Suche:vinyl jam

Visions Recordings is back with the second volume of their compilation 'The chromatic Universe 'presented by Alex and Stephane Attias. This second opus is full of exclusives tracks mixing styles and genres with a colourful palette of grooves from Paris to New York, from Detroit to London, from Italy to Switzerland and beyond. This compilation is international as you can see and Visions is very happy to release 3 vinyl singles as the compilation to have a collection and a better sound quality rather than squeezing all the tracks on an album. We will also have later the digital release and an exclusive very limited CD.

Those three Ep are holding 4 tracks of pure fire. This THIRD and last part of this compilation is just what we do love, a mix of styles in the groovy genre of electronic music, Alex Attias teaming up for the first time with Sassy J for their collaboration that sees the day of a groovy monster mixing elements of afro, deep Detroit house, jazz and latinesque vibrations followed by Detroit kid Javonntte with a jazzy bossa track re edited by Alex. On the flipside, we got a new version of Alex Attias and Luman Child disco track ' Cookie Monster ' from last year here taken to a housey journey by the two Italian heroes Patrick Gibin and Volcov. Last but not least, a newcomer from Switzerland under the name of Sebastien Loopes, a talented young producer mixing various styles, release here for the first time a heavy afro electronic massive clubby jam that will make you move on the dancefloor.

Visions Recordings is back with the second volume of their compilation 'The chromatic Universe' presented by Alex and Stephane Attias. This second opus is full of exclusives tracks mixing styles and genres with a colourful palette of grooves from Paris to New York, from Detroit to London, from Italy to Switzerland and beyond. This compilation is international as you can see and Visions is very happy to release 3 vinyl singles as the compilation to have a collection and a better sound quality rather than squeezing all the tracks on an album. We will also have the digital release and an exclusive very limited CD.

Those three Ep are holding 4 tracks of pure gems. This SECOND part is again pure bliss and fire from the likes of Alex Attias with dope vocal delivery by the unique Georgia Ann Muldrow, a killer acid boogie dancefloor tune by the one and only New York City Star Dj Spinna, the soulful boogie groove of Stephane Attias team up with London vocalist Xantoné Blacq plus a dope house broken tune by our brother Philippe Quenum the nicest man on planet earth. There aren't words to describe perfectly those jams but you know those producers deliver always the goods.

Warehouse Find!

Danish producer Paxton Fettel joins Delusions for his debut EP for the label entitled Night Waves. Despite his youth, he has notched up an enviable catalogue of original, eclectic releases including two LP's for Greta Cottage Workshop as well as EP's for Plumage, Kolour LTD and Apersonal. Paxton's unique sound and audiophile approach to production has led to remixes for Uffe on Tartelet, Chocky on Secret Reels and most recently Sunrom on edgling vinyl-only label The Bricks.

For his Night Waves EP we get a snapshot of the mans diversity across three original tracks. The opener sees Paxton in his most raw, jacking, dance oor focussed mood to date and the result is a high energy house track which punches hard on a big system. Featuring his own bass playing, snipped and squeezed through the sonic mangle, Night Waves steams along with big bold pianos, swinging hats and just the right amount of oating synths. Simple elements which combine to be so much more than the sum of its parts and one of those stand-out cuts that will be stuck in your head long after you've left the danceoor.

Flipping over we have Paxton going full-on jazz mode in Pacica 399 To Freedom. A track which once again has his beloved Sandberg California live bass part pushed to the fore, pianos, strings and synths building around the driving disco groove. Feel-good sunshine vibes oozing from the speakers as little melodies dance around the sizzling hi hats and encompassing pulse of the kick drum.

Finally we have a deeper note to close on with It's Clear. A repeating vocal hook runs throughout the intro while intricate drum programming gives a nod to the sounds of broken beat and live jazz sensibilities. The end result is a warm, loose and dubby jam which completes the package in ne style and leaves us looking forward to hearing more from this talented young producer from Copenhagen.

