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Location Services with Derek Hunter Wilson - Wake
BNSD066
Beacon Sound
12inch16.09.202216.SEP.22

PopJazzAlternativeBeatsElectro

Ryuichi Sakamoto, Daniel Lanois, Loscil, K Leimer, Deaf Center, Tangerine Dream, Arvo Pärt Wake is a distillation and reflection of the work of three Portland musicians thrown, like the rest of the world, into forced isolation by the continually-mutating curse of a natural world in disequilibrium. The product of involuntarily inward-looking emotional landscapes, Wake emerged sounding surprisingly expansive and confident. The trio uses a variety of instruments –including harp, fretless bass, piano, and a variety of synthesizers– to conjure sparkling panoramas of the imagination that are deep-pooled and impressionistic, bracing yet comforting. Mike Grabarak and Joshua Ward have performed together for years as a duo under the moniker of Location Services, while Derek Hunter Wilson has primarily worked as a solo composer in the classical realm. For the Points Of No Return compilation, Beacon Sound's 50th release and a benefit for the Beirut Musicians Fund, they recorded a collaborative piece entitled "Interdependence In Solitude" that was so promising the label offered to release an album if they continued down the path they had started upon. The resulting eight songs are simply mesmerizing. Made during a period of change and upheaval in the world and society where many people were disconnected from others, the album is the product of a collage-like dialogue built on trust and patience. While the musicians couldn’t physically be together for much of this time, they began sending musical ideas to one another in a conversational back-and-forth that acted as an anchor of stability – something they found they could turn to and depend on when things felt uncertain elsewhere. This comfort zone led to some transcendent moments of experimentation. “Delicate Need”, for example, features recordings of exaggerated pizzicato that were sampled and then run back through processing effects, which were then subsequently performed live over the original track. As things became less risky on the Covid front, they would occasionally meet for backyard rehearsals. Indeed, a recording of one of these rehearsals became the basis for the opening track “Photo Aware”. Wake will be available later this summer as a limited edition LP, with design work by Berlin-based Studio Bernhardt. The cover painting was created by Portland artist Nate Ethington. Highlights: – Derek was invited by the artist Gregory Euclide (Bon Iver, Erased Tapes) to participate in his label project, Thesis, along with artists such as Benoit Pioulard, Loscil, and Julianna Barwick. – Derek‘s first and second albums as a solo artist were released by Beacon Sound (Travelogue, 2017; Steel, Wood, & Air, 2019). – Location Services likewise released their 2019 album Reincorporate on the label. – The artists plan to tour together in 2023. Cascadia release shows TBA. Bios: Location Services is the Portland-based project of multi-instrumentalist Mike Grabarek (Magic Fades) and harpist Joshua Ward. They’ve released music on Beacon Sound and Beer On The Rug. They perform both written and improvised music. Derek Hunter Wilson is a composer and multi-instrumentalist based in Portland. He has released two solo albums on Beacon Sound and has also collaborated with visual artist Gregory Euclide for his Thesis Project label, resulting in a split 10" with Spanish musician Rauelsson. He has additionally collaborated with poets Zachary Schomburg and Brandi Katherine Herrera for several sound and performance pieces. He has performed live on the West Coast and in Berlin, sharing the stage with artists such as Colleen, Amulets, and Liima.

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

27,31 €
PWNT - Days in the Summer
ACRO1065
Acrophase Records
12inch16.09.202216.SEP.22

PopRockIndie

PWNT, the LA-based dream-pop project of Kosta Galanopoulos, is to release his debut album, Days in the Summer via the Nashville-based label, Acrophase Records (Ginger Root, Harriette). Seamlessly fusing the worlds of 60s psychedelia, 90s Britpop, and the sounds of 2010-era acts such as Passion Pit and MGMT together, the debut album will follow a run of early singles for PWNT – an acronym of "Play What's Not There", which comes inspired by a Miles Davis quote.

TRACKLIST: 1. Intro 2. Falling Down 3. Days in the Summer 4. Sunday Runaway 5. Funny 6. Composers 7. Feeling in the Air 8. Goodbye 9. Sing Me a Song 10. Red Reflections 11. All I Want 12. Shortcuts 13. Real Thing 14. All I Want is a Good Ending

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

25,00 €
Mentalist - Empires Falling LP 2x12"
MEN005
PRIDE & JOY MUSIC
2x12inch16.09.202216.SEP.22

PopRock

140gm gold vinyl in gatefold. MENTALIST, the Saarbrücken Germany based Melodic Metal group, like maybe no other recently new band has managed to leave big, positive marks in the Power Metal scene! After the big success of the debut album ‘Freedom Of Speech’ (2020), the German/ Swedish foursome consisting of Peter Moog (guitars), Thomen Stauch (dr., ex BLIND GUARDIAN), Kai Stringer (guitars) and Swedish exceptional singer Rob Lundgren just scraped past the German official media control album charts with their 2021 effort ‘A Journey Into The Unknown’ (trend charts: #63)! On iTunes, MENTALIST reached an impressive #2 as highest position at the Metal charts, and the fans of the Facebook group ‘Power Metal’ with 110K followers voted ‘A Journey Into The Unknown’ as best Power Metal release of the year 2021. ‘Empires Falling’, the third full length by the German/Swedish outfit, now continues where its predecessors have stopped! Oliver Palotai (keys, Kamelot) und Mike LePond (b., Symphony X) again joined MENTALIST as energetic guests on keyboards and bass. On this release, outstanding musicianship teams up with fabulous melodies and fine, subtle arrangements as parts of epic, stirring and energy-driven songs which reinforce the high quality of MENTALIST. The front cover artwork again was designed by Andreas Marschall (Blind Guardian, Running Wild), the mix & the mastering once more was handled by Jacob Hansen (Volbeat, Amaranthe, Pretty Maids etc.). ‘Empires Falling’ will be released on September 16th, 2022 on CD, digital, and as gold vinyl 2-LP. A tour for Autumn 2022 is currently in preparation. Track listing: Solution Revolution; Stairs Of Ragusa; Tears Within A Paradise; Empires Falling; If You Really Want; Columbus; Noah’s Ark; Generation’s Legacy; Heavy Metal Leia; Out Of The Dark; Years Of Slavery; Forbidden Fruits (Bonus Track); Bumblebee (Bonus Track)

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

30,21 €
The Bellrays - Grand Fury
LS054
Lonestar Records
12inch16.09.202216.SEP.22

PopRockHip-HopSoul

Finally it’s here! After many years, the repress arrived. This time how it was supposed to be. With new cover artwork and newly mixed songs. It's a rare but exhilarating occasion when you put on a new LP and are utterly blown away by what you hear. Every now and then, music makes you feel magically alive -- makes you want to jump around, pound your fist in the air, and shout "Oh, yeah!" Listening to Grand Fury, the second major release by Los Angeles quartet the Bellrays, is such an experience. Imagine the Funhouse-era Stooges fronted by a female R&B singer instead of Iggy Pop, and you'll have a vague understanding of what the Bellrays call "maximum rock 'n' soul". Although they've drawn comparisons to the Stooges or the MC5 fronted by Tina Turner, Etta James, or Aretha Franklin, the Bellrays rightly point out that soul was an important element in those Detroit-area punks' sounds. So, in some ways, the Bellrays are just bringing out an element of early punk music that was there all along. Nonetheless, the resulting sound is startlingly unique. Lead singer Lisa Kekaula has also sung jazz, and it's obvious she has technical skill, but she tears into these songs with a venom and passion that is pure rock 'n' roll. Bandmates Tony Fate, Bob Vennum, and Ray Chin provide a raw, blues-edged backing that is loose enough to allow Kekaula considerable room to go wild. And does she ever. With her raucous voice and the aggressive songs penned by guitarist Fate, Kekaula makes you believe she'd sooner spit in your face than look at you. "I'm stuck inside a moment / Can't find my way out / And time keeps draggin' on" she sings on "Fire on the Moon", but the confident way she spits out the words makes you believe she could claw her way out of anything. Likewise, Kekaula's indictment of "Stupid Fuckin' People" is so fierce it's almost scary. When she snarls, "Stupid fuckin' people always get in my way / Want to ruin my piece of the world" you know you'd better get out of her way. The only time this sonic assault slows down is on "Have a Little Faith in Me", a sexy soul number that Janis Joplin would have been proud to sing. While Kekaula's amazing voice and charisma are key to the Bellrays' sound, the rest of the band has to be commended for rocking so hard without drowning out that fierce set of pipes. With all the over-produced pap dominating the airwaves, hearing a band this raw and raucous is a dream come true.

