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Weirdos Inc. share five chuggy heaters from Glaswegian via London producer Adam Low, aka Pigeon Steve. Leave Some Trace traverses a cinematic palette across five tracks. Euphoric acid, palmy Balearic touches, prog heavy nods to Goa trance. All fused influences shape an original and unique take on club music primed for a proper basement session. Perfect material for any dancefloor moment.

Adam Low has been turning heads over the last couple of years with his DJ sets and finely dialled productions. This EP spins our heads a full 360 on itself. This marks Weirdos’ first release of the year. Hope you enjoy.

Weapons Of Desire is back with its first vinyl release in three years. WOD032 sees label misfits Auto Sound City and Iron Blu collaborate once again with a four tracker kick ass release that turns music upside down!

Mysterious Bristol based Rali Pibs, carves out 6 stunning tracks, undefinable in the left-field. File under Industrial-Synesthetic-Amnesia. “U Paradise” is a solid mix of atmospheric chugging, primal, bold and abrasive yet textured, rich and full of emotion. Outsider music with a hint of pop edge that is sure enough to make heads twist on the dance-floor (tried and tested). If you don’t believe us stick Shaka on in the club and see what happens. Weirdo music with a cosmic and emotive tinge that we love at the inc.

DRP (Dom & Roland Productions) was started in 2006 for Dom to collaborate with like-minded artists. Now 15 years in with an enviable roster from “Noisia” to “Amon Tobin” it is now the main home of Dom’s work.

Mando is one of Doms closest friends. He has been writing music for over 25 years. A gardener by day, he shuns the limelight and has always maintained writing music is his secret hobby! He had a studio in the room next to No-U-Turn in the 90s which was eventually taken over by Optical and Edrush.
Until fairly recently he never released anything! He has an amazing ability to create sick grooves, his style is raw and refreshing and not over produced like a lot of modern music. If i had to pigeonhole his style I would say 90s neurofunk.

Both these tracks play to his strengths. This is his first release on vinyl, so will become collectable!

DJ PLAY: What? In their bedrooms? These people regularly play DRP tracks… Rene Lavice, Laurent Garnier, Giles Peterson, Jerome Hill, Digital, DJ Bailey, DJ Lee, Bryan G, Fabio, Grooverider, Loxi, Andy C, Break, Kasra, Doc Scott, Dbridge, Goldie, Ant TC1, Gridlok, Ulterior Motive, Noisia + More.

Tradition futuristic Cumbia travelsound through Caraibs, Africa, Andines, Spain, India, ... Superb open minded compilatio nbringing loads of bloody good tune... and a pure spirit :! ENJOY !

The man, the myth, the legend ... back in the 80s Jesse Rae, along with Roger Troutman and Bernie Worrell, was part of the P-Funk movement that was hugely influential to Detroit's early electronic experiments. Lesser known is that the enigmatic Scot-funk warrior later produced underground electronic tracks in the 90s. The inaugural release on Glasgow label Southside Shufflers presents two of Jesse's Shufflers on vinyl for the first time on the Global 95 EP- a sampler from his pioneering 1995 album 'Compression'. Ever the innovator, Jesse recorded the album collaboratively using live ISDN technology spanning three continents, with the resultant tracks fusing African, US electro-funk and old Scots influences. 23 years later, Jesse's under the radar Shufflers sound more relevant than ever.
Southside Shufflers are a record label and sports collective based in Glasgow with outposts in London and Amsterdam. SSS- ain't no half steppin'!

