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Oshana - Disciples of Dystopia LP 2x12"

Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.

As you lift into orbit, “Disciples Of Dystopia”, seduces your senses with an ominous vocal of what lies ahead. The opening track simmers gently with a progressively rising atmosphere as the down tempo vibe flows inside you-Automatic connection. “Mind Over Matter” is a futuristic breaks experience, familiar nostalgic hip hop scratches flash in and out, winding into a spiraled synth labyrinth that introduces you to dimensions unknown. Slowing the pace down a notch is “Labor Of Love;” emotional chords and floaty melodies work their way around the steady and pitched down body of the track.

As we coast into the B side, “Embrace The Wave” offers some italo energy; clean disco kicks meld into retro synths; this one cruises on a loose, irresistible, and unrelenting groove. “Take Me Away” sweeps you right off your feet and includes a feature from long time collaborative partner, Anthea. Anthea’s transcending vocals set the tone for a harmonious quest, enriched with positive and imaginative energy; the type you want to absorb as the night concludes. However, the night is far from over.

As we coast into part two, we’re introduced to “Odyssey,” a slow rising track that takes you from the intergalactic ocean all the way to the techno tides. As the track progresses, all of the mechanical cogs converse in absolute harmony. Who doesn’t enjoy a “Heated Moment?” Crisp and punchy drums drive the track as a trance bassline ripples throughout, making an impression on the most discerning of dancefloors.

Riding a squelchy, arpeggiated acid line from the start is “Astral Flight”, a psychedelic club room charmer that revolves around warm and direct bass. The closing track of the LP “Automated Beats,” is a raw, animated affair structured around chunky 808 arrangements and hip hop percussion; playful with a pinch of ghetto booty charm for good measure.

“Disciples Of Dystopia” is more than just an LP; each of the tracks feed off of the next, and Oshana’s never-ending creative energy shines as she bends through genres with effortless ease.

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19,29

Last In: vor 19 Monaten
Aufgang - Broad Ways

Aufgang

Broad Ways

2x12inchNARADALP01
Narada West
11.11.2021

Aufgang is back with its 3rd album, “Broad Ways”, slated for release in November 2021

With this 3rd album, the franco-lebanese duo perpetuates its winning alchemy by drawing on the psychic and collective traumas of recent History at the crossroads between European and Middle Eastern cultures.

What more was there to prove for the Aufgang duo since their re-invention of US techno a few years ago through the means of organic instruments like piano + drums, and releases on Infiné & BlueNote/Decca ?

Maybe that they would from now on independently take onto themselves, the full conception and distribution of their body of work, supported by a collective of visual-arts creators, dancers, and emerging talent-incubators (Bi:Pole/Believe/ BigWax/Alter-K)...

“Broad Ways” could be translated as «in many ways» in the sense that there are many ways of seeing the world, and that everything is not binary and that on the contrary, our lives are shaped by the each other’s own paradigms...

In this clever mix of experimental techno, lyrical prowess and melodies in the Arab tradition, can one imagine a future that would solve the world’s current contradictions in a boiling magma so complex of which Edgar Morin would be proud... Following this unique trademark, this art of mixing influences and cultures, along the New York, Paris, Lebanon and now Sydney axis... how far will they go?

According to Pitchfork, AUFGANG “blends piano, drums and electronic music with virtuosity, with one foot in the club and the other in the conservatory.”

Rami KHALIFÉ, composer and pianist, transcends the classical heritage of his years studying at the Juilliard School in NYC and the Middle Eastern origins of his masterful family: his father Marcel KHALIFÉ is a major composer and musician in the Arab world.

The drummer and producer Aymeric WESTRICH has an instinctive DIY approach and infuses his music with his knowledge of urban and electronic cultures, developed with Kery James, Cassius, Phoenix and more recently Lomepal.

Taking their inspiration from multiple artistic movements and currents, from the Disco of the mythical Larry Levan to the poetry of Oum Kalthoum, these two free electrons have created their sound between Paris, Beirut and New York, in reaction to the frenetic energy of big cities, as if in an effort to prevent this energy from corroding their freedom. It’s a unique experience born from the sublime diversity of these two masterful approaches.

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25,00

Last In: vor 4 Jahren
Bobby Cazanova - Boy Psychology

The Handy Records crew return once again with a stunning EP from none other Mr Bobby Cazanova.

A1 is an absolute gem. Nostalgic, catchy, euphoric and all-round feels. Just what we needed after the 2 year hiatus from nonsense. It’s a speedy emotive number with all the bells and whistles for a great time. Definitely one for the 6AM sunset. Following; the A2 is a sub aquatic bubbler. Low slung bass and rich strings lead this into a deep technical groover. Again Bobby has nailed the feeling of having heard this before but never quite like this. The A3 is something quite special. Acid lines and driving bass make this an absolute heater for the floor.

On the flip we have another fast-paced rhythm. This time capitalising on the darker side of Bobby’s mind. Between pulsating baselines and inquisitive synths there is an emotive and paced production that is sure to get people moving. Rounding off the EP is a darker piece. Glistening pads and pensive arpeggiation make this a slow but sure burner for the dance floor.

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11,14

Last In: vor 2 Jahren
XENIA RUBINOS - UNA ROSA

Xenia Rubinos

UNA ROSA

12inch277131
Anti
10.11.2021

Xenia Rubinos, is a New York City based artist who's been revered for her innovative voice and maze-like knack for melody. Una Rosa is Rubinos' third album , her second on Anti- Records, following up her critically acclaimed Black Terry Cat (2016). Xenia Rubinos dips in and out of genre and structure to create movingly powerful songs. Her powerhouse vocals stem from a combination of R&B, Hip-Hop and Jazz influences, all delivered with a soulful punk aura. Pitchfork has lauded the radiant singer as "a unique new pop personality" while The New Yorker described her work as "rhythmically fierce, vocally generous music that slips through the net of any known genre." Having previously collaborated and toured with acts as diverse as Battles, Deerhoof, Man Man and Tune-Yards, Rubinos' energetic live show echoes some of the larger than life icons she admired as a child like Nina Simone and Erykah Badu, while wielding a space in music that is utterly her own. "I think my sound is a collage of different music coming together on a visceral level, connecting the dots with my voice and imagination," she said. Una Rosa is produced by Rubinos along with her longtime collaborator and drummer Marco Buccelli, and is full of color- drawing much of its multichromatic sound from the bright colors of pop art, which Xenia was immersed in during the writing process.

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21,39

Last In: vor 4 Jahren
Young Dolph & Key Glock - Dum and Dummer 2

The Memphis rap duo returns with Dum and Dummer 2, the monumental follow up to their highly acclaimed album, Dum and Dummer, which charted #8 on the US Billboard 200. With more of a lighthearted approach than the more serious back-and-forth on the first project, Young Dolph & Key Glock hit their stride as a duo and show the world what Memphis has to offer. With hit songs like “Aspen,” “I’m The Type,” & “Penguins,” the album boasts an impressive 20 song tracklist and feels as effortless as an old friendship.

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20,80

Last In: vor 3 Jahren
Various - 100 2x12"

Various

100 2x12"

2x12inchINN100
Innerground
09.11.2021

* New from Innerground Records (co-founded by DJ Marky), also the home of Calibre, BassBrothers, Random Movement and Blade, comes the highly anticipated double vinyl LP from DJ Marky & others, ‘100’. Drawing inspiration from the past 18 years of Innerground’s vast history and impact on the Drum & Bass movement, and the signature latin influences of DJ Marky that have brought excitement and vitality to stages around the globe. This special collaboration between one of the most important figures in the genre, and a collection of some of the most highly respected producers and artists in the scene, creates a ground-breaking LP that marks the 100th release from Innerground Records.

* It should come as no surprise that the double LP packs a punch, when looking at the combined experience of its contributors. ‘100’ begins as a bold statement from the main man DJ Marky, laying down the foundations of what’s yet to come from this veteran D’nB lineup. We’re taken on a ride through morphing tempos and enchanting vocals that hammer home what this immense centennial is all about - a special milestone in the genre that will be remembered in years to come.

TRACKLIST:

A1 : DJ Marky Feat. Lorna King – Changing Moods (LEAD SINGLE (SPECIALIST RADIO PLUGGING BY LISTEN UP)
The album launches with the warm Brazilian sunshine D&B that Innerground’s main man Marky is known for. Lorna King’s uplifting harmonies intertwine with playful melodies to shape not only a guaranteed party starter, but a track that will put a smile on your face. Shades of his legendary ‘LK’??!

A2 : Data 3 – String Theory
After the Brazilian sunshine comes the rain… We’re taken on a detour through a dark valley as spiralling synths ascend to a glitch filled break. Ominous chords reverberate around the onslaught of rattling hats and deep choral vocals.

B1 : Random Movement – Patty Melt
The American D&B veteran returns to Innerground, bringing a funky fast guitar filled banger. Rapid drums and airy synths balance over happy vocals and undulating groovy bass guitar to create a track you can’t help but move to. Potential (slow-burner) track of, ’Innerground : 100’, the album?

B2 : Melinki & D'Cypher - Listen To Everything
A dark bopper with swaying hats chiming over aggressive basslines. Vocal samples provide a short-lived breather from this menacing track’s all-consuming energy. This isn’t the first time Melinki & D’Cypher have linked up and we look forward to many more from these two!

C1 : Saikon - Guilty Pleasures
Anticipative strings and a steady break lead to snappy vocal chops, crescendos at a break that unfolds in to house-led bouncey stabs. You wouldn’t expect anything less from Saikon!

C2 : Carlito - About You
Fans know that this is far from Carlito’s first Innerground rodeo – he’s back with a track that balances male and female vocals over enchanting pads. Synths twinkle amongst racing breaks to make for a certified club heater.





D1: Collette Warren, DJ Marky & Tyler Daley - One Exception (Pola & Bryson Remix)
As the album draws towards its close, cinematic piano and vocals to make your hair stand on end craft a beautiful contemplation between Tyler Daley and Collette Warren. D&B household names Pola & Bryson show their take on the track originally produced by DJ Marky. If this song doesn’t move you, you’re made of stone!


D2: Fluidity & Loz Contreras - Back To You
The LP finishes with a bang. Fluidity & Loz Contreras pair up to transport us back to the sunshine that Marky initiated. Oceanic pads and wispy vocals merge seamlessly to craft a warm and groovy finale that will leave you craving more Innerground energy, as this incredible centennial LP boldly forges its place.

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19,79

Last In: vor 2 Jahren
Various - Kniteforce Complete Collection Volume 4
 
20

The Kniteforce Complete Collection Volume 4 does exactly what it says on the box, giving you the full Kniteforce Vinyl releases of the tracks from KF61-KF80, fully remastered, in both Wav and MP3 format. These tracks have NEVER been released on the digital stores, and until now have never been avaialbel in any digital format. All the tracks here are from the beginning of the new vinyl era, and as such feature some of the names that have made themselves in recent years, such as Mannik, Nicky Allen and Shadowplay, not to mention tracks from old skool masters such as Hyper-On Experience, Billy Bunter and The Fat Controller, right beside Kniteforce’s legendary roster of Dj Ham, Dj Force & The Evolution, Luna-C, Alk-e-d and many more…

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

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27,19

Last In: vor 4 Jahren
King Tubby - Hometown Hi-fi Dubplate Specials 1975-79

King Tubby's Hometown Hi-Fi was one the great Sound Systems in Jamaica. It also proved a fantastic outlet for the Dub Plate Specials cut at Tubby's studio, providing exclusive cuts to be played out and to intice the dance's audience. The tracks at the time were mainly cut over producer Bunny 'Striker' Lee rhythms, that Bunny stored at Tubby's studio which was in fact his home, 18 Drumilly Avenue,Kingston, Jamaica.The versions were given exclusive plays at Tubby's sound
before some finding their way on to vinyl, as the b-side version cut to it's a-side vocal, proving so popular that the records were often brought for its version side over its vocal counterpart. King Tubby and Producer Bunny 'Striker' Lee are intertwined in the birth of Dub Music, after discovering a mistake that made a 'serious joke' (more of which later...) they went on to release the first pressings of this new musical genre namely 'Dub Music'. Tubby's vast knowledge of electronics and Bunny's vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix / Version cuts to an existing vocal tune. Osbourne 'King Tubby' Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up n the High Holborn Street area of downtown Kingston. He studied electronics at Kingston's

Source: Declaration of Rights / Johnny Clarke

Source: Top Ranking / Johnny Clarke

Source: The Stal-O-Watt / Cornell Campbell

Source: Power Of Love / Ronnie Davis

Source: African People / Johnny Clarke

Source: Pumps And Pride / Leroy Smart

Source: Girl I Love You / Johnny Clarke

Source: King Of The Arena / Johnny Clarke

Source: Stealing Stealing / Johnny Clarke

Source: Satta Dread Wayne Jarrett

Source: Crazy Baldhead / Johnny Clarke

Source: Dread A Dread / Johnny Clarke

Source: No Love / Leroy Smart

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13,32

Last In: vor 4 Jahren
STL - Lost In Musik LP 2x12"

Stl

Lost In Musik LP 2x12"

2x12inchSOMETHING31
Something
09.11.2021

Ignition, Something Records lifts off 'Lost in Musik' by STL aka Stephan Laubner. An album to blow your minds, shake your bodies and touch your souls. On 17 tracks and an extended playing-time, this double vinyl comes in complete album feel, multifarious variations, and in STL's full tonal trademark fit. It will rumble dance-floors the same as moody home listening places. Here we go. STL attends the brains & ears in his magic discrete way with an unstoppable bucket-raining flow of fresh sounds, catching rhythms and aspirating music, like no one else usually does. Soon after joining these vinyl reliefs, you will be under the spellbound and enhexed beauty of these otherworldly beats and tones, which makes you feel all of the sudden, being relocated in other dimensions shrouded in new-born principles of fascinating un-shattered realities. Feel from beyond. Something Vinyl Series 31 works great with special and exceptional. From the sound creations up to the artwork. Everything follows the distinct d-i-y philosophy to what a something-records release is well known for. The Vinyls are coming in limited quantity. So you better be fast catching a copy. Now let the music do the further talking. Enjoy this seldom gem. Take the action and get lost in musik!

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29,12

Last In: vor 13 Monaten
Various - Kniteforce Complete Collection Volume 1
 
22

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

The Kniteforce Complete Collection Volume 1 does exactly what it says on the box, giving you the first 20 Kniteforce Vinyl releases, fully remastered, in both Wav and MP3 format. This set of original old skool tracks made in the early 1990s is a package unmissbale to anyone into the original old skool sound, and it features some of the early work from legendary artists such as Dj Force & The Evolution, Luna-C, Cru-l-t, Future Primitive, The Trip, Alk-e-d and more…

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27,19

Last In: vor 4 Jahren
Portable - My Event Horizon EP

We are elated to invite the multi-talented and multi-national musical mastermind Portable in to the Circus family finally. After many years of traveling in similar scenes and orbits, and thoroughly enjoying his vast output on some of our favorite and best friends’ labels, the time has come to join forces with our now-fellow Parisian dweller.

The My Event Horizon EP is a truly creative treat, chock full of the charm and studio ingenuity that permeates all of his work, and a first look at what’s to come on his full length LP we have in store for you in the coming months as well. Two versions of the lead track “I Feel Stronger Now” are accompanied by an exclusive club cut, just in time for the world’s hopeful dance floor reopenings.

“I Feel Stronger Now” is one of those perfectly balanced tracks that is equal parts soft and edgy, mellow and exciting, and features a rich mix of sharp percussion, warm jazz-inflected piano motifs and Portable’s own inimitable dulcet-toned vocals, making it a sure-shot fit with the label’s modus operandi. The A2 track “My Art Sets Me Free” as the title may suggest, is a more abstract and artistic take on full-scale DSP dance floor equipment - we can already imagine hearing this on some of our most cherished club systems, head-down, fully immersed. Next up “I Feel Stronger Now” gets a fresh facelift treatment from Portable’s own and equally-notorious alter ego Bodycode, which follows suit to the pseudonym’s production quality, giving the avant-garde bounce of the original version a more syncopated and stripped-back feel, imparting a stronger physical sound bed with tasteful synth layering for the vocal Iines to ride over. And as a digital bonus addition to the package we have the Radio Edit of “I Feel Stronger Now” which is nicely tightened in all the right places to drive the point home for broadcast listeners, and further proof that this man’s music can be fully enjoyed in many settings - a big loving welcome to Mr. Portable!

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10,71

Last In: vor 4 Jahren
thoughtcrimes - Tap Night

CREATIVE CONTEXT ON SINGLE 1 - “Misery’s A Muse"
"I had a demo of a song Billy put together that he had no home for but decided to share with
me to get my thoughts on it. I happened to be in the studio with another band and took
advantage of some of the time I had blocked out to track vocals to this song idea for kicks.
What's interesting is the demo vocals is what made the cut on what would ultimately
become "Misery's A Muse". At this time there was no band, expectation or particular sound
we were going for. It's a snapshot of us accidentally becoming a band so we could have an
excuse to write more songs. It feels good to finally have an opportunity to share some of
these early workings, and lay the ground work for what we are doing next“ – Rick

CREATIVE CONTEXT ON SINGLE 2 - “Wedlock Waltz"
"Once the tone was set with the first demo, we pushed ourselves to make the most blistering
track we could with "Wedlock Waltz". I remember throwing three mics on my drums and
grinding a series of blast beats in odd meters to start the song. Brian (Sullivan) and I would
sit in my basement studio and pass the guitar back and forth until the we found the riff. We
wanted to keep it high energy and dissonant. Looking back I feel like this is the song that
really paved the way for where we were heading creatively." – Billy

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

19,54
Clear History - Bad Advice Good People

Clear History are a scorching post-punk trio from Berlin who make a big deal out of little things, sometimes vice versa.

Pressing of 500 copies worldwide on 180GM black vinyl.

Clear History’s debut mini-album is entitled 'bad advice good people' and will be released by Upset The Rhythm on November 5th. The six songs here cast a huge net across themes of raucous opposition, identity, closeness, gifting and exploding cars. They are a full-hearted call to arms from a stubborn Aries concerned with wasting time and energy. With such rapport for the touchstones of danceable post-punk (ESG, Kleenex, Gang of Four) Clear History are proud hi-hat botherers, bounding along with the plummy bassline, joining the dots whilst thinking to the beat. This debut documents the tantalising first sparks from a band intent on holding up a magnifying glass to the sun.

Their influences include correct grammar, Rihanna & ‘The Waiting Room’ by Fugazi. They make muscular songs about intimacy whilst dreaming of an extravagant breakfast the day after the rapture. What will the dance floors look like over there? What music will ring true and make the people move? Clear History are giving this their full atttention!

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

14,24
Zaz - Isa

Zaz

Isa

12inch0190295194475
Parlophone
05.11.2021

Three years after the platinum Effet Miroir (Mirror Effect), Zaz is about to release her fifth album. A record she began making during the spring 2020 lockdown.

After a frenzied decade of sold-out concerts, awards and prestigious collaborations (Quincy Jones, Charles Aznavour), it was after her last world tour which ended in the United States that Zaz refocused herself. For this album, recorded between Provence (Southern France), Brussels and Amsterdam’s area, Zaz worked with Dutch producer REYN (Vanessa Paradis, Stephan Eicher, Benjamin Biolay, Gaëtan Roussel…). “Imagine a world in tune with you”, advises Zaz in the first single. “When you see the state the world is in, it saddens me. What are we going to leave for our children?", asks the artist, who has always held deeply ingrained questions of education and environment. “It's sad, scary. But ‘Imagine’ is a song of hope", she explains, putting things into perspective.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

31,30
Fela Kuti - London Scene (50th Anniversary Reissue)

Fela Kuti (1938-1997) was a Nigerian musician,
producer, arranger, political radical and outlaw, and the
originator of Afrobeat. A titanic musical and sociopolitical
voice, Fela’s legacy spans decades and genres,
touching on jazz, pop, funk, hip-hop, rock and beyond.
 After graduating from Trinity College of Music (now
Trinity Laban Conservatoire of Music and Dance) in
London, Fela returned to Nigeria with his band Koola
Lobitos. Fusing the sounds of Jazz and Funk with the
traditional African music he had been raised on, his star
status began to flourish.
 EMI, his label at the time, saw the true power of his
musical creation, what we now know as Afrobeat, and
brought Fela and his band back to London. The result
was ‘London Scene’. While recording, Fela began his
friendship with Ginger Baker, who plays uncredited on
the track ‘Egbe Mi O’.
 ‘London Scene’ is the beginning of what would become
Fela’s signature Afrobeat style and serves as a great
introduction to Fela’s music. Recorded and remastered
at none other than Abbey Road Studio.
 This 50th Anniversary edition of the classic Fela album
comes on red, blue and white splatter vinyl, with a gold
foil obi strip that will be the hallmark of all of the Fela
50th Anniversary reissues.
 Liner notes by the legendary Chris May.
 Fela recently came in second place, behind Tina Turner,
for the fan vote for the Rock & Roll Hall of Fame
nominations and received great press coverage in NY
Times, Rolling Stone, MOJO, Record Collector and
more.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

25,84
HANA VU - PUBLIC STORAGE

Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: “these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and its towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from.

Vu’s relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She’d wake up every day and listen to LA’s ALT 98.7, home to ‘90s and ‘00s alternative rock; later in high school, she found the local DIY scene. She remembers, “A lot of my peer musicians were surf rock/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time St. Vincent, Sufjan Stevens was very different from what I performed.” Ultimately she’d do her own thing, keeping a journal of bedroom pop ex-periments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu’s self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year.

Public Storage builds on the sound of Vu’s early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it “very invasive and intense sounding music,” refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

27,69
HANA VU - PUBLIC STORAGE

Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. The 20-year-old musician sees the art of making and releasing songs in a similar sense: “these public expressions of thoughts, feelings, baggage, experiences that accumulate every year and fill little units such as ‘albums.’” She lived next to one of these buildings when she started writing her full-length Ghostly International debut, Public Storage, and its towering presence lends a metaphor to a record that sounds far bigger than the bedroom it came from.

Vu’s relationship with music began when she picked up a guitar her dad had lying around and taught herself to play. She’d wake up every day and listen to LA’s ALT 98.7, home to ‘90s and ‘00s alternative rock; later in high school, she found the local DIY scene. She remembers, “A lot of my peer musicians were surf rock/punk type bands and so I tried to fit into that when I was gigging around. But what I was listening to at that time St. Vincent, Sufjan Stevens was very different from what I performed.” Ultimately she’d do her own thing, keeping a journal of bedroom pop ex-periments on Bandcamp, including a low-key Willow Smith collaboration and covers of The Cure and Phil Collins. She caught the ear of Gorilla vs. Bear, who released Vu’s self-produced debut EP in 2018 on their Luminelle Recordings imprint, followed by a double EP the next year.

Public Storage builds on the sound of Vu’s early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it “very invasive and intense sounding music,” refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. For the first time, she welcomes a co-producer, Jackson Phillips (Day Wave), who helps Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

25,84
Youth Fountain - Keepsakes & Reminders

Following the release of acoustic EP Letters To Our Former Selves – Acoustic late last year, Youth Fountain is excited to be back at it with new single “Peace Offering" “This track was written in the perspective of knowing you could never truly love or be loved by anyone before being comfortable with who you are as a person,” shares Tyler Zanon “No matter what positive aspects can come out of a relationship - if the foundation isn’t there of having that bare minimum of self love, things inevitably tend to tarnish.” As Youth Fountain prepares to move forward, the future perfectly mirrors the past. What began as a solo project by guitarist/vocalist Tyler Zanon in 2013 under the name Bedroom Talk eventually blossomed into a full-blown band by 2017, with the Vancouver-based Youth Fountain (then a duo) proudly announcing their presence with the debut single “ Grinding Teeth ” and a pair of Pure Noise Records releases that expertly toed the line between pop-punk fervor and more reflective emo moments.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

23,15
The Illusions - City Of People / Wait Till The Summer

What's the connection between one of the rarest and most in-demand gargae rock records of the 1960s and Christina Aguilera, and why is it coming to Acid Jazz?
For many years and many a bootleg the snarling imperious Stones or Yardbirds influenced groove of The Illusions 'City Of People' has been sought after and coveted by garage rock collectors. The Illusions released one single, on the tiny Michelle label and today any copies that appear easily sell for North of £1000.

So far, so typically Garage. However there is a backstory to the release that explains why the record never sold at the time of release. The record was produced by Bobby Marin, a Nuyorican, who at the time was stationed in Michigan on his National Service, and who would later go on to record some of the biggest names in Latin Music, first for the cult Speed label and then for United Artists and various of his own labels. In the early 2000s his 'I'll Be A Happy Man' was sampled by Christina Aguilera on her smash hit 'Ain't No Other Man'.
At the end of 2020 Bobby found the master tape of The Illusions single - including the Byrdsian B-side. This legal reissue a fresh mastering from those tapes, bringing out the intensity of the recording, and we have released it on a look-a-like Michelle label.

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11,98

Last In: vor 4 Jahren
The La's - LIVE ! 1986-1987

The La's

LIVE ! 1986-1987

12inchVIPERLP147
Viper
05.11.2021

LIMITED PRESSING OF 500 COPIES WORLDWIDE.

The La's live 1986-87 manages to capture the band's original ethos and attitude. Side one, contains Liverpool ‘live’ recordings from 1986 when Mike Badger and Lee Mavers shared material and vocal duties. These recordings have a skiffle like quality that flew in the face of the highly produced trends dominating the mid-eighties and can see the band defining & developing it’s sound. Side two, shows a band that had evolved, almost at times garage rock which suited certain songs in a better way, eventually selling out the Marquee Club.

This album in many ways illustrates the true nature of the La's from its original inception to its eventual place in the hearts and minds of music lovers everywhere. Pure magic and history in the making.

vorbestellen05.11.2021

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16,77
TIGRESS - PURA VIDA

Tigress

PURA VIDA

12inchHAR0073LP
HOW SWEET THE SOUND
05.11.2021

Rising UK pop-rock/alternative five-piece Tigress return with their debut
album Pura Vida, following a series of EP releases with UK tastemaker UK
rock label Lab Records.
Bringing to mind the punky, scuzzy, low-frequency rock n roll of Royal Blood
and Slaves, singer Katy Jackson is the UK’s next superstar alt-rock frontwoman
in waiting, following in the footsteps of both YONAKA and VUKOVI.
Tigress’ primary coloured aesthetic and uniquely British sounding rock continues to set the band apart from their contemporaries, and a relentless work
ethic has seen the band set the UK and European touring scene alight, with
plans to perform at SXSW in 2022.
Tigress have already had press and radio coverage from the likes of Kerrang!,
Rock Sound, Alternative Press, Upset Magazine, Total Guitar, The Metro, BBC
Radio 1, BBC Radio 2, BBC Introducing, Radio X, Kerrang! FM, RTE 2XM, Triple
J and Planet Rock.
KEY MARKETING POINTS:
Late Summer/Autumn UK festivals + UK/EU headline tour in October 2021
Previous single ‘Paranoid’ used in marketing promo by Rock and Roll Hall of
Fame
Previous support slots include Green Day @ British Summer Time, Bring Me
The Horizon in mainland EU, and Billy Talent
Other festivals: Download, The Great Escape, Vans Warped Tour UK

vorbestellen05.11.2021

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20,38
The Black Keys - El Camino

The Black Keys

El Camino

3x12inch0075597914382
Nonesuch
05.11.2021
  • A1: Lonely Boy
  • A2: Dead And Gone
  • A3: Gold On The Ceiling
  • A4: Little Black Submarines
  • A5: Money Maker
  • B1: Run Right Back
  • B2: Sister
  • B3: Hell Of A Season
  • B4: Stop Stop
  • B5: Nova Baby
  • B6: Mind Eraser
  • C1: Howlin’ For You
  • C2: Next Girl
  • C3: Run Right Back
  • C4: Same Old Thing
  • C5: Dead And Gone
  • D1: Gold On The Ceiling
  • D2: Thickfreakness
  • D3: Girl Is On My Mind
  • D4: I'll Be Your Man / Your Touch
  • D5: Little Black Submarines
  • E1: Money Maker
  • E2: Strange Times
  • E3: Chop And Change
  • F1: Tighten Up
  • F2: Lonely Boy
  • F3: Everlasting Light
  • F4: She’s Long Gone
  • F5: I Got Mine
  • E4: Nova Baby
  • E5: Ten Cent Pistol
auch erhältlich

Box[162,48 €]


The Black Keys release a special tenth anniversary edition of their landmark seventh studio. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC Radio 1 Zane Lowe session from 2012, a 2011 Electro-Vox session, an extensive photo book, a limited-edition poster and lithograph, and a ‘new car scent’ air freshener. A three-LP edition, which includes the remastered album and the live recording, will also be available. The Super Deluxe version will also be available digitally.

El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino – Best Rock Performance, Best Rock Song, and Best Rock Album – among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.

Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing ‘raw, riffed-out power back to pop’s lexicon,’ and called it ‘the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.’ The Guardian said, ‘They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.’

In the newly written liner notes for El Camino (10th Anniversary Deluxe Edition), David Fricke says:

The story of the Black Keys' seventh album, named after an automobile, long out of fashion and featured nowhere in the artwork, begins on a sidewalk in the middle of a blizzard. On the afternoon of January 9, 2011, singer-guitarist Dan Auerbach and drummer Patrick Carney stood on the pavement outside the Bowery Hotel in New York City, saw the weather turning vicious, looked at each other and came to the same decision: They had to get off the road.

