Search:vinyl cover

Yumi Zouma release a special one off coloured vinyl (colour in colour red), a cover version album of Oasis seminal album (What's the Story) Morning Glory reimagined by Yumi Zouma - first time pressed on vinyl for retail. On bands own imprint.

Pacific Blue Vinyl, limited to 200 copies. From being right in the middle at the birth of US hardcore punk with DYS to creating the blueprint of melodic hardcore with DAG NASTY, from helping to invent pop punk as we know it with ALL to finding himself in the middle of the west coast punk explosion of the 90s with DOWN BY LAW: Smalley was always on the forefront every time hardcore punk pushed its envelope. While others may use a legacy like that as an excuse to take it a little slower, Dave Smalley has no intention to rest on his laurels and keeps writing new music and releasing records.

When he founded DON'T SLEEP with fellow East Coast punk rockers Garrett Rothman, Tony Bavaria, Jim Bedorf and Tom McGrath in 2017, the world was more than excited about seeing him front a fast yet melodic hardcore band again. Being motivated by immensely positive feedback, DON'T SLEEP was finally ready to release its debut album "Turn the Tide" in 2020.


And then the world came to a grinding halt. But after the dust settled, all five members decided that DON'T SLEEP was too important to not overcome all obstacles thrown in their way. The five piece went back into the rehearsal room, finished 8 original songs and added an amazing TOM PETTY cover to the mix. The result is DON'T SLEEP's second full length "See Change".

Limitierte Auflage: honiggold-farbene Vinylschallplatte, alternatives Cover-Artwork, 2 Einleger mit Bildern und Texten, antistatische Innenhülle. SHE KEEPS BEES, Jessica Larrabee und Andy LaPlant (auch privat ein Paar), fanden 2006 zusammen, ein garagig, souliges Blues-Rock Duo aus Brooklyn, NY. Nach einigen selbstveröffentlichten Aufnahmen, sorgte hierzulande erst ,Eight Houses", ihr jüngstes, im September 2014 über BB*ISLAND erschienenes und vielgelobtes Album für größeres Aufsehen, sowie die darauf folgenden Konzerte. "Nests" ist das Debüt des Vollzeit-Duos. Aufgenommen 2008 in ihrem Brooklyn Appartement, mit einem Fünfdollar-Verstärker und einer akustischen Gitarre aus einer Satanisten-WG ist das ein neu zu entdeckendes Juwel in Sachen bassloser Boy-Girl-Duo-Sound und Bedroom-Blues. Howlin Wolf und Millie Jackson könnten hier Taufpaten gewesen sein. Cat Power, frühe PJ Harvey, The Kills sind auch nicht weit. Jessica Larrabee hat mit ihrem rauhen, beseelten Gesang und ihrem intuitiven Gitarrenspiel eine sehr eigene Intensität und Präsenz. Ihre betörend schlafwandlerische Stimme ist durch und durch soulful. Ihr Partner Andy La Plant ergänzt das mit seinem direkten, wie zurückgenommenem Schlagzeugspiel kongenial. LaPlant kümmert sich dabei auch um die Produktion. Die Selbstbeschränkung der Mittel sowie der Ort an dem sie aufnehmen ist sicher ein Vorteil. ,Nests" ist ein New York Album und She Keeps Bees Musik ist wirklich blank bis auf die Knochen, bestimmt von weiblicher Stärke und Emotion, und buchstabiert alten Blues: Minimal, dunkel, roh, heilend.

Reissue of the 2011 album Tao of the Dead by American alternative rock band ...And You Will Know Us By The Trail Of The Dead. First time available on vinyl since its release year. Features a replica of the original comic book insert. Tao of the Dead is their seventh album. The band stripped down to its core four-piece lineup for the record, deviating from the past two records that featured a filled-out six-piece band. This resulted in a stripped-down record with heavy emphasis on guitar. It’s a two-part record, each side with a specific musical tuning; Part One in D and Part Two in F. The album can be listened to as 16 different movements or two lengthy tracks. Part One: Tao Of The Dead is split into eleven tracks, whereas Part Two: Strange News From Another Planet is five songs combined into one. Lead singer Conrad Keely described the album's composition; "It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge... I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."

***BACK IN PRINT ON TRANSLUCENT GREEN VINYL!!! Originally released as a 10-inch in 1991, Eggnog is a wild ride into the outer limits of Melvins-dom. The first side cuts loose with three quick blasts. “Wispy” has the Lorax (Lori Temple Black) on bass and Dale Crover on drums, pounding one note in unison while Buzz Osborne bellows and whispers and turns his guitar on and off. “Antitoxidote” is a rabid horse galloping off into the desert, with yet more stops and starts and feedback detonations. “Hog Leg” sounds like a syphillitic Jimmy Swaggert trying to mimic Dio while being backed by a drunken ZZ Top cover band. Side Two features the side-long epic “Charmicarmicat,” with seasick waves of guitar and slow-motion madness bringing communicable disease and poisonous jellyfish ashore, stinging and infecting the unsuspecting sunbathers before gently washing out to sea again.

Sky Blue Coloured LP Vinyl. 'Warchild' charity release - Miles Davis’ On The Corner recently turned 50 and with each decade, its space age funk has only become more influential to generations of jazz, electronic, post-punk and especially hip hop fans and artists. The new vinyl release Turnaround cherry picks four stellar cuts from the celebrated expanded project The Complete On The Corner Sessions released in 2007 that collected key recordings captured before and after that release. The tracks featured his new band including Michael Henderson on bass, Al Foster on drums and Mtume on percussion plus rotating appearances by the likes of Herbie Hancock, Dave Liebman and Bennie Maupin. Featuring an adaptation of the celebrated Corky McCoy cover of cartoon characters in pink, complemented by the limited edition sky blue vinyl, this marks the first time this material will be widely available on vinyl.

Opaque Pink Coloured LP Vinyl - M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr collects a progressive All-Star ensemble featuring Miles Davis alumni and the players Miles inspired. This brand new, never-released studio recording captures a multi-generational who’s who of acclaimed artists performing new Miles-inspired compositions. Two tracks of the five on the album include unreleased trumpet performances by Miles and the album, produced by Miles' alumni Lenny White and Wilburn, features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield. This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting from artist and Miles’ associate Mikel Elam. Pressed on hot pink vinyl, this is the exclusive vinyl release.

DARKTHRONE'S LEGENDARY 1989 DEMO, INCLUDING ADDITIONAL
TRACKS FROM BOOTLEG TV 1989, PLUS ADDITIONAL RARE REHEARSAL
TRACKS FROM 1990 - PRESENTED ON BLACK VINYL.
Longstanding Norwegian band Darkthrone started in 1986, originally
under the name of 'Black Death', before their final infamous moniker was introduced Although becoming known the world over as a black metal band crucial to the legacy of the genre, Darkthrone began more as an extreme metal band utilising element of thrash, death & doom metal into their early compositions.

'Cromlech' was Darkthrone's final demo release before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line- up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) & Dag Nilsen (Bass); a line-up which would remain in place for the revered 'Soulside Journey' & 'A Blaze
In The Northern Sky' albums.As well as the iconic 'Cromlech' demo itself containing tracks which would go on to form part of the 'Soulside Journey' debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost's 'Visual Aggression'.

Finally, this edition of 'Cromlech' also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul "Hammy" Halmshaw, sent to him in 1990.
This edition of 'Cromlech' is presented on vinyl format with printed inner sleeve & includes the original 'Cromlech' art/logo

x2 LP Vinyl - Burning Love: The RCA Rehearsals compiles the best of the rehearsal recordings around Elvis’ April 1972 US tour, all taken from the new Elvis On Tour collection. The 2LP set features rare and unreleased versions of “Burning Love”, “Heartbreak Hotel” and “Jailhouse Rock,” along with some of Elvis’ favorite cover songs, gospel songs and more.

Black vinyl pressing 2022! "Funny to think there was a time not so long ago when Stiff Richards was a name that required explanation - but not to you, of course, o punk connoisseur. This is your territory, after all. Music is your oxygen and the sound of the underground is your clarion call. You can explain the distinction between 'Know Your Product' and 'No, You're Product'. Hey, you're probably pretty good-looking too. You know your shit, either way. So no wonder you're drawn to this relative holy grail of modern garage rock - the 2017 self-titled debut album by the aforementioned Stiff Richards. Originally released on their own Stiff Records (and again by Legless in 2020), it lays down all the elements that made last year's mighty 'State of Mind' LP such an instant classic. OK, we've established you know the drill, but let's recap: scintillating Aus-punk that recalls the heroic high-speed riffs of their countrymen The Saints and Radio Birdman. It sounds like Royal Headache covering Motörhead, or maybe the other way around. It's a full-on riot in 30 minutes - the rawest of rock'n'roll bleeding into the grimiest of power chords with hooks for days. You already know you're gonna love it. Whether going full-throttle and aiming straight for the nerve receptors that get your head a-nodding and your toes a-tapping - like on sub-three-minute highlight 'Strung Out' - or sludgin' their way through groovier cuts like 'Bustin' Out', they're never less than a treat that's guaranteed to get your serotonin flowing and your speakers up to 11 (or beyond). As a certain similarly-named record label once said, if it ain't Stiff, it ain't worth a fuck. Frightfully rude, but that's rock music for you, I suppose. Get it in your ears." - Will Fitzpatrick.

A co-op coalition of Laced Records, Fatshark, and Games Workshop has summoned forth a deluxe triple vinyl for Jesper Kyd’s incredible new Warhammer 40,000: Darktide score.

48 tracks have been specially mastered for vinyl and will be pressed onto heavyweight galaxy-effect discs in yellow & black, blue & black, and red & black. The widespined outer sleeve features a spot gloss logo on the front cover; while the three spined inner sleeves sport artwork by the Fatshark team.