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

17,86 €
Brass Against - II
LS060
Lonestar Records
12inch16.09.202216.SEP.22

PopHeavy-MetalRock

Brass Against are back with their 2nd long player. Finally. Brass Against covers classics of Rage Against the Machine along with other protest songs from the whole musical spectre. There are songs from bands like Tool, Black Sabbath, Audioslave and Led Zeppelin. Their videos are guaranteed viral hits. On the microphone you will find singer extraordinary, Sophia Urista. The band says: ”In this politically challenging era, it’s time to stand up against the machine. We want the music we perform to sound inspiring and resonate with people’s emotions, encouraging them to act. We combine rock and edgy hip-hop to play music that's powerful and empowering. Brass Against is exceptional music with a political edge. We are angry, we are inspired, we are ready for change—and we hope our music amplifies this energy in everyone who listens.“ The band got quite a name through several viral hits on Youtube. Brass Against‘s version of ‘Wake Up’ got more than 19 million views in the meantime.

Track listing: Lateralus; No Shelter; War Pigs; Show Me How To Live; The Pot; Know Your Enemy; Gasoline; Mountain Song

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

19,54 €
Flaming Sideburns - It’s Time To Testify…Brothers & Sisters
LS059
Lonestar Records
12inch16.09.202216.SEP.22

PopRock

It’s time to testify, brothers & sisters and it’s about time. It’s so about time to put this gem out on vinyl. Properly! It was released twice on small editions before, but – no offense – they both sounded terrible. Now the tapes been re-mastered by Jürgen Hendlmeier and put right on wax, brand new artwork included. In our eyes this is one of the best and most powerful and pure garage rock albums ever. You have to hear it to know what I’m talkin about. GET DOWN – OR GET OUT! …and listen to a fine collection of soulful, rocking collection of raw songs that make you move(, unless you’re dead). With this album the Sideburns became the Finnish leaders of the new wave of Scandinavian Rock’n’Roll (along with the Hellacopters from Sweden, Gleucifer & Turbonegro [both from Norway]). The Hellacopters covered „Ungrounded Confusion“ from this album! This collection of songs is well inspired by bands such as the Sonics or the Wailers. And in the 90s and early 2000s more than ever before, bands everywhere are claiming the MC5 as their primary influence. Most bands, however, don't really get the sound right, or somehow lose the spirit of the music in a '70s rock haze. What makes the Flaming Sideburns feel authentic is that they understand the grooves that make this type of music work, and there's a ton of real enthusiasm behind it all. Songs like "Testify" are obviously inspired by Tyner and Co. but have a fresh energy that makes this old sound worth listening to. The mid-fi production also keeps the music sounding exciting and hot, without getting too heavy. They reach back a little in time to the mid-'60s with covers of the Wailers' "Out Of Our Tree" and the Electras' "Action Woman." Also super rocking is the wild "Jaguar Girls" and the spasm inspiring "Rock N Roll Boogaloo." If you like Detroit-style rock'n'roll with an unpretentious '60s edge to it, the Flaming Sideburns are for you. Track listing: La Bruta; Crashing Down; Close To Disaster; Rock n’ Roll Boogaloo; Testify; Out Of Our Tree; The Witch; Jaguar Girls; Ungrounded Confusion; You Weren’t Using Your Head; Women; Sailin’ Thru Cloud Nine; Sugar Ain’t That Sweet; Action Woman

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

22,48 €
Ugly Duckling - Moving At Breakneck Speed LP 2x12"
LS062
Lonestar Records
2x12inch16.09.202216.SEP.22

Hip-HopHip-Hop

Old-School-Hip-Hop how it has to be! Creamy soul samples and sing-along choruses. With this release we celebrate 2 things: our (Lonestar’s) 20th anniversary (yes, we’re old!) and the 10th anniversary of this excellent album. It was originally released only in a small edition on vinyl done by the band. Now it gets a proper re-release with an exclusive-coloured version. But it’s limited to only 300 copies. So be fast or regret it later! "Party people hold onto your hats!" Ugly Duckling presents their fifth full-length album Moving at Breakneck Speed. After more than a decade in the music business, Young Einstein, Andy Cooper and Dizzy Dustin are well accustomed to the recording process. For their latest LP, the boys dug deep into their bag of tricks to create what they feel is their most dynamic and complete release to date. Moving at Breakneck Speed is an exciting and musically exotic adventure story that has our desperate heroes circling the globe to outrun an evil gang of super-criminals determined to put an end to UD once and for all. The record is made up of 14 power packed tracks that showcase Ugly Duckling’s classic production sound as well as the flavourful and humorously soulful vocal styles of Dizzy and Andy. “By the time you work on your fifth record, you ought to know how to do it, right?” asks Andy, “I think we put all of the pieces together to make a really, really good album”. We've made a habit of finding talented artists to create our artwork and this album is certainly no exception. This time around we enlisted the help of Justin Ridge. A native of smoggy Southern California, Justin has enjoyed making silly drawings and directing on animated shows like Avatar: The Last Airbender, Star Wars: Clone Wars, The Cleveland Show, and most recently Black Dynamite: The Animated Series. You can see more of his stuff on his website at justinridgeart. It has been a pleasure working with Justin on this venture and look forward to seeing what the future has in store for this very gifted animator. Also contributing his talents to this album is photographer Noel J. Hadley. We have Noel to thank for the awesome photos that you see displayed throughout the site. Noel's specialty is actually wedding photos, but he was kind enough to join us on a fun-filled afternoon in Los Angeles to capture the theme images for the new album. He was also along for the ride during the filming of the Elevation video, set to be released later this year. You can check out photos from the video shoot on Noel's blog. In addition, there are a number of people who donated their time and effort to help bring this album to life. Comedian TJ Miller can be seen in the Elevation video, a combination live-action/cartoon which will be animated by Justin Ridge. We would also like to thank Andy Carpenter, Jon St. James, Josh Barlow, Josh Fischel, Victor, Dago, Tamika, Tiko, Hiroko, Missy, Brian, Ashley-Dominique, Clout, and the entire Tru Beatz Crew for their contributions. You are all valued members of the UD family. Track listing: Keep Movin’; Momentum; $100 Weekend; Elevation; I Wonder Where She Is Now; One Horse Town; Anything Can Happen (In The Big City); How It Used To Be; Einstein Got A Monkey; Run For The Light; Sprint!; The Homecoming; The Breakneck Theme; Endless Summer

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

37,19 €
Christian Muthspiel & Steve Swallow - Simple Songs
IOR771201
IN & OUT RECORDS
12inch16.09.202216.SEP.22

PopJazz

On the occasion of Christian Muthspiel's 60th birthday, In+Out Records is
releasing the album 'Simple Songs' for the first time on vinyl - limited to
999 copies worldwide and personally hand-signed by the jubilarian
Aside from Werner Pirchner's "Himmelblau", the nine duos which Christian
Muthspiel composed especially for this album form a cycle of duets in the mood
set by the first track, "Pas de deux tranquille". Muthspiel is featured on trombone,
piano, e- piano and once even on the recorder, alongside Steve Swallow, whose
distinctive sound on the bass guitar is perfectly suited for this project.
Overdubs, loops and other electronic effects were intentionally avoided in order to
focus on the pure quality of the playing. The underlying principle for all of the
compositions on this album was to keep it simple, both in terms of composition
and sound; to seek refinement in simplicity and to follow the natural, consistent
development of one small musical cell per song. The progression of keys, modes
and tempos from one piece to another also played an important role.
The liner notes to this album are by the Austrian writer Christoph Ransmayr, who
writes very pictorially: "When I hear the Simple Songs that Christian Muthspiel has
composed and then he and his companion Steve Swallow have made twirl and
soar and float, I am sometimes transported to a riverbank in summer, where the
branches of a wild elder tree, stones and grasses become the neck and body of a
bass guitar or the tuning slide and bell of a trombone played with thrilling ease."