The night before, the duo scored another first in a season getting crowded with them: The Black Keys' debut appearance on Saturday Night Live, performing ‘Howlin' for You’ and ‘Tighten Up’, the breakout singles from their latest release, Brothers. Two days earlier, Brothers – the Keys' first Top 5 album, released in May 2010 – became their first Gold record, passing a half-million in sales thanks to heavy FM rotation and a near-year of gigging, now set to run deep into 2011 including a prestige slot at Coachella and victory laps in Europe and Australia.

The Keys "tried to settle down" after cancelling the tour, Carney says. But that didn't last. "I said, 'We should just make another record.' And I asked Dan if we should get Danger Mouse" – the hip-hop and modern-rock producer, real name Brian Burton, who worked on the Keys' 2008 record, Attack & Release, and co-produced ‘Tighten Up’. Auerbach and Carney did not have any new songs, but as the drummer notes, "Most of our records – we don't have material when we start. Brothers was made up in the studio."

In the UK, the record gave the band their first top 10 hit, and in the US it debuted at #2 on the Billboard Top 200. The band was also the #1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, ‘Lonely Boy’: reached #1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, ‘Gold on the Ceiling’, also reached #1 on Alternative radio and the third single, ‘Little Black Submarines’, reached the top 3 at Alternative radio.

El Camino has been certified Double Platinum in the US; Platinum in the UK, Belgium, France, Ireland, and the Netherlands; Triple Platinum in Australia and New Zealand; Quadruple Platinum in Canada; and Gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland. Of the album’s singles, ‘Lonely Boy’ was certified Double Platinum in the US, nine-times Platinum in Canada, Triple Platinum in Australia, Platinum in New Zealand, and Gold in Denmark and the UK. ‘Gold on the Ceiling’ was certified Platinum in the United States, Australia, and Canada. ‘Little Black Submarines’ was certified Platinum in the United States. The Black Keys also were nominated for an MTV European Music Award in 2012.

Recently, the band announced their World Tour of America. The Black Keys will perform three intimate shows in Oxford, MS, Athens, GA, and St Petersburg, FL, surrounding their September 25 headlining set at Pilgrimage Fest in Tennessee.

The Black Keys recently released their tenth studio album, Delta Kream, which was recorded at Easy Eye Sound studio in Nashville. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover.

Formed in Akron, Ohio in 2001, The Black Keys, who have been called ‘rock royalty’ by the Associated Press and ‘one of the best rock ‘n’ roll bands on the planet’ by Uncut, are guitarist/singer Dan Auerbach and drummer Patrick Carney. Cutting their teeth playing small clubs, the band have gone on to sell out arena tours and have released nine previous studio albums: their debut The Big Come Up (2002), followed by Thickfreakness (2003) and Rubber Factory (2004), along with their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), Turn Blue (2014) and, most recently, “Let’s Rock” (2019), plus and a tenth anniversary edition of Brothers (2020). The band has won six Grammy Awards and a BRIT and headlined festivals in North America, South America, Mexico, Australia, and Europe.

vorbestellen05.11.2021

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43,07
The Black Keys - El Camino

The Black Keys

El Camino

5x12inch0075597914368
Nonesuch
05.11.2021
 
51
auch erhältlich

Vinyl[43,07 €]


The Black Keys release a special tenth anniversary edition of their landmark seventh studio. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC Radio 1 Zane Lowe session from 2012, a 2011 Electro-Vox session, an extensive photo book, a limited-edition poster and lithograph, and a ‘new car scent’ air freshener. A three-LP edition, which includes the remastered album and the live recording, will also be available. The Super Deluxe version will also be available digitally.

El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino – Best Rock Performance, Best Rock Song, and Best Rock Album – among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.

Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing ‘raw, riffed-out power back to pop’s lexicon,’ and called it ‘the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.’ The Guardian said, ‘They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.’

In the newly written liner notes for El Camino (10th Anniversary Deluxe Edition), David Fricke says:

The story of the Black Keys' seventh album, named after an automobile, long out of fashion and featured nowhere in the artwork, begins on a sidewalk in the middle of a blizzard. On the afternoon of January 9, 2011, singer-guitarist Dan Auerbach and drummer Patrick Carney stood on the pavement outside the Bowery Hotel in New York City, saw the weather turning vicious, looked at each other and came to the same decision: They had to get off the road.

The night before, the duo scored another first in a season getting crowded with them: The Black Keys' debut appearance on Saturday Night Live, performing ‘Howlin' for You’ and ‘Tighten Up’, the breakout singles from their latest release, Brothers. Two days earlier, Brothers – the Keys' first Top 5 album, released in May 2010 – became their first Gold record, passing a half-million in sales thanks to heavy FM rotation and a near-year of gigging, now set to run deep into 2011 including a prestige slot at Coachella and victory laps in Europe and Australia.

The Keys "tried to settle down" after cancelling the tour, Carney says. But that didn't last. "I said, 'We should just make another record.' And I asked Dan if we should get Danger Mouse" – the hip-hop and modern-rock producer, real name Brian Burton, who worked on the Keys' 2008 record, Attack & Release, and co-produced ‘Tighten Up’. Auerbach and Carney did not have any new songs, but as the drummer notes, "Most of our records – we don't have material when we start. Brothers was made up in the studio."

In the UK, the record gave the band their first top 10 hit, and in the US it debuted at #2 on the Billboard Top 200. The band was also the #1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, ‘Lonely Boy’: reached #1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, ‘Gold on the Ceiling’, also reached #1 on Alternative radio and the third single, ‘Little Black Submarines’, reached the top 3 at Alternative radio.

El Camino has been certified Double Platinum in the US; Platinum in the UK, Belgium, France, Ireland, and the Netherlands; Triple Platinum in Australia and New Zealand; Quadruple Platinum in Canada; and Gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland. Of the album’s singles, ‘Lonely Boy’ was certified Double Platinum in the US, nine-times Platinum in Canada, Triple Platinum in Australia, Platinum in New Zealand, and Gold in Denmark and the UK. ‘Gold on the Ceiling’ was certified Platinum in the United States, Australia, and Canada. ‘Little Black Submarines’ was certified Platinum in the United States. The Black Keys also were nominated for an MTV European Music Award in 2012.

Recently, the band announced their World Tour of America. The Black Keys will perform three intimate shows in Oxford, MS, Athens, GA, and St Petersburg, FL, surrounding their September 25 headlining set at Pilgrimage Fest in Tennessee.

The Black Keys recently released their tenth studio album, Delta Kream, which was recorded at Easy Eye Sound studio in Nashville. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover.

Formed in Akron, Ohio in 2001, The Black Keys, who have been called ‘rock royalty’ by the Associated Press and ‘one of the best rock ‘n’ roll bands on the planet’ by Uncut, are guitarist/singer Dan Auerbach and drummer Patrick Carney. Cutting their teeth playing small clubs, the band have gone on to sell out arena tours and have released nine previous studio albums: their debut The Big Come Up (2002), followed by Thickfreakness (2003) and Rubber Factory (2004), along with their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), Turn Blue (2014) and, most recently, “Let’s Rock” (2019), plus and a tenth anniversary edition of Brothers (2020). The band has won six Grammy Awards and a BRIT and headlined festivals in North America, South America, Mexico, Australia, and Europe.

vorbestellen05.11.2021

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162,48
Various - Lightsplitter

clear red vinyl / incl. poster

The fourth release (ZC-ELEC004) of the Electro Acid Series has arrived. With "Lightsplitter", you can expect four dancefloor fillers that also provide truly captivating listening experiences. Created by The Human Behind Pluto, Johnfaustus and VSO who's passion for electro, acid and IDM meet on this high-quality release.

About the artists:
Human Behind Pluto: Born somewhere else, raised liked a human... using synthesizers, some hardware some not to express something hard to grasp... Eclectic mixes between IDM, Braindance, Electronica and Ambient is a good guess of what it would sound like if you join the ride...

Johnfaustus: Piano lesson in the 80's, rocking the guitar in the 90's, pacing free party since the end of the millennium (followed by a hardware addiction), johnfaustus is still making noise. Versatile producer, he navigates from dub to death metal with of course some mental acidcore in between.

VSO: VSO, aka Vasco Oliveira, based in Porto, started his journey in electronic music around 2017. Since then, he has been experimenting with acid, electro, IDM, breakbeat and ambient.

Human Behind Pluto - Lightsplitter
the Human Behind Pluto delivers an excellent up-tempo electro track with 'Lightsplitter' Superb atmospheres are driven by subtly distorted beats and a razor-sharp arrangement that manages to split light to be projected into the mind's eye. A truly captivating track that enchants instantly!

johnfaustus - Red Sonjia
With 'Red Sonjia' John Faustus tells a dark and ominous tale voiced by analog synths and mesmerizing vocals. A hypnotizing 303 line tops of this high-quality sonic adventure, where Sonjia manages just fine without Conan.

VSO - Sinking
With 'Sinking', VSO has created a beautiful and all-encompassing electro adventure. The hard-hitting beats won't stop you from sinking in the sonic pool filled with melancholy and acidic creatures.

VSO - Complacency
'Complacency' by VSO is an offbeat electro killer accompanied by 303 basslines and distant electrofied voxes. Don't get too comfortable balancing between the beautiful contrast of the intense beats and the dream state vibe because complacency is on the lurk.

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10,38

Last In: vor 4 Jahren
Haramia Tapes - Daydreaming

“Under the Haramia Tapes veil, Laurine Frost wriggles his way through dub infected, smoke-laden horizons bending and stretching time mischievously while peering through his mask. The saga continues no differently than any of Frost's other elusive outings, genre defiant as ever, we get a glimpse of what allegedly is an unreadable and luminous future.

Following his complex concept driven offerings, on ‘Daydreaming’ we are treated to a set of groovy and hypnotic vignettes flowing ever so fluidly between beat, rhythm, and harmony. Surgically layered, yet expertly stripped back, these bedtime ragers are crafted for those waking moments where the body becomes the mind.”

Ali Safi

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18,45

Last In: vor 4 Jahren
Gewalt - Paradies

Gewalt

Paradies

12inch4250795604860
CLOUDS HILL
05.11.2021

Gewalt - "Paradies" A cross-reference of music influences may be difficult for even the most inclined listener to deconstruct. Partly due to our personal limits and partly because of the short time for songwriting and production, we didn’t arrive with a plan. Instead, we went for it. We indulged ourselves. We owned it. And this is what it is.

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50,29
MØL - Diorama

Møl

Diorama

12inch0727361589714
Nuclear Blast
05.11.2021

Aarhus (DK) based MØL blend swirling guitars and hissing vocals with the dreamy ambience of shoegaze to form a unique blend of soundscapes and crushing passages. Inspired by bands like My Bloody Valentine, Slowdive, Drop Nineteens, Lantlôs and Alcest, MØL released their self-titled debut EP back in 2014. A year later, the band had perfected their sound on their second EP "II", produced by Jacob Bredahl and released in 2015. Both EPs were very well received and drove them on to do some empathic live shows, which were praised by press and helped establishing a dedicated audience. In 2018, MØL made an international breakthrough signing with Holy Roar Records (UK) who released their debut album “JORD” to critical acclaim. Recorded at Grapehouse Studios and mixed and mastered by Chris Kreutzfeldt, “JORD” gained massive media acclaim turning MØL into one of the most talked about Danish metal newcomers in recent years. The album was also released as an instrumental version and in 2019, the band re-released their two first EPs, remastered for CD and vinyl. On November 5th, 2021, MØL now return with their second studio album, “DIORAMA”, the group’s first for Nuclear Blast Records. Recorded and mixed by Tue Madsen (Gojira, Meshuggah, Heaven Shall Burn), the band has successfully developed its captivating, aggressive sound even further. Brace yourself for a ferocious yet melodic blackgaze monument! Praise for ‘JORD’: “It’s epic and stirring stuff. Absolutely crushing” - Daniel P. Carter , BBC Radio1 Rock Show “JORD is one of the exhilarating blackgaze albums to drop in a long time” - Metal Hammer “JORD has received unanimous praise and has immediately seen them heralded as one of the greatest examples of the blackgaze movement” - The Independent UK “By far one of the genre’s most accomplished records” - KillYourStereo

Lists and nomations for “JORD” Metal Hammer - #12 on “The 50 Best Albums of 2018” Loudwire - #19 on “The 30 Best Metal Albums of 2018 Kerrang! - #17 on “The 50 Albums that Shook 2018” Kerrang! - Music video for Bruma on “The 12 Best Music Videos of 2018” The 405 - #20 on Top 50 Albums of 2018 Distorted Sound Magazine - #2 on “Top 20 Albums of the Year” WhatCulture - “10 Best New Heavy Metal of 2018” GAFFA Awards 2019 – Nominated for “Best Metal Album of the Year”

vorbestellen05.11.2021

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33,07
Opus Kink - Wild Bill / This Train

With another week comes another gem to be let loose into
the world via Nice Swan. This time it’s the turn of Brighton
set Opus Kink, releasing their second offering of the year
in ‘Wild Bill’ / ‘This Train’.
 Having been recorded at the seminal Rockfield Studios in
Wales and produced by Tim Burgess, it’s every bit as
zealous and free as we’d expect and in discussing the
release, the group revealed: “‘This Train’ is a hell-forleather ride through humanity’s self-destructive tendencies
and futile battle against nature, flipping on its head the old
adage that ‘this train is bound for glory’.”
 A spooky intro converts to a fast-paced and frenetic sound
as trumpets and sax blare with feral delight. The single
comes to a screeching crescendo and we’re sonically
transported to what could easily be a pub parlour, perched
on the crimson material of a baby bar stool as beautifully
bedraggled chants echo out. They can’t remember how
they got there but are united in their message: “Don’t lose
yourself to everyone else; Don’t lose yourself to this train.”
 So far, Opus Kink have succeeded in turning listeners on
their head, leaving a simultaneous excitement and
perplexity as the struggle to brandish them with a ‘wemust-define-you’ handle ensues. With an underlying tone
likened to that of a Dickensian tale, they possess the edge
of a brooding petty criminal, the charm of a street urchin
and the philanthropic spirit of any good protagonist.
 The band have a flurry of nationwide gigs scheduled over
the coming months, including two Nice Swan showcases
alongside labelmates Malady, Mandrake Handshake and
Hallan. Taking the studio energy and general raucousness
into consideration, catching them live will be well worth a
look-in.

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9,54
Puma Blue - In Praise Of Shadows: B-Sides & Live Versions

Over the course of two EPs, two singles and a stripped-back
live album, Puma Blue has established himself as one of the
UK’s most vital new talents, quietly amassing over 50 million
streams in the process and selling out shows from London to LA
and Paris to Tokyo.
 His long-awaited debut album, ‘In Praise Of Shadows’, was a
delirious dreamland of soulful vocals, D'Angelo-ish guitars and
muted electronic beats. Its fourteen tracks are a contemplation
on “the balance of light and dark, the painful things you have to
heal from or accept, that bring you through to a better place,”
says the 25-year-old Puma Blue, real name Jacob Allen. “It's
about finding light in darkness and realizing that it’s what got me
here today.”
 Described by NME as “a brief moment of relief for those lost in
the darkness,” the album found his storytelling at its most
honest and vulnerable to date whilst his production reached
new heights, retaining its characteristic bedroom intimacy. Yet
for all the intimacy of his ‘voicemail-ballads’ on record, his songs
carry a different resonance in a live setting; a mix of
improvisation, in-the-moment escapism and the collective
power of an audience taking his music to new heights.
 ‘In Praise Of Shadows: B-Sides & Live Versions’ features
rarities and live recordings, mostly taken from rehearsals in
early 2021. With limited opportunities for people to hear the
album in a live setting thus far, this represents an intimate first
glimpse at the magic unique to the full band arrangements.
 This edition is completed by two new bedroom studio
recordings with new single ‘All I Need’ (a Radiohead cover)
perfectly extending the album’s small hours spirit, the raw
emotion of Puma Blue’s voice growing in tandem with the scale
of the initially skeletal production, and the previously unreleased
‘Postcard From Toyko’ exploring loneliness with brutal honesty
and a sparse acoustic atmosphere.
 Crystal clear LP in a deluxe clear PVC sleeve.

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18,61
The Tragically Hip - Road Apples - 30th Anniversary

"The Tragically Hip announce they will be releasing a special version of their sophomore album, Road Apples 30th Anniversary Deluxe, on Friday, October 15. The album is available in comprehensive physical deluxe CD and Vinyl and Pure Audio blu-ray audio box set editions.
Created to mark the 30th anniversary of the band’s second studio album which became their first record to hit #1, the Road Apples 30th Anniversary Deluxe editions were carefully crafted with input from each living member of the band. The outcome is a deep dive behind the scenes of what made this album one of the most beloved in The Tragically Hip’s vast catalogue. With all tracks completely remastered in 2021 by Ted Jensen at Sterling Sound in Nashville, for the first time, fans will hear music from the band with all the grit, vibrancy, and passion of their original recordings, second only to being in the recording studio with them. The physical box set editions, (CD and Vinyl), of the release will contain special Dolby Atmos, 7.1, 5.1 and binaural mixes by Richard Chycki of Road Apples and 5 cuts from Saskadelphia, ensuring fans have a one-of-a-kind listening experience. Fans and collectors will also appreciate the brand-new artwork for each of the packages within the physical box sets.
The expansive deluxe editions of the release are jam packed with rare and more previously unreleased and never heard before pieces of music chronicling The Tragically Hip’s Road Apples era, including:
• Road Apples, the original album re-mastered in 2021 by Ted Jensen at Sterling Sound in Nashville.
• Saskadelphia, as released earlier this year.
• Live At The Roxy Los Angeles, May 3rd 1991, originally recorded for a Westwood One radio show, often bootlegged and sought after by fans for many years. It has been re-mastered and expanded and includes the rare “Killer Whale Tank” version of New Orleans Is Sinking. This legendary Roxy show is now a double vinyl album. This album is available exclusively in physical product.
• Hoof-Hearted, an album of previously unreleased demos, outtakes, and alternate versions."

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33,07
Margo Cilker - Pohorylle

Margo Cilker

Pohorylle

12inchVJLP268
Loose Records
05.11.2021

Margo Cilker is a woman who drinks deeply of life, and her debut record Pohorylle, (out on Loose) is brimming with it. For the last seven years, the Eastern Oregon songwriter has split her time between the road and various outposts across the world—Enterprise, Montana, the Basque Country of Spain—forging a path that is at once deeply rooted and ever changing. As Pohorylle traverses through the geography of Cilker’s memories—the touring musician’s tapestry of dive bars and breathtaking natural beauty—love is apparent, as is its inevitable partner: loss. For what bigger heartbreak is there to be a fierce lover who must always keep moving? Cilker seems keenly aware of the precarious footing upon which love stands, and at many turns the record carries the desperation of being in the presence of something that is staggeringly beautiful, and slipping away.

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22,23
Omnium Gatherum - Origin

Omnium Gatherum

Origin

12inch19439930461
Century Media Records
05.11.2021

Hungry for some modern melodic death metal with ridiculously catchy pop influences? Well, your dinner has just been served. This steaming nine-course setting is called "Origin" and it is honoringly brought into the table by the renowned Finnish heavy metal band Omnium Gatherum. Omnium Gatherum – OG for close friends – has been offering remarkable pieces of melodic death metal for already twenty-five shining years. While storming through these ferocious decades, Omnium Gatherum has convinced worldwide legions of heavy metal lovers by releasing unstoppable musical onslaughts and touring relentlessly all over the world. "Any sort of popularity hasn't come overnight for OG, and rising to that "next level" has sometimes taken a considerably long time, but one thing has been set in stone: progress has been inevitable. In other words: a lot of great things have happened along the way but the journey hasn't been the easiest one", says longtime singer Jukka Pelkonen. ... And recent times are no exception. Contrary to what you might think, we are not talking about a global scourge that gripped the entire world about a year and a half ago. "Although most of the things around "Origin" have been really good – we have never had so much time to compose and sharpen the material for instance –, there have been some serious roadblocks as well. This, of course, has not come as a big surprise as OG was not born under the happiest stars", laughs guitarist extraordinaire and the band founder Markus Vanhala. "Above all, our dear fans should know that since the previous studio effort "The Burning Cold" (2018), half of the band's line-up has changed. I would say quite surprisingly as we haven't really had any major problems, at least to my knowledge." "This internal turmoil lifted dark clouds into the band's vast sky and everything was falling apart... well, for a few hours at least. After that, as many times before, we decided to turn these difficulties into something better!" Before the arrival of "Origin", Omnium Gatherum's colourful discography features eight studio albums, but the newcomer does not pale in comparison. The truth is, in fact, quite the opposite... By the stylish, majestic and melodic splendor of "Origin", it really feels like the band's original style called AORDM – adult oriented death metal – has reached its peak. Well, so far... "Over the years, OG's material has been deliberately moving further away from the anxiety of the windy Northern shores and traditional melodeath's gloomy despair. These days our music is a powerful mixture of older deadly roots and newer AOR-vibes that you get while listening to Survivor and driving a Corvette along the sunny shores of Miami of us, we will not forget the original enthusiasm for playing heavy metal... And therefore we will never give up!"

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

28,53
Steve Conte - Bronx Cheer

Steve Conte

Bronx Cheer

12inchWKC938141
Wicked Cool
05.11.2021

Flying is the latest track off of Steve Conte’s upcoming album, Bronx Cheer, out November 5 on Wicked Cool Records. While the song is coming out for the first time now, it has a history. zdyrbr says, “This one goes back to 1994 when I was working on a band that was never to be with Brynn Arens of Flipp. We jammed on this in my rehearsal studio very organically and I came up with the lyrics later. I did a few demos of it over the years and it never left my consciousness.” The lyrics focus on perseverance and how, “in the face of adversity, disappointment and trauma, a person of strong will can keep going for their dreams.” The bluesy ballad shows off Steve’s versatility and range, and is just a taste of what’s to come on Bronx Cheer.

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

18,61
Brian Fallon - Night Divine

Night Divine is a series of hymns covered by Brian Fallon. This is a project he's been wanting to create for a long time, inspired by his time singing in the church choir as a child: “These are some of the very first sounds I remember hearing as a child. My mother used to sing these hymns everywhere she went. I felt it was time for me to join in.” He finally got the opportunity to make the intimate record during lockdown, with background vocals by his mother. The lead singer of beloved heartland-punk band The Gaslight Anthem, Brian Fallon stepped away from that sound and into a more soulful singer/songwriter territory on his third solo album, Local Honey. Produced by Grammy-award winning producer Peter Katis (The National, Frightened Rabbit, Death Cab for Cutie), the album debuted at #1 Americana/Folk Album Sales, #2 Current Rock Albums, #3 Americana/Folk Albums, and #9 LP Vinyl Sales. It was largely praised as one of his best works, with Rolling Stone saying “Local Honey is as warm and comforting as its title, full of hooks and narratives that draw you in” (Best Country & Americana Albums of 2020) and Kerrang saying “No matter what side of the genre he sets his mind to, Brian always delivers the goods” (Best Albums of 2020).

vorbestellen05.11.2021

erscheint voraussichtlich am 05.11.2021

22,23
Aya - Im Hole (Book+DL)

Aya

Im Hole (Book+DL)

BooksHDBD061B
Hyperdub
05.11.2021

For those only familiar with her previous releases, aya sinclair’s ‘im hole’ will be a dramatic revelation. Under the LOFT pseudonym, she attracted global acclaim for her fwd-thinking club inversions that juxtaposed the British addiction to breaks 'n bass with critical, self-sluicing logic and untethered abstraction, tearing down dance music's hallowed pillars of respectability while winking knowingly to voyeuristic onlookers. On ‘im hole’ this routine has evolved; aya has distilled the incisive sonic experimentation of her earlier releases, the tongue-in-cheek giggles of her DJ sets and edits, and the identity-fluxing lyricism of her live shows. Contorting language, dialect, gender and sexuality between intermittently controlled bursts of rhythm, noise and aural goop, she has sculpted a set of autobiographical vignettes that challenge established norms, question supposed truths and affirm a spectrum of interlocking experiences. But while it's wide open and personal, ‘im hole’ also challenges queer art's tendency to veer towards repetitive solipsism, the music fragmenting familiar sounds and twinning them with familiar words, assembled in unfamiliar ways. Stories are muddled with phonetics just as dubstep is macrodosed with microtonal drone.The anxious, explorative personality that made aya’s past releases so magnetic is magnified here, and her sense of humour is completely naked. It's a Gregg Araki animated biopic of Burial. It's Shakespeare with hoop earrings and a busted skateboard. ‘im hole’ will physically manifest as a hardback cloth-bound book of lyrics, poems and photographs, designed in collaboration with Oliver Van Der Lugt, with single-use download code included.01. somewhere between the 8th and 9th floor 02. what if i should fall asleep and slipp under 03. once wen’t west 04. dis yacky 05. OoBrosThesis 06. the only solution i have found is to simply jump higher 07. still i taste the air 08. Emley lights us moor (ft Iceboy Violet) 09. Tailwind 10. If redacted Thinks He's Having This As A Remix He Can Frankly Do One 11. Backsliding

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erscheint voraussichtlich am 05.11.2021

41,98
Manfredo Fest - Brazilian Dorian Dream (1976)

Legally blind from birth, Brazilian keyboard player, composer and bandleader Manfredo Fest learnt to read music in braille and began studying classical music at a young age. By 17 he had fallen in love with jazz (particularly the music of fellow blind pianist George Shearing) before becoming swept up in Rio's emergent bossa nova movement in the sixties. Moving to the States in 1967 where he would go on to work with fellow countryman Sergio Mendes, Fest recorded and self-released Brazilian Dorian Dream in 1976, enlisting Thomas Kini (bass), Alejo Poveda (drums, percussion) and Roberta Davis (vocals).

Like a turbo-powered, intergalactic elevator ride, Brazilian Dorian Dream builds on the principle of the modal diatonic scales of the Dorian mode, with influences of Brazilian rhythms, North American jazz and funk, and music of the European baroque and romantic era. The coming together of these intergenerational and intercontinental styles coupled with Fest's visionary use of the Fender Rhodes, Clavinet, Arp and Moog synthesizers (plus a whole load of effects units), makes for an album light years ahead of its time.

The miraculous wordless vocals of American jazz singer Roberta Davis are nailed so tightly alongside Manfredo's keys and mind-bending synths that it sounds almost alien. On the album's liner notes, Fest preaches Davis' ability highlighting how hard it is to sing such precise intervals so accurately. One of the tracks on which the vocals shine brightest is space funk stepper "Jungle Cat", which features hard funky drums, freaky synth lines and expert Rhodes comping. The track builds up and up before releasing into the unmistakable scat melody in the chorus.

A few years after releasing Brazilian Dorian Dream, Fest recorded and released his Manifestations album in 1979, featuring 'Jungle Kitten'': a new dancefloor focused variation on "Jungle Cat". At around 140 BPM 'Jungle Kitten' was possibly deemed too fast for statside dance floors, which explains why it never got a US 12" release. But the track became something of an underground hit at jazz dance clubs and all-dayers across the UK in the 80s and as a result it has probably become Fest's most well known track since.

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22,48

Last In: vor 4 Jahren
ELLA FITZGERALD / LOUIS ARMSTRONG - Porgy & Bess LP

Porgy & Bess – Die Jazzoper von George Gershwin, ist wahrlich ein Eckpfeiler der Jazzgeschichte. Sie beschreibt das Leben von Afroamerikanern in der Schwarzensiedlung Catfish Row in Charleston um 1870 und erzählt die berührende Liebesgeschichte zwischen Porgy & Bess. Das gleichnamige Album von Ella Fitzgerald und Louis
Armstrong präsentiert eine grandiose Auswahl der besten Stücke aus Gershwins Oper und ist ein Juwel, welches in keiner Jazz-Sammlung fehlen darf

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13,87

Last In: vor 2 Jahren
P!NK - ALL I KNOW SO FAR: SETLIST

P!Nk

ALL I KNOW SO FAR: SETLIST

2x12inch19439889741
Sony Music
03.11.2021

RCA Records - the 16 track album is the audio accompaniment to her recent documentary 'All I Know So Far', released on Amazon Prime. The movie is directed by 'The Greatest Showman's' Michael Gracey and follows P!nk on her 2019 Beautiful Trauma Tour, culminating in her Wembley Stadium shows. "All I Know So Far: Setlist" was released 21st May on CD. The album features live renditions of her classic hits such as So What, What About Us and Who Knew, plus live covers from the tour of Queen, No Doubt, Cyndi Lauper and Bishop Briggs. 'All I Know So Far: Setlist' is the first live album from P!nk to get a global release, and only the second of her career following 2009 Australian only release Funhouse Tour: Live in Australia. Two studio tracks will also feature on the record, recent single Cover Me In Sunshine with her daughter Willow Sage Hart, and All I Know So Far. This is the standard black vinyl 2LP format. Marketing activity across all media outlets.