Darktide succeeds Fatshark’s much beloved Vermintide series with brutal co-op action set in the dystopian future of Warhammer 40,000. Composer Jesper Kyd’s many challenges included capturing the pomp and propaganda of the Imperium’s Inquisition; finding a way to represent ‘living machines’ the size of city blocks and thousands of years old in the lore of the game, but still tens of thousands of years more advanced than our own; and finding the sound of the dangerous lower levels of the Underhive.

He spectacularly achieves this with characterful choral and folk instrumental performances layered among all manner of vintage analog synths, giving the whole soundtrack a rusty, mechanical but not robotic feel — all dusty data and grinding grooves. It’s a unique score that sheds the orchestral and electric guitar palettes of other Warhammer titles.

Re-release des im Jahre 2000 veröffentlichten Albums "Endstation" der Deutschpunk-Legende Hass. Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar", "Versoffene Marie" oder "Totengräber" zeigen die Band nach der Jahrtausendwende in Höchstform und vermischen den typisch-rauhen Hardcore-Punk-Style von Hass zum Teil mit rockigeren Klängen. "Endstation" ist die letzte Scheibe noch mit Bandgründer Peter "Hecktor" Blümer am Mikrofon, der sich danach auf die reine Gitarrenarbeit konzentrierte. Nicht nur für "Hass"- und Deutschpunk-Fans ein "Must-Have" in der Vinyl-Kollektion. Limitierte Collector´s-Vinyl-Edition, 180gr. Edition mit neuem Cover-Artwork & 350gr. Heavy cartonage inside/out rough paper, erstmalig komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat.

Re-release des im Jahre 2000 veröffentlichten Albums "Endstation" der Deutschpunk-Legende Hass. Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar", "Versoffene Marie" oder "Totengräber" zeigen die Band nach der Jahrtausendwende in Höchstform und vermischen den typisch-rauhen Hardcore-Punk-Style von Hass zum Teil mit rockigeren Klängen. "Endstation" ist die letzte Scheibe noch mit Bandgründer Peter "Hecktor" Blümer am Mikrofon, der sich danach auf die reine Gitarrenarbeit konzentrierte. Nicht nur für "Hass"- und Deutschpunk-Fans ein "Must-Have" in der Vinyl-Kollektion. Limitierte Collector´s-Vinyl-Edition, 180gr. Edition mit neuem Cover-Artwork & 350gr. Heavy cartonage inside/out rough paper, erstmalig komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat.

Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians. In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album. In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

High Roller Records, 2nd pressing, black vinyl, ltd 200, insert

High Roller Records, 2nd pressing, white/ red mixed vinyl, ltd 300, insert

Anlässlich des 35-jährigen Jubiläums kündigen Mute/BMG eine Sonderedition von A WAY OF LIFE an, dem dritten Studioalbum des einflussreichen Elektronik-Punk-Duos SUICIDE. Obwohl die Band
während ihrer Karriere kaum Anerkennung erhielt, gelten Suicide als eine der inspirierendsten Bands der 1970er Jahre.
Sie beeinflussten Bands wie Soft Cell, Depeche Mode und The Jesus And Mary Chain, während sie Fans in Nick Cave, Jim Thirlwell, M.I.A., Spiritualized, Lydia Lunch, Bobby Gillespie und Savages fanden, um nur einige zu nennen.
Ursprünglich 1988 veröffentlicht, mehr als ein Jahrzehnt nach ihrem kultigen, selbstbetitelten Album, taten sich Alan Vega & Martin Rev erneut mit dem Frontmann von The Cars, Ric Ocasek, zusammen,
um "neun schaurig-schöne Industrial-Popsongs" (Pitchfork) zu produzieren.
Diese Jubiläumsausgabe ist als Limited Edition Transparent Blue Vinyl und CD erhältlich und wurde von Denis Blackham (Skye Mastering) komplett neu gemastert.
Auf jedem Format sind die Bonustracks 'Heat Beat' und eine neu entdeckte Live-Coverversion von Bruce Springsteens 'Born in the USA' enthalten. Drei weitere, bisher unveröffentlichte Aufnahmen sind exklusiv auf der CD-Version zu hören.

Lime green (yellowish?) vinyl LP Finnish noise rock duo NYOS deliver a clairvoyant Celebration of the present, written at a time when that present was shimmering just like the feathers of the cover art courtesy of animal photographer Zac Herr. Combining the danceable grooves of Battles with Sonic Youth - infused noise bursts and the yearning electric melodies of And So I Watch You From Afar, Celebration is a defiantly joyful, loud, and festive affair. A promising cure for the drudgery of the times we live in. Recorded by Brooke in his own Tonehaven Recording Studio, Celebration is the latest testament to the undeniable synergy these musicians have built over the past seven years. With the material largely written before the advent of corona, Celebration is a reflection of life before lockdown, filled to the brim with infectious grooves and glaring melodies. "We tried for something upbeat this time to contrast the times," explains Tom Brooke about the recording process, which in turn did take place during pandemic life. "We always love it when people can move to our music, so a big focus for the record was to embrace the dance vibe and go for it." This collection of eight colourful, jarring tracks is rife with small nods to dance music throughout the world. Take a song like "Light" with its complex syncopated drum pattern that recalls the Amen Break so typical for drum and bass music, but listen closely and the song reveals an off-beat skank that flips over into experimental reggae territory. Similarly, a track like "Tucano" recalls the experimental IDM of Bristol-based producer Vessel, while "Gold Vulcan" offsets a gnarly gyrating guitar riff with Latin- American and oriental melodies. The attention to detail on Celebration is phenomenal. The album contains some of the band's most layered compositions to date, but it is also the first NYOS record to feature improvised live recordings, the aptly named "First Take" as well as the celestial "Cloudberry". These musical sketches show two musicians at the apex of their connectedness. Every time that one of them appears to be taking a somewhat questionable turn, you'll find yourself carefully and respectfully readjusting your own interpretation of the song's intention - and what NYOS are all about.

First repress since its original release in May 1998

Celebrating twenty-five years since its release as rgirl2 – the label’s first LP – Rocket Girl is reissuing its seminal compilation A Tribute to Spacemen 3 on double vinyl with spot varnish sleeve in May 2023.

Widely acclaimed at the time of its release (garnering rave reviews in the UK, US, Canadian and European music weeklies and monthlies), the collection sounds as fresh and inventive as it did three decades ago. Launched at a time when tribute albums were prevalent, A Tribute to Spacemen 3 stands apart from other covers albums in that it not only redecorates S3’s songs in a bold new palette of colours, but also acts as a time capsule documenting a very specific wave of 90s US and UK bands that shared many sensibilities – ‘post-rock’ might be the catch-all genre, but their music also encompassed psych, slowcore, analogue electronica, dream pop and space rock to varying degrees – and many of whom (Mogwai, Low, Arab Strap, Bardo Pond) have gone on to reap major critical and commercial success, and are still thriving today. In 1998 the LP was a gateway for fans of Spacemen 3 to discover these relatively unknown experimental artists operating on small independent labels either side of the Atlantic – today it is a celebration of the timeless innovation and longevity of that scene.

As author Richard Milward states in Rocket Girl 20, the 2019 book illuminating the history of the label: ‘In no way is the LP a collection of imitators simply regurgitating Spacemen 3’s songs sound-for-sound – rather, the compilation celebrates the purity and bravery of Pierce’s and Kember’s song writing (themselves never averse to a transformative cover version) while showcasing the originality and diversity of those bands they have inspired.’ It is the simultaneous simplicity and otherworldliness of S3’s songs that make them perfect fodder for reinterpretation, the band’s ‘three chords good, two chords better, one chord best’ mantra providing a solid, tantalising foundation for these bands to experiment with freely. Throbbing and humming with equal parts euphoria and melancholia, over the course of the album’s 69 minutes the tracks slide from slithering stoner psych (Asteroid #4’s ‘Losing Touch With My Mind’) to hymnal delicacy (Amp’s ‘So Hot (Wash Away All of My Tears)’ and Mogwai’s crisp, glockenspiel-chiming ‘Honey’) to zero-gravity lounge jazz (Transient Waves’ closer, ‘Billy Whizz’). There are radical reworkings: the oozing fuzztone lava of Bardo Pond’s ‘Call the Doctor’, and not least Arab Strap’s startling take on S3 live mainstay ‘Revolution’, replete with aggressive, crunching drum machine and the lyrics delivered down the telephone in Aidan Moffatt’s laconic Falkirk drawl – ‘a change, a solution, a wee… a wee revolution’ – before its explosive climax.

Vinyl release compiling both Nukuluk EPs on one LP. Curating their own unique sound and captivating crowds with their refreshing approach to hip-hop, electronica and indie, Nukuluk return with their new EP ‘SUPERGLUE’ on 21 April. The writing and recording process has never been executed in a conventional style for the group, a series of laptops and bedrooms manifesting the groups’ studio, aspiring to a fundamentally collaborative process as they piece their separate parts together in ever surprising ways. Respective members lead through a variety of formats, bringing a demo, a motif or concept in what can be a deeply stimulating process, ensuring the sound is ever-evolving. The EP acted as an educational vehicle that held the group together as they learned how to overcome certain challenges, and hold it together as one, hence the title SUPERGLUE. It presents a fractured journey and chaotic growth of five individuals trying to create the new together; honest vulnerable expression married with complex soundscapes, pulling from whatever genre feels natural and trying new combinations of internal collaborations in the group. The release spans genres from hip-hop to alternative rock, ambient to metal, dance music to r’n’b in what the band note as: “a kaleidoscope of sonics, songs, beats, noises and stories lurching between vulnerability and bravado, as a body of work growing in all directions at the same time.” Their latest single ‘I Just Wanna Luv U’, the follow up to the high octane ‘Covered In Gold’, marks a charged change of pace; an introspective, meditative trip-hop piece, with creeping synths, electronic drums and gruff vocals transitioning into acoustic guitars, live drums and rap verses. It tells the story of wrestling with childhood trauma, isolation and self-acceptance. Vocalist/producer Syd Nuku explores an eerie modern condition before conversing with an inner child’s trauma and memory - “be slow kid, go and take a place below the ceiling where it won’t fall”. The accompanying video was co-directed by Luke Kulukundis (Syd Nuku) and Iso Attrill, and takes reference from the likes of Michel Gondry, Charlie Kaufman and David Lynch. Nukuluk are Monika, Syd, Mateo, Louis and olivia. Entirely self made the collective successfully blend genres and styles to reach new spaces through a broad range of influences (including JPEGMAFIA, Jockstrap, SOPHIE, Wu-Lu and Yves Tumor as well as esteemed groups like Massive Attack, Portishead and Gorillaz). Formed in the midst of lockdown, the collective played their first show in July 2021 before releasing their debut EP DISASTER POP to critical acclaim in November, which subsequently led to multiple festival appearances and a 3-night sold out residency at Bermondsey Social Club in 2022. Their release campaign was littered with videos and creative visuals that were constructed by the collective and its extended family of artists - this multifaceted creative output of the group making them a unique prospect; directing and producing their own videos, exploring many avenues of creation and trying to exist in a unique contemporary DIY space. With nods across the spectrum of the music media – including The Quietus, CLASH, NME, Ransom Note, DIY, DORK, So Young and many more – Nukuluk are steadily carving out their own space in the British leftfield.

