Search:war

Styles
All
PET NEEDS - Primetime Entertainment

Primetime Entertainment’ is PET NEEDS’ second studio album and is produced by friend and fan Frank Turner. Simultaneously loud and quiet, raucous party anthems sit alongside thought-provoking personal songs; it’s the sound of a band stepping up a gear to match their catapult on the big stages across the world. Having already toured Europe supporting Frank Turner in the first half of 2022, including Germany, Netherlands, France and more – the touring continues joining Frank on his mammoth 50 States in 50 Days tour of the US throughout June and July and then finally across the UK in September and October. ‘Primetime Entertainment’ is released on 9th September and will be available on CD, LP, digital and cassette. Timeline: Track 1 – ‘Get On The Roof’ – released as a single on 24th June ‘22 "After a gruelling 8 hour drive from a gig in South Devon back to Essex, I was reunited with my wonderful partner Lorna. We threw an old mattress out of our bedroom window onto our roof and clambered out, armed with a rucksack full of the remainder of last night's rider. We listened to cinematic theme tunes as the sun set over the chimneys on the horizon. Come early morning, we rolled back into the house. I grabbed my acoustic guitar, pressed "record" on my phone and sung a dizzy, euphoric stream of consciousness to my voice notes. It felt good, but they always do at that time of night, haha. On second listen in the morning, I felt excited about the tune and started to refine it. As soon as it hit the practice room we turned it into a party banger!"

pre-order now09.12.2022

expected to be published on 09.12.2022

26,01
PET NEEDS - Primetime Entertainment

Primetime Entertainment’ is PET NEEDS’ second studio album and is produced by friend and fan Frank Turner. Simultaneously loud and quiet, raucous party anthems sit alongside thought-provoking personal songs; it’s the sound of a band stepping up a gear to match their catapult on the big stages across the world. Having already toured Europe supporting Frank Turner in the first half of 2022, including Germany, Netherlands, France and more – the touring continues joining Frank on his mammoth 50 States in 50 Days tour of the US throughout June and July and then finally across the UK in September and October. ‘Primetime Entertainment’ is released on 9th September and will be available on CD, LP, digital and cassette. Timeline: Track 1 – ‘Get On The Roof’ – released as a single on 24th June ‘22 "After a gruelling 8 hour drive from a gig in South Devon back to Essex, I was reunited with my wonderful partner Lorna. We threw an old mattress out of our bedroom window onto our roof and clambered out, armed with a rucksack full of the remainder of last night's rider. We listened to cinematic theme tunes as the sun set over the chimneys on the horizon. Come early morning, we rolled back into the house. I grabbed my acoustic guitar, pressed "record" on my phone and sung a dizzy, euphoric stream of consciousness to my voice notes. It felt good, but they always do at that time of night, haha. On second listen in the morning, I felt excited about the tune and started to refine it. As soon as it hit the practice room we turned it into a party banger!"

pre-order now09.12.2022

expected to be published on 09.12.2022

26,01
DIKKA - Oh yeah!

Dikka

Oh yeah!

12inch0602448664242
Universal / Island
09.12.2022

Rap für Erwachsene? Kann doch jedes Kind! Und ein ganz bestimmtes Nashorn kann das auch: DIKKA
– das rappende Rhinozeros kommt auf seinem Debütalbum „Oh Yeah!“ mit jeder Menge wilder, frecher
und lustiger Songs für starke Kinder. Groß, grau, gutgelaunt, mit dickem Bauch und ordentlich was in der
Birne stellt DIKKA sich dabei nicht auf die Seite der Eltern, sondern nimmt die kleinen Hörer an die Hand
und geht gemeinsam mit ihnen mal den wirklich wichtigen Fragen des Lebens nach
Warum werden irgendwann selbst der leckerste Oma-Kuchen, die knusprigen Pommes und der Ketchup zu
Kakka? Weshalb denken Mama und Papa eigentlich, dass sie alles besser wissen und man immer Hilfe
braucht, wenn man es doch eigentlich längst alleine kann? Wieso immer rosa für Mädchen und blau für
Jungs und nicht mal Grau als Lieblingsfarbe? Und wie sagt man jemandem wohl am besten, wie lieb man
ihn hat?
Aber DIKKA kann noch mehr: Eine Hymne auf alle Superpapas singen zum Beispiel. Das Abendbrot
schon morgens essen oder auf dem Bügelbrett surfen. In Rosinen baden und mit einem Kopfsprung im
Salat landen. Auf dem Flohmarkt ein paar Flöhe kaufen und rückwärts zum Späti an die Ecke laufen, um
dort ein extragroßes Eis zu schlecken. Mit dem Rad zu entspannten Beats durch den Kiez rollen, dass es
jeder sieht – mit schimmerndem Schutzblech, klingelnder Klingel und vor allem mit Helm, denn der schützt
schließlich die Melone. Klare Sache!
„Oh Yeah!“ beinhaltet Songs mit MusikerInnen wie LEA, Sido und Mark Forster.
Ab dem 09.12.2022 auch als LP erhältlich.
Musikrichtung: Musik (Kinder)

pre-order now09.12.2022

expected to be published on 09.12.2022

28,53
THELONIOUS MONK - THE CLASSIC QUARTET (REMASTERED)

At the time of this recording, Thelonious Monk was at both a creative and critical peak. He had recently signed with Columbia Records, notably one of the biggest jazz labels in the world at the time, and the following year became the third jazz musician in history to appear on the cover of Time Magazine. The Classic Quartet is comprised of Charlie Rouse on tenor saxophone, Butch Warren on bass, and Frankie Dunlop on drums. The recording captures what is undoubtedly one of the very best sets of the era. The songs, classic Monk repertoire, will be familiar to any Monk fan. That includes what is by all accounts an exceptional version of one of Monk"s favorite standards, "Just A Gigolo." This recording is the audio portion of a television show recorded in Tokyo during Monk"s 1963 tour of Japan. Not to be confused with the live album of that same 1963 tour, Monk In Tokyo, released on Columbia Records. It also should be noted that the recordings here were previously released as Thelonious Monk 1963 Japan, at various times, by various labels. This version has been remastered by Award Winning Engineer Bernie Grundman. It is the first time this album has been released on vinyl in over 35 years.

pre-order now09.12.2022

expected to be published on 09.12.2022

29,87
Various - Bridgerton Season 2 OST

Es ist soweit: Nach dem großen Erfolg der ersten Staffel und langem, ungeduldigen Warten auf die zweite Staffel der
Netflix-Serie, konnten Fans jetzt bereits mehrere Monate lang die zweite Season Bridgerton genießen. Neben der
für diese Zeit typischen klassischen Musik begleiten die Coverversionen aktueller Hits die mitreißende Handlung.
Wie schon in den ersten acht Folgen sind die Quartett-Versionen und -Interpretationen vom Vitamin String
Quartet, Kris Bowers und Duomo und die neu hinzugekommenen Künstler, Hannah V & Joe Rodwell, Midnite
String Quartet und Krisis Houston dabei und unterstützen den Soundtrack.
Erhältlich ist der Soundtrack ab dem 09.12.2022 als 2LPerhältlich.

pre-order now09.12.2022

expected to be published on 09.12.2022

37,61
Journey - Escape

Journey

Escape

12inch19439921631
Sony Music
09.12.2022

"Escape" (1981) war einer der erfolgreichsten Longplayer der aus San Francisco stammenden Supergroup Journey. Der wesentlich von Sänger Steve Perry, Keyboarder Jonathan Cain und Gitarrero Neal Schon getragene zeitlose Sound katapultierte die ausgekoppelten Singles "Open Arms", "Who's Crying Now" und "Don't Stop Believing" bis in die Top Ten der US-Charts. Produziert wurde die Scheibe übrigens von Kevin Elson, der fünf Jahre später Europe mit ihrem Megahit "The Final Countdown" zu Welthit-Ehren führte.

out of Stock

Order now and we will order the item for you at our supplier.

21,81

Last In: 3 years ago
Harry Bertoia - No Date Tapes 2

Harry Bertoia

No Date Tapes 2

CassetteFW1039CS
Sonambient
09.12.2022

Tape

»No Date Tapes 2« is the second official cassette release from Harry Bertoia's tape archive and, like the first cassette, these recordings were chosen from a small collection of tapes in Bertoia's archive missing recording dates.

This cassette is packaged in a metallic shell and produced on super-ferro tape for incredible analog sound.

Bio:

Harry Bertoia first gained some artistic visibility in the early 1940s, then came into prominence with his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, which quickly became classics of modernist furniture. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the late 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Harry Bertoia's recently dismantled Sonambient barn collection was an attentive listener's paradise full of warm, expressive instruments that were gorgeous visually and audibly. Nothing could prepare you, even on return visits, for the overwhelming experience of entering the spacious wood and plaster interior where gongs, some of them giant, hung among the ranks of standing sculptures of various metals. Over nearly twenty years of adding, culling and rearranging, Bertoia carefully selected nearly 100 harmonious pieces ranging in height from under a foot to more than fifteen feet. He considered this barn a full experience, sights and sounds comprising not a collection of works, but one piece unto itself. It was here, deep in the woods, that his Sonambient recording work took place.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a the artist's logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

pre-order now09.12.2022

expected to be published on 09.12.2022

15,92
GG Allin - FREAKS, FAGGOTS, DRUNKS AND JUNKIES LP

Ltd indie exclusive vinyl version of "the best" GG Allin studio album, originally released in 1988 pressed on shit colored vinyl Vinyl edition of what is probably GG Allin's greatest studio album. This was GG's fourth album when it was originally released on Homestead Records in 1988."Die When You Die" is arguably the most famous GG Allin song and this album features the original, best version of the live warhorse. . It also includes GG's rewrite of David Allen Coe's "Longhair Redneck" titled "Outlaw Scumfuc." The punkest man alive (at the time) at his peak. Pressed on blue and bile colored vinyl, sounds interessting...

pre-order now09.12.2022

expected to be published on 09.12.2022

24,08
Lårry - Over The Why

Lårry

Over The Why

12inchBLEED011
BleeD
08.12.2022

London-based leftfield electronic label BleeD makes a worthy return from a lengthy sabbatical, reinvigorated with a diverse collection of tracks from Berlin-based talent, Lårry. Having previously established trusted relationships with leading artists including Daniel Avery, DJ Nobu and Peder Mannerfelt, BleeD ably assists in delivering on the promise of one of the most notable young talents currently working on the fringes of contemporary techno. Thus far showcased on impeccably curated labels such as Uncertainty Principle, Super Hexagon, Fusion Diagnostics and Awkwardly Social, their flair for surgical sound-design and off-kilter arrangements puts them in good company with equally exciting contemporaries such as FFT and Panarorman/Patrick Conway.

The EP covers a lot of ground across 6 tracks, from the gloomy atmospherics of 'Plunicceteh' and 'CMml CoE3", and the peak-hours stomp of 'systems_component' on the A-side, to the warmer and more uplifting B-side tracks, 'Ria Ilso', 'We Are We Are' and 'Over The Why'. It's a fine showcase of an artist with a broad range of influences who with each successive release is carving out a genuinely unique sound.

out of Stock

Order now and we will order the item for you at our supplier.

12,56

Last In: 3 years ago
Alfi Kabiljo - YU Aerobic (Original Workout Music from Yugoslavia 1981-1984)

Collection of 1980's music for aerobics and fitness craze in Yugoslavia inspired by Jane Fonda. Composed by famed film music maestro Alfi Kabiljo, the winner of The Camille Lifetime Achievement Award 2022 by European Composer and Songwriter Alliance (ECSA). His trip to disco, funk and jazz, exclusively made for gym and aerobics classes by Sylvie Vartan's dance pupil Vesna Mimica is presented here for the first time in the form of unreleased instrumental versions and dubs from the original studio...

out of Stock

Order now and we will order the item for you at our supplier.

23,82

Last In: 5 months ago
DR. DRE - INSTRUMENTALS V.38 VOL.1 (3x12")
 
39

Teil 38 ist hier! 39 Tracks mit Cuts und Tracks des einflussreichsten Rappers aller Zeiten: DR DER, der den Stars des Hip Hops wie 50 CENT, SNOOP DOG oder EMINEM auf den Weg geholfen hat. Dies ist eine ganz besondere Waffe für alle Hip Hop Mixer und DJs.

out of Stock

Order now and we will order the item for you at our supplier.

22,65

Last In: 15 months ago
Slacker - Damage To Be Undone

Slacker

Damage To Be Undone

12inchSFTRW01
Soft Raw
07.12.2022

Soft Raw is a new label from Danielle – a natural extension of the Bristol-based DJ’s expansive tastes within contemporary club music. Over the past few years the NTS resident has become a leading light in the multifaceted world of modernist techno abstractions, ably balancing soundsystem pressure and propulsive rhythmic intensity with experimental textures and explorative energy variations. Soft Raw seeks to continue that mission with releases which will progress stylistically from one approach to another, taking in exciting, emergent producers unique in their approach but bound together by the idiosyncratic curation of Danielle – a faithful reflection of her proven skill as a selector.

The label launches with a six-track drop from Slacker. Sam Black has been winding up a potent strain of needlepoint techno which leans towards jungle and half-time D&B in its tempo and structure. Across a selection of various releases, Black’s sound has evolved into an accomplished and detailed style which draws on moody atmospheres and advanced engineering in the grand tradition of UK soundsystem music. Across this EP the Slacker sound matches up to the spirit of Soft Raw, balancing fierce kinetic energy with delicacy and finesse and leaving some space for outright ambience. At times he locks into a half-step warm-up mode, while elsewhere the amens creep in for a more pronounced jungle rinse-out.

It’s a strong opening statement for this new label, but crucially this doesn’t spell out the future in absolute terms. True to Danielle’s broad outlook, subsequent releases are set to take in everything from straight up 4/4 and acid to footwork and electro, with a narrative binding each release together according to her internal logic and the tension between soft and raw qualities explored across consistently cutting-edge tracks.

out of Stock

Order now and we will order the item for you at our supplier.

11,56

Last In: 3 years ago
WEȽ∝KER - ENHANCER

Weƚ∝Ker

ENHANCER

CassetteOOH032K
OOH-sounds
06.12.2022

Welcome in!

WEȽ∝KER's 'ENHANCER' offers a high dive into the soggy hands and lands of Dujat & Beedles.

Having planted their flag firmly at the forefront of modern computer music, WEȽ∝KER return with 'ENHANCER', an astonishingly dynamic display of technique and form. This isn't sound for sound's sake; the duo's playful approach to composition ties many discrete events together to weave a warm-bath narrative. A tug at the skittering top layer reveals something so rare: there's real musicality under there, aching chords snaking through the crunchy boot-up sequence of "Gator" and underpinning the pneumatic drift of "Ohmbase".

ENHANCER's tracks unfurl with an instinctive flow, pulling/pushing in all the right places and guiding the listener through aural aqueducts. WEȽ∝KER are just truly properly at it again. Dive in, isn't it?

ENHANCER's artwork is the result of an all-Mancunian collaboration with sculptural artist and dead-powder virtuoso Nicola Ellis. Photographed by Glen Cutwerk and Bazz Patel, shot in the spleen of Salford's The White Hotel. Drippy, oily notes with a hint of flesh.

---

Mastered by Giuseppe Ielasi.

Available on pad-printed solid white cassette housed in a clear double case w/ exclusive gloss laminated cover-art. Pro dubbed by Headlesstapes Includes free download code Limited Edition of 50.

out of Stock

Order now and we will order the item for you at our supplier.

14,71

Last In: 3 years ago
w1b0 - When Humans Ruled The Earth LP 2x12"

Debut album by Dutch producer w1b0, who passed away in August, to be released in November on U-TRAX.

Wibo Lammerts' sudden death on August 15thshocked the worldwide electro community, and also left the record label, that had been working on the debut album with the artist known as w1b0 for the past two years, dumbfounded and in grief.

Wibo had jokingly always called his upcoming debut album 'his legacy', which now sadly has become a painful truth. With the support of Wibo's family, U-TRAX is now doing the only thing that doesn't feel totally wrong: proceed as planned, and release 'When Humans Ruled The Earth' on November 11.

W1b0 made quite a name for himself with heavy electro tracks that he released on labels like Bass Agenda, Hilltown Disco and Discos Antónicos. Standing at 202 meters, and combined with a cheerful character, most people remember him as the gentle giant of electro.
For this album, Wibo wanted to steer away from the dark and heavy electro he mostly made until then. The idea of having a platform to create delicate electronic music in different styles, and make it a showcase of his versatility, was very appealing to him. And that is where he and U-TRAX found each other.

The full-length album (over 75 minutes on cd and digital) comes after 'The Pilex Program EP', released in October, that featured a remix by Detroit's Ectomorph of 'Pilex Driver' and saw 'Program Yourself To Feel' remixed by a well-known Dutch producer that recently created the new 'techno alias' Human Form.
As usual with U-TRAX, the album comes in three different editions, with the 11-track double vinyl version containing the Ectomorph and Human Form remixes. The CD and digital version boast original versions only, plus four additional tracks: 'Alternate Reality Interface', 'Mixed Matter Fluctator', 'Synthetic', and 'In There'. The cassette version more or less has the same track list as the CD/digi version, but has both aforementioned remixes and a bonus track in the incredibly hypnotizing 'I Wanted You', a track that unfortunately couldn't be on the CD and vinyl versions.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Buyers of the physical releases get treated on superior quality products, another trademark of U-TRAX. The vinyl edition boasts over one hour of music, on two 180 grams, green vinyl discs, in a black & white & neon green gatefold sleeve. The eye-catching artwork is created by Utrecht artist Leffe Goldstein, known amongst others for his psychedelic beer can designs for Utrecht brewery Maximus. Wibo, being the beer lover he was, had zero doubts about having Leffe Goldstein do the cover for his album. The CD has a total playing time of 75 minutes and comes in a beautiful 6-panel digipack, while the cassette will have full-color on-body print and comes in a plastic-free Maltese cross fold-up sleeve.

Opener 'Acid Whip' is one of the oldest compositions on this album, in which a dark 303 bassline hums over layers of spacey strings. Wibo named it after the legendary Whip It party in Amsterdam's De Melkweg. 'Alternate Reality Interface' then presents bouncy rhythms toying around with all sorts of analog (bass) synthesizers, before we go really deep with the epic ambient techno track 'Wandering Souls'.
Then things get a little lighter spirited: 'Mixed Matter Fluctator' is an electro track that builds on sounds created by Matt Buggins. It has very strong Detroit influences, the city Wibo loved so much and that he made a pilgrimage to with a group of friends that called themselves 'The Techno Tourists'. The tempo goes up a notch in 'Program Yourself To Feel', that halfway opens up in wide science fiction strings that evoke memories of Star Wars, the movie series that Wibo was a great fan of, and that was the source of many of his tracks' names. The Human Form remix opens the vinyl edition of this album and is a downright belter of a track.

Next is a somewhat experimental intermezzo named 'Synthetic'. Erratic beats and pounding bassdrums get accompanied by very subtle eerie-sounding strings, before melancholic synthesizers and piano chords take over. This is an excellent prelude to the epic 'Hologram Computing', a track that is one of our favorites. It slowly and softly builds and builds, before a pounding bassdrum breaks loose and a hypnotic arpeggio takes you to higher planes.
Not ready to letting the listener relax, w1bo then serves 'Beilstein Reference', which again presents his trademark cocktail of down-to-earth electro rhythms and catchy melodies, covered in all sort of little sounds and noises, giving the song a lot of energy. What follows is 'Hit me', a track loosely based on a song by Dutch indie rock band Mr. Joe Abe. Wibo met the band's singer on a camping site while being on holidays and the two decided Wibo should do a remix of one of their songs. Nothing was left of the original except the vocals, and the result is a remarkable cheerful, poppy electro song.