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28,03

Last In: vor 4 Jahren
The Glass House - Inside The Glass House LP

• 1971 Invictus records release, The Glass House features the distinguished voices of Pearl Jones, Ty Hunter, Larry
Mitchell and Scherrie Payne. Each selected with great care to form HDH’s only mixed- gendered vocal group
• Scherrie Payne, sister of Invictus start Freda, who co-wrote many of the groups songs before joining The Supremes
in the mid 1970s
• ‘Crumbs Off The Table’ #7 in the R&B and Pop charts. Other stand out tracks include ‘Look What You’ve Done To
Love’, ‘If It Ain’t Love (It Doesn’t Matter) – a Payne/Hunter duet.
• Demon Music are proud to reissue the groups debut album on 180g heavyweight vinyl with printed inner sleeve

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19,54

Last In: vor 4 Jahren
Carwyn Ellis & Rio 18 - Yn Rio (feat. The BBC National Orchestra Of Wales)

Carwyn Ellis from Cardiff/Wales is a singer, songwriter, composer, arranger, multi-instrumentalist and record producer. He fronts Colorama, formed the Welsh folk group Bendith and hosts a regular themed radio show on Soho Radio. In 2019, Ellis embarked on the first project under his own name, Carwyn Ellis & Rio 18. Sung in Welsh and recorded mainly in Rio de Janeiro, the album, "Joia!" was nominated for the Welsh Music Prize and followed by "Mas" in early 2020. The new album "Yn Rio" is a collection of new songs recorded in Cardiff together with The BBC National Orchestra Of Wales.

In 2017 Carwyn Ellis joined the touring line-up of The Pretenders. For Ellis, a record collector and fan of Brazilian music, the opportunity to tour South America would present opportunities he couldn't have possibly imagined when he accepted Chrissie Hynde's invitation. "The first place we went to was Rio and by the time I met Chrissie for breakfast the day after our gig, I already had a bag of albums I'd just bought. I'm sitting with her and she says, 'You should meet my mates, and do something in Welsh with them! Nobody's done a Welsh language album with Brazilian musicians?"

In 2018, when Alexandre Kassin, a leading light in that Brazilian scene announced a show in London, Hynde suggested that they see it. "I met him afterwards," Ellis recalls, "and we hit it off straight away." Within weeks, Ellis was on a plane to Rio with songs that would form the basis of the first album. This creative purple patch extended into another album released early in 2021 with Carwyn working once again with Kassin plus long-time friend Shawn Lee. The songs on "Mas" drew on the environmental threats that face both Wales and South America, spidering out around the central theme of water ("rains, no rain, droughts, rising seas and flooded valleys for corporate gain. We're screwed without it and screwed if there's too much").

With "Mas" recorded but weeks away from release, Ellis received a call from Gareth Iwan Jones, head producer of BBC Radio Cymru, offering a third album to be performed in March 2021. Ellis started to reflect upon the life-changing events triggered by his South American adventures. The Welsh word 'hiraeth' which describes the longing that Welsh people feel when they're far from home, was something that he was now beginning to feel for Rio de Janeiro: "'Yn Rio' is based around a day in Rio," he explains. "The events of 2020 influenced the record inasmuch as I wanted it to be a complete antidote to what was going on. If you couldn't go on holiday in real life, you could at least put this record on."

The first single "Olá!", incorporating Jorge Ben's spirit in the chorus and rhythmic breakdown, manages to sound languorous and euphoric. "Cariad, Cariad" was a Portuguese folk poem brought to Ellis' attention by Sonya from Quarteto em Cy and arranged by Christiaan Oyens. "Tristwch 20" is a nod to "Foot and Mouth 68" by Gorkys Zygotic Mynci from "The Blue Trees", 'one of the most beautiful albums of all time', while "Ynys Aur" is named after a 1929 book by Welsh missionary J. Luther Thomas written on returning from his travels to Papua New Guinea. With Kassin unable to participate, Ellis thanks him by translating his "A Paisagem Morta" to create "Y Bywyd Llonyd". For Carwyn Ellis "Yn Rio" is an extraordinary memorial to extraordinary times."There are some days so idyllic you just want tobe able to jump back into them at the touch of a button. That's what I was searching for when I was writing these songs."

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21,22

Last In: vor 4 Jahren
Compound X - Sending Me Signals

Compound X

Sending Me Signals

12inchCXBLACK
CX Black
03.11.2021

Compound X launch new limited edition vinyl label CX BLACK, with four innovative tracks that set an immediately high standard.

Compound X is DAR and DULUM, both progressive and dedicated journeymen, their visions melting psychedelic rock and deconstructed techno to deliver a forward-thinking take on electronica. Their innovative sound first debuted in April 2020 on Distopic Utopia Records, and a live debut is scheduled for Dark Mofo festival in Tasmania, Australia, this June. The act's dynamic range and genuine sound artistry are what set Compound X beyond the status quo, something that’s clearly displayed with this latest release.

The opener 'Sending Me Signals' is dark and thrilling techno. The blistering synths bring fizzing energy to the hammering kicks, while tortured voices add extra layers of eeriness. There is haunting paranoia to the unsettling voices that loop in the background of 'Gone 2 Far.' The drums are again brilliantly brutal, and the whole atmosphere is utterly arresting.

The synths on 'Asexual Orgasm' sound as if fired from a machine gun with caustic textures, scraping hits, and dehumanised vocals add up to a wall of intense techno noise that will disorientate all dance-floors. Finally, 'Ancient Sentient' is a slightly more spacious cut with buzzsaw synths, undulating rhythms, and distorted bass that makes for maximum impact.

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14,16

Last In: vor 4 Jahren
Manasyt - Reality Defense Department

MUSAR is honoured to revive the electronic-synth legend, MANASYt, with a new five-track EP as part of a three-EP series. 'Reality Defense Department' will be the Bulgarian's first material since 2012, set to release via MUSAR on December 8, 2017.
Petar Tassev aka MANASYt, hails from the twilight zone. Growing up with the blacks swans in the forest of communist Bulgaria, listening to metal and hardcore music then interpreting the moody, roughness together with inspirations from electronic new-wave music to a raw, pure and dark adventure bubbling with madness.
'Reality Defense Department' is a future horror movie soundtrack. The first track 'Memory Imprints' is a pure psychedelic-trip into the mental clinic for clockwork orange droogs. The second track 'Mobile Pharmacy' can be described as what the aliens would listen to while attacking Earth. The last original track 'Orthodox Spanking' is a dark, wayward electro track full of post-punk elements, perfect for a fetish party.
A pair of remixes by Brooklyn's wonder girl 'Via App' with a deep, dark and gothic techno rework for the late dazed hours of the morning and Norwich's kept secret, Wax Stag (an occasional collaborator with Bibio and Clark) that delivers a dreamy, cosmic twist that will linger in your consciousness for a long, long time to come.

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10,04

Last In: vor 7 Jahren
J.wiltshire - Laghan Pux Ep

Following 12"s from Ricardo Tobar and MANASYt, the third release on Tel Aviv's MUSAR welcomes rising UK star and Super Hexagon label boss, J.Wiltshire. The Laghan Pux EP finds Wiltshire sharing his psychedelic electronic side and brings his versatile skills together, serving up four completely different soundtracks. The gleaming sci-fi gem 'DESklep' opens the EP as a pure melodic IDM track loaded with Cornwall style while the bass-heavy title track 'Laghan Pux' is pumping as a dark & sharp peak-time trippy beast. On the B side, the mysterious Roy of The Ravers, gives you an interpretation of what proper acid sounds like, whereas 'Chained Releases' takes you on a deep and hypnotic adventure into space, full of warm guitar melodies and trancey synths.'Summon Them' closes the EP, an ambient magic piece for a hazy, orange morning where the birds just woke up and the trees singing for the first time to break the day.Early support from: Josh Wink, Danny Daze, Cinnaman, Marcel Dettmann, AME, I:Cube, The Hacker and more...

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10,04

Last In: vor 7 Jahren
Rosie Lowe & Duval Timothy - Son

‘SON’ was recorded in London and Freetown between 2019-21. Inspired by the pair’s shared love of choral music, it began as an experiment to explore playing with the voice in more creative ways, using layered vocals as an instrument following piano harmony, arrangement and sampling.

The project started in London with the title track and became a story about a world in which we hide our true ‘colours’ in order to fit in. A mother tells her son that he needs to fit in to survive before realising that she is following the same tropes passed on to her as a child. Following this realisation she encourages her son to protect his dreams and not to listen to anybody telling him he can’t be whatever he chooses.

Rosie joined Duval for a week in Freetown in February 2020 where they wrote the rest of the project, bringing friends Daniel Koroma, Kandeh Bangura, Valentine Coker, Chino Greene and Tom Herbert in for musical contributions;

“We were interested in bringing our surroundings into the recordings; leaving doors open, recording in different spaces and locations, inviting the listener to experience the life that was going on around us whilst capturing the process”.

Full-colour inner sleeve
Illustrations by Duval Timothy
Insert of a specially commission Julianknxx poem
Shrink-wrapped

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23,91

Last In: vor 4 Jahren
AESOP ROCK X BLOCKHEAD - GARBOLOGY LP 2x12"

When Aesop Rock debuted in the late 90s with Music For Earthworms and Appleseed, Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to many of Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block had never done a full album together, until Garbology!

Garbology came together over the course of the pandemic, and encapsulates the soundtrack of current times. As Aesop explains, "Garbology is defined as the study of the material discarded by a society to learn what it reveals about social or cultural patterns. I find a lot of parallels between that and the idea of picking up the pieces after a loss or period of intense unrest, and seeing what’s really there. Furthermore - the idea of digging through old, often neglected music from another time — with an ear tuned for taking in that data in a different way than your average listener — is exactly what Blockhead does."

Following the success of the full Garbology album, it's only right to offer the instrumentals for further examination and repurposing efforts. Dive into the Garbology Instrumentals and see what you find.

vorbestellen30.10.2021

erscheint voraussichtlich am 30.10.2021

25,92
SUNNYBOYS 40 - SUNNYBOYS 40

In 2020 Sunnyboys will celebrate 40 years since their inception (though a mere 12 years of actual existence) via a new release SUNNYBOYS 40 that brings together the first ever re-release of the band’s much loved 1980 eponymous debut 7” - featuring the original version of the classic Alone With You - alongside four new recordings culled from the archives of chief songwriter Jeremy Oxley.
Recorded over two days in October 1980 and released via independent Sydney label Phantom Records on December 31st the same year, the four songs featured on the EP were essentially the first songs Jeremy Oxley had presented to the band on his arrival in Sydney from Kingscliff just a few months earlier. Alongside Alone With You they included Love to Rule, What You Need & The Seeker.
The debut ‘yellow’ ep was an instant underground smash selling out its initial pressing of 1000 copies in just 2.5 weeks. A further pressing of 1000 would follow but then all further attempts of a repress were quashed when the ep master mysteriously disappeared after band signed to Mushroom Records in February 1981. The tapes having never been recovered these masters have been taken from the cleanest vinyl available and appear here for the first time ever outside the 7” ep format and that limited run of 2000.
Fast forward 40 years (as you do) and Sunnyboys are enjoying a renaissance rarely seen for any band from any era. In truth their popularity now eclipses what it did in 1980-1984 with each successive tour selling more tickets and faster than the tour previous. Why not then give the people new music?
Part 2 of Sunnyboys 40 was recorded between touring commitments in 2018 at Airlock Studios, Brisbane. Overdubs were added over the following twelve months at locations in Sydney & Brisbane and the mixing completed in the summer of 2019 by current in-demand producer Konstantine Kerstin. The idea being to tackle some material Jeremy had written for other projects post-1984 and to complete some unfinished business from back in the band’s original lifespan.

Can’t You Stop is a reworking of a song Jeremy recorded as The Fisherman in 1986. The short-lived trio were Jeremy’s immediate post-Sunnyboys band and the original version was released on the Waterfront label the same year. In this guise Can’t You Stop features an all new arrangement plus those trademark Sunnyboys harmonies.

Lovers (On Another Planet’s Hell) meantime, is a reworking of a track from the Sunnyboys third album Get Some Fun. The original version featuring a 4/4 beat often referred to as the “AC/DC beat” which never sat well with the band. The opportunity to readdress that all these years later proving irresistible. The added keyboards of Alister Spence and brass playing of Eamon Dilworth and young Nico Oxley (Peter’s son) also adding a new dimension to the original.

Strange Cohesion was actually written post-Get Some Fun in 1984 and was performed by the band regularly during their final tour. It would feature on the band’s swansong release, 1984’s Real Live but was never recorded in the studio. 40 gives the track its recorded debut and gives some small hint as to what Sunnyboys album no.4 may have sounded like.

Originally released as a solo recording back in 1991 under the banner Jeremy ‘Ponytail’ Oxley Way After Five shares perhaps the strongest relationship to the ‘40’ concept. Jeremy’s voice at times just a croak - a by-product of the life he has lead for much of last 40 years - adding further poignancy to the songs lyric; and it’s another Oxley classic.

And what better way to celebrate both the new release and the milestone anniversary than by doing what Sunnyboys do best - play live! And so Sunnyboys hit the east coast this February including first time ever shows in Torquay and for Sydney’s Twilights @ Taronga. Special guests Painters & Dockers will join Sunnyboys for the shows in Victoria while garage rockers Rocket Science will join the birthday boys in Sydney.
“We really didn’t think we would ever play again as a band. But wow, we have and we sure are having a bloody great time doing it.” - Peter Oxley

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

47,02
MICHAEL PRICE - THE HOPE OF BETTER WEATHER

FEATURING REWORKINGS BY YANN TIERSEN, BILL RYDER-JONES, MALIBU, ELUVIUM and
PETER GREGSON.
140g black vinyl with lacquers cut by Alchemy, printed inner sleeve, limited to 500 copies.
Michael Price has announced a new album, The Hope of Better Weather - part reissue, part reworks - due out onThe Control Room on 15 October 2021.
The new album takes his 2012 EP, The Hope of Better Weather, originally recorded by Price alone in a room with a
piano improvising, and brings it fully to life with the addition of a series of reworkings by Yann Tiersen, Bill
Ryder-Jones, Malibu, Peter Gregson and Eluvium.
He explains, “I wasn't trying to control what anybody else was doing. Everybody that joined in with the project gives
their own little piece of freedom. I was really interested in what freedom we all give ourselves, as well as being
fascinated to see what a little germ of an idea can mean to somebody else.”
Listen to Yann Tiersen’s rework of ‘The Anatomy of Clouds’: LINK
Listen to the original version of ‘The Anatomy of Clouds’: LINK
The five pieces, alongside these new reworkings capture a stark beauty, tenderness and delicacy in their tone. But
they are also wind-like in their shifting, expansive and elemental essence - capturing an exploration of the natural
world. “Nearly 10 years ago when I recorded these improvisations, I felt like I was missing the natural world - things
like the weather, the beach at Scarborough and all those kinds of visceral things.”
When Price revisited the work in recent months - at a time when many of us found ourselves more aware of the
natural world - he reconnected with it in a way that looks to connect with his next artistic steps. “You start off with
listening to 10 year old piano recordings and then you go through the reinterpretations of people looking at that
material now through their own lens. The fixation with weather, coastlines and with people connected with nature, is
really strong all the way through this project. Coming out the other side of it, it's kind of like a Northern weather feeling
- coming out with your collar turned up with a hat on, a bit drizzly and shit outside, but with a kind of determination
that is the route forward.”
Most musicians, if they are lucky, will master one craft or field within their career. For Michael Price, he’s managed
three, with his music spanning across piano, orchestral and soundtrack work. The soundtrack work - for TV shows
such as Sherlock, Dracula, and Unforgotten, and films such as Eternal Beauty, Cheerful Weather and Just Jim - has
seen Price win an Emmy, as well as receive countless nominations (including a BAFTA nomination). His work as a
solo artist takes the form of beautiful improvised piano works, such as Diary (2017), or via lush, grand, hyper-detailed
orchestral work, as heard on critically acclaimed releases via Erased Tapes such as Entanglement (2015) and Tender
Symmetry (2018). His latest release, The Hope of Better Weather, is rooted in the piano world but also exists as a
bridge crossing into new terrain..
The process of putting together the release has been an emboldening and liberating one for Price, and he finds
himself feeling buoyant about the possibilities of what lies ahead – which includes a new solo orchestral album. “It is
super freeing and liberating,” he says. “There's these little green shoots of a freedom emerging.”

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

22,23
Beast In Black - Dark Connection

Beast In Black

Dark Connection

2x12inch4065629620714
Nuclear Blast
29.10.2021

The beast is back in black! And it‘s ready to crush the known boundaries of melodic metal!

Beast In Black, the international battalion of ground-breaking melodic metallers, is ready to blow your mind with their third album ominously titled ‘Dark Connection‘.
If you're into melodic and atmospheric heavy metal with an insanely catchy twist, this is the album you're looking for. There's no other creature like this walking the earth. None other bears these sharp edged riffs or piercing choruses. Not with these epic sci-fi, fantasy and cyberpunk stories to tell. Beast In Black is a wholly unique form of heavy metal evolution.
Dark Connection is an album which gathers all the elements from past, present and future of Beast In Black leader, Anton Kabanen. The raw melodic energy of early Battle Beast remains, but now Beast In Black are crafting their own sound within the genre thanks to the utilisation of wildly melodic guitars and multilayered synthezisers.

Remember the glory days of 80's metal? When you could spend hours and hours staring at the cover art of a heavy metal album as you start to discover what all the lyrics are about? Beast In Black is right there with you.Dark Connection is a deeply intricate heavy metal record. As you start to invest time into the songs, you’ll realise that there's something interesting happening at every layer, from the music to the cover art and also the lyrics. It's all tied up into one, to ensure the ultimate audio-visual metal experience.
”It's not a concept album in the traditional sense, but there are a few ongoing themes on the album. One of them might be familiar for fans of Beast-albums from even earlier than Beast In Black”, Anton teases.

”What if I told you that we're back in the world of cyberpunk? Indeed, there are tracks like Highway to Mars and Moonlight Rendezvous, which will let you into the cyberpunk worlds of the Armitage III anime-series and even some Blade Runner themes. In that sense we're back into the themes of the early Battle Beast albums.”
”Cyberpunk is all over the place on Dark Connection. You will feel it in the mood of the album, it's right there in the cover art and we have even carefully prepared a huge music video for you which is visually pure cyberpunk.”
Anton also gives his praises to insanely talented Beast in Black singer Yannis Papadopoulos, who delivers the best vocal performance of his career on Dark Connection.
”It's always a privilege to work with Yannis. He‘s one of those rare singers who can do anything! If he hasn't tried out something before, he figures out the perfect technique to do it in no time.He is a very physical and dedicated singer. He is ready to try 30 different takes on a song if he feels like that's what a perfect result requires. He doesn't just do one or two takes. He does as many as it takes!”
Thirteen songs, a mountain of irresistible melodies and influences from the retro roots of music to a plethora of futuristic themes and atmospheres. Every single song from Dark Connection could be a single. Beast in Black could create a music video for every last track. That's just how much dedication and passion has been immortalised in these songs.

All these moments on Dark Connection won't be lost in time, like tears in rain. Beast is Black has created a lifetime heavy metal exprience. Are you ready to face this eternal beast?

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

30,80
Beast In Black - Dark Connection

Beast In Black

Dark Connection

2x12inch4065629620745
Nuclear Blast
29.10.2021

The beast is back in black! And it‘s ready to crush the known boundaries of melodic metal!

Beast In Black, the international battalion of ground-breaking melodic metallers, is ready to blow your mind with their third album ominously titled ‘Dark Connection‘.
If you're into melodic and atmospheric heavy metal with an insanely catchy twist, this is the album you're looking for. There's no other creature like this walking the earth. None other bears these sharp edged riffs or piercing choruses. Not with these epic sci-fi, fantasy and cyberpunk stories to tell. Beast In Black is a wholly unique form of heavy metal evolution.
Dark Connection is an album which gathers all the elements from past, present and future of Beast In Black leader, Anton Kabanen. The raw melodic energy of early Battle Beast remains, but now Beast In Black are crafting their own sound within the genre thanks to the utilisation of wildly melodic guitars and multilayered synthezisers.

Remember the glory days of 80's metal? When you could spend hours and hours staring at the cover art of a heavy metal album as you start to discover what all the lyrics are about? Beast In Black is right there with you.Dark Connection is a deeply intricate heavy metal record. As you start to invest time into the songs, you’ll realise that there's something interesting happening at every layer, from the music to the cover art and also the lyrics. It's all tied up into one, to ensure the ultimate audio-visual metal experience.
”It's not a concept album in the traditional sense, but there are a few ongoing themes on the album. One of them might be familiar for fans of Beast-albums from even earlier than Beast In Black”, Anton teases.

”What if I told you that we're back in the world of cyberpunk? Indeed, there are tracks like Highway to Mars and Moonlight Rendezvous, which will let you into the cyberpunk worlds of the Armitage III anime-series and even some Blade Runner themes. In that sense we're back into the themes of the early Battle Beast albums.”
”Cyberpunk is all over the place on Dark Connection. You will feel it in the mood of the album, it's right there in the cover art and we have even carefully prepared a huge music video for you which is visually pure cyberpunk.”
Anton also gives his praises to insanely talented Beast in Black singer Yannis Papadopoulos, who delivers the best vocal performance of his career on Dark Connection.
”It's always a privilege to work with Yannis. He‘s one of those rare singers who can do anything! If he hasn't tried out something before, he figures out the perfect technique to do it in no time.He is a very physical and dedicated singer. He is ready to try 30 different takes on a song if he feels like that's what a perfect result requires. He doesn't just do one or two takes. He does as many as it takes!”
Thirteen songs, a mountain of irresistible melodies and influences from the retro roots of music to a plethora of futuristic themes and atmospheres. Every single song from Dark Connection could be a single. Beast in Black could create a music video for every last track. That's just how much dedication and passion has been immortalised in these songs.

All these moments on Dark Connection won't be lost in time, like tears in rain. Beast is Black has created a lifetime heavy metal exprience. Are you ready to face this eternal beast?

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

37,94
Naomi Alligator - Concession Stand Girl

LIMITED RED VINYL.

“I think my music provides space for me to say the things I can’t always say in real life.” says Virginia native songwriter and multi-media artist Corrinne James. “That’s what I love about songwriting—There’s room in music for all of the conversations that can’t exist in reality.”

While studying New Media and Cinematography at the University of Virginia, James created a secret Bandcamp under the alias Naomi Alligator, and began uploading her intimate home recordings online. Inspired by the sparse and confessional qualities of Liz Phair’s early portastudio recordings, James decided to create her own musical journal to share and process personal anecdotes.

Her modern folk production and poetic songwriting links the sounds of classic folk artists like Joan Baez and Steeleye Span to a 21st century context. James wrestles with guilt, purpose, and jealousy through vivid narratives in the songs that make up her vast self-releases. This fall, five years since her first upload and over a dozen releases later, James will share her new four-track EP, Concession Stand Girl, while making her debut on Carpark.

On the title track for Concession Stand Girl that opens the EP, James sings the inner monologue of an unappreciated ticket-taker at a high school football game. James plucks a sparkly banjo and sings details of the concession stand girl’s relationship to each of the spectators who must go through her to enter the game. “Although seemingly insignificant, the concession stand girl must interact with each spectator as they enter the football game. Despite being unable to physically see the game, inside of her head she narrates her relationship to the people at the game.” The track “Anywhere Else” sits in contrast to the rest of the EP, being the only song where James plays guitar instead of banjo.

The last song written for the EP, “Anywhere Else” describes the tense emotions that come from comparing yourself to others in the eyes of your partner. “The protagonist is convincing herself, as well as her partner, that she could leave at any moment. She doesn’t want to be taken for granted anymore.” “Big Blue World” is a touching closer to the EP, where James sings about finding her way back to the place that feels most like home. James examines the fleeting nature of ambition and asks what really creates the feeling of contentment. Describing the song’s lyrics James says, “You can achieve everything you want, but sometimes it doesn’t feel like anything compared to just feeling at home and feeling who you are deep down.”

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

17,52
Various - BROWN ACID: THE THIRTEENTH TRIP

The forthcoming latest edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Thirteenth Trip will be available on Halloween 2021. Check out the first single "Run Run", released in 1970 by Montreal hard rockers Max is available to hear & share via Metal Injection HERE. (And, direct YouTube and Bandcamp)

The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. Read interviews with the series curators via Paste Magazine HERE and LA Weekly HERE.

About The Thirteenth Trip:

Max, from Montreal, QC — originally known as Dawn, before Tony Orlando & Dawn forced a name change — kick things off with “Run Run” from their lone 1970 single. It’s a hard-hitting rocker with scale climbing crunching guitars and powerful Bonham-esque drumming. Sadly, the band didn’t last long due to poor management and various other factors, so this is the only surviving document according to guitarist Gerry Markman. And what a document it is, paired with the A-side “The Flying Dutchman.”

You might remember Ralph Williams and the Wright Brothers from their track “Never Again” on Brown Acid: The Tenth Trip. Here they make their return to the series with the A-side of their 1972 Hour Glass Records 45, which sounds like Blue Cheer mangling Roy Orbison’s “Pretty Woman” (that’s right, several years before Van Halen actually did so.) Alas, Ralph and these Wright Brothers soon disappeared from terrestrial airspace.

“Feelin’ Dead” is extremely heavy blues from this also extremely rare 1974 single by Detroit, MI’s Master Danse, which was only released as a promo 45. Think Led Zeppelin’s “Since I’ve Been Loving You” and you’re on the right track. A little dose of Hendrix acid blues and a heartfelt groove, and you’ll wonder why this single never even made it to official release. The unavoidable tell in the lyric, “help me get this damn thing out of my arm” hints at the post-Vietnam heroin epidemic as a potential clue why we never heard more from Master Danse.

Folks, Gary Del Vecchio is “Buzzin’” hard on this one, and from what sounds like an in-studio party of yelps and chatter at the start of the song, it seems that the whole band was in on the festivities. The funky blues riff, reminiscent of Led Zeppelin’s “Heartbreaker” and rollicking rhythmic changes certainly keep the buzz a rollin’.The recording is technically credited as Gary Del Vecchio with Max, though not the same band as the one that kicks off this Trip.

John Kitko’s 1973 heavy psychedelic rager “Indecision” is the only recording known to exist by the mysterious artist. The Twin Record Productions release features a different artist, Tom Poff on the B-side, which is truly a shame, considering the smoldering ashes Kitko leaves of the turntable by song’s end. It starts out more like a late 60s Acid Rock jam before leaping into a blazing double-time gallop, whipped into a frenzy by wailing, neck-pickup guitar squeals and Kitko’s barely audible howls.

Tampa, FL’s Bacchus made their Brown Acid debut way back on the very first Trip with “Carry My Load.” This 1972 B-side, “Hope” is a huge sounding swinging rocker replete with roadhouse piano bolstering the chunky riffs and confident vocals. After relocating to Southern California a few years later, the band morphed into Fortress, an 80s melodic metal act whose Hands In The Till album of Pomp Rock on Atlantic Records still draws chatter today.

Orchid’s “Go Big Red” is perhaps the most garage-y sounding offering here, with loose rhythms and straightforward stop-and-start riffing. Nonetheless, the stomping energy and fried-amp guitar tone make this one a charming skull thwack. The band’s 1973 single on American records, backed with a cover of Johnny Russell and Voni Morrison’s “Act Naturally” (popularized by Buck Owens and the Buckaroos) is their only release, so the world never did see this Orchid fully blossom.

By the title alone of Dry Ice’s “Don’t Munkey with the Funky Skunky” you know you’re in for a good time. The 1974 barnstormer seems aimed to the novelty tunes crowd, with its kooky lyrics and silly-voiced spoken catchphrase break, “peeyew, you’ll be sorry if you do.” But, the Ohio band’s maniacal drumming, crunching guitars and, of course, drug euphemistic lyrics make it a shoo-in for the Brown Acid series of erudite rock’n’roll.

Good Humore’s swaggering 1976 rocker “Detroit” is a slick and smooth paen to the Motor City. It most likely doesn’t predate “Detroit Rock City” by Kiss, also released in 1976, and it has more rock’n’roll swing, but it could fit comfortably alongside the era’s arena anthems. Not much else is known about the one-off release on P.V. Records, but songwriter Mike Moats is noted to also have been a recording engineer in later years and this well produced track sounds like a labor of love.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

25,59
Various - BROWN ACID: THE THIRTEENTH TRIP

The forthcoming latest edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Thirteenth Trip will be available on Halloween 2021. Check out the first single "Run Run", released in 1970 by Montreal hard rockers Max is available to hear & share via Metal Injection HERE. (And, direct YouTube and Bandcamp)

The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. Read interviews with the series curators via Paste Magazine HERE and LA Weekly HERE.

About The Thirteenth Trip:

Max, from Montreal, QC — originally known as Dawn, before Tony Orlando & Dawn forced a name change — kick things off with “Run Run” from their lone 1970 single. It’s a hard-hitting rocker with scale climbing crunching guitars and powerful Bonham-esque drumming. Sadly, the band didn’t last long due to poor management and various other factors, so this is the only surviving document according to guitarist Gerry Markman. And what a document it is, paired with the A-side “The Flying Dutchman.”

You might remember Ralph Williams and the Wright Brothers from their track “Never Again” on Brown Acid: The Tenth Trip. Here they make their return to the series with the A-side of their 1972 Hour Glass Records 45, which sounds like Blue Cheer mangling Roy Orbison’s “Pretty Woman” (that’s right, several years before Van Halen actually did so.) Alas, Ralph and these Wright Brothers soon disappeared from terrestrial airspace.

