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Church Andrews and Matt Davies return with Tilt, a pinpoint collection of skewed microtonal and discordant compositions for percussion and digital synth.

Tones ascend but don’t resolve, rhythms loop, collapse and reassemble, patterns wriggle with geometric precision, sounds tilt, the edges fray.

Kinetic, elastic, wonky without being obtuse, Church Andrews (aka Kirk Barley) and Matt Davies new LP Tilt is the culmination of six years of creative collaboration, refining and redrawing the relationship between Davies’ virtuoso percussive practice and Barley’s off-kilter synthesis.

Where their 2024 release Yucca, took rhythmic cues from the Fibonacci sequence, Tilt explores a more intuitive approach, returning the duo to a minimal sound interrogating the interplay of chance and control, system and body, freedom and mechanisation. Featuring prepared guitar, finely resonant muted percussion and a crisp palette of digital synths, it draws on the pair's long-standing interest in alternate time signatures.

Here, a tripped-up 11/8 beat gives ‘Yokai’ a disorientating quality, threading unusual paths through the playful, mysterious 5-note Hirajoshi scale - a pentatonic scale from Japan hinted at in the track’s playful reference to a supernatural spirit in the country’s folklore.

Using a simple on-off system between drum and synth to trigger a Shepard tone - an auditory illusion of a sound that ascends or descends in pitch without actually changing - ‘Shepherd’ revels in the stripped-back simplicity of its sonic palette, where the nuance lies in what Barley calls “subtleties in the timbre of the sounds” as they dialogue with Davies’ warped loops.

It’s these finely tuned melodic drum tones and an eerily abstracted prepared guitar that give ‘Debris’ its uncanny feel, yet never feeling overly controlled. Like the album’s meticulous, graphic artwork, Tilt seeks the shifting ground between the physical and the digital, as acoustic tones are tweaked and disambiguated into new and unexpected forms.

Tilt represents Church Andrews and Matt Davies’ ongoing collaboration in its purest form - a hyper-defined evocation of gravitational potential in their live sound.

For the decennial release on Punctuality Warsaw duo W.A.C., aka Private Press step up with their Forever W.A.C EP. Moving away from their more techno-oriented offerings, Forever W.A.C. keeps the tempo and energy of their earlier work but suffuses the mood with warm, glowing trance and prog energy. This is peak-time Punctuality business in its purest form– on time as ever. “No More No Show” comes in hot from the get-go: galloping snare rolls, raved-up breakbeats, uplifting pads, big basslines, acid licks, and the low-end wubs that have become synonymous with the Punctuality sound. One for that point in the night when the dancefloor has melted into sweaty, eyes-closed, hands-up amorphia.

Barely recognisable to its original counterpart, the Rhyw remix strips the A1 down to the bare essentials. Preserving only a few percussive elements, the euphoria of No More No Show is replaced with hazy, cinematic synth washes that drone around a skeletal groove loaded with bassweight, warping the original into a dubbed out psychedelic UK stepper. Shifting to the morning light, “Only Froggerz” is a shimmering roller that ebbs and flows around barreling kick drums, kaleidoscopic synth lines, and vaporous FX, with lustrous chord work driving the emotion dial to 11. Elegant and restrained but relentlessly pummeling, it’s early-morning club gear at its finest.

Rounding out the EP with an essential slice of modern prog, “Close” utilises all the good bits: skippy basslines, filtered squelches, tribal-leaning percussion, and a relentless groove that builds around the subtle interplay between the stabs and the vocals. An epic closer that feels as true to the Punctuality canon as ever.