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

26,47 €
PJ Western - Here I Go
LPNW5623
New West Records
12inch16.09.202216.SEP.22

PopRock

Hailing from Los Angeles with an arsenal of songs as varied as the
American landscape itself, PJ Western creates music of contradictions
His tripped out pop- rock psychedelia evokes a haze of 60’s AM radio as heard
emanating from someone else’s car window.
Here I Go, Western’s debut album, recorded during the lockdown we all endured,
was written in dreams. In visions. Wild but refined, classic but modern. The album
is a lot like the man who wrote it: complex, celebratory, grateful. Recorded in LA
with the help of some of the finest musicians the city has to offer, Here I Go
offers a perspective of the city as heard through the ears of a precocious outsider
– someone who may call the city home, but also can’t quite shake the suspicion
he might not belong in the Hollywood Hills surrounding him.
Packaging:CD Digiwallet, 16-page booklet, marketing sticker

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

28,15 €
Mother Sun - Train of Thought
LPEL222
EARTH LIBRARIES
12inch16.09.202216.SEP.22

PopRock

"Train of Thought, the third full length release by Kamloops, British
Columbia based psych quartet Mother Sun is a 12 song day trip through
an overstimulated frame of mind
Using 60's and 70's psych pop, garage rock, jazz and soul as a jumping off point,
the band refines their modern eclectic storytelling through lush and adventurous
arrangements, highlighted by abstract hooks, velvety strings and triumphant
horns."
"Train of Thought captures the moment as it happened, as natural as possible,"
explains drummer Jared Wilman. But judging from the way the ribbony loops of
Alex Ward's bass weave through the crystal shards of Jared Doherty's and Emilio
Pagnotta's guitars, the in-the-room reality experienced by Mother Sun may be a bit
more warped than average. "Posing a question, falling asleep/ Glued to a fish eye,
blind in the ocean/ Water resistance, growing webbed feet," Doherty sings on
"Webbed Feet", as a pulse of retro soundtrack horns and bombast drums propel
his bleary-eyed vocals into an endless psychedelic expanse.
That track's blend of riotous complexity and souped up devolution digs at the
thesis of the album as it teeters at the edge. "It's all about the way our thoughts
control us and we control them," Doherty says. "Being anxious about mind control,
noticing your surroundings, caring for your mental health, being mindful of others,
and not letting your train of thought run away due to complacency."

pre-order now16 Sep 2022

expected to be published on 16 Sep 2022

29,83 €
Widow - Spooky Stories EP
DDD097
Deep, Dark & Dangerous
12inch15.09.202215.SEP.22

BeatsDubstep

The master of all things creepy, Widow slithers back with his sophomore DDD release. 'Spooky Stories' will take you down the dark rabbit hole into a world of scares, spirits and suspense.

Widow's sound is characterised by a brilliant use of negative space, it's often what's not there as much as what is. Haunting atmospherics, deep bass, minimal drums and cheeky samples complete the picture.

Any fan of Deep, Dark & Dangerous will know many of these tracks from livestreams and shows. We see you hiding under the bed covers.

out of Stock

Last delivered 3 years ago
available to reorder, subject to availability

11,98 €
ColtCuts & Abstrakt Sonance - Genetic Code EP
DDD093
Deep, Dark & Dangerous
12inch15.09.202215.SEP.22

BeatsDubstepBass

Genetic Code' is the new EP from BC natives ColtCuts and Abstrakt Sonance... both DDD veterans. As a result of their tinkering and experimentation in the laboratory we have four mutated tracks which will splice themselves neatly into your set.

out of Stock

Last delivered 4 years ago
available to reorder, subject to availability

11,98 €
ALEX FIGUEIRA - MARACAS, TAMBOURINES AND OTHER HELLISH THINGS^LP
MWSTAPE001
MUSIC WITH SOUL
Cassette15.09.202215.SEP.22

PopLatin

A multi-layered kaleidoscopic musical ride that will take you to places no other soundtrack has ever taken you before. Uplifting latin funk, melancholic chanson, dark synth drone, biguine punk, acid techno and a few absolutely indescribable hybrids, the songs created by Figueira to back the images of the film where he also plays the main character, are very impactful and cover an impressive array of influences and musical languages, put together in exquisite cinematic fashion.

After 5 highly acclaimed singles under his own name, the unpredictable, “out there” song writing and production style of Figueira is displayed here from a new perspective. Composing expressively for specific moments of the film, he has allowed yet new elements arise in his already extensive palette of sounds.

Relying once again exclusively on himself to get the job done, he has assembled a collection of songs that portrait many different emotions. Happiness, awe, fear, paranoia, helplessness, disappointment, excitement… are all evoked, reflecting all key twists and turns of the short-film directed by Mateo Fava and Dave Postma.

Limited cassette release (99 copies) with exclusive dialogue excerpts from the film (not included in the digital version). Hand-numbered, beautiful risographed foldable inlay, drawn by Kevin Mancera.

pre-order now15 Sep 2022

expected to be published on 15 Sep 2022

9,20 €
Various Arists - Electronic Jugoton Vol 1 LP 2x12"
 
26
EVERLAND-YU002
Everland
2x12inch14.09.202214.SEP.22

BeatsElectroSynthPopWave

Synthetic Music From Yugoslavia 1980-1989

"The galloping technical progress in the second half of the last century dominated all spheres of daily life, art and culture. In the music industry machines took over the role of classical instruments and did not stop at RnR, punk nor industrial music. No one could resist the challenge, but also the prevailing trends in the 80s. The music industry was influenced by the electronic virus globally, not sparing even the remotest corners of the planet, producing bands like Depeche Mode, New Order, Soft Cell or lesser known ones like Liquid Liquid, Section 25, The Wake as well as the pioneers of the electronic music Silver Apples, Pierre Henry,etc .
What was going on in the music industry of former Yugoslavia and at Jugoton, the biggest YU music label at that time? The all over answer is given by a new release of Everland Music: Electronic Jugoton - Synthetic music from Yugoslavia 1964. - 1989. Vol. 1

Electronic Jugoton is the first part of two double albums, where the second part will even go back to pre-electronic music from 1964. Both double albums were initially released by Croatia Records (ex-Jugoton) in 2014 on a 2CD set with no less than two and a half hours of material (47 songs, 35 performers), showing the contemporary trend of Jugoton at that time towards avant-garde and provocative directions in electronic music. This untimely compilation is released for the first time on vinyl now on two double LPs, housed in gatefold sleeves by Everland Music, where part 2 will be released in 2023.
The brave and insightful creators of the compilation Electronic Jugoton, veteran crate diggers Višeslav Laboš and Zeljko Luketić, have excelled at reconstructing the musical past of electronic music in Yugoslavia from 1964 – 1989. Jugoton's extensive research included the most exciting and progressive moments of pop and disco music, early rap, electronic responses of new wave, RnR, post punk and industrial bands to the current trend of the 80s, but also pioneers of avant-garde electronic music.

Electronic Jugoton part 1 is officially opened by the band Laboratorija with the song Devica 69, which opens a window to a completely new and experimental world in former Yugoslavia.Laboš and Luketić have boldly chosen the material without reservations, suggesting that for the first time in one place we have a section of forgotten, unique underground bands like Beograd, Data, Brazil, The Master Scratch band, DU DU A and beyond.
Besides the excellent underground bands, we find popular performers of the time performing less well-known songs: Denis & Denis, Oliver Mandić, Slađana & Neutral Design.

Electronic Jugoton part 2 is partly dedicated to unique electronic music in the performance of important Yugoslav punk, new wave, RnR and industrial bands: Zana, Pekinška patka, Električni orgazam and Borghesia, while the second part of the material is focused on avant-garde early electronic music in Yugoslavia, where the works of composers Igor Savin, Branimir Sakac, Igor Kuljerić and Miroslav Miletić were presented. Luketić and Laboš rescued the obscure electronic tune Elektra by Zdenka Kovačiček, who was at that time Jugoslovska Soul and funk diva.

The uniqueness and quality of this compilation are also audio stories for children, which were extremely fertile ground for an experimentation with electronic sounds, as they should be highly imaginative to attract the attention of the childrens. Electronic Jugoton is also the first compilation in which the listener will find fragments of interviews with actors from the time gave for Jugoton Express. This was a series of promo vinyls printed in extremely small quantities in the 80's and intended to be exclusively for radio stations. An average of 30 minutes of promotion material and interviews with musicians were available for the first time through this compilation.

The value of this compilation is time and priceless. The only question is whether you will be fast enough to catch your copy of the limited double vinyl editions!"

out of Stock

Last delivered 3 years ago
available to reorder, subject to availability

31,30 €
Ihor Tsymbrovsky - Come, Angel LP 2x12"
AKT09LP
Kontakt Audio
2x12inch14.09.202214.SEP.22

Hip-HopAvantgardePopJazz

"Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music – Ihor Tsymbrovsky – Come, Angel.