In 2015, Freestyle Records re-issued the groundbreaking 'African Party' album by the somewhat mysterious figure of Ginger (George Folunsho) Johnson. Recorded in 1967, nearly 20 years after he first arrived in post war London and immediately began performing and recording with London jazz stalwarts Ronnie Scott and Pete King.

Credited by those in the know (including Giles Peterson, Louie Vega, Fela Kuti's drummer Tony Allen & writer David Toop) as the godfather of afrobeat, Ginger and his group, The African Messengers enjoyed a varied career as the go to afro-cuban percussion group for recording sessions in the UK, working with Georgie Fame, Osibisa, Madeleine Bell and Quincy Jones - as well as acting us mentor to a young Fela Kuti and members of Cymande who cut their teeth as members of his ensemble. They also performed at The Royal Variety Performance, Ginger's music featured in the James Bond film 'Live & Let Die' and Ginger himself appears on screen drumming in the Hammer Films cult classic 'She', and famously performed with The Rolling Stones in Hyde Park in 1969.

Aside from 'African Party', and several Hi Life singles released on the Melodisc label in the 50's, it was thought that there were no further recordings by this hugely influential musician . Eventually, prompted by the attention afforded the Freestyle re-issues - Ginger's son Dennis Dee Mac Johnson was contacted by Uchenna Ikonne, a renowned African music collector, who told him he had discovered one rather battered original copy of a 45 single, released in the mid 70's on the short lived 'Afrodesia' label,

For Record Store Day 2019, Freestyle are proud to release the 2 tracks on a fresh vinyl 45. 'Witchdoctor' is not the track of the same name on African Party, but it and 'Nawa' (written by Dizzy Gillespie cohort Chano Pozo) demonstrate a musical progression as funk had stamped it's indelible footprint on Ginger's music along with afro-cuban rhythms and jazz.

Thanks to Claudio Passavanti at Doctor Mix Studios in London, who has done quite an amazing restoration and re-mastering job on this long lost music.

Born out of a chance encounter in 2012 that led to a lasting friendship, Rhythm Section Int'l & producer, DJ, label boss, radio host, and record store owner Ruf Dug join forces to present 'The Committee'. Sitting somewhere between fictional band and studio collaboration, the record is the first fully in-house production for Rhythm Section, recorded start to finish at their own South East London studio and featuring vocals from label founder Bradley Zero and label mate FYI Chris's Chris Watson.

Right from the studio's initial creation, Ruf Dug felt inspired by the space's unique musical identity, jumping at the opportunity to create a collaborative record there over a two week studio residency. And between his DJ residencies at Pikes, Gottwood and NTS radio the Manchester-via-Ibiza computer game freak and renowned vinyl digger found the time to meld his wide range of influences. Having been a key driving force behind Be With's Holy Grail reissue of Bô'vel's - Check 4 U , Ruffy has more than earned his stripes as a boss level Street Soul collector, pre-empting the resurgent interest in the genre, which began in the mid 80s and is still a popular sound in Manchester today. This new release draws parallels between the DIY attitude of Street Soul labels like TSR, Intrigue, Jam Today & Elite and the modus operandi of the RS studio.

A wholly synergetic work, the project's title 'The Committee' reflects the collaborative nature of this release, as Ruf Dug states: 'Authorship is a strange concept at the best of times but this genuinely is a group effort and I very much enjoyed feeling like just one piece of a larger entity - the complete opposite to my usual production experience of being all alone in my room for days at a time.' The EP also features additional production from Rhythm Section's own Mali Baden-Powell, who DJ's and produces as Z Lovecraft and comes from a background in Street Soul music, his father was also in legendary UK acid jazz collective D'Influence. In addition, the record features a dynamic range of vocalists: sultry deliveries from Natalie Wildgoose and Sienna Mustafa, a rap from her sister Nadina, and the vocal debuts of FYI Chris's Chris Watson and Bradley Zero. 'I had been joking with Bradley that he needed to be on the record somehow and he did appear, playing an egg shaker at one point, but his singing wasn't in the least bit planned... I got back from lunch, and the next thing you know he just starts singing...So I dragged him reluctantly down the corridor to the studio and that's it- now he's a pop star!'