Yore Records proudly welcomes Craig Alexander with a deep and timeless 12" straight out of the birthplace of House: Chicago.
Across four previously unreleased cuts, Craig Alexander delivers a refined blend of deep, jazz-inflected House music. Rooted in the classic traditions of the genre yet shaped by a distinctly musical and organic approach, these tracks unfold with warmth, depth, and subtle complexity.
Rich chord progressions, soulful textures, and fluid grooves come together to create a truly immersive listening experience. There’s a clear nod to the golden era of House, while the production maintains a fresh and contemporary edge — perfectly aligning with the ethos of Yore Records.
This 12" is both a DJ tool and a deep listening journey — versatile, emotional, and built for long nights and early mornings alike.
A genuine and heartfelt statement from an artist deeply connected to the roots of House music.Strictly limited to 250 copies worldwide / no repress.

Charm are back from the depths of Berlin. Following three successful releases, they are now presenting their new EP on Flaneurecordings. The EP comprises three tracks that captivate with their warm atmosphere, profound soundscapes and driving basslines. In doing so, they create space for the sound to unfold and invite listeners to an intense listening experience. With their music, Charm succeed in striking a balance between depth and movement.

Am 29. Mai 2026 erscheint das erste Album von GÖRL: "Dark Silver Moon Light". Hinter GÖRL stehen mit DAF-Legende Robert Görl und die stilprägende DJ- und Produzentin Sylvie Marks zwei Pionier:innen der elektronischen Musik. Robert Görl gründete 1978 mit Gabi Delgado die legendäre Postpunk-Gruppe Deutsch Amerikanische Freundschaft (DAF). Mit radikal reduzierten, ikonischen Sequenzen, brutalistisch anmutenden Drums und provokativer Ästhetik gelangen DAF zeitlose Hits wie "Der Mussolini". Sylvie Marks wiederum war die erste und einzige weibliche Resident-DJ des legendären Frankfurter Clubs Dorian Gray. Später veröffentlichte sie als Produzentin internationale Club-Hits und trat auf Festivals wie Roskilde auf. Seit sechs Jahren verbindet Robert Görl und Sylvie Marks eine funkensprühende Kreativpartnerschaft, die in der Veröffentlichung ihres ersten gemeinsamen Albums als GÖRL gipfelt, "Dark Silver Moon Light". Das Album denkt die ästhetische Tradition von DAF mit und transzendiert sie zugleich in Gegenwart und Zukunft.

Transparentes Vinyl. Am 29. Mai 2026 erscheint das erste Album von GÖRL: "Dark Silver Moon Light". Hinter GÖRL stehen mit DAF-Legende Robert Görl und die stilprägende DJ- und Produzentin Sylvie Marks zwei Pionier:innen der elektronischen Musik. Robert Görl gründete 1978 mit Gabi Delgado die legendäre Postpunk-Gruppe Deutsch Amerikanische Freundschaft (DAF). Mit radikal reduzierten, ikonischen Sequenzen, brutalistisch anmutenden Drums und provokativer Ästhetik gelangen DAF zeitlose Hits wie "Der Mussolini". Sylvie Marks wiederum war die erste und einzige weibliche Resident-DJ des legendären Frankfurter Clubs Dorian Gray. Später veröffentlichte sie als Produzentin internationale Club-Hits und trat auf Festivals wie Roskilde auf. Seit sechs Jahren verbindet Robert Görl und Sylvie Marks eine funkensprühende Kreativpartnerschaft, die in der Veröffentlichung ihres ersten gemeinsamen Albums als GÖRL gipfelt, "Dark Silver Moon Light". Das Album denkt die ästhetische Tradition von DAF mit und transzendiert sie zugleich in Gegenwart und Zukunft.

Terra Magica Rec. returns with its 12th release. Movin Below, it’s more than just a 12", it’s a full-roster compilation, spanning roots, present, and beyond. The formula is simple but powerful: bouncy basslines, warped drums, groovy breaks and chuggy dubbed-out textures with granulated vocal UK Ragga Muffin chops.

James Ruskin's Blueprint Records continue the 30th anniversary with another label stalwart as Mark Broom returns with his new EP, "Reality Check".