VINLY-EDITION DES GLEICHNAMIGEN ALBUMS ZUM ERSTEN MAL AUF VINYL.

Unbeugsam. Ein Wort wie dieses ist für Rainer so viel mehr als eine Floskel. Von Tag eins seiner angestrebten musikalischen Weltherrschaft war NACHTMAHR Gegenwind auf Orkanstärke ausgesetzt, wurde er angefeindet, an den Pranger gestellt, offen gehasst. Bündnisse wurden gegen ihn geschlossen, alte Freundschaften zu Grabe getragen. Doch Thomas Rainer ließ sich nicht beirren. Mit jedem Album, mit jeder EP, mit jedem Konzert bewies er eisernen Willen und Standhaftigkeit, erwies sich als siegreich - und prägte mit seiner Kunst, seiner Ästhetik und seinem apokalyptischen Sound die schwarze Szene wie es wenige vor ihm taten. Die Artworks, die Uniformen, der Stil und die Linguistik etablierten eine ganz eigene Mode, an dem man seine Truppen sofort erkannte.

Von Anfang an stand NACHTMAHR nämlich für viel mehr als Musik, für viel mehr als einen unerbittlich in die Knie zwingenden Sound. NACHTMAHR ist eine Philosophie, eine Lebenseinstellung, eine Weltanschauung. Und diese Retrospektive ist das beeindruckende Muskelspiel eines Anführers, die Biografie eines Imperators - unbequem, unerbittlich, unbeugsam!

- Schwarzes, 180 Gramm schweres 2x12" Vinyl
- Extra audiophiler Tonträger von hoher Qualität - deutsche Pressung!
- Opulentes Gatefold Cover
- Bedruckte Innenhüllen
- Bedruckte Vinyletiketten

Very Limited GREEN SKULL Vinyl.
Standing in a Greyhound Bus station, wearing a Sylvester t-shirt and huge duct-tape-covered glasses, Baltimore ’s Dan Deacon doesn't invoke the image of a composer to the other bus riders. The two suitcases he loads under the bus, which accompany him from city to city, hold the sweat-and-grime-soaked electronics that he uses to craft his raging, maxed-out party music and light show. After 12 tours and 300+ shows in little over 2 years, the gear is beaten and battered, but the show and the energy it produces is anything but.

Dan Deacon has garnered a reputation in the underground as an intense performer and classic showman. The table top full of pedals, a sine wave generator, vocoder and casio blasting through the PA, joined by a makeshift light board with various bulbs and green skull strobe light, make his all out dance-til-you-drop performance a complete experience.

But it isn't all fancy feet and bouncy beats. Deacon is a classically trained composer with a Masters degree in electro-acoustic composition. He has released 7 albums from 2003 to 2006, but those self-produced recordings do not contain the vocal-based experimental pop that he has fine-tuned in live performance. His latest full length, Spiderman of the Rings is the first album bridging the gap between party performer and genuine composer. A mixture of his live show dance anthems, intricate instrumentals and humorous monologues, Spiderman of the Rings establishes Dan Deacon as a new type of entertainer in the contemporary underground.

New signing to Xtra Mile Recordings - Hannah Rose Platt releases her new album 'Deathbed Confessions' on 19th May 2023. 'Deathbed Confessions' is a concept album inspired by classic horror, Rod Serling’s ‘The Twilight Zone’, BBC’s ‘Inside No 9’ and Samuel Pepys’s ‘Balladeer’ and is produced by Ed Harcourt. Available digitally, CD and beautiful gold vinyl, gatefold sleeve with special A3 Print of cover art. 'Deathbed Confessions' is an eclectic collection - sure to intrigue, disturb, and pull on the heartstrings of any listener. A collection of haunting vignettes linked through polarised themes of death, love, the afterlife, murder, regret, the uncanny, and bizarre… “Deathbed Confessions” boasts a wide dynamic curve, featuring the luscious swells of the Budapest Film Orchestra on ‘Inventing the Stars’, Harcourt’s signature piano playing and vocals (featured on the sea-shanty duet ‘The Mermaid and The Sailor’) and classical Ondes-Martenist Charlie Draper on ‘Home for Wayward Dolls’. Hannah Rose Platt is an acclaimed singer-songwriter, multi-instrumentalist and storyteller, who merges the sinister authorial prowess of Nick Cave and Tom Waits, with the gilded Americana of Bobbie Gentry. Track 1 - 'Dead Man On The G Train' - released 24th February 2023 - Single ‘Dead Man on the G Train’ was the first song I wrote for the record and the opening title. I wanted to write little four-minute ‘pulp noir’ mystery thriller, which sets the tone for the rest of the record. Ed and I had such fun recording this track, expect to hear bombastic drums and beastly guitar train sounds. We hope to transport you to 1930s New York, someone’s boarding the G train to Brooklyn and they won’t be getting off… (listen out for the twist!)’ Track 2 - 'Feeding Time For Monsters' - released 29th March 2023 - Single “If a house represents the psyche – what would haunt the rooms of our very own haunted houses? I explore a mix of my own ptsd experiences and personal ghosts in this song. Ed and I wanted to create a sense of chaos and dissociation with woozy vocals and thrashing guitars (and the video animation by William Davies is just astonishing! Check it out!

Anarcho Punk was the one sub-genre of Punk that emerged in isolation from the rock & roll establishment. During its pioneering days of the early 1980s it thrived in opposition to the music industry, existing as a fiercely underground alternative to the bands, labels and venues of the commercialised mainstream Punk scene. It continues to do so. Anarcho Punk represented one of the last truly underground and autonomous music movements ever witnessed and remains a movement that has never sold out and has never gone away.

The major differentiation between the Anarcho Punk acts and the more traditional Punk outfits was that for the former, albeit often more due to musical limitation than intent, the message was more important than the music. Standard song structures were often dispersed with in favour of a relentless lyrical polemic accompanied by a similarly uncompromising aural assault. As the scene grew, so did the diversity of records that emerged under the Anarcho Punk umbrella: from D & V (drums & vocals) to the proto-EBM synth-pop of Belfast’s one-man Hit Parade and the Dadaist Beefheart hybrid of The Cravats. In later days the two biggest acts of the scene, Flux of Pink Indians and Crass themselves, both released LPs which had more in common with improv Jazz than hardcore punk.

The resounding victory of Anarcho Punk is that it is now a the unifying soundtrack to a culture of resistance that spans Scotland to Indonesia and remains without compromise. It is still as removed from mainstream music and oppositional to conventional culture as it was over forty years ago and shows no sign of changing. Quite the opposite: the more popular Anarcho Punk becomes the less it has to engage with the music establishment and the more control it can enjoy. In 2023, that message remains as uncompromising as ever.

This is a double vinyl retrospective compilation of some of the most radical music ever made, a musical force that changed lives. Covering the years 1979 - 86 and including classic tracks from Crass, Poison Girls, Flux Of Pink Indians, The Mob, Zounds, Annie Anxiety, The Ex, ATV plus 10 more, all newly remastered by iconic Punk mastering engineer Daniel Husayn. It has been lovingly compiled by JD Twitch and Anarcho legend Chris Low and was ten years in the making. There are also a couple of previously unreleased mixes included. It comes as a high quality double vinyl pressing, and has a full colour sleeve with back and front images designed by the legendary Gee Vaucher. It also comes with a 6 page fold out poster on one side with detailed sleeve notes, recollections and essays on the other side.

The compilation is a fundraiser for Faslane Peace Camp. Not so far from Glasgow Faslane Naval Base is home to Britain's abhorrent Trident nuclear missiles. The camp has been there, protesting since 1982 and is still active to this day. We hope in our lifetime we will see those missiles leave Scottish soil. We have so much respect for those who have dedicated their lives to protesting these weapons and it seemed an obvious choice that the proceeds from this release should go to help them, and the Scottish Campaign for Nuclear Disarmament.

ESSENTIAL laut The Rough Guide To Reggae! Das berühmteste Album der Band von 1977 wird jetzt offiziel als LP im Original-Coverartwork wiederveröffentlicht! Hier handelt es sich um einen echten Klassiker der in keiner Vinyl-Abteilung fehlen darf.

The Supremes A’ Go-Go marked the
group’s first number one pop album. It is
presented here in its rarely heard Mono
mix, which according to many reviews has
more punch and immediacy than the Stereo
version. Various compilations had skimmed
the most familiar songs off of other Supremes’
albums, but the concept behind Supremes A’
Go-Go was to get the group to cover some of
the top hits of other (mostly Motown) acts. As
a result, every song on the album was familiar
in name, and only “You Can’t Hurry Love” was
culled for any hits packages. A number one
album on the pop and R&B charts, Supremes
A’ Go-Go also benefited from the fact that the
album didn’t include any pop standards or
slow ballads, just solid R&B dance numbers. It
was the first LP by an all-female group to reach
number-one on the Billboard 200 album charts
in the United States. The LP contains two of the
Supremes’ top ten Billboard Hot 100 singles:
the #9 hit “Love Is Like an Itching in My Heart”
and the #1 hit “You Can’t Hurry Love”. 180-
gram VIRGIN VINYL LIMITED EDITION.

