johnny Boy (Doubletime Version)
- B10: Die Sehnsucht Ist Mein Steuermann
- C1: Santiano
- C2: Frei Wie Der Wind
- C3: Weit Übers Meer (David's Song)
- C4: Whiskey In The Jar
- C7: Auf Nach Californio
- C8: Garten Eden (Scarborough Fair)
- C9: Irish Rover
- D1 50: 0 Meilen (500 Miles)
- D2: Der Wind Ruft Meinen Namen
- D3: Blow Boys Blow
- D4: Land In Sicht
- D5: Tri Martolod
- D6: St. Malo
- D7: Wieder Auf See (Wish You Were Here)
- D8: Molly Malone
- E1: Gott Muss Ein Seemann Sein
- E2: Drums And Guns - Johnny I Hardly Knew Ya
- E3: Salz Auf Unserer Haut
- E4: Seemann
- E5: Bis In Alle Ewigkeit (Walhalla)
- E6: Wir Sind Uns Treu
- E7: Have A Drink On Me
- E8: Sieben Jahre
- E9: Gestrandet
- F1: Rolling Home
- F2: Marie
- F3: Great Song Of Indifference
- F4: Hoch Im Norden
- F5: The Fiddler On The Deck (Esc 2014 Radio Version)
- F6: Wir Werden Niemals Untergehen
- C5: Alle Die Mit Uns Auf Kaperfahrt Fahren
- F7: Weit Übers Meer (David's Song)
- F8: Minne
- F9: Vergiss Mein Nicht
- G1: Lieder Der Freiheit
- G2: Rolling The Woodpile
- G3: Die Letzte Fahrt
- G4: Johnny Boy
- G5: Seine Heimat War Die See
- G6: Fresenhof (Album Version)
- G7: Joho Und Ne Buddel Voll Rum
- G8: Under Jolly Roger
- G9: Der Alte Und Das Meer
- H1: Sturmgeboren
- H2: Richtung Freiheit
- H3: Rungholt
- H4: Kinder Des Kolumbus
- H5: Ade, Ade
- H6: Weh Mir
- H7: Schipmann
- H8: Land Of Green
- H9: Die Alten Segler
- I1: Könnt Ihr Mich Hören
- I2: Ich Bring Dich Heim
- I3: Sail Away
- I4: Liekedeeler
- I5: Im Auge Des Sturms
- C6: Es Gibt Nur Wasser
- I6: Doch Ich Weiß Es
- I7: Hooray For Whiskey
- I8: Die Sehnsucht Ist Mein Steuermann
- I9: Brüder Im Herzen
- J1: Deine Reise Endet Nie
- J2: Ihr Sollt Nicht Trauern
- J3: Unsre Lieder Werden Bleiben
- J4: Wir Für Euch Und Ihr Für Uns
- J5: Könnt Ihr Mich Hören (Orchesterversion)
- J6: Ich Bring Dich Heim (Orchesterversion)
- J7: Liekedeeler (Orchesterversion)
- J8: Unsre Lieder Werden Bleiben (Orchesterversion)
- K1: Wenn Die Kälte Kommt
- K2: Was Du Liebst
- K3: Heave Ho
- K4: Nichts Als Horizonte
- K5: Wer Kann Segeln Ohne Wind
- K6: Graubart
- K7: Lange Her
- K8: Solang Die Fiddle Spielt
- L1: An't Enn Vun De Welt
- L2: Das Ist Eure Zeit
- L3: Steh Auf
- L4: Nicht Umsonst Gelebt
- L5: Ein Leben Lang
- L6: Wellerman
SPLIT's debut vinyl EP is a tour de force of German Dubstep, featuring masterfully crafted original tracks and expertly executed remixes from Jafu, Zecher, and Schulzone.
From the opening track, the listener is taken on a journey through a soundscape of deep, driving basslines and mesmerizing melodies that are sure to leave a lasting impression. SPLIT's unique style is evident throughout the EP, blending elements of traditional Dubstep with a fresh,
contemporary twist. The remixes from Jafu, Zecher, and Schulzone add an exciting new dimension to the EP, showcasing their own unique perspectives on SPLIT's original tracks.
Overall, this is a must-have release for any Dubstep fan and a strong indication of the bright future ahead for SPLIT.
Highly recommended.
Hive Mind and Sing A Song Fighter are delighted to present to you their first collaborative release, the amazing solo guitar album from legendary Congolese guitarist Kahanga Dekula aka ”Vumbi”.
Swedish producer Karl-Jonas Winqvist (founder of Sing-A-Song Fighter and member of Senegalese/Swedish act Wau Wau Collectif) has been a longtime fan of Vumbi Dekula’s artistry which led to him releasing The Dekula Band's debut album ”Opika” in 2019 with the Dekula Band.