Recorded in 1995 in Ukraine and released in 1996 just as a small run on cassette on Polish label Koka Records, the album without any promotion little by little became legendary and madly wanted by many fans all around the world. And from the first seconds, you can hear why it is so. Pretty hard to explain what songs play Ihor, moreover that would be senseless. “Come, Angel” is one of those albums which are so unique that takes you in a vacuum of verbal forms in an attempt to describe the record. In a few words, this is definitely very intimate and deeply emotional music with an absolutely incredible voice. The first associations could forward you to Antony Hegarty from Antony And The Johnsons, Marc Almond, Arthur Russell, Baby Dee, Bjork. Experienced listener familiar with these great artist knows that all of them are inimitable and Ihor Tsymbrovsky is totally inimitable as well.

In 2016 well-known German label Offen Music published 3 tracks from the album “Come, Angel” which brought a lot of attention to Ihor’s music. This time we’re excited to announce the first full album reissue on CD, Double vinyl, and tapes. Beside the full version of the album, you’ll find an exclusive bonus song from the cult compilation “Music The World Does Not See” – Nefryt Records 2000.

~

“For me, music is a certain way of cultural survival. Here I do not set myself theoretical problems or experiments.
The connotations of life are important: rhythms, melodies, their connection with language, poetry, real life, virtual or imaginary space. It is very important to me how the recitation of work sounds, how consonant and vowel sounds dissolve in singing, how they combine musically. I understand sound space as a field of my interpretations, preferences, priorities, and I do not use direct imitation. If I hear a melody or a musical phrase, and it is fixed in my memory, later I extract it in my own interpretation, as already formed by this field. In art, the goal is in the work itself, not outside it. For me, the expression “To be is to create a new reality” is another winged reality.” – Ihor Tsymbrovsky

~~

“Tsymbrovsky – an architect, musician, a poet, an artist; one of the most underestimated musicians in Ukraine’s artistic world. Many critics pulled their hair out trying to get to the bottom of Tsymbrovsky’s music. It has been inspired by jazz, minimal, modern, ethnic, and meditation music. Tsymbrovsky is not a virtuoso, however, he creates whole worlds with his astonishing falsetto. Although Cymbrovsky’s music is simple it is made of many elements. Filled with magic and unusual sensitivity and warmth it can be therapeutic for the listener. This is that kind of music, which can be listened to many times – in a different way each time.” – Koka Records.

~~~

“Igor Tsymbrovsky’s only album “Come Angel” (1995) still remains perhaps the most bizarre phenomenon in Ukrainian music since independence. The story of its author is a vivid example of cultural amnesia. In the pre-Internet era, Tsymbrovsky was a prominent figure in the Ukrainian underground, performed on the “Red Route”, went on tour in Germany. However, he left a minimum of evidence of his activity and became a silent legend for a few. We talked to Igor to find out where he came from and where he was going.

The album “Come Angel” is eight compositions performed with a falsetto to the accompaniment of a piano. (Tsymbrovsky’s falsetto is a legacy of the Lviv Dudaryk choir, where he sang as a child.) It would seem that it could be easier. But, despite such ascetic tools, Tsymbrovsky managed to create a phenomenon unique to Ukrainian culture. Some people compare him to Benjamin Clementine and Anthony Hegarty, but no comparison will be exhaustive. The lyrics of the songs attract special attention: two of them were written by Tsymbrovsky himself, the others demonstrate his remarkable literary knowledge. Here and Guillaume Apollinaire, and Mikhaijl Semenko, and even less obvious poets, such as Mykola Vorobyov or Jozsef Attila.

The young performer’s first performance took place in 1987 in the club of the Forestry Institute. It is quite symbolic that this room used to be a Jesuit church because such a chamber environment suits his songs about angels much better than the noise of big festivals. However, there were also many festivals in Tsymbrovsky’s career: in 1989, Chorna Rada and Chervona Ruta, in 1991, Kharkiv’s Nova Scena and Ukrainian Nights in Gdansk, Alternativa in Lviv. Ihor calls his first performances musical performances and notes that they sounded completely different. Unfortunately, we will never know exactly how.” – Amnesia

~~~~

“The magicians at Dusseldorf’s Offen Music pluck a madly beguiling pearl of late-night songcraft by Ukraine’s Ihor Tsymbrovsky to follow their vital releases by Toresch and Rex Ilusivii. Come Angel was first recorded in Lviv, Ukraine, in 1995, and issued on cassette by Poland’s Koka Records in 1996. There appears to be no prior mention of the release or artist on the internet and quite how it came into of Offen Music possession is not disclosed, and that only ratchets the record’s enigma to astonishing degrees once you’ve heard the music. In a quivering, high register, androgynous trill, Ihor Tsymbrovsky beckons heavenly beings in the remarkable A-side Come, Angel against a swirling backdrop of phasing, subtly delayed organ. It was recorded in one take (this is the 2nd version), and, if we’re not mistaken, you can hear the keys being pressed rhythmically in the background, which seems to be the song’s only tangible connection to this mortal world as Ihor vaults octaves high and close-in-the-mix with the sort of alien, dreamlike vocal that requires pinching oneself to make sure you’re awake. Spellbinding is definitely the word. On the other side he (we’re assured it is a ‘he’ in the promo text) sets two poems by Mykola Vorobyov and Mykhal Semenko, respectively, to emphatic piano keys, this time more shy of FX save for some delay, placing that willowing, avian vocal at a dreamy arms reach in Roses for the Poet, and with a sort of liturgical dark jazz feel, sorta like Lewis repenting his sins as a castrato monk, in the spare atmosphere in By the Sea. This is gold-seal business, we tell ya. Clock the clips and clear some swooning room.” – Boomkat

credits:
Music By – Ihor Tsymbrovsky
Lyrics By: Ihor Tsymbrovsky (tracks: C2, D1)
Atilla Joszef (tracks: B1)
Mychajl Semenko (tracks: B2, C1,C3, D2)
Mykoła Worobjow (tracks: A1,A2)
Engineer – Edward Hryhorjew
Remastering – Ihor Tsymbrovsky"

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36,93 €
Coil - The New Backwards LP 3x12"
IF-108LP
Infinite Fog Productions
3x12inch14.09.202214.SEP.22

BeatsExperimentalPopSynth-PopNew Wave

"“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, COIL’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other COIL release.

Both “AYOR” and “Backwards” had by the time the album was first released already become favourites in COIL’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums COIL did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect.
The New Backwards” effectively became the final official COIL studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator.
The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ..

It is high time to rediscover this timeless album with the Infinite Fog release boasting eight further tracks of previously unheard material from the same sessions, rough working stages and surprising remixes which will surely delight the dedicated COIL archaeologists, as they shine yet another light on the creative process and on what could have been.

Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996.
Thanks to everyone there, especially Trent Reznor who made it all possible.
Written & Produced by Coil & Danny Hyde.
Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007.
For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall.
Mastered by Jessica Thompson.
Front artwork by Ian Johnstone.
Artwork licensed from The Estate of Ian Johnstone.
Layout Cold Graves and Oleg Galay."

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50,38 €
Niagara - S.U.B. LP
EVERLANDPSYCH012LP
Everland Psych
12inch14.09.202214.SEP.22

Hip-HopFunkPopRockJazz

Rhythm master Klaus Weiss knew he had a good thing going with NIAGARA. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. NIAGARA aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

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24,79 €
Snips - Re-Imagined EP
BBSR015
Barbershop Records
7"-Vinyl14.09.202214.SEP.22

Hip-HopHip-HopRapInstrumental

Keeping in the Barbershop tradition of drawing on past influences to create something new Snips moved back into his familair Hip Hop terriorty drawing on some classic jazz standards to reimagine some of our favorite Hip Hop classics. This realease will accompany a limited run of T Shirts in collaboration with NYC artist Elijah Maura and London Streetwear brand "Souvenir"

out of Stock

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12,98 €
Sam Redmore - Universal Vibrations
JAL375V
Jalapeno
12inch14.09.202214.SEP.22

HouseDiscoHip-HopFunkSoul

LP with Digital Download Card

"Honestly, this album from Sam Redmore is having it" - Craig Charles

"Very clever. Very Nice." – Fatboy Slim

"Totally loving this. It's been on repeat since I heard it." – Nemone

"Amazing. Where can I get all your stuff?" - Jazzy Jeff

Having established himself first as a DJ and then as a remixer, Sam Redmore is now very much making himself known as an original producer of quality global grooves that can light up any dancefloor, carnival or party.

After garnering early support for his remixes from the likes of Gilles Peterson, Quantic, Nightmares On Wax, The Nextmen, Lauren Laverne, Danny Krivit and Craig Charles, Sam has built a name for crafting soul-drenched remixes of the classics, with his army of fans eagerly awaiting every new re-work.