'Anticipated Input' is one of the more recent tracks Wibo made for this album, combining electro, acid and, yes: epic strings. But not all is peace and quiet on this album, as 'Pilex Driver' shows. This is w1b0 going experimental in a danceable fashion: Industrial sounds make the track sound like we're passing a construction site that is playing loud electro music. On the vinyl version of this album, Ectomorph totally decomposed the original and made it into a mysterious, almost subdued, and totally brilliant electro track that sees a main role for the retro Roland CR drum machines sounds.

TFHats, Wibo's fellow member of the Transhumanism collective, added lyrics to 'Cartesian Coordinates'. His vocals add a pleasant New Wave flavor to this song, that has breaks that remarkably reminds one of Nirvana's 'Smells Like Teen Spirit'. What follows is the most personal track on this album. 'Fornan' is a song that Wibo made for his wife Nanette, and was added as the last piece of the puzzle that creating an album is. The warm Detroit techno atmosphere in this electro song couldn't be a more beautiful tribute to his love, and mother of their two young boys.
The album then takes a surprising detour through a 1980s landscape with 'In There', that features the Joy Division-esque vocals of another one of Wibo's friends, indicated only as Vincent. The super slow and gloomy track is a treat for anyone that loved the darker side of New Wave. The album has a worthy closer in the sensitive, yet playful 'Schlegel Diagram'.








h 08: Hit Me (w1b0's Slugfest Assault Dub) feat. Mr Joe Abe

out of Stock

Order now and we will order the item for you at our supplier.

9,87

Last In: 3 years ago
Maajo - Water of Life LP 2x12"

Maajo

Water of Life LP 2x12"

2x12inchWONDERLP58
Wonderwheel
05.12.2022

Afro-Finnish band Maajo return with their third album, "Water of Life," a fluid celebration of various influences. Supported by two preceding singles, "Better Days" and "Unelmissani," the album is the group's first release with the Brooklyn, NY-based tastemaker label Wonderwheel Recordings. Maajo's signature Afro-Balearic sound meets late eighties new age and fusion, with touches of modern soul. The addition of two band members, Waina and Gilbert K, as well as featuring artists Issiaka Dembele and Ismaila Sané, has rooted the album's stories in a diverse range of backgrounds, featuring vocals in no less than six different languages.

Gilbert K's drum grooves pay tribute to the late Tony Allen's legendary heritage and the percussion experiments on a more melodic and atmospheric tip. Cold synth pads and 303 squeaks blend with warm guitars, fretless bass, and Issiaka Dembele's sublime kora harps and balafon mallets. "Water of Life" shows a band at its maturation point, reaching the cross-cultural coalescence of Finnish-African sound that's ready for the dancefloor or home-listening.

The three vocalists take centre-stage on the album: Waina hails from Zambia and sings in Nyanja, English and Finnish; a renowned musician in Zambia for over two decades who now calls Finland home, Waina wrote a song that reached the finals of the 2020 Afrimusic contest. Gilbert K primarily sings in his native Mauritian Creole while comprising part of the percussion line. He made his way to Finland by way of South Africa and China, eventually winning the Voice of Finland show. Gilbert K has played with such legends as Tony Allen, Andy Summers, Diana King, and Suzanne Vega. Ismaila Sané is from the Casamance region of Southern Senegal and sings in Wolof (a widely-spoken language in West Africa) on "Ndekete," and in Jola (a smaller language in Casamance) on "Èwàn".

Maajo is a sonic, linguistic, and cultural melting pot that has come together in Tampere, Finland, like a tropical breeze from the cold north. Their musical explorations lead from equatorial soundscapes to the woods and moods of their native Scandinavia. African influences, electronic beats and organic rhythms, ethereality and the sounds of nature all make up the patchwork sound of Maajo.

Not only is Maajo's music a way of travelling to faraway places, the songs themselves have travelled all over the globe. Maajo has evolved from a sample-based electronic music project to a full-sized band, including African vocalists and musicians. The group has put out two full-length albums and three EP's on Queen Nanny records, in addition to a release on German label Permanent Vacation. Maajo has received the remix treatment from artists such as Luke Vibert and Call Super, and has toured festivals and clubs internationally. The band has built a dedicated international following having been championed by the likes of Gilles Peterson (Worldwide FM), Tom Ravenscroft (BBC Radio 6), and Tim Sweeney (Beats In Space), while they've been featured by KEXP (Song of the Day), Resident Advisor, Ransom Note, and Pan-African Music.

"Water of Life" is out on Wonderwheel Recordings October 14th, 2022, both digitally and as an exclusive, limited-run 2xLP.




d 04: Better Days (Kumba) feat. Waina & Gilbert K

out of Stock

Order now and we will order the item for you at our supplier.

23,49

Last In: 3 years ago
Various - Heavenly Remixes 6 LP 2x12"
 
10
also available

Part One[29,37 €]

Part Two[30,67 €]

Part 4[29,79 €]

Volume 7[38,61 €]

Volume 8[38,61 €]

Part 7[38,61 €]

Part 8[38,61 €]


Heavenly Recording’s final long player release of 2022 is set to close the year on the dancefloor at home or in the clubs. More classic Heavenly remixes on wax and CD formats for your collection. Artwork by Luke Insect.

Released on Friday November 25th, these compilations follow Heavenly Remixes Volume 1 & 2 and Heavenly Remixes Volumes 3 & 4 (Andrew Weatherall Remixes).

Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind.

It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.

out of Stock

Order now and we will order the item for you at our supplier.

31,51

Last In: 3 years ago
Soia - Where Magnolia Grows Remixes 7"

Yellow Vinyl

In autumn 2019 the label Beat Art Department released Soia's third album "Where Magnolia Grows" with great success. With "Where Magnolia Grows Remixes" the album gets a new coat of paint. A handful of greats from the European hip-hop scene were won over for the remixes. L One (ATP Crew, Beat Art Department) and C.O.W.? (Compost Records) from Munich, Moo Latte (U Know Me), Copenhagener by choice, from Warsaw, Franchise and MEZ, both from Vienna and FVLCRVM from Bratislava.

Moo Latte provides the first remix of Soia’s “Where Magnolia Grows” album, and took “Fractal Spirits” for a new ride! The two Hip Hop/Neo Soul/Jazz artists first met on Soundcloud and have been sending vibes through the ether between Copenhagen and Vienna since then. The “Fractal Spirits” Remix is a first taste for their upcoming EP called “Spiritual Housekeeping".

The second “Where Magnolia Grows” Remix EP teaser re-work comes from C.O.W. ?.
Running with the cows. Soia’s sound is so exceptional that the German-Chinese producer collective didn't have to think twice when asked to remix her success single Running With Wolves. This chilled but pressing version is another highlight in the collective's career…

As the third remix comes the smooth, laid back “My Tiny” Remix by Bavarian beat smith L One.

For the new remix from Soia's "Where Magnolia Grows" album, Bratislava-based house producer FVLCRVM has taken on "Hoe For Love". FVLCRVM made a real floor filler out of the slow jam "Hoe For LOVE" with a mixture of house, glitch and broken beat.

out of Stock

Order now and we will order the item for you at our supplier.

13,40

Last In: 3 years ago
MARTIN REV - LES NYMPHES

Martin Rev

LES NYMPHES

12inchBB4181
Bureau B
02.12.2022

Verschwimmende Traumchroniken Ein Martin Rev Album ist stets eine unberechenbare Überraschung. So verwunderte das 2003er Werk "To Live" mit dem erstmaligen Einsatz schroffer Gitarren statt Synthesizer-Kompositionen und auch wenn Rev auf dem Folge-Album "Les Nymphes" aus dem Jahr 2008 zu seinen traumverhangenen Melodie-Miniaturen zurückkehrt, ist die Platte in ihrer Konsequenz noch einmal radikaler. War Martin Revs Oeuvre zumeist von einem durch und durch minimalistischen Ansatz geprägt, machen die Stücke auf "Les Nymphes" im Vergleich einen fast opulenten, überbordenden Eindruck. Bereits nach den ersten Sekunden des Openers "Sophie Eagle" hat man den Eindruck, eine riesige Sound-Welle aus sich überlagernden Echo-Schleifen, Rhythmus-Loops und Phasenverschiebungen, auf der Melodie-Fragmente und Revs sporadisch auftauchende Stimmenfetzen wie Schaumkronen treiben, würde einen davon schwemmen. Auch die in der kontemporären Clubmusik zu verortenden Verweise, die sich erstmals auf dem Vorgänger "To Live" andeuteten, finden hier ihre Fortsetzung. So hört man auf "Triton" und dem Titelstück "Les Nymphes Et La Mer" auch jene, ob ihrer Härte teils befremdlich anmutenden Gitarren-Samples wieder, die das vorige Album dominierten. Alle anderen Tracks auf "Les Nymphes" sind jedoch vor allem von einer unterkühlten, traumartigen Slow Rave und PostIndustiral Atmosphäre geprägt, die in ihrer dreidimensionalen Breitband-Klanglichkeit mitunter an Werke von Coil erinnern. "Die Ähnlichkeiten von "Les Nymphes" mit House und Dance waren natürlich offensichtlich, obwohl ich nicht speziell danach gesucht habe. Es war wahrscheinlich das erste Werk, das ich von Anfang bis Ende am Computer fertiggestellt habe. Viele der Tracks wurden digital aus interaktiven Programmen und nicht mit Outboard-Geräten erstellt. Die Atmosphäre und der Sound wurden durch viel Lektüre in der griechischen Mythologie inspiriert sowie dem Studium der gleichen Geschichten in verschiedenen Sprachen. Wahrscheinlich war mein mehrjähriger Aufenthalt in Montreal ein starker Einfluss, da es eine französischsprachige Umgebung ist und es in allen Buchläden eine große Auswahl an klassischer Literatur in Französisch und anderen Sprachen gibt." so Martin Rev. Speziell jene Inspiration, die sich aus kulturellen Mythologien speist und auf "Les Nymphes" zu einer, sämtliche Realitäten verschwimmenden Traumchronik wird, macht das Album so anziehend. Man fragt sich mitunter, wie ein ätherisches House oder Techno Album unter Revs Regie klingen würde. Einmal mehr beweist auch dieses Werk die Kompromisslosigkeit, mit der Martin Rev arbeitet und seiner Bereitschaft, stets Risiken einzugehen unter der konsequenten Verweigerung sich nur an einer Ästhetik allein abzuarbeiten. "Les Nymphes" ist fraglos das Album eines Künstlers, der immer auf der Suche ist.

pre-order now02.12.2022

expected to be published on 02.12.2022

25,84
DJ Jubilee 1997 - Eternal Dark EP

Dj Jubilee 1997

Eternal Dark EP

12inchLOWBATTERY001
LOW BATTERY
02.12.2022

Dublin-based DJ Jubilee 1997 has previously awed listeners with various releases on ‘Beyond Electronix’ turning in commanding, fierce and atmospheric jungle. Now, following on from his blistering ‘Aerial Warmth’ EP on Lobster Theremin last year, Jubilee services up four club-ready, spell-binding cuts on an emotionally captivating trip through the warehouse doors.

Opener ‘Ravers Theme’ hits hard, a dance floor hex sure to turn the most unbelieving of heads; shadow and smoke permeate the warehouse walls, with its peak-time sonics bouncing around the room and into ravers' minds. ‘Titan’ follows suit with it’s deep lows and wounding highs, its hypnotic and intangible sensibility adding to its allure. Jubilee’s ability to bring together ominous and apocalyptic melodies alongside fierce breakbeat structures, result in a barrage of boundary-defying energy.

As the meandering ravers lose themselves in it’s spell ‘Eastern Lines’ breaches its hold if only for a moment before ’Alchemist’ conjures the room to move; the lights flicker and flash moving from one end of the room to another at undetermined speeds; closing a record that’s both captivating and relentless.

out of Stock

Order now and we will order the item for you at our supplier.

5,84

Last In: 3 years ago
The Humble Bee - Instruction Booklet n. 1232

Originally released in 2014, “Instruction Booklet N. 1232” marks the first cassette release on Dauw for Tatersall under his The Humble Bee moniker. Taking advantage of the format, each side on “Instruction Booklet N. 1232” is reserved for a single piece nearing the 20-minute mark.

“Exploding View” (aka Side A) swells into existence with a very grand sounding synth-driven melody. Of course the other thing that’s present is the decaying sound of the tape loop that’s working to bring that music to life. At first, the melody grows and grows, fairly undisturbed, but eventually the sound of so-much tape warble threatens the rising nature of the piece until it sounds as though it is one loop away from total decay and simply fluttering out of existence.

But of course that’s the point. There’s a tension between that grand melody that opens these moments and that warble. It’s a lesson in opposites: the mechanics of a tape loop, guaranteed to break down, placed in contrast with those signature Tatersall melodies, which somehow seem eternal. And just as that tension seems too much to bear — the melody dies to be replaced by something altogether new. What comes next is something much quieter, driven by a sub-aquatic bassline, some rhythmic tape hiss and some gentle piano.

It’s a very dramatic and sudden break. The technical elements of that could be attributed to Tattersall’s understanding of how far a melody can be pushed before it succumbs to the abuse of being processed out of existence — perhaps the tape had been looped and processed to its breaking point. Regardless of whether it was a technical or artistic choice, that hard break serves an important narrative function. Frequently in instrumental music, musicians play with opposites (quiet-loud, clean-distorted) to create a narrative to their work since they don’t have words/lyrics as a tool. In the case of The Humble Bee’s use of tape loops, one set of opposites in tension is always driven by the fragility of the melodies and the limitations of a machine guaranteed to inevitably decay the media it is designed to support. And where one thrives, the other takes a backseat. As side A winds down, the melodies are much more sparse — appropriate for en ending, yes; but it also gives more space for those hisses and crackles to claim their moment.

Side B is filled out by “Manual with Foot Pedal” and it begins as gently as its predecessor ended. Slowly eking outing it existence – it’s as if watching Tatersall set the board, showing his players on opposite sides of the table before really setting them in motion to do their thing. By the piece’s midpoint, melody has taken centre stage as a glitchy, piano-led rhythm marches its way forward, clearly carving out its space and claiming its territory. And almost immediately following that: the decay takes over again and those tape loops seem processed to near death — the melody almost barely decipherable as it flutters under the weight of the history of being looped/played ad nauseum. And in the very final moments, the melodies are sparse again, giving the tape hiss room to play its part — it’s as if Tatersall is giving both players enough space to take their final bows.

pre-order now02.12.2022

expected to be published on 02.12.2022

15,92
STUDIO GHIBLI - Grave Of The Fireflies Image Album Collection
  • A1: Firefly
  • A2: Episode I ""Night
  • A3: Brothers
  • A4: War Or Air Raid
  • A5: Episode Ii ""Setsuko
  • A6: Mother
  • B1: Hotaru
  • B2: Grave Of The Fireflies By The Stream
  • B3: Grave Of The Fireflies Illusion Of The Breeze And The Red Parasol
  • B4: Grave Of The Fireflies Black Rain ~ Summer Grass
also available

Soundtrack Collection[44,16 €]


Directed by Isao Takahata, "Grave of the Fireflies" is now available in the analog edition

series of the popular "Studio Ghibli" works! !

The image album collection and soundtrack collection of the movie "Grave of the Fireflies

released in 1988 have been remastered with the latest remastering.

A precious analog board with a complete reprint of the gorgeous liner included.



Grave of Fireflies Image Album Collection (original LP release date 1987.11.25)

All 10 songs

Music: Michio Mamiya, Masahiko Sato, Kazuo Kikkawa

An album inspired by the thoughts of three musicians,

Yoshio Mamiya, Masahiko Sato, and Kazuo Yoshikawa,

about "war", and the story of the main characters' young siblings, Seita and Setsuko.

*Saddle-stitched 12-page liner notes

(music/round-table talks by directorTakahata and three composers) included.

pre-order now02.12.2022

expected to be published on 02.12.2022

44,16
MARTIN, DEAN & SINATRA, FRANK - SING COUNTRY & WESTERN CLASSICS

Die zwei Stars, beides hervorragende Sänger, die später zu preisgekrönten Schauspielern wurden, arbeiteten erstmals 1952 zusammen, während Dino immer noch die Hälfte des
Comedy-Duos von Martin und Lewis war. Ihre Freundschaft entwickelte sich in den späten 50er Jahren trotz ihrer sehr unterschiedlichen Persönlichkeiten - Dino entwickelte eine immer
lässiger werdende Herangehensweise, während Sinatra sich als extrovertiert und oft stürmisch erwies. Die beiden fühlten sich auch über ihre italienischen Wurzeln verbunden. Diese LP
offeriert mit "Ghost Riders In The Sky", "South Of The Border" und vielen weiteren Songs einen schönen Querschnitt durch das Country-Genre.

pre-order now02.12.2022

expected to be published on 02.12.2022

14,71
Various - Cluster 97

Various

Cluster 97

12inchCLUSTER097RP
Cluster
02.12.2022

2022 Red Vinyl Repress

Cluster 97 is 4 tracks of driving techno with the undisputed London Cluster sound. This is guaranteed floor burn from some of the leaders in the Acid Techno scene (mostly)leaving the 303's buried for a chance to get dark and dirty with some warehouse techno sounds.

out of Stock

Order now and we will order the item for you at our supplier.