“Feelin’ Dead” is extremely heavy blues from this also extremely rare 1974 single by Detroit, MI’s Master Danse, which was only released as a promo 45. Think Led Zeppelin’s “Since I’ve Been Loving You” and you’re on the right track. A little dose of Hendrix acid blues and a heartfelt groove, and you’ll wonder why this single never even made it to official release. The unavoidable tell in the lyric, “help me get this damn thing out of my arm” hints at the post-Vietnam heroin epidemic as a potential clue why we never heard more from Master Danse.

Folks, Gary Del Vecchio is “Buzzin’” hard on this one, and from what sounds like an in-studio party of yelps and chatter at the start of the song, it seems that the whole band was in on the festivities. The funky blues riff, reminiscent of Led Zeppelin’s “Heartbreaker” and rollicking rhythmic changes certainly keep the buzz a rollin’.The recording is technically credited as Gary Del Vecchio with Max, though not the same band as the one that kicks off this Trip.

John Kitko’s 1973 heavy psychedelic rager “Indecision” is the only recording known to exist by the mysterious artist. The Twin Record Productions release features a different artist, Tom Poff on the B-side, which is truly a shame, considering the smoldering ashes Kitko leaves of the turntable by song’s end. It starts out more like a late 60s Acid Rock jam before leaping into a blazing double-time gallop, whipped into a frenzy by wailing, neck-pickup guitar squeals and Kitko’s barely audible howls.

Tampa, FL’s Bacchus made their Brown Acid debut way back on the very first Trip with “Carry My Load.” This 1972 B-side, “Hope” is a huge sounding swinging rocker replete with roadhouse piano bolstering the chunky riffs and confident vocals. After relocating to Southern California a few years later, the band morphed into Fortress, an 80s melodic metal act whose Hands In The Till album of Pomp Rock on Atlantic Records still draws chatter today.

Orchid’s “Go Big Red” is perhaps the most garage-y sounding offering here, with loose rhythms and straightforward stop-and-start riffing. Nonetheless, the stomping energy and fried-amp guitar tone make this one a charming skull thwack. The band’s 1973 single on American records, backed with a cover of Johnny Russell and Voni Morrison’s “Act Naturally” (popularized by Buck Owens and the Buckaroos) is their only release, so the world never did see this Orchid fully blossom.

By the title alone of Dry Ice’s “Don’t Munkey with the Funky Skunky” you know you’re in for a good time. The 1974 barnstormer seems aimed to the novelty tunes crowd, with its kooky lyrics and silly-voiced spoken catchphrase break, “peeyew, you’ll be sorry if you do.” But, the Ohio band’s maniacal drumming, crunching guitars and, of course, drug euphemistic lyrics make it a shoo-in for the Brown Acid series of erudite rock’n’roll.

Good Humore’s swaggering 1976 rocker “Detroit” is a slick and smooth paen to the Motor City. It most likely doesn’t predate “Detroit Rock City” by Kiss, also released in 1976, and it has more rock’n’roll swing, but it could fit comfortably alongside the era’s arena anthems. Not much else is known about the one-off release on P.V. Records, but songwriter Mike Moats is noted to also have been a recording engineer in later years and this well produced track sounds like a labor of love.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

27,35
The The - The Comeback Special

The The

The Comeback Special

3x12inch0216474EMU
Ear Music
29.10.2021
 
24

'After 20 years of absence THE THE celebrated their comeback with a glorious UK and US Tour in 2018, topped by a sold-out performance at the Royal Albert Hall in London, the so called “Comeback Special”. What started as an unforgettable live experience now turns into something even bigger as THE THE announce their new live album and make the whole comeback experience available to fans worldwide. Available as 2CD Digipak, 2CD Mediabook, 3LP Black Vinyl, Limited 3LP Crystal Clear Vinyl, Blu-ray, and DVD formats.LIMITED NUMBERS. ALLOCATION SHARED OUT WHEN ALL ORDERS IN AT 12PM DEADLINE.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

46,18
LALA LALA - I WANT THE DOOR TO OPEN

“I want total freedom, total possibility, total acceptance. I want to fall in love with the rock.” That’s how Lillie West describes the theme of “DIVER,” the song she calls the thesis of Lala Lala’s third record, I Want The Door To Open. The rock in question is a reference to Sisyphus, the mythical figure doomed by the gods to forever push a boulder up from the depths of hell. To West, it is the perfect metaphor for, in her words, “the labor of living, of figuring out who you are, what's wrong with you, what's right with you.”

Coming off of 2018’s acclaimed The Lamb, an introspective indie rock album recorded live with a three-piece band, West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she’d done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles.

The result is I Want The Door To Open, a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares “I want to look right into the camera” over a cascade of dreamy vocal loops on opening track “Lava,” I Want The Door To Open distinguishes itself from anything she’s done before in scope and intensity. The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental “DIVER.” Inspired by a character from a Jennifer Egan novel, it’s a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge. I Want The Door To Open is a musical quest undertaken with the knowledge that the titular door may never open; but it is through falling in love with the quest itself that one may find the closest thing to total freedom, total possibility, and total acceptance available to us on this plane of existence.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

27,61
LALA LALA - I WANT THE DOOR TO OPEN

“I want total freedom, total possibility, total acceptance. I want to fall in love with the rock.” That’s how Lillie West describes the theme of “DIVER,” the song she calls the thesis of Lala Lala’s third record, I Want The Door To Open. The rock in question is a reference to Sisyphus, the mythical figure doomed by the gods to forever push a boulder up from the depths of hell. To West, it is the perfect metaphor for, in her words, “the labor of living, of figuring out who you are, what's wrong with you, what's right with you.”

Coming off of 2018’s acclaimed The Lamb, an introspective indie rock album recorded live with a three-piece band, West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she’d done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles.

The result is I Want The Door To Open, a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares “I want to look right into the camera” over a cascade of dreamy vocal loops on opening track “Lava,” I Want The Door To Open distinguishes itself from anything she’s done before in scope and intensity. The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental “DIVER.” Inspired by a character from a Jennifer Egan novel, it’s a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge. I Want The Door To Open is a musical quest undertaken with the knowledge that the titular door may never open; but it is through falling in love with the quest itself that one may find the closest thing to total freedom, total possibility, and total acceptance available to us on this plane of existence.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

9,12
my bloody valentine - loveless LP

Domino are immensely proud to announce the signing of my bloody
valentine, with new physical editions of the band’s seminal catalogue
being made available. ‘Isn’t Anything’ and ‘loveless’ have been
mastered fully analogue for deluxe LPs and also mastered from new
hi-res uncompressed digital sources for standard LPs, with each
being made available widely for the first time ever. Fully analogue
cuts of ‘m b v’ will also be available on deluxe and standard LPs
globally for the first time.
my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields,
Deb Googe and Colm Ó Cíosóig, are widely revered as one of the
most ground-breaking and influential groups of the past forty years.
During an era in which guitar bands denoted, at best, a retroclassicism, not only did my bloody valentine sound unlike any of their
contemporaries, the band achieved the rare feat of sounding like the
future.
The second my bloody valentine album, ‘loveless’, was released in
1991. Musically, it took an unexpected leap forwards, standing ahead
of anything released at the time. Shields and the band moved further
towards a music of pure sensation, creating textures and tones that
could be felt as much as heard; with ‘loveless’ the band created an
album that overwhelmed the senses. ‘loveless’ is widely considered a
flawless whole and rightly regarded as a masterpiece; a 1990s
equivalent to ‘Pet Sounds’, ‘In A Silent Way’ or ‘Innervisions’, a record
constructed by exploring the edges of what a recording studio is
capable of. It is a record best experienced as a whole, in one sitting -
a listening experience like no other and unmatchable in its sonic
brevity.

nicht am Lager

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34,24

Last In: vor 17 Monaten
Mystery Jets - A Billion Heartbeats

Mystery Jets announce that their sixth studio album ‘A Billion Heartbeats’ will be released on 27th September on Caroline International. The band also release ‘Screwdriver’, the first single to be taken from the album.

Screwdriver is an uncompromising look at the rise of the rebranded alt-right in the UK, built around a powerfully positive message: "Fight them with love / then the world will be ours".

Lead singer Blaine Harrison says of the song, “Screwdriver is about the mechanics of intolerance. Looking back at times of economic instability in history, we see how easily deep chasms grow in society and the population seeks change wherever it is most convincingly promised. Conflict arises as cultures and belief systems clash, unwilling to accept one another’s place in society, because we are fed the rhetoric that our neighbours are those responsible for our problems: then inevitably nationalism once more raises its ugly head above the parapet. But whereas political agendas fuel divisiveness, music unites and reminds us of all that we have in common. The message of Screwdriver is not a pessimistic one - because perhaps faced with confrontation we can find understanding, and even maybe learn how to listen to, and love one another.”

Each room of the house in the video is a metaphor for the different sections of society in the UK. It wraps around the narrative of the song, that in order to overcome adversity, you have to “Fight Them With Love”. The visual showcases the song’s inherent message, clashing aggressiveness with tenderness, and culminates in showing after anger, we can always come together through love.
All great albums start from a unique perspective. But try a window on the Strand, in an abandoned office block, overlooking the kind of political upheaval London hasn’t seen in a generation. Blaine Harrison was living as a property guardian right around the corner from Trafalgar Square when he found himself witness to an entire year of protests. Every weekend from January 2017 on, people were marching for a different cause: "In the space of six months it was Black Lives Matter, the huge ‘Our NHS’ march, Unite for Europe," he recalls. "Then the solidarity sleep-out organised by Help Refugees, where we slept in Whitehall for the night... The protestors would wake me up in the morning. I’d just walk down and join in.”

Over the course of that year, Mystery Jets' sixth long-player, A Billion Heartbeats, was born. "This album wasn’t about making pointed opinions,” says Blaine. “It was about being a mirror for what’s going on, reflecting back the way people are feeling.” By turns tender and fierce, abstract and full of classic rock energy, A Billion Heartbeats achieves a balance of passion, fear and hope. Amid the colourful cavalcade of rich harmonies, heavy guitars and rallying cries, the album’s essential message - about personal responsibility, and the power in becoming engaged. In a sense, it's not just their "state of the nation” record but their “state of a generation” record too.

We increasingly hear from musicians that music should be an escape these days - that there’s enough suffering in the world, enough misery on the news, without writings songs about it too. A Billion Heartbeats makes all that sound like a bit of a cop-out. These are songs of protest that get the heart racing in joy; high on hope, and serious in their message. Proof, basically, that music speaks louder than words.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

11,30
The War On Drugs - I Don’t Live Here Anymore
  • Living Proof
  • Harmonia’s Dream
  • Change
  • I Don’t Wanna Wait
  • Victim
  • I Don’t Live Here Anymore
  • Old Skin
  • Wasted
  • Rings Around My Father’s Eyes
  • Occasional Rain

The War On Drugs first studio album in four years, ‘I Don’t Live Here Anymore’. Over the last 15 years, The War on Drugs have steadily emerged as one of this century’s great rock and roll synthesists, removing the gaps between the underground and the mainstream, between the obtuse and the anthemic, making records that wrestle a fractured past into a unified and engrossing present. The War On Drugs have never done that as well as they do with their fifth studio album, ‘I Don’t Live Here Anymore’, an uncommon rock album about one of our most common but daunting processes—resilience in the face of despair.



Just a month after The War On Drugs’ ‘A Deeper Understanding’ received the 2018 Grammy for Best Rock Album, the core of Granduciel, bassist Dave Hartley, and multi-instrumentalist Anthony LaMarca retreated to upstate New York to jam and cut new demos, working outside of the predetermined roles each member plays in the live setting. These sessions proved highly productive, turning out early versions of some of the most immediate songs on ‘I Don’t Live Here Anymore’. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock’s greatest sonic workshops like Electric Lady in New York and Los Angeles’ Sound City. Band leader Adam Granduciel and trusted co-producer/engineer Shawn Everett spent untold hours peeling back every piece of these songs and rebuilding them.



One of the most memorable sessions occurred in May 2019 at Electro-Vox, in which the band’s entire line-up — rounded out by keyboardist Robbie Bennett, drummer Charlie Hall, and saxophonist Jon Natchez — convened to record the affecting album opener “Living Proof.” Typically, Granduciel assembles The War On Drugs records from reams of overdubs, like a kind of rock ‘n’ roll jigsaw puzzle. But for “Living Proof,” the track came together in real time, as the musicians drew on their chemistry as a live unit to summon some extemporaneous magic. The immediacy of the performance was appropriate for one of the most personal songs Granduciel has ever written.



The War On Drugs’ particular combination of intricacy and imagination animates the 10 songs of ‘I Don’t Live Here Anymore’, buttressing the feelings of Granduciel’s personal odyssey. It’s an expression of rock ’n’ roll’s power to translate our own experience into songs we can share and words that direct our gaze toward the possibility of what is to come.

vorbestellen29.10.2021

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42,82
David Behrman - ViewFinder / Hide & Seek

Black Truffle is thrilled to announce ViewFinder / Hide & Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.

Side A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated patterns.

The 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.

On the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder / Hide & Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.

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19,79

Last In: vor 4 Jahren
Luca Musto - Nice Place, Bad Intentions 2x12"

“Einsteigen Bitte!”

After more than six years of collaboration between label and artist, Feines Tier and Luca Musto bring to you the highly anticipated first full length LP “Nice Place, Bad Intentions”.

Musto’s first LP “Nice Place Bad Intentions” departs from the conventional 4/4 time signature. Instead, the album’s structure and the tracks themselves are reminiscent of a 1990s/2000s Hip Hop long play release. This becomes evident in the fact that the LP not only features 17 tracks, including skits and interludes, but also that they make up the framework of a conceptual album. Here, listeners will be encouraged to follow the track list and listen to “Nice Place, Bad Intentions” in one go.

“Nice Place, Bad Intentions” was produced over a period of 1,5 years. Besides the majority being original samples and vocals from Luca Musto, the LP also features a number of studio musicians, including bass players, trumpeters and guitarists. Cologne-based guitarist Simon Bahr can be found on several tracks, including the three singles “Infiltrate”, “Boogie Angst” and “Real Name, No Gimmicks”. Moreover, the skits and interludes are spoken by professional voice actors from the US and Canada.

The Berlin-themed album follows the characters Mick and Richie, who are all about partying and come to the city for one weekend in hopes to have the time of their lives. When the characters’ expectations meet reality, their naiveté (or bad intentions) lead them to getting screwed, robbed and even arrested. These stories about their journey through Germany’s capital are found in the interludes and skits. Listeners can follow them passing infamous places and metro stations in the city based on sampled BVG announcements, which gives the album a radio play vibe.

Sound-wise, Luca Musto’s unique sounds include scratched hooks that meet original lyrics and melodies, resulting in distinctive genre-bending tunes. As Mick and Richie stumble through some of Berlin’s most in-famous places, their expectations repeatedly clash with the reality of the capital’s nightlife. Similarly the liste-ners’ expectations are twisted and turned. Yet, the soundtrack underlining the characters’ journey never disappoints and brings its listeners on a rhythmic trip of old and new sounds. From rapping on downtempo as in “City of Grind” to merging the classic structure of electronic music with funky guitar licks and unconventional chord transitions as in “Infiltrate”, the LP feels at once like a daring experiment and like the beginning of a developing new genre.

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27,52

Last In: vor 3 Jahren
Order - The Gospel

Order

The Gospel

12inchPOSH576
Listenable Records
29.10.2021

ORDER was founded in 2013 by Anders Odden, Rene Jansen, Kjetil Manheim and Billy Messiah, the group respectively responsible for early-stage Norwegian death metal (Cadaver) and the origin of the Norwegian Black metal (Mayhem). In 2014, Jansen sadly passed away, leaving the project unrealized. The remaining members decided to move forward despite the setback. In 2015 Stu Manx (f. Gluecifer) joined the band and set the band back on its quest to make unpolished raw black metal for the 21st century. To honor Jansen the band released the demo tape ‘Folly Grandeur’ - with rehearsal recordings the following year - and the debut album ‘Lex Amentiae’.
It has been four long years since then, and they are now finally ready to release their long-awaited second studio album, ‘The Gospel’. This time showing the world what strong recipe the current lineup represent. While the band was very satisfied with their debut album, according to the band The Gospel is on a totally different level. “This time we have arrived at a place where the creative flow truly feels unique and to the core of ORDER”, Kjetil Manheim says and continues. “In The Gospel you will meet us on a very personal level. In this record we open ourselves and invite you into our innermost, both musically and through the lyrics. If you ever wondered who we are, and where we come from musically this album is an answer.” Together again they made music that brought to life sounds from the early days, and with ‘The Gospel’ they have arrived in the energy field that fueled the early era where they first met; The Deathcrush era.

vorbestellen29.10.2021

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27,44
Alter Ego + Pan Sonic - Microwaves

Diving into the archives of Alter Ego - the Italian experimental ensemble of Manuel Zurria, Paolo Ravaglia, Aldo Campagnari, Francesco Dillon, Oscar Pizzo, and Eugenio Vatta - Die Schachtel is thrilled to present Microwaves, a never before released body of recordings of works composed by Atli Ingólfsson, Giovanni Verrando, Yan Maresz, and Riccardo Nova, made with Pan Sonic (Mika Vainio and Ilpo Vaisanen) in 2005. Resting at the outer reaches of avant-garde chamber and electronic music, the LP’s blistering structures, tones, and textures - plowing forward with frenetic energy - remain radical and ahead of their time, more than 15 years after they were first laid to tape.

A modular chamber ensemble with a pointedly anti-academic approach to music, over the course of its activities - running roughly between 1990 and 2010 - Alter Ego developed a devoted following among some of the most forward thinking voices in experimental music, all the while collaborating widely with artists spanning a vast range of practices and disciplines, including Robin Rimbaud, Philip Jeck, Matmos, Gavin Bryars, Andrew Hooker, William Basinski, David Moss, Alvin Curran, Terry Riley, and near countless number of others.

Alter Ego’s diverse activities can be understood as interventions with the disposition toward formality within contemporary chamber music, often pairing themselves with artists working well beyond their own context as a means to develop highly original interpretations of a specific composer’s work. In 2004, this process led them to instigate a collaboration Pan Sonic, the Finnish duo of Mika Vainio and Ilpo Vaisanen, pioneers of a remarkably distinct form of rhythmic, experimental electronic music, and regarded by many as one of the most visionary and irreverent projects working in the field during the '90s and 2000s.

Initially conceived with Fausto Romitelli in 2004 before being sidelined by the composer’s untimely passing the following year, Microwaves acts, in part, a remembrance in sound, featuring four works by some of his closest friends, the composers Atli Ingólfsson, Giovanni Verrando, Yan Maresz, and Riccardo Nova. Each composition, Ingólfsson’s Snap, Verrando’s Harmonic Domains #3, Maresz’s Link, and Nova’s Thirteen13x8@Terror Generating Deity, have roots in a pallet of samples and fragments drawn by each composer from existing works by Pan Sonic. Upon completion, these compositions then entered into a collaborative process between Mika Vainio and Ilpo Vaisanen (Pan Sonic) and Alter Ego (Manuel Zurria, Paolo Ravaglia, Aldo Campagnari, Francesco Dillon, Oscar Pizzo, and Eugenio Vatta), and were performed collectively by both groups during an extensive tour that year.

Distinct and free-standing, while operating as a seamless whole, the four works encountered across the album’s two sides - built from the sounds of flute, clarinet, violin, cello, piano, electronics, and further treatments - present an engrossing intersection between electronic and acoustic sound that diverges from most standing conceptions of electroacoustic music. Each composer’s carefully rendered structures rise and fall within the startling, conversant interplay between the two groups, finding perfect balance - between the frenetic and restrained - in what can only be regarded as one of the most striking and singularly unique expressions of contemporary chamber music realized during the 2000s.

Vast in scope, visionary in concept and artistry, and sonically engrossing, Die Schachtel is thrilled to present these never before heard recordings from the archives of Alter Ego. Microwaves is available on black vinyl, in a limited edition of 350 copies.

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22,65
Special Costello - Life Matter Love Thought

If one always looks at the sky, he will end up with wings, a wise French man once declared. Halifax, Nova Scotia based musician Jeremy Costello had wings, long before he looked up. Wings of imagination. Brandishing in his head, transforming deep-rooted emotions into poetry and sound. Since 2012 the Canadian self-releases music as Special Costello, a moniker under which he records solo or with local friends like Saxophone player Nick Dourado or guitarist Dave Burns. His lyrics are sincerely woven poetic enunciations that balance between introspective emotions and existential philosophical demands. Lyrics from a spirit that is in love without an object, unconditional, mirroring his very own subconscious inner being. The music reflects his tempers in many colours. Glimpses of Synth-Pop, psychedelic rock nuances, traces of new romantic utopia, infantile Casio minimalism, Shoegaze haze, drama wave: Special Costello blends many styles, uniting all in his very own musing grandeur of pop music.

After an array of digital releases, Berlin based label Marmo Music now publishes the Special Costello touch for the first time physically fabricated on vinyl. Seven songs featuring the longing voice of Jeremy Costello, sometimes in correlation with spoken words and dialogues by noted artists, poets, and scientists. All creations have been recorded by himself between Spring 2017 and winter 2020, using the extrasomatic help of instruments and machines like Farfisa Combo Compact transistor organ, Roland JX3P polyphonic analog synthesizer, Roland D50 linear synthesizer, Roland Rhythm Composer TR-08, Arturia Microbrute monophonic analog synthesizer or a Gibson Thunderbird IV bass guitar. In communication with his sensitive inner blues, they created an atmospheric voyage into the heart of Special Costello, that fulfils Arthur Russel’s sapient declaration: being sad is not a crime! Seven musical paintings full of intimate, vibrant feelings and existential thoughts, veiled in an antidepressant neo new romantic glam. An epic tune like “The Next Day”, in which Costello’s singing links with thought-provoking spoken word samples, sounds like Robert Ashley is meeting Hans-Joachim Roedelius in a psychic séance with Brian Ferry. In comparison, a song like “If Not Depression, Then What?” grooves with a pulsating wave bass figure and an overall gently floating electronic majesty, while Costello’s voice takes deep listeners to an unknown higher ground. On the other hand, a composition like “Unsetting” offers a nonchalant graceful funk drift with reverberant hand claps, minimal guitar strains and a chromatic synth pop grace. Above all the music Costello’s voice cries, screams, whispers, and weeps with a compelling introspective elegancy, that invites to associate intensely with the nonpareil Special Costello touch.

Written, composed, and recorded by Jeremy Costello between 2016 to 2020 in Halifax, Scotch Village and Toronto (Canada).

Instruments used by the artist: Farfisa Combo Compact transistor organ, Roland JX3P Programmable Preset Polyphonic Synthesizer, Roland D50 linear synthesizer, Yamaha DX7 Frequency Modulation/Programmable Algorithm Synthesizer and TX7 FM Expander, Roland Computer Controlled Rhythm Composer TR-08, Arturia Microbrute Analog Synthesizer, Gibson Thunderbird IV bass guitar, MicroKorg Synthesizer/Vocoder, Electro Harmonix Small Stone Phaser, Memory Boy Analog Delay, Alesis Quadraverb, and finally, their voice was recorded using Shure Beta57A and AKG D 330 BT dynamic microphones.

vorbestellen29.10.2021

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19,29
Susto - Time In The Sun

Susto

Time In The Sun

12inchNW5587LP
New West Records
29.10.2021
  • Time, Love & Fun
  • Get Down
  • Summertime
  • God Of Death
  • Be Gone From Me
  • Good Right Now
  • Life Is Suffering
  • Resolve It
  • Mother Of The World
  • Double Rainbow
  • All Around The World

‘Time In The Sun’ is the fourth full length album
from Charleston, SC band Susto. The album was
written and recorded in the midst of a lot of life
changing events for lead writer / singer Justin
Osborne.
 Like everyone around the world, Osborne was
navigating the global issues felt from the pandemic
while normal life continued with its own blessings
and challenges. “We were navigating the global
and national issues that everyone else was dealing
with, but also I became a father and also lost my
father. There was a lot of contemplation going on
in my brain, a lot of personal evolution going on in
my life, and songwriting was my way of working
through it all. The title ‘Time In The Sun’ is meant
to be a monument to my own human existence
and also a tribute to the human experience in
general. I wouldn’t claim to understand what it
means to be a human, from the countless different
perspectives of the world, but I do have my own
experience to reflect on and I want to be able to
express and explain that in some way. I guess this
album is an attempt at that. At the core though, it’s
just a collection of songs about my life and my
feelings.”

vorbestellen29.10.2021

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22,06
Billy Preston - Encouraging Words

Billy Preston

Encouraging Words

12inch3853026
UMC
29.10.2021

To celebrate Billy Preston’s induction into the Rock & Roll Hall of Fame in October 2021 Apple Records and Universal Music Catalogue will be making Billy’s highly regarded 1970 album ‘Encouraging Words’ available on vinyl for a limited period. First released in the UK on 11 September 1970 the album was co-produced by Billy and George Harrison, with two of George’s songs – ‘All Things Must Pass’ and ‘My Sweet Lord’ – issued here for the first time, two months before his own recordings appeared on the triple album ‘All Things Must Pass’.In 2010 Record Collector magazine described ‘Encouraging Words’ as “one of the finest titles in the Apple Records catalogue”, while virtuoso keyboard player Rick Wakeman told BBC Radio 4’s John Wilson he considered Preston’s two Apple albums “absolute gems – a perfect combination of gospel and funk.” The album was last released on vinyl in 1992. The original album credits did not include details of contributing musicians, though the sleeve notes of the 2010 CD reissue included Eric Clapton, Klaus Voormann, Ringo Starr, Bobby Keys and the Edwin Hawkins Singers.

vorbestellen29.10.2021

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21,81
Whitechapel - Kin

Whitechapel

Kin

12inch158061
Metal Blade
29.10.2021

At this stage in the game, the name Whitechapel commands respect. Already sitting on one of the most enviable catalogs in contemporary metal, in 2019 they dropped The Valley, showcasing a confident evolution in their sound and standing as a true landmark release that sets a new standard for the genre. In 2021, they return with that album's successor, the mighty Kin , which is an even more dynamic and diverse collection, further advancing the band's sound into new territory without losing sight of what brought them to this point. The commencement of writing for the album was a direct result of the Covid pandemic, the band having several tours lined up to finish out the cycle for The Valley, but when these got cancelled, they decided to refocus their energies and begin working on a new record. The result is a collection that explores a lot of sonic and emotional territory, and for the first time, it could be said that a Whitechapel record is as much a rock album as it is a metal one, an assertion guitarist Alex Wade agrees with. "It's still very much a metal album, I don't think you would hear any of the songs on mainstream radio, but there are elements of the record that have more of a rock and open vibe. We really wanted these songs to breathe and have life and to sound bigger than anything we've made so far. We have explored more singing on 'Kin' too. It wouldn't make sense to have the majority of the fanbase enjoy that sound and then shy away from it." This is not to say that the band have lost their hardest edges, with the full-on death metal assault that kicks off both "Lost Boy" and "To The Wolves" as brutal and serrated as extreme metal gets, and while vocalist Phil Bozeman explores his wide-ranging singing voice more, he also cuts loose with his trademark roar across the album's eleven tracks.

vorbestellen29.10.2021

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27,52
Whitechapel - Kin

Whitechapel

Kin

12inch158067
Metal Blade
29.10.2021

At this stage in the game, the name Whitechapel commands respect. Already sitting on one of the most enviable catalogs in contemporary metal, in 2019 they dropped The Valley, showcasing a confident evolution in their sound and standing as a true landmark release that sets a new standard for the genre. In 2021, they return with that album's successor, the mighty Kin , which is an even more dynamic and diverse collection, further advancing the band's sound into new territory without losing sight of what brought them to this point. The commencement of writing for the album was a direct result of the Covid pandemic, the band having several tours lined up to finish out the cycle for The Valley, but when these got cancelled, they decided to refocus their energies and begin working on a new record. The result is a collection that explores a lot of sonic and emotional territory, and for the first time, it could be said that a Whitechapel record is as much a rock album as it is a metal one, an assertion guitarist Alex Wade agrees with. "It's still very much a metal album, I don't think you would hear any of the songs on mainstream radio, but there are elements of the record that have more of a rock and open vibe. We really wanted these songs to breathe and have life and to sound bigger than anything we've made so far. We have explored more singing on 'Kin' too. It wouldn't make sense to have the majority of the fanbase enjoy that sound and then shy away from it." This is not to say that the band have lost their hardest edges, with the full-on death metal assault that kicks off both "Lost Boy" and "To The Wolves" as brutal and serrated as extreme metal gets, and while vocalist Phil Bozeman explores his wide-ranging singing voice more, he also cuts loose with his trademark roar across the album's eleven tracks.