One of Yusef Lateef’s best albums from one of the
finest periods of his esteemed career, the 1964 LP
Live at Pep’s showcases the reedman backed by
trumpeter Richard Williams, pianist Mike Nock,
bassist Ernie Farrow, and drummer James Black.
Taped at a live performance at Pep’s Lounge in
Philadelphia, Pennsylvania, the album was so
successful that a full second LP was culled from
the same sets. The program alternates between
hard bop originals and covers of jazz classics such
as Leonard Feather’s “Twelve Tone Blues” and
an unorthodox version of Ma Rainey’s “See See
Rider”. On “Sister Mamie”, “Number 7”, and “The
Magnolia Triangle”, Lateef moves away from strict
jazz, although he retains his improvisational flair. Live
at Pep’s received the maximum five-star rating on
AllMusic, with critic Ron Wynn stating that: “This was
a pivotal date in Lateef’s career, and those unaware
of it will get a treat with this disc”. 180-gram VIRGIN
VINYL LIMITED GATEFOLD EDITION.

THE SOUNDTRACK OF THE MOST CONTROVERSIAL FILM EVER.

FOR THE FIRST TIME IN FULL IN A SPECIAL DOUBLE VINYL EDITION!!! (NON-RETURNABLE)

This Legacy Edition of “Cannibal Holocaust” includes the film score remastered and released in its entirety for the first time ever on double LP; graphically speaking, it includes a gatefold cover with glossy title letters printed on a special soft touch paper, OBI and an 8-page booklet complete with reproductions of posters, lobby cards and photographs from the set, plus presentation essays written by Fabio Capuzzo (one of today’s best soundtrack experts), Stefan Dimle (Landberk, Anekdoten, Paatos, Morte Macabre) and Mikael Åkerfeldt.

AMS Records is proud to present a special edition of the “Cannibal Holocaust” soundtrack, exclusively released on the occasion of Record Store Day 2023. It is, of course, one of the many 'cannibalistic' movies, but perhaps it’s also the only one of its a genre that even today generates mixed feelings and strong controversy.

The excellent soundtrack, composed by Riz Ortolani, makes extensive use of string instruments, masterfully arranged and directed to match the strong contrast between the more relaxed scenes - the incipit of the film is memorable, with the main theme accompanying the spectator in a flight over the Amazon forest - and those full of rhythm and tension; in the first case, the strings go along with guitar arpeggios, while in the second they vibrate alone or together with glacial electronic beats. There are also funk-rock episodes such as in “Cameramen’s Recreation”, “Relaxing In The Savana” and “Drinking Coco”, while “Cannibal Holocaust (Terror)” is pure noise mixed with haunting percussion.

Following on from Part 2 (released exclusively for Record Store Day 2021) ‘I Do Like To Be B-Side The A-Side Volume 3’ includes 12 Madness B-Sides across hit singles from Wonderful’s ‘Lovestruck’, ‘Johnny The Horse’ and ‘Drip Fed Fred’ to The Dangermen Sessions’ ‘Shame & Scandal’, including covers of Kilburn And The High Road’s ‘The Roadette Song’ and Horace Andy’s ‘Skylarking’. Released on 180g heavyweight Black Vinyl, the LP features brand new artwork designed by Paul Agar in association with the band.

Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork.

»Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately.

After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.

Irish-born, Manchester-based Kerrie is a multi-disciplinary artist, incorporating live sets, DJing, producing and running her label Dark Machine Funk across her repertoire of work. Now, Kerrie follows up last year's 'Raw Regimen' (BP063) with a second EP for James Ruskin's seminal Blueprint Records.

Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie has played worldwide in celebrated venues such as Tresor, Berghain, fabric, FOLD, Elsewhere NYC and festivals including Freedom Medellin, Freerotation, Drift and Basilar.

First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are fast becoming renowned for their trippy motifs and high impact on the dancefloor, applauded by Berlin's long-running club Tresor, where she made several appearances with her Elektron machines. Kerrie's Live set at Freerotation in 2019 was one of the festival's most talked-about debuts, and this year, Kerrie will return to and debut at multiple festivals and clubs across Europe and the Americas.

Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk DMF in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists; James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, 'Inner Space PT1', was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove."

2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP 'Raw Regimen', which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie shares her second EP on the label in May and joins the crew at Blueprint showcases around the globe. This year marks the release of Kerrie's 10th EP on vinyl, and considering her consistent output on DMF, Blueprint and many more labels, the producer shows no sign of slowing down.

Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Having ended her 11-year stint at the shop in 2023 to fully commit to the studio and accommodate her increasingly busy tour schedule, Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking.

The American new wave band Oingo Boingo was formed by Danny Elfman in 1979 and were known for their experimental music, which can be described as a mix of rock, ska, pop and world music. The band's body of work spanned 17 years, with various genre- and line-up changes. In 1994, after shortening their name into just Boingo, they released their final studio album Boingo. At that time, the line-up consisted of Elfman, Steve Bartek, and John Avila. The album features a cover version of The Beatles “I Am The Walrus”. Elfman would later become the legendary film composer he now is. Spiderman, Batman, Alice in Wonderland, the Simpsons tune- too name but a few- are all by his hand.

Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio).

First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020.

Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close…

Available digitally, and on limited vinyl LP in a reverse-board jacket. We’ve also pressed up a special edition with an additional bonus 7”, featuring covers of songs by US minimal synth oddball John Bender,and Australian industrial mavericks SeveredHeads. The special edition LP and 7” are on pink-vinyl LP + green-vinyl-7”, and strictly limited to 200 copies. Both versions include a Bandcamp download card inside.

Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.

Each Vinyl Album Includes:

- Unique marbled color vinyl disc
- 13 Songs
- Collectible album jacket with unique front and back cover art
- Unique marbled color vinyl disc
- Collectible album sleeve (each side features a different full-size photo of Taylor)
- Full-size gatefold photo
- A collectible 8-page lyric booklet with never-before-seen photos

Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don’t miss it.
“Authentic and personal, at times it reminds this writer of luminaries such as Jackson C. Frank, PF Sloan, Skip Spence, and Phil Orchs while never feeling derivative.

The songs are melodic and haunting, fueled by existential woes, political angst, and good ol’ fashioned love. Scott’s rich voice has an unpretentious gravitas, his simple-yet-effective guitar playing ranging from delicate fingerpicking to angry bashing.
Created at home on a Tascam 4-Track Portastudio, the recording features few frills and is all the better for it. Unlike most mid-80s records it sounds like it could have come from any time since the late ’60s onwards. As a testament to its greatness, and despite the late recording date, it even gets a nod on Patrick Lundborg’s “Acid Archives” compilation website, Lysergiawhere it’s described thus: “Late phase downer-loner folk and singer-songwriter trip, mostly acoustic, some tracks with a small band.” – Andrew Ure for Ugly
Things.Read a long story about the album in the upcoming Shindig! issue: Story about Scott Seskind in Shiding Mag.
The reissue is available on vinyl with a lyric insert.
Mastering (as always) by Jessica Thompson.

Feedbacks and reviews:
“Almost totally inheralded singer-songwriter Scott Seskind gets the reissue treatment, and I couldn’t be happier. About a year ago I pulled Seskind’s sole vinyl release out of the used bin of a Boulder record store, and with its almost Wallace Berman-esque cover art, could immediately suspect it was something special. The first listen didn’t dispel that notion one bit; here was an impressively captivating and moving collection of four-tracked bedroom folk of the highest order, with an out-of-time vibe that didn’t really snyc with its 1984 recording date. Definitely on the loner-ish end of the folk spectrum, with some aspects of the album harkening back to Skip Spence’s iconic Oar, while other moments revealed the urgency of the ’80s lo-fi revolution. But most importantly, the songs were just really, really great and managed to remain haunting long past their leaving.

Here, I thought, is an album that needs to be heard by more people, NOW. I asked around amongst some record collecting friends and discovered it was pretty highly rated by a small circle of people in the know, and that it had even managed to garner a mention in the Acid Archives despite its late recording date, and most excitingly that there was talk that the digital reissue label Yoga had managed to track Seskind down and secure the rights to his LP. (…) So here we have it, the best songs from Seskind’s eponymous LP. (…) I really hope this release continues to garner the listeners that it deserves.” – Michael Klausman

“The one that struck us the most this year was the almost totally unheralded work of singer-songwriter Scott Seskind, who recorded an impressively captivating and moving collection of four-tracked bedroom folk of the highest order, with an out-of-time vibe that doesn’t really sync with its original 1984 release date. Definitely on the loner-ish end of the folk spectrum, with songs that are really, really great and which manage to remain haunting long past their leaving. Truly an album that deserves to be heard by more people immediately. ” – Other Music

Tidal Waves Music proudly presents the re-issue for Nina Simone's 'A Very Rare Evening'. Originally released on PM records in 1979, featuring Weldon Irvine on organ, Don Allias on drums and Jazz legend Gene Perla on bass. Included on these European sessions from 1969 you'll find Nina classics & rare versions of recordings written by Aretha Franklin, Barry Gibb, Randy Newman & Pete Seeger.

One of the most sought after Nina Simone albums is now back available as a deluxe limited vinyl edition for the first time since 1979. Produced by Gene Perla, officially licensed from PM Records & featuring the original artwork created by A.M. Schnider.