Mark Broom is a renowned British techno DJ and music producer whose career spans over three decades. Throughout his career, Broom has released over 150 singles, showcasing his versatility across various sub-genres of electronic music. He has collaborated with esteemed record labels such as Defected, Rekids, Warp, Ifach, M-Plant, Cocoon, Glitterbox and his own Beard Man (launched in 2009).



In addition to his solo projects, Broom has engaged in numerous collaborations. He partnered with James Ruskin to form The Fear Ratio, exploring experimental sounds that blend elements of hip-hop, IDM and techno with four albums (to date) on Skam Records, Tresor and of course, Blueprint. Another highlight has been their "Ruskin & Broom" EPs which have peppered the label's roster.Now based in Norfolk (England), Broom continues to be a driving force in the techno scene.



His work has been described as ranging from "club-ready techno and house to left-field electro, downtempo and IDM" highlighting his adaptability and broad musical range.? Returning to his driving Techno roots, his "Reality Check" EP is an essential release for fans of both Broom and Blueprint.

Long time friend of the label Tom Drew delivers his most refined productions to date for the second 12” release on Dream Space.

For his own debut on vinyl, he draws on modern styles of deep, progressive house, paired with intricate sound design elements of deep techno and trance.

The record samples voices and situations that explore ideas surrounding creation, meditation and reincarnation - provoking a dreamlike reflection on the liminal spaces of sleep & awake, mental & physical, life & death.

A versatile EP flowing full with warm psychedelic sounds, these tracks each hold a place for the various stages of the night.

Edition of 200.

Now into its sixth year, NuNorthern Soul’s Summer Selections series has become a popular annual fixture. Like its predecessors, 2026’s edition showcases a variety of Balearic dancefloor workouts, sensual soundscapes and tracks tailor-made for poolside sun-down sets.

As usual, Summer Selections Six is a vinyl-first affair, offering wax enthusiasts a chance to cop killer cuts set to feature on a swathe of forthcoming NuNorthern soul releases – including some that would otherwise be unavailable on physical formats.

To begin, is It Balearic? label regulars and Rotation Sound System crew members Wrekin’ Havoc turn their attention to NuNorthern Soul favourite B.J Smith’s 2014 cover of Outkast’s ‘Prototype’. Their take, which will be featured on a forthcoming collection of reworks of Smith’s NNS material, places the long-serving producer’s beautiful, beguiling vocals atop lo-fi 80s electro beats, moody pads, squelchy synth sounds and far-sighted electronics.

Up next is label newcomer Sasha Foam, a fast-rising Lisbon-based DJ/producer whose Memoria EP is set to land digitally soon. ‘Curios’, his contribution to Summer Selections Six, is a propulsive and ear-catching affair, with joyful synth melodies, rushing piano riffs and cheerful TB-202 style acid tweaks rising above a crunchy, drum-machine driven mid-tempo groove.

Rounding off side A is ‘Call To Wind’, a rootsy, warming and sun-baked slab of Balearic dub gorgeousness from Strictly Dub Records founder Saimon AKA Roots Artefact. The track, which marks his first new material since last year’s NuNorthern Soul debut Different Perspective, is one of the many highlights set to be featured on the Estonian’s forthcoming Rocking Boat EP.

Turn to the flipside and you’ll find three more inspired, immersive treats. Dan Dub Lounge, Muzka and Simon Sheldon being their Visions of Light project back to NuNorthern Soul with the borderline genius ‘ReBorn Slippy’, an exotic, intoxicating and sitar-laden slow-motion instrumental cover of the Underworld favourite taken from their soon-come collection of ‘mild pitch’ takes of dance and electronic classics.

To complete another stellar Summer Selections 12-inch label founder Phil Cooper platforms two recent additions to the roster. First is Potteries-based producer Andrew Wright AKA Lonely Deckchair. Wright offers up ‘Adaflo’ from his forthcoming debut album. Atmospheric and magical, ‘Adaflo’ is a simmering, slowly unfurling fusion of poignant pianos, minimalist beats, shuffling bass and tumble-down chords.