While watching the band perform was always a blast, says Karl Jonas, his desire to hear Vumbi play on his own, without the thunderous drums, wailing saxophones and chanting vocals grew in his mind, “Because, in a way, Vumbi’s guitar playing is like an orchestra on its own. And the idea of just concentrating on all the amazing riffs and beautiful, uplifting melodies was just so appealing”. Karl-Jonas proposed the idea of producing a solo album to Vumbi, and within a week the production process began
Recorded in two days during lockdown at the Helter Skelter Studios in Stockholm, Karl and Vumbi allowed the music to guide them. Vumbi was inspired to play 2nd guitar adding some harmonies and melodies here and there, and on the final track (”UN Forces Get Out of the DR of Congo”) he introduced a banjo into the world of ”Congo guitar”. Karl Jonas started up his old rhythm box machine to some of the songs to see how Vumbi and his playing would react to it. Elsewhere, wordless backing vocals from Karl-Jonas and Emma Nordenstam were added to Maamajacy, bass melodica by Karl-Jonas appears on Weekend, and a little piano tinkering from Emma adds some sparkle to Zuku. But clearly, Vumbi's virtuoso playing remains the star of Congo Guitar.'
No stranger to the limelight with a string of forward-thinking, sought-after releases under his belt, Snad joins the roster of cutting-edge artists bringing his spark to Phonica AM under curation of Luther Vine.
The 'Labyrinthine EP' opens with a relentless 4 to the floor club ready firestarter. Aptly titled 'Quark' hits the spot in all the right places. Its swinging drum work out and oscillating chords swirl to a frenzy and guarantee to set any a dance floor ablaze.
The A2 'Labyrinthine' boots off with Snad's unique take on UK 90s Tech-House, full groove, snare syncopation and whirlwind of off-centre synth cords, adding to his effervescent sound design.
The flip side opens with a killer remix fellow Berliner expat, Huerta's take on 'Quark'. The remix retains the destructive dance floor potential of the original and adds somewhat in the hypnotic trip out department. Full engagement is guaranteed from start to finish even for the more of an absent-minded listener on this one.
Snad closes the EP with 'Revival'. This cross-genre juggernaut effortlessly marries puncy breaks with dubbed out echos while the resonant synth chords and muddled vocal chops expand listener's perception of sonar possibilities to places few have imagined possible. One of the rare tracks which hovers on the fringe of experimentation but guarantees to move the peak time crowd of the most discerning listening habits.
Now Available In A Limited Edition Red Vinyl Pressing. Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Mot Aykerim gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.
Dunkelgrünes Vinyl. Vor einigen Jahren, irgendwo in einem Tour Van in Idaho, wurde den Chastity Belt Mitgliedern Julia Shapiro, Gretchen Grimm, Lydia Lund und Annie Truscott zu langweilig und sie fanden eine recht ungewöhnliche Beschäftigung: Sie fingen an einander Komplimente zu machen, sehr detailliert und umfangreich. Das mögen wir an dir am Liebsten; Deshalb lieben wir dich. An dieses Bild denke ich die ganze Zeit, die Vier, wie sie sich den anderen gegenüber auf diese Weise offenbaren, freiwillig. Es fällt schwer sich vorzustellen, dass das andere Bands tun würden. Jenseits ihrer doch recht omnipräsenten Social Media Seiten mit tonnen von Duck Face Schnuten, der ,I don't care" Attitüde, liegt ganz am Grund eine Ehrlichkeit und Intimität als auch eine emotionale Brillanz, die alles was Chastity Belt kreieren, verschmelzen lässt. Simple ausgedrückt: Sie sind witzig aber auch in der Lage sehr verletzlich zu sein. Giant Vagina und Pussy Weed Beer, zwei Highlights ihres 2013er Debüts No Regerts, wurden prompt gefolgt von dem großartigen aber leicht zu übersehenden Happiness. Bei dem 2015er Time to Go Home habe ich ständig meine jüngere, unstetere Version vor Augen gehabt. Der kommende Juni markiert die Veröffentlichung von I Used to Spend So Much Time Alone, ihr drittes und bisher bestes Album. Mit dem Produzenten Matthew Simms (Wire) live im Juli 2016 in Portland / Oregon (Geburtsstätte einiger ihrer favorisierten Elliot Smith Alben) aufgenommen, ist es ein dunkles und ungewöhnlich schönes Set aus Moody Post Punk, dass die Gefühlsbreite der Band aus Seattle in vollem Ausmaß und nicht durch Humor gefiltert zeigt. Da ist keine Ironie im Titel: Bevor sie Chastity Belt gründete, sah sich Shapiro klar als einsamen Wolf. Das ist keine kleine Geste. Ich kann dieses Album so sehr nachempfinden wie in meinen 20ern: Das ist ein mutiges und oft berauschendes Gewirr aus gemischten Gefühlen und quälenden Melodien, die atemberaubende Angst (This Time of Night) mit schimmernder Erkenntnis (Different Now) und hauchdünner Ungewissheit (Stuck - geschrieben und gesungen von Grimm) verbindet. Es ist eine ernste Platte. Shapiro definiert es wahrscheinlich am besten selbst: ,I wanna be sincere." Als ich die Band frage, wie dieser Text hier werden soll, war ihr einziger Anspruch, dass er kurz, ehrlich und ohne Übertreibung sein soll, Als ich mehr erfahren will sagt Truscott: "Just say that we love each other. Because we do." So sind sie, deshalb liebe ich sie. - David Bevan (Pitchfork), Februar 2017
Oh look! We are very proud to have the legend that is Ron Wells AKA Jack Smooth aka Electronic Experienced on the label. Very limited amounts (we are talking less than 5!) of the testpress of PARA019 will be available to the public this coming Bandcamp Friday, 4th March 2023 at 12:00 (UCT+1) alongside the Parallax Superbundle and more!