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

27,52
Lucifer - Lucifer IV

Lucifer

Lucifer IV

12inch19439884001
Century Media Records
29.10.2021

Founded in 2014 in Berlin by The Oath front woman Johanna Sadonis, the group first consisted of Cathedral, Angel Witch and Ladytron members. The debut album “Lucifer I”, penned by Johanna and Cathedra’s Garry Jennings and released by British label Rise Above Records, brought LUCIFER international recognition. With a shift of constellation within the band in 2016 and Johanna Sadonis’ move from Berlin to Stockholm, LUCIFER were ready for chapter two. In Nicke Andersson, notable for his groups The Hellacopters, Entombed, Imperial State Electric, Death Breath among others, Johanna found a new renowned writing partner. Relentless touring and recording have turned LUCIFER into an explosive live beast and a reliable source of timeless rock and roll.
LUCIFER wasted no time and used the pandemic to record yet another long player that rings in a new chapter and dives even further into the grande realms of colossal old fashioned rock, with a severe morbid twist. For this opus they entered guitarist Linus Björklund’s Studio Ryssviken for an even more heart pounding drum sound while continuing their work at The Honk Palace. They expanded their song writing partnership within the band and Johanna has not only penned the new material with Nicke but also with guitarist Linus, as well as guitarist Martin Nordin contributing. With “Lucifer IV” the group is proving furthermore to be steadily building their very own pillar of rock history, brick by brick. The first single to give you a glimpse of what’s to come is “Wild Hearses” - buckle up for a deliciously morbid sweet and heavy ride past tombs and churches!
“Lucifer IV” is available as Ltd. 180g Gatefold LP + CD (in deluxe hardcover gatefold sleeve), Ltd. CD Digipak and Digital Album

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31,89
Zhalih - They Call

Zhalih

They Call

12inchLAAPS015LP
LAAPS
29.10.2021

Hannah Zhalih Mickunas is a multidisciplinary artist currently living on the Northern California coast. After a first album recorded for eilean rec. in 2018, she comes back 3 years later on LAAPS with her second LP, "They Call".

All songs, voices and instruments by Hannah Zhalih Mickunas. Recorded between 2013 and 2021.

Beats/electronic by:
Michael J Collins on "Shadows from the sky", "Water", "Blue Dust"
Jake Holmen on "Like a Wave", "Seventeen", "Trouble"

Beth Navah co-wrote "Visions of Clay" and "Crying like a Lamp"

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20,80
Riz ORTOLANI - Zeder

Riz Ortolani

Zeder

12inchAMSLP158
AMS
29.10.2021

First ever vinyl edition of "Zeder" soundtrack, one of the best Italian thriller/horror movies ever!



The music composer is Riz Ortolani ("Mondo Cane" and "Cannibal Holocaust" stand out among his many works), here collaborating with director Pupi Avati for the second time: this soundtrack expertly blends electronic and symphonic music, the latter here consisting mainly of an orchestral string section often repetitive, hypnotic and insistent, that reflects the arrogance of the protagonist in continuing his research, no matter what the consequences could be. There is no shortage of funk-filled brighter themes and requiems, suspended songs full of tension and sudden vibe changes, melancholic melodies and eerie soundscapes.



"Zeder" is today a cult movie, released in theaters in 1983, at a time when hardly anyone dared to shoot anything that had to do with zombies. Pupi Avati went against the tide then, giving life to an atmospheric horror film set in a sunny Italian Romagna Riviera - a typical destination for cheerful summer holidays - which tells the discovery of ancient experiments by researcher Paolo Zeder on a special 'K terrain' that allow those buried there to return from beyond. Avati's stylistic approach, in which tension and fear arise from simply narrated situations instead of full-blooded scenes with a strong visual impact, finds here a perfect match with Maestro Riz Ortolani's score.

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33,07
SAGA - Generation 13

Saga

Generation 13

2x12inch0215540EMU
earMUSIC
29.10.2021

Their eleventh studio recording “Generation 13“ saw SAGA release a concept album for the first time in their career. Inspired by the book ‘13 Gen Abort Retry Ignore Fail’ by Neill Howe and Bill Strauss, keyboardist Jim Crichton developed the (fictitious) story of young Jeremy, a member of what is known as the 13th Gen – the generation born between 1961 and 1981, identified as the 13th generation in the US since the founding fathers – whose future prospects, according to Strauss/Howe, were full of uncertainties despite the nation’s huge wealth, and whose daily life would be marked by violence and chaos. The result was a versatile album featuring haunting rock songs and an ambitioned story full of social criticism. Reissued as a Double Heavyweight Black Vinyl Gatefold Edition, “Generation 13” will be available for the first time ever on vinyl and features the acclaimed 1991 single „Gotta Love It“ as an exclusive bonus track as well as personal liner notes by Jim Crichton.

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31,89
FLUKTEN - VELKOMMEN HAP

Flukten

VELKOMMEN HAP

12inchODINLP9576
HUBRO
29.10.2021

What happens when you put four of the most creative musicians from the Norwegian jazz scene in lockdown? They create. In march 2020, when the corona pandemic forced Norway into lockdown, Flukten found their oasis. Flukten springs out of one thing - the will to create music. Flukten consists of musicians from some of the most critically acclaimed jazz groups in Norway: Hanna Paulsberg Concept, Atomic, Moskus, GURLS, Wako, Espen Berg Trio, Hullyboo, Skadedyr and Trondheim Jazz Orchestra.After Flukten's debut concert last year one music critic wrote: "if there is one band debut that really has left their mark in soul and heart, it is this".With a musical reference library filled with the likes of John Scofield, Joe Lovano, Per "Texas" Johansson, Salif Keita and Paul Motian, they take detours through hip hop, soul and folk music from all over the world. Here, all spontaneous whims can be cultivated and explored. Flukten gives you dirty jazz that makes you move, and soft, fine tuned jazz that makes you think. This is music that celebrates life and embraces the unbelievable. In February 2021, the four musicians entered the recording studio with the same open attitude as when they first jammed together. On Flukten`s debut album you hear saxophonist Hanna Paulsberg's eternal vocabulary and multifaceted tone unfold completely without compromises. You hear guitarist Marius Klovning somewhere in the middle of John Scofield, sharp soul, western and Norwegian folk music. Hans Hulbækmo's drumming is tempting to compare with the playing of a solo pianist in his melodic repertoire. Bassist Bárdur Reinert Poulsen drives everything with his punchy, hard swinging hand, but also provides us with emotional solos.Together, Flukten are an explosion of joyful playing from some of Norways most talented musicians. The songs of Flukten's debut album span from playful melodies to dissonant harmonies. Sometimes it's a composition based on a voice memo of someone humming. Other times we hear snapshots from improvisations in the vivid studio atmosphere. The music dances, other times it is like a soft caress. Suddenly they fly into ecstasy. This album is the sonic equivalent to jumping from a hot sauna and into cold water. The music wakes you up. This is music that could only appear this exact moment from these exact musicians. Maybe you spend hours lying on the floor, lost in a book. Maybe you get drunk, or you run into the woods? We all need to escape now and then.

vorbestellen29.10.2021

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24,75
STATIC - TOOTHPASTE & PILLS: DEMOS & LIVE 78-80

Long before John Brannon of Negative Approach cemented himself as a USHC icon, you
would hear rumblings about his pre-NA glam group, STATIC. Only a handful of people were
lucky/brave enough to see them live. Scenesters spoke of a tape but never seemed to have
one. Their most well-remembered song, Toothpaste and Pills, allegedly featured smashing
beer bottles against John’s mom’s basement wall as a percussion instrument. Could this be
real?

Fast forward to 2020 and a few months into the covid-19 lockdown, Brannon came across a
bunch of tapes he dug out of a box in his Mom’s closet - STATIC “DEMOS ‘78”, STATIC
“LIVE AT GROSSE POINTE SOUTH H.S.”, STATIC “LIVE AT PLEWA HALL”. Holy shit! The
legend is true! And best of all, STATIC rule!

John Brannon grew up in Grosse Pointe Park just a few blocks from the Detroit border. John
was always into music, but as soon as he heard T-Rex, The Stooges and Alice Cooper, he
was obsessed (and still is) and had to start a band to channel his obsessions. With the help
of neighborhood kid and collaborator Billy Daniels and a local drummer simply known as
“Red”, STATIC was born.

Before Negative Approach changed the face of punk and hardcore, before Laughing Hyenas
scared the world silly and blew everyone else off the stage and before Easy Action started
melting minds all over the world, there was STATIC. STATIC was real. STATIC was real as
shit.

Third Man Records is beyond ecstatic to be providing this long-missing piece of the
American Underground Music puzzle. We worked closely with John Brannon and Warren
Defever, one of Third Man Mastering’s resident wizards, to put together this essential
collection of demos and live recordings.

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22,23
NUDITY - IS GODS CREATION

Nudity

IS GODS CREATION

12inchCFUL038
CARDINAL FUZZ
29.10.2021

Cardinal Fuzz and Feeding Tube Records are at long last ecstatic to bring to you for your listening pleasure “Nudity - Is God’s Creation” 2xLP . A retrospective release of recordings dating from 2005 to 2010 of orgasmic interstellar mayhem . Reissued and for the first time available domestically in the USA

In 2004, a commune named NUDITY, formed by four travellers from the astral plane, appeared in Olympia, Washington. The founding members were Dave HARVEY (guitar) and Jon Quitty QUITTNER (bass - though Josh Haynes of the mighty guitar fuzz scorchers Feral Ohms plays bass on the majority of the tracks featured here), both of whom were former guitarists of Tight Bros From Way Back When and Eryn ROSS (drums) from Growling, A couple of self-distributed Cdrs and a 12” on Discourage were a visual akin to coloured liquid sloshing around on a transparency machine and were a pure drip feed for psych /kraut and Jap Rock fiends around the world as Julian Cope and Terrascope raved about them. Alas for whatever reason no full length LP arrived from the original line up - something that at last has been rectified as now all these tracks have been brought together (along with some unreleased gems and a couple of live bonus download tracks). The sonic ear candy contained within the 4 sides of vinyl presented here go From Detroit fuzz blazing face melters to acid trippin' head swirling raga’s via The Flower Travelin’ Band and Hawkwind. Nudity were the masters and for those that missed out the first time this double album was released - Don't make the same mistake a second time.

Terrascope gushed about Nudity - "This is seriously fucking good; one of those quite literally extra-ordinary LPs that come along every once in a while which you just know instinctively are going to be dug out and played, sniffed and caressed for years"

vorbestellen29.10.2021

erscheint voraussichtlich am 29.10.2021

38,61
BĘÃTFÓØT - BĘÃTFÓØT

Green Vinyl

Have you ever wondered what would happen if the Spice Girls smoked crack and joined forces with the Power Rangers on acid? Meet BĘÃTFÓØT. These punk-infused electronic poltergeists and big-beat acid trio are Udi Naor, drummer and founding member of electronic duo Red Axes, Adi Bronicki (who also fronts Israeli garage-punk-folk band Deaf Chonky) and ace of all trades guitarist Nimrod Goldfarb.
The band have been launching warped stoner-acid-pop out of Tel Aviv with maniacal intent and are producing post-punk rave bangers that will scorch every dance floor with a huge lethal smile. BĘÃTFÓØT
are a DIY supergroup who describe themselves as sitting somewhere between Aqua, Beastie Boys and The Prodigy.
Their music endeavours feel akin to being hurtled through a kaleidoscopic waterslide, overflowing with the spirit of 90’s youth culture. The radioactive trio are DJ’s, musicians, songwriters and producers with a diverse range of individual projects and talents, their combined sonics map your journey across the hazy astral spectrum of hip-hop, big beat and rave music. Morph these radioactive pieces with the no New Release Informationnonsense attitude of punk-rock and the venomous spitting flow of golden-era rap and you might just come close to fabricating the freakish sound of BĘÃTFÓØT.
The band’s self-titled debut is set for release on 17th September on Manfredi Romano aka DJ Tennis’ Life and Death. Founded in 2010, the imprint curates soulful dance music with a post-rock aesthetic.
This refreshingly original and experimental LP from BĘÃTFÓØT marks a new direction for Life and Death this year and beyond.
“BĘÃTFÓØT” takes unsuspecting listeners on a wild ride of unprecedented musical madness (firmly without seatbelts). Fizzy synthesiser programming stimulates you effervescently through the album like the welcomed sting of sour sweets, surprising accompaniments appear in the form of manipulated vocal lines and quirky samples, all jovially mixed together in a gummy melting pot of wild conceptualisation and starry eyed rhythms.
Thirteen tracks of unprecedented dancefloor mutations send us triumphantly into the candy-covered kingdom of BĘÃTFÓØT with open arms and infinite imagery of fanciful gutter-glam escapades. This project fulfills the role of a musical bulldozer, flattening all previous conceptions of what it means to belong to a genre and leaving behind a hot mess trail of anarchic musical fragments in its wake. The undying spirit of the nineties.
With fans that include legendary Irish born singer, songwriter and producer Roisin Murphy, BĘÃTFÓØT are a breath of fresh air set to be igniting dancefloors this summer.

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19,12

Last In: vor 2 Jahren
Hybrid Minds - Reflections

Independent leaders in the UK drum and bass scene, Hybrid Minds have paved their own way to success through operating from left of centre and keeping true to themselves at every step of the way. Their early tracks, ‘Meant To Be’ and ‘Touch’ firmly established them within the circuit, before they went onto amass 25 million streams for the latter, release a popular debut album and set up their own label, Hybrid Music. The huge support from tastemakers in the scene doesn’t stop there, with editorial playlist adds across Spotify and Apple Music, spins on George FM, BBC Radio 1,1Xtra, Kiss FM UK, Kiss Dance, Kiss Fresh, Studio Brussels, FM4, triple j and Capital Dance, UKF backing and a memorable DJ Mag HQ live stream, Bad To Me offered a glimpse of what’s to come from the Drum & Bass duo when they drop the full EP this October. What’s more, a recent release alongside Pendulum for Louder Than Words saw the Australian heavyweights go liquid for the fourth and final track listing on their own EP. Always staying true to their sound and style, Hybrid Minds previous success came from their early tracks, Meant To Be and Touch, before they went on to boast over 1 million monthly listeners on Spotify, remix tracks for Above & Beyond and Tom Walker, and collaborate with the DJ heavyweight, Netsky for the global smash release, Let Me Hold You. More recently, they secured a primetime show on Kiss FM, embarked on a sell-out New Zealand tour and sold out their October ‘Outline’ o2 Academy, Brixton show, six months out!

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19,12

Last In: vor 4 Jahren
Miles Davis - Round Midnight

Miles Davis

Round Midnight

12inch3397696
Wagram
27.10.2021

Wagram compilation of 50s and 60’s Miles’ classic tracks.

Music Legends is the collection made to rediscover the history of modern musics in nice gatefold sleeve single vinyls with liners notes written by journalits. Music Legends, is proud to present a new volume. This new title focusses on one of the greatest jazz maestro of all time : Miles Davies. Often seen as the most influential artist in the Jazz Music field, his legacy will continue to influence the new musicians for years. The LP features 8 of his most famous tracks (So What, Milestones, Round Midnight…)

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18,28

Last In: vor 4 Jahren
MARY LATTIMORE - COLLECTED PIECES II

In the afterglow of her acclaimed 2020 album Silver Ladders, Los Angeles-based harpist Mary Lattimore returns with a culminating counterpart release, Collected Pieces: 2015- 2020. The limited-edition LP features new and previously unreleased material, Bandcamp-only singles, and other obscurities alongside standouts from her 2017 tape Collected Pieces. Beyond the vinyl compendium, an expanded tracklist on the cassette/digital version brings more of Lattimore's archives together for the first time. Lattimore has described the process of arranging these releases as akin to "opening a box filled with memories," and here that box continues to populate, accessible for both the artist and fans. Evocative material separated by years, framed as a portrait of an instrumental storyteller who rarely pauses, recording and often sharing music as soon as it strikes her. Seemingly in constant forward motion for the last five years since her Ghostly debut, Lattimore glances back for a breath, inviting new chances to live in these fleeting moments and emotions; all the beauty, sorrow, sunshine, and darkness housed within. Opening the cassette version is "Mary, You Were Wrong," which mirrors an author's bout with a broken heart. "It's about how you have to keep on going even if you make some mistakes," she says. The bittersweet refrain cycles throughout, a little brighter every time, slowly, like the way time tends to heal. Unreleased track "Sleeping Deer" came together during Lattimore's artist residency on a cattle ranch in Wyoming. She remembers, "a small deer whose mother I think had been run over by a car would hang out in the yard. I called him Lollipop and would leave vegetable scraps out." Lollipop returned daily to eat, rest, and wait for more. The music this vision inspired is patient and droning, with light plucks giving way to deeper, vibrating tones, permeating with a sense of anticipation. Next is a newer single, "We Wave From Our Boats," which she improvised after walking her neighborhood during the early days of lockdown in 2020, and shared on her Bandcamp. "I would just wave at neighbors I didn't know in a gesture of solidarity and it reminded me of how you're compelled to wave at people on the other boat when you're on a boat yourself, or on a bridge or something. The pull to wave feels very innate and natural." The heart of the track is a somber loop, over top which Lattimore's synth notes ruminate, each a gentle shimmer of optimism in the most anxious and absurd of days. Also recorded in 2020, "What The Living Do" is inspired by Marie Howe's poem of the same name, which reflects on loss through an appreciation for the mundane messiness of being human. The echoed, slow-marching track has a distant feel to it, as if the listener is outside of it, watching life play out as a film. "Princess Nicotine (1909)" scores actual footage, a dream sequence Lattimore imagined for J. Stuart Blackton's surreal silent film Princess Nicotine; or, the Smoke Fairy. She adopted the same approach for "Polly of the Circus," explaining it was the name of one of the old silent films discovered in permafrost in the Yukon featured in the documentary Dawson City: Frozen Time, "the only copy that survived and it kind of warped in the aging process." A trove of pieces are collected here, most recorded in the moment, just Lattimore and her Lyon and Healy Concert Grand Harp, contact mics, and pedals. Like her most affecting work, these songs showcase Lattimore's gifts as an observer, able to shape her craft around emotional frequencies and scenes. Her power as a musician is rooted in how she sees the world: in vivid detail, profoundly empathic, with deep gratitude for nature and nuance.

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10,55

Last In: vor 4 Jahren
KHRUANGBIN - MORDECHAI REMIXES LP

"The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

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17,02

Last In: vor 10 Monaten
Alessandro Nero - The Dying Of The Outer-Self

The Brvtalist is proud to present The Dying of The Outer-Self, the new industrial techno album by Alessandro Nero. Available as a 12″ vinyl & digital re- lease, the EP includes two cutting remixes from hyp- noskull and LɅVΣN, in which both display a biting re- visitation to create a perfectly erosive synergy.

We catapult ourselves into a narrative that tells us
about the loss of the external being – of its appearance and sexuality, of flesh and of course, blood. Zeal- ous industrial sounds from the 90’s unite functional techno with contemporary noise and harsh hitting kick-drums, arriving at the discovery of new auditory carpets and intricate experimentations between the sacred and the profane in a guided recitation of the theater of life. The inevitable misfortune of the human situation, the failure of communication in the age of communication, the distance that causes distortion and a paradoxical, almost divine, impact. If only we could all have a sincere conversation, at least through art.

But sadly, like a distant echo of voices of violence from the past – a ruthless education made of respect and fear, commonly feeding on human and animal bones, is still floating, chopping everything as if the muscles were nothing more than mush to be served for dinner. An organic meat grinder emanating a pulp made of fictitious progress, now what matters are the first 5 seconds of attention, and that’s where your child is biologically more stupid than you – spicy and salty brain balls as a sack lunch for the scholastic trip to the sensory slaughterhouse.

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10,04

Last In: vor 4 Jahren
Wolfgang Flür & Fabrice Lig - Cinema

Cinema' is a brilliant snapshot of both artists working together in unison, with Fabrice providing his trademark 'high tech funk & soul' sound alongside Wolfgang's keen, tried and tested ability to fuse clever pop inspirations and catchy vocals through the use of robotic mechanics. Perfect music which balances the headphones and dancefloors on the horizon.
Five versions are on hand with the EP, including the original version of 'Cinema,' a French version of the original, as well as a remixes from Detroit's Ectomorph, UK Electro kingpin Carl Finlow, and Dutch synthesis maestro Versalife aka Conforce.
The original version of 'Cinema' is a gorgeous slice of sonic wizardry designed for exploring the borders between underground electronic club music and pop sensibilities. Catchy vocals play alongside a multitude of synth textures, coexisting perfectly in a melodic mélange equally as pleasing to the ears as the dancing feet. Catchy and clever vibes in equal doses.
Detroit legend Ectomorph's 'Sinema Mix' strips away the main elements and twists the original into an analogue heavy, heads-down drum workout saturated with carefully calculated effect manipulations to the vocals. Equal parts trippy and relentless, the remix is a broken beat workout designed to melt minds, fully ready for a dark concrete warehouse when permissible.
Electro legend Carl Finlow (Random Factor / Silicon Scally) delivers an interpretation of the original which stays loyal to the playful pleasantries of the original version. The signature bouncy, staccato-tinted grooves from Mr. Finlow are at center stage, with the UK producer fully embracing the original vocals and musical elements. A crisp, clean and precise remix, just as expected.
Versalife (aka Conforce) brings his beloved Dutch electronic style to higher levels with his take on the original, fully utilizing (what feels like) each and every one of his favorite machines from within his studio. Aggressive, quickly moving mischief is the name of the game with his remix, complete with sharp, attention- grabbing synths stabs and punchy, powerful drum programming.
!

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10,29

Last In: vor 3 Jahren
Cluster Lizard - Star Corsair

Cluster Lizard

Star Corsair

12inchPROSTIR+4_LP
Prostir
22.10.2021

While meditating on the concept of our next album, we listened to the soundtracks of our favorite movies and dreamed of composing our music for the films. What could the film be like, what would be the story, what would be the idea? What would we like to say this time? 
 And one day such work appeared and suddenly for us, it was not a movie. The book “Star Corsair” by Ukrainian science fiction writer, philosopher, and dissident Oles’ Berdnyk emerged from our distant memories. We even remembered the original cover of the old edition of 1971, a copy of which was immediately found, as if sanctifying our idea and adding a touch of eternity to the process. We decided to read the book again and right after that make our soundtrack to it. 
 

 
 We began to dive. And it immediately became clear that in the case of Berdnyk it is impossible only to read his works without reading about his life. Therefore, the reading of “Star Corsair” and its sequel “Kamerton Dazhboga” turned into an in-depth study of a unique phenomenon in the Ukrainian spiritual, art, and political space – Oles’ Berdnyk.
 
 From the first pages, the book resonated as much as possible with our ideas about true freedom and personal development. An incredible concentration of powerful ideas, subtly set on multilevel spirals of the modeled future intersected with the myth-created past, in projections of bright explosions and degradations of societies and civilizations, in the unconditional possibility of impossible revolutions and eternal deep struggle with systems, in the fire and explosions of liberation ignited by the freethinkers. 
 
 “Star Corsair” naturally intersected with our feelings and understanding of the interdependence of personal development and inner freedom, with the vision of the world around us and the direct action. It naturally complemented our vision of how, through the inner realization, we can contribute to the implementation of freedom, and then live it in our own lives.
 
 And so, this album became not only music for the novel, but also our reflection of the work, observation of our own transformation in the process, and what new ideas and vectors we will formulate for ourselves and offer to those who want to listen to the album.

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

19,12
Nick Cave & The Bad Seeds - B-Sides & Rarities: Part II
 
83
auch erhältlich

2 LP[32,65 €]


Following on from the successful ‘An Idiot Prayer’ live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on 22nd October 2021.

B-SIDES & RARITIES PART II was compiled by Nick Cave & Warren Ellis and features 27 tracks from “Dig, Lazarus, Dig!!!” in 2006 to 2019s “Ghosteen”. Also features 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.

UNRELEASED TRACKS *

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

187,94
Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

It’s been said that writing about music is like dancing about
architecture but what about singing about movies? Sufjan
Stevens and Angelo De Augustine have paired up for a
collaborative project that does just that. ‘A Beginner’s Mind’ is
their debut album and contains 14 songs (loosely) based on
(mostly) popular films.  The source material is highbrow, lowbrow and everything in
between. The music is folksy, sweet, sincere and harmonically
effervescent - Simon & Garfunkel with New Age flourishes. This
album runs the gamut and has fun with it, even while its
songwriters remain fully rooted in the melancholy folk idioms
they are known for.  Daniel Anum Jasper, a pioneer of Ghanian movie poster
painting, was commissioned to paint a series of new works for
‘A Beginner’s Mind’. His paintings are a graphic simulacrum for
the same sense of wonder, wordplay and intrigue that shape ‘A
Beginner’s Mind’. By transforming old films into vital new songs,
Stevens and De Augustine ask us to consider ourselves from a
previously unconsidered vantage point - a new way of seeing
and hearing - an exercise that’s as necessary and relevant now
as it’s ever been.  “In the dizzying chime of his careful fingerpicking and highpitched howls, De Augustine captures love’s bright blaze.” - Pitchfork
 “What we find here, on what is arguably the pinnacle of his
output to date, is De Augustine achieving the beautiful balance
between introspection and grandeur; straddling the place where
pain and hope intersect.” - Line of Best Fit

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21,81

Last In: vor 4 Jahren
Tonstartssbandht - Petunia

For Andy and Edwin White, the brothers behind Orlando’s Tonstartssbandht, a song is a living, breathing thing. Through constant touring, the Whites’ songs both take shape and change shape, becoming something a little different every night as they explore the possibilities inherent within them. With time, attention, and intention, these songs—long, languid, full of open musical questions and temporary answers—become distinct objects, and the process begins again. On Petunia, Tonstartssbandht’s 18th album and second for Mexican Summer, they bring us to the earliest moments of this process, showing off a barn full of hatchlings already decked with splendid plumage. Using little more than a 12-string guitar and a drum kit, Andy and Edwin weave together the gentle headiness of Laurel Canyon and the sweaty pacing of Cologne; like a gyroscope, its constant motion produces the illusion of stillness—and that stillness gives it a sense of intimacy and introspection, something that’s further illuminated by the new emphasis placed on the brothers’ vocals. It allows the quiet wisdom of the lyrics—what Andy self-deprecatingly calls “generic broad platitudes that I still think resonate when I say them”—to slip in almost unnoticed, delivering their emotional truths while preparing a feather bed for you to collapse into. “All roads will lead to the heart of town, when you’ve been running too long,” he sings in the album’s opening moments. “Being at peace only slows you down, but you’ve been running so long now.” If Petunia feels like a journey in the direction of peace, that, too, is a reflection of how it was made—the entire thing was written and recorded in Orlando in 2020, rather than pieced together in spurts over the years. This is an album built on level ground that shows what can happen when the artistic environment is stable, even while the world’s environment is anything but. Petunia is not Tonstartssbandht’s definitive statement on these songs, because how could it be? But it is a portrait of Andy and Edwin White at home in Florida, an artfully staged landscape rich in detail, its winding passages and airy environment waiting to be explored.

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

23,49
Can't Swim - Change of Plans

Ultimately, Can't Swim feel that Change of Plans is "the most Can't Swim record yet." LoPorto says, "All of our endeavours as a band have led us to make what I think is the most honest and transparent album in our discography. We spent way less time recording what we thought we should be writing and put down whatever came naturally. The recording process was certainly the easiest to date as well — we knew what we wanted going into it. I'm constantly writing songs and some of the tracks on Change of Plans have been in the demo stage for almost four years now so it feels great to finally have them all together on one release." Change of Plans was produced, mixed, and mastered by Will Putney (A Day to Remember, Every Time I Die, Body Count, Knocked Loose) of Graphic Nature Audio and is the culmination of everything Can't Swim have been building and exploring over the last six years, combining their signature visceral lyricism and cathartic rock sound with influences ranging from the worlds of folk to EDM. One could say it's a little bit of everything all rolled into one, and in a way, that's true. When life is more unpredictable than ever, Can't Swim are striking the perfect balance of hope and realism by writing songs that embrace the chaos of life. They want to find and harness a vibe that makes living a bit easier for everyone, and with each release, they're getting closer to that goal.

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

22,82
DMX - ...And Then There Was X

Dmx

...And Then There Was X

2x12inch4734098
Ral
22.10.2021

UMC are proud to present two reissues of certified multi-platinum albums from DMX. Nominated for Best Rap Album at the 2001 Grammys, '...And Then There Was X' is the third studio album from DMX. Featuring the hits "What's My Name" and "Party Up (Up In Here)". Released in 2001, 'The Great Depression' was the fourth album by the American rapper. Featuring the singles "We Right Here", "Who We Be" and "I Miss You". Both packages presented as 2LPs on 180g vinyl.

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28,53

Last In: vor 4 Jahren
Vivian Jones - Bank Robbery

Vivian Jones' debut album, released in 1983 and backed by Undivided Roots. Heavy slow sparse rhythms (in a Roots Radics style) and floating keyboards. Superb roots by this inspired UK singer, including the well-known tunes Flash It And Gwan and Third World Man.

Born in Jamaica but raised in the UK, Vivian Jones is an important voice in the UK Roots scene. Started in the 70’s as deejay on local sound systems but also as a member of several UK Roots bands. Disillusioned with the music industry he returned to Jamaica in 1982 and recorded some material there. He returned to London, began recording again in his spare time and released his debut album Bank Robbery on Ruff Cut. He went on to work with Jah Shaka, Bobby Digital, Junior Reid and many others. In the 90’s he started his own ‘Imperial House’ label. Nowadays a welcome guest on every reggae festival in Europe, Vivian still plays live shows and even with more than 130 single releases under his belt, he keeps on recording new and uplifting tunes.