"It's her first LP in years, but was taped back in 1969 in Europe with a confident, impressive organ and rhythm section backup band. Simone is an acquired taste. But, for those who appreciate her singing, these eight tracks will prove welcome." - BILLBOARD

Anything by this lady of song is welcome, especially when she's in front of an adoring audience, as she is in these decade-old, never-released sides. Simone covers all bases from Barry Gibb's "In The Morning," to Pete Seeger's adaptation from the Book of Ecclesiastes, "Turn! Turn! Turn!" She gives special meaning to such tunes as the poignant "The Other Woman," the gospel inflected "Save Me," and "I Think It's Going To Rain Today." But the highlight is her own tune, composed with keyboardist Weldon Irvine, Revolution."- CASH BOX MAGAZINE

Though the Simone catalog overflows with live recordings, this 1969 German concert outranks all others. Focusing almost exclusively on then-contemporary material--the Gibb brothers' "In the Morning" and "To Love Somebody," Randy Newman's "I Think It's Going to Rain Today," Aretha Franklin's "Save Me," the Byrds' "Turn! Turn! Turn!"--Simone is at her most assuredly earthy and intrepidly regal.' - THE JAZZ TIMES

Super Deluxe: The Signals Super Deluxe celebrates 40 years with a brand-new Hugh Syme cover & the 2015 remaster on CD for the first time. The album vinyl was cut for the first time at half-speed via DMM & pressed on 180g black vinyl for optimal vinyl quality with new Hugh Syme art in a premium tip-on jacket. A Blu-ray Audio disc features brand-new immersive Dolby Atmos & 5.1 surround mixes by Richard Chycki, the 2015 48kHz 24-bit stereo remaster, new animated visualizers for each song & 2 bonus music videos for “Subdivisions” and “Countdown”. Bonus items include a 40-page hardcover book with new song illustrations and unreleased photos from the Signals Tour, four 7-inches with new art, three lenticulars that transition from the original black & white band headshots into the original album “Digital Man” color headshots, four Signals Tour band lithos, Hugh’s original album cover sketch litho & a double-sided 24-inch by 24-inch poster featuring Hugh’s new art on one side and an outtake photo from the original album cover shoot on the other side. Picture Disc: The first-ever, limited edition Signals picture disc vinyl features brand-new Hugh Syme artwork to celebrate 40 years of the iconic album.


Das Rush-Album ”Signals” feiert 40-jähriges Jubiläum! Zu diesem Anlass lässt eine limitierte Neuveröffentlichung Sammlerherzen schneller schlagen: Am 28. April erscheint eine umfangreiche Super Deluxe Box mit einem brandneuen Hugh Syme-Cover und dem Remaster von 2015 erstmals auf CD. Das Vinyl des Albums wurde zum ersten Mal mit halber Geschwindigkeit über DMM geschnitten und auf 180g schwarzes Vinyl gepresst. Die Blu-ray-Audio-Disc enthält brandneue Dolby Atmos- und 5.1-Surround-Mixe von Richard Chycki, das 48kHz-24-Bit-Stereo-Remaster von 2015, neue animierte Visualizer für jeden Song und zwei Bonus-Musikvideos für ”Subdivisions” und ”Countdown”. Zum Bonusmaterial gehört ein 40-seitiges Hardcover-Buch mit zahlreichen Illustrationen, Original-Bandfotos und mehr. Das volle Paket aus 1LP, 1CD, BluRay, vier 7” Vinyl in der Super Deluxe Box ist limitiert - das absolute Fan-Item!

Red Vinyl

Anlässlich des 20-jährigen Jubiläums des Albums «Elephant», eines der weltweit erfolgreichsten Alben der Rockgeschichte; veröffentlicht das Third Man Label eine limitierte farbige Vinyl-Edition mit einer rot und einer weiß marmorierten Platte an, die in der Third Man-Fabrik in Nashville gepresst wurde. Das Cover ist eine alternative Version des Originals mit Meg und Jack, die weiße Kleidung tragen, der Text auf der Rückseite ist als Prägung (embossed) gestaltet. Das Album enthält u.a. den größten Hit der Band und sicherlich einer der ikonischsten Songs der Rockgeschichte "Seven Nation Army", das durch die Chor-Coverversionen in allen Stadien der Welt in den letzten 20 Jahren populär geworden ist.

Das Rush-Album ”Signals” feiert 40-jähriges Jubiläum! Zu diesem Anlass lässt eine limitierte Neuveröffentlichung Sammlerherzen schneller schlagen: Am 28. April erscheint eine umfangreiche Super Deluxe Box mit einem brandneuen Hugh Syme-Cover und dem Remaster von 2015 erstmals auf CD. Das Vinyl des Albums wurde zum ersten Mal mit halber Geschwindigkeit über DMM geschnitten und auf 180g schwarzes Vinyl gepresst. Die Blu-ray-Audio-Disc enthält brandneue Dolby Atmos- und 5.1-Surround-Mixe von Richard Chycki, das 48kHz-24-Bit-Stereo-Remaster von 2015, neue animierte Visualizer für jeden Song und zwei Bonus-Musikvideos für ”Subdivisions” und ”Countdown”. Zum Bonusmaterial gehört ein 40-seitiges Hardcover-Buch mit zahlreichen Illustrationen, Original-Bandfotos und mehr. Das volle Paket aus 1LP, 1CD, BluRay, vier 7” Vinyl in der Super Deluxe Box ist limitiert - das absolute Fan-Item!

Mit ihrem neuen Meisterwerk "Beautiful Distortion" melden sich THE GATHERING am 28.04.2022 eindrucksvoll zurück!

Satte 10 Jahre haben sich THE GATHERING, die mit Alben wie "Mandylion", "How To Measure A Planet?" oder "Souvenirs" zu internationalen Ikonen atmosphärischer Rockmusik wurden, für ihr neustes Werk Zeit gelassen, denn nach über 16 Jahren im Hamsterrad von Tourneen, die sich mit Albumaufnahmen abwechselten, um dann die nächste Tournee zu bestreiten, und dem Weggang ihres langjährigen Bassisten Marjolein Kooijman in 2013, brauchten die Musiker einfach mal eine Pause, um ihre Batterien wieder aufzuladen und sich um ihre Familien zu kümmern.

Ihr 25jähriges Bandbestehen 2014 haben THE GATHERING dennoch mit allen aktuellen und ehemaligen Bandmitgliedern im Doornroosje Club in Nijmegen groß gefeiert, um sich danach wieder in ihre selbst auferlegte musikalische Klausur zu begeben.

2018 dann war die Band wieder startklar. In Hugo Prinsen Geerligs, der bereits von 1989 bis 2003 die vier Saiten bei THE GATHERING bediente, fand man einen neuen Bassisten und die Gruppe begann, neue Songs zu schreiben und Konzerte zu spielen, bis 2020 die Pandemie zuschlug und alles um weitere zwei Jahre verzögerte.

Das 11.Studioalbum von THE GATHERING knüpft stilistisch an den Vorgänger "Disclosure" von 2012 an. Acht Titel, im für die Band typischen, satten Electro-Rock-Sound - auch als Trip Rock bekannt - , getoppt von wunderbaren Gesangsmelodien und der warmen Stimme von Sängerin Silje Wergeland machen "Beautiful Distortion" zum wahrscheinlich dynamischsten und melodischsten THE GATHERING-Album in ihrer über 30jährigen Bandgeschichte.

Produziert und gemixt wurde "Beautiful Distortion" von Attie Bauw (u.a. Judas Priest, Scorpions), der bereits bei den THE GATHERING-Alben "Home" und "How To Measure A Planet?" an den Reglern saß. Für das Mastering zeichnet Maor Appelbaum (u.a. Faith No More) verantwortlich.
Die Musik wurde von der Band im Arnold Muhren Studio in Volendam (NL) eingespielt, alle Gesangsparts wurden im Bergen Lydstudio in Norwegen aufgenommen.
"Beautiful Distortion" wurde in Dolby Atmos gemischt und kann auf allen Plattformen, die Dolby Atmos Mixe anbieten, gestreamt werden.

Sämtliche Bandmitglieder waren von Anfang an am kreativen Prozess und den Aufnahmen beteiligt, sowohl einzeln, online, als auch persönlich und gemeinsam, wann immer es möglich war. Es war zwar eine Herausforderung, während der Pandemie und den damit verbundenen Maßnahmen ein Album über zwei Länder hinweg zu schreiben und aufzunehmen, doch THE GATHERING haben auch dies mit Bravour gemeistert.

Das Boxset im LP-Format enthält:



- 'Beautiful Distortion' auf Vinyl, 8 neue Tracks.
- Die exklusive türkisfarbene Gatefold-Version enthält das komplette Album. Cover mit Kupferfolien-Artwork

- "Interference" EP auf Vinyl. Exklusive türkisfarbene Version der EP mit 2 brandneuen Songs und 1 Live-Track

- Beautiful Distortion' 6-Panel-Digifile-CD mit 16-seitigem Booklet und kupferfarbener Heißfolie auf dem Frontcover

- Die Digifile-CD 'Interference' enthält brandneue Songs und 1 Live-Track

- Exklusive Kunstdrucke 12x12 Zoll (3x). Ein Kunstdruck wird von der Band signiert

In 2019 we released the Discodrums 12'' on our own newfound The Night Land Records. With its screen-printed cover and limited edition it was a tribute to a format and culture dear to our hearts: Vinyl. Our intention was to keep releasing records in this style, with songs already mixed, mastered and ready to fly.

Had we known it would take three years to get the next EPs out we would probably have reconsidered everything. Series of strange incidents, accidents and negligence made us think this project was cursed but the music felt too important to us to let it go. We kept working to get it out and now we finally arrive with two "new" EPs: Melbourne Bolero and Bosco/Bosca. This is classic Talaboman; Chuggy, hypnotic, dub flavoured Latin-Scando house music, released on vinyl with beautiful screen-printed covers designed by DR.ME in Manchester. Three years too late but a hundred years too soon? Dance is timeless, thanks for listening.