California's Joe Babylon has been steering his own Roundabout Sounds through some lovely deep house waters over the last few years. Now the producer makes a big statement with his own debut album. He is something of a veteran having co-founded Plug Research back in 1994 and hosted underground events in Los Angeles during the mid '90s. Following on from outings alongside the likes of Rick Wilhite and Rondenion he now brings his own dusty, carefully disheveled house sounds to the fore. They have been crafted using an MPC which gives them their rough-edged appeal and they go from heads down back room joints to dubbed-out minimalism via dream late-night reveries. It makes for a fresh take on a tried and tested house template.
NOAR is a young collective of enthusiasts in electronic music from Dresden.
The aim is to bring locals from dresden and eastern germany on the screen of like minded people. The scene is bursting with talents and audiophiles of several generations and therefore we want to give these talents a platform and make their output accessible to like-minded people.
‘Clone Scratch’ by Friedrich Ernst comes with a distinct electro vibe for build ups in a club and vocals in dreamy watery manner reminds us what’s up to us.
‘locknr01’ by The Isolator gives us a cold industrial goosebumps. A whole factory is under pressure performing that straight electro tune while heavy strings foreshadow its collapse. Here and there screws turn out of the steel beams, soft like bubbles. You have to take cover to avoid being shot.
A3 by Anachronism follows straight up. ‘Lost Control by Distance’ shows us what unconsciousness feels like. In this breakbeat thunderstorm we are sitting in a crashing airplane not quite ready for what's coming next.
With ‘Establishment’ the thunderstorm lightens and suddenly soft sunrays from Planetary Secrets come through the cloud cover. You are dreaming with soft melodies warming up your face while your body is moving to uk influenced breakbeat.
The duo KAWA KAWA is making their release debut with B2. This track clearly serves you on peak times with lovely and rough vocals while its energy easily lets you understand what a desire means.
The EP is finished with a fast electro belter from Otis Key. With it’s minimalistic approach
‘Copy Natural Processes at the Nanoscale’ lets you dive into the grid of existence with your electron microscope. From time to time you can see light coming from underneath with cold strings layered between the rhythm.
Dude what if...Is it… the matrix?
Coming off the back of the expensive Lovesexy Tour, Prince needed to replenish his coffers and agreed to record nine original songs for Tim Burton's box office smash movie, Batman, starring Michael Keaton, Jack Nicholson and Kim Basinger. The 1989 album was a huge success, and featured hit singles “Batdance” and “Partyman”, as well as “Scandalous”.
Jessica Brankka makes her debut on Crosstown Rebels with new single ‘Musk’, joined by Audiojack and OMRI. on remix duties. Emerging from Brazil’s ever-evolving house music hotbed to make appearances at major venues across the globe, including Hï Ibiza this summer, DJ and producer Jessica Brankka is fast becoming an artist to keep an eye on. Debuting on Frau Blau alongside Floyd Lavine and racking up support from leading names in Solomun, Joris Voorn, Blond:ish and more, her outings via RADIANT. have only continued to help build and craft her growing sound. Stepping up for her most significant release to date, she joins the Crosstown Rebels family to open September with her new single ‘Musk’ - with remixes coming courtesy of Gruuv head honchos Audiojack and Tel Aviv’s OMRI.