11,72

Last In: 2 years ago
SURPRISE CHEF - EDUCATION & RECREATION LP

Die Musik von Surprise Chef basiert auf dem Hervorrufen von Stimmungen; ihre lebendigen Arrangements nutzen Zeit und Raum, um Klanglandschaften zu schaffen, die den Zuhörer in ihre Welt einladen. Der unverwechselbare Sound des Quintetts speist sich aus der Filmmusik der 70er Jahre, der funkigeren Seite des Jazz und den Samples, die die Grundlage des Hip-Hop bilden. Sie verschieben die Grenzen des instrumentalen Soul und Funk mit ihrem eigenen Ansatz, der durch unzählige Stunden im Studio, das Studium der Meister und - vielleicht am wichtigsten - durch die "Tyrannei der Distanz", die ihrer Musik eine einzigartige Perspektive diktiert, verfeinert wurde. Mit ihren ersten beiden Alben All News Is Good News und Daylight Savings haben sich die aus der Nähe von Melbourne, Australien, stammenden Musiker eine eingefleischte Fangemeinde erspielt und ihren Sound von ihrem Heimstudio aus in alle Ecken der Welt gebracht. Die Band ist nun bei Big Crown Records unter Vertrag und reiht sich damit in eine Reihe zeitgenössischer und klassischer Sounds ein, die die Musik von Surprise Chef seit ihrer Gründung im Jahr 2017 beeinflusst haben. Surprise Chef besteht aus Lachlan Stuckey (Gitarre), Jethro Curtin (Keyboards), Carl Lindeberg (Bass), Andrew Congues (Schlagzeug) und Hudson Whitlock - das jüngste Mitglied, das von der Percussion über das Komponieren bis zum Produzieren alles macht. Die selbsternannten "moody shades of instrumental jazz-funk" haben von allem etwas: druckvolle Drums, mitreißende Keys, eine Rhythmusgitarre, die man auf einer Studio One-Platte hören könnte, und Flötenlinien, die von einer Blue Note-Session stammen könnten. Aber wenn man einen Schritt zurücktritt und sich die Gesamtheit ihres Sounds und ihrer Herangehensweise anschaut, dann hört und sieht man eine Gruppe, die mehr ist als die Summe ihrer Teile. In vielerlei Hinsicht verkörpert Surprise Chef die Redewendung "the benefits of limits". Ihre Möglichkeiten waren insofern begrenzt, als es in Südost-Australien nicht viele Leute gab, die instrumentalen Jazz/Soul/Funk machten oder darüber sprachen, geschweige denn Platten herausbrachten. So mussten sie ihren Sound und ihre Herangehensweise in einer Art kreativer Isolation entwickeln, in der sich ein kleiner Kreis von Freunden und gleichgesinnten Musikern gegenseitig befruchtete. "Da wir in Australien so weit weg sind, bekommen wir nur flüchtige Einblicke in die Ursprünge dieser Musik", sagt Stuckey. "Aber als wir ein Label wie Big Crown hörten, wurde uns zum ersten Mal bewusst, dass man frische, neue Soulmusik machen kann, die nicht super retro oder einfach nur nostalgisch ist." Dieser Ansatz ist auf ihrem neuen Album Education & Recreation deutlich zu hören. Tracks wie "Velodrome" verbinden klobige Drums mit einer ohrwurmverdächtigen Synthie-Linie, die so klingt, als würde sie auf einer Ultimate Breaks & Beats-Compilation zu finden sein, während Nummern wie "Iconoclasts" zeigen, dass sie ein Händchen für die geschmackvolle Nutzung von Raum haben. Vom erdrückenden Intro von "Suburban Breeze" bis zum schwebenden, sanften Bop von "Spring's Theme" haben Surprise Chef ein Album zusammengestellt, das dich durch Höhen und Tiefen der Emotionen führt. Ein lebendiger, die Fantasie beflügelnder Sound! Dem weiten Spektrum dieser Instrumentalmusiksparte wird mit diesem neuen Album ein modernen Klassiker hinzugefügt.

out of Stock

Order now and we will order the item for you at our supplier.

21,64

Last In: 3 years ago
Loyle Carner - hugo LP

Loyle Carner

hugo LP

12inchEMIV2068
EMI / Virgin
02.12.2022

In hugo, there’s a central question that Loyle Carner keeps coming back to: “I’m young, Black, successful and have a platform - but where do I go next?” The answer is explored in this epic scream of a third album. With urgent delivery and gloriously widescreen production, Carner confronts both the deeply personal (“You can’t hate the roots of a tree, and not hate the tree. So how can I hate my father without hating me?) and the highly political (“I told the black man he didn’t understand I reached the white man he wouldn’t take my hand”). Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories. In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.

out of Stock

Order now and we will order the item for you at our supplier.

32,14

Last In: 3 years ago
Ramu - Bored in a Wormhole EP

Ramu

Bored in a Wormhole EP

12inchSNFKCLP001
Shall Not Fade
02.12.2022

Purple Vinyl

Bristol don Ramu brings the latest edition of our Killer Cuts series. Bored In A Wormhole takes us on a journey through a kaleidoscopic journey through acid-tinged breakbeat, cosmic house, warped bassline breaks, techno, garage and earworm melody jungle. Strap in!

out of Stock

Order now and we will order the item for you at our supplier.

12,19

Last In: 3 years ago
Johannes Oerding - Plan A

Johannes Oerding

Plan A

12inch19658700581
Columbia
02.12.2022

Yellow Vinyl, Gatefold
Wäre Johannes Oerding nicht großzügig Gold- und Platin dekoriert, hätte er nicht über eine Million Platten und ebenso viele Konzerttickets verkauft und gehörte er nicht zweifellos zur Liga der erfolgreichsten Musiker des Landes - was wäre sein Plan B? Eine Frage, auf die der Hamburger nie eine Antwort hatte, weil er sich keine Alternative zurechtgelegt hat. Es mag starkes Songwriting sein, außergewöhnlicher Fleiß, seine Stimme, die unstillbare Liebe zur Livebühne, Charme oder einfach Glück - Oerdings PLAN A ist aufgegangen. Eine Tatsache, die ihm erst kürzlich richtig bewusst geworden ist. "Ich war ehrlich überrascht, als ich den Award für diese unglaublichen Verkaufszahlen bekommen habe. Ich hatte das nicht auf dem Zettel und hab erst mal geheult wie ein Schlosshund. In dem Moment hat etwas Klick gemacht." Dabei ist der Weg, den der 40-jährige Künstler zurückgelegt hat kein kurzer. Seit 2009 erarbeitet er sich jeden seiner Erfolge hart und erntete 2019 mit dem Platinalbum "Konturen" seine erste Nr. 1 in den Charts. Seine Fans gehen seit Jahren jeden seiner Schritte mit und feiern ihn nicht nur wegen der Radiohits, sondern wegen eines Lebensgefühls, einer Haltung. Es ist das Glas, das immer halbvoll ist, die unbändige Freude am Moment und das Wissen, dass der Johnny auf der Bühne auch der ist, den man in der Kneipe trifft. Umso interessanter ist es, sein kommendes Album PLAN A zu hören, denn er lässt hier, wie er selbst sagt: "noch mehr die Hosen runter". Die Brennweite hat sich geändert. Der Meister des Weitwinkels mit Goldsingles wie "Alles brennt", "Kreise" oder "An guten Tagen", die den Nerv ganzer Pop-Jahre getroffen haben, hat sich auf diesem Album mit Freunden, Familie, Beziehung und sich selbst auseinandergesetzt. "Meine Songs waren immer persönlich, aber diesmal habe ich mich gefragt, was uns menschlich und emotional macht. Es hat vielleicht mit der Zeit zu tun, in der wir seit zweieinhalb Jahren leben oder vielleicht liegt es am Älterwerden - jedenfalls habe ich mich mehr als sonst mit dem befasst, was direkt um mich herum passiert." Belegen lässt sich das mit Texten, die intensiver und zugleich lässiger sind und einer Experimentierfreude, die die Messlatte des letzten Albums locker ein Stockwerk höher legt. PLAN A enttäuscht niemanden, der die ersten Singles des Albums schon in der Playlist hat, aber spielt an anderer Stelle genüsslich mit Gospel, Blues, Country, Disco und 80er-Rock, macht High Fives mit Prince, Springsteen und Swift und zitiert tiefenentspannt Lindenberg, Lennon und Michael Jackson. Die einen wird das an Oerdings Anfänge erinnern, die anderen werden eventuell überrascht sein - aber alle werden ihn hinterher noch ein bisschen besser kennen: "Ich habe alles aufs Album genommen, was aus mir rauskam. Den Kopf auszuschalten und noch mehr nach innen zu gehen, hat einfach Spaß gemacht."Die bereits veröffentlichten Albumtracks haben das Licht am Ende des Tunnels schon mal angemacht: Beide Songs sind Johannes Oerding pur. "Plan A ist aufgrund der politischen Entwicklungen vielleicht ein bisschen untergegangen, aber live geht er umso mehr ab und Kaleidoskop mag ich bis heute sehr, weil er etwas ganz Starkes in mir auslöst. Und die Reaktionen auf den Song zeigen, dass er zur richtigen Zeit kam - ich höre oft, dass die Leute genau so einen Song gebraucht haben. Einen mit Happy End."

pre-order now02.12.2022

expected to be published on 02.12.2022

24,92
PROLAPSE - POINTLESS WALKS TO DISMAL PLACES 2x12"

Deluxe reissue of their 1994 debut album.
Completely remastered under band supervision.
Pressed on burgundy vinyl and Presented in a gatefold matt laminated gatefold sleeve, with spot UV varnish .
Features the original LP plus a bonus disc with the Cherry Red E.P tracks, plus a 16-page booklet containing photos, reviews, and sleevenotes from Mick Derrick, Steve Mack & John Robb.
Combining a metronomic krautrock beat played by a monster drummer, looping guitars and a boy/girl vocal that sounded like a bickering bed-sit argument turned into song, Prolapse had all the manic intensity of a nervous breakdown set against a backdrop of inventive guitar work and a really tough rhythm section. There were hints of the Fall, krautrock, PiL and a touch of the pure golden pop of Blondie along with the sense of restless dislocation shared by many of the post-punk bands.
Prolapse arrived in the middle of the Britpop era and their tense, almost neurotic music clashed with the stadium-filling, jolly knees- up pop that dominated the indie mainstream of the time. By 1996 indie had become the mainstream in terms of record sales and sound and was strutting around at the opposite end of the cultural spectrum to the indie bands of the Eighties and their war against popular culture. Late arrivals Prolapse were the last gasp of this genuine independence.

out of Stock

Order now and we will order the item for you at our supplier.

27,69

Last In: 3 years ago
Ultrastation - Red Skies

Ultrastation

Red Skies

12inchTECH-UM005
TECH-UM
02.12.2022

No nonsense, no faking, no timewasters: the raw classic techno energy of Nuno dos Santos and Cosmic Force's Ultrastation project continues to tear holes in the space time continuum with their latest EP - 'Red Skies'. Hot on the heels of 'Stellar Logic' on Nuno's Something Happening Somewhere label earlier this year comes another uncompromising selection as the pair of Utrechtian veterans link up and tear down on Deeptrax offshoot label Tech UM. 'Sonorous' sets the pace with its outstanding sense of pounding, gritty momentum. The sound of 35 years of warehouses melting under sheer bass heat, it's a savage statement piece that's backed up by three more undiluted techno treats. 'Muladhara' realigns our chakras with its earthy stomp, hopeful arpeggio and relentless energy, 'Blood Flow' takes on a little more industrial charm as it rattles away, twisting and turning with a subtle sense of psychedelia while 'Lake Falls' brings the EP to a euphoric Detroitian finale that's characterised by shimmering synths and some epic dynamics.

out of Stock

Order now and we will order the item for you at our supplier.

11,05

Last In: 3 years ago
FAVA - Destiny EP

Fava

Destiny EP

12inchBEATALISTICS010
Beatalistics Records
02.12.2022

clear green vinyl

Germany based MC Fava releases his first solo EP on Beatalistics, the imprint he co-runs with Freiburgs soulful tag team partner Enea. This has been a long time coming and it couldn't be more emotional. The 5 track strong "Destiny EP" reveals more of the hopeless romantic songwriter's soul and once again showcases his immense versatility. Finish Drum 'n Bass legend Muffler adds his inimitable minimal melodic touches to the title track and underlines Fava's personal lyrics with his trancy trademark signature. Shooting Star Mountain from Japan shows his unique talent and musical approach on the 80s Synth-Pop influenced "Midnight", a rock-bass driven song characterized by its harmonised vocals arrangement. Teaming up with British vocalist Becca Jane Grey and Slovakian Smote, "Sarah" is a soul touching piano based liquid roller with a long acoustic drum intro which perfectly leads into the highest emotions. Enea himself takes you into deeper shades of colour with the moody "Green Velvet". Hypnotizing pads complete the warm bassline pattern which wraps the simple but distinctive drums perfectly around Fava's mesmerizing vocals. The Green Man from Cologne, Germany concludes the emotional rollercoaster ride with the Downtempo Chill-Hop "Alone in the Dark". Smooth horns and breathy pads create the perfect atmosphere for the German vocalist who playfully mixes melodic singing hooks with calm spoken words and repetitive chants. Outstanding on all levels!

out of Stock

Order now and we will order the item for you at our supplier.

13,40

Last In: 2 years ago
SW. - okALGORYTHM LP 2x12"

Sw.

okALGORYTHM LP 2x12"

2x12inchAVE66-18
Avenue 66
02.12.2022

The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."

To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.

If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.

out of Stock

Order now and we will order the item for you at our supplier.

23,99

Last In: 26 days ago
Alin Coen & Stüba Philharmonie - Alin Coen & Stüba Philharmonie

Alin Coen & STÜBAphilharmonie - Das lang ersehnte Album mit Sinfonieorchester!

Manchmal kommen zwei Dinge zusammen und aus ihrer Verbindung entsteht etwas völlig Neues. 2018 /2019 spielten Alin Coen und die STÜBA Philharmonie sieben gemeinsame Konzerte, allesamt ausverkauft. Die Resonanz darauf war überragend: "Die Menschen fragten immer wieder nach Aufnahmen", erinnert sich Alin Coen. "Sie wollten diese Stücke, diese besondere Konstellation, diese Konzertsaal-Atmosphäre einfach gern mit nach Hause nehmen."

Und so entstand aus einem Tour-Projekt nun ein komplettes Album 'Alin Coen & STÜBA Philharmonie'. Das Album enthält ausgewählte Songs von Alin Coen, die neu arrangiert und eingespielt wurden von und mit der STÜBA Philharmonie. Ein Sinfonieorchester aus Mitteldeutschland, dessen ausschließlich ehrenamtliche Musiker:innen in ihrer Freizeit ausgewählte musikalische Kooperationen eingehen.

In den neu arrangierten Songs, vorrangig auf Deutsch, teils auch auf Englisch, erzählt Alin Coen voller Sanftmut die Geschichten von Schönheit und Schmerz und all den Gefühlen dazwischen. Diese emotionale Intensität wird durch das Orchester verstärkt: Die feinsinnigen Arrangements legen zwischen Alin Coens Zeilen noch mehr Gefühlsnuancen frei. Das Orchester trägt die Stimme, konterkariert sie, treibt sie voran.
Das Album 'Alin Coen & STÜBA Philharmonie' setzt dem musikalischen Schaffen der Künstlerin einen neuen Rahmen und bringt ihre Geschichten vom Ich und Du und Wir zum Strahlen.

pre-order now02.12.2022

expected to be published on 02.12.2022

23,99
Neil Young - Harvest (50th Anniversary Edition) 3x12"
  • A1: Out On The Weekend With The Stray Gators
  • A2: Harvest With The Stray Gators
  • A3: A Man Needs A Maid With The London Symphony Orchestra
  • A4: Heart Of Gold With The Stray Gators
  • A5: Are You Ready For The Country With The Stray Gators
  • B1: Old Man With The Stray Gators
  • B2: There's A World With The London Symphony Orchestra
  • B3: Alabama With The Stray Gators
  • B4: The Needle And The Damage Done
  • B5: Words (Between The Lines Of Age) With The Stray Gators
  • C1: Out On The Weekend 4:00
  • C2: Old Man Introduction 0:30
  • C3: Old Man 3:37
  • C4: Journey Through The Past Introduction 0:12
  • C5: Journey Through The Past 3:10
  • C6: Heat Of Gold Introduction 1:40
  • C7: Heart Of Gold 3:33
  • D1: Don't Let It Bring You Down Introduction 0:45
  • D2: Don't Let It Bring You Down 2:44
  • D3: A Man Needs A Maid Introduction 2:20
  • D4: A Man Needs A Maid 3:58
  • D5: Love In Mind Introduction 0:52
  • D6: Love In Mind 2:14
  • D7: Dance Dance Dance 2:26
  • F1: Dance Dance Dance
  • E1: Bad Fog Of Loneliness With The Stray Gators
  • E2: Journey Through The Past With The Stray Gators

Matte, textured lift-off lid box containing a remastered reissue of the Harvest album, a 7" single with outtakes, a 1971 unreleased BBC concert on LP & DVD, a DVD of the film Harvest Time, a 48-page hardbound book, a fold-out band poster, and a numbered lithograph. Harvest is housed in a Stoughton tip-on jacket which has a matte texture on the outside and a high-gloss finish on the inside. The left side pocket includes a replica of the original fold-out lyric sheet. BBC In Concert is housed in a matte Stoughton tip-on jacket. Harvest Outtakes is a small hole 7" issued in a shrink wrapped matte picture sleeve with top opening. Harvest Time DVD is housed in a printed card sleeve and comes with a two-sided insert. BBC In Concert DVD is housed in a printed card sleeve. 50th anniversary deluxe edition Original album (remastered) Three Harvest outtakes on 7" single (two unreleased versions) 1971 unreleased BBC concert on LP & DVD Harvest Time: 2-hour unreleased film from 1971 on DVD 48-page harbound book Numbered lithograph Poster

pre-order now02.12.2022

expected to be published on 02.12.2022

66,81
Jordsjo - Jord Sessions (Lim. Coloured Vinyl)

Jordsjø ist ein Duo aus Oslo, Norwegen, inspiriert von alten Horrorfilmen, deutscher Synth-Musik der 70er, schwedischem Prog, Fantasy-Romanen und der norwegischen Natur. Auf 'Jord Sessions' gibt es ein grundlegendes Thema von Entfremdung, Wurzeln und Träumen - mit einem organischen und dynamischen Sound, der Assoziationen an 70er Prog weckt, mit Spuren von elektronischer Musik und Folk. Viel Flöte, Gitarren und eine große Auswahl an Vintage-Synthesizern verleihen dem Album einen warmen Vintage-Sound, während es immer noch frisch und interessant klingt. Die Band besteht aus Multiinstrumentalist Håkon Oftung (Tusmørke, Black Magic) und Schlagzeuger Kristian Frøland.
CD sowie eine kleine Auflage Coloured Vinyl!

pre-order now02.12.2022

expected to be published on 02.12.2022

38,61
FFF - Full Of Light EP

Fff

Full Of Light EP

12inchLOWBATTERY002
LOW BATTERY
02.12.2022

Inspiration comes in many forms; the city in which we live, the culture from countries across the globe and our love for TV, film and books.This rings true for FFF as a move from his home of Vlissingen in 98 to Rotterdam, combined with his love for UK sounds and comic books created a unique, outward-looking perspective. The DJ, producer and long term party thrower now turns in a record for Low Battery; so come and see for yourself.

Opening track 'In Toom' launches a satellite straight into deep space, picking up transmissions from an unknown source. The track deploys alien electronics and other-worldly vocal snippets, building a curious and ghostly atmosphere. Bass lures heavy around the mid-way point creating an increasing sense of unease, as unidentifiable objects head straight for earth. The aptly titled 'Desperately Seeking Summer' is a giant leap toward the good times ahead. You can sense its energy in the air; the smell of freshly cut grass, the charcoal from a newly lit BBQ and the coastal breeze on a warm summer's day. Summer is almost here and we could all do with a serotonin boosting elixir.

The B-side opens with 'Voices' as candy-floss vocals topped with xtra sugar taste even better with every play; while ascending basslines and frenetic drums join hands to produce that FFF energy we all know and love. 'Full of Light' provides tranquility at the end of a wild ride, as shimmering synths shine with radiant bliss with the power to transcend "bathed in light and lifted in what I can only call another dimension."

out of Stock

Order now and we will order the item for you at our supplier.