High Roller Records, black vinyl, ltd 300, original mix + bonus track + 14 tracks unedited rough mix, 425gsm 5mm spine cover, lyric sheet, poster, disco bag, mastered and restored by Patrick W. Engel at Temple of Disharmony

High Roller Records, swamp green vinyl, ltd 300, original mix + bonus track + 14 tracks unedited rough mix, 425gsm 5mm spine cover, lyric sheet, poster, disco bag, mastered and restored by Patrick W. Engel at Temple of Disharmony

The small town of Bremen in Northern Germany has a long musical tradition ever since the Brothers Grimm issued the tale of the Bremen Town Musicians. Now it is the Our Label brothers that bring you music from that very city, which was their own place to be for musical nightlife adventures: Uncle Hammond’s Soul Jazz Movement is a seven piece group honoring the groovy styles of Jimmy Smith and Reuben Wilson. This 45 features their interpretation of two of the bands' favorite tunes. "Greens" is a midtempo boogaloo-ish groove for the dancefloor and "Waltz" was an instant choice by Our Label's Gu for its deep and soulful harmonies. Bothe tracks were recorded live at the famous Studio Nord in Bremen, Germany.

This limited 7“ release comes with a full picture cover.

A great first vinyl release by a great band! Don't miss it!

Brazilian singer, guitarist and actor Seu Jorge returns with an intimate and stripped back session and album, a collaboration with his close friend and kindred spirit Rogê, for new UK based, direct-to-disc record label, Night Dreamer.

Recorded and cut direct-to-disc on Thursday 22nd & Friday 23rd August 2019 at Artone Studio, Haarlem, The Netherlands. Brazilian singer, guitarist and actor Seu Jorge turns to brother-in-arms Rogê, for their first ever album recording, celebrating 25 years of friendship and companionship as part of the latest instalment on UK based, direct-to-disc record label, Night Dreamer.

From concept to completion in four days, the Night Dreamer session commits a lifetime of collaboration and companionship to record for the first time, encapsulated by ‘Caminhão’ - the first song the duo ever wrote together 25 years ago.

Similar to his breakout album and Bowie homage, The Life Aquatic Studio Sessions, the new record is stripped back and raw but with an altogether different ambition - to create a 'classic Brazilian record'. Featuring both Seu Jorge and Rogê on guitar and vocals it also enlists the additional talents of two of Brazil’s most sought-after percussionists, Peu Meurray and Pretinho da Serrinha.

The seven original compositions recall the pairs plaintive and idiosyncratic melancholy and draws on the likes of Brazilian greats like Milton Nascimento, Gilberto Gil and orge Ben.

From Rio De Janeiro in Brazil, Jorge’s success has been witnessed by close friend Rogê – a story which has seen Jorge go from humble beginnings in Rio to working with the likes of Beck and Bowie, and starring in major film and television productions. Well known for his acting roles in,

City of God and the current Netflix hit series Irmandade (Brotherhood), it was Wes Anderson’s A Life Aquatic film that global audiences first saw Jorge on the screen performing as a troubadour strumming Portuguese-language covers of David Bowie classics. All in all, Seu Jorge has been a pioneering force in revitalising Brazilian popular music across the globe.

A songwriter, composer and musician in his own right, Rogê has received a Latin Grammy Nomination for ‘Na Veia’, his collaboration with samba legend Arlindo Cruz. With a strong catalogue of 7 albums and countless collaborations with Brazilian and international producers, Rogê represents the new generation of artists of the Brazilian Popular Music movement and has been instrumental in the pair building an archive of unrealised songs, sketches and ideas, some of which ultimately comprise the backbone of this session.

Like eavesdropping on a campfire session, the one-take direct-to-vinyl process at Artone captures the intensity of the duo’s relationship, setting the conditions for an extraordinarily intimate recording.

WRWTFWW Records is proud to present the first official worldwide reissue of the debut album from fabled Japanese folk singer-songwriter/actress/writer Hako Yamasaki, Tobimasu. The limited edition 180g vinyl LP comes in a heavy sleeve with the original artwork, and the digipack CD has one bonus track. Tobimasu is also available in digital formats.

Originally released in 1975 on legendary independent label Elec Records, Tobimasu is a masterpiece of melancholy carried by one of the most beautiful, moving, melodic, and haunting voices in the history of Japanese music. An extraordinary singer and guitar player, Hako Yamasaki wrote the album at only 18 years old, showing incredible emotional maturity and music making skills, and creating, out of nowhere, a downright classic of folk music, brilliantly arranged and sequenced.

Hako Yamasaki’s folk is bluesy, psychedelic, soft, and poetic, perfectly fitting the themes of nostalgia, love, and nature she covers with heartbreaking intensity. Her songs capture sorrow ravishingly, offering glimpses of empowering hope and uplifting wisdom. A unique voice, a unique approach, and nothing less than magnificent music.

Hako Yamasaki, a pioneer in both the creative boom and the rise of feminism in 1970s Japan, went on to release over thirty albums, building an impressive discography and a fascinating career filled with ups and downs. Her work, inimitable and timeless, deserves the utmost recognition and should be celebrated. Again and again and again.

Tobimasu is released in conjunction with Hako Yamasaki’s beautiful follow-up Tsunawatari, also available on WRWTFWW Records.

Limited Vinyl

Polly Records, the new Hamburg based music imprint kicks of with a 2 Track 7'' record added by 3 digital jams called "Bumpers". On this release, producer Speckman captures a part of his 2020 outlet, which includes a heavy UK influence, driven sound-textures as well as fast and shaking beats. At some point it might feel like you would touch the power supply with wet fingers. The producer and Golden Pudel Club resident Speckman also happens to be a member and co-founder of the Polly Records Crew. Accompanied by his fellows and partners Natalie Andruszkiewicz and Malte von der Lancken, who both are heavily involved in the Hamburg club and art scene, they built the group behind the promissing new label. Andruszkiewicz, graphic-designer and artist, known for her exquisite and unique style in colors, forms and typography evolved in a surrounding of bands and musicians, her talent and high demand led into works such as Booklets, Party-Flyers and Album-Covers for bands like Aroma or Pool. Malte von der Lancken, does bookings for the highly reputed club Uebel & Gefährlich and is responsible for tons of great parties that clearly pushed the landscape of electronic dance music around the city of Hamburg since years.

With forced powers the trio is now setting up Polly Records, a label that is willing to push boundaries and provide a platform to artists that really try to outbreak specific genres or styles, visually and audio vise. Aware of a long-lasting tradition of great hamburg based institutions such as Smallville Records, Dial or the Golden Pudel Club, Polly will certainly continue that road but perhaps in another vehicle for example a sportscar with butterfly doors.

After Speckman's "Bumpers" EP which is going to be released in late summer, the label wants to introduce another hamburg based talent, that been kept hidden for too long. Stay tuned.

10 Year anniversary reissue of Citizen's debut fan-favorite LP on "Evergreen" vinyl including updated deluxe artwork with die-cut slip-case o-card and new gatefold cover. To celebrate 10 years of YOUTH, Citizen and Run For Cover Records have teamed up to completely update the band's debut LP. Since it's initial release in 2013, the songs that make up Youth's tracklist have been staples in mixtapes, playlists and record collections for listeners chasing what felt like a long-lost feeling in alternative music. YOUTH takes notes from the headbanging tempo of grunge, the hazy reverb of shoegaze, and the catharsis of emo together to make something deeply personal and profound. Songs like opener "Roam the Room" and the anthemic sing-a-long "The Summer" have been soundtracked a thousand stagedives at live shows, while pensive and moody songs like "Figure You Out" and "Sleep" offer brief, downtempo respites with blissful melodies. YOUTH also features Citizen's two most popular songs: "The Night I Drove Alone" builds from a quiet, isolated guitar strum into vocalist & lyricist Mat Kerekes' diary-like confessional, exploding mid-song into a full-band barrage, while "How Does It Feel?" incorporates dreamy shoegaze elements into a somber mid-tempo wall of sound. New additions to the vinyl packaging include a die-cut slip-case cover to hold a new rendition of the album's classic flower text done by artist Mike Adams. Packaging also includes an updated printed inner sleeve with photos from the era as well as lyrics and updated liner notes. This updated version of Citizen's first record pays homage to a landmark record for the band and re-contextualizes it alongside their ever-growing catalog.

To celebrate the 10th anniversary of the iconically brutal-yet-stylish Hotline Miami, the head honchos at Devolver Digital, Dennaton Games and Laced Records picked up the phone and made the call to bring back two killer soundtracks to vinyl.

This Standard Edition of the Hotline Miami 1 & 2: The Complete Collection 8LP box set includes traditional black vinyl.

Every in-game track from Hotline Miami and Hotline Miami 2: Wrong Number is present and correct, including Castanets’ “You Are The Blood” (not previously available via the HM2 Steam soundtrack release.) 76 tracks remastered for vinyl will be pressed to heavyweight LPs that come in spined inner sleeves, contained in a rigid board lift-off lid box with spot UV highlight.

Also included in the box are two 12” art prints of the front and back cover pieces, and a 50 Blessings symbol felt slipmat and metallic sticker.

The box set features brand new eye-exploding artwork by long-time Dennaton collaborator Niklas Åkerblad — aka El Huervo aka Beard — alongside illustrator -IZMA-. El Huervo’s grisly covers depict contradictory accounts of a berserk face-off between Jacket and Biker, replete with entrails. -IZMA-’s disc sleeves explore scenes from the series’ lore, tapping into the violence, psychedelia and nihilism that pervade its characters and themes.

10 years on, neon-soaked indie hit Hotline Miami has become a cultural touchstone in a way that few video games ever achieve — and the electronic soundtracks for both series titles are held up as modern classics that have transcended gaming. At turns brutal and laid-back, pulsating and aimless, coked-up and checked-out, these two ultracool compilations were at the heart of the retro-’80s synthwave scene that swept the Internet over the 2010s.

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST Germany on Neumann machines for optimal quality on all levels...

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST Germany on Neumann machines for optimal quality on all levels...

High Roller Records, black vinyl, ltd 500, 425gsm heavy cardboard cover with 5mm spine, 2 inserts, poster, 2 track black vinyl bonus 7",Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. The ultimate audiophile reissue of this eternal US Speed Metal classic! Cutting by SST Germany on Neumann machines for optimal quality on all levels ...