Signing to Jalapeno Records for his debut album of original material, Sam has kept the eclectic tastes of all his fans satisfied with a series of very different singles showcasing the wide range of styles he is known for - all picking up rave reviews and a very wide spread of radio support including Radio 1 / 6 Music / Radio 2 / Jazz FM / Worldwide FM in the UK as well as hitting Number 1 most added on US college radio charts (world).

The single Nagu in particular has become a mainstay on daytime 6 Music but each successive release has been finding new fans. From his killer cumbia covers (Tears / Just Be Good To Me) through to the afro-house exuberance of One More Time and leading neatly up to Just Can't Wait, an extremely soulful disco house floorfiller, this is an album with broad appeal both in the UK and overseas.

In the meantime, Sam has been honing his live shows throughout 2022, with festival bookers keen for a piece of the action. Boomtown, Wilderness, Green Man, Kendal Calling and a whole host of others have seen what the punters at Mostly Jazz, Funk & Soul Festival saw last summer, when Sam debuted his live show on the main stage of a key festival on the Saturday afternoon. Anyone who was there and saw the audacious 12-piece live ensemble playing their first show knew they were seeing something special.

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19,29 €
Colorado - Colorado / Para Ti
MSR034
Matasuna Records
7"-Vinyl14.09.202214.SEP.22

Hip-HopFunkPopJazzLatin

"Matasuna Records" returns to Mexico for a third time to dig for rare treasures. They got their hands on a special gem - two obscure Latin/Jazzfunk tunes by a band called "Colorado" from "Mexico City". The songs were released in 1976 on the Mexican label Peerless and the super rare original 7inch is virtually unavailable. Fortunately, the release is finally available for the first time as an official reissue in a remastered edition. An unjustly under-the-radar Latin jazzfunk highlight!

The song "Colorado", named after the band, opens the "A-side" of the single. The hypnotic fender rhodes puts the listener in the right mood right from the start, before the drums and percussion set the rhythm. The horns also add depth and melodiousness before the song takes a turn and reveals its funky side with guitars, synths and bass. A nice guitar solo also reveals the affinity for rock music without losing sight of the vibe of the song or tipping it a different direction. Definitely a fabulous song that comes up with a lot of ideas and inspirations, offering an unexpected richness in the under 3-minute running time.

The "B-side" also continues musically energetic in the same way with "Para Ti". Here, too, you can feel and hear the playfulness and experimentation of these extraordinary musicians. Atmospherically dense passages alternate with quieter phases and solo parts, before the tension rises again and literally explodes. As in the song "Colorado", rhodes, brass, guitars & bass offer a great and varied interplay. The secret highlight, however, might be the drum and percussion parts in the middle of the track, which will surely enchant not only the B-Boys and B-Girls.

Artist info:

The internet, a source of almost endless knowledge, offers no information about the band Colorado. All the more fortunate that one of the band's founding members, "Emilio Espinosa Becerra", provides detailed info for the reissue.

In 1968 the three brothers "Luis", "Francisco" and "Emilio Espinosa Becerra" from Mexico City started to rehearse together to play wellknown rock & pop songs at friends or family parties. At first, they played on Japanese guitars and a Teisco bass borrowed from a school friend. They saved up money to then buy guitar & bass amps and a microphone, which they always had to rent until then. However, the budget was only enough for Mexican replicas of the legendary Fender Bassman and the Fender Super Reverb. Original equipment was simply unaffordable.

Shortly thereafter, more members joined the band. Three musicians from the school band "Tepeyac": "Marco Nieto Bermudez" (trumpet), "Raymundo Mier Garza" (tenor saxophone) and "Alfonso Romero" (trombone). Another classmate named "Carlos Mauricio Fernández Ordóñez", who studied piano, also joined the group. His father had a chemical factory in the United States and helped bring equipment (amplifiers and a Farfisa Fast 5 organ) - hidden in the back of a truck - to Mexico. In the time that followed, more instruments were acquired, including bass and guitars (from Gibson, Rickenbacher and Fender) and microphones (from Shure) for vocals and horns.

With a larger band and new equipment, they played many parties in their district of "Lindavista" in "Mexico City" and neighboring areas from 1970 to 1973, as well as gigs at various festivals and school events. The group's band name at the time was "Sound Core Brass". However, more and more often people with turntables and speakers showed up at parties, which were also able to heat up. The so-called "Sonideros", a sound system culture that was emerging in the 1960s, charged less than a multi-piece live band, so the band's performances declined.

During those years, three other "Espinosa Becerra" family members joined the band: "Jorge Rafael" (trombone), "Sergio Alejandro" (tenor saxophone) and "Felipe de Jesus" (drums and percussion).

A brother of the musicians, "Carlos Espinosa Becerra", studied electrical engineering at the University. Together with another fellow student, he designed and built a 10-channel console with a variety of functions and features that far surpassed the devices available at the time. They also went to the US again to buy JBL speakers & tweeters to build their own sound system. On another trip to Los Angeles, they bought Phase Linear amplifiers, which offered enormous power by the standards of the time and had an extremely low distortion factor. With this equipment they could turn up the volume really loud and noise-free.

This was also the time when they stopped playing music from English bands & youth groups and changed their repertoire completely. They played mambos, chachachas, pasodobles and tangos on special occasions in big ballrooms and halls. Also, every now and then they hired a string quartet of well-known Mexican violinists to provide the musical entertainment at dinner events.

During those years, classmate "Pablo Rached Diaz" joined the band, playing tenor saxophone. Pablo was very active and organized many parties. He was also the one who helped the band to record on the Mexican label "Peerless". So in 1975 they were asked by Peerles Records to record their own songs. They had recorded a total of 12 songs - six of these songs were released on three vinyl singles (45rpm). Most of the songs were composed by "Gustavo Ruiz de Chavez Sr.". The band was asked to adopt a more commercial name, and so they had chosen the band name "Colorado". In the course of the releases, the band made some promotional tours and appeared in shows on "Televisa", the most important television station in Mexico in those years.

Later, several members of "Colorado" graduated and began to pursue regular professions. They didn't stop playing at events, but priority was given to more formal duties and the band was no longer as active as it had been in its heyday.

About 8 years ago, the band got back together to play again. The next generation of musicians also joined the band: two sons, a nephew and a brother-in-law of the original band members. Currently, they are back playing at friends' parties and family gatherings in Mexico City.

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10,71 €
Mauro Venti - Sirens EP
HOTC194
HOT CREATIONS
12inch13.09.202213.SEP.22

HouseDeepTech

Italy’s rising star Mauro Venti will arrive on Hot Creations for the first time in July with the three-track Sirens EP. It continues a stellar 2022 for the burgeoning artist, having released on EMI and Snatch Records already this year.

The title track leads the charge, blending minimal-laced bass elements with a rolling lead groove. It’s a modern house cut through and through, building cleanly into the futuristic sounds of Prison. Signature synths create a bladerunner-esque feel, transporting us to far away realms, before Symphony ends proceedings on a techy, late-night note courtesy of four-four bass patterns and gritty, hard-hitting percussion.

Mauro Venti is fast-becoming one of contemporary house music’s leading forces. His releases speak for themselves, with appearances on Green Velvet’s Relief, Superfett and Gorgon City’s Realm Records already under his belt. At just twenty-five years old, such feats are made all the more impressive, proving there’s plenty still to come for the young Italian talent.

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Last delivered 2 years ago
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11,98 €
LESKY & Waywell - Mesame LP
MPM324LP
MELTING POT MUSIC
12inch13.09.202213.SEP.22

HouseLo-FiBeatsLoungeTrip-Hop

LESKY and Waywell unite again. The German Lofi heavyweight and
the UK guitarist are back with the sequel to their 2021 EP Whitecaps”.
A perfect soundtrack to pool parties, imaginary beach cruises and late-night bonfires. Their album is called “Mesame”, which is Georgian for “the third”.
The title draws on the Indian concept of the third eye chakra that provides higher consciousness and perception beyond ordinary sight and refers to the psychedelic influences surrounding the album sound. “Mesame” will be released September 9th digitally and on LP, consisting of 6 brand new tracks and all tracks from the “Whitecaps” EP. The album artwork created Tim Paschedag.
The two expats LESKY and Waywell met in Tbilisi, Georgia where they
shared a studio space. Waywell’s deeply soothing guitar riffs and LESKY’s crisp production make for a perfect hybrid sound of cosmic lofi paired with a subliminal yacht rock vibe, called Lofi Yacht Pop. LESKY was born in Leipzig but moved to Georgia beginning of 2021 to pursue music full-time.
Creating his own soundscape fusing mellow neo soul keys, trap infused drums and samples flipped beyond recognition, he has released three EPs and the full-length album “Meraki” on Melting Pot Music. Furthermore several projects on renowned labels like Blue Note Records/Astralwerks and Lofi Girl. Waywell has been self-releasing singles and one EP since 2017.