Then there’s Aussie artist Perth Lewis, whose first two self-released albums (Moments In Time and Distance Between) were recently reissued by NuNorthern Soul. The Sydney-based producer is set to release a new EP, Cherry Moon, soon, and ‘Monolith’ is taken from that collection. Deep, dubby and beguiling, it sees Lewis pepper a head-nodding, effects-laden beat with spacey sonics, cascading piano motifs and some seriously sparkling synths.




[d] B1: Visions of Light -

The master of ambient soundscapes, intertwining authentic old school breakbeats with his inimitable style returns with a fresh album of choice cuts for the Spatial crew. A1 - Form of Defraction Opening the LP in his gloriously unique style, Aural Imbalance sets the tone with a powerfully ambient intro of padwork and delicately filtered breaks before dense, analogue old school breakbeats roar to life sending the track skyward. The sublime 808 bassline simmers beneath an ever-evolving soundscape of twinkling melodies and strings, the very essence of serenity captured in just under 7 minutes of audio bliss. A2 - Discreet Function Enveloping the listener with a warm blanket of silky ambience, Discreet Function soon jolts to life with a crunchy breakbeat that counteracts yet compliments the pads and myriad of delicious micro melodies so well, you wonder how it’s possible to take such extremes and mix them down so expertly that our ears accept it as one. After a relatively brief breakdown the track rolls out before the breaks are snatched away at the death - capping off a quite unique composition. B1 - Softlight Light cymbals and delicate textures introduce us to Softlight, a track which sees Aural Imbalance guiding the listener through the clouds to a haven of gentle serenity where your troubles simply fade away, punctuated by a stunningly programmed and memorable Hot Pants break pattern, timid classic basslines and an overall plethora of sun-baked energy - perfect for the headphones and the record box - as always. B2 - Airwave Immensely old school vibes are immediately present in Airwave, with analogue breaks and succinct female vocal samples that mingle with echoing melodies and synthwork to create a beautifully flowing and unique slice of atmospheric gold. Additional breaks are fused into the mix as the track progresses, elevating the piece to the heights we have come to expect from Aural Imbalance, yet never cease to amaze. C1 - Speed of Light Gentle cymbals and filtered breaks open Speed of Light, before a crisp barrage of amen goodness descends and dominates proceedings - just as a good amen should! Programmed to perfection with an immensely danceable rolling pattern, the amens lead us through a sea of washing synths and delicate melodies, intertwining and frolicking in the mix, completing a charming and memorable piece. C2 - Fading Star Playful strings and a luscious 808 bassline play with sumptuous padwork in the intro to Fading Star, a track which sees Aural Imbalance capture the essence of 90’s jungle and it’s symbiotic relationship with atmospheric drum & bass perfectly. Developing throughout with an array of unassuming effects and a quietly moving vibe, Fading Star is the perfect addition to sets spanning the entire history of this music. D1 - Drifting Under Bright Skies Aural Imbalance resurrects the excellent break last featured on Spatial in his sublime track Surface Area, this time chopped and sliced to a different vibe, with kickdrums at the forefront and that fantastically crunchy snare deployed more sparingly. Shimmering padwork and light melodies dance across the mix throughout to leave us with a refreshingly unique and memorable track you won’t be able to get enough of. D2 - Violet Completing this fine LP of old school ambient breakbeat mastery, Aural Imbalance deploys Violet to see us out - a climactic-feeling romp that opens with quiet intent before launching the listener through cheery melodic tones and bustling soundscapes, sprinkled liberally with airy pads and fluttering micro melodies that zip and whoosh around thick analogue breakbeats. A fitting end to a thoroughly enjoyable album. Words by Chris Hayes (Spatial / Red Mist) credits