Kick'n Dance Records strikes again with it's third release, "Vert Emeraude EP" by
parisian producer Lucas Moinet. Infused with nature sounds, deep atmospheres
and jazz elements, this four-tracker goes from spiritual jazz deep house to club
groove with a distinctive french signature. All tracks were composed and recorded
by Lucas Moinet at Studio 937, with a traditional 90's house music set up. "Vert
Emeraude" & "Dark Woods" are paying tribute to the sound of the infamous Dance
Culture party at Djoon and it's dancers community. On the other hand, "The Deep"
explores deeper territories while "Franklyn Avenue" brings more energy to the
record, with a faster and powerful track. For the ones into deep chords and
musical explorations

Four essential cuts extracted from the deepest corners of the Newrhythmic digital catalogue.
Hypnotic rhythms, fractured textures and immersive atmospheres converge in a limited vinyl selection focused on tension, depth and movement.

A1 - Gareth Wild - Boca De Venum
A2 - Joton & Divide - Junction
B1 - A.Morgan - Loathing
B2 - bw - Olives

Written, mixed and produced by V/A
Released by Newrhythmic Recs, Spain
Catalog Reference: NRLTD022
Mastered by Jose Angel Palacios
at Newrhythmic Studio - León, Spain.
Format: Vinyl 12 & Digital
Promo / Press : thotpr

Jolene Cuts returns with a 5-track vinyl-only masterpiece that channels the golden era of 1998 French House while pushing it into the future. No edits—just 100% original productions from Danny & Mike, two true craftsmen of filtered house grooves. “Jackpot” kicks things off with a euphoric, sample-driven floor-burner, dripping in funk and irresistible filter sweeps that recall the raw magic of classic Roule and Crydamoure records. “Voiture” follows with a sleek, late-night ride through hypnotic basslines and shimmering disco loops, perfect for peak-time club moments. On the flip, “So Cruel” brings soulful vocal chops and deep, rolling grooves in a way that nods to the emotional side of the French Touch era. “Love U” injects pure joy into the mix—swinging drums, warm filters, and a seductive disco flair designed to light up any dancefloor. Closing it all, “Disco Road” is a driving, high-energy weapon blending pulsating bass and filtered hooks that feel like 3 a.m. in Paris circa ’98. This is a love letter to French House—strictly vinyl, strictly limited, five unmissable club bombs. Perfect for DJs who crave that raw filtered energy, vinyl purists, and anyone who knows the true essence of French Touch: groove, soul, and pure dancefloor ecstasy. Once it’s gone, it’s gone.

2026 Repress

For the 004 release we teamed up with roots singer 'Kojo Neatness' delivering that true Kingston reggae vibe. Vocals wererecorded in the mythical 'Caveman Studio' in Jamaica with the help of the great late Nazamba.

Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists.

Nach ihrem für den Polaris Prize nominierten Debüt "Mascarade" (2023) meldet sich die kanadische, in Lissabon lebende Künstlerin Gayance mit "roaming" zurück. Als klangliches Reisetagebuch, das den Bogen von haitianischen Wurzeln über den Londoner Broken Beat bis zur rhythmischen Hitze Brasiliens spannt, ist das neue Album ein Meisterwerk diasporischer Erzählkunst. Indem es energiegeladenen 90er House mit Boogie-Elementen, französischen Texten und spirituellem Widerstand verbindet, zeichnet "roaming" ein Jahrzehnt des Unterwegsseins und der radikalen Selbstbehauptung nach. Es ist eine trotzige und zugleich feierliche Rückgewinnung der eigenen Handlungsmacht einer prägenden Gestalt der globalen elektronischen Musikszene. Mit Gastbeiträgen von Judith Little D, Waahli, Magi Merlin, NARCY und De.Ville.

The first release on Edition Hawara's new sublabel Hawara International is a record that leaves little room for ambiguity about its intended use. Produced by Takashi Shima of the band Piper and released as part of the Sun Tan Club series, "For Light Tanning" was designed to accompany the pursuit of the perfect summer tan. It came complete with tanning instructions and oil recommendations, and was the subject of a promotional partnership with Hawaiian Tropic. The music drifts between ambient, new age and lifestyle soundtrack genres, providing an elegant backdrop for beaches, pool parties and other seasonal activities. Having long been forgotten outside a small circle of collectors, the record now returns as an unusually thorough document of late-1980s leisure culture. Whether it actually improves the tanning process remains unverified.