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19,29 €
Szun Waves - Earth Patterns LP
BAYVX119
Leaf
12inch13.09.202213.SEP.22

PopJazz

The members of Szun Waves may not have been collectively in the same country, let alone room, for over two years, but that hasn't prevented them from realising their third album, Earth Patterns. The trio - comprised of producer Luke Abbott, saxophonist Jack Wyllie (Portico Quartet) and drummer Laurence Pike (Triosk/PVT/Liars) - recorded the album sessions together at the tail end of their 2019 European tour, locking themselves away in the studio for three days of improvisation. They emerged with hours of music, some inspired by their live shows, most born fresh in the studio itself, ready to be moulded into the group's third album in five years.

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21,81 €
Lampen - Lampen LP
WJLP43
WE JAZZ
12inch13.09.202213.SEP.22

Hip-HopAvantgardePopJazz

Lampen is Kalle Kalima and Tatu Rönkkö. Kalle plays guitar, Tatu plays percussions and sampler. Together they're Lampen, a duo making highly addictive "post jazz" with a musical heart far beyond genre. Call it what you will, but the main point is listening, and there's a high season for that coming as Lampen is set to release their debut album on We Jazz Records on "Kintsugi Gold" vinyl and digitally. Previously a CD only release (Karkia Mistika Records, 2020), "Lampen" presents two artists who have a knack at making music which opens up with each listen, pulling you deeper and deeper. Meditative passages flow by slowly as in a peaceful river stream, erupting into full rapids of sound when the time is right. This is sonic rafting for the curious listener.

Tatu Rönkkö (b.1983) is a Finnish percussionist and drummer who has been active in the experimental music scene of Helsinki and Berlin during the past ten years and has toured Europe, U.S. and Asia extensively. He is a forming member of Liima (DK/FI) and has performed with such artists as Ilpo Väisänen (Pan Sonic), Samuli Kosminen (Múm), Jimi Tenor, Nils Frahm, Efterklang, Raoul Björkenheim, Elifantree and Islaja. Rönkkö has been playing improvised solo concerts in people's kitchens ("I Play Your Kitchen") using only kitchenware found in each home as instruments.

Kalle Kalima (b. 1973 in Helsinki, Finland) has worked with trumpeters Tomasz Stanko and Wadada Leo Smith, sax players Juhani Aaltonen, Anthony Braxton, bass players Greg Cohen and Sirone, guitarist Marc Ducret, composers Michael Wertmüller and Simon Stockhausen, pianists Jason Moran and Hans Lüdemann, drummers Jim Black and Tony Allen and singers Andreas Schaerer, Linda Sharrock as well as with Ensemble Resonanz and Jazzanova. Kalima has composed orchestral music for Opera Lyon, Ensemble Resonanz (Chamber Ensemble of Elbfilharmony in Hamburg), String Trio of Munich Symphony, NDR Big Band, Umo Big Band and Jousia Ensemble among others.

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25,42 €
A Mountain Of One - Custards Last Stand (Dennis Bovell Remix)
AMORE002
AMORE
10inch12.09.202212.SEP.22

HouseElectronicaDub

ElectronicaA Mountain Of One are set to return to the musical landscape with their brand new track “Custard’s Last Stand”, released 6th August through their new label AMORE via Above Board distribution. It is the first new piece of music the band have released in over a decade.

”Custard’s Last Stand” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, it is a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own.

“Custard’s Last Stand” EP is out 27th August, and will come with an incredible Dub Versions from dub pioneer Dennis Bovell MBE, as well as another new track “Stars, Planets, Dust, Me”. He has also provided a rare vocal performance.

The forthcoming album will be released this autumn. The whole project has been mastered then remixed for a forthcoming album by the legendary Ricardo Villalobos.

When A Mountain Of One AMO1first started performing, they quickly became one of the most-acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach, led by Mo and Zeben’s almost telepathic understanding.

Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal records that have stood the test of time, criss-crossing Balearic, folk, jazz, dance, rock and psychedelia.

A Mountain Of One have collaborated to create a coming together of music and virtual reality. With NYX VX, the band have developed a virtual world, one that will help provide inspired opportunities for artists looking to identify, connect and engage with audiences on multiple levels. This is the first stage of a new world that people will be building out and inhabiting, as venue for performances, home for musical and visual archives, space for play and exploration. Welcome to 'Stars, Planets, Dust, Me'.

Watch the teaser, soundtracked by new single “Custard’s Last Stand” HERE

The band also supplied the music for the stunning short film from acclaimed director Daniel Lindegren, filmed in London over lockdown. Check that out HERE

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29,37 €
Shawn Pittman - Dreams EP
ICE018
INVISIBLE CITY EDITIONS
12inch12.09.202212.SEP.22

Hip-HopR & BFunkSoulPopElectroSynth-Pop

Limited Pressing.

Invisible City Editions returns with an official repress of a fantastic double-sided private press rarity from 1989 Detroit. Featuring two legendary Inner City alumni Producer/keyboardist Engineer Art Forest and Inner City background vocalist dancer/singer Shawn Pittman. On the A side a lush slow modern soul slow burner “Dreams'' features a deep,spatial throbbing bass line with glistening synths floating underneath cool angelic hypnotic vocals by Ms Pittman.” 'Dreams are only Dreams till you make it real' chants Shawn Pittman and we’re lead down a dazzling maze of mirrors. With “I'm Losing Control (Extended Bass-ment Club Mix)” on the flipside a wild late night warehouse dub remix features sci-fi vocal effects,fostex tape loops and ultra-heavy bass and driving drum machines. Minimal lush soul perfect for early mornings and the post-club world and a wild sci-fi house winner for late night club sessions. An IC fave! Remastered by Brandenberg/The Carvery (Note: we’ve also removed the drum machine going out of sync that was on the original press) Official Repress via Art Forest and his label Wildboy.Essential stuff!

Art Forest is an Electronic Engineer and production wizard from Detroit Michigan. He originally recorded 2 of Inner CItys’ Biggest Hits “Good Life” and “Big Fun” and continues to record to this day. Art Forest still finds and repairs equipment to add to his studio today. He also recorded for Paula Abdul “Straight Up” and Madonnas’ “Justify My Love” Shawn Pittman was a singer and dancer from Detroit who was a good friend of Inner City vocalist Paris Grey. Shawn Pittman sang backing vocals and harmonies on “Good Life” and “Big Fun”.

out of Stock

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15,50 €
Various - JAZZ A VIENNE : PAST & FUTURE LP
HS233VL
Heavenly Sweetness
12inch12.09.202212.SEP.22

Hip-HopFunkSoulPopJazzBlues

Not every day do you celebrate a 40th birthday. That’s why, the most famous French Jazz Festival, “Jazz at Vienne” is marking the four-decade – emerald – anniversary of France’s signature jazz and blues event not once, but twice. After a truncated 2021 edition, the festival’s storied history, dating back to 1981, is being celebrated with a full concert schedule this year, alongside a compilation album, Past & Future in collaboration with Heavenly Sweetness. The album - an amalgam of stories, emotion and resonant echoes – captures the festival’s essence. Listen in closely, then once again.

PAST
Listen to the best moments of live music in Vienne Antic Theater. With prestigious names of jazz : McCoy Tyner, trio Romano / Sclavis / Texier, Hank Jones, Milt Jackson, Lalo Schiffrin, Roy Hargrove and world music Gilberto Gil, Banda de Santiago de Cuba.

FUTURE
A selection of the best young artists of the French jazz scene, chosen following a call for candidates of several months ! 7 unreleased tracks specially recorded for this album. The young talents who will hopefully be part of the festival in the coming

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21,64 €
Bad Company UK - Dogs On The Moon(Delta Heavy Remix)
BT150
Bad Taste Recordings
12inch12.09.202212.SEP.22

BeatsDrum&Bass

One of the most highly awaited records on the planet. In true Bad Company UK style, going against the grain to bring you what you want. Oxygen - Prolix Remix and Dogs on the Moon - Delta Heavy Remix have been immortalised together on one piece of vinyl #1, kickstarting the BCUK Remix vinyl project which has been evolving and developing over the past 7 years, to bring you something very special. As supported by the likes of Andy C, The Prototypes, AMC, Audio and everyone else, these tracks are locked and loaded.
Dogs On The Moon Delta Heavy Remix - A bouncy catchy remix by Delta Heavy, with a bass line and drop that is an energetic anthemic Bad Company UK dance-floor classic. Fit for the old school Drum & Bass heads while also being a perfectly modern new age banger with a fast tempo for those who like to move, dance, run, exercise or just enjoy DnB at its best.