Hooky, provocative vocals take hold from the off on ‘Musk’, with Brankka building via slick drum programming, vibrant stabs and sweeping melodies for an intensely catchy production shaped for all hours of the night. First up on remix duties are Crosstown regulars Audiojack, with their take introducing an abundance of additional energy via skippy percussion, zipping bassline grooves and swirling, off-kilter sonics, before launching into heady breakbeat territories. To close, returning Rebellion signee and OMRI. introduces his acid-tinged remix into proceedings, with wandering synth lines carrying the track towards more cosmic spheres.
- A1: End Transmission (Album Version)
- A2: Too Little Too Late
- A3: Ashes
- A4: Mother
- A5: White Cells
- A6: Avissos
- A7: Womb
- B1: Neon Dream
- B2: All Else Fails
- B3: Time To Die
- B4: End Transmission (John Beltran's Sweet Sunny Mix)
- B5: White Cells (Yui Onodera Remix)
- B6: Neon Dream (Elwd Vinyl Edit)
- B7: Time To Die (Heathered Pearls Remix)
Stelios Vassiloudis enters an inspiring new phase as he unveils his sophomore LP All Else Fails available March 25th via Balance Music.
Hailing from Athens, Greece, Stelios Vassiloudis poses a triple threat as a composer, producer and DJ. Having been active in the electronic music scene since the early 2000s he has cultivated his own brand of distinctive ambience reflective of his rich and diverse musical background; transcending the dance floor via an emotional narrative of complex soundscapes, intricate harmonies and hypnotic rhythms. Over the past decade Stelios has released music under various other monikers, yet this new endeavour is his most diligent to date - allowing him to rediscover his love for making music during the process, "I'm more hopeful, inspired and determined than ever before."
Ten years on from the release of his debut LP, Stelios' detail-oriented offerings remain incomprehensibly thought-provoking and thorough with this new album. Noticeably dissimilar to any previous efforts, Stelios consciously took a step back from the pressure of maintaining a steadily flowing supply of functional, club-oriented music and as the world stood still amidst the pandemic, he embraced the opportunity to reconnect and express himself with a broader musical vocabulary. He admits that: "with the world around us seemingly on the fast track to Armageddon, the music ended up being very much reflective of the sadness and helplessness I felt."
All Else Fails is a stimulating odyssey to anyone listening. Harmonically dense, arcadian glistens seep throughout the ten tracks, each complementary to the next. Bask in the wistful iridescence and you won't be disappointed.
Stelios carved his way into electronic music by traversing around the globe as a DJ and performer - performing at intimate underground bars in Beirut, festivals in Miami, after-hours in Tokyo, beaches in Goa and mega clubs in Argentina. Having developed a formidable discography on esteemed labels such as Bedrock, Poker Flat, Ovum, Constant Sound and Darkroom Dubs, among others, Stelios' studio prowess and coveted productions cemented his reputation as a versatile and acclaimed artist. His intense passion and drive for innovation in music serves as the fuel to keep him inspired and relevant, qualities that no doubt ensure his reputation as an artist of the highest calibre, will endure.
- A1: Hallelujah Junction - 1St Movement - John Adams
- A2: M.a.y. In The Backyard - Ryuichi Sakamoto
- A3: J’adore Venise - Loredana Bertè
- A4: Paris Latino - Bandolero
- B1: Sonatine Bureaucratique - Frank Glazer
- B2: “Zion Hört Die Wächter Singen” - Alessio Bax
- B3: Lady Lady Lady - Giorgio Moroder & Joe Esposito
- C1: Une Barque Sur L’océan - André Laplante
- C2: Futile Devices (Doveman Remix) - Sufjan Stevens
- C3: Germination - Ryuichi Sakamoto
- C4: Words - F.r. David
- C5: È La Vita - Marco Armani
- D1: Mystery Of Love - Sufjan Stevens
- D2: Radio Varsavia - Franco Battiato
- D3: Love My Way - The Psychedelic Furs
- D4: Le Jardin Féerique - Valéria Szervánszky & Ronald Cavaye
- D5: Visions Of Gideon - Sufjan Stevens
Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman.
Summer of 1983, Northern Italy. An American Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.
The film received widespread critical acclaim, particularly for Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction, and the screenplay. Call Me By Your Name won a variety of awards, including an Academy Award, BAFTA, GLAAD and the 23rd Critics' Choice Award amongst others. Sufjan Stevens' song "Mystery of Love" was also nominated for the Academy Award for Best Original Song.
Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and "the kind of canon they would be a part of."
Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: "Visions of Gideon", which was used at the end of the film, "Mystery of Love," which was featured in the film's first trailer, and a new rendition of "Futile Devices" with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film.