5,84

Last In: 2 years ago
MARTIN REV - TO LIVE

Martin Rev

TO LIVE

12inchBB4171
Bureau B
02.12.2022

Wie ein Schneesturm unter einer Glaskugel Im Herbst 2003 erschien bei dem amerikanischen Indie-Label File 13 Records Martin Revs mittlerweile sechstes Soloalbum. Nachdem Rev bereits 2002 zusammen mit seinem musikalischen Partner Alan Vega und ihrem gemeinsamen Projekt Suicide mit dem Album "American Supreme" neue Wege beschritten hatte, setze sich diese Neuausrichtung auch in seinen Soloarbeiten fort. Klang das 2000er Werk "Strangeworld" noch wie ein aus der Zeit herausgelöstes, abstraktes Komposite aller musikalischen Einflusswelten Martin Revs, scheinen auf dem drei Jahre später veröffentlichten Album "To Live" auch kontemporäre Einflüsse hörbar zu werden. So kommen hier erstmals Gitarren-Samples zum Einsatz. "Der Sound von "To Live" war eigentlich einer, den ich schon seit ein paar Jahren live auf der Bühne benutzte. Die Inspiration kam nicht aus den 2000er Jahren, sondern wahrscheinlich aus einer viel früheren Zeit, obwohl ich nicht genau sagen könnte, woher. Es hängt auch mit der Rhythmus-Technologie zusammen, die ich verwendet habe." erinnert sich Rev. Die Anmutung dieses Sequence-gesteuerten und für die späten 1990er Jahre so typischen Industrial-Rocks scheint - zumindest für ein Rev-Album - ungewohnt und so fielen die Kritiken beim Erscheinen der Platte 2003 zunächst sehr gemischt aus. Wie bereits Anfang der 1970er Jahre als Suicide für ihren neuartigen Sound gleichermaßen gehasst und gefeiert wurden, polarisierte Rev mit seiner Musik auch 30 Jahre später noch immer. Doch auch wenn jene Tracks auf "To Live" weniger von Synthesizer-Drones und minimalistischen Keyboardfiguren geprägt sind als die vorherigen Platten, so sind dennoch alle Stücke des Albums getrieben von jener eigentümliche Formsprache, die Martin Revs Sound so prägnant und unverkennbar macht. Verhallte, sich überlagernden RhythmusSchleifen durchzogen von Revs sporadisch einsetzendem, zärtlich wie bedrohlichem Sprechgesang wachsen zu einem heftigen Schneesturm unter einer Glaskugel an, in dem verchromtes Glitzer und goldenes Konfetti wie wild durcheinander gewirbelt werden. Besonders beeindruckend ist dies auf dem Track "Gutter Rock" gelungen, das wie ein übersteuertes, hypnotisch betörendes Stück Lounge-Exotika anmutet. Und es ist speziell dieser Sound der Gegenpole zwischen harten Drummachine- und Gitarrensalven und dem Ungreifbaren von Revs Stimme, in dem mitunter auch jene Stimmung und Verunsicherung zu Beginn des neuen Jahrtausends zu hören ist, die insbesondere in eine Stadt wie Revs Heimat New York beherrschte, die erst zwei Jahre zuvor von den Ereignissen des 11. Septembers 2001 erschüttert wurde. So ist "To Live" ein widerspruchsvolles und schwer zu verdauendes Werk, das als vor allem als Kind seiner Zeit und Transition innerhalb Martins Revs Gesamtwerk einen ganz besonderen Platz einnimmt.

pre-order now02.12.2022

expected to be published on 02.12.2022

21,81
Composed by Michael Giacchino - The Batman: Original Motion Picture Soundtrack (3x12")

Mondo, in partnership with WaterTower Music, is proud to present Michael Giacchino's absolutely brilliant score to Matt Reeves’ highly anticipated THE BATMAN. Featuring the music of Academy, Emmy and Grammy Award-winning composer Michael Giacchino, whose credits feature some of the most popular and acclaimed film projects in recent history, including THE INCREDIBLES, COCO, JOJO RABBIT, RATATOUILLE, STAR TREK, JURASSIC WORLD, ROGUE ONE: A STAR WARS STORY, SPIDER-MAN: HOMECOMING, and WAR FOR THE PLANET OF THE APES. This is the fifth film Reeves and Giacchino have collaborated on.

Giacchino proves himself, once more, as one of the greatest living composers, by introducing a powerful and instantly canonized new theme to one of the most musically iconic superheroes. When director Matt Reeves heard the theme for the first time, he was with film producer Dylan Clark. “I was blown away!” He exclaimed. “It was so emotional. The two of us literally cried…it was amazing.”

Though it's not only the world's greatest detective who emerges with a new theme - Selina Kyle / Catwoman's new string heavy theme is slinky and haunted like that of a classic noir's femme fatale. And Giacchino's take on The Riddler is far more haunted, accompanied by the Tiffin Boys choir, a truly terrifying and dread-inducing motif for one of the scariest takes on a Gotham villain, to date.

With nearly two hours of score, housed on three discs, featuring all new artwork by Henry Abrams.

Composed by Michael Giacchino
Artwork by Henry Abrams
Manufactured in Czech Republic

pre-order now02.12.2022

expected to be published on 02.12.2022

70,55
Charlie Winston - As I Am (Gatefold Black Vinyl 2LP-Set)

Charlie Winston verkaufte mit seinem Debütalbum HOBO weltweit über eine Million Alben und erhielt für "Like a Hobo" in Frankreich eine Diamantene Schallplatte und für "Running Still" Platin.
As I Am, das fünfte Album von Charlie Winston, entstand in einer ganz besonderen Situation: hinter verschlossenen Türen und unter dem ständigen Gebot der sozialen Distanzierung und der Einhaltung von Präventionsmaßnahmen. Ein glückliches Paradoxon, denn der englische Sänger tritt hier ohne Maske auf und war eigentlich nie ein Freund der Selbstentblößung.
Der Titel des Albums?hat für Charlie den Wert eines Mantras: "Es ist eine Art, mich daran zu erinnern, wer ich jetzt bin, und dass Loslassen nicht gleichbedeutend mit Aufgeben ist", sagt der Mann, der 2009 mit dem Hit?Like A Hobo?für Furore sorgte und eine starke folk- und rockmusikalische Identität offenbarte.
Ebenso bahnbrechend wird As I Am durch die ebenso unerwartete wie fruchtbare Zusammenarbeit mit dem französischen Superstar und Hitmacher Vianney.

pre-order now02.12.2022

expected to be published on 02.12.2022

15,92
Maroki - Return to Emerald City

Originally from West Wales now residing in Amsterdam in a studio nestled beside the river Ij, Maroki now joins the ROOS family following a string of stellar releases. He leaves nothing to chance, using his classically trained skills and expertly engineered sounds into a pool of influences that range from breaks, moon-lit acid and headsdown chuggy goodness.

The record launches with title track 'Emerald City' a moody cut that whisks you away from the city's bustling streets and off the beaten track. Maroki's fixed hand helps elements blend seamlessly into another, in what feels like a personal guide through the emerald's subterranean. Then comes the gentle and tranquil electronics of 'Alfred Stole My Brain' both welcoming and meditative, while the swing in drums provide dance-floor functionality and set the pace. The A side comes to a grand close with 'Talk2Me' a brooding acid cut that mixes in elements of breaks and aquatic synths. The track's swelling energy feeds from the A side's previous two, culminating in a build up of emotion and speed.

'Total Recall' raises its hypnotic head, a series of winding synths and 4/4 kick drums creating a maze of sound, before perhaps the record's hidden gem 'All Be Over' arrives like an old friend. The track's familiar sound design coupled with Maroki's distinct personality create a warm and lasting friendship; melting together old and new perspectives. 'Slower' rounds off the EP, an equally stunning and fiery mix of breaks and angelic electronics.l

out of Stock

Order now and we will order the item for you at our supplier.

5,84

Last In: 22 months ago
Emscherkurve 77 - Augen zu und durch (Ltd. 180g Lumi-Blue Color)

Augen zu und durch und Du wirst schon sehen...das Leben geht weiter!" Ja klar, aber wenn man dazu noch die richtige Musik als steten Begleiter hat, lebt es sich gleich noch um einiges entspannter.Gerade in diesen nicht ganz einfachen Zeiten kommt die neue Scheibe von Emscherkurve77 genau zur richtigen Zeit und meistert diesen Anspruch so treffsicher in Lyrics & Sound dass wir öfters beim Hören innehielten und dabei ertappt fühlten, woher Jemand weiß, was so in einem vorgeht. Die Ruhrpott-Institution ist zurück und was mit "Buch des Lebens" und "Brandgefährlich" schon in Punkto Weiterentwicklung, Maßstäbe und Ansprüche an sich selbst abzusehen war, schlägt trotzdem die Erwartungen um Längen!Doch das wichtigste zuerst: Emscherkurve77 sind und bleiben eine Punkband! Und ähnlich wie seinerzeit Green Day mit "American Idiot" darf Punk auch fernab des üblichen Schema´s mit 3 Akkorden und 3 Minuten die üblichen Wege spielerisch erweitern ohne abzubiegen.Genau das tut "Augen zu und Durch"! Unverkennbar Emscherkurve77 aber 4 neue, exklusive Lieder, die nicht mehr aus der Kurve kommen, sondern Ecken und Kanten mit jeder Menge Lebenserfahrung haben! Meilenweit vom oftmals weinerlichen Emo-Punk entfernt und mit Songs wie "Wieder Zwanzig sein", "Pirat" oder "Am Boden" oder dem Titelsong nicht kalt lassen! Rückblick - nach Vorne sehen - (das Leben) genießen! Wie ein gutgereifter Wein, der im Regal neben einem Sixpack Craft-Bier steht! Ein großartiger Vorbote auf den in 2023 erscheinenden neuen Longplayer "Stimmen der Stadt"! Halbclear in lumi-blue mit black angemischt wird sie durchlässig und gibt das weiss gedruckte Motiv erst richtig preis! Dazu ein 350gr. inside/out Cover, Inlay und ein Schmuckstück in dem Plattenregal.Offset printed B-side LP

pre-order now02.12.2022

expected to be published on 02.12.2022

17,44
Aroma Di Amor - Zwarte Doos 6x12" + 7"

Comprehensive box of 6 LPs / EPs and the band's first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986) contributing to the music.

Box Set includes: Gorilla Dans De Samba 7" (1983), Voor De Dood 12" (1984), Koude Oorlog LP (1984), De Sfeer Van Grote Dagen 12" (1985), Zonder Omzien 12" (1986), Harde Feiten LP (1986), Koudvuur LP (1987)

pre-order now02.12.2022

expected to be published on 02.12.2022

138,61
Aroma Di Amo - Koude Oorlog

First-time reissue of Aroma Di Amore's debut album, originally released in 1984.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
Aroma Di Amore - Harde Feiten

First-time reissue of Aroma Di Amore's 2nd album, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
Aroma Di Amore - Koudvuur

First-time reissue of Aroma Di Amore's 3rd album, originally released in 1987.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

22,31
Aroma Di Amore - De Sfeer Van Grote Dagen

First-time reissue of Aroma Di Amore's 3rd EP, originally released in 1985.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music

pre-order now02.12.2022

expected to be published on 02.12.2022

20,38
Aroma Di Amore - Zonder Omzien

First-time reissue of Aroma Di Amore's 4th EP, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

pre-order now02.12.2022

expected to be published on 02.12.2022

20,71
Rocky Votolato - Wild Roots

With his first release since 2015, Seattle based Indie-folk hero Rocky Votolato returns with Wild Roots, an intimate concept album inspired by and written for his family. Each song a letter dedicated to a specific family member and focused on a special memory or moment in time. After losing his child in December of 2021 in a tragic car accident, the entire album, and especially the song “Becoming Human”, now a posthumous love letter, takes on an even deeper while devastatingly bittersweet meaning. The production on Wild Roots is hushed, handcrafted, and warm — an intimate and personal experience that brings the nature of Votolato’s storytelling to life in very authentic and genuine ways. Produced, engineered, and mixed by Votolato himself, the record is a deliberate construction of his conceptual vision and new phase of his recording career. Additionally, the record features a stellar cast of renowned musicians whose contributions perfectly compliment the delicate nature of these songs — Abby Gundersen (William Fitzsimmons) on piano, string arrangements, and vocal harmonies, James McAllister (Sufjan Stevens, The National) on drums and percussion, Phil Wandscher (Whiskeytown, Jesse Sykes and the Sweet Hereafter) on electric guitar, and Marcel Gein (Perry O’Parson) on electric guitar. In many ways, Wild Roots is not only a break in silence for Votolato, but the opening of a new chapter — one that feels laser focused on what really matters in life. Whether discovering Votolato for the first time or adding another record to your collection, Wild Roots resonates on the most simple and important human levels — a sharing of experience that encourages us to keep believing in ourselves and in the magic of this life, no matter how harsh and difficult it can be.


Track list: 1. Evergreen 2. 23 Stitches 3. Glory (Broken Dove) 4. There is a Light 5. X1998x 6. Becoming Human 7. Breakwater 8. Little Black Diamond 9. Archangels of Tornados 10. The Great Pontificator 11. The Wildest Horses 12. Little Lupine 13. Bella Rose 14. Southpaw 15. Texas Scorpion (The Outlaw Blues)

pre-order now02.12.2022

expected to be published on 02.12.2022

24,79
Abe Linx & Tully C. - The World Famous La Familia Forever

“This is for the family,” Abe Linx says. “It’s not really about who doesn’t love us, it’s about those that do. The ones we motivate and inspire. It’s for those people.” The World Famous La Familia Forever is the powerful sophomore effort from Abe Linx & Tully C., two incredibly gifted emcees who have crafted a contender for the best release of 2022. Across this EP’s 10 tracks, the Indianapolis-repping duo showcase their worldview, dig into their personal histories, and firmly plant themselves on the hip-hop map. And as Abe Linx spits on the stunning track “WORLDWIDE”: “Who the f*ck gon’ tell me different?” In addition to the passion of Abe Linx & Tully C. and their collaborators, TWFLFF stands on its own because it is just so sonically engaging. The production is equally crunchy and fascinating, because it flirts with sounds crafted by legends without sounding dated. This is timeless, raw hip-hop helmed by two talented rappers and their favorite producers like Nomstks & AWSME J, as well as longtime collaborators Baleboy Geechie & DJ GB.
You can tell that Abe & Tully took their time with these songs, meticulously piecing them together in the two years since their previous release. Each cut moves seamlessly into the next, bringing that special kind of cohesion. Just listen to how “RABIES” moves into “400MPH (skit)” and then “SKYSCRAPER,” a brilliant slice of showin’-out rap elegance. While there are only three guest features on the project, they’re used to great effect and make as much of an impact as their hosts. Planet Asia stomps all over the aptly titled “SHOWOFF,” while Willie The Kid complements the smoked-out vibes of “CHANDELIER.” And when Bub Rock shows up on “RABIES”? It’s a wrap as soon as he hops on that piano-laced, dusty instrumental. TWFLFF is a mission statement, with pieces that also sound like a word of warning to anyone looking at these two sideways. Or, as Tully C. raps so perfectly on “CHANDELIER”: “I be in this b*tch, with my clique/ So don’t act stupid.” The World Famous La Familia Forever drops on vinyl right in time for the holidays through their recent partnership with Fat Beats.

pre-order now02.12.2022

expected to be published on 02.12.2022

34,24
The Humble Bee - Things are sweeter when they’re lost Dauw

Tape



Originally released in 2019, Craig Tattersall unspooled a gorgeous tape of disintegrated piano meditations and dusty lower case ephemera.

On the A-side it’s a dreamily searching, silty flux of piano notes peeling in slow motion. Strings drift over, connoting cold breezes and infrasonic, spectral presences, but the effect is far from menacing, it’s more a tranquil shade of sublime, like those hours after midnight when the meridian sounds of road traffic and human life have ebbed off into the distance and you’re left with the sighing creaks of a room.

The sound is remarkably different on the B-side. Here the air gradually thickens with murkier sub-harmonic distortion, bordering on a seething sense of aggression relative to most of Tattersall’s other output, pushing the grim murk to a logical entropy that precipitates elegiac pauses for reflection and warbling closure.

pre-order now02.12.2022

expected to be published on 02.12.2022

15,92
GAISMA - MIRRORS OF THE COSMIC CINEMA

Für Fans von Smerz, The Internet, Erika De Casier & Japanese Breakfast Es braucht ein starkes Selbstbewusstsein um seine Komfortzone zu erweitern. Bei der Künstlerin Gaisma scheint diese Ausweitung keine Grenzen zu kennen. Vom professionellen Tanz, über das DJ Leben in den Nacht Clubs, bis hin zu eigenen musikalischen Kompositionen und Produktionen. Die Disziplin mit der Alisa Scetinina aka Gaisma ihren Leidenschaften nachgeht, kommt nicht von ungefähr; aufgewachsen in Lettland wo sie sich in jungen Jahren dem Ballett verschrieb und schließlich in der Choreografischen Schule in Riga aufgenommen wurde. Mit 15 Jahren kam sie alleine nach Deutschland und nachmehreren Engagements u.a. in München und an der Stuttgarter Oper, entschied Alisa aus dem nichts Kunst zu studieren und live zu performen. Damit war der kreative Hunger noch nicht annähernd gestillt, es kam Cinematography hinzu, sowohl vor als auch hinter der Kamera, diverse Choreografie Arbeiten und eben ihre eigens produzierte Musik die Genreübergreifend in alle Richtungen fließen kann. Nach diversen Singles und zwei Alben auf Bandcamp, die ausschweifenden Techno sowie sanfte R'n'B Klänge beinhalteten, entschied die 27jährige die eigenen Produktionen beiseite zu legen und sich mit Paul Schwarz (Levin Goes Lightly, Karies, Human Abfall) zusammen zu tun um eine EP aufzunehmen und zu produzieren. Dabei herausgekommen ist "Mirrors of the Cosmic Cinema", eine musikalische Reise die Hörer*innen in träumerische Momentaufnahmen entführt. Die 5 Song starke EP überzeugt mit cleverem Songwriting rund um zwischenmenschliche Wahrnehmung und kleinen alltäglichen Geschichten. Durch technische Finesse scheint sich die Zeit beim Hören auszudehnen und lässt somit Realitätsflucht und kleine Gedanken Abenteuer zu. Eine Mischung aus Indie Bedroom-Pop, Contemporary R'n'B und einer brise psychedelic Soul wird verfeinert mit treibenden Rap Passagen und jazzigen Drums, das zeigt die Vielfalt und das Talent mit dem Gaisma Genres aufbricht und miteinander vereint.

pre-order now02.12.2022

expected to be published on 02.12.2022

16,60
Plaid - Feorm Falorx

Plaid

Feorm Falorx

12inchWARPLP356
WARP
01.12.2022

On the cusp of their 30th year with British indie Warp Records, Plaid return with a joyous new studio album, Feorm Falorx. From their playful early releases in the late 80's until now, they have explored diverse musical styles and embraced new methods of synthesis whilst maintaining a musical thread that spins back through the early Hip Hop scene of their youth and beyond to the sounds of the late 60s and 70s that inspired it.

Plaid have toured extensively and collaborated widely over the years, writing for and performing with sonic researchers, percussion groups, solo artists and orchestras, most recently for the BBC Concert Orchestra. They have written for computer games and scored several feature films, one of which, Tekkon Kinkreet, was awarded the Japan Academy Prize for Animation of the Year.

This eleventh studio album finds our duo, Ed Handley and Andy Turner, recreating a recent performance at the Feorm Festival, an intergalactic festival held on the planet Falorx. In order to survive the Falorxian atmosphere they were converted into light so the traditional recording devices they'd taken on 'The Campbell' were not functional. Fortunately, having consulted Earth's Space Agency, it was deemed safe to recreate the performance back in their London studio. Extensive testing of the resulting recordings have established a level of thought contamination deemed, “perfectly acceptable.”

Feorm Falorx will be released Universally on 11-11-22

pre-order now01.12.2022

expected to be published on 01.12.2022

26,01
Kawaii San - Blue Skies EP

We are very excited to announce our 9th release, Blue Skies by Kawaii San, a vibe setting magician only found on the depths of Band Camp until now. This will be his first vinyl output and it is packed with 4 dancefloor punishers that will take you all the way from the warm up to your mates flat for a cheeky crack on.