'Everyone' was Recorded in Tokyo, Japan over two days in late September 2025. The album musically chronicles Greg Foat's first tour of Japan. The album was commisioned by Tokyo based clothing Label 'Everyone' and is a fantastic mix of Ambient, Jazz and Electronic music genres

Each track celebrates a special memory of the tour, from the opener 'Shirahama Beach' home to the wonderful FFKT festival to the playful 'Lake Haruna Boat Ride'.

The album also features Tokyo based jazz musicians Kensuke Miyaki on Baritone Saxophone and Bass Clarinet and Yoshihiro Kaneko on Double Bass. Limited to 700 vinyl copies only with obi strip.

Smoove delivers another pair of exceptional reworks, breathing fresh life into two disco classics from 1978 and 1979. Staying true to the spirit of the original recordings while adding his signature production touch, both tracks feel timeless yet perfectly suited for today’s dancefloors.

On the A-side, Was That All It Was opens with crisp, punchy drums before gradually unfolding into a masterclass in arrangement. Layer by layer, Smoove rebuilds the track, allowing Jean Carne’s stunning vocal performance to shine through lush string breakdowns, soaring brass, and an irresistible groove.

The flip features Runaway Love, taking a slightly deeper, slower approach. Euphoric backing vocals, warm Fender Rhodes, sweeping strings, and impeccably tight percussion combine to create an uplifting, soulful journey. An elegant and utterly joyful rework from start to finish.

Since its original release, Aging has taken on an interesting wider significance. OCA’s music came to the attention of Kelela, who featured the duo in her Aquaphoria mix before later working with Yo van Lenz and Florian T M Zeisig in their Berlin studio. Those sessions would go on to play an important role in shaping the sound of her acclaimed 2023 album Raven, on which both artists are credited.



2019 Press Release:

Berlin based duo OCA present Aging, their sophomore album and first for Métron Records. Following up last year's Preset Music (recently featured in Kelela's Aquaphoria mix) Aging is an album that focuses on memory, experience and the passing of time.

A collaboration between producers Yo van Lenz and Florian T M Zeisig, OCA formed after the pair met and became friends while studying in Berlin. Originally from small towns in Bavaria, the duo now live and work in the German capital.

Through a series of 10 vignettes, Aging transports the listener on a trip across a series of life events that retain a special personal importance to both of the artists. These emotional touchstones range from the profound to the prosaic - the discovery of something new, the relief from annoyance or the familiarity found in an old companion - and have been fully explored with playful sonic introspection.

Whilst the concept retains a certain ambiguity, it is the sound palette, created solely on an Alesis QS6 synthesiser - that brings these experiences to life. OCA blend and weave classic dance music motifs with shimmering synths, Japanese wet ambient, and even anthemic 80s rock to create a soundscape rich with texture and sensation.

The bass notes and tentative lead of ‘Baby’s First Blade of Grass’ reference the memory of first consciously or subconsciously experiencing something new, whilst the decaying ripples of ‘Stretching in Water’ paired with sounds of flowing streams conjure up images of tranquil pools. Their most developed work to date, Aging showcases OCA as rising stars of progressive pop and modern ambient.

The exclusive Soul Jones Records debut release SJR101, "I Never Had It So Good (Uncut)."
Produced by Elijah Baker (ex-Tony! Toni! Toné! bassist) and Oakland studio maestro BJ Kemp (Ms. Monét / Raphael Saadiq), the record channels early-'70s sweet soul with a contemporary nous that keeps it fresh.
Inspired by a gospel recording by Elijah's father, Reverend Elijah Baker Sr., this romantic serenade brings together an all-star Bay Area line-up: Otis Cooper (Otis & Shugg – "Journey" / "Thank You For My Baby"), R&B hotshot Adrian Marcel and vintage soul specialist Mario Corbino, once part of The Temptations.