Call Me By Your Name is available as a limited edition of 15.000 copies on "Velvet Purple" coloured vinyl. The 2LP is housed in a deluxe gatefold sleeve with rainbow laminate finish and includes printed innersleeves, an insert with movie stills, and a poster.
- A1: Hallelujah Junction - 1St Movement - John Adams
- A2: M.a.y. In The Backyard - Ryuichi Sakamoto
- A3: J’adore Venise - Loredana Bertè
- A4: Paris Latino - Bandolero
- B1: Sonatine Bureaucratique - Frank Glazer
- B2: “Zion Hört Die Wächter Singen” - Alessio Bax
- B3: Lady Lady Lady - Giorgio Moroder & Joe Esposito
- C1: Une Barque Sur L’océan - André Laplante
- C2: Futile Devices (Doveman Remix) - Sufjan Stevens
- C3: Germination - Ryuichi Sakamoto
- C4: Words - F.r. David
- C5: È La Vita - Marco Armani
- D1: Mystery Of Love - Sufjan Stevens
- D2: Radio Varsavia - Franco Battiato
- D3: Love My Way - The Psychedelic Furs
- D4: Le Jardin Féerique - Valéria Szervánszky & Ronald Cavaye
- D5: Visions Of Gideon - Sufjan Stevens
Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman.
Summer of 1983, Northern Italy. An American Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.
The film received widespread critical acclaim, particularly for Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction, and the screenplay. Call Me By Your Name won a variety of awards, including an Academy Award, BAFTA, GLAAD and the 23rd Critics' Choice Award amongst others. Sufjan Stevens' song "Mystery of Love" was also nominated for the Academy Award for Best Original Song.
Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and "the kind of canon they would be a part of."
Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: "Visions of Gideon", which was used at the end of the film, "Mystery of Love," which was featured in the film's first trailer, and a new rendition of "Futile Devices" with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film.
Call Me By Your Name is available as a limited edition of 15.000 copies on "Velvet Purple" coloured vinyl. The 2LP is housed in a deluxe gatefold sleeve with rainbow laminate finish and includes printed innersleeves, an insert with movie stills, and a poster.
Black Vinyl[14,92 €]
We are delighted to finish off the last full EP on the Telomere series with a new Artist you may or may not be familiar with.
Aspetuck, a US based DJ and producer. has his vinyl debut with a well rounded and stacked four tracker.
This EP blends the many genres of electronic music while leaning towards the deeper and melancholic sounds of electronica. Tart Jam, is a real Jam that will get the dance floor movin’, groovin’ and smilin’!
Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!
The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that of the »Whistleblower« reissue, released in early 2023 by Keplar. This serial visual approach highlights the conceptual continuity between those masterful explorations of the interplay between dub techniques, noise, and repetition.
Ripatti himself had reworked material from 1999’s »Ele« album for the release of »Entain,« which means that it can be considered the debut album proper of his Vladislav Delay project. It saw the Finnish artist aim more vigorously for abstraction than in his earlier releases as Vladislav Delay for labels such as Chain Reaction, which were collected on the iconic »Multila« compilation in 2000; another milestone from his back catalogue that has been reissued by Keplar in recent times. To mark this special occasion, »Multila« will be repressed by Keplar with a new artwork that matches the new design of »Whisteblower« and »Entain«.
»Multila« and »Entain« correspond with each other conceptually as much as they seem to differ on a musical level. The material on »Multila« was clearly indebted to the Berlin dub techno sound, marked by its grainy and at times abrasive sonic aesthetics. From the very first moments of the 22-minute long opener »Kohde« however, it becomes clear that »Entain« takes things further away from the dancefloor, aiming less for physical impact than for intellectual stimulation. A sort of electronic minimal music, it was primarily interested in letting discrete elements freely come into play with one another.
Much like »Multila,« however, »Entain« highlighted the subtle differences embedded in what only feels like repetitive music. Of course the massive bassline and ghostly dub riddims that permeate »Notke« as well as the deconstructed beat at the core of »Ele« still hint at Ripatti’s roots in beat-driven music. However, they also make his artistic transformation audible by turning their sources of inspirations into something entirely unheard of. »Entain« took the dub techno formula further than any other record before it—onwards into the realms of pure abstraction.
Rising up from the dark depths of the underworld, Toni Moralez presents his latest project, Echoes From The Grave, via Mutual Pleasure Records.
A four-track serving of truly devilish sounds, Echoes From The Grave brings the listener deep into the world of Toni Moralez; a world of high-flying dance floor deviousness. Within the EP, the Frankfurt based producer coordinates a masterful balance between sinister and groovy, with daring blends of funk-infused basslines, pulsating drum patterns and synths, resulting in an unmistakably mischievous sound.