Vivian on the creation of the album: At that time I never had a band to work with or anything so I spoke to Crucial Tony Phillips and he said I must come in. I went down to Ruff Cutt and they had some rhythms down there that they didn't know what to do with and I think they were even going to wipe some of them off the tape. They played me a few of them and I said, "What? You gwaan wipe off this?? A me tek this!" so they say "Alright, come voice it..." and the tune was Flash It And Gwaan. When I heard that rhythm I said, "Bwoy you mad???" and they said, "we cyaan get nobody to sing 'pon this riddim" so I said, "gimme the riddim". And, in fact, before I sang it, when I heard the rhythm I went to a sound party. I went there and they gave me the mic and I started singing Flash It And Gwaan right there and then. Then I went to the studio and sang it for Ruff Cutt.

After Flash It And Gwaan I sang about three more tunes that night and then they decided to make an album so they started giving me different rhythms and I kept voicing them until we had an album. That was the album Bank Robbery, because at the time the bank robbery was a real thing that happened on my birthday, 1st April, when they robbed some gold bullion or something like that. Whole heap of millions. And because it was on my birthday, I remembered that and then one day they gave me a rhythm and so I sang Bank Robbery on it for the album title track.

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22,31

Last In: vor 4 Jahren
Lizard Music - Arizone!

Lizard Music

Arizone!

2x12inchOVLP452
Omnivore Recordings
22.10.2021

First new release from Lizard Music in over two decades Since their hiatus, band members have joined Wilco, become the musical director for Cat Power, been a featured guest on RuPaul’s Drag Race, and worked with artists including Lana Del Rey, Brian Wilson, The Monkees, and more! Available on CD, Digital, and double-LP What Lizard Music says about Arizone! This collection of buzzy, whirly pop songs from a parallel dimension is a testament to Martin Short, Martin Sheen, Sheena Easton, Tina Turner, and Tiny Tim. Arizone! is better than discovering never-before seen discs for a View-Master. Arizone! is the sound of four old friends who spent their formative years playing music, traveling, and learning about the world, reuniting after a 25 year hiatus to compare notes and wound up with a one-way ticket to Arizone! Lizard Music began in Atlantic Highlands, NJ in 1989 when high school friends Mikael Jorgensen and Erik Paparozzi started learning and writing songs with a four-track. They pillaged their parents' record collections and discovered the musical universes of The Beatles, Frank Zappa, Captain Beefheart, XTC, James Brown and The Meters. In the fall of 1990, Lizard Music (named after the book by Daniel Pinkwater) was hired to be the backing band for David Peel and The Lower East Side at the recently-closed Brighton Bar in Long Branch, NJ, which would serve as the unofficial home base for the band for the next five years.

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

36,01
Oren Ambarchi - Simian Angel

After a trilogy of spectacular explorations of relentlessly driving rhythms – Sagittarian Domain (2012), Quixotism (2014) and Hubris (2016) – Simian Angel finds Oren Ambarchi renewing his focus on his singular approach to the electric guitar, returning in part to the spacious canvases of classic releases like Grapes from the Estate while also following his muse down previously unexplored byways. Reflecting Ambarchi's profound love of Brazilian music – an aspect of his omnivorous musical appetite not immediately apparent in his own work until now – Simian Angel features the remarkable percussive talents of the legendary Cyro Baptista, a key part of the Downtown scene who has collaborated with everyone from John Zorn and Derek Bailey to Robert Palmer and Herbie Hancock. Like the music of Nana Vasconcelos and Airto Moreira, Simian Angel places Baptista's dexterous and rhythmically nuanced handling of traditional Brazilian percussion instruments into an unexpected musical context. On the first side, 'Palm Sugar Candy', Baptista's spare and halting rhythms wind their way through a landscape of gliding electronic tones, gently rising up and momentarily subsiding until the piece's final minutes leave Ambarchi's guitar unaccompanied. While the rich, swirling harmonics of Ambarchi's guitar performance are familiar to listeners from his previous recordings, the subtly wavering, synthetic guitar tone we hear is quite new, coming across at times like an abstracted, splayed-out take on the 80s guitar-synth work of Pat Metheny or Bill Frisell. Equally new is the harmonic complexity of Ambarchi's playing, which leaves behind the minimalist simplicity of much of his previous work for a constantly-shifting play between lush consonance and uneasy dissonance. Beginning with a beautiful passage of unaccompanied percussion dominated by the berimbau, the side-long title piece carries on the first side's exploration of subtle, non-linear dynamic arcs, taking the form of a gently episodic suite, in which distinctive moments, like a lyrical passage of guitar-triggered piano, unexpectedly arise from intervals of drifting tones like dream images suddenly cohering. In the piece's second half, the piano tones becomes increasingly more clipped and synthetic, scattering themselves into aleatoric melodies that call to mind an imaginary collaboration between Albert Marcoeur and David Behrman, grounded all the while by the pulse of Baptista's percussion. Subtle yet complex, fleeting yet emotionally affecting, Simian Angel is an essential chapter in Ambarchi's restlessly exploratory oeuvre. --- Oren Ambarchi - guitars & whatnot Cyro Baptista - percussion & voice Recorded by Randall Dunn, Joerg Hiller, Iuri Oriente and Oren Ambarchi. Edited by Joerg Hiller and Oren Ambarchi at Choose Studios, Berlin. Mixed by Joe Talia and Oren Ambarchi at Good Mixture, Tokyo. Cut by Rashad Becker at D&M, Berlin. Executive Producers: Konrad Sprenger & Dick Wolf. Photography by Traianos Pakioufakis. Design by Lasse Marhaug.

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18,45

Last In: vor 6 Jahren
VARIOUS - 50s Jukebox Hits Vol. 3
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12,40

Last In: vor 4 Jahren
Alexis Taylor - Silence

Alexis Taylor

Silence

12inchORBS001
Orbistor
22.10.2021

Best known as Hot Chip's clear-voiced frontman, Alexis Taylor also pursues a solo career as an introspective singer/songwriter, exploring distinct themes and ideas with each record. Today Alexis announces the release of his sixth and strongest solo album to date, Silence,

Partly about silence - and how we intersect with it, observe it, try to record it, and how we feel about it when it’s gone, as we remember it - the record is also about religion, transcendence, giving oneself over to something bigger than you, or beyond this world. “I’m not religious myself,” adds Alexis, “but the songs which deal with the idea of gospel music or religion, look at it from a distance (rather like the shaky hand-held lens through which we follow the action in Pasolini’s ‘Gospel According To Matthew’) and try to uncover its influence on music and on people in desperate circumstances.”
The genesis behind Silence started a few years ago with Alexis ruminating on silence as a subject and making plans to make a record of the sounds you hear in public spaces as people observe moments of silence. He then lost his own personal access to silence as tinnitus began in his right ear in 2019 at a Hot Chip show. As Alexis explains, “I started to think about what it meant to me to lose quietness, solitude, meditative head space - as that was no longer available to me.”
Mostly composed in enforced isolation, Silence is a beautifully rich and unexpected conceptual album that is also Alexis’ most accomplished solo record and one that has seen early comparisons with a notably eclectic range of artists including Mark Hollis, George Michael, Big Star, Epic Soundtracks and Maher Shalal Hash Baz. This record sees the first time Alexis has collaborated with Sam Becker (double bass), Kenichi Iwasa (horn, trumpet) and Rachel Horton-Kitchlew (harp), who due to lockdown had to work in isolation from Alexis. In one case Kenichi recorded musical passages which were then superimposed on songs he had never heard - in effect keeping the songs themselves silent from the playing until the mixes were played to him.

vorbestellen22.10.2021

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16,77
PEARL JAM - NO CODE LP

Pearl Jam

NO CODE LP

12inch19439889161
EPIC
22.10.2021

We Are Vinyl release - fourth studio album by US rock/grunge legends, originally released on August 27th 1996 through Epic Records. Following a troubled tour working their previous album (Vitalogy 1994) the band went into the studio to record this follow up. The music on the record was more diverse than what the band had done on previous releases, incorporating elements of garage rock and worldbeat. Pressed on standard black vinyl (no download code). Super deluxe gatefold sleeve packaging which includes 9 insert cards. Marketing activity. Stock is limited/allocated.

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34,66

Last In: vor 4 Jahren
peachlyfe - Swamplyfe

Non-binary artist and producer peachlyfe emerges from the high-speed, forward-thinking Copenhagen Techno scene; known for their energetic approach to production coupled with an affiliation for peculiar rhythms and a desire to explore the outer reaches of dance music.

‘Creeper’ sets the standard; unveiling as a fast-paced, itchy and foreboding blend of highly charged kickdrums, rolling hats and sticky, palpitating synths. Nene H, a dynamic producer with strong ties to the Danish capital through her residency at one of the cites most loved parties ‘Endurance’, is on hand to remix- turning in a late-night tale that moves amidst the shadows.

The low-slung groove of ‘Trashman’ is as hypnotic as they come; the type of mind-bending composition that leaves you questioning what exactly just happened, bringing the A-side to a gripping close.

Industrial and brooding, ‘Burst’ opens the B-side with a bang, followed by ‘Elemental Friend’, a trance-leaning cut, blended with percussion that strikes down like metallic fists.

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11,39

Last In: vor 2 Jahren
Paul Weller - Illumination

Paul’s sixth solo studio album, Illumination, was originally released in September 2002, and is Weller’s second solo number one, it includes the hit singles “It’s Written in The Stars” (no. 7) and “Leafy Mysteries” (no. 23) and features guest performances from Carleen Anderson, Jocelyn Brown, Kelly Jones and Noel Gallagher. The 2021 reissue features faithful original packaging replication including rounded corners and was cut at London’s Metropolis Studios.

NME: "Paul has clearly regained his sense of adventure… a spirited, joyous album.” (4/5)

The Guardian: "The trinity that opens his sixth solo album is his best work in ages, by turns love-besotted, politically outraged and burning with spite. What a surprise - just when you thought Weller would never do it again, he goes and does it.” (4/5)

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

42,48
MARTIN HANNETT & STEVE HOPKINS - THE INVISIBLE GIRLS

LP + DVD

Factory Benelux presents a 180gm vinyl edition of The Invisible Girls, a collection of rare lost studio recordings by legendary new wave production duo Martin Hannett and Steve Hopkins (aka The Invisible Girls).

The album has been newly remastered by Peter Beckmann at TechnologyWorks and is pressed on 180gsm black vinyl. The outer sleeve is printed in black with a silver pantone. The inner bag includes detailed liner notes by Steve Hopkins, as well as archive TIG and Strawberry images.

Martin ‘Zero’ Hannett is the legendary Manchester producer famous for his work with Joy Division, Buzzcocks, New Order, Magazine and Happy Mondays. Steve Hopkins was his musical partner in The Invisible Girls, a floating studio collective which shaped epochal records by John Cooper Clarke, Pauline Murray, Nico and several others.

The first five tracks on the album are a selection of previously unreleased demos (‘moods’) recorded at the famous Strawberry Studios between 1980 and 1987. “These were the beginnings of Martin’s Invisible Girls world domination plan,” ace arranger Hopkins explains. “The idea was to assemble a roster of key instrumental players, produce tracks to be fronted by different singers/stars - and get some hits!”

Also included are 3 Hannett solo pieces recorded in 1978 and 1979, with the deluxe package rounded off by a DVD featuring a remarkable 13 minute trio improvisation by Hannett, Hopkins and Vini Reilly of The Durutti Column, recorded for television in January 1980.

Praise for FBN 65: ‘This store room grab conjures Manchester’s scarred wastelands, jazz-funky library music and ambient disquiet. Blade Runner via the Arndale Centre. A strange wayward collection, just like the thought processes of Hannett’s brain’ (Mojo)

‘Lovingly annotated, these effortlessly melodic backdrops offer a glimpse into what could have been as a post-punk one-stop-shop Chic’ (Q); ‘Captivating’ (Classic Pop); ‘The Nelson Riddle of narcotic rock’ (The Wire)

vorbestellen22.10.2021

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22,90
EVERY TIME I DIE - RADICAL

Every Time I Die

RADICAL

2x12inch277473
Epitaph Europe
22.10.2021

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. EVERY TIME I DIE makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, Radical, is 16 tracks of peak-EVERY TIME I DIE, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that "All This And War" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track "Thing With Feathers" featuring Andy Hull from Manchester Orchestra. Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.

vorbestellen22.10.2021

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26,51
PENNYWISE - PENNYWISE

Pennywise

PENNYWISE

12inch264128
Epitaph Europe
22.10.2021

The seminal Epitaph debut, Pennywise self-titled features many of the songs that have gone on to become legends in the band's live show. "Rules," "Homeless" and of course the original version of "Bro Hymn" all appear on this album. Recorded and mixed by Brett Gurewitz at Westbeach Recorders, this album helped to lay the groundwork for what would become one of the greatest punk rock bands of all time. A classic since it's original release in 1991, Pennywise stands as one of the most shredding and fearsome albums in the Epitaph catalog.

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24,33
Various - M_SESSIONS 2x12"

Various

M_SESSIONS 2x12"

2x12inchMOA23/M98-LP
Moabit Musik
22.10.2021
 
25

M_SESSIONS - THE PROCESS

"M_Sessions" is offering a contemporary version of Mania D., Malaria and Matador’s music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future.
Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live recordings in everchanging artist constellations.

The M_Sessions involved Pilocka Krach, Beate Bartel, Midori Hirano, Mommo G, Lucrecia Dalt, Antye Greie-Ripatti, Natalie Beridze, Annika Henderson and myself. Here the form of interpretation is focussing on keeping the freedom of their improvised work and adapting it to the collective appropriation of songs. I cannot imagine a better reinterpretation of the material with its real life ups and downs and with its enthusiasm.
The original core team of Beate Bartel, Bettina Köster, Manon P. Duursma and myself selected "Rare Originals" from the repertoire of the 3 bands where we saw special relevance and beauty - these tracks are on LP2. We rediscovered live tracks, living room recordings and demo versions from our times long gone. (G.Gut)

M_DOKUMENTE // THE BOOK - THE RECORDS - THE EXHIBITION

The project M_Dokumente focuses on the All Female bands Mania D., Malaria! and Matador in the West Berlin music and art scene of the late 1970s and 1980s. We celebrate this 40 years retrospetive with a big festival weekend from 21.-24.10.2021 at Silent Green from a explicitly female perspective.
The three bands around their members Beate Bartel, Bettina Köster and Gudrun Gut played concerts in different formations from 1979 on, released records and toured around the world. The self-determined appearance of the musicians was new, raised some eyebrows and was reflected both in the music and the lyrics, but also in their unique style and the genre-crossing approach of "more art in the music, more music in the art". To this day, the bands are considered visionary, they shaped a new image of women in pop culture and are pioneers and role models for the still important and necessary emancipatory movement in the music industry. Far beyond the borders of Berlin.

3Ms

The three, reunited: Malaria, Matador and Mania D, unter einem Dach, but gutted, replaced with electronic hearts, new beats, new beasts, the time has changed, yet the politics, the problems, the heartache remains the same. 2021 sees the anniversary of the 3 M’s and therewith the production of an album of songs, covering a selection of the bands’ finest output, this time assembled by a new set of feminist misfits; producers, fangirls, instrumentalists, under the strict guidance of original members Gudrun Gut and Beate Bartel. M-Sessions features: AGF, Lucrecia Dalt, Sonae, Midori Hirano, Islaja, Natalie Beridze, Pilocka Krach, Annika Henderson (Anika), Lupe, Gudrun Gut and Beate Bartel. Beginning in West Berlin, in 1979, with the inception of Mania D, spawning Malaria! and later Matador; in a time when music was essential to movement, to escape, to space, to the scene and to the rebellion of the people; three bands stood for trial and error, trial and terror, anti- conformity, and anti-consumerism, for girl power and sticking it to the man, and for just doing whatever the hell they wanted. The three, their existence slightly staggered, with different members, different grudges, different heartbreaks, different instrumental expressions, were joined by a string of barbed wire, piecing pigeon hearts, within the playground that was the desolate ex-capital, now again capital, Berlin; a place where artists and freaks could run free amongst the wrinklies and army dodgers; no microscopes, no rules, no property developers. (ANNIKA HENDERSON)

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33,91
Clinic - Fantasy Island

Clinic

Fantasy Island

12inchWIGLP486
Domino Records
22.10.2021

On their vibrant and eclectic ninth studio album, Clinic -
the band who wore surgical masks before it was a
matter of urgency - are taking you to ‘Fantasy Island’,
where you will find yourself transported to tropical
climes.
In guitarist / keyboard player Jonathan Hartley’s words:
“Clinic look to a brighter future, Fantasy Island it’s a
very positive album, it’s more about what you can make
happen rather than being defeatist.”
Their last album, 2019’s ‘Wheeltappers and Shunters’,
found the band satirising British culture and wallowing in
sleazy Seventies nostalgia. ‘Fantasy Island’ was
recorded in an old studio on Merseyside during the
summer of 2019, with good vibrations seeping into the
grooves. This time they are embracing “the idea of
looking at the future and the different ways it can unfold,”
with their most electronic and pop record to date. “It’s a
more global, international and outward looking record,”
says Hartley. “Clear blue horizons. The brave new
world!”
The album was mixed last year by Claudius Mittendorfer,
who has worked with Parquet Courts, Neon Indian and
many pop greats.
CD in paper inner wallet into spined capacity outer
wallet.
Standard weight black vinyl into shared printed inner
sleeve and digital download card.

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27,19
My Morning Jacket - My Morning Jacket

My Morning Jacket proudly announce the upcoming release of
their ninth studio album, the self-titled ‘My Morning Jacket’.
The band’s first new music since 2015’s GRAMMY Awardnominated ‘The Waterfall’, ‘My Morning Jacket’ reaffirms the
rarefied magic that’s made My Morning Jacket so beloved,
embedding every groove with moments of discovery, revelation
and ecstatic catharsis.
Produced and engineered by James over two multi-week
sessions at Los Angeles, CA’s 64 Sound, the album came to life
after what looked like a permanent hiatus for the band. But after
performing four shows in summer 2019 - beginning with two
mind-blowing nights at Red Rocks Amphitheatre - My Morning
Jacket were overcome with the urge to carry on.
That sense of purpose can be heard throughout the thrillingly
expansive ‘My Morning Jacket’. For all its unbridled joy, songs
like ‘Regularly Scheduled Programming’ and the otherworldly,
album-closing ‘I Never Could Get Enough’ once again reveal My
Morning Jacket’s hunger for exploring the most nuanced and
layered existential questions in song form while simultaneously
harnessing the hypnotic intensity of their legendary live show
more fully than ever before.
“I hope this album brings people a lot of joy and relief,
especially since we’ve all been cooped up for so long,” says
James. “I know that feeling you get from driving around blasting
music you love, or even lying in bed and crying to the music you
love. The fact that we’re able to be a part of people’s lives in
that way is so magical to us, and it feels really good that we’re
still around to keep doing that.”
CD in digisleeve with 12pp booklet.
Double LP on clear vinyl featuring a gatefold jacket with artwork
by Robert Beatty, custom inner-sleeves with lyrics and digital
download. (Once this format has sold out, a standard black vinyl
format - ATO0573LP - will be made available.)

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43,24
Biffy Clyro - Errors in the History of God/Unknown Male

Biffy Clyro will release the surprise new project ‘The Myth of the Happily Ever After’ on October 22nd. The record is a homegrown project that represents a reaction to their #1 album ‘A Celebration of Endings’ and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of ‘A Celebration’, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.

“This is a reaction to ‘A Celebration of Endings’,” says vocalist / guitarist Simon Neil. “This album is a real journey, a collision of every thought and emotion we’ve had over the past eighteen months. There was a real fortitude in ‘A Celebration’ but in this record we’re embracing the vulnerabilities of being a band and being a human in this twisted era of our lives. Even the title is the polar opposite. It’s asking, do we create these narratives in our own minds to give us some security when none of us know what’s waiting for us at the end of the day?”

‘The Myth’ has been launched alongside the new track ‘Unknown Male 01’. In six adventurous minutes, the band explore every facet they’re renowned for, taking in the unguarded emotion of its introduction, a skewed off-kilter breakdown, and a jagged, spiralling riff that builds towards a cataclysmic crescendo. The song reflects on friends who have taken their own lives.

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18,28
Biffy Clyro - The Myth of The Happily Ever After

Biffy Clyro will release the surprise new project ‘The Myth of the Happily Ever After’ on October 22nd. The record is a homegrown project that represents a reaction to their #1 album ‘A Celebration of Endings’ and a rapid emotional response to the turmoil of the past year. It is the ying to the yang of ‘A Celebration’, the other-side-of-a-coin, a before-and-after comparison: their early optimism of 2020 having been brought back to earth with a resounding thud. It’s the product of a strange and cruel time in our lives, but one that ultimately reinvigorated Biffy Clyro.

“This is a reaction to ‘A Celebration of Endings’,” says vocalist / guitarist Simon Neil. “This album is a real journey, a collision of every thought and emotion we’ve had over the past eighteen months. There was a real fortitude in ‘A Celebration’ but in this record we’re embracing the vulnerabilities of being a band and being a human in this twisted era of our lives. Even the title is the polar opposite. It’s asking, do we create these narratives in our own minds to give us some security when none of us know what’s waiting for us at the end of the day?”

Grounded by lockdown, Biffy Clyro recorded ‘The Myth’ in a completely different way to how they approached ‘A Celebrations’. Rather than spending months in Los Angeles, they traded one West Coast for another by recording for just six weeks in their rehearsal room (converted DIY style into a fully functional studio by rhythm section brothers James and Ben Johnston) in a farmhouse closer to their homes.

The trio went in with the intention of completing some unfinished songs from ‘A Celebration’, but instead ‘The Myth’ took over as it started to take shape late in 2020, with everything written and recorded within a ten-mile radius. Traditionally, 90% of Biffy songs have been written in Scotland before the band head to London or Los Angeles for recording, but this represented the first time they’ve ever recorded in their homeland. As Simon jokes, “It’s our first full-on tartan album!”

‘The Myth’ blends experimental flourishes with flashes of old school Biffy. ‘Existed’ is the moment that shaped the record an elegant expression of self-doubt that redefines the sonics of the band’s catalogue of vulnerable slowburners, while ‘DumDum’ is an even bigger departure, having been constructed primarily around soft synths sampled from Simon’s voice. And ‘Slurpy Slurpy Sleep Sleep’ is just as audacious a closer as ‘Cop Syrup’ from ‘A Celebration’. It also represents one of a selection of “easter eggs” or “turns of phrase” that subtly complement and contrast the two records.

At the other extreme, devoted fans will connect with the feral anger of ‘A Hunger In Your Haunt’, the arena-scaled drama of ‘Errors In The History of God’ and the sheer catchiness of ‘Witch’s Cup’.

‘The Myth’ has been launched alongside the new track ‘Unknown Male 01’. In six adventurous minutes, the band explore every facet they’re renowned for, taking in the unguarded emotion of its introduction, a skewed off-kilter breakdown, and a jagged, spiralling riff that builds towards a cataclysmic crescendo. The song reflects on friends who have taken their own lives.

“When you lose people that you love deeply and have been a big part of your life, it can make you question every single thing about your own life,” he says. “Like a lot of creative people, I struggle with dark thoughts. If you’re that way inclined you realise you’re staring at darkness, but you don't want to succumb. Those moments don’t stop. As the song says, ‘The devil never leaves.’ There’s never a day where you wake up thinking, ‘I feel great, it won’t cross me ever again.’”

A recurring concept of the album is the power of personal convictions, which have taken on an almost religious fervour via the echo chambers of social media and news platforms. But that idea has the nuance to rise above contrasting sides of an argument, arguing that greater unity and open-mindedness is the only way forward. Elsewhere, it spans everything from gaslighting to the ultimate devotion of cults and the beautiful failure of a Japanese racehorse.

‘The Myth of the Happily Ever After’ is now available to pre-order here, with ‘Unknown Male 01’ provided as an instant download. It will be released on CD and digital formats, as well as a limited edition red vinyl which is packaged with a must-have bonus CD for fans: full audio of the acclaimed livestream show that Biffy Clyro performed at Glasgow Barrowland in August 2020 to commemorate the release of ‘A Celebration of Endings’.

After headlining Reading and Leeds in August, Biffy Clyro will also play further large-scale outdoor gigs this summer at Cardiff Bay and Glasgow Green. Plans for 2022 are also taking shape, with April’s long sold-out ‘Fingers Crossed’ intimate tour and a huge Saturday night headline set at Download. Please see the band’s official website for a full list of shows and ticket information.

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34,33
Variát - I Can See Everything From Here

Grey Marbled Vinyl

VARIÁT is the new experimental metal one-man band of Ukrainian artist Dmytro Fedorenko. Through dissonant noise poetry, corrosive synthesis, and subtle seeds of interiority and folk song, VARIÁT creates a sound world of austere urban psychedelia, invoking themes of primitivism and mysticism within the volatile currents of a contemporary digital era.

Conceived in 2020 as a provocative creative outlet, VARIÁT is founded on ideas of transgression, reinvention, and liberation, the consequence of observing prescribed artistic boundaries and pursuing new depths of aesthetic freedom. The project began as an exploration of new recording techniques: metallic materials used as percussion and channelled through blown amps, toms played with a hammer, drilled cymbals, raw, dimensional textures produced from found objects.

For the project’s debut album ‘I Can See Everything From Here’ a library of recordings rooted in musique concrète initiated countless sessions of seismic, discordant guitar noise and overloaded detonations of low end. Synthesizers calibrated and treated to sound like traditional instrumentation, rhythms of deluge and disarray. Compositions constructed with an intent to preserve their original modality; the chaotic spark of their inception.

The artwork created for ‘I Can See Everything From Here’ is an aquarelle (watercolour) painting, an ink-based projection which mirrors the sound of the album with dense, fragmentary shades of black and extensive tendrils of detail. A microcosmic depiction of the graphic power that defines ‘I Can See Everything From Here’.

vorbestellen22.10.2021

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18,95
Premiata Forneria Marconi - I Dreamed of Electric Sheep

The making of “I Dreamed of Electric Sheep” was heavily influenced by the situation everyone had to face lately. “We were forced to work under very peculiar circumstances, often interrupting our studio activity because of the lockdown”, says Franz Di Cioccio (lead vocals, drums). The whole process took one year spent mostly working at home, sharing ideas and meeting at Patrick Djivas’ (bass, keyboards) home studio, before the band was able to record the album at White Studios in Milan, Italy. Being the rhythm section Cioccio and Djivas make a perfectly working team. “We both have a great passion for SciFi movies. In the past we watched many of them together. In the case of ‘Blade Runner’ we were hit by the question: Do Androids dream of Electric Sheep? - The world has been changing around us. Computers are taking over and Covid has accelerated the process. However, we strongly believe in the power of people to use their imagination and fantasy. To us this is what really makes the difference between human beings and androids.” The band considers themselves being in a similar place when it comes to music that Impressionists were in when it comes to painting: They didn’t paint fixed somatic traits for their figures with their brush strokes while PFM (Premiata Forneria Marconi) do not consider themselves limited to a specific genre. While the album tells multiple stories they are all linked to passion, love and the power of imagination. As a real treat PMF invited a couple of musicians they have been friends with for a long time: Ian Anderson (Jethro Tull) on flute and Steve Hackett (ex-Genesis) on electric guitar. “I Dreamed of Electric Sheep” is simultaneously released in both English and Italian versions, hence the Italian subtitle, “Ho Sognato Pecore Elettriche". PMF’s “I Dreamed of Electric Sheep” is available in the following formats: Special 2 CD Digipak with O-Card, Gatefold 2LP+2CD & Special LP-Booklet and Digital Album.

vorbestellen22.10.2021

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31,64
Darling West - Live 2020

Darling West

Live 2020

12inchJANSEN128LP
Jansen Records
22.10.2021

A month before the pandemic hit Norway – and the rest of the world for that sake – Darling west released their fourth album, «We’ll Never Know Unless We Try». They managed to get through two or three shows before everything was canceled, and the country went into lockdown. It may sound a bit counterintuitive to records a live album while in lockdown, but that is exactly what Darling West decided to do. When Norway partly opened during the fall of 2020, the band recorded their gigs at Parkteatret in Oslo and at Folken in Stavanger, and these recordings make out the songs on «Live 2020». Even though the gigs were played at venues with restricted capacity, it’s nice to see that they can reach bigger a bigger audience with this recording. «Live 2020» consists of songs from Darling West’s entire catalogue, and you can almost hear that they’ve been longing to play live on a stage. It had been six months since they’d been in front of an audience when these recordings were made, and the energy in the rooms were very special. This record is a document of this.

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21,81
Bulbous Creation - You Won’t Remember Dying

In 1971, Bulbous Creation poured what little personal surplus they had into a full day of recording at Cavern Studios, tracking enough material for a full length album. The band wouldn’t stay together long enough to save up for a custom pressing on Rock. Singer/guitarist Paul Parkinson was deeply individualistic, and left to perform his songs as he thought they should be, as a solo act. He preferred coffee shops to concert halls, and would stick to his craft another 20 years before hanging it up. Drummer Horstmann followed suit. Jim “Bugs” Wine and guitarist Alan Lewis soldiered on, shortening their name to the more sensible Creation and adding vocalist Wayne Austin, dynamic drummer Tommy Ward, and guitarist Roger Sewell. The Bulbous Creation LP was nearly doomed to oblivion, but for the efforts of Rich Haupt, who issued an unauthorized eight song LP in 1995 on his Rockadelic imprint. Lewis died in 1998 of esophageal cancer. When Paul Parkinson died of leukemia in 2001, a lone copy turned up amongst his possessions, with piece of mind that someone, somewhere, was listening.”

