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"Everything I Thought It Was" ist das mit Spannung erwartete neue Album des multitalentierten Entertainers, Künstlers, Produzenten, Songwriters und Schauspielers Justin Timberlake. Es ist Justins sechstes Studioalbum und enthält die erste Single "Selfish", ein von ansteckenden Melodien getragener Pop-Song mit der ikonischen, gefühlvollen Stimme des Stars.

Seitō 青鞜 gathers Japanese female artists from various electronic and experimental music fields. Like the « Tokyo Flashback » series issued by P.S.F. in the early 1990s, this collection recorded between 2017 and 2019 exposes the richness of the contemporary Japanese underground music scene. The title refers to a cult feminist magazine printed in Japan in the 1910s. All tracks issued for the first time.

LOLO hat sich im Laufe von drei EPs mit ihren Texten, die das Herz auf der Zunge tragen, und ihren knallharten, von Pop-Punk geprägten Melodien eine begeisterte Fangemeinde aufgebaut. Auf ihrem Debütalbum erkundet LOLO, was es heutzutage bedeutet, ein Mensch zu sein". Aufgenommen mit dem Produzenten Mike Robinson aufgenommen, wurde ihre Single ,u turn me on (but u give me depression)" bereits über 18 Millionen Mal angehört. EUPHORIA schreibt: ,LOLO hat sich zu einer unbestreitbaren Größe im Pop-Punk-Genre entwickelt", was durch ihre ständigen Tourneen mit Künstlern wie Boys Like Girls, New Found Glory und Against the Current deutlich wird. Das Wunderbare an den 15 Songs ist, dass alle direkt reingehen und Spaß machen. Irgendwo gibt es das lose Konzept, aber die Stücke stehen für sich und haben jeweils eine eigene Identität. - plattentests.de "LOLO creates honest, grungy breakup anthems and hot-girl bangers that mix genres and confuse categories."-Westword Für Fans von Charlotte Sands, Maggie Linderman, Stand Atlantic Nachpressung der Emerald Green coloured Vinyl-LP sowie CD (Digisleeve) erhältlich.

Now celebrating its 30th anniversary, and arriving as a specially expanded edition to mark the occasion, the Murder Was The Case soundtrack remains an iconic work in hip-hop history. Originally accompanying the short film directed by Dr. Dre and Fab Five Freddy, this album embodies the essence of West Coast gangsta rap of the 90s. Featuring tracks from legends of the game like Snoop Dogg, Tha Dogg Pound, and more, it captures the gritty realities of street life with raw lyricism and infectious beats. From the haunting title track to the catchy grooves of 'Natural Born Killaz,' each song immerses you in the vivid world of the film and the era's burgeoning rap scene.

Was the lesson intended?
It hangs like mist in the air
And now the throne is upended
And the lesson is the son and the heir

Was the lesson intended?
It resonates in the sky
A shockwave in the heavens
Visible to the naked eye

Was the lesson intended?

Was the lesson intended?
It has soaked into the ground
It is felt in every movement
And is audible in every sound

Was the lesson intended?
It cannot be denied
It rings loud like thunder
Leaving our poets tongue-tied

Was the lesson intended?

Time It Was Always Time, the debut duo release from Berke Can Özcan & Jonah Parzen-Johnson on We Jazz Records, is a refreshing and full-throated expression of joy and curiosity. In a year when 76 countries hold national elections and we find ourselves in an existential battle against apathy and cynicism, this effortlessly authentic album offers an innocent reminder that the antidote to stagnation is curiosity and the fuel for change is the joy of building something transformative together.

This album features Hermano's first song in nearly 20 years, as well as an unreleased song from their last album. 'When The Moon Was High' is completed by 4 live songs culled from the HellFest and W2 festivals.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and RZA) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and RZA) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