Also playfully melding digidub, soul, chicago house and acid jazz, the release not only marks a new chapter in the development of the Rhythm Section sound, but also catalogues a crucial turning Point in Ruf Dug's musical development. Still oozing with the cheeky DIY approach that won his own label, RUF KUTZ an army of fans, this latest Collab steps things up and opens a whole new realm of possibilities for one of Manchester's favourite sons.

Following on from his immense debut for Integral with Dutch partner in crime Djah and their gem of a tune “Fragile” from GLOW/3, we are pleased to announce Edlan’s swift follow up to the label. Coming in the form of three molten liquid dancefloor jams laden with beauteous future soul vibes including a superb collaboration with UK’s latest talent Monrroe, the fourth and final title track Tree Of Life is an absolute smasher!

Edlan’s Tree Of Life EP will drop this April across all formats. Make sure you reserve your limited vinyl copy now to avoid disappointment!

Dritte Longplayer Der Britischen Synth-formation Pentagram Home Video. Inspiriert Von Den Düsteren Bars Und Clubs In William Friedkins "cruising" Film (mit Al Pacino), Vereinen Phv (zu Teil Brutale) Acid-jams, Spooky Synth-sounds Und Darke Goth-vibes Zu Einem Soundtrack-artigen Albtraum-nachttrip. 180g Vinyl.

- 180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

The famous Jamaican record producer Duke Reid founded record label Treasure Isle in the 1960s. Some of his best production skills can be found on the compilation album Here Comes The Duke. Showcasing the talents of some of the giants of the rock steady era, the recordings, all issued during the latter half of '68, demonstrate just why the Duke is widely regarded as the king of the rock steady sound. The grooves are thoughtful and the brass section adds the right attitude to the different songs.

Here Comes The Duke is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

SIXX:A.M. is Nikki Sixx (Mötley Crüe) on bass, James Michael vocals, and Dj Ashba (Guns N' Roses) on guitar The Heroin Diaries Soundtrack: 10th Anniversary Edition will be released in CD, CD/DVD, Deluxe vinyl, and digitally All releases will include 3 re-imagined tracks Originally released in 2007, The Heroin Diaries Soundtrack includes singles Life Is Beautiful,' Pray For Me,' Tomorrow,' and Accidents Can Happen' The Heroin Diaries Soundtrack was SIXX:A.M.'s debut album and has sold over 350k The Heroin Diaries Soundtrack was created as a companion piece to Nikki Sixx's book The Heroin Diaries, which chronicles his severe heroin addiction in 1987 With the current opioid epidemic happening around the world showcasing how Life Is Beautiful is more important than ever. Partnerships set up with Heavy Metal who is creating a Heroin Diaries graphic novel, Simon & Schuster who is releasing The Heroin Diaries 10th Anniversary Edition book, and Leica who will be hosting a gallery event featuring photos by Nikki Sixx as well as releasing a new camera

Warehouse Find!

Time flies when you're having fun and we can't fathom how this can be Ben Sun's 5th EP for Delusions Of Grandeur but it's true enough and once again he comes up trumps in the form of the Place Of Worship EP. Having previously graced such esteemed imprints as Royal Oak, Tru Thoughts, Razor n Tape as well as his own vinyl-only label Voyeurhythm the London based Australian producer continues to be both highly regarded, yet somewhat under the radar but we're sure that's about to change with this incredible new three tracker.

Opening up we have See It Come Shining, just the kind of life-affirming club track which seem to be in such short supply these days, but that we need now more than ever. Gospel flavoured piano chords tug on the heart strings whilst a simple, raw disco groove with added 909 punch creates a warmth and energy that transcends the dance floors that it's destined to liberate.