Aho Ssan ist der Künstlername von Désiré Niamké, einem in Paris lebenden Komponisten und Elektronikmusiker, der sich im Laufe des letzten Jahrzehnts als zentrale Figur an der Schnittstelle zwischen experimenteller Elektronikmusik, Klangforschung und zeitgenössischer Komposition etabliert hat. Zu seiner Diskografie gehören ,Simulacrum" (Subtext, 2020), ,Limen" mit KMRU (2022) und ,Rhizomes" (Other People, 2023) mit Moor Mother, Angel Bat Dawid und clipping. Er trat bereits im Lincoln Center (NYC), im Muziekgebouw (Amsterdam), in der Krakauer Philharmonie, bei Atonal Berlin, CTM, Rewire und Sonic Acts auf - und war Support von Autechre im Le Trianon (Paris, 2024). Aho Ssans künstlerisches Schaffen lässt sich als hochpräzise Klangskulptur beschreiben, in der gewaltige Ströme digitaler Klänge in rohe Texturen zerfallen, um die Themen Identität und Chaos zu erforschen. The Sun Turned Black basiert auf field recordings, die während einer Reise nach Ghana, der angestammten Heimat von Aho Ssan, gemacht wurden. Aufgebaut um einen klanglichen Dialog mit der international gefeierten Geigerin ASIA, wobei alle perkussiven Elemente bewusst weggelassen wurden, nimmt das Album einen einzigartigen Platz zwischen Ambient, Noise und elektroakustischer Musik ein. Das Projekt wurde ursprünglich von der Maison de la Radio für das Hyperweekend-Festival in Paris in Auftrag gegeben, das Album in Coop mit Subtext Recordings aus Bristol veröffentlicht.

Glasgow’s Fortified Audio returns after at least a ten years long hiatus (No pun intended) and now returns to the world of bass with a full length album from local music firestarter Ten Years Lost. Modern day trap instrumentals at its core whilst sub-consciously giving hints of Drexciya, Moroder and the Memphis & Croydon bass music regions alongside some real deft sampling but still remains Glasgow at its core!

With no compromises on sound quality and an exclusive pressing designed for true vinyl enthusiasts, KRONERT002 is more than just a record—it's a collectible statement of artistry and innovation. Don’t miss your chance to own a piece of this journey.

Pushing sonic exploration even further, KRONERT002 embodies the raw essence of underground house music, capturing its energy, groove, and timeless appeal. This limited Coloured Splatter/Split vinyl is more than just a record—it’s a statement, a collector’s piece for those who live and breathe the rhythm.

Kronert crafts a hypnotic blend of rolling basslines, shuffled drum patterns, and atmospheric pads, seamlessly fusing classic house elements with a forward-thinking approach. The EP’s warm textures and intricate grooves ensure its versatility—whether igniting peak-time dance floors or setting the tone for deep, late-night sessions.

With RAUF001, Rauform Records steps out of the gate with a clean, floor-focused statement from label owner Markus Homm: The Cross, a 12" built for late-room pressure, long blends, and sound systems that love detail.
Homm’s writing here is all about restraint and intent: deep house warmth shaped by minimal discipline, tight drum architecture, and dub-leaning space that breathes without ever losing momentum.
Pressed on black vinyl and made for selectors who value depth over drama, The Cross marks a confident first chapter: timeless tools, finely engineered, quietly powerful.

The long awaited debut album from EDB is finally here. Like the title Japanese title Koeru suggests, the multi-instrumentalist producer surpassed his previous work and brought things to the next level.
From the futuristic ballad ‘True Love’ featuring UK soulstress Summer Pearl, to the electro tones of ‘Sculptured’ and broken beat abstractions of ‘Neurocloud’, to the cosmic uplifting tones of ‘Voices From Down Under’ featuring the legendary Nathan Haines, the record shows a perfect balance between light and darkness, sophistication and rawness, smooth and angular sounds.
The dancefloor moments are equally present here with Detroit’s Monica Blaire stepping in as a vocalist in ‘Automatic’, powerful instrumental deep house joints like ‘Phaze Shift’ and even a new updated version of his classic ‘This Can’t Be Life’ featuring Chicago’s very own Swaylo.
A cohesive, coherent and inspiring debut album from a true talent who will guide you step by step into his world.