From the infectiously old-skool nature of DON’T B SHY (TURN AROUND), to the equally infectious hypnosis of I WANNA SUCK UR DICK (LONG N HARD), to the bassline mastery of TAKE OFF UR CLOTHES, which is then propelled into total misbehaviour with (Partiboi69’s Cheek Spreading Rework), which features a contagiously brazen verse from YBM.
Exceeding and succeeding in utmost rebellion, Toni Moralez’s Echoes From The Grave EP is a uniquely daring project, full of devilish personality and character, and one that sees its creator reach newfound heights with his sound; a sound that continues to evolve and develop rapidly.
After the demise of Denver emo legends, Christie Front Drive, singer/
guitarist Eric Richter moved to Brooklyn and started Antarctica with other
members from the scene - Despite just a few releases to their name they
gathered a large cult following - Originally released as a 2xCD in 1999 on
File 13 Records, 81:03 is an expansive and textured example of
electronic-infused shoegaze music blending the swooning, syncopated
pop of New Order, the dark chill of Pornography-era Cure, the hypnotic
pulse of Underworld, and the guitar harmonies of Ride and For Against
Almost 25 years later, 81:03 still feels fresh; like a modern soundtrack for those
seeking moments of beauty in an increasingly troubled world. Newly remastered
and finally available on vinyl for the first time, Antarctica will appeal to fans of
early Cure, The Church, Washed Out, Tycho, Christie Front Drive, Mineral, The
Gloria Record, etc.
Ting Mong is the sixth full-length album of new material from
Cambodian/American band Dengue Fever, and their first album in more
than eight years
In Khmer folklore, a Ting Mong is a decoy or mannequin, similar to a scarecrow,
used to fight away evil spirits and plagues.Available in vinyl and CD, the new
album artwork is from Japanese artist Imiri Sakabashira and features nine new
tracks, many clocking in at more than four minutes. The band recorded the album
after a hiatus followed by a global pandemic, which allowed them to flesh out
tracks which presented themselves as slower, more lengthy, psychedelic jams.
Curated by 78-rpm record collector Pat Conte, The Secret Museum of
Mankind: Atlas of Instruments - Fiddles, Vol 1 continues the legendary
series and seeks to show the diverse range of fiddle sounds and styles
developed and practiced across the globe
The compilation, drawn from Conte's pioneering and remarkable personal
collection of 78- rpm discs recorded in the 1920's-1950's, presents fiddle music
recorded across the world from Crete to Madagascar, Mexico, England, Sicily,
Norway, India, the USA, Cape Verde, China and more.
The album is available via digital download and on vinyl, in a beautiful gatefold
package. It includes a liner notes booklet by curator Pat Conte, original drawings
of rare and unique fiddles in Conte's collection, by artist Jeff Tocci, and beautifully
remastered audio by Don Fierro. Additionally, the interior gatefold design features
a selection of historic images of fiddlers, also curated by Conte and drawn from
his collection.
Repress!
The second instalment of Healthy Scratch comes direct from Phoenix Arizona via the godson of house, Kareem Ali. In short order, Kareem has ascended with a relentless production output and focus like none-other.
Here we present his first vinyl release as well as what may be the only release, he does outside of Cosmoflux, his personal imprint. A producer of all music, for us he’s made 4 house tracks, perfect for any occasion and sure to get your feet moving, in the living room or on the dance floor.
1970’s Cloud One disco brilliance and one of P&P’s most well-known cuts gets a much-needed official reissue. A studio project masterminded by the legendary Patrick Adams and P&P Records’ Peter Brown, Cloud One’s ‘Disco Juice’ showcases the genius of Adams’ songwriting and production prowess. A bundle of joy from start to finish, every element is given space and arranged exquisitely from the soaring strings and Venus Dodson’s celestial vocals, to the vibraphone twinkles and power piano keys. Deliriously good grooves.
On the B side, ‘Charleston Hopscotch’ a cosmic funk-fuelled jam bouncing guitar riffs, sweltering synths and piano stabs out to the stratosphere and back again, returning with another Patrick Adam’s masterclass.
The third volume of the most libidinous edit series around is finally landing on the shelves, ready to make even the hardest-to-please clubgoers drenched in sweat on the dancefloor.
The record starts at full speed with "Erotic 707 Sample," an irresistible feast of splashes and drums, just to abruptly transition into a smooth and dreamy mood with the downtempo gem "Tudo Ligado."
The B-side opens with the seductive Disco-House vibes of "Disco Manina," peaking with the anthem "Oh...Money!" - perfect to be sung along while holding hooves.