Flipping over we have Oceanways T150, a deep, analogue jam that harks back to simpler times when breakbeats collided with a house thump, uplifting pianos meld into punching basslines and discovering music through muffled old cassette mixtapes or patchy pirate radio reception was all we knew.

Rounding off the EP we have the perfect closer Atlantis Transfer. Here Ben puts more early influences into the mixing pot with ambient washes cascading down over a sublime 90's deep house bassline. Analogue hats and tripped-out sound FX skirt around a naive synth melody making for a heady late night treat to get lost in.

MODU:LAR Music is a new label project born from established Liverpool-based collective, which has now been running for five years. Promising to release straight-up party tracks made for the dancefloor, the label will showcase and expose emerging talents from it's home city and beyond.

First up is a debut four-track EP from Scouse duo, Danny Mc and James Hall a.k.a. UZU. 'The A1' fires off with a swinging, housey groove that's brought to life by danceable pads, kicks and hats, interweaving warm melodies across the duration of the opening track - before a sharp change of direction with 'The A2' sees the feeling head down a contrasting electro-tinged beat with percussive highlights coming through strongly once again, likely the product of Danny Mc's influence on this debut vinyl release as an accomplished musician and drummer.

On the reverse, 'The B1's glossy and sophisticated breakbeat core sweeps into warm synths and vocal constructions that put forward a real garage-like note that'll be a strong fit with different environments and play times. Rounding up the record is a punchy, driving roller that features complex electronic, spacey accents polished off finely by Jim Hall - a signature of both artists production style that'll become more and more evident in future work.

After selling out with the Rick Wade's huge release , RYMD London's
label comes up now with their third limited edition output, 'Along
The Way'.

A Coloured Vinyl Compilation Release made up by a team of talented
artists exploring different shades of Deep House and Dance music :
Club, Funky , Cosmic , Jazzy , Balearic , Disco-ish and Garage.

Johnny Clarke & King Tubby & Dillinger & Prince Jazzbo feat. Tommy McCook & The legendary Aggrovators & The Mighty Diamonds - Soul Jazz Records presents Bunny Lee: Dreads Enter the Gates with Praise - The Mighty Striker Shoots the Hits!

Soul Jazz Records presents this new collection featuring the heavy 70s roots reggae of Bunny
Lee - a living legend, one of the last of the great Jamaican record producers who helped shape
and define reggae music in the 1970s from a small island sound into an internationally
successful musical genre.
From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early
pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the
Kingston music industry. In the 1970s he rose up to become one of the major record producers
in Jamaica alongside Lee 'Scratch' Perry and the other 'small axe' producers who broke the
dominance of the 'big tree' producers that had ruled Jamaican music in the 1960s.
Featuring some of the heaviest Jamaican artists, including Johnny Clarke, King Tubby, Dillinger,
Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The
Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s
roots, dub and DJ sounds.
During this era, 'flying cymbals', crashing reverbs, dark echoing thunderclap gunshots and
other 'implements of sound' filled his record productions as Bunny Lee explored the outer limits
of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A
Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a
double-sided three-minute intangible history lesson etched in wax.
Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at
the beginning of the nascent British reggae music industry as record companies such as
Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding
West Indian communities living up and down England. Lee encouraged other Jamaican
producers to do the same, including Lee Perry, Harry J and Niney The Observer and also
became a conduit between the British music industry and numerous younger Island-based
producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for
royalties.
Bunny Lee's first recordings in the late 1960s were mainly rock steady but as the 70s
approached the music soon began to mutate and slow down into 'reggae' as the sound became
heavier, more rootsy and the sound itself began to change with the explosion of dub.
Lee was at the forefront to this dramatic musical shift into roots reggae and by this time had
become a major producer, capable of working with whoever he chose as world-famous singers,
DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but
stable set of crack session musicians who he named The Aggrovators.
Most of the recordings featured here come from the mid 70s, a time when Bunny Lee was
definitely in the zone, releasing heavyweight singles at an almost unstoppable rate. Bunny
Lee's career stretches over five decades and he has upwards of 2,000 production credits on
vinyl.
This album comes with extensive sleevenotes, an interview with Bunny Lee and exclusive
photography. The album is available as a CD pack with 24-page booklet, massive triple LP vinyl
with digital download code, house inner and full notes, as well as digital album.