 OxygenProlix Remix - An uptempo Drum & Bass remix from the highly talented Prolix, of the classic Bad Company UK deadly sinister theme - Oxygen. The old school Drum & Bass generation are thrilled to see the ‘Drilla Killa’ classic updated for 2022, giving the new age fans who are more and more interested in the foundation of the scene, a slice of the past with a modern twist. This rhythmical beast will get you showing off your best moves while screwing up
your face.


Dj support: UKF, Andy C, A.M.C, DC Breaks, Ed Rush, Audio, Prolix, Futurebound, The Proto- types, Dj Marky, Bryan G, Mampi Swift, Jumping Jack Frost.

out of Stock

Last delivered 18 months ago
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11,13 €
Ficilio - Dangerous Goods
PM003
Parallel Minds
12inch12.09.202212.SEP.22

HouseTechnoDubTechno

Parallel Minds returns after a two-year hiatus with a dub-infested celestial dance debut from a promising Toronto-based producer, record-slinger, and long-time DIY scene mainstay, Ficilio

Ficilio, a.k.a. Will Gillespie and the Parallel Minds crew have enjoyed a long musical friendship. Having met at various underground raves in Toronto, it wasn't long before they found themselves on the same lineups and began trading tunes post-show. When label co-founder Ciel first heard the tunes that would eventually end up on Parallel Minds 003, she was mesmerised by the deep, misty grooves present throughout. 'Dangerous Goods' is the creation of an artist with a super dialed-in sound, whose attention to detail, cohesion, and sound design suggest experience wise-beyond-their-years.

‘Rush-V’ begins the release with a shimmery bang, propelled by infectious chord stabs that sound like they're sprinkled with alien fairy dust and grounded by a driving and subby drum groove. 'Fluid Form' continues in this trajectory, all spacey synths and dubbed out stabs propped up by tough and bouncy drums and a deep low sub. There is an unmistakable 90s influence on these tracks, halfway between old Swayzak and the early 90s output of Dutch label ESP Records. Ficilio is not afraid to flirt with dub techno AND trance influences, which is most discernible on the last track on the A-side, the sublime 'UAM'.

In comparison to the other side, the B-side is a more sub-loaded affair. The drums on this side are less driving and more broken, chopped, and staggered. They work spectacularly on the title track, its vocal chops complement the low-slung groove of the drums to a hypnotic head-nodding effect. 'Second Fold' intrigues immediately with its unusual tempo, fluttering along in a leisurely way until these enchanted synth stabs come in and the track blooms like a beautiful flower. The release comes to a Zen-like close on 'Frame (Amber Mix)', the heavy sub and sparse arpeggiated loops draw us deep within its cavernous interiors.

out of Stock

Last delivered 3 years ago
available to reorder, subject to availability

12,23 €
Robbie Williams - XXV LP 2x12"
19439921781
Sony Music
2x12inch09.09.202209.SEP.22

PopAlternativeIndie

Robbie Williams hat die Veröffentlichung seines kommenden Albums "XXV" angekündet, das am 9. September 2022 erscheinen wird. Das Album feiert 25 Jahre Robbie Williams als Solokünstler und enthält unzählige Nummer-1-Singles und Fan-Favoriten. Die Titel wurden von Jules Buckley, Guy Chambers und Steve Sidwell neu orchestriert und mit dem renommierten Metropole Orkest in den Niederlanden neu aufgenommen. In seiner bisherigen Musikkarriere hat Robbie insgesamt 17 Alben in den Charts platziert, sowohl als Solokünstler als auch mit Take That. Damit gehört er zu den drei Künstlern mit den meisten Nummer-1-Alben aller Zeiten im Katalog.Robbie Williams a annoncé la sortie de son prochain album «XXV» pour le 9 septembre 2022. Cet opus célèbre les 25 ans de Robbie Williams en tant qu'artiste solo et contient d'innombrables tubes dont le légendaire «Angels» qui a catapulté Robbie vers une renommée internationale et qui reste son single le plus vendu à ce jour. Les titres ont été réorchestrés par Jules Buckley, Guy Chambers et Steve Sidwell et réenregistrés aux Pays-Bas avec le célèbre Metropole Orkest. Au cours de sa carrière musicale, Robbie a classé au total 17 albums dans les hit-parades en tant qu'artiste solo ou encore avec Take That. Il fait ainsi partie des trois artistes dont le catalogue compte le plus d'albums numéro 1 de tous les temps.

pre-order now09 Sep 2022

expected to be published on 09 Sep 2022

27,69 €
Lizzo - Special LP
0075678638015
Atlantic
12inch09.09.202209.SEP.22

Hip-HopR & BSoulHip-HopRap

Special is the highly-anticipated upcoming album from global superstar & 3-time GRAMMY® winner Lizzo, which follows her multi-Platinum selling, top-10 debut album, CUZ I LOVE YOU, released in 2019. It will be released everywhere July 15th via Nice Life/Atlantic Records with the pre-order going live on April 14th. The album will feature her irresistible new single “About Damn Time,” out everywhere alongside the pre-order.

CUZ I LOVE YOU spent 24 consecutive weeks in the chart’s Top 10 whilst “Truth Hurts” also became the longest running #1 by a solo female rap artist in history after spending seven weeks atop the charts. In addition to gracing the cover of Rolling Stone, PEOPLE, Variety, Billboard’s GRAMMY® Preview Issue, British Vogue & Elle’s Women In Music Issue amongst others, her high-profile TV appearances include the opening performance at the 62nd Annual GRAMMY® Awards, 2019 American Music Awards, MTV Video Music Awards & BET Awards and she is set to return to Saturday Night Live, pulling double duty as host and musical guest. Most recently she has partnered with Logitech as the face of their 2022 “Defy Logic” campaign. Lizzo has also cemented herself as one of music’s most in-demand live performers with standout performances throughout her sold-out ‘CUZ I LOVE YOU’ & ‘CUZ I LOVE YOU TOO’ tours and a headline appearance at Lollapalooza.

out of Stock

Last delivered 2 years ago
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36,09 €
Crazy P - AGE OF THE EGO - REMIX EP3
WDWEP3006
WALK DON´T WALK
12inch09.09.202209.SEP.22

HouseElectroDiscoNu Disco

The cosmic funk sounds of Crazy P are sure to endure through the ages but it's always good to hear classic tackle through a fresh lens. And so it is that Walk Don't Walk asks four crucial artists to add their own spin to some fine originals. DJ Nature brings his textbook rawness and heaviness to 'SOS' while Ilija Rudman's take on 'Night Rain' is lovely downtempo boogie funk. Running Back label head Gerd Janson is in dazzling disco mode on his take on 'We Will F**k You Up' and last of all is a super vibe and atmospheric house joint from Ron Basejam.

out of Stock

Last delivered 22 months ago
available to reorder, subject to availability

11,35 €
ANDY ASH - ALL THE COLOURS – THE PRELUDE
QUINTESSE83
Quintessentials
12inch09.09.202209.SEP.22

HouseDeep

Musician and visual artist Andy Ash has been around for quite some time and may be considered as a „hidden gem“. With his forthcoming album „All The Colours“, this will change! Andy fuses differnet styles from past to present easily and this teaser 12“ is just an small bit of what will blossom on the album. Andy has worked with vocalists, bringing a new dimension to his music. Whether it is the old school inspired „The sound“ which features vocalist Erik Rico, or the deep and moody „I’m Here“ featuring Liverpool vocalist Amber Kuti, these tracks are designed to be played on the dancefloor and bring people together – this is what House Music has always been about!

out of Stock

Last delivered 4 years ago
available to reorder, subject to availability

12,14 €
BLACKWAVE - NO SLEEP IN LA LP
N0SL33LP
BLACKWAVE
12inch09.09.202209.SEP.22

Hip-HopR & B

In the spring of 2020, Willem Ardui and Jean-Valéry Atohoun of blackwave. found themselves in a difficult creative and personal period and in need of a change of scenery to recharge. They find their peace in the cosmopolitan melting pot of Los Angeles, the City of Angels, and for Ardui and Atohoun also a city of dreams. A dreamworld in which they rediscover themselves as artists and as individuals.