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21,81
Good Morning - Barnyard

Good Morning

Barnyard

12inchPRC440LP
Polyvinyl
22.10.2021

Good Morning, the Melbourne duo of Stefan Blair and Liam Parsons, are rulebreakers. Not in a sexy, flamboyant way — more in a casual, resigned kind of way. Accidental and incidental rulebreakers. They are friends first, band second, business third, often in spite of function, and often at their own expense. Every time the machinations of the industry have zigged, Good Morning have zagged.

vorbestellen22.10.2021

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25,50
Hand Habits - Fun House

Hand Habits

Fun House

12inchLBJ326LP
Saddle Creek
22.10.2021

There is a moment halfway through Hand Habits’ Fun Houseat which musician Meg Duffy asks the question, “How many times must I rewind the tape?”It’s a fitting question planted squarely in the middle of a sonically adventurous record concerned largely with making sense and taking stock. How much time must we spend examining our own past in order to fully understand it? How can we safely acknowledge pain in order to release it and fully actualize who we are supposed to be? Buffeted by strings, synths, and a gently-shook tambourine, the aptly-titled track, “The Answer,” highlights the emotional engine at the heart of the record. “I know the answer,”Duffy sings, “Here’s what I hope to find - it’s always mine.”

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25,50
Hand Habits - Fun House

Hand Habits

Fun House

12inchLBJ326LPC1
Saddle Creek
22.10.2021

There is a moment halfway through Hand Habits’ Fun Houseat which musician Meg Duffy asks the question, “How many times must I rewind the tape?”It’s a fitting question planted squarely in the middle of a sonically adventurous record concerned largely with making sense and taking stock. How much time must we spend examining our own past in order to fully understand it? How can we safely acknowledge pain in order to release it and fully actualize who we are supposed to be? Buffeted by strings, synths, and a gently-shook tambourine, the aptly-titled track, “The Answer,” highlights the emotional engine at the heart of the record. “I know the answer,”Duffy sings, “Here’s what I hope to find - it’s always mine.”

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25,50
EVERY TIME I DIE - RADICAL

Every Time I Die

RADICAL

2x12inch277473
Epitaph Europe
22.10.2021

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They've survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. EVERY TIME I DIE makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers. The band's ninth studio album, Radical, is 16 tracks of peak-EVERY TIME I DIE, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that "All This And War" featuring guest vocals by Josh Scogins from The '68 is absolute brutal heaviness is an understatement. It's an addictive punch in the face, you'll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track "Thing With Feathers" featuring Andy Hull from Manchester Orchestra. Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant - and fiercely combative - of the present state of world affairs.

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

26,51
DMX - The Great Depression

Dmx

The Great Depression

2x12inch4742902
Ral
22.10.2021

UMC are proud to present two reissues of certified multi-platinum albums from DMX. Nominated for Best Rap Album at the 2001 Grammys, '...And Then There Was X' is the third studio album from DMX. Featuring the hits "What's My Name" and "Party Up (Up In Here)". Released in 2001, 'The Great Depression' was the fourth album by the American rapper. Featuring the singles "We Right Here", "Who We Be" and "I Miss You". Both packages presented as 2LPs on 180g vinyl.

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28,53

Last In: vor 4 Jahren
The Velveteers - Nightmare Daydream

The Velveteers, ein Rock-Trio aus den Bergen von Boulder, CO, bestehend aus Sängerin/Gitarristin Demi
Demitro und den Schlagzeugern Baby Pottersmith und Jonny Fig, werden am 8. Oktober ihr Debütalbum
”Nightmare Daydream” über Easy Eye Sound-Concord veröffentlichen; Produziert von Grammy-Preisträger
Dan Auerbach, ist das Album das lang erwartete erste Statement einer Band, die sich 2014 gründete und
seither sorgfältig an ihrem Sound und ihrer Identität gefeilt hat.
Aufgewachsen in Boulder, rebellierte Demitro durch ihre Gitarre, übte bis zu neun Stunden am Tag und
vernachlässigte die Schule, um einen Spielstil zu entwickeln, der schwer, aber beweglich ist, theatralisch,
aber nuanciert, in der Rockgeschichte verwurzelt, aber völlig eigenwillig. Mit Pottersmith und Fig, die
an einem gemeinsamen Drum-Set spielten, entwickelte die Band einen Ruf für ihre mitreißenden Auftritte.
Clips von den Live-Shows und DIY-Videos der Band schafften es bis zu Auerbach, der sie in sein Studio in
Nashville einlud, um ”Nightmare Daydream” zu produzieren.
”Ich mochte sie sofort”, sagt Auerbach. ”Sie sind live unglaublich, und ihre Videos sind so kreativ. Und
sie klingen einfach so kraftvoll. Jedes Mal, wenn man Schlagzeug auf einer Platte doppelspurig aufnimmt, klingt es so heavy. Wenn man das dann noch mit Demitros Baritongitarre kombiniert, klingt es so
bombastisch. Es gibt nichts Vergleichbares.”

vorbestellen22.10.2021

erscheint voraussichtlich am 22.10.2021

25,76
Bert H - All About Lp Sampler

Bert H

All About Lp Sampler

12inchFOKUZLP020S
Fokuz Recordings
22.10.2021

Repress

Infectious. Vibrant. Diverse. All of these are perfect descriptors of Bert H's debut album "All About." This freshman album for the Moscow based producer showcases his incredibly vast love of all sounds and styles of drum and bass, and gives a dramatic glimpse into just what he is "All About" as a producer. His collaborations with local producer High N Sick as well as Monrroe and Silence Groove shine with influences from all parties involved. Rounding out the album nicely is a set of powerful remixes from heavyweights such as Bop, Seba, The Vanguard Project, and Command Strange. Bert H's "All About" is available in Vinyl, Digital, and CD format this October on Fokuz Recordings.





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5,84

Last In: vor 21 Tagen
Brian Owens & The Royal Five - Sparrow / Cool Cool Water 2x12"

Brian Owens is a soul singer, a writer and a dedicated community activist from Illinois, USA.
At Visions HQ they fell in love with his album” Love came down” from 2019, and in particular with the 2 tracks “Sparrow “and “Cool water“ ( unreleased before on vinyl ).
They got in touch with him and after nice chats and lovely exchanges, they decided to licence these two soul gems and give them a new life on a proper 2x 12” with a new mastering and some great remixes from the likes of Kaidi and Dego, Soul Supreme and Sohan Wilson.
These new versions are wonderful and kept the essence of Brian’s music but what is amazing too is to have the original versions on one side for maximum quality and loudness play. This is music, pure new soul with the respect of tradition of the 70’s soul music that we love.
The first edition with full sleeve designed by Angelo Benedetto is limited to 300 copies only. Collector’s item here, don’t sleep!

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20,80

Last In: vor 4 Jahren
DENNIS BOVELL / DUBBLESTANDART - @ REPULSE "REGGAE CLASSICS"

DENNIS BOVELL, from Barbados, based in London, England, is a legend - a bass player legend (band leader of the legendary Linton Kwesi Johnson Band) - a producer legend (THE SLITS, Fela Kuti, Bananarama, Madness, Joss Stone, a.o.). He produced the soundtrack for the critically highly acclaimed movie Babylon and the hit song "Silly Games" by Janet Kay. In recent years his works regained interest, also due to the recent rerelease of the 80's movie Babylon and his participation in Steve Mc Queens drama series Small Axe about the real-life experiences of London's West Indian community, set btw 1969-82. In 2019 Vienna's Dubblestandart produced a limited selection of reworks of reggae classics of Dennis Bovell's 1980's band Matumbi, Steel Pulse, Burning Spear, Twinkle Brothers, Culture a.o. , focusing on works that have been pivotal for the inspiration of Dubblestandart's bandleader Paul Zasky. Nicolai Beverungen, dub reggae label headman of ECHO BEACH outta Hamburg/Germany, invited DENNIS BOVELL to "REPULSE" the album at Robbie Ost's GoEAST Studio. Dennis felt inspired, loved the idea, re-voiced the songs, added a couple of guitar lines and also re-dubbed the album. "Repulse" Reggae Classics features DENNIS BOVELL on vocals and as a dub producer in co-operation with Robbie Ost from Dubblestandart, mixing on a legendary E - 6000 solid state mixing board (taken over from TEARS FOR FEARS studio in London), using selected vintage outboard Analog equipment, developing a distinctive dub reggae sound for this coming up 2021 release. What do songs like "I'm No Robot", "Babylon The Bandit" or Matumbi's "Hypocrite" have in common? All of them were written during the 1980's of the last century, but never lost their contemporary accuracy, still perfectly criticizing and analysing the "pulse" todays political leaderships and societies controversial points of view, have, while entering the digital age. Re- Pulse 21!

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19,87

Last In: vor 4 Jahren
Niagara - 1807: Músicas Retiradas Dos CDRs

In what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown.

Deeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum machines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting.

All tracks composed by Niagara between 2014 – 2018

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14,50

Last In: vor 3 Jahren
SKUDGE - PRESSURE DROP / REALTIME

Skudge's back catalog features some of the finest moments from the 10's. Putting aside the powerful EP's, guest appearances and remixes, the album 'Phantom' initiated a consolidated, and perhaps a more liberated, side of the signature sound of which we are no strangers.

Perhaps the most difficult task in creating something is to follow simple truth's. The adrenaline spiked and dusty tunage from the Stockholm studio, has now been revisited in this new decade and reduced even further.

In this new series from Skudge, the tracks 'Pressure Drop' and 'Realtime' are remodeled and retuned. Not as a reminder of what has been, but more as a result of reaching a different conclusion and expression.

Concentrated on the skeletal parts of the originals. Rebuilt into alternatives that reflect a sifted and interestingly constrained sonic palette. This further shows how Skudge not only inspire the community, but are also inspired by their own history.

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9,54

Last In: vor 3 Jahren
JAY NEMOR ELECTRIFIED - ALIVE

Looks like we are hittin’ a milestone here. A little background has to be provided though, in order everyone to fully understand why it took us that long to put out this Album, which was already
announced at the dawn of 2020. The ELECTRIFIED project started almost 2 (TWO) years ago, with the first vocal takes recorded a few days ahead of Cannonball Weekender in November 2019. Everything seemed fine and in good working order so the release date was
planned and announced for june 2020. All self financed, self conceived and self realised in that style that’s a point of distinction of our small group of labels. Then the CVD damn thing kicked in. “So What?” some of you would be very entitled to ask. And,
believe me, I’d be on the very same
#sowhat lines as you, only that each member of our team reacted to the shitstorm in his very different and individual way. While folks all over the world were confined home
setting up new ventures, creating new labels and dedicating themselves to something productive not to get psychologically annihilated by the media induced fear, our project was totally disrupted instead. It took the first wave to fade away to gather our stuff
together and movin’ the production forward. Anyway, whatever the reasons, the album came ready and mixed by march 2021. So here we are. Further than the two acclaimed singles
“Break Free” and “Sitting On Top Of The World”, the tracklist includes 6 completely new songs, a smashing cover of
Massive Attack’s “Unfinished Sympathy” and the rearrangement of the two classics
“There Are No Winners” and “Mother Got A Way”. The style goes from modern funk experimentation to a more classic soul and a groovy electronic ender foreseeing the future of this beautiful music.

vorbestellen20.10.2021

erscheint voraussichtlich am 20.10.2021

26,01
E. VAX - E. Vax

E. Vax

E. Vax

12inchBEC5907099
Because Music
18.10.2021

White Vinyl
E.VAX - the project of Ratatat’s Evan Mast - announces his new, self-titled album, out September 17th via Because Music. Performing as half of Ratatat for more than the last decade, Mast’s music has reached an enormous audience with its bombastic merge of rock and electronic music, as well as through his parallel work as a hip-hop producer for artists such as Kanye West, Kid Cudi, and Jay-Z . His new solo album, E.VAX is a collection of instrumental songs, dolloped with moments of exploratory dialogue, disembodied moments that are equally disorienting and moving. The throughline between the songs on his new album is not a certain signature sound, but Mast’s feel as a producer. Though one song may lean heavier on snappy drums and another on the coo of an organ, they all share a similar sensibility. The songs are sincere, playful, inviting, curious, and contemplative—all characteristics of Mast himself.

For this album, Mast loosened his attitude towards production, looking to capture some of the excitement of creation. He recorded at home, and then midway through the pandemic he spent time in Montana, recording in a friend’s art gallery. The blank space and isolation after so much studio time in close quarters allowed for a new looseness. He’d play songs at the wrong speed to see how it changed what he heard, or deliberately leave a melody untouched for months and then improvise over it after playing it anew for the first time. Unable to get lost in real life, he got lost in music. “I used to be way more precious,” Mast says about his songwriting. “A lot of this stuff on the record is about trying to skip the brain processes that can get in the way of making something that really feels sincere.”

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24,24

Last In: vor 4 Jahren
Various - Frigio All Stars Vol.4

Summer 2021 sees the fourth in the Frigio Allstars series hitting all respectable shelves.



Jack Carel opens the 12” with the acid burning grunge of “Fuck This Shit” followed by Sons of Traders with the chugging 4/4 nastiness of “A for All.” A trippy, dark industrial streak runs in the snares and swagger of Rambal Cochet’s “Doomsday Scenario Interface” and in the powerful introspection of Daniel Holt’s “The Recluse.” Neud Photo arrives on Frigio with a menacing debut, “The Split” which pierces a haze of smoke in this late-night floor-filler. Honored Matres who appeared on the first volume of these series, returns with the blackest of the compilation. Machine gun percussion close the 12” with Chris Mitchell offering the chopped and gnawed “Alsina.

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12,56

Last In: vor 3 Jahren
FaltyDL - The Wrath EP

Faltydl

The Wrath EP

12inchBARN076
Studio Barnhus
18.10.2021

If a tree falls in Sweden, do you hear it in Brooklyn? If I find my keys, can I leave my house? …and what is the difference between raging Lust and vengeful Wrath? On my second EP for Studio Barnhus, I make my case for a shared space for both. Sandwiched between two love notes to Vangelis are three cuts of choice deli meats procured from the finest bodegas of the land. For headphones, cars, hi-fi systems and even clubs too.
- FaltyDL

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9,20

Last In: vor 4 Jahren
Sufjan Stevens & Angelo De Augustine - A Beginner's Mind

It’s been said that writing about music is like dancing about
architecture but what about singing about movies? Sufjan
Stevens and Angelo De Augustine have paired up for a
collaborative project that does just that. ‘A Beginner’s Mind’ is
their debut album and contains 14 songs (loosely) based on
(mostly) popular films.  The source material is highbrow, lowbrow and everything in
between. The music is folksy, sweet, sincere and harmonically
effervescent - Simon & Garfunkel with New Age flourishes. This
album runs the gamut and has fun with it, even while its
songwriters remain fully rooted in the melancholy folk idioms
they are known for.  Daniel Anum Jasper, a pioneer of Ghanian movie poster
painting, was commissioned to paint a series of new works for
‘A Beginner’s Mind’. His paintings are a graphic simulacrum for
the same sense of wonder, wordplay and intrigue that shape ‘A
Beginner’s Mind’. By transforming old films into vital new songs,
Stevens and De Augustine ask us to consider ourselves from a
previously unconsidered vantage point - a new way of seeing
and hearing - an exercise that’s as necessary and relevant now
as it’s ever been.  “In the dizzying chime of his careful fingerpicking and highpitched howls, De Augustine captures love’s bright blaze.” - Pitchfork
 “What we find here, on what is arguably the pinnacle of his
output to date, is De Augustine achieving the beautiful balance
between introspection and grandeur; straddling the place where
pain and hope intersect.” - Line of Best Fit

vorbestellen15.10.2021

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10,29
Fuckin Whatever - Fuckin Whatever

Featuring Anthony Green of Circa Survive, Adam Lazzara and John Nolan of Taking Back Sunday and additional percussion from Benjamin Homola of Grouplove, Fuckin Whatever is a fluid project born of longtime friendships and late nights on the road, but what it could grow to become is entirely unwritten. It all started on the 2016 Taste Of Chaos tour. After Green wrapped his opening set with Saosin each night, itching to play more music, he started setting up impromptu acoustic gigs in the parking lots after his set. One night, his restless energy led to an impromptu backstage jam session with Lazzara, Nolan, Homola, and others––except there were no instruments involved. Using just their voices and a stomp or two in lieu of percussion... before they even realized it, Fuckin Whatever was born. They decided to start recording these nightly jam sessions on their phones, and by the end of the tour, there were literally dozens of recordings. There are some as long as 17-minutes, some recorded in bathrooms, and even one in the legendary tunnel between the stage and sound booth at Red Rocks Amphitheatre in Colorado. What they share in common is the camaraderie of the many talented voices (and sounds) involved. Fast forward to 2020––ugh. With a creative need to continue making and releasing music, Anthony approached the group about releasing some of those recordings. Feeling a similar restlessness, Nolan suggested they try making and recording something for real instead. "I'm Waiting On You" is what came next, and it's truly the spark that led to the rest of this EP coming together. There are zero instruments on Fuckin Whatever's self-titled debut. "It's pretty much 80% mouth noises and 20% Ben slapping things around the house," Lazzara explains. Those voices, however, are among some of the most recognizable in modern rock music, yet here they take on a new life. Call it a band, or a supergroup... it's Fuckin Whatever.

vorbestellen15.10.2021

erscheint voraussichtlich am 15.10.2021

20,04
Soccer96 - Dopamine

Soccer96

Dopamine

12inchMOSHILP114X
Moshi Moshi
15.10.2021

‘The record is inspired by the idea of humanity’s ever-increasing entanglement with technology and artificial intelligence, balancing fears and moral concerns with the possibilities of evolution’s next phase’

A new Soccer96 album is a chance for Danalogue (Dan Leavers) and Betamax (Maxwell Hallett) to return to something of a spiritual creative home. Between them, the keyboardist and drummer have become synonymous with the thriving London jazz scene and, in their mind-bending incarnation as the astral synths-and-drums pairing, they’ve traversed stylistic worlds. Over nearly a decade, the duo have metamorphosed from a DIY outfit whose rough-edged recordings hit with a punk spirit, to cosmic dreamers that use sound to travel the reaches of the mind.

First single Dopamine features Nuha Ruby Ra on vocals who sings from the perspective of human and machine throughout the track. This concept overlaps with the music seamlessly, forming a meeting point between technological and human exploration.

Dialogues between the band and Nuha crystallised a shared vision of a future where humans and artificial intelligence are entangled in a codependent relationship based on the giving and receiving of pleasure hormones, the robots only source of dopamine is to receive it from humans, and the humans’ ability to unleash the monsters of the worst of human emotion.

Danalogue and Nuha sing together ‘It’s a Long Way down’ .. the feeling of jumping from the cliff of our current state as humans and ‘free-falling’ into the unknown of robot-human intertwining. By the outro they are pleading with each other over their dopamine co-dependency, in terms of both giving and receiving the hit. "Dependency leads to free-falling integration, a moment of freefall into robotic consciousness. Humans and machines are locked in a dance of addiction." explains Betamax.

Soccer96 has always been a vessel for Danalogue and Betamax to find clear water from their multitude of other collaborations, their most notable being as two-thirds of The Comet Is Coming alongside Shabaka Hutchings. Danalogue’s other recent production credits include Snapped Ankles and Calabashed, whilst Betamax has been making music with Champagne Dub and Coma World.

“Through collaborating with various artists and developing our own sonic language, it feels like we have created a sound of our own,” says Danalogue. “Now we think less literally and take more liberties to not necessarily sound like a duo. It’s more like a production team that can be augmented or stripped back depending on what the music calls for.”

Dopamine, though, sees the pair back together once again, incubating their findings of the past two years and moving Soccer96 into new territories. The record is maybe darker in some senses than what they’ve put out before; it’s inspired by the idea of transhumanism and humanity’s ever-increasing entanglement with technology and artificial intelligence It balances fears and moral concerns with the possibilities of evolution’s next phase. “The LP title Dopamine refers to the type of neurotransmitter associated with pleasure, that enables technology to hack into our minds and control us, creating addiction, dependency,” Betamax explains.

Dopamine began life as a sonic reaction to the graphic novels of ‘Moebius’ Jean Giraud. The duo then started swapping reel-to-reel tape ideas through each other’s letterboxes in lockdown, before eventually convening in the studio and displaying one of the revered French artist’s images in the middle of the studio for inspiration.

“All musical decisions would centre around this image,” Betamax says. “It was a depiction of a cosmic traveller gazing across a desert at a sort of crystal city. If the music was resonating with the image then we knew we were on the right path. We are both glad there is a lot of emotional warmth underpinning the whole thing. We are trying to connect with the human essence at all times.”

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26,85
Marc Melià - Veus

Born in Majorca, Marc Melià is a composer/producer, who’s been based in Brussels for over 10 years. First spotted alongside Françoiz Breut, Lonely Drifter Karen or Borja Flames, he released Music for Prophet in 2017. It was issued on Gaspar Claus’s label Les Disques du Festival Permanent, as part of Flavien Berger’s curation.

On that first album, Marc Melià had explored the possibilities of a mythic synth; on Veus, as if sloughing, he applied the process of sound modification to his own voice, until becoming an android. But an android who sings of love and dreams, a sensitive automaton who plays with the tropes of pop music. Through this device, Marc Melià knowingly seeks poetry and beauty within transgenics, in the search of a universe where one can surf though waves of profoundly moving chord patterns, hear voices unconstrained by range limitations, or dance freely, as in zero gravity.

Part of the album has been recorded in Une ferme dans les Vosges, courtesy of Rodolphe Burger. It was recorded with Roméo Poirier, one of the most promising figures of ambient, and the elegant multi-talented Lou Rotzinger. As if progressing in parallel with his own linguistic experience, to add another layer to the sloughing, side A is sung in Catalan, Marc Melià’s mother tongue, and side B in French, his adopted language.

Like an echo to his previous album, Veus opens with an instrumental, “Pulse on a E”, which starts with a sequence created with a single note transposed to its octave, just like “Fata Fou”, the last song on Music for Prophet.

Although the title seems to reference an iconic 80s synth, “DX7” is actually about the seven days of the week. It is a love song, about the temperamental oscillations which make every morning the blank canvas of an unpredictable story. Wednesday, I hate you, Sunday, I love you. With few words and a lot of emotion, a synthetic voice is trying to grow more human each day.

“Dent de Serra” deals with the weight of memory on our relationships, but also with the way we revisit them constantly in order to integrate souvenirs within present relationships. Suddenly, the song stops and enters a new dimension, everything is different, as if what had just happened was now forgotten forever.

Oxytocin (“Oxitocines” in Catalan) is said to be the hormone of love. This song deals in a playful way with the duality between science and faith, between rational and magic, when it comes to sentimental relationships. Love is a universal theme, it is everywhere in the world, and love songs have been written for a very long time. But this particular love song is an ode to an aspect of love that has been less sung about: biology, which makes it possible to feel like you’re floating in space when you fall in love.

“Les étoiles” is a trio with Flavien Berger and Pi Ja Ma. The song is about attraction. What attracts humans to each other, but also the inevitable gravitational attraction. The song is also about accidents, magic moments that take us outside of our daily lives and give us the possibility to imagine a sidereal, infinite love.

“A propos d’une chanson” was born after Marc Melià had dreamed he had written the most beautiful song he’d ever created. When he woke up, he realized that song was actually O Superman by Laurie Anderson.

Aside from these songs, Marc Melià offers a few breaks, instrumental but no less narrative.

“Final d’hivern” conjures these quiet moments between two intense events; sleeping at night between two days; the calm that settles in after a hard winter, right before spring properly starts.

Using a musical language that clearly references Ryuichi Sakamoto, “Romain”, with its theme based on a melancholic chord pattern, could be the soundtrack to a 1970s movie lost in time. Little by little, elements that seem to come from a completely different context find their place, while turning the initial mood into something strange and unexpected.

Finally, “Retorn”, which finishes the album, is a reprise of the theme of “DX7”.

From the chords that make up a song, to the days that make up our lives, existence is but a cycle, and Veus is an exploration of them. Marc Melià keeps on drifting on his personal path, between homage to the past and visions of the future.

vorbestellen15.10.2021

erscheint voraussichtlich am 15.10.2021

16,77
Various - Sacred Soul of North Carolina

Eleven groups in eight days. A marathon recording session in a makeshift storefront studio in a 100-year-old building in the tiny Eastern North Carolina town of Fountain. Once the idea for the project was in place, Alice Vines of the Glorifying Vines Sisters started calling local musicians. It didn’t take her long to line up almost a dozen groups to come lift their voices and represent the region’s unique Sacred Soul traditions. When the groups on this record gathered to record in February of 2020, they couldn’t have known that the world was on the heels of a global pandemic, or that the year would bring great turmoil and social upheavals. But in the reality created by gospel songs even the greatest of trials are not surprising, nor can they be ultimately devastating. Every time singers stepped up to the mic during these sessions, they created a sonic world where no amount of bad news can undermine the truth of The Good News. Even when “you can’t really see a solution to what you’re dealing with at the moment,” says Kiamber Daniels of Faith and Harmony, singing gospel music will remind you, “hey, I’m still here; I got what it takes to make it through this. It will give you a sense of peace.” Produced by Bruce Watson (Fat Possum/Big Legal Mess/Bible & Tire), this collection of sacred soul recordings of Eastern North Carolinian gospel groups is a one of a kind exploration. With a rich heritage of family gospel music, the artists in this area have been honing their craft over generations and have their own way of making the material original and unique. This is Sacred Soul of North Carolina.

vorbestellen15.10.2021

erscheint voraussichtlich am 15.10.2021

23,49
Kit Grill - Fragile (TAPE)

Work on 'Fragile' began last August at the height of lockdown. Grill locked himself in the recording studio where he found himself experimenting with new sounds and technologies and was able to learn more about the techniques involved in mixing, production and arrangement. "The aim was to write a physical album maintaining an energy throughout and utilising sounds and structures I'm interested in. Using limitation was a big part of the process to push what I used as far as possible. Reading about Robin Guthrie's breakdown of Cocteau Twins minimal setups across different albums and how Prince distorted the Linn Drum Machine were also inspirations."

Musically, 'Fragile' is a more dance-centric record than 2020's 'Ride', with eleven blistering tracks aimed straight for the dancefloor. From the lush, pulsing synths and blistering beats of 'Another Time', to the hazy, sun-soaked 'Wildflower', Grill seeks to create dance music that is endlessly catchy and hugely uplifting. He draws heavily on a Euro-dance influence in his search for pop perfection with melody instrinsic to each track. The Italo disco sound of Giorgio Moroder is never too far away, climaxing with the pumping 'Crash' while the emotive dance of New Order is echoed in 'Wandering Sky' and 'Romance'.

From a visual perspective, 'Fragile' is inspired by gothic, renaissance art and architecture. The album artwork is a photograph Grill took on Château d'If, a fortress and former prison located on the Île d'If, the smallest island in the Frioul archipelago, a short distance from Marseille in southeastern France.

vorbestellen15.10.2021

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8,36
DJ Ride - ENRO

Dj Ride

ENRO

12inchVSN085
Vision Records
15.10.2021

VISION welcomes bass music producer and two times scratch world champion DJ Ride from Lisbon.

"For the last year I've been working really hard on my favorite project so far. ENRO is beats, hip hop, drum and bass, scratch and everything i want to say right now. A love letter for the dark and sweaty clubs we all miss so much. I produced, mixed and scratched it, and for me it's more than just a record, it's a mixtape, it's a beat tape, it's whatever you want to call it, it's the dopest thing I ever did."

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11,72

Last In: vor 4 Jahren
KYLESA - TIME WILL FUSE ITS WORTH

Kylesa is an American heavy metal band that was formed in Savannah, Georgia. Their music incorporates experimentalism with heavy riffs, drop-tuned guitars and elements of psychedelic rock. The group was established in 2001 by the former members of Damad, with the addition of guitar player Laura Pleasants who is from North Carolina. The band has since undergone line up changes; the remaining original members are Phillip Cope and Laura Pleasants. In 2006, the band added two drummers (Carl McGinley of Unpersons, from Savannah, and Jeff Porter). Eric Hernandez (of Capsule, from Miami) joined in 2008 to replace Porter. The dual drum tracks are often panned strongly to the right and left.