We’ve got a special AA-side vinyl release for all Toolroom and Cutting Recs fans with the original UK Edit of the seminal ‘This Brutal House’ from Nitro Deluxe followed, by the 2023 rework from Toolroom’s founder Mark Knight! A release you do not want to miss!
Sat in-between Electro and House genres, Nitro Deluxe’s pivotal record ‘Let’s Get Brutal’ on legendary imprint Cutting Records helped paved the way for the early beginnings of House music as we know it today. A record that has influenced so many of House music’s iconic artists, from being sampled by Kevin Saunderson (aka Good Life) in their huge hit ‘Big Fun’ and most recently, Mark Knight.
An unmistakable record and one that struck a chord in the early career days of label boss Mark Knight, who simultaneously sought to beef up his current sets in 2023 with the magic of those early House records, when the opportunity arose to update this classic Mark straight in. Keeping this new version sentimental to the original, with all those original synth elements included but laid over the top of an up-to-date Tech House groove with a renewed energy, so that today’s floors will appreciate that seminal riff, all over again.
Carbon Music continues its conquest in a special single summoning some of drum & bass' greatest minds, as Goldie & Lenzman make illustrious debuts alongside label pillars Jubei & Submotive.
Two years after their first collab 'Component' (CM002), Submotive & Jubei reforge the foundations upon which Carbon Music was built, in two tracks written with two powerhouses sharing the same ethos.
Goldie reinstills his prowess, linking to form a holy pantheon on 'Game Of The Gods'. 10 years since Jubei released his album on Metalheadz, they collaborate again with a mutual accomplice in Submotive. Reinforcing the core principles, its a celebration of vigour and mysticism; brute force balanced with celestial pads - bringing shared beliefs full circle towards a new golden era.
Lenzman makes his intro on the flip, with a touch of nonchalent class on the effortlessly rolling 'Members Only'. Having all released with The North Quarter and Metalheadz, the trio share a close bond, developed over years of performing and travelling together. Its an innate understanding; a brotherhood; three elements that progress, intensify and naturally form, in a way that no others can.
DJ Support:
Goldie
Skeptical
Lenzman
Jubei
Bryan Gee
Halogenix
Cover versions of international songs have long thrived in South Africa’s music industry. Often unable to license the original tracks (until the early 90s the result of an international boycott of the country) labels instead hired producers and session artists to re-record them for the local market. Early house music in SA was no different.
When Ron ‘Robot’ Friedman, former bass player for local rockers Rabbitt, was winding down his label On Records in the early 90s, he reached out for new inspiration as the popularity of ‘bubblegum’ disco waned. For one of the label’s final releases he hired young DJ/producer Quentin Foster, obsessed with the new soulful house sound coming out of the US, to take the reins on a studio project dubbed Citi Express.
On Robot’s insistence it included a cover of Stevie Wonder’s ‘Living for the City’ (from 1973’s Innervisions) as the title track. Foster set to work in his home studio, dubbed Tone Def, selecting and re-working other US and UK tracks — ‘It’s Too Late’ (originally released in 1989 by Kelli Sae), ‘Love is the Message’ (influenced by the 70s soul anthem and credited to Gamble & Huff but bearing a closer resemblance to Better Days’ 1990 release written by Steve Proctor), ‘People of The World’ (recorded by Sorell Johnson in the UK in 1990) and ‘Victim of Your Love’ (released in 1990 by Gary Vonqwest as ‘Victim of Love’) — adding some signature South African touches in the process that foreshadow the imminent rise of kwaito. One original composition was added for good measure, ‘Open Invitation’.
The result offers a glimpse into those early days of house, a uniquely South African take on a global sound that still resonates today — reissued for the first time on Afrosynth Records.
3 tracks from Detest on the dutch based label Hong Kong Violence. This 3 tracker features the amazing solo track “The Return” by Detest as well as 2 collaborative tracks with Deathmachine & Drokz. Hot on the heels of his incredible album on PRSPCT Detests production goes from strength to strength.
«Opening Soon» is a culinary buddy movie with a background of gourmet grooves where body tricks at the turntables have been replaced by acrobatic pizza tricks. This album from Jean Tonique and Mi Man is a real tomato concentrate and ingredients cleverly dosed which abound in suave and feel good tracks. 11 tracks that we can imagine as the perfect soundtrack to accompany the dolce vita 2.0 of this great musical duo (between Mario Bros and Cheech & Chong).
A tasty and pop cuisine that gives pride of place to a nostalgia that gathers behind the tiled counter («No One Really Knows», «Memories») or on the dancefloor («Running After Time», «The Music»). We let ourselves slide and be lulled by the smoothness of the arrangements as silky as an «Extra Virgin Olive Oil».