High Roller Records, black vinyl, ltd 500, 425gsm heavy cardboard cover with 5mm spine, 2 inserts, poster, 2 track black vinyl bonus 7",Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. The ultimate audiophile reissue of this eternal US Speed Metal classic! Cutting by SST Germany on Neumann machines for optimal quality on all levels ...

High Roller Records, black vinyl, ltd 500, 425gsm heavy cardboard cover with 5mm spine, 2 inserts, poster, 2 track black vinyl bonus 7",Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2022. The ultimate audiophile reissue of this eternal US Speed Metal classic! Cutting by SST Germany on Neumann machines for optimal quality on all levels ...

* New pressing on red colored vinyl * Betty Davis' 1974 sophomore album They Say I'm Different features a worthy-of-framing futuristic cover challenging David Bowie's science fiction funk with real rocking soul-fire, kicked off with the savagely sexual "Shoo-B-Doop and Cop Him" (later sampled by Ice Cube). Her follow up is full of classic cuts like "Don't Call Her No Tramp" and the hilarious, hard, deep funk of "He Was A Big Freak."

High Roller Records, regular edition, black vinyl, ltd 600, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

High Roller Records, regular edition, cyan blue vinyl, ltd 400, insert, poster, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

PNFG is thrilled to be taking you all on a road trip to Greater Manchester
where we will unlock the vinyl releases of one of the early nineties best
kept secrets - Raintree County sounding every bit like they hailed from a
city 200 miles further north and from 10 years earlier
They released one LP and one EP in their short life. Both stunning examples of
guitar based pop.We will bring you a double album featuring both albums,
tastefully remastered and housed in a brand new Gatefold Sleeve with cover art
from Fraser Taylor.

Since its beginnings, Hypnótica Colectiva has always shown a special interest in the music recorded and released in the city of Detroit.

A place with which we have both a blood and spiritual bond because of what occurred there socially and artistically during the 20th century.

This love led us to become ambassadors of what was happening there on a musical level, holding cultural events to screen documentaries translated into Spanish, as well as a number of themed sets at our events, dedicated motor city sections in our record shop or recently lectures on the history of the city and its music at the Museum of Illustration and Contemporary Art of Valencia (Muvim).

The time has now come to bring all this history, this musical influence, to the editorial section of our label HC records.

Detroit Legacy was born from the idea of capturing these influences on vinyl. Seeking artists from all over the world who share this passion that inspires them to create their music, what we can define as the universal Neo-Detroit.

For this first edition or first volume, the collective has enlisted in its ranks creators affiliated to the label who have shown us in their careers, this influence and this feeling.

Paul Cignol opens the record with Distance. From Dublin he offers us a track of warm sequences inspired by Deep Techno, with deep pads responding to organ keys and a subtle touch of 303.

Mallorcan LLuis Barcelo Sureda is responsible for the second track Funk Station. With a Techno Soul character that we might hear from Detroitish labels like Acacia or producers like Blake Baxter.

A real eminence in Techno is the Catalan Don Alex Martín, who already released in the mid-90s on Monssieur Garnier's label (France Communications). The Barcelona native brings his wealth of experience and wisdom through Megatech, which transports us to the spectrum of Derrick May’s Transmat who, in his day, was nicknamed "The Innovator". This track provides agile sequences of complex syncopated rhythms, combining with a dreamy Michigan style synth.

The anthem of the album comes from Ghent. The sublime Belgian creator, Mariska Neerman, once again makes our hairs stand on end and our hearts melt with a heavenly composition entitled Stellium.

No one interprets Neo-Detroit quite like Mariska, whom we baptise as a sovereign heiress of the genre in the world. If we have to think of an influence for this piece, we go straight to the genius of Detroit, the one and only Jeff Mills, in his most symphonic and harmonic facet of tracks released on his label Axis Records such as "The March", A Universal Voice That Speaks To All That Will Listen or A New Found Sense Of Being.

Some of these songs have been re-interpreted by world class philharmonic orchestras such as the Montpellier Philharmonic Orchestra at the 2005 Blue Potential (Pont Du Garde). Mariska's score in this song fuses organ keys with harmonic layers and violin - favourite instruments of the Detroitian extraterrestrial - with a harmonic result of strength and hope. An authentic anthem of classic emotional Techno.

Old School electro takes centre stage with the Master from Terrassa Ivan Arnau a.k.a. Dark Vektor. In the influence of Juan Atkins (the creator) as Cybotron or Model 500 and later creators who developed this sound like Aux 88. Metaverso Frik is a great recital of a urban poetry created and interpreted by Ivan, to completely devastating effect.

Croatian Bojan Jascur a.k.a. N-TER, closes the vinyl with We Will Emerge, in a exercise of vindication, a common weapon in the context of Detroit music. Raging, trippy electro in the purest style of Cosmic Force or Dynarec.

This first tribute to 8 Mile doesn't end with the vinyl, as 2 digital bonus tracks are included in the release.

We return to Barcelona with Pastin Futon in another sequence of consecutive oscillated rhythms oscillated much like Kevin Saunderson (The Elevator) in his day and the Techno Groove that we know today.

The most robotic touch of the release is the closer with this synthetic jigsaw puzzle of a track with echoes of the 1967 Detroit Riot, the Detroit Rebellion. Again produced by another Barcelona native, The Bandit (Dj Spy / Util Records). The sequences are very reminiscent of Arpanet and Drexciya.

The idea for the cover comes from Motor City itself by Jon Yowell, first cousin of HC records founder and head of HC records David Verdeguer.

Born, raised and a lifelong resident of Detroit, Jon is an enormously talented musician capable of writing lyrics, performing them on the mic and manipulating a number of stringed instruments as well as the drums, where he is a true master.

The cover is a tribute to the formative backgrounds of many of the city's musicians in every sonic trend. Wayne State University in the capital of Michigan.

Founded in 1868, it has offered didactic teaching to many of the city's musicians.

Not all of Detroit's creators went to university, and even less so when talking about Techno, many artists are self-taught or learned in a non-academic way, but it seems to us a good base to begin to highlight the origins of the city's music in a historic building, where those who have the opportunity to learn about music have been and continue to be educated.

The adapted designs are the work of our image manager Dani Requeni.

Mastering by Steve Voidloss at Black Monolith Studios in London (UK).

In a career laden with highlights and hallmarks in the annals of soul history, 'Just As I Am' is rather overlooked as one of the best soul debuts ever issued. Beautifully remastered, 'Just as I Am' is presented to a new generation of listeners who may have missed out the first time. With this remastering comes an intimacy, warmth, and immediacy to the recordings that was only hinted at with previous versions; it's almost as if Withers is in a living room singing to a small group of people, rather than making a record. Of course, the instantly recognizable anthem "Ain't No Sunshine" gets all of the acclaim it so richly deserves, but also in tracks like "Harlem", 'Grandma's Hands' and "Better Off Dead" you can hear the intensity and maturity of Bill's performances. Even when he's doing covers, Withers makes them sound as if they are his own compositions.
Give this classic record a spin, and get ready to be submersed in the Soul of one of the true masters of the genre!

Limited Edition RED Vinyl – 100 units Hand numbered

Omid's parents were Iranian but he spent his childhood in Putney, London. He grew up listening to rock music, and listed Jimi Hendrix, Neil Young and the Cure among his favourite artists – after Robert Smith became a fan Omid would later remix various Cure songs. He learnt to play guitar and formed a rock band, but after hearing hardcore records played on pirate music stations he began making his own tracks on basic equipment that he had bought. Beginning in 1995, his early house and techno singles were released on his own Alola and Disclosure labels under the names of 16B and Phaser, but they soon attracted the attention of big-name DJs such as Derrick Carter, François Kevorkian and Sasha, and he signed to Sven Väth's Eye Q label to release his debut album Sounds from Another Room in March 1998, which was described by the Independent on Sunday as "avant-garde" and by Muzik as "quite breathtaking".
Although he started out as a producer, Omid gradually moved into DJing, at the request of friends who asked him to play records at parties. He secured a regular spot playing the Elements club night run by Hooj Choons record label boss Red Jerry. In October 2001 Omid released The Witch/Which Equation under the alias of the Sixteen Million Dollar Man.Inspired by Prince initially releasing his Planet Earth album as a covermount with a British newspaper, Omid released his third studio album Like 3 Ears and 1 Eye (Part 1) in a similar manner as a covermount with the November 2007 issue of DJ Mag.
Omid also formed the SOS collective of DJs, consisting of him, Desyn Masiello and Demi. The trio secured a residency at London's Ministry of Sound nightclub, and were asked to produce the club's first mix CD in 2010

”MIXTAPE Live” zum ersten Mal auf Vinyl!

Angelo Kelly ging 2014 das erste Mal auf MIXTAPE-Tour und die daraus entstandenen Liveaufnahmen sind mittlerweile legendär. Zum allerersten Mal wird dieser Klassiker von ihm als Vinyl-Edition erscheinen.
Mit insgesamt 20 Songs wird dieses legendäre Livealbum auf 2 LPs zu hören sein. Beide Schallplatten sind in einem mega coolen White & Black Splattered-Vinyl. Das ganze kommt dann noch in einem Gatefold Cover.
Viele haben danach gefragt und jetzt ist es endlich soweit: ”MIXTAPE Live“ zum ersten Mal auf Vinyl!

Limited 1 x 140g 12" picture vinyl album.

ALADDIN SANE erscheint als limitierte 50th Anniversary Edition als Picture Disc LP. Diese neue Pressung wurde auf einer speziell angefertigten Neumann VMS80-Drehmaschine mit rundumerneuerter Elektronik aus den restaurierten 192kHz-Mastern der Original-Masterbänder der Trident Studios geschnitten, ohne zusätzliche Bearbeitung bei der Übertragung. Nicht nur das Album, auch sein Cover hat einen festen Platz in der Geschichte der Rockmusik inne. Es zeigt Bowie in seinem heute längst ikonischen Make-up mit dem rot-blauen Blitz im Gesicht – ein Bild, das sich weltweit unauslöschlich ins kulturelle Gedächtnis eingeprägt hat (bis hin zum offiziellen Emoji). Das Coverfoto wurde von Brian Duffy geschossen, der auch die Cover von LODGER (1979) und SCARY MONSTERS (AND SUPER CREEPS) (1980) fotografierte.