Rescued from a haze of drugs, alcohol and questionable women comes a potent blend of heavy Chicago Funk, Modern Soul & Psychedelia. Influential recordings from the group's sought-after Funk classics have been sampled by Beck, The Chemical Brothers, Jim Jones, Raekwon & Leaders of The New School.

Previously unreleased Rasputin's Stash from the forthcoming Stash album due out in April. 'Make Up Your Mind' is a contagious rhythm with Jimi Hendrix-style fuzzed out guitar riffs echoing sweet soul vocals and a brass section tight enough to please any Tower of Power fan. On the b-side is a slow-jam Soul-Steppers classic 'You Are My Everything'

Cut directly to vinyl from the recently found master tapes, this music presents material from the band at their artistic peak and the last recordings before Rasputin's Stash members went on to record Crystal Winds First Flight and Attitude, Belief & Determination

Following on from last year's releases by Neue Grafik and Selectors Assemble, CoOp Presents step into 2019 with a new 4-track EP courtesy of Oliver Night; a DJ, producer & singer born and raised in North London.

In addition to joining the Selectors Assemble family recently, Oliver is a member and producer of Roots Manuva's Banana Klan. He established himself as a DJ some 15 years ago, and has since played across the capital, from the Tate Modern to Boiler Room. His music has been supported in the past by the likes of Tony Humphries, Kerri Chandler & Seth Troxler,

This four-tracker illustrates Oliver's diverse range of influences, from the initial inspiration of his Jamaican uncle, musician Hughie Izachaar (who worked with Lee Scratch Perry & others), through to his passion for London's broken beat movement. Oliver's sound epitomises tru-skool UK sound-system ethics; grounded in reggae and dub production sensibilities, whilst built solidly for the bruk and house music dances of today.

The set kicks off with title track, 'Make Believe', featuring the powerhouse vocals of BB.JAMES aka Bethany Barnett Bywater, who's had previous releases with EVM128, Spoek Mathambo and Waze & Odyssey. London-based singer BB is a talent to watch in her own right, as proven on this monster of a track, which has all the ingredients to crossover & damage dancefloors underground and over. Sassy soulful vocals ride a woofer-shattering b-line and synth stabs with devastating effect - a sureshot future anthem.

Next up is 'Swing For Life', an instrumental jazz-house affair, which features the talents of Vancouver-born trumpeter, Jay Phelps - a highly-prolific, highly-acclaimed musician in the jazz world, who found his base in the capital over a decade ago and has since worked with a veritable who's who of international jazz artists, including Courtney Pine, Wynton Marsalis, Amy Winehouse, Hugh Masakela & George Benson, to name a few.

Finally, the flipside brings with it two versions of the cut 'U Got To', remixed by Selectors Assemble family, Cengiz, and label founders IG Culture (fresh from receiving a 'Lifetime Achievement Award' at the 2019 Worldwide Awards) and Alex Phountzi (formerly of Bugz In The Attic) aka NameBrandSound, delivering more of their signature bassweight business. Oliver unleashes his own vocal talents on this track, deftly demonstrating a rich, soulful Omar-esque quality to his voice, and completing a truly heavyweight debut for the label.

This record is huge. Essential business, no BS. A truly firing start to the new year for CoOp Presents.

Limited vinyl & digital available on ********

Der unbestrittene König der japanischen Noise-Electronica Masami Akita aka MERZBOW kehrt zurück, denn sein bahnbrechendes Album "Venereology" feiert 25 Jahre Tinnitus-induzierende Jahre mit seiner ersten Vinylpressung! Das Meisterwerk wurde von James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL u.a.) remastered und es bietet auch ein überarbeitetes Artwork an. "Venereology" bleibt eines der härtesten und extremsten Aufnahmen in der elektronischen Industrial-Noise-Szene und die 2LP beinahaltet auch mehr als 20 Minuten von bisher unveröffentlichtem Bonusmaterial!