Do The Right Thing, as they say, and it seems like those two found a way to celebrate a lifestyle full of friendly looks.
Tonique, who had already accustomed us to the spiciness of his sharp guitars continues to demonstrate a knowledge all in funk and finesse. He is accompanied by Man, who brings his sweetness and harmony. They combine their strength on this project initiated with the title «Day & Night» and its languorous disco tinged with rhodes and percussions with Salsoul accents.
If the tablecloths are white and red, we don't doubt that the inside of the delivery van is lined with silk and velvet of the most beautiful effect to "cruise" the night as in Brooklyn and East Harlem to the rhythm of «Never Get Old». Lightness and nonchalance for a songwriting full of coolness and analogical charisma boosted by a Moog which invokes the best of the 70/80's.
Iconic and timeless, with or without a disco ball, wouldn't the key word be Pizza-Yolo?
Norm Talley returns to his Upstairs Asylum label alongside fellow US house pioneer Delano Smith for Straight Up No Chaser, an eight-track opus featuring four solo cuts each.
Talley's gritty, dubbed-out, low-rolling house style is present and correct throughout with the loopy chords of 'Blak Bottom' getting things going, 'The Flip' getting more cavernous and aqueous and 'ISO Vision' leaning into dub techno.
'Believe It' is a soulful deep house looper, while Smith gets bubbly with 'The Bassline', lays down thumping kicks on 'Travels 23' and his trademark synth smears on 'The Drive' while 'Remembrance' is a heady dub house cut that locks you into a state of perfect hypnosis.
Remastered Reissue des Samplers 'Ariwa Sounds: The Early Sessions' (1984) mit den frühen Produktionen der Reggae/Dub-Legende Mad Professor, aufgenommen zwischen 1979-1981 in seinem Wohnzimmer, kurz bevor die Idee Form annahm, ein Studio und das Ariwa-Label zu gründen. Er lud lokale Musiker zur Zusammenarbeit ein, darunter Errol Sly, Ranking Ann, Sergeant Pepper, Deborah Glasgow, Victor Cross, Sister Audrey und seine Begleitband The Sane Inmates, von denen einige später zu festen Größen ihres jeweiligen Genres wurden. Die LP fängt die rohe Essenz des frühen Sounds von Mad Professor und Ariwa ein.
When one of South Africa's most sought after trumpet players steps forward after a career alongside the very best in the International jazz scene, you know it's going to be a special record.
Dennis Mpale was one of South Africa's heavyweights. You'll find his name springing up on every important South African jazz record and billing since the 1960's. Chris McGregor's iconic Jazz/The African Sound LP, Abdullah Ibrahim's Dollar Brand, Barney Rachabane in the highly influential ensemble Roots, and early work in house bands appearing alongside Nick Moyake in The Soul jazz Men to name just a few. His trumpet playing had character, an extension of the body and amplifier of that great South African sound.
Leaving South Africa during Apartheid as a strong supporter and member of the ANC, Dennis made London his home, joining the newly established SA Jazz scene and standing in solidarity against the oppressions back in Africa.
Moving between London and South Africa during the 70's and 80's It wasn't till the early 1990's when Dennis finally settled again to make his biggest transition to solo artist, redefining his Jazz past and putting a heavy kwaito infused house slammer on the agenda. 1994s 'Paying My Bills' (a title maybe more appropriate now than it ever has been) is a mighty jazz kwaito house effort: From the heavy synth beat and gorgeous floating solo opener of 'Paying My Bills', to the highly infectious vocal phrasing on thumping house anthem 'Take My Time'. Paying My Bills takes the sensibilities of a jazz maestro and pairs it with one of South Africa's biggest producers Peter 'Hitman' Moticoe, creating the perfect recipe for a certified summer slammer.
Having previously only ever been released on CD, this is the first ever vinyl pressing of the album (hazy early test pressings lurk on a small number of lucky shelves). Vinyl mastering is handled by The Carvery's very own Frank Merritt here in London, with the resulting tracks generously split over 2 discs to fully appreciate the swampy heavy dub bass drolls for full dancefloor effect. It's loud and punchy and makes space for those glorious trumpet improvisations while keeping the synth refrains and heavy bass thumping.
Early plays include resident NTS DJ's and a feature on Palms Trax Radio 1 residency with surely more support to follow.























































































































