Ch-ch-check it out!

out of Stock

Order now and we will order the item for you at our supplier.

11,98

Last In: 6 months ago
Thomas Barnett - Motorize

Thomas Barnett

Motorize

12inchXRD010
Exarde
01.12.2022

Extremely rude, extremely powerful, extremely Detroit. You will never miss this one if you are on the dance floor. The boss of Visillusion records was one of the first music producers and DJ’s who dipped his toes into the deep black pond of techno. Actually, that was so long ago that nobody knew the name of this genre at the time. From 1987 he has appeared under different monikers around the globe for many occasions and he is definitely cannot be stopped.

Fresh three-tracker from Thomas Barnett is a gold horse. Moscow-based Exarde has got you covered if you are one of those DJ’s who like lifting heavy weights. Just pop the A-side on the deck without even looking and let this warehouse bounce. But don’t forget to flip it in a few minutes because the B-side has a more experimental feel if we might say and just can’t be missed by any electronic music aficionado.

out of Stock

Order now and we will order the item for you at our supplier.

12,06

Last In: 18 months ago
Space Time Continuum - Fluresence EP (2022 Remasters)

(180 gr vinyl) Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.

This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.

Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.

Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.

Needless to say, zero gravity listening is strongly encouraged.

out of Stock

Order now and we will order the item for you at our supplier.

18,91

Last In: 12 months ago
John Shima - The Empty Lands LP 2x12"

Blue Vinyl

2019 saw Firescope release a seminal album, The Lonely Machine by Britain’s John Shima. The world has become a very different place since then. The pandemic, economic turmoil and global crises prevail. It is amidst such uncertainty that Shima returns with a new collection to combat the savagery of our times, enter Empty Lands.

Dauby basslines and silken strings introduce “Component”, saturated snares giving ballast as Shima’s signature style immediately comes to the fore. A throbbing kick and orbiting notes are peppered with hi-hats for “Neglected”, a sonorous stratum synergising beautifully. Shima is a student of techno. His appreciation and knowledge of the sound is central to the album as he composes within the traditions of the UK and US canon while exploring new plains. The influence of “bleep” is woven into the tapestry of pieces like “Depart” and “Mettle” with the minimalism of the 90s genre reimagined through new textures. “Sayaka” flows with a different current. Rhythms are understated, lapping against undulating keys as dawn rises. Harmony and melody are cornerstones of record, the gentle ebbs and flows of key and drum merging. Inspiration arises from home as well. The steady pulse and metallic tang of “Projection” recalling the industry of Sheffield and the pioneering electronics that sprouted from that rust red earth.

Track titles, and the album name itself, suggest periods of challenge and difficulty. “Paralysis”, “Desolate”, “Empty Lands”. Words that conjure certain feelings and responses. Shima’s music is a counterbalance to these emotions. Positive compositions of subtle shifts, complementary percussion and welcoming warmth acting as a tonic to the negativity that swirls; the ten audio works on offer acting as a balm to soothe the soul in these troubled time

out of Stock

Order now and we will order the item for you at our supplier.

37,77

Last In: 2 years ago
Flevans - A Short Distance To Fall LP

Talented multi-instrumentalist Flevans returns with his most musically expressive and personal long player, 'A Short Distance To Fall'.

A largely instrumental album, though peppered with lush vocal samples throughout, 'A Short Distance To Fall' is a listening experience and one meant to be savoured from start to finish - drawing you in and guiding you through an ever changing musical world, taking in snippets of electronica, disco, funk, beats, soul and downtempo - delivering them all with a warm, musical, lo-fi aesthetic.

With nods to luminaries such as The Avalanches, early Ninja Tune and Nightmares on Wax through to contemporaries such as Folamour and Art of Tones, the challenge was to create something cohesive that could traverse the different genres he loved whilst remaining true to the Flevans sound.

Diverse and eclectic, yet warm and cohesive throughout - from the atmospheric beats of 'In Shadows' the uplifting radio-ready warmth of first single 'It Take The Whole Day', the lurching groove of 'We Walk Alone' through to the driving disco of 'Digits' and 'I Got Soul', the album rewards repeated listens, never sitting still on one style or sound.

out of Stock

Order now and we will order the item for you at our supplier.

20,13

Last In: 3 years ago
Black Girl / White Girl - Multiverse

Joining techno mainstays Spencer Parker, Leo Pol and label boss Mella Dee among others, BLACK GIRL / WHITE GIRL are the latest artists to come to Warehouse Music serving up an EP of mind-expanding techno rollers.

The Holland-based duo have made a name for themselves producing weighty, no-nonsense techno cuts to reputable labels Super Rhythm Trax, Balkan Vinyl, and more recently, their independent Bandcamp series Dancefloor Destroyers which remade old school classics in the image of jack: acidifying everything from Robyn to Donna Summer, these tools show off the pair’s ability to make a club (re)werk.

Now with their ‘Multiverse EP’, BLACK GIRL / WHITE GIRL take their sound to another plane where kick drums slide over spectral voices, bleeps smudge into cosmic fractals, and minimal hi-hats make way for a slinkier, deeper energy than on previous releases—all without spilling a drop of their signature raw power.

out of Stock

Order now and we will order the item for you at our supplier.

11,72

Last In: 20 months ago
Robert Schumann - Marsch Nr. 2 .. G-minor / Waldszenen / Six Parts / S.richter

The music of Robert Schumann and the artistry of Sviatoslav Richter are a natural match. Schumann was loathe to use flashy, purely virtuosic elements in his compositions, a fact brilliantly illustrated in the vast majority of his works for solo piano. Rather, Schumann was much more likely to tell a story, paint a picture, or read a poem through his music, although his works were not overtly programmatic. Richter possessed a technique virtually unrivaled during his career and was able to definitively toss off even the most technically demanding works. At his heart, however, Richter was a poet and an artist with profound musical insights and introspections. This album, featuring recordings made in the late '50s, is one of Richter's surviving albums in which poor sound quality does not distract listeners from this artistry. His performances of the C major Fantasy, the Op. 82 Waldszenen, and the Op. 12 Fantasiestucke are magnificently refined, unhurried, and unsullied by some pianists' need to make the works flashier then they need to be.

out of Stock

Order now and we will order the item for you at our supplier.

14,08

Last In: 3 years ago
Craig David - 22 LP

Craig David

22 LP

12inch4050538812947
BMG Rights Management
28.11.2022

Since he first emerged at the end of 1999 with instant UK garage classic Re-Rewind, Craig David has scored 25 UK top 40 singles (16 of them top 10), nine UK top 40 albums (five of them top 10) and amassed over 5 billion (!) streams worldwide. In fact, over 1.5 billion of those came via his most recent releases, 2016's chart-topping comeback album, Following My Intuition, and 2018's career consolidating The Time Is Now. If you're more used to the old school metrics, that's 20m global sales. And speaking of global, he's played sold out tours everywhere from America to Australia, Japan to Germany. Across his twenty-plus year career, he's collaborated with the likes of Sting, Kano, Diplo and KSI, while also becoming one of the biggest DJs in Ibiza via his TS5 soundsystem. Award-wise we're talking 14 Brit Award nominations, two Grammy nominations, four MOBO awards and three Ivor Novellos honouring his songwriting. It's impressive, sure, but that's the past. It's ephemera. “I always feel like you need to be more real-time and present in the now,” David confirms.
That present involves an excellent new album, his eighth, in the shape of next year's 22. “It's 22 years since the first album, it will be 2022 when the album drops,” he explains of the title. This month sees the arrival of 22's glorious, MNEK-assisted lead single Who You Are, which cocoons a feel-good pop lyric about being present in a pristine UK garage casing courtesy of producer Digital Farm Animals. Like all Craig David classics it feels both box fresh and warmly nostalgic. “It will live in the world this song,” David says. “It feels so authentic, it has intention. Put on Who You Are to try and talk to someone that needs help.”

The idea of putting a smile on people's faces is at the heart of 22, an album whose title itself reflects myriad different themes. “There's also a spiritualism in the number 22 and what it represents,” he says. “In numerology it's a very powerful number and in terms of angel numbers it's bringing balance and equilibrium to my life. We're in a world where there's a lot of me against you, and so it's bridging the gap.” The title also represents distance; it's a date stamp that marks his career longevity. So what does the album's contents say about Craig David in 2022? “At its core it's still very much everything I've honoured since I was a kid, but in some ways I'm being more playful,” he says. “Loosening up the chains of my history. My debut is probably the most clear expression of who I am because it was my first outing – it's everything you are. So on this album there's that energy mixed with the wisdom and experience I can bring to the world. I've not mastered anything yet, I'm a newcomer still.” Still very much born to do it, just older and wiser.

out of Stock

Order now and we will order the item for you at our supplier.

26,85

Last In: 3 years ago
JOHN IVERSON - MANY WORLDS INTERPRETATION LP

Many Worlds Interpretation is a collection of cosmic Americana for electronics, guitar, and percussion culled from Jon Iverson’s extensive home-studio archive. 1984, Los Osos, California. In a small cinderblock cottage, hand-painted with bright psychedelic flora, Jon Iverson created vibrant new worlds. He spent long days and nights immersed in sound, perfecting home recording on his 8-track reel-to-reel, combining his love for kosmische and Berlin School electronics with an infatuation with ethnographic sounds and expansive guitar music. In a duo with fellow sonic traveler Thomas Walters, Iverson released missives from the studio on a self-titled LP released on country legend Guthrie Thomas’ Eagle Records. That release featured
three electro-acoustic compositions (“Naningo”, “River Fen”, and “Fox Tales”) as well as a gathering of guitar duo tapestries. Many Worlds Interpretation re-imagines those interplanetary works alongside several unreleased compositions that also feature synthesizer, guitar, and percussion, creating a re-visioned album which leans into Iverson’s electronic studio wizardry.

All songs have been carefully transferred from analog tape to high resolution digital, retaining their vintage studio warmth, but mixed and mastered for modern ears and audio systems. The album is pressed at 45rpm, further enhancing the audiophile experience.

Artist Statement

I worked in a Harley Davidson parts warehouse in the summer of 1976 in the San Francisco Bay Area. The goal was to save enough money to buy transportation for college and a Teac 4 track 1/4" reel to reel tape machine. By September there was a rusting monkey-vomit green car in the driveway and shiny new Teac with a Sony condenser microphone in the bedroom. At this point I had been playing guitar for a dozen years and like most children of the sixties, dreamed of joining
a band.

Went to college instead to study business.

But all was not lost. 1978-1979 was spent as Weird Al Yankovic's roommate and we recorded and created enough songs to play shows around San Luis Obispo, California, where we were attending college. Many of those recordings have yet to be heard by the public, including the first performances of My Bologna and many other parodies of pop songs of the day. We sent tapes to Dr. Demento, we auditioned for The Gong Show and were barred from playing at the local college after one memorable performance. Wild times.

I, however, was more intent on working on "serious" music, with albums from Vangelis, Tangerine Dream and Jean Michel Jarre providing inspiration. DJing at the local college radio station and then public radio outlet provided exposure to an endless stream of obscure albums (Sky Records from Germany was a particular favourite). Most of them would never make it to the air, but my buddies and I would pass them around like exotic treasure.

Fast forward a couple more years and I had picked up a Mini-Moog and eventually a Prophet V synthesizer as well as starting a collection of instruments from around the world. The Teac and synths formed the basis for a growing DIY studio that had taken over a modest-size garage (pictured on the cover) that had been converted into a two room cottage in Los Osos, California.

The Teac was eventually joined by a rented Otari 1/2" 8-track and then finally a vintage MCI JH-100 2" 16-track. The compositions on this album were recorded on these three machines between 1982 and 1989. At some point an Apple II computer with Alpha Syntauri sound card and keyboard were added and then later the first personal computer sampling hardware/software kit, the Decillionix DX-1. The DX-1 forms the rhythm track for “Fox Tales” and the Alpha Syntauri was programmed to create the pulsing synth for “Naningo”. “River Fen” was tracked with both the Alpha Syntauri and the Prophet V.

I knew this music wasn't commercial, but didn't care. It was inspiring working with the first computer-based synths and semi-pro gear. Home studios were still rare in the early 80s until the Tascam Portastudio blew the DIY door wide-open. But I was more interested in sound quality so stuck with reels of tape instead of lower fidelity cassettes.

During the time these songs were recorded, I was also collaborating with my good friend and mandolinist, Tom Walters. “River Fen”, “Naningo” and “Fox Tales”, were solo recordings that also ended up on the first Iverson & Walters album, First Collection. The other four pieces on this new LP were never fully finished or released until now.

— Jon Iverson, September 2022

out of Stock

Order now and we will order the item for you at our supplier.

32,56

Last In: 3 years ago
Soutien Gorge - Tarskapcsolatodban

"Soutien Gorge" make a much welcome return to release their latest album "Tarskapcsolatodban" on "Touched Music". I'm not as familiar with their backcatalogue as I would like to be but intend to remedy that ASAP! The double CD compilation "Meseerdö" on Touched Music is a great place to do that... Soutien Gorge are two guys from Hungary who make interesting experimental electro-acoustic music. Their first release was around 2002, making this release their 20th anniversary release ! This latest release Tarskapcsolatodban by Soutien Gorge makes me think fondly of a lot artists on labels like City Centre Offices, Morr Music, and some outlyers on Warp Records. Musically coming in somewhere between, ISAN, B. Fleischmann, and Plone. The melodies have simple, often nursery rhyme like appeal. Arrangement wise there are acoustic and electronic instruments, with some field recording elements, and and sampling of speech in to me what is just a foreign language and difficult to understand. Good use of guitars to create additional layers at times remind ne of Duo-505, the B. Fleischmann side project. The field recordings and reserved electronics reminds me of the 2018 "Wanderwelle" album "Gathering Of The Ancient Spirits" on "Silent Season (Canada)".

out of Stock

Order now and we will order the item for you at our supplier.

16,77

Last In: 3 years ago
CLUSTER - CLUSTER 71 LP

Cluster

CLUSTER 71 LP

12inchBB581
Bureau B
26.11.2022

Re-release Gegründet 1970 von Dieter Moebius und Hans-Joachim Roedelius zählen Cluster zu den einflussreichsten Bands der experimentellen Elektronik- und Ambientmusik in Deutschland. "Cluster 71" war das Debütalbum des Duos und zählt laut dem Musikmagazin "The Wire" zu den "One Hundred Records That Set The World On Fire". "Cluster 71" ist ein Monster: Das Album enthält gerade mal drei (unbetitelte) Stücke und ist schwere Kost für unvorbereitete Ohren. Doch das Album war wegweisend wie kaum ein zweites elektronisches Musikwerk. Cluster waren vorher noch ein Trio und schrieben sich Kluster. Aufgrund musikalischer Differenzen trennten sich Moebius und Roedelius 1970 von Konrad Schnitzler und spielten 1971 im Hamburger Star Musikstudio ihr erstes Album ein. Clusters völlige Abkehr von gebräuchlicher Harmonik und Rhythmik bis hin zu totaler klanglicher Abstraktion, ihr selbstverständlicher Umgang mit Geräuschen, rigorose elektronische Live-Improvisationen und das Bewusstsein, nichts verlieren zu können - das alles kennzeichnet diesen innovativen Aufbruch. Der Begleittext stammt von Asmus Tietchens.

pre-order now26.11.2022

expected to be published on 26.11.2022

21,22
Berverly Skeete - Warm/If The Feeling Is Right 7"

Press play on Beverley Skeete’s ’Warm' and a wave of evocative, vivid images of sultry, sun-kissed summer days will wash over you.

'Warm' is UK street-soul / electronic boogie at its finest. An infectious groove that features an amazing vocal performance invites you to fall in love. Beverley Skeete is an under-the-radar talent and you only need to dip into the sheer number of productions she has been involved with to see the pedigree of her artistry. It includes working with superstars such as Tina Turner, Chaka Khan, Bronski Beat, Elton John, Boy George, and Maxi Priest, to name just a few. She was also the vocalist for the 90s global house hit 'Passion' by Gat Decor. Beverley continues to work in music to this day and, in 2021, released her most recent album, 'Liberty’.

'Warm' was Beverly's third solo single for the fabled UK record label Elite. Released in 1985, it was produced by the stellar underground production team of A Sojka / de Jongh Production. This duo is better known as Andy Sojka (Atmosfear, 3rd Army, et al) and Richard de Jongh. Elite was set up by Sojka in 1979 and was a hotbed for underground UK talent that often became staples of the most discerning US dancefloors too. 'Warm' and the equally remarkable soulful-dancer 'If The Feeling Is Right' are lesser-known jams from the label’s catalogue, but they have rightfully been championed by the diggers and collectors, and what beauties they are!

Official Mr Bongo replica reissue of the original Elite release.

out of Stock

Order now and we will order the item for you at our supplier.

14,75

Last In: 22 months ago
Doro - Warrior Soul LP (2x12")

Metal-Queen DORO Pesch veröffentlicht auf ihrem Label "Rare Diamonds Productions" eine limitierte Neuauflage ihres 2006er Studioalbum "Warrior Soul".

Die 14 Songs (inkl. 2 Bonus-Tracks) kommen neu in limitierter 2 Gatefold LP auf weissem Vinyl.

pre-order now25.11.2022

expected to be published on 25.11.2022

39,45
Shayne Ward - Shayne Ward LP

Shayne Ward

Shayne Ward LP

12inchCOOKLP812
Cooking Vinyl
25.11.2022

Multi-Platinum recording artist Shayne Ward rose to fame as winner of the second series of the UK talent show The X Factor. His debut single ‘That’s My Goal’ was the 2005 Christmas No. 1, spending four weeks at the top of the chart and selling 2 million copies - still one of the all-time twenty biggest best-selling debut singles. The debut album entered the chart at No. 1 in April with first week sales 200,000 copies. Shayne has since had three further Top 40 hits and three more hit albums. Shayne's platinum selling self-titled album is available on vinyl for the very first time, and features the hit singles 'That's My Goal', 'No Promises' and 'Stand By Me'.

pre-order now25.11.2022

expected to be published on 25.11.2022

26,01
Warthog - Warthog (Culture?)

Warthog

Warthog (Culture?)

