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DJ Himitsu - Exotic Animals LP

DJ Himitsu

Exotic Animals LP

12inchSWIM18
SWIMS
18.05.2026
  • 01: Cel
  • 02: Imakara
  • 03: Kaminari
  • 04: Sad Vacation
  • 05: Hikari
  • 06: Mint Dance
  • 07: Koe No Hou
  • 08: Strange Party
  • 09: Echo Dub

DJ Himitsu is a Tokyo-born, London-based producer and DJ, known for his understated approach and deep knowledge of Japanese vinyl and book culture. Following a debut EP of acid house on Australian imprint Lunatic Music in 2023, 'Exotic Animals' marks a new waypoint in Himitsu's artistic evolution.

On this debut full length, driving 303 basslines and kickdrums are traded in for obscure recordings and convoluted samples, which spiral and fuse to form shuffling, heady new compositions. Like shattered pottery reassembled into top-heavy sculptures with golden glue, 'Exotic Animals' shapes and juxtaposes opposing forms and fragments, with lolloping aplomb.

When not producing, DJ Himistu runs Caravan - a vintage Japanese record, ceramics and bookshop in London. It's with the same warmth, care and curiosity that he arranges his findings in the plunderous grotto of 'Exotic Animals'. In this way, stepping inside this work is like entering a remote trading post of instruments, memoirs and other sonic curios - as Himitsu stands patiently at the counter.

Recommended for fans of