Moondata’s little-known sole single, 1984’s decidedly Balearic, jazz-funk/boogie fusion gem ‘Let The Moonshine In’, is a very important record to the Rotation Sound System crew. It has become a familiar favourite at their annual Rotation Garden Party micro-festival and formed the centrepiece of their first compilation, summer 2025’s superb Everything You’re About To Hear Is True Volume 1. It’s increasingly rare these days for an artist from the 80s to still have their master tapes but even rarer still for them to have the multitrack tapes too. This is something of the holy grail when it comes to licensing old music so when it happens the opportunity to remix and create new versions needs to be grabbed with both hands.

The original record, a genuine rarity beloved of synth-loving crate-diggers, had an unusual gestation. Originally recorded in demo form by musician Jean-Marie Gogniat, it was turned into a finished single by a group of German musicians with a little help from lyricist and vocalist Joe Mwenda, and a crew of backing vocalists whose number included a locally based American singer – a pre-fame Jennifer Rush. Fittingly, the pre-vocal instrumental mix, which has sat unreleased since 1984, is included as a bonus track on the digital edition of this new remix package. The Rotation Sound System crew’s mixes, headed up by long-serving producer Dean Meredith, sprinkle 21st century magic across Gogniat’s one-off masterpiece while retaining core elements of the original and offering nods aplenty to club-focused sounds of the 1980s. They are, in effect, the versions the track deserved – but never got – back in the mid 1980s.

To begin, Meredith reunites with long-time production partner Andrew Meecham for the pair’s first remix as Chicken Lips in three years – a typically sparse and spaced-out ‘Malfunction Dub’ with delay-laden synths, vocals and guitar snippets sit over a sparse post-electro beat and bass guitar. Meredith then joins forces with fellow Rotation Sound System member Ben Shenton for takes under their two bestknown aliases. First, they don the T-Kutt guise for some dubbed out, funky bass guitar-propelled boogie-meets-proto house action that rocks out a killer, Clavinet-expanded groove while spinning in talkbox and backing vocals.

The pair then re-emerge as Mind Fair, famed for their releases on Golf Channel Recordings and their own Rogue Cat Sounds, and deliver a warmer, deeper and more organic-sounding take that’s as languid and tactile as it is warm and saucereyed. To round off the vinyl version of the EP, Rotation Sound System’s other core members – Rob J, Rich Hall and Stuart Robinson – don the now-familiar Wrekin Havoc guise and re-invent the track as a raw, analogue-rich shuffle through 1980s electro – all squelchy synth-bass, stabbing, cut-up vocal samples, chiming synth melodies and echoing beats. The expanded digital download edition of the EP contains a trio of additional bonus rubs. Alongside instrumental versions of the T-Kutt and Mind Fair mixes, we also get a full vocal T-Kutt rework that adds back in Joe Mwenda’s beautifully delivered verses. These additional DJ tools round off a beautifully rendered set of re-imaginations of a genuine cult classic. Gogniat, the man who started it all way back in the summer of 1984, certainly approves.

JITNEY MUSIC takes a break from downtempo and hip hop releases to release this dope deep house EP from the criminally under rated and slept on Japanese producer DAISUKE KONDO. 4 tracks on offer perfectly balance hypnotic grooves with warm, emotional undercurrents, and funky rhythms for house heads and home listeners alike. Japanese house music with a heavy influence from Detroit (IMHO). Don’t sleep on this one. Plain die cut sleeve.

From the heart of Naples to the soul of Latin America: "Incanti e Disincanti" is the stunning new release by pianist Armanda Desidery. Featuring nineteen world-class musicians across eleven tracks, the album offers a sophisticated dive into contemporary Latin Jazz, a vibrant fusion where Mediterranean warmth meets Latin spirit and the elegance of European art music.