7"-VinylSSR041
Static Shock
25.11.2022

REPRESS ON PURPLE VINYL. New edition of the third Warthog EP. Raging hardcore punk from the hyped NYC group.

pre-order now25.11.2022

expected to be published on 25.11.2022

10,04
T.S. Warspite - Stop The Rot

Whilst most of the North swung to the right in the 2019 General UK Election, the North West held onto their hope and long standing heritage of voting for what imagines itself to still be the ‘Left’. It’s 2022 and there are no political choices left, but to rise up and revolt to Stop the Rot. T.S. Warspite channel their message through a unique musical recipe that answers the question no one asked: What if Bad Religion grew up in Manchester in the 2000s? Made up of some long standing and productive members of the local scene, this sounds like friendship and experience, and some refreshing as fuck hardcore. Singer Marco Abbatiello weaves expertly through scenes of pulp reality where everything is fleeting and only some things stick. What’s left is a farcical montage of things that have rushed past you with no real sense of direction. Personally and politically, it’s all the same wretched soup of societal collapse and the rise of the technocracies. Do yourself a favour, and play this through your Tesla microchip whilst throwing a molotov at No.10. Members of Violent Reaction, Payday, Firearm, Arms Race, Rated X. T.S. Warspite is Paul Morgan, Tom Howard, Marco Abbatiello, Tom Pimlott and Miles Livingstone-Todd. Recorded and Mixed by James ‘Atko’ Atkinson at The Stationhouse. Mastered by Will Killingsworth at Dead Air Studios. Art by Chio. Photos by Meline Gharibyan

pre-order now25.11.2022

expected to be published on 25.11.2022

24,79
Annett Louisan - Bohème (English Version) (Ltd. black Vinyl))

Nach fast 20 Jahren der Veröffentlichung ihres Debütalbum „Bohème“, welches mit über 500.000 verkauften Einheiten ihre erfolgreichste Veröffentlichung ist, erscheint nun erstmalig die englische Version des Albums.
Die englischen Bohème-Songs wurden 2009 in Berlin aufgenommen.
Adaptiert wurden die Texte von Martin Gallop einem kanadischen Singer-Songwriter. "Mit Annett Louisan trat er 2007 und 2008 als Gaststar auf ihrer „Das optimale Leben“- Tour und 2009 auf der „Teilzeithippie“-Tour auf, wodurch er einem größeren deutschen Publikum bekannt wurde, insbesondere da er von Sommer 2008 bis 2010 mit Annett Louisan auch privat liiert war, was auch von den Boulevard-Medien zur Kenntnis genommen worden war. Die Künstlerin war seinetwegen nach Berlin gezogen, wo Gallop seine neue Wohnheimat gefunden hatte.

Im Zuge dieser Veröffentlichung erscheinen auch ihre, als Tonträger lang nicht mehr zu erhaltenen, Alben „Bohème“ (2004), „Unausgesprochen“ (2005), „Das optimale Leben“ (2007), und „Teilzeithippie“ (2008) in neuem Gewand als „Gold Edition“ als hochwertiges Digipak und Gatefold DoppelVinyl, 180Gramm. „Unausgesprochen“, „Das optimale Leben“ sowie „Teilzeithippie“ erscheinen zum 1. Mal auf Vinyl.
Alle Alben enthalten unveröffentlichte Bonustracks des 2005 aufgenommen Livekonzerts bei „SWR1 Kopfhörer“.

pre-order now25.11.2022

expected to be published on 25.11.2022

34,16
The Mixtapers - Sun Metaphors

The Mixtapers

Sun Metaphors

12inchANGIS111
Angis Music
25.11.2022

The Mixtapers land on the newborn Angis Music - founded by Bakerboy - with a warm-sounding and futuristic EP which stems from jam session recordings in which acoustic instruments interact with electronic ones. The path begins with the title track Sun Metaphors, driven by an enveloping bassline which leads us to exotic and surreal landscapes, dominated by a vibrating groove. The glorious vocals of the singer ALO sound like a tribute to the Sun and more generally to warm, bright energies, like a Gospel choir. The same spirituality resonates in Trinity, a cosmic funk trip with flute and keytar interludes. Side A serves also Smokey Reflection which is pure sensuality in its most deep form while Stay (Away From Me) is the epilogue of a fervent journey, where the sounds of drum machine and congas recall the atmosphere of bossa nova, also because of the presence of Sara Lima's voice.

out of Stock

Order now and we will order the item for you at our supplier.

9,87

Last In: 8 years ago
TONY WILLIAMS - PLAY OR DIE LP

Tony Williams gehört sicherlich zu den auch heute noch einzigartigen Schlagzeugern im Jazz, deren Wirken sogar Stilrichtungen nachhaltig beeinflusst haben und immer noch prägen. Im Alter von 16 holte ihn bereits der Saxophonisten Jackie McLean in seine Band nach New York. Mit McLean spielte er auch seine erste Plattenaufnahme ein. Bald darauf sorgte Williams im Alter von 17 Jahren bereits im zweiten Miles Davis Quintet für Furore. Knapp 20 Jahre später, am 30. und 31. Mai 1980, ging Tony Williams mit Tom Grant (Keyboards, Synthesizer, er kam auf Empfehlung von Jeff Lorber in diese Band) und Patrick O'Hearn (Bass, Synthesizer) in das Tonstudio Zuckerfabrik in Stuttgart/Germany. Dieses Studio war in den 70er und in den frühen Achtzigern in der ersten Ausprägung eine legendäre Adresse für Audio-Produktionen aller Art. Larry Coryell, Wolfgang Dauner, Stephane Grappeli, Elvin Jones, Martin Kolbe + Ralf Illenberger, Volker Kriegel, Alphonse Mouzon, John Scofield und das United Jazz+Rock Ensemble nahmen dort auf. Diese beispielhaft für noch sehr viele andere. Produziert hatten Tony Williams und Peter Schnyder im Tandem. Komponist aller Titel war Williams. Das Album wurde in nur zwei Tagen eingespielt und direkt dort im Studio gemixt. Dieses zeitlose Album kam damals in einer Auflage von 500 Stück, wurde seinerzeit kaum promotet und mag dem/der einen oder anderen daher verborgen geblieben sein. Umso schöner, dass es jetzt wieder lieferbar ist.

out of Stock

Order now and we will order the item for you at our supplier.

22,48

Last In: 3 years ago
Al Di Meola - Orange And Blue LP

Als Al Di Meola Anfang der 90er Jahre in Kooperation mit
Gibson die Al Di Meola Jazz Guitar kreierte, war es nur eine
Frage der Zeit, bis der einzigartige Klang dieser Gitarre auf
einem Studioalbum zu hören sein würde. "Orange and Blue"
war 1994 dieses Album. Di Meolas virtuose Gitarrenläufe
und Solos verbinden seine einmalige Technik mit einer
neu-entdeckten Leidenschaft für Swing. Kompositionen wie
'Chilean Pipe Song' und das wilde 'Casmir' prägen diesen
Meilenstein. Die Reissue ist nun erstmals überhaupt auf
Vinyl verfügbar und erscheint zudem als CD Digipak.

pre-order now25.11.2022

expected to be published on 25.11.2022

37,35
Birdy Sanjazz & Philo Philta - Vogelfutter

Birdy Sanjazz and Philo Philta. A dream team of birds. Birdy scatters beats like birdseed, Philta makes pickypicky. One after the other. You can still hear "Grrrrr, there isn't more than one 16 per grain" and then he's fluttered on. How long this winter was, but luckily the birdhouse was always well stocked. Well-fed, they are now moving on, from Karlsruhe to Würzburg and back. Always look from above, down on this small world with its people and human-like creatures. A few of them approaching, as always. Timothy Morris, Slice, Johannes Onetake, DJ Ketch, Toby Tobsucht. Beep beep, album ready.


Birdy Sanjazz und Philo Philta. Ein Dreamteam an Vögeln. Birdy streut Beats wie Vogelfutter, Philta macht pickypicky. Einer nach dem anderen. Man hört noch „Grrrrr, mehr als einen 16er gibt es nicht pro Korn“ und schon ist er weitergeflattert. Was war dieser Winter lang, aber zum Glück war das Vogelhäuschen immer gut gefüllt. Jetzt ziehen sie wohlgenährt weiter, von Karlsruhe nach Würzburg und zurück. Blick immer von oben, nach unten auf diese kleine Welt mit ihren Menschen und menschenähnlichen Wesen. Ein paar von denen wie immer mit im Anflug. Timothy Morris, Slize, Johannes Onetake, DJ Ketch, Toby Tobsucht. Pieppiep, Album fertig.

pre-order now25.11.2022

expected to be published on 25.11.2022

17,10
Various - One Swallow Doesn’t Make A Summer Part 5

Part 5 of the various artists series is at it again with 5 tracks by 5 different producers and a mixture of feel good party time music and contemplative music. You will hear familiar Running Back names like Storken (this time together with JStaaf) refining their comic tropes (or imagine Foreigner doing house music) next to newcomers like Archie Ward. His Pizza Girl puts musical toppings on a pounding underbelly that wouldn't be out of place in any warehouse, while Moritz and Amount dial it back a bit. Their respective tracks are gleaming with a special kind of elegant end-of-night euphoria that is hard to come by - and all the nicer if it happens. Remember: trance is a state of mind! Last but not least, Australia's Jonus Eric delivers an IDM-leaning piece of outsider dance. Hot soup, hot swallow!

out of Stock

Order now and we will order the item for you at our supplier.

9,87

Last In: 16 months ago
Soulphiction - When Radio Was Boss

Soulphiction

When Radio Was Boss

12inchPAMPA019
PAMPA
25.11.2022

2022 Repress

The Artist Concurrently Known As Jackmate has been already been indoctrinated into our cult since he signed onto he Pampa bookings roster awhile back. As SoulPhiction he is also co-founder of Philpot, the Stuttgart-based label, home to the majority of his releases over the past 10+ years. Anyway, we get the privilege of stamping the Turkey logo on SoulPhiction's first proper release of 2013, following his remixes for Murat Tepeli and Detroit Swindle. 'When Radio Was Boss' is a tribute to those magical electromagnetic waves that ruled yesteryear. With that prototypical Pampa percussion-rattling and clanking its way into the room-and a warm, round bassline bounce combined with some symphonic froth in the atmosphere, this track definitely demands airplay. On the dancefloor, at least! (And right in the middle of the track, catch the pleasantly jarring shout-out from WBAU, the call sign of the defunct New York radio station that counted members of Public Enemy and hosts of Yo! MTV Raps amongst its staff.) On the flip, the bpm gets cranked down just a bit for 'Maybachswagger"-If the A-side is a tribute to radio, the B has roller-skating on its mind. Starting out spooky with a sampled voice cooing over a slightly detuned bassline, the surprise comes in the final third, when a kawaii disco vibe drops in, seducing you onto the rink for a few laid-back laps.

out of Stock

Order now and we will order the item for you at our supplier.

10,88

Last In: 13 months ago
Good Charlotte - Youth Authority LP

Good Charlotte

Youth Authority LP

12inchMDDN001VL
MDD
25.11.2022

Seit der Bandgründung Mitte der 90er, haben Good Charlotte fünf Alben veröffentlicht und mit zahlreichen Künstlern kollaboriert. Die Band hat einen maßgeblichen Teil dazu beigetragen, das Pop Punk Genre weltweit zu etablieren. Dafür legten sie mit ihrem selbstbetitelten Debütalbum und den Singles 'Little Things' und 'Festival Songs' im Jahr 2000 das Fundament.
'The Young and the Hopeless', mit dem Good Charlotte 2002 riesige Erfolge feiern konnten, katapultierte die Band schließlich in den Pop Punk Olymp und machte sie zu weltweiten Superstars. Es folgten 'The Chronicles of Life and Death' (2004) und 'Good Morning Revival' (2007), die in ihrer Heimat ebenfalls mit Platin ausgezeichnet wurden. Nach ihrem letzten Album 'Cardiology' (2010), wurde es Zeit für eine Pause, man musste dringend durchatmen. Die Madden-Brüder konzentrierten sich auf ihr Recording Studio im Herzen Hollywoods, wo sie für andere Künstler vieler Genres schreiben, aufnehmen und produzieren. Außerdem sitzen die beiden in der Jury der australischen Version von The Voice.
Dass die beiden überhaupt wieder anfingen, ihre eigene Musik zu schreiben, ist laut Benji und Joel wohl den australischen Pop Punk Newcomern 5 Seconds of Summer zuzuschreiben. Die Zusammenarbeit mit der jungen, aufstrebenden Band, erinnerte die Brüder an den Spaß, den sie mit ihrer eigenen Band hatten und inspirierte die Beiden 2015 schließlich dazu, einen Neuanfang zu starten. "Es packte uns und das Schreiben kam wie von selbst," erklärt Joel. "Während wir an ein paar Platten für andere Künstler arbeiteten, wurde uns klar, dass es großen Spaß machen würde, wieder eine Good Charlotte Platte zu machen. Und eine Good Charlotte Platte können eben nur wir machen. Wir wurden ein bißchen nostalgisch und folgten unseren Instinkten."

out of Stock

Order now and we will order the item for you at our supplier.

19,87

Last In: 3 years ago
Riopy - (extended) Bliss LP

"Dieses Album habe ich Bliss (Seligkeit) genannt, denn
es verkörpert eine Periode des Glücks und das Ende
einer schmerzvollen Vergangenheit", verrät RIOPY die
Hintergründe zu seinem dritten Album extended Bliss .
In seiner Musik verarbeitet der französisch-britische
Pianist und Komponist , was das Leben für ihn
bereithält. Seine beiden ersten Alben RIOPY (2018) und
Tree of light (2019) begleiteten ihn auf dem Weg durch
die Depression - und katapultierten den musikalischen
Autodidakten ganz nebenbei an die Spitze der
amerikanischen Billboard-Classical-Charts , wo sich sein
zweites Album über 100 Wochen hielt. Die Einspielung
erschien bereits im Sommer 2021. Aber weil Werk und
Leben sich bedingen, bleibt es "work in progress". Unter
dem Titel [extended] Bliss erweiterte der Künstler das
Album nun um einige Tracks.
Die Ergänzungen erklärt RIOPY so: " Fantasy , The First
Waltz und Human Compassion - diese drei Stücke
beenden eine Trilogie, sie markieren das Ende der Angst
und eröffnen einen Weg zu neuen Erfahrungen". Diese
Reise in ein sehr ruhiges und heiteres Universum und
der Kontakt mit der Natur beeinflussten den Klang
des Albums.

pre-order now25.11.2022

expected to be published on 25.11.2022

32,31
SARATHY KORWAR - KALAK LP

Sarathy Korwar

KALAK LP

12inchBAYV125
Leaf
25.11.2022

Sarathy Korwar returns with new album KALAK. The follow up to the politically charged, award-winning More Arriving is an Indo-futurist manifesto - in rhythmic step with the past and the present, it sets out to describe a route forward. It celebrates a rich South Asian culture of music and literature, which resonates with spirituality and community, while envisaging a better future from those building blocks. Recorded at Real World studios with meticulous production by New York electronic musician, DJ and producer Photay, who translates these communal rhythms and practices into a timeless and groundbreaking electronic record. There"s a spirituality and warmth at play in the polyrhythms, group vocals and melodic flourishes. The KALAK rhythm is the fulcrum upon which the 11-track project balances. After an intense lockdown induced period of reflection and meticulous note-making, Korwar boiled this down to the circular KALAK symbol which he then presented to his band before recording began. With the symbol projected on the walls in order to de-code and improvise around, Korwar had utter faith in the musicians he"d assembled and conviction in the concept.

out of Stock

Order now and we will order the item for you at our supplier.

20,04

Last In: 3 years ago
TRAKA - MONSTAS

TRAKA

MONSTAS

12inchYUKU030
YUKU
25.11.2022

Clear Vinyl

"Monstas brings out our street and theatrical sides to a fiasco, combining Grime/Dub MC's and tunes to make a Soundtrack-like experience. The release also marks an end of a Trilogy - which allows us to wrap up our sonic architect skills, and to start from scratch, to dive deep in the unknown - audio and visually."
- TRAKA

out of Stock

Order now and we will order the item for you at our supplier.

20,13

Last In: 22 months ago
Federico Madeddu Giuntoli - The Text and The Form

Federico Madeddu Giuntoli is an italian multidisciplinary artist. Mostly autodidact, his art is based on groundedness and simplicity, and focused on the complexity of human journey in a non aggressive, warm and unfiltered way.

His works, ranging from contemporary art, music, writing and photography, are usually delicate and subtle, yet unequivocally tuned into a certain kind of pop communication, however essential and experimental it may be.

"The text and the form" is his first solo album, featuring german e-poetess AGF and japanese artist Moskitoo (12K).

The album is a collection of 11 minimal and intimate short songs, in which piano fragments, lonely guitar solos, spoken words and evocative vocals resonate with processed microsounds and lo-fi field recordings, creating a concise and very deep journey into romance and sense of mystery.

In the artist's words, "the album shaped itself according to a loose process of refinement and layering. A long, undisturbed assembling across more then a decade, often against my own will to reach a definitive form. If any relevance in this work can be found, I would say it resides in its capability to deliver a rare sense of vulnerability, longing and aliveness together, an aroma of improvisation and instability mixed with a unexplicable impression of perfection".

pre-order now25.11.2022

expected to be published on 25.11.2022

24,33
Antibalas - Antibalas LP

Antibalas

Antibalas LP

12inchDAP028LP
Daptone Records
25.11.2022

The unstoppable, irresistible rhythms and melodies of Antibalas have influenced scores of artists across rock, hip hop, afrobeat and beyond.

Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit FELA! and penned original music for the show. Members have also recently collaborated/performed with Iron and Wine, Sharon Jones & The Dap-Kings, Mark Ronson, TV on the Radio and The Roots.

On the heels of the hit musical FELA!, Antibalas ended up reuniting with former member and producer Gabriel Roth, who was at the helm for their first three albums. This self-titled album was their first on Daptone Records.

out of Stock

Order now and we will order the item for you at our supplier.

23,91

Last In: 3 years ago
Antibalas - Antibalas LP

Antibalas

Antibalas LP

12inchDAP028LPX
Daptone Records
25.11.2022

The unstoppable, irresistible rhythms and melodies of Antibalas have influenced scores of artists across rock, hip hop, afrobeat and beyond.

Born in a Brooklyn warehouse in 1997, 12 piece ensemble Antibalas is credited with introducing Afrobeat to a wider global audience, influencing countless musicians and developing a live show that is the stuff of legend. Members of Antibalas served as musical directors and the house band in the Broadway hit FELA! and penned original music for the show. Members have also recently collaborated/performed with Iron and Wine, Sharon Jones & The Dap-Kings, Mark Ronson, TV on the Radio and The Roots.

On the heels of the hit musical FELA!, Antibalas ended up reuniting with former member and producer Gabriel Roth, who was at the helm for their first three albums. This self-titled album was their first on Daptone Records.

pre-order now25.11.2022

expected to be published on 25.11.2022

23,91
VII Circle & Tham - Split Series 001

solid white vinyl

For the third release on his own imprint, DTR, VII Circle launches the new split series by teaming up with THAM, on a full split EP.

Following the latest EPs 2020's 'Fearless EP', 2021's Warriors which saw the support from artists like Perc, Paula Temple, Headless Horsemann and Regal just to name a few, VII Circle is with two impactful tracks which are establishing once again his uncompromising sound and exposure to the dark post-punk and heavy music influences he got.

On the other side of the vinyl, THAM shows his genuine and real interpretations of how complex grooves, pounding bass drums and aggressive synths are driving his sound.

With this release, the duo wants to rise a new musical vision and musical compactness that has distinguished them in recent years, making them find their true personal sound.

out of Stock

Order now and we will order the item for you at our supplier.

13,03

Last In: 18 months ago
Marja Ahti & Judith Hamann - A coincidence is perfect, intimate attunement

Second Editions presents a new collaborative work by Marja Ahti and Judith Hamann.

After their distinguished duet ‘Portals’ for Cafe Oto's Takuroku label, ‘A coincidence is perfect, intimate attunement’ is a wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings. The release is formed from a shifting field of sound correspondence that pivots on moments of coincidence, of a tuning in.

What are we opening ourselves to when we tune in to sound? How can one be truly open to a sound? How can the activity of recording move beyond notions of capture and release into more generative frames? Rather than a tool purposed for preservation or ‘conservation’ of memory, of time and place, can recording sound instead form new vibrant or vibratory spaces of attunement?