The spark from which blackwave. had emerged in 2016 caught fire again during their 20-day trip to the American West Coast. With renewed passion, inspiration and vision, the duo writes and works on new music, as if in a daze, day and night, with no limits to the creative process. With about thirty demos in their pocket, Ardui and Atohoun fly back to Belgium. Three days later, the first covid-lockdown hits them cold and the regained enthusiasm slowly ebbs away. Another period of uncertainty began, and at one point it was even doubted whether the group would continue to exist...



But the towel is not thrown in the ring. blackwave. starts polishing the American demos and distills 11 tracks from them. These now make up 'no sleep in LA', their second full-length album and follow-up to 2019's successful 'ARE WE STILL DREAMING?' 'no sleep in LA' is about the highs and lows of the past years, the insights they have gained, the difficulties and the beautiful moments. Everything about the record feels a lot more mature as a result. Existential themes are explored more and more deeply. Doubt and uncertainty, depression, grief and loss, dreams and ambitions, nostalgia, love and desire, no stone is left unturned.



The album also exudes maturity on a musical level: it is more compact in length than its predecessor, but the instrumentation is more in-depth. Strings, horns, backing vocals and other session musicians enrich the genre-transcending sound of blackwave. Everything is arranged to perfection without being delineated. The common thread is the thoughtful and lively lyrics of the two frontmen, and the layered production of Willem Ardui. To this end, Ardui received help on a number of tracks from the likes of Paul Meany (Twenty One Pilots), MiSCHiEF BOY (Cantrell), Spencer Petersen (Sego), Tobie Speleman (incidentally mixer of the entire record), and even his younger brother Remco Ardui.



Celebrated guest features include Lute (signed to Dreamville, J.Cole's label), Abhi The Nomad (artist from Austin, Texas who met the duo in LA) and Caleborate (a good friend and old friend to blackwave. fans). Kirby, who has already collaborated with the likes of Beyoncé and Kanye West, co-wrote the song "I Miss" on the album.

pre-order now09 Sep 2022

expected to be published on 09 Sep 2022

22,06 €
Xander and the Peace Pirates - Order Out Of Chaos (LP)
BFD425LP
BFD
12inch09.09.202209.SEP.22

PopBluesRock

Unique and much lauded classic soulful blues-rock band XANDER AND THE PEACE PIRATES will release their hotly anticipated new album Order Out Of Chaos on 6th May. This is preceded by their explosive single “Leave The Light On” released 4th March with an amazing video giving a tantalising taster for the main course of songs to be unleashed on their upcoming album. Order Out Of Chaos is replete with heart-warming songs with soul-searching meanings. There’s also a tumultuous sea of sounds to be discovered on Leave The Light On that will send shockwaves through the ears of connoisseurs of classic rock music. And creating musical shockwaves is something that Xander And The Peace Pirates specialise in ever since brothers Keith and Stu Xander were discovered on YouTube by former Gibson Brands CEO Henry Juszkiewicz and quickly grabbed the attention of music industry figures such as Eddie Kramer (Jimi Hendrix, Led Zeppelin, Kiss, Rolling Stones) and Rick Allen (Def Leppard). After their 5-year tenure as the resident band at Liverpool’s iconic Cavern Club, they went on to support the likes of Joe Bonamassa, Joe Satriani, Manfred Mann’s Earth Band, The Temperance Movement, ex-Whitesnake’s Bernie Marsden and even Bon Jovi at Old Trafford Stadium to name but a few.

pre-order now09 Sep 2022

expected to be published on 09 Sep 2022

25,00 €
Grandbrothers - Dilation (2lp 180g Gatefold +mp3+wav Dl)
FILMLP001
Film
2x12inch09.09.202209.SEP.22

BeatsLounge

2022 Repress

2x12", high gloss photo like gatefold sleeve, 180g Vinyl , WAV&MP3 Download code included
Following their debut EP with 'Ezra Was Right' and support from the likes of Gilles Peterson, Grandbrothers are presenting their debut album 'Dilation". Twelve modern Experimental / Ambient / Piano pieces, whose sounds are generated completely out of a grand piano using small electromagnetic hammers. Grandbrothers are Erol Sarp and Lukas Vogel. After meeting at university in Dusseldorf, Erol and Lukas formed Grandbrothers to tie together their respective musical backgrounds and disciplines: Erol is a trained jazz pianist, while by day Lukas constructs synthesizers at Access Music. Together, they create a sound that combines classical composition with modern, experimental production and sound design. Their first song, 'Ezra Was Right', earned an early supporter in the esteemed Gilles Peterson, who included the track on his Bubblers 10 compilation and played it numerous times on his Worldwide radio show for BBC Radio 6 Music, with the song eventually being voted #7 by listeners in his end-of-year poll in 2013. A full EP on FILM followed - backed by remixes from legendary Manchester DJ Greg Wilson, Optimo's JD Twitch, and Kim Brown - which sold out its initial run within ten days. Now, Grandbrothers present their debut album, Dilation. The product of two years work, Dilation builds on some of the ideas established on 'Ezra Was Right' while exploring further elements of minimalism, ambient music, IDM, and techno.

out of Stock

Last delivered 9 months ago
available to reorder, subject to availability

24,16 €
Skinshape - Filoxiny
LEWIS084LP
Lewis Recordings
12inch09.09.202209.SEP.22

BeatsAmbientTrip-Hop

Reissue of the fourth Skinshape LP ‘Filoxiny’.
Skinshape is the project of British musician, William Dorey. The sound has roots in many genres, but in particular 1960s-70s Funk, Soul, Reggae, Psychedelic Rock, Afrobeat and Folk. Skinshape grew out of a love for old music and the way it sounded. Initially Dorey experimented with samples (especially drum breaks) to create instrumental hip-hop/trip-hop tracks, but then later started to play around with tape machines as a means to create his own 'samples'. This process gave birth to Skinshape, with all elements being recorded by Dorey since the first self-titled album, released in 2014. He released his second album Oracolo in 2015, and in 2017 he released his third album 'Life & Love.' Aside from the Skinshape project, Dorey was bassist for the band Palace from 2014-2017, and also runs a reggae label called Horus Records, based in North London.

out of Stock

Last delivered 4 years ago
available to reorder, subject to availability

22,98 €
Nucleus - Under The Sun
BEWITH104LP
Be With Records
12inch09.09.202209.SEP.22

Hip-HopFunkSoul

Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

Under The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.

Sutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that - closing out the first side with a cute blast of what is to come over on the killer flip.

The whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.

The languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.

The darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton/Spring, bass/drums duo is holding down the rhythm for the rest to jam around.

This Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.

out of Stock

Last delivered 4 years ago
available to reorder, subject to availability

23,32 €
Ian Carr With Nucleus - Labyrinth
BEWITH103LP
Be With Records
12inch09.09.202209.SEP.22

Hip-HopFunkSoul

Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.

Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.

The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.

Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.

The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.

This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.

out of Stock

Last delivered 3 years ago
available to reorder, subject to availability

26,85 €
Tedeschi Trucks Band - I Am The Moon: III The Fall LP
7243447
Fantasy Records
12inch09.09.202209.SEP.22

PopRock

Tedeschi Trucks Band - das von dem Ehepaar Derek Trucks und Susan Tedeschi gegründete 12-köpfige Kollektiv - veröffentlichen in diesem Jahr das ehrgeizigste Studioprojekt ihrer langjährigen Karriere : I Am The Moon, ein episches Unterfangen in vier Alben mit 24 Originalsongs. Inspiriert von einer mythischen persischen Geschichte über ein unglücklich verliebtes Paar und emotional getrieben von der Isolation und Abgeschiedenheit der Pandemie-Ära, umfasst das thematische I Am The Moon mehr als zwei Stunden Musik insgesamt, die sich in einem robusten Wandteppich aus genreübergreifenden Musik -Erkundungen entfaltet

Jedes der einzelnen Alben wird durch einen eigenen Film begleitet.

Die vier Alben, aus denen I Am The Moon besteht - I. Crescent, II. Ascension, III. The Fall, und IV. Farewell - werden in aufeinanderfolgenden Monaten veröffentlicht, beginnend mit I. Crescent, das ab Freitag, dem 3. Juni, digital und auf CD erhältlich ist (alle Vinyl-Konfigurationen werden am 9. September
erhältlich sein).

pre-order now09 Sep 2022

expected to be published on 09 Sep 2022

23,74 €

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