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21,81
HIPPOTRAKTOR - MERIDAN

Hippotraktor

MERIDAN

12inchPELVC181
Pelagic Records
15.10.2021

Ever since the release of their acclaimed debut EP P'eau (2018) these Mechelen-based musicians have been honing their craft in songwriting and production, building a new home studio to record future material while also expanding from a three-piece to a five-piece ensemble. By adding singer/percussionist Stefan De Graef (Psychonaut) and guitarist/singer Sander Rom (L'Itch) to their ranks, HIPPOTRAKTOR have become a more versatile outfit able to employ a broader palette of sounds, taking the band's earlier instrumental prog metal sound to new heights. Taking notes from the best moments in contemporary progressive and post metal, HIPPOTRAKTOR capture the awe-inspiring power of nature_from the delicacy of the first falling leaf to the massive cosmic energy of the sun. By combining the big, catchy riffs and the rhythmical prowess of Gojira with the relentless but equally groove-loaded complexity of Meshuggah, Meridian delivers an overwhelming experience of sound, presenting the listener with sentiments that are recognisable, but with an intensity that seems larger-than-life. "Meridian finds its origin in everyday moods, taken out of context and morphed into a stylised version that re- flects the dreamer in me," explains main songwriter and guitarist Chiaran Verheyden. "It tells the story of someone who's lost in a world too massive to comprehend, and seeks answers in places where none can be found. Meridian was written as an attempt to distillate what I felt but couldn't put into words." As the main vocalist in the group, finding these words was the job of Stefan De Graef, who carried over his fascination for philosophy and religion from his other band Psychonaut. "Meridian tells the story of a solitary wanderer on the Earth in the absence of other beings," explains Stefan. "Without anyone to share knowledge and history with, the protagonist is forced to create his own truths and stories about the nature of life, consciousness and the universe. The protagonist begins to personify and deify his surroundings, assigning sentience to the trees, the mountains, the wind, the waters etc. for they are his only companions in this desolate world." Essentially, Meridian is an exploration of the evolutionary theory of naturism, which was put forth by German scholar Max Mu"ller in the 19th century, and which argues that religion finds its origin in the deification of the forces of nature by early human beings. By juxtaposing this sociological theory with seven tracks that unfailingly conjure images of the earth, sea and sky, HIPPOTRAKTOR have created an analogy that enlarges the imaginative quality of their music to (literally) epic proportions. Combining the best of prog, groove and post-metal, Meridian comprises an incredible ride for fans of soaring hooks, technical riffing and earth-shattering breakdowns. Limited bluegreen-grey single colour vinyl edition, gatefold! FOR FANS OF Meshuggah, Periphery, Cloudkicker, Intronaut, Animals As Leaders, Gojira, Skyharbor, Psychonaut

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21,22
Grandmas House - Grandmas House

Following on from the success of their last single ‘Always Happy’ Bristol punk trio Grandmas House return this October with the release of a debut self-titled EP. Leading with the single ‘Golden’ the band are back on furious form and excite us with the prospect of what they can deliver live. The band have an astounding 40 UK shows in 2020 including a tour supporting The Blinders, dates with Katy J Pearson and a headline tour in October to accompany the EP release. The band have also recently been announced to support IDLES at The Downs festival in September.

Grandmas House have had extensive radio play including Steve Lamacq and Jack Saunders both championing at BBC 6 Music and BBC Radio 1 respectively. The single also landed them in the Radio X Evening Playlist as well as Amazing Radio. Press accolades have come from DIY, Dork, Get In Her Ears, Punk News, BandCamp Daily, Hard of Hearing and many more.

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11,13
Various - 44-2

Various

44-2

12inchFRKD44_2
Freakadelle
15.10.2021

The second edition of Freakadelle’s ‘44’ series. ’44-2‘ is inspired by the collective’s annual Space Night event – an open-air event happening in front of the club, which aims to push genre boundaries and question the notion of what is nowadays considered the soundtrack of club culture.

Freakadelle residents and associated artists present themselves across nine diverse tracks ranging from free-floating and experimental electronics to more concrete experiments in leftfield club music. 


Mastering by Mattias Fridell, A3 mastered by DJ Buzz
Artwork by rochus.design
Print by Unschuldig Verdorben

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12,23

Last In: vor 4 Jahren
Regal Worm - The Hideous Goblink

Greetings Earth-o-nauts.

The worm has (re) turned! And this time the Regal Worm (Jarrod Gosling of I Monster, Cobalt Chapel) is tackling The Hideous Goblink.
An album painstakingly created by one solitary man ensconced in his darkened, tiny sky parlour of awe, wonder, and heaps of dusty old gear.

Regal Worm’s mission is putting a ‘ggressive’ back into progressive. Getting grubby with the ghosts of the old gods.
The Hideous Goblink reveals a distinct sense of urgency, expressing abstract musings on the shadow cast by our colonial history, nationalism,
terrifying overlords, and what the future might hold for the ever shrinking third tone from the sun.

The fourth Regal Worm offering draws on a number of fresh musical influences; be it space rock, cosmic funk, sludge, fusion, choirs, electronics or pop.

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27,19
Various - The Rolling Stones – Origins
  • A1: Muddy Waters - Rollin' Stone
  • A2: Chuck Berry - Come On
  • A3: Howlin' Wolf - The Red Rooster
  • A4: Bo Diddley - Mona
  • A5: John Lee Hooker - Dimples
  • A6: Jimmy Reed - Honest I Do
  • A7: Little Walter - Confessin' The Blues
  • A8: Slim Harpo - I'm A King Bee
  • A9: Robert Johnson - Love In Vain Blues
  • A10: Elvis Presley - My Baby Left Me
  • A11: Buddy Holly & The Crickets - Not Fade Away
  • A12: Cliff Richard & The Shadows - You Don't Know
  • A13: Eddie Cochran - 20 Flight Rock
  • A14: Jerry Lee Lewis - Money (That's What I Want)
  • A15: The Everly Brothers - Wake Up Little Susie
  • A16: Dale Hawkins - Susie-Q
  • A17: Johnny Kidd & The Pirates - I Can Tell
  • A18: Alexis Korner's Blues Incorporated - I Got My Mojo Working
  • B1: Ray Charles - I'm Movin' On
  • B2: Marvin Gaye - Hitch Hike
  • B3: The Temptations - Oh Mother Of Mine
  • B4: Smokey Robinson & The Miracles - Mighty Good Lovin
  • B5: The Coasters - Poison Ivy
  • B6: Larry Williams - She Said Yeah
  • B9: Buster Brown - Fannie Mae
  • B10: Otis Redding - These Arms Of Mine
  • B11: Solomon Burke -Cry To Me
  • B12: The Drifters - Save The Last Dance For Me
  • B13: Don Covay - I'm Coming Down With The Blues
  • B14: Benny Spellman - Fortune Teller
  • B15: Arthur Alexander - You Better Move On
  • B16: Bob & Earl - Oh Baby Doll
  • B17: Alvin Robinson - Oh Red
  • B18: Gene Allison - You Can Make It If You Try
  • B7: Irma Thomas - Don't Mess With My Man
  • B8: Amos Milburn - Down The Road Apiece
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22,90
Varley - Smalltalk & DMCs

For all overthinkers and introverts. On their debut album "Smalltalk & DMCs", the Berlin indie-pop trio Varley finds strength in vulnerability. The result: an album like a good friend.

The indie-pop trio Varley is Dublin-born Claire-Ann and German band mates Joschka Bender and Matthias Heising. Initially influenced by Bon Iver, and citing the likes of Fleetwood Mac, The Cardigans and Phoebe Bridgers as other notable touchstones, what lies at the core of Varley’s affective, heart-on-sleeve music is its willingness to be vulnerable. Their music is an honest and raw outlet, and the cathartic nature of their songwriting is one to be championed.

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22,65
Twenty One Pilots - Blurryface

Twenty One Pilots

Blurryface

12inch75678645617
Atlantic
15.10.2021
  • 1: Heavydirtysoul
  • 2: Stressed Out
  • 3: Ride
  • 4: Fairly Local
  • 5: Tear In My Heart
  • 6: Lane Boy
  • 7: The Judge
  • 8: Doubt
  • 9: Polarize
  • 10: We Don’t Believe What’s On Tv
  • 11: Message Man
  • 12: Hometown
  • 13: Not Today
  • 14: Goner

Fueled By Ramen will be reissuing one seminal album from our 25- year history each month throughout the calendar year of 2021, again this will be on Silver Vinyl as part of the FBR 25th Anniversary.

FBR 25 Podcast

We are currently working on a 16 part podcast that will delve into the history of FBR, it’s cultural relevance and Global impact over the past 25 years. Each episode will look at the careers of some of our most important artists, and deep dive into the making of albums told by the artists themselves in their own words.

25th Anniversary Merchandise

We announced the 25th Anniversary around Thanksgiving last year with our first 25th Anniversary limited merch drop, and then will be working throughout 2021 on new and exclusive designs to drop throughout the year.

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45,92
NORAH JONES - I DREAM OF CHRISTMAS

Norah Jones has been a steady voice of warmth and reassurance for nearly 20 years since her cozy 2002 debut album Come Away With Me became a familiar musical companion for millions of people around the world. Now the 9-time GRAMMY-winning singer, songwriter, and pianist has made her first-ever holiday album with I Dream Of Christmas, a delightful and comforting collection of timeless seasonal favorites and affecting new originals that explore the complicated emotions of our times and our hopes that this holiday season will be full of joy and togetherness. I Dream Of Christmas will be released October 15 on Blue Note Records and can be pre-ordered now on vinyl, CD, and digital download.

“I’ve always loved Christmas music but never had the inclination to make a holiday album until now,” Norah says. “Last year I found myself listening to James Brown’s Funky Christmas and Elvis’s Christmas Album on Sunday’s during lockdown for a sense of comfort. In January 2021, I started thinking about making a Christmas album of my own. It gave me something fun to work on and look forward to.”

The album’s opening track, Norah’s original “Christmas Calling (Jolly Jones)” is available to stream or download today. Over chiming piano chords, Norah expresses a deep desire for holiday cheer and companionship. “I wanna hear the music play / I wanna dance and laugh and sway / I wanna happy holiday for Christmas.”

“When I was trying to figure out which direction to take, the original songs started popping in my head,” Norah explains. “They were all about trying to find the joys of Christmas, catching that spark, that feeling of love and inclusion that I was longing for during the rest of the year. Then there are all the classics that have that special nostalgia that can hit you no matter who or where you are in life. It was hard to narrow down, but I picked favorite classics that I knew I could make my own.”

Among the album’s many pleasures are Norah’s playful reinvention of The Chipmunk’s “Christmas Don’t Be Late” by David Seville (aka Ross Bagdasarian), which is given a languid beat and swaggering horns. Other highlights include sublime versions of “White Christmas,” “Blue Christmas,” “Winter Wonderland,” and “Christmas Time Is Here.”

I Dream Of Christmas was produced by Leon Michels, and features an excellent cast of musicians including Brian Blade on drums, Tony Scherr and Nick Movshon on bass, Russ Pahl on pedal steel guitar, Marika Hughes on cello, Dave Guy on trumpet, Raymond Mason on trombone, and Michels on saxophone, flute, percussion, and more.

Norah Jones first emerged on the world stage with the February 2002 release of Come Away With Me, her self-described “moody little record” that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 GRAMMY Awards. Since then, Jones has become a nine-time GRAMMY-winner. She has sold 50 million albums and her songs have been streamed six billion times worldwide. She has released a series of critically acclaimed and commercially successful solo albums—Feels Like Home (2004), Not Too Late (2007), The Fall (2009), Little Broken Hearts (2012), Day Breaks (2016), Pick Me Up Off The Floor (2020), and her first-ever live album ‘Til We Meet Again (2021)—as well as albums with her collective bands The Little Willies, El Madmo, and Puss N Boots featuring Sasha Dobson and Catherine Popper who released their second LP Sister in 2020. The 2010 compilation …Featuring Norah Jones showcased her incredible versatility by collecting her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock, and Foo Fighters. Since 2018 Jones has been releasing a series of singles including collaborations with artists and friends such as Mavis Staples, Jeff Tweedy, Thomas Bartlett, Tarriona Tank Ball, Rodrigo Amarante, and Brian Blade, some of which were compiled on the 2019 singles collection Begin Again.

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23,32
Yves Tumor - The Asymptotical World EP

Yves Tumor

The Asymptotical World EP

7"-Vinyl7WAP457X
WARP
15.10.2021

Ground-breaking artist Yves Tumor continues to unlock the
perception of reality with a psychedelically bent off-kilter
rock offering, ‘The Asymptotical World EP’.
 The boundary smashing six song EP is the next era from
the pop auteur and first release from Yves Tumor following
the critically acclaimed 2020 album ‘Heaven To A Tortured
Mind’.
 Yves Tumor continues to manipulate the genre terrain by
challenging mainstream music constraints further and
shifting the boundaries of contemporary art and culture in
a boundlessly visceral and authentic sonic signature.
 Triple 7” box set in printed sleeves, packed in rigid
slipcase box with spot gloss varnish to cover. Credits insert
printed on semi opaque paper. Digital download card
insert.
 12” in paper inner in printed outer sleeve. Digital download
card insert.
 “Nobody better represents the changing face and sound of
what a ‘rock star’ is today than Yves Tumor.” - The FADER
 “Yves Tumor, the ineffable and audacious experimentalist,
once again brandishes a reverence for Prince on ‘Jackie’,
another venture into magisterial rock that clings to
devastating grandeur.” - The New York Times
 “Tumor proves that sifting through the detritus of love can
be as electrifying as the experience itself.” - Pitchfork

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54,16
Yves Tumor - The Asymptotical World EP

Ground-breaking artist Yves Tumor continues to unlock the
perception of reality with a psychedelically bent off-kilter
rock offering, ‘The Asymptotical World EP’.
 The boundary smashing six song EP is the next era from
the pop auteur and first release from Yves Tumor following
the critically acclaimed 2020 album ‘Heaven To A Tortured
Mind’.
 Yves Tumor continues to manipulate the genre terrain by
challenging mainstream music constraints further and
shifting the boundaries of contemporary art and culture in
a boundlessly visceral and authentic sonic signature.
 Triple 7” box set in printed sleeves, packed in rigid
slipcase box with spot gloss varnish to cover. Credits insert
printed on semi opaque paper. Digital download card
insert.
 12” in paper inner in printed outer sleeve. Digital download
card insert.
 “Nobody better represents the changing face and sound of
what a ‘rock star’ is today than Yves Tumor.” - The FADER
 “Yves Tumor, the ineffable and audacious experimentalist,
once again brandishes a reverence for Prince on ‘Jackie’,
another venture into magisterial rock that clings to
devastating grandeur.” - The New York Times
 “Tumor proves that sifting through the detritus of love can
be as electrifying as the experience itself.” - Pitchfork

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19,29
Various - SWING IN THE FILMS OF WOODY ALLEN

Immortal jazz tracks from Woody Allen’s movies on 180g limited edition
vinyl featuring tracks by Sidney Bechet, Count Basie, Art Tatum, Benny
Goodman, Lester Young and others.
Jazz music has always filled an important part in Woody Allen’s life and work.
In addition to his career as a filmmaker he also plays the clarinet. Classic jazz
recordings are also present in nearly all of his films and play an essential role
in setting the mood. This LP presents a selection of 13 tracks that were used
on 11 of his movies.
“Everyone loves the music of his childhood, and for some reason, it has a
disproportionate impact on the person. When I was growing up and I got up
in the morning to go to school, I would turn on the radio and it would be Billie
Holiday and Coleman Hawkins and Benny Goodman.” - Woody Allen

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22,90
CLIFFORD BROWN - MAX ROACH QUINTET

Limited edition 180g blue coloured vinyl + 1 bonus track.
“January 4, 1956: Clifford Brown, Max Roach, Sonny Rollins, Richie Powell and
George Morrow met up in a New York studio to record At Basin Street, which
would be the group’s final album. That summer, Clifford Brown and Richie Powell died in a tragic car accident. This final testimony is one of the most exciting
records from a quintet which was like very few others.” - Jazz Magazine
“Each arrangement is worked to a point that actually propels the soloists, gives
them - and Brown particularly - maximum lift. These are classics of modern
jazz.” - Penguin Guide To Jazz
“Clifford Brown and Max Roach at Basin Street reemphasizes the loss jazz suffered when Clifford and Richie Powell died. Energetic, full-bodied jazz. Thoroughly recommended.” - John A. Tynan, DownBeat”

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21,39
ELVIS PRESLEY - ELVIS’ CHRISTMAS ALBUM
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22,90
XAVIER CUGAT & HIS ORCHESTRA - THE HITS - 21 GREAT HITS BY THE “RHUMBA KING”

180g vinyl gatefold sleeve edition. A leading figure of Latin music, Xavier
Cugat spread the rhumba, mambo, and cha-cha-cha all over the world,
becoming one of the greatest stars of the genre.
While born in Spain, bandleader Xavier Cugat spent his formative years in Havana, Cuba, where he became a brilliant violinist and arranger. Cugat was a
leading figure in the spread of Latin music, and after moving to New York City
he became the leader of the resident orchestra at the Waldorf-Astoria before
and after World War II, where he gained perennial fame. He would become
known as the “Rumba King”. Compiled here are 21 of his greatest hits, recorded during his finest years.

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22,90
BLODET - VISION

Blodet

VISION

12inchCRR088V
CHURCH ROAD RECORDS
15.10.2021

Three years on from their last EP, Kristallpalatset, Sweden’s Blodet have
announced their return with a new EP, titled VISION, due for release on
24th September via Church Road Records.
VISION sees the sextet build upon their sonic palette of atmospheric doom and
post-metal with brooding folk and European post-hardcore sensibilites in the
vein of Swans, Breach and early Amenra.
Marking their first recorded output since vocalist Hilda Heller joined in 2019,
Blodet’s esoteric musical landscape is buoyed by quietly assured ruminations
on the human condition and self across VISION ‘s three songs. No better is this
dichotomy showcased than the title-track, with the vocal refrain of “What do
you see? Do you see me?”, as the song erupts in the latter half of it’s 15 plus
minute slowburn - giving way to jarring post-hardcore akin to Unwound at their
headiest.
On VISION, Blodet possess a familiarity for those who have long been enamoured by post-metal and post-hardcore’s more recherch leanings, whilst carving out their own nich and expanding on their native country’s rich history
of colouring outside of genre lines. For this alone, VISION, is a short but vital
addition to Blodet’s growing discography.
VISION is out on 24th September via Church Road Records

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22,06
CHRISTONE “KINGFISH” INGRAM - 662

Purple vinyl pressing of the 22-year-old blues sensation’s
eagerly-anticipated follow-up to his Grammy-nominated debut,
2019’s Kingfish.
662 (the area code of his Mississippi Delta stomping grounds) is a powerful and
personal album, a fiery coming-of-age record.
The lyrics reflect Ingram’s newfound maturity and how your roots inspire
where you’re heading.
Musically, the record delivers a heaping helping of the deep, visceral Ingram
guitar magic his fans love, fueling a combustible mix of molten blues rock,
down home shuffles and soulful grooves.

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20,13
Homeshake - Under The Weather

Homeshake

Under The Weather

12inchLYN58LPC1
Sinderlyn
14.10.2021

Peter Sagar — also known as HOMESHAKE wrote the majority of his fifth studio album, Under the Weather, in 2019, when he was going through a long, unrelenting period of sadness. “I was in a deep, deep depression,” he recalls of that time period now. Sagar and his partner were living in Montreal, and while everyone was out being social, he was inside listening to ambient music, binging Star Trek, and writing songs. (Sound familiar?) “It was a bit of a dark pit,” he says. “That’s kind of what the whole album is about.”

Under the Weather is hazy and moody, the pace slow as syrup, and from beginning to end, a fog falls over every synth and guitar line. “Oftentimes when you’re in a dark place, you’re supposed to journal and that helps release the pressure,” Sagar says. “For me, it always found its way into the music.”

Capturing the cloudy sound of a depressive funk was no simple feat, especially in the headspace Sagar was in for over a year. For that reason, he decided to enlist his friend, Jerry Paper ’s Lucas Nathan, to help with production on the record. Having Nathan contribute helped Sagar dial back some of the “dry, pristine digital sound” that defined his fourth studio album, Helium , and add back personal analog touches that drew people to the HOMESHAKE project in the first place.

As Sagar readies for the album’s release this September, the record he wrote about feeling isolated, alone, and despondent has begun to seem eerily prescient. “I’ve been writing about feeling isolated my whole life,” he says — but with age, he has come to understand them better. “I had a fairly clear idea what the album was going to be like based on where I was emotionally at the time,” he says about Under the Weather . “I just try to make music that is honest about how I’m feeling.”

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23,66

Last In: vor 4 Jahren
cleopatrick - BUMMER

Listening to the story of Canadian duo cleopatrick is a bit like hearing the plot of the best, most righteously validating coming-of-age film never made. Two friends meet aged four in Hicksville, Nowheretown (real name: Cobourg, Ontario, population 19,000), grow up completely inseparable, form a band and, against numerous obstacles, blossom into a genuine, global underground sensation. There are heroes and villains, highs and lows and, crucially, some of the most poetic plot twists that could seem almost too perfect, were they not completely true. Take the story of 2017 breakthrough track ‘hometown’ for example. “It’s one of the craziest, most ironic things that’s ever happened,” begins vocalist and guitarist Luke Gruntz. “I was going to college because I was too scared to put all my chips in the band pile, and that’s what ‘hometown’ is about: it’s a song about feeling like we’re doing all this stuff and we’re working so hard and we’re just never going to be heard. It’s literally a song about people probably never hearing our songs. And then by some act of the universe, that song ended up unlocking all the doors for us.” Today, cleopatrick has logged 77 million streams and counting - all from an increasingly dedicated fanbase who’ve found the duo, completed by drummer Ian Fraser, their own way: no major label, no big budget, just two best pals knuckling down, cementing a unique sonic alchemy and filling a space of honest, empathetic yet undeniably heavy-hitting rock music that they’d been searching for themselves for years. Between multiple sold out tours in Canada, the US and the UK/EU and appearances at Lollapalooza, Austin City Limits and Reading/Leeds, the pair have been crafting BUMMER: a debut album that sees cleopatrick harness all the magic they’ve been brewing over their two-decade friendship and funnel it into a record that aims to reinvigorate the rock landscape from the ground up. Taking the ethos of their New Rock Mafia collective - a group of friends and fellow bands, united in making a more inclusive, equality-driven space in rock music - and imbuing it with the sonic ambition and ferocity of a record designed to be played hard and loud, it’s an album about two friends, who’ve been with each other since the formative first steps that adorn ‘BUMMER’’s heartwarming cover image and made something that’s a testament to the power of sticking to your guns.

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20,97

Last In: vor 4 Jahren
Delay Grounds - Genus

Delay Grounds

Genus

12inchLPS28
Lapsus Records
14.10.2021

British producer Patrick Tipler spent his formative years immersed in psychedelia as a bassist and guitarist in various bands and groups. The arrival of synthesizers –along with his move to Bristol– radically changed his vision of sound and impacted on his musical direction with the force of an asteroid. This shockwave subsequently saw the birth of Delay Grounds.

After releasing the outstanding 'Onomatopoeia' Pressure Dome, 2020 and 'Upcycling' Tropopause, 2021, Delay Grounds’ output has made it clear for all to see that Tipler’s sound design skills are second to none, and with just two releases to his name he has already transformed himself into an artist to watch very closely.

Today Patrick joins the Lapsus crew to present 'Genus', a five track EP that he says "is my most personal release to date, something I've always carried inside and wanted to produce, but had never managed to articulate before". On 'Genus', Delay Grounds preserves the essence of his sound but takes things a step further, with a form ofmaximalist electronica, sprouting powerful torrents of high-pitched and ruff-as-rock avant-techno, glitches and mutant sound elements, combined with sweet and delicate melodies in the purest IDM style. Polishing is provided by sound engineer Nick Earle, with whom Patrick has recorded and remarkably treated a kit of "deconstructed drums" especially for the occasion.

‘Genus’ is 30 minutes of astral travelling, an experience perhaps analogous to what we would feel if we opened a vault, containing music from a lost civilization.

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16,60

Last In: vor 4 Jahren
MAC MILLER - FACES 3x12"

Mac Miller

FACES 3x12"

3x12inch0093624881391
Parlophone
14.10.2021

On October 15th, Mac Miller's cult favourite mixtape Faces will be available on all streaming services for the first time since its initial release. The project, which originally debuted on Mother's Day 2014, is a vital release in Mac's catalogue that followed-up his critically-acclaimed sophomore album Watching Movies With The Sound Off. Upon its arrival, the mixtape served as the high water mark for Mac's technical prowess and cemented a creative actualization that would continue through his career; reinventing himself with each new project. Reviewing the project following its release, critic Craig Jenkins succinctly described it as "the best work of his career.
"In addition to being made available on streaming services, Faces will be available on vinyl for the first time on October 15th. .

The announcement of the mixtape’s release on streaming services next month arrives alongside a new music video for Faces highlight "Colours and Shapes." Its director Sam Mason speaks on the work: “The track felt very visual to me—like it had its own world. This atmospheric night time place that was sometimes dangerous, sometimes comforting, then I saw a picture of Ralph and a story emerged. To build it out I asked Malcolm’s family to send me bits and pieces from his childhood, scenes from the town where he grew up, objects, toys from his room—little pieces of his life that I extrapolated outwards and used to inspire the story. In the abstract, it’s meant to be a video about childhood—growing up as an artist and the highs and lows of that experience. It’s sort of a look at the emotional and difficult and perilous but noble path of an artist. ”Stay tuned for more Mac Miller and Faces news soon.

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88,70

Last In: vor 4 Jahren
Dan Berkson - Dialogues

Dan Berkson

Dialogues

12inchFSRLP133
Freestyle Records
13.10.2021

Freestyle Records will release Dan Berkson's debut LP, Dialogues, on September 17th on LP & digital.

Following a move to London and an immersion in the city's deep house scene, Dan Berkson's subsequent rediscovery of his earliest musical foundations and the drawing of inspiration from London's buzzing contemporary jazz scene would lead to Dialogues - an accomplished and rewarding body of work pulled together during his final days in London before relocation to California.

"It was inevitable that Dan Berkson would make a jazz album like Dialogues: joyful, danceable, entertaining, driven by the pleasure principle, and filled with virtuosity. It represents Berkson's experiences in London, where jazz is a living, breathing, dancing scene. It's his love letter to the city, bristling with British talent such as bassist Andrea di Biase (Heidi Vogell, Maria Chiara Argiro, Bruno Heinen) and drummer Jon Scott (Kairos 4Tet, Sons Of Kemet, Mulatu Astatke) and recorded in his final days in the city before relocating to California. It's also rich with history: the musical journey that brought him to this point covers almost 40 years and 4,000 miles.

Berkson received lessons from Chicago boogie-woogie veteran Erwin Helfer - who in turn had learned alongside foundational legends such as Mahalia Jackson and Glover Compton. In 2001 he came to the UK, throwing himself into the deep house scene of East London, his duo with James What signing to Steve Bug's legendary Poker Flat.

But eventually he felt that he'd achieved what he could in the house format. Rediscovering the piano and discovering that jazz provided him the opportunity to keep learning, he enrolled in Trinity College in South London just as South London's jazz scene was exploding into the public consciousness.

Dialogues is a jazz album, not an electronic one – but all the groove-based influences, from the rootsy blues and ragtime of his youth, through the funk he played at college and the house he imbibed in London can be heard, as can his love of the studio as an instrument and mixdowns that suit a club soundsystem. Detroit dons Theo Parrish and Moodymann are every bit as important to this record as Charlie Haden, Carla Bley, Keith Jarrett, Ornette Coleman, Jimmy Giuffre, and Herbie Hancock. There's 50s and 60s cool modernism (just listen to the elegant ripples of "Sketches"), there's 70s funk fusion ("Unity" kicks things off with a spring in its step), and of course there's the pumping blues heart of "Live Bait". Above all else, though, it's a personal document: a life of music and collaboration crystalised in a magical, transitional moment. Where Dan goes next musically is as uncertain as anything in these times... but this one record tells you everything you need to know about where he's been."

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19,29

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Digital Caresse - Demain

It was the mid 80s. A musical revolution was already steamrolling throughout the French West Indies when the band Kassav' produced what was to become the sound of the decade. With a now wider use of synthetic and digital tones, the "zouk" wave literally swept away to sea the biguine and cadence from the West Indian musical landscape. While this took place, some musicians chose to make an alternative use of the new techniques brought on by the advent of synthesizers. Musicians like Serge Fabriano.

It was back in 1980 that Serge, a talented young musician from Guadeloupe, while studying for a degree in 'Arts & Informatique' (Computers & Arts Cycle) at the Université De Vincennes near Paris, discovered early computer-generated digital music (MAO in French) thanks to his roommates, who both taught computer-generated graphic arts. In 1982 Fabriano and his Fabriano Unité Zion project recorded, with the help of Alain-Jean Marie, Mario Canonge and Pierre Labor, Cosmik Syndika*, which to this day remains a masterpiece of made-in-Guadeloupe Caribbean jazz.

The following years saw him tour the US and Canada as well as several other countries. By 1986 he was back in Guadeloupe, teaching music in the secondary schools of Point-à -Pître and Sainte-Rose. While doing this, his ongoing passion for the budding MAO led him to kit himself out: the Yamaha CX5M (MSX Music Computer), the Macintosh Plus, the legendary synthesizers DX7 and DX11 and several other early rhythm machines became his new toys.

Him and his partner at the time, Marie-Reine Lamoureux, who was also both a teacher and a musician, as well as a member of the Fabriano Fuzion project, decided to involve their pupils in his electronic musical experimentations. They recorded an album, composed of five tracks deliberately titled Demain, under the name 'Digital Caresse' (the idea behind this was that instead of hitting the percussions to make music, one stroked the computer keyboard to coax a sound). The combination of the children's choir, enchanting wonky flutes, saturated electronic beat and cosmic atmosphere perfectly outline the purity of this rough diamond.

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19,87

Last In: vor 4 Jahren
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