David Marston is a producer, DJ, musician, and guitarist hailing from the vibrant Caribbean island of Jamaica. He takes a multifaceted approach to his music, and has worked to achieve a sound that is a fusion of multiple genres, including, but not limited to, house, hip-hop, disco, jazz, as well as reggae. During a six-month stint in Jamaica in 2016, Marston reconnected with a close friend and fellow musician, Craig Williamson, and the pair began writing music that would become the basis of Marston's first full length album. With the album set to be released in early 2019, Marston has endeavored to put together a special 12" to showcase the club-friendly side of his music with a selection of the album's dance cuts.

The A-side of the vinyl kicks off with the title track, "Feeling You", which features Williamson's crooning voice over a hypnotic instrumental characterized by a swirling arpeggiated synth, punchy bass hits, and stomping drums. To round off the A-side, Italian DJ and production duo, Lowheads, give the aforementioned track a fresh makeover with their lively classic house remix and dub version. The flip side of the record consists of two instrumental tracks. The first, "Ragamuffin", is a mesmerizing four to the floor tune constructed around an Indian raga sample. The final number, "On My Mind" is an off-kilter house groove with rolling keys, garage style drums, and a soaring lead. Taken together, the 12" album 'sampler' is a robust yet tantalising collection of club-ready tunes.

- 180 GRAM AUDIOPHILE VINYL
- FIRST PRESSING OF 750 NUMBERED
COPIES ON ORANGE VINYL

Primarily released to showcase the sublime talents of one of Jamaica's most celebrated vocal trios, The Heptones, the aptly titled Heptones & Their Friends album features a selection of superior reggae sides by the group alongside hugely popular works from the three of reggae's biggest stars of the period: Judy Mowatt, Nicky Thomas and Peter Tosh of The Wailers.

Backed by top session crew, the Now Generation, the Joe Gibbsproduced selection is of a predictably high standard throughout, with highlights including Be The One', a pitch-perfect slice of classic roots, a gloriously cheesy pop cover of the Drfters' Save The Last Dance', the strident Freedom To The People' and one of the biggest Jamaican hits of the early 1970s, Hypocrite'.

South Cali classmates AFK and Bludwork come from oceans apart -South Korea and Georgia, respectively - but their intertwined social /sonic chemistry are proof that true vibe unions transcend geography.

The pair initially bonded over teacher pranks and 420 habits before rendezvousing off campus to link rigs and jam live electronics, eventually culminating in the six smog-smeared low-key bangers comprising their vinyl debut, Loyalty N Service.

Alternately coastal and concrete, the songs slide between smoky sunset house ('Akina Memory,' 'That Pain') and funked up warehouse bass ('No Equal,' 'Searchin'), tag-teaming melody, MIDI, and drum machinery into compelling composites of Pacific motion and emotion.

Blud is blunt about their bond: 'AFK is one of my most cherished friends; I'd do anything for this guy.' This is music from the heart and for the heads, pensive and propulsive, loose and liquid, raw and rising. 'One of our biggest inspirations is the Rush Hour films. We're the best Black and Asian duo since those guys.'

This Iconic Vinyl Ep From Lcd Soundsystem Has Not Been Back In Print And For Sale Since 2012. Originally Released In 2007, The Ep Contains 2 Non-lp Tracks, Including The 12 1/2 Minute Slo-mo Disco Workout Freak Out / Starry Eyes, And The Instrumental Burner "hippie Priest Bum Out" (made Popular On Fabric Live 36: Murphy And Mahoney). There Is Also A Devilishly Acidic Rework Of North American Scum By James Murphy Himself. Beautiful Cover Art Design By Mike Vadino.