Batmobile is founded in 1983 by Jeroen Haamers, Johnny Zuidhof and Eric Haamers. They’re considered the seminal Dutch psychobilly band and celebrate their 40th anniversary in 2023. To mark this milestone, they present their 15th studio album, entitled Brace For Impact, which features 13 killer tracks. Grab yourself a Batmobeer and brace for impact!

The cover artwork is created by the illustrator and designer Pieter
M. Dorrenboom, who has worked with Batmobile before.

BraceForImpact is available as a limited edition of 750 individually numbered copies on crystal clear vinyl.

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, ULTIMATE EDITION, 3rd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover (revised) , lyric insert, poster (revised), black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST

High Roller Records, ULTIMATE EDITION, 2nd pressing, black vinyl, ltd 250, 425gsm heavy cardboard cover, lyric insert, poster, black vinyl bonus 7" in picture sleeve, restored & mastered by Patrick W. Engel at Temple of Disharmony, Cutting by SST

Mit der Veröffentlichung des ersten Full-Length-Albums "Entropic Reflections Continuum: Dimensional Unravel" wurde sofort deutlich, dass VoidCeremony einen Weg beschritten, den nur wenige gehen. Das Album bewies, dass Death Metal mit dem gleitenden, kontrollierten Chaos und dem geschmeidigen Fluss eines Jazz-Quartetts dargeboten werden kann und den Hörer dennoch in einem Kerker gefangen hält, mit wenig HP, ohne Zaubersprüche und umgeben von tödlichen Dämonen.

"Threads of Unknowing" ist eine Reise, die frühere Konzepte wieder aufleben lässt und immer progressivere und technischere Kompositionen hervorbringt. Mastermind und Gitarrist/Sänger Garrett Johnson sowie Gitarrenvirtuose Phil Tougas (Atramentus, Chthe'ilist, Worm, First Fragment) teilen sich hier den Gesang und die Leadgitarre, während Bass-Gott Damon Good sowohl den bundierten als auch den fretless Bass meisterhaft beherrscht und Schlagzeuger Charlie Koryn nicht nur Geschwindigkeit und Brutalität, sondern auch eine feine Mischung aus Präzision und Improvisation aus dem Jazz-Fusion einbringt. Das Endergebnis ist VoidCeremony und ihr unverkennbarer Sound: Zeitschmelzender Death Black Fusion.

Mit einem treffenden Coverbild, das die lyrische und philosophische Vision einer alten und vergessenen Zukunft darstellt, scheint VoidCeremony selbst in einer alternativen Death Metal-Zeitlinie zu operieren, die einst nur kurz präsentierte und bald für mehr kommerzielle Attraktivität zurückgelassen wurde. Doch das Portal hat sich wieder geöffnet und die Verschmelzung dieser grenzenlosen Möglichkeiten und Richtungen wird nun wieder direkt hervorgebracht.

- Das erste Album in voller Länge seit dem Debüt "Entropic Reflections Continuum" von 2020
- Die Vinyl-Version enthält eine Klappeinlage
- Cover-Gemälde von Juanjo Castellano (Majesties, The Black Dahlia Murder, etc.)
- Die Band besteht aus Mitgliedern von Atramentus, Worm, Mournful Congregation, Stargazer, Ascended Dead, Incantation, Chthe'ilist und First Fragment
- Gemischt und gemastert, mit zusätzlichen Synthies von Gabriele Gramaglia von Cosmic Putrefaction
- FFO: Stargazer, Pestilence, Chthe'ilist, Morbid Angel, Immolation, The Chasm, Aenigmatum, Atheist, Timeghoul, Liers in Wait, Innana

Mit der Veröffentlichung des ersten Full-Length-Albums "Entropic Reflections Continuum: Dimensional Unravel" wurde sofort deutlich, dass VoidCeremony einen Weg beschritten, den nur wenige gehen. Das Album bewies, dass Death Metal mit dem gleitenden, kontrollierten Chaos und dem geschmeidigen Fluss eines Jazz-Quartetts dargeboten werden kann und den Hörer dennoch in einem Kerker gefangen hält, mit wenig HP, ohne Zaubersprüche und umgeben von tödlichen Dämonen.

"Threads of Unknowing" ist eine Reise, die frühere Konzepte wieder aufleben lässt und immer progressivere und technischere Kompositionen hervorbringt. Mastermind und Gitarrist/Sänger Garrett Johnson sowie Gitarrenvirtuose Phil Tougas (Atramentus, Chthe'ilist, Worm, First Fragment) teilen sich hier den Gesang und die Leadgitarre, während Bass-Gott Damon Good sowohl den bundierten als auch den fretless Bass meisterhaft beherrscht und Schlagzeuger Charlie Koryn nicht nur Geschwindigkeit und Brutalität, sondern auch eine feine Mischung aus Präzision und Improvisation aus dem Jazz-Fusion einbringt. Das Endergebnis ist VoidCeremony und ihr unverkennbarer Sound: Zeitschmelzender Death Black Fusion.

Mit einem treffenden Coverbild, das die lyrische und philosophische Vision einer alten und vergessenen Zukunft darstellt, scheint VoidCeremony selbst in einer alternativen Death Metal-Zeitlinie zu operieren, die einst nur kurz präsentierte und bald für mehr kommerzielle Attraktivität zurückgelassen wurde. Doch das Portal hat sich wieder geöffnet und die Verschmelzung dieser grenzenlosen Möglichkeiten und Richtungen wird nun wieder direkt hervorgebracht.

- Das erste Album in voller Länge seit dem Debüt "Entropic Reflections Continuum" von 2020
- Die Vinyl-Version enthält eine Klappeinlage
- Cover-Gemälde von Juanjo Castellano (Majesties, The Black Dahlia Murder, etc.)
- Die Band besteht aus Mitgliedern von Atramentus, Worm, Mournful Congregation, Stargazer, Ascended Dead, Incantation, Chthe'ilist und First Fragment
- Gemischt und gemastert, mit zusätzlichen Synthies von Gabriele Gramaglia von Cosmic Putrefaction
- FFO: Stargazer, Pestilence, Chthe'ilist, Morbid Angel, Immolation, The Chasm, Aenigmatum, Atheist, Timeghoul, Liers in Wait, Innana

Auch die Schweiz hatte (und hat) in punkto harter Musik
einiges zu bieten. Sacrifice aus Délemont gründeten sich
bereits 1982 und machten zwei Jahre später mit einer heute
sehr raren EP auf sich aufmerksam. Der griffig arrangierte Mix
aus Heavy Metal und Hardrock kam nicht nur überregional gut
an, sondern rief auch die deutsche Firma GAMA auf den Plan,
die 1985 das Debüt „On The Altar Of Rock“ auf ihrem Label
Camel veröffentlichten. In gutem Zustand müssen Sammler
heute mit 50 Euro und mehr rechnen, um die Original-LP mit
dem geschmackvollen Cover zu erstehen. 1990 erschien eine
CD der Platte (Aurophon). 1991 nahm man unter dem Namen
Jade ein weiteres Album auf, welches sich eher dem Hardrock
zuwendet.
„Encyclopedia Metallum“ listet die Band als Heavy/Power
Metal und damit liegt man, zumindest für das Jahr 1985, auch
richtig. Viele Jahre blieb die LP unbeachtet, bekam aber mit
dem Aufkommen des Internet und sozialen Medien immer
mehr (junge) Fans dazu. So erscheint eine CD Version des
Albums bei einer südamerikanischen Firma, während Golden
Core das Vinyl neu ins Rennen schickt.
Diese Wiederveröffentlichung entstand in Zusammenarbeit mit
einigen ehemaligen Bandmitgliedern, so dass ein bedrucktes
Inlay mit Liner Notes und Fotos möglich war. Die Spielzeit ist
trotz den Bonustracks auf einem Level geblieben, welches eine
bestmögliche Klangqualität garantiert.
Der Track „Little Killer Man“ wurde Ende 2020 auf der von
Golden Core veröffentlichten Doppel CD „The Best Of And
The Rare Of GAMA Records“ veröffentlicht und bekam in
zahlreichen Reviews eine Nennung.

Opening the series with Sensual Setup, a deep and beautiful long player from our label head Rupert Hartick, including a dedicated and powerful driven remix by Ion Ludwig on the flip side. Intense material for your record bag!

Pressed on solid black vinyl, including a beautiful artwork by Justus alias Love JMP.
First 150x Copies come in a handstamped full Cover.

Voïvod’s commercial peak and one of their many artistic peaks, 1989’s
Nothingface marked a move away from the Quebec metal band’s thrash beginnings to a more progressive rock sound epitomized by their fantastic cover of Pink Floyd’s “Astronomy Domine.” But it remains quintessential Voïvod, complete with sci-fi themes and tricky tempo changes. Long out of print on vinyl, Nothingface returns with a metallic (natch!) red vinyl pressing remasteredfor vinyl by Peter Moore.

Indie exclusive red vinyl, ltd ed /100. First new studio album in 20 years, produced by J. Robbins & Liars Academy. Indie Exclusive opaque red vinyl. Limited edition of 100. After two decades on pause, Liars Academy return with Ghosts their most massive album to date. Unofficially a followup to 2004's Demons, Ghosts is an evolutionary step forward for the band and testimony to the timelessness of rock music. The swirling energy of 70's guitar rock and the anthemic swagger of 90's radio rock inform the 11 song trip packed with massive riffs, razor-sharp hooks, and scream-along chest beaters--a spectacular come-back album by a band at its peak. Steadfast Records is proud to present the brand new album from Liars Academy. Ghosts is a relentless cache of rock hits from the post-Demon's powerhouse quartet of Ryan Shelkett, Chris Camden, Fred Fritz, and Eric Fauver. Produced by J. Robbins and Liars Academy, mastered by Adam Boose, and vinyl masters cut by Bob Weston.