‘A coincidence..’ is an LP length composition of multiple interlocking parts, created through exchange, alignment, unpredictability: the title borrowed from poet Fanny Howe falling right into place, a flock of birds in flight, pitches matched and moved across different geographies and temporal frames. Marja & Judith have created an intuitive, lyrical longform piece that considers the idea of attunement itself as, in some sense, the smallest form of measure or denominator connecting their respective practices: across field recording, just intonation, electronic sonorities and instrumental bodies. ‘A coincidence..’ reflects a sense of a willingness to tune in to impulses given, or gifted to the other, a position that embraces an intimate synchronicity.

Recordings & correspondances between 2020-2022. Mixed by Marja Ahti & Judith Hamann. Mastered and cut by Anne Taegert at Dubplates & Mastering in Berlin, 2022. Title quotation from Night Philosophy by Fanny Howe, Divided Publishing, 2020. Photogrpahy by Joshua Bonnetta. Thanks to Nino Bulling, Niko-Matti Ahti and leo. The work was supported by Kone Foundation, Akademie Schloss Solitude and NEUSTART KULTUR.

Marja Ahti (b. 1981) is a Swedish-Finnish composer and sound artist based in Turku, Finland. Ahti works with field recordings and other acoustic sound material combined with synthesizers and electronic feedback in order to find the space where these sounds start to communicate. She makes music that rides on waves of slowly warping harmonies and mutating textures – rough edged, yet precise compositions, rich in detail. Ahti has presented her music in many different contexts around Europe, in Japan and the United States. She is currently active in the duo Ahti & Ahti with her partner Niko-Matti Ahti and in the artist/organizer collective Himera.

Judith Hamann is a cellist and performer/composer from Narrm/Melbourne in so-called Australia, currently based in Berlin. Their work encompasses performance, improvisation, electro-acoustic composition, field recording, electronics, site specific generative work, and micro-tonal systems in a deeply considered process based approach to creative practice. Currently Judith’s work is focused on an examination of expressions and manifestations of 'shaking’ in solo performance practice, a collection of works for cello and humming, as well as ongoing research surrounding ‘collapse’ as a generative imaginary surface, and the ‘de-mastering’ of bodies (human and non-human) in European settler-colonial heritage instrumental practice and pedagogy. Judith likes working with and thinking-with other artists which sometimes includes people like Joshua Bonnetta, Dennis Cooper, Charles Curtis, Golden Fur (with James Rushford and Sam Dunscombe), Lori Goldston, the Harmonic Space Orchestra, Sarah Hennies, Yvette Janine Jackson, and Anike Joyce Sadiq.

pre-order now25.11.2022

expected to be published on 25.11.2022

22,98
Nas - It Was Written LP

Nas

It Was Written LP

12inchGET51310LP
GET ON DOWN
25.11.2022

Repressed! Illmatic, the 1994 studio debut of Nasir "Nas" Jones, was more than just a critical success for the Queensbridge-based rapper. At a time when East Coast hip-hop was increasingly being taken less seriously than their West Coast counterparts, Illmatic's raw jazz and soul-based production, dire atmosphere and lyrics, coupled with Nas' uncompromising flow was integral in restoring interest in the East Coast as a hotbed of hip-hop artistry. Along with key releases from Wu-Tang Clan and Notorious B.I.G.,it shifted attention away from the funky, dayglo synth-based G-funk coming out of California and back to the grimy streets of New York. After such an unprecedented debut record, expectations were understandably high for Nas' follow-up. What came next threw critics and fans for a loop, but was no less influential than Illmatic, and would become the most commercially successful album in the entirety of Nas' discography. The 1996 sophomore follow-up was titled It Was Written, and in contrast to the urban bleakness of his debut, had Nas dipping his toes into the world of mafioso rap. Amidst production from heavy hitters like Trackmasters, Dr. Dre, L.E.S., Havoc of Mobb Deep, and Illmatic-collaborator DJ Premier, among others, Nas weaves evocative narratives of gang warfare, downtrodden neighborhoods, drug deals gone awry, and gangsta triumph, against a backdrop of samples from Sam Cooke, Etta James, the Isley Brothers, and even Chuck Mangione. It Was Written was not hard up for top-tier guests either, featuring major guest turns from Lauryn Hill and Joel "JoJo" Hailey of K-Ci & JoJo. It also introduced the world to The Firm, the brief Nas-led supergroup featuring rappers AZ, Foxy Brown, and Cormega. It even managed to cause some minor controversy in the hip-hop community for its collaboration with West Coast producer Dr. Dre, at a time when the East Coast/West Coast rap feud was reaching a fever pitch, briefly attracting the ire of one Tupac Shakur. Not only was It Was Written received warmly by critics, but became a major commercial success, reaching the top of the Billboard 200 charts, reaching platinum sales status four times, and alongside albums like Raekwon's Only Built 4 Cuban Linx, helped usher in the era of mafioso rap in the mainstream. It rendered chart hits out of singles like the Eurhythmics-mimicking "Street Dreams", and the Grammy-nominated "If I Ruled The World (Imagine That)", and proved to be a major influence on artists like Kendrick Lamar, Lupe Fiasco, and many more.

out of Stock

Order now and we will order the item for you at our supplier.

37,61

Last In: 3 years ago
High Command - Eclipse Of The Dual Moons

Swords and metal go hand in hand. That’s what crossover thrash band High Command say, having turned heads with their debut album Beyond The Wall of Desolation (2019). But it’s not solely metal music which influences the band, who cite the lustful violence of Robert E. Howard, Michel Moorcock, Jack Vance and many other legendary pulp writers of the 20th century as an impetus for their expansive storytelling.
“People would also be surprised to hear we drew quite a bit of inspiration from the music of Ennio Morricone, especially in regards to writing some more of the epic, grandiose passages and chord progressions.” says the band.
Now, with their second album, Eclipse of the Dual Moons, the band take their love of storytelling a step further, deepening and widening the world of Secartha, the realm of High Command’s songs. The band place themselves as omniscient narrators of the world they have created, and say that they are inseparable from Secartha and its people. “It’s one thing to make a good metal record, but it’s another to put on top of it a sort of overarching story that makes sense to listeners. The whole High Command project is enriched by lyrics articulating characters, a world, and trials faced within it. We want our records to be immersive and leave listeners with a feeling they’ve experienced something bigger than the music.”
It’s not just a question of widening the world, which the band first started exploring on The Secartha Demos (2016); Eclipse of the Dual Moons sees High Command honing their process to a fine art “it’s like we started with chiseling a rock… this record is the moment the rock in question begins to look like an actual sculpture.”

pre-order now25.11.2022

expected to be published on 25.11.2022

23,32
Illusion - Illusion (Black Vinyl)

1976 planten ex-Yardbirds-Sänger Keith Relf und seine Schwester Jane, Jim McCarty, Louis Cennamo und John Hawken, die ursprüngliche Besetzung der Band Renaissance, eine Wiedervereinigung. Doch der damalige Sänger und Gitarrist Keith Relf verstarb, bevor das Projekt in dieser Form umgesetzt werden konnte. In der Folge übernahm Jim McCarty, die akustische Gitarre und einen Teil des Gesangs. Schlagzeuger der neuen Band wurde Eddie McNeill, dazu kam noch John Knightsbridge an der Gitarre. Da die Band Renaissance jedoch in komplett anderer Besetzung fortbestand, musste ein anderer Name gewählt werden. Die ursprünglichen Renaissance waren nun Illusion. Illusion veröffentlichten 1977 und 1978 zwei sehr schöne Alben auf Island Records. Sie werden nun erstmalig als LP wiederveröffentlicht.
Das Mastering von den original Tapes wurde im renommierten AIR Studio von Paul Samwell-Smith (für 'Illusion') bzw. Phil Kinrade überwacht. Beide Alben kommen mit teilweise Spotlack im Artwork sowie bedruckten Inner Sleeves!

pre-order now25.11.2022

expected to be published on 25.11.2022

14,92
Illusion - Out Of The Mist (Black Vinyl)

1976 planten ex-Yardbirds-Sänger Keith Relf und seine Schwester Jane, Jim McCarty, Louis Cennamo und John Hawken, die ursprüngliche Besetzung der Band Renaissance, eine Wiedervereinigung. Doch der damalige Sänger und Gitarrist Keith Relf verstarb, bevor das Projekt in dieser Form umgesetzt werden konnte. In der Folge übernahm Jim McCarty, die akustische Gitarre und einen Teil des Gesangs. Schlagzeuger der neuen Band wurde Eddie McNeill, dazu kam noch John Knightsbridge an der Gitarre. Da die Band Renaissance jedoch in komplett anderer Besetzung fortbestand, musste ein anderer Name gewählt werden. Die ursprünglichen Renaissance waren nun Illusion. Illusion veröffentlichte 1977 und 1978 zwei sehr schöne Alben auf Island Records. Sie werden nun erstmalig als LP wiederveröffentlicht.
Das Mastering von den original Tapes wurde im renommierten AIR Studio von Paul Samwell-Smith (für 'Illusion') bzw. Phil Kinrade überwacht. Beide Alben kommen mit teilweise Spotlack im Artwork sowie bedruckten Inner Sleeves!

pre-order now25.11.2022

expected to be published on 25.11.2022

14,92
Nathan Davis with Georges Arvanitas Trio - Live in Paris - The ORTF Recordings 1966-1967

"Live in Paris" - Nathan Davis, (sax); Georges Arvanitas (p, org); Jack Diéval (p); Jacky Samson, Jacques Hess (b); Franco Manzecchi, Charles Saudrais (dr)

Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style.

His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries.

This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention - the man was on fire!

These live sessions demonstrate the limitless invention of Nathan’s solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan ... Jazz is made of such giants and Nathan Davis was one of them.

pre-order now25.11.2022

expected to be published on 25.11.2022

46,22
Dizzy Gilespie - Live at the Singer Concert Hall 1983

For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates "Brother K" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: "The Blues", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty: "Yes Dizzy, you made it".

Dizzie Gillespie, Trumpet and Vocals
Mike Longo, Piano
Alexander Gafa, Guitar
Earl May, Bass
Mickey Roker, Drums
Guest Artist : Jon Faddis, Trumpet on tracks 9 and 10

Recorded at the Singer Concert Hall

Laren Jazz Festival, 25.VIII.1973

STEREO ℗ 1973 VARA

Remastered by ℗ & © 2017 FONDAMENTA

Made and printed in Germany

pre-order now25.11.2022

expected to be published on 25.11.2022

58,78
High Command - Eclipse Of The Dual Moons

Swords and metal go hand in hand. That’s what crossover thrash band High Command say, having turned heads with their debut album Beyond The Wall of Desolation (2019). But it’s not solely metal music which influences the band, who cite the lustful violence of Robert E. Howard, Michel Moorcock, Jack Vance and many other legendary pulp writers of the 20th century as an impetus for their expansive storytelling.
“People would also be surprised to hear we drew quite a bit of inspiration from the music of Ennio Morricone, especially in regards to writing some more of the epic, grandiose passages and chord progressions.” says the band.
Now, with their second album, Eclipse of the Dual Moons, the band take their love of storytelling a step further, deepening and widening the world of Secartha, the realm of High Command’s songs. The band place themselves as omniscient narrators of the world they have created, and say that they are inseparable from Secartha and its people. “It’s one thing to make a good metal record, but it’s another to put on top of it a sort of overarching story that makes sense to listeners. The whole High Command project is enriched by lyrics articulating characters, a world, and trials faced within it. We want our records to be immersive and leave listeners with a feeling they’ve experienced something bigger than the music.”
It’s not just a question of widening the world, which the band first started exploring on The Secartha Demos (2016); Eclipse of the Dual Moons sees High Command honing their process to a fine art “it’s like we started with chiseling a rock… this record is the moment the rock in question begins to look like an actual sculpture.”

pre-order now25.11.2022

expected to be published on 25.11.2022

20,97
League of Distortion - League of Distortion LP

"A new force, LEAGUE OF DISTORTION, unite to defeat the shadows cast upon the music scene with their fresh sound and style! Back in 2017, Anna Brunner celebrated remarkable international success with her symphonic metal band Exit Eden, and now, teams up with notorious guitarist Jim Müller - known from his famous heavy metal band Kissin’ Dynamite. Together, they’ve formed one of the hottest modern metal upstart bands of the year, combining their signature sounds to create a powerful soundscape. Now, having recently signed with Napalm Records, they are ready to fight the darkness yet again with their 2022 full-length, self-titled debut album, League of Distortion. Lifting the dark veil of stagnation caused by the pandemic, LEAGUE OF DISTORTION introduce a new sound that resonates with the uncertainty of this period. “Wolf or Lamb” - the addictive first stand-alone single that introduced the band as a force to be reckoned with - ushered in a completely new era by serving modern, melodic rhythms and technical prowess, igniting the fire of the full album, League Of Distortion. “Rebel By Choice” and “The Bitter End” show the band’s burning passion and dedication to the genre, while “My Revenge” convinces with a catchy hook and bashing guitar riffs. The elemental force of Anna “Ace” Brunner’s distorted, powerful voice merged with chunky riffs played by Jim “Arro” Müller, steady and strong beats delivered by Tino “Aeon” Calmbach and edgy bass by Felix “Ax” Rehmann unifies them, forming a strong blast of an album that cannot be missed! LEAGUE OF DISTORTION showcase the individual musical expertise of its members without ever becoming stagnant or pretentious - unabashedly distorting the order and launching a new age of metal. Songs like “I’m A Bitch” and “It Hurts So Good” abandon all rules, while catchy hooks like in “L.O.D.” mark anthems to claim their new reign. With songs like “Solitary Confinement” and “Sin”, the band shows their lyrical depth by turning their sadness into a powerful war cry, providing expressive pieces and hymns for the lost. LEAGUE OF DISTORTION convince with classic pieces featuring strong instrumentals, on-the-nose lyrics and energetic vocals, proving their penchant to stand out from the pack. They’ve transformed their frustration into a musical statement beyond compare. With “Do You Really Think I Fucking Care”, the band lands the final punch of the album to make the message clear: LEAGUE OF DISTORTION are here to set the scene ablaze! "

pre-order now25.11.2022

expected to be published on 25.11.2022

29,37
DUR-DUR BAND - VOLUME 5

Tape

Dur-Dur Band emerged in the 1980s, during a time when Somalia's contribution to the creative culture in the Horn of Africa was visible and abundant. Seeking inspiration outside the impressive array of Somali traditional music that was encouraged at the time, everyone from Michael Jackson and Phil Collins to Bob Marley and Santana were fair game. This recording, which was remastered from a cassette copy source, is a document of Dur-Dur Band after establishing itself as one of the most popular bands in Mogadishu. The challenge of locating a complete long-player from this era is evidenced bythe fidelity of this recording. However, the complex, soulful music penetrates the hiss. In a country that has been disrupted by civil war, heated clan divisions and security concerns, music and the arts has suffered from stagnation in recent years. Incidentally, more than ten years after Volume 5 (1987) was recorded at Radio Mogadishu, the state-run broadcaster was the only station in Somalia to resist the ban on music briefly enacted by Al-Shabab. Dur-Dur Band is a powerful and illustrative lens through which to appreciate the incredible sounds in Somalia before the country's stability took a turn.

pre-order now25.11.2022

expected to be published on 25.11.2022

14,24
Various - XXIV - Chapter Two

Freude am Tanzen is back for a very special occasion. In 2022, three Various Artists EPs will be released, celebrating the 24th anniversary of the label from Thuringia. Whilst occasions like this would
normally be celebrated on the quarter century, this release makes sense not only on the mathematical level. 3 compilations with 4 tracks provide the half of 24.
The release however also makes sense in terms of history. Freude am Tanzen is showcasing a broad range of electronic music, never neglecting their history but also looking into the future.
The second Edition of the Compilation features tracks from Caldera, Freund der Familie, Gathaspar and Front Left. The A-Side focusses on Dub-House. Calderas Track ‚30 Friends‘ gets a smooth yet groovy vibe across. Freund der Familie contributes a hypnotic production, which would suit well incorporated in a warm up or on the home speakers.
The flip side goes deeper into the minimalistic region of electronic music. Gathaspar has produced a trippy journey, featuring the vocals of Anna Partini. One for the morning hours on the dance floor.
Front Left praises the groove with his track ‚AM3N‘. Very playful and delicate and a lovely selection of percussion. Do not miss!5.

out of Stock

Order now and we will order the item for you at our supplier.

9,87

Last In: 22 days ago
Baldruin - Kleine Freuden

Baldruin

Kleine Freuden

12inchMAP031LP
Mappa Editions
25.11.2022

Johannes Schebler's musical output is all about establishing a dreamlike territory where sonic settlements can spread at ease. While Grykë Pyje (Johannes Schebler's duo with Jani Hirvonen) presents musical landscapes as open and clear spaces, Baldruin's miniature pieces tend to narrow them down, zooming into domestic sceneries that shift like malleable rooms inside a magic building. These are the quarters where the inhabitants of Schebler's musical world are configured.

Rendered in a tender manner, the tunes in Kleine Freuden (in English: small joys) unfold like a collection of fairy tales and bedtime stories. Fables and lullabies performed in whispering tones seem to carry us through a child's dream where images blend into each other. Compact, yet gauzy and free flowing melodies gather up revealing an ensemble of households where fanciful entities play care freely, leading us along their musical maze. The music is placid, childlike and playful. It wanders around in unwavering estrangement, organizing an unprecedented and intimate space as seen from a bird's eye view.

In the landscape of a bedroom where the night lamp is the sun, we take part in a lively journey, as wonder is warrant and keeper of a warm and pristine environment. Perspective shifts as we rise from bed sheet folds that turn into fragile mountain ranges. We crawl behind furniture and take shelter in secret hideouts while dust falls upon us like a blizzard. Transfiguring notions of scale and time, we are left wondering how long have we been here, wondering if music is the only true measurement of time.

out of Stock

Order now and we will order the item for you at our supplier.

21,81

Last In: 3 months ago
The Menzingers - Rented World

LIMITED WHITE COLOUR

Zwei Jahre nach ihrem mehrfach zum Album des Jahres gekürten Debüt für das Label Epitaph ("On The Impossible Past", 2012) veröffentlicht die Punkrockband The Menzingers ihren vierten Longplayer. "Rented World" entstand in Philadelphia, Pennsylvania. Erstmals an den Reglern: der Produzent Jonathan Low, dessen unverwechselbarer Americana-Sound schon die Werke von The War On Drugs, Sharon Van Etten, Kurt Vile und The National bereicherte. In der Vergangenheit haben The Menzingers bereits mit Bands wie Against Me! und Anti-Flag gespielt. Label-Boss und Bad-Religion-Gitarrist Brett Gurewitz über die 2006 gegründete Band: "Die Jungs spielen genau den reinen Punkrock, mit dem ich aufwuchs." Für Fans von Title Fight, Tigers Jaw, The Lawrence Arms, Frank Turner und Against Me!

pre-order now25.11.2022

expected to be published on 25.11.2022

26,01
Randy Burns - The Exit And Gaslight Years 1965-69
also available

Yellow Vinyl[26,01 €]


When it comes to post-Dylan psychedelic folk with acid-tinged dreams look no further than legendary 60s Greenwich Village figure Randy Burns. His beautiful string of albums released between ’66 and ’71 on New York’s mythical ESP-Disk are all you need if you’re a loner folk fanatic. ‘Of Love And War’, ‘Evening Of The Magician’ & ‘Song For An Uncertain Lady’ are the source, eerie acoustic ballads, folk-rock that travels wide and distant over melancholy flute arrangements and country grooves. “The Exit And Gaslight Years 1965-69” collects all the best cuts from that an era, opening a crystal clear window on the inspiring work of Randy Burns. RIYL: Fred Neil, Ed Askew, Dave Bixby, F.C. McMahon, Mike Hurley. Genre: Folk / Acid-Folk Track list: 1. Evening Of The Magician 2. Echos Of Mary's Song 3. Standing At Your Door 4. Girl From England 5. When Daylight Comes In Everything 6. Song For An Uncertain Lady 7. Ron's Song 8. Autumn On Your Mind 9. Maybeline 10. Any Tuesday In The Rain 11. Waiting For An Old Friend / Africa 12. Deegan Street

pre-order now25.11.2022

expected to be published on 25.11.2022

22,65
Randy Burns - The Exit And Gaslight Years 1965-69
also available

Black Vinyl[22,65 €]


When it comes to post-Dylan psychedelic folk with acid-tinged dreams look no further than legendary 60s Greenwich Village figure Randy Burns. His beautiful string of albums released between ’66 and ’71 on New York’s mythical ESP-Disk are all you need if you’re a loner folk fanatic. ‘Of Love And War’, ‘Evening Of The Magician’ & ‘Song For An Uncertain Lady’ are the source, eerie acoustic ballads, folk-rock that travels wide and distant over melancholy flute arrangements and country grooves. “The Exit And Gaslight Years 1965-69” collects all the best cuts from that an era, opening a crystal clear window on the inspiring work of Randy Burns. RIYL: Fred Neil, Ed Askew, Dave Bixby, F.C. McMahon, Mike Hurley. Genre: Folk / Acid-Folk Track list: 1. Evening Of The Magician 2. Echos Of Mary's Song 3. Standing At Your Door 4. Girl From England 5. When Daylight Comes In Everything 6. Song For An Uncertain Lady 7. Ron's Song 8. Autumn On Your Mind 9. Maybeline 10. Any Tuesday In The Rain 11. Waiting For An Old Friend / Africa 12. Deegan Street

pre-order now25.11.2022

expected to be published on 25.11.2022

26,01
Rural Tapes - Inner Space Music

On November 18th, Rural Tapes is back with a follow-up to the highly acclaimed debut album "Rural Tapes" from 2021. A year and a half ago, Arne Kjelsrud Mathisen was declared a genius by Mojo, who described his music as a hybrid between Kraftwerk, Air, Tortoise and Serge Gainsbourg. While the debut album was created over a period of almost 10 years, the music on "Inner space music" has been composed and recorded during one intense month in January 2022 in Mathisens own studio in the countryside of Grimstad, Norway. Again, a number of high-profile musicians have left their mark on Rural Tapes' music, including The Dream Syndicate frontman Steve Wynn, PJ Harvey saxophonist Terry Edwards and REM guitarist Peter Buck and Scott McCaughey, both of whom are Mathisen's bandmates in the psychedelic jangle pop group The No Ones. ACCLAIM FOR RURAL TAPES: “A level of its very own” MOJO "Rural Tapes delights in the unexpected. At every turn, you encounter something new, something to be marvelled over. Kjelsrud Mathisen has said he wants this music to stand the test of time. It will." The Independent “A dreamy self-titled debut full of broad soundscapes... Melding smooth jazz with floaty puffs of synth, the album is both meditative and uplifting, the sort of soundtrack you might expect from a dream sequence in a 1970s film." GQ Magazine “From the first notes of this debut album from respected Norwegian producer Arne Kjelsrud Mathisen, you know you’re in for a treat. As Rural Tapes he makes rich, warm technicolour soundtracks… it really is delightful stuff.” Electronic Sound "This is an excellent debut album." Prog Magazine "Mathisen’s musical pedigree makes Rural Tapes an intriguing musical journey of an album that takes in pulsating Krautrock, neo-classical moods and dreamy, proggy pop, all formed through an intuitive composition process." Shindig Magazine

pre-order now25.11.2022

expected to be published on 25.11.2022

24,33
Helga Myhr - Andsyning

Helga Myhr

Andsyning

12inchHO7379
Heilo
25.11.2022

Helga Myhr is a highly regarded Hardanger fiddle player and singer
She has participated in a number of ensembles and has played in a variety of
genres. In this work, originally composed for the 2020 Osa Festival, she combines
her roots in traditional music from Hallingdal with her distinctive form of musical
exploration. This release unites music and visual art on glorious vinyl, designed
by the award-winning artist Solveig Lønseth.Helga Myhr grew up surrounded by
folk music. Today, fiddle tunes are what lie closest to her heart:
"Fiddle playing encompasses infinite possibilities, and it is these possibilities that
inspire me when I create new music. People who know fiddle music well might be
able to hear which tunes or 'layers' I have used, but sometimes it is more subtle" -
Helga Myhr.
The music on this recording was composed specifically for the outstanding
musicians who appear on the recording. Their exceptional musical and creative
qualities have had a profound impact on how the music sounds: "Malin Alander
has a fabulous voice that she can shape and stretch with amazing suppleness;
Adrian Myhr produces a warm bass sound, with lovely and intricate melodic lines;
Michaela Antalová has a superb groove, and she creates elegant tones on the
willow flute; multi- instrumentalist Rasmus Kjorstad adds compelling sound
variations and tasteful contributions on the Norwegian zither, octave violin and
Jew's harp", Helga Myhr explains.
Poems by Margit Lappegard (1918– 2011), from Leveld, Ål in Hallingdal, are
included in three of the tunes. Lappegard was a beloved poet who attracted
considerable attention with her poetry collection "Noko vil alltid lysa", first
published in 1988.
Helga Myhr's solo album "Natten veller seg ut" was released in the autumn of
2019 on the Motvind Records label, and was nominated for a Norwegian Grammy
Award (Spellemannsprisen). Myhr plays in several groups and ensembles,
including the band Morgonrode, which won a Norwegian Grammy in 2019. She is
also a member of Kvedarkvintetten, Dei kjenslevare and a duo together with Tanja
Orning.

pre-order now25.11.2022

expected to be published on 25.11.2022

19,54
Kate Rusby - Holly Head

Kate Rusby

Holly Head

12inchPRVIN70
Pure Records
25.11.2022

Are you a 'Holly Head'? This limited edition vinyl release is a double disc
pressing on 180g heavyweight transluscent green vinyl with beautiful
gatefold packaging
Obsession can lead an individual down many different paths, it has drawn Kate to
her fifth festive long-playing offering. It's one of the warmest Christmas albums
you'll ever encounter. Winter is supposed to be the season of barrenness, of Jack
Frost nipping at your nose and of needing your big coat. It may get dark at four
o'clock but 'Holly Head' will illuminate and kindle hearts and hearths.

pre-order now25.11.2022

expected to be published on 25.11.2022

31,72
Black Lips - Good Bad Not Evil (Deluxe Edition) LP 2x12"
also available

Sky Blue Vinyl[35,25 €]


Ltd edition Double Sky Blue Vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian // Track List: Disc One – Good Bad Not Evil. A1 I Saw A Ghost (Lean) A2 O Katrina! A3 Veni Vidi Vici A4 It Feels Alright A5 Navajo A6 Lock and Key A7 How Do You Tell a Child That Someone Has Died B1 Bad Kids B2 Step Right Up B3 Cold Hands B4 Off The Block B5 Slime and Oxygen B6 Transcendental Light… Disc Two - B-Sides & Rarities. C1 Cruising C2 Make It C3 I Wanna Dance With You D1 Best Napkin I Ever Had D2 My Trouble D3 Leroy Faster D4 Buried Alive

pre-order now25.11.2022

expected to be published on 25.11.2022

31,72
Black Lips - Good Bad Not Evil (Deluxe Edition) LP 2x12"
also available

Black Vinyl[31,72 €]


Ltd edition Double Sky Blue Vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Classic Double Black vinyl, Gatefold sleeve w/ spot gloss, liner notes + DL card. Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did. “A perfect tapestry of sordid pleasure.” NME // “The same rapturous energy as the Sonics and the 13th Floor Elevators.” The Guardian // Track List: Disc One – Good Bad Not Evil. A1 I Saw A Ghost (Lean) A2 O Katrina! A3 Veni Vidi Vici A4 It Feels Alright A5 Navajo A6 Lock and Key A7 How Do You Tell a Child That Someone Has Died B1 Bad Kids B2 Step Right Up B3 Cold Hands B4 Off The Block B5 Slime and Oxygen B6 Transcendental Light… Disc Two - B-Sides & Rarities. C1 Cruising C2 Make It C3 I Wanna Dance With You D1 Best Napkin I Ever Had D2 My Trouble D3 Leroy Faster D4 Buried Alive

pre-order now25.11.2022

expected to be published on 25.11.2022

35,25
David Lance Callahan - English Primitive II

“Arguably his generation’s best lyricist” – Mojo // “The year’s stand-out album for me” – Stewart Lee // “A sort of modern-day pastoral” – Simon Armitage, Poet Laureate // The follow-up to last year’s first volume, English Primitive II continues the themes introduced previously in a harder, more electric and psychedelic style. The songs were mostly recorded during the same sessions but, if EPII showcased the ‘songs of innocence’, this new set comprises ‘songs of experience’. Callahan's lyrical themes here are frequently the sleaze and corruption of our ‘betters’, the intentional and unintentional brutality meted out on those weaker and the sometimes perverse ways in which this happens. There are moments of reflection among the broken mirrors, but they allow scant solace or reassurance. Dressed in another of Scottish artist Pinkie McClure’s witty and detailed stained glass creations and recorded at home and under a railway arch, EPII rises above its origins and invades the wider world, in all its colour, gritand glory. Each song serves as a monument to its internal tale – in fact, the whole LP is as much a collection of musical short stories as it is an album of songs. Opening with Invisible Man, the impression of a regular person with hidden grievances, biding his time and waiting to lash out is given. Waves of distant samples ebb and fall as the warped guitars swell and crash behind the main themes. We don’t know when this explosion will happen – we only know it will. A sleazy celebration of Britain’s position as the laundering capital of the world follows in the form of Beautiful Launderette. It’s good that we keep everything nice and clean for the whole planet, isn’t it? Business as usual, keeping the globe turning – that’s our role and we love it. The Parrot rocks like only a prolonged evisceration of governmental mouthpieces and their court stenographers can. It’s a thankless task making sure that the powers that be retain their authority in all things and patrolling the borders of what is allowed to be said and believed, but somebody’s got to do it. If you’re providing a service, you’ll need to present a united front against the grievances of the public, so you’ll need The Scapegoat. Mistakes and accidents can’t be the company’s fault, so you’ll need to pay someone to be publicly and repeatedly sacked to make it appear as if you’re solving problems and getting better. Lessons will be learned, going forward. The disturbing tale of Bear Factory begins side two and is the real-life story of the murder of one of the singer’s primary-school classmates in the 1970s, and true in every detail. The victim’s body was never found but the killer justifiably imprisoned for life. A more ancient scent of death pervades The Burnet Rose. This ground-hugging plant covers the graves of the victims in a seventeenth-century plague village on the Yorkshire coast to this day, commemorating their sacrifices when all around have forgotten. It’s this particular songwriter’s favourite flower. Orgy of the Ancients describes the intimate intricacies of ageing politicians and the press as they decide whether to go to war. In grotesque scenarios worthy of Caligula, they decide the fates of our children. And it’s not even half the truth. To finish, the songwriter looks back to an admired predecessor, when he sets William Blake’s famous poem London in a groovier setting than we’re used to – in the form of London by Blakelight. If London swings, it’s from the Tyburn tree. Tracks: Invisible Man / Beautiful Launderette / The Parrot / The Scapegoat / Bear Factory / The Burnet Rose / Orgy Of The Ancients / London By Blakelight

pre-order now25.11.2022

expected to be published on 25.11.2022

23,10
Daniela Gesundheit - Alphabet of Wrongdoing Boxset 2x12

Limited Edition Double LP Box Set with 108 page Hardcover Libretto Book and CD (500 copies).

Alphabet of Wrongdoing was set in motion a few years ago when Daniela was invited by Toronto songwriter Jennifer Castle to sing “‘a couple of acapella prayers to clear the space” ahead of her LA show. It was the first time Daniela had sung Jewish ceremonial prayers outside of a ritual context. Audience members were enthralled and stayed for hours after the show to ask questions about what they had heard and experienced. The title of the project comes from the prayer Ashamnu, or Alphabet of Wrongdoing. In a ritual context, a congregation would stand and recite, in alphabetical order, beating their chests with each admittance, all of the ways they may have missed the mark in the past year. This communal act of forgiveness is a form of spiritual accounting. “This music is for challenging junctures,” says Daniela, “when we have more questions than answers. I consult tradition when I am at such an impasse; It provides an antidote to the constant content update or disappointment of the news cycle. To make an album of reimagined Jewish liturgy is my way of saying we can re-work, but we cannot obliterate; matter just does not behave that way. We know what we have destroyed, but we don’t yet know what we will create. This is me hitting pause before we re-build -- consulting tradition, listening to my tradition, in case it carries any hints.” The accompanying video was directed and filmed by Johnny Spence and features dancers Erin Poole and Devon Snell. The video depicts two figures dressed in warm pinks and reds traverse a stark, barren snowscape. They are followed and encircled by iridescent color trails that appear at times to be celebratory shadows, at times prayer shawls, at times pestering consciences. A dual Canadian-American citizen, Daniela Gesundheit is a vocalist, composer, and cantor. As a member of Snowblink, Daniela writes non-denominational devotional pop music. She is also a member of the band Hydra, a collaboration between Feist and LaForce. She was a featured vocalist alongside Brian Eno on Owen Pallet’s In Conflict and on astronaut Chris Hadfield’s Songs From a Tin Can- the first record ever to be recorded in space. She sings traditional Jewish liturgy for Shir Libeynu, the first queer-inclusive synagogue in Toronto and officiates lifecycle rituals throughout the US and Canada.

Track list: 1. Thirteen Qualities - Adonai Adonai 2. Our Father Our King - Avinu Malkeinu 3. In the New Year - B'Rosh Hashanah 4. My Cup Overflows - Cosi Revaya 5. All Our Vows - Kol Nidre 6. Alphabet of Wrongdoing – Ashamnu 7. Self-Seclusion – Hitbodedut 8. The Great Confession - Al Cheyt 9. All Our Departed - El Malei Rachamim 10. Psalm of David - Mizmor L'David 11. She is a Tree of Life - Etz Hayim Hi 12. Who is Like You - Mi Chamocha 13. Opposite the Seraphim 14. Priestly Blessing II - Birkat Kohanim 15. Blessing for New Experiences – Shehechiyanu 16. Filled With Motherlove the Thousands Within – Shema 17. Priestly Blessing - Birkat Kohanot 18. The Just Will Blossom Like the Date Palm - Psalm 92 - Tzadik Ka'Tamar

pre-order now25.11.2022

expected to be published on 25.11.2022

168,03
LEE "SCRATCH" PERRY/ARI UP/DUBBLESTANDART - Return From Planet Dub

Jetzt auch als VINYL! 180 Gramm und fettes Artwork. Auf dem Planeten Dub haben Dubblestandart mit mittlerweile zehn Alben bereits einen eigenen Krater hinterlassen. Gegründet Ende der Achtziger unter dem Eindruck von Lee Perrys einzigartigen Black Ark-Produktionen und Adrian Sherwoods radikalen Mixmanövern auf On-U-Sound, hat die bewährte und begehrte Backing Band (Ari Up, Lee "Scratch" Perry, Dillinger, Lilian Allen, Top Cat), um Paul Zasky den jamaikanischen Produktionstechniken ihr eigenes, europäisches Gesicht gegeben: bassbasiert, New Wave-infomiert, mixtechnisch auf dem neusten Stand und versiert im Seiltanz zwischen digitalem Wumms und analoger Wärme, wortlos vermittelnd zwischen Patois und Schmäh. Mit dem elften Album krönen sie ihre Karriere mit einer Serie Aufsehen erregender Kollaborationen (u.a. Lee "Scratch" Perry, Ari Up und Regiemeister David Lynch!) und einer in dieser Saison in Sachen Dichte, Fülle, Tiefe und Schwere ihresgleichen sucht. Aufgenommen wurde in Kingston, der Bronx und im heimatlichen Studio in Wien.

pre-order now25.11.2022

expected to be published on 25.11.2022

22,31
Nothing More - SPIRITS

Nothing More

SPIRITS

CassetteBNM1124
Better Noise Music
25.11.2022

Three-time Grammy nominees, the San Antonio, Texas-based quartet NOTHING MORE return with their highly awaited seventh album, 'SPIRITS'. It features thirteen focused, adventurous and intense songs, uniting introspective philosophical lyrics with unapologetically massive anthems, including the in-your-face 'TURN IT UP LIKE (Stand In The Fire)', their most recent Top 10 Billboard Active Rock radio single 'TIRED OF WINNING'. Since emerging in 2003, NOTHING MORE has made rock radio chart history with no. 1 singles for both 'This is the Time (Ballast)' and 'Go To War', while they also have seven Active Rock Radio Top 10 singles in their repertoire. 'SPIRITS' further proves their expertise in the rock genre and beyond. It documents the tumultuous time the world experienced over the past two years capturing the desperation and isolation of lockdown, the spiral of substance abuse, the pain of broken relationships and survival in self-reliance while summarizing the overall story and mission of NOTHING MORE: Reflect, Provoke, Inspire.

pre-order now25.11.2022

expected to be published on 25.11.2022

12,56
Small - Don’t Leave Me In The Rain LP

We are delighted to announce RE:WARM 010 in this very infectious South African House-infused Pop record from 1991 drawing on influences from some of the greats in the genre. Sounding like a long-lost Frankie Knuckles L.P or Something The Pasadena’s might have put out in the early 90s. Small’s, “Don’t Leave Me In The Rain” is an under-the-radar grail for all those seeking good time House music for the feel-good slot at any party.

For all those that enjoyed the releases, we put out from Lucky Mereki or Bibbi this one is going to be right up your street. It's more of the same from the townships of S.As 1990’s Pop, Bubble Gum, Kwaito & House scene of the time. The sound was sweet, the message was positive, the clothes were loud and they seemed to be having the time of their lives.

Officially licensed and remastered for this small release run, 500 vinyl copies in total, pick it up here rather than paying the extortionate cost of the rare and hard-to-find original.

out of Stock

Order now and we will order the item for you at our supplier.

24,58

Last In: 3 years ago
MAR AFUNDA/Brasileira Roxa - Os Novos Crioulos/Supersom TA

Repress incoming...

Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.

The vocal and instrumental group Os Carbonos from São Paulo had a long career that straddled the 60s, 70s and 80s. 'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie-funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.

The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (MRBLP230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

out of Stock

Order now and we will order the item for you at our supplier.

10,04

Last In: 18 months ago
Various - MCR00007

Various

MCR00007

12inchMCR00007
Micron Audio Detroit
24.11.2022

This release is a promise from Micron Audio to provide only carefully crafted and curated electronic music from progressive minded artists. Nothing friendly... Period. Galaxian: An intelligent, intricate composition of titanium android parts and artificial intelligence. LOKA: Sidewalk cracking, body moving waveforms, that strongly reflect the title of the track. Ctrls: Like listening to an audio book on neuroscience except you can dance to it and raise your IQ at the same time. 6SISS: This sonic blast gives you fair warning that you're going to travel about 20 years into the future. DJS 313

out of Stock

Order now and we will order the item for you at our supplier.

10,88

Last In: 3 years ago
Items per Page:
N/ABPM
Vinyl