Distance as a measure of time and place informs Kelly Finnigan's, A Lover Was Born with a grit and grace that turns passion into virtue. The latest solo release from The Monophonics frontman roots itself in the best traditions of midwest soul labels like King, Curtom, Dakar, and the Bodie Recording Company. A Lover Was Born is a testimony that these deep cut grooves are not resigned to nostalgia, instead, they are at the burning heart of longing and hope. The journey Finnigan takes listeners on over Lover's eleven tracks echo the state of motion and growth since his solo debut, The Tales People Tell (2019). These two records bookend a prolific period of output, including a pair of Monophonics albums, a Christmas album, a mixtape, and a full slate of producing other artists (The Ironsides, Alanna Royale, the Sextones). "There's nothing like making records," says Finnigan. "It feels like that's my purpose _ the reason I was put on this earth." Written in California, Ohio, and Staten Island, Kelly Finnigan collaborated with old friends in and outside the studio. "I enjoy working alone but it's not how you want to make a record_almost everybody I brought in for this album I've worked with, toured with or spent a great deal of time with." Max and Joe Ramey (The Ironsides), Jimmy James (Parlor Greens), Sergio Rios (Orgone), Joey Crispiano (Dap Kings) and Jay Mumford (aka J-Zone) all contribute to the overall sound of A Lover Was Born. Dramatic influences like Isaac Hayes (check out the piano on "Be Your Own Shelter") and Jerry Ragovoy are chopped and folded into Northern Soul uptempo numbers to create stompers like "Get a Hold of Yourself" or "Chosen Few". Finnigan's take on Deep Soul is captured brilliantly on "Walk Away from Me" and "Love (Your Pain Goes Deep)", while Boom Bap pervades on hard hitters "His Love Ain't Real" & "Cold World". Slower songs such as "Let Me Count the Reasons", the emotional "All That's Left", and the soul-stirring album closer "Count Me Out" show the honest and tender side that has become Finnigan's calling card. All the while, the voice is raw and earthy _ in the best tradition of R&B shouters like Otis Redding, Lee Moses, and David Ruffin. The songs on A Lover Was Born reconfigure the spliced and sampled DNA of hip hop (extracted by crate diggers like Dilla and RZA) to create something new, underscoring both the spectrum and depth of soul while making a case to the timelessness of Finnigan's sound.

50 Years Of Great Audiophile Recordings In der norwegischen Haupststadt Oslo nahm die Kirkelig Kulturverksted im Jahr 1974 die Arbeit auf. Der Star des Labels ist Kari Bremnes, aber auch die vielen anderen KKV-Künstler machen schöne und klangschöne Musik. Audio 2024

Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet

Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet

The Villain I Never Was is the debut studio album from Ghanaian singer and rapper, Black Sherif. Originally released on October 6, 2022, the 14-track album was supported by five singles, “Second Sermon (Remix),” “Soja,” “45,” “Konongo Zongo,” & the smash hit, “Kwaku The Traveller,” which debuted at number 2 on the UK Afrobeats Singles Chart. Since the release of The Villain I Never Was, Black Sherif’s career has seen considerable growth and accolades, such as Artist of the Year (Ghana Music Awards UK 2022), West African Artist of the Year (The Headies 2023), & Best International Flow (BET Hip-Hop Awards 2023). Now for the first time, fans are able to enjoy this momentous album on vinyl. First pressing limited to 500 copies worldwide.

Born in Cleveland, Ohio to Russian parents, Alina Baraz has been around music all her life. With both parents having classical training, she was destined to find her voice through music. Almost immediately after the release of her first single, “Roses Dipped in Gold” at age 19, Baraz and her family moved to Los Angeles to pursue her career as a singer/songwriter full time.In 2015, Baraz released her debut project, Urban Flora. The acclaimed project was praised by the Guardian, NPR, Huffington Post, Harpers Bazaar and many more, and sat on Billboard’s Top Dance/Electronic Albums chart for over 125 weeks, peaking at #2. In January of 2017, she released the viral single “Electric” ft. Khalid, which has been streamed over 190M times and counting. In 2018 she released The Color of You, enlisting Grammy-nominated producer Robin Hannibal (Kendrick Lamar, Calvin Harris, Cee Lo Green) to help produce the project Baraz has been in the works of a special project, leading with her single “Trust” as her first release of 2020.

sir Was aka Joel Wästberg the Gothenburg based musician, producer and singer just released his new album "We Can Go Anywhere From Here". Joel started his professional music journey when Jose Gonzalez asked him to join Junip. Encouraged by his friends Little Dragon he began to release his own music and has collaborated with Teleman, Gengahr, Falle Nioke, Caspar Clausen (Efterklang) and Seb Wildblood. After working with several highly respected indie labels including City Slang, Memphis Industries, PRAH and PEOPLE, Joel has decided it his time to create his own label to release this album

Brandon Tani is a multidisciplinary artist based in San Diego, CA. He is drawn to the varied intersections of minimalist, concrète, and found sounds. Mixing narrative and abstraction. Since 2022, Brandon has released music under the moniker "Daily Rituals" and has recorded 5 releases to date. This new album represents the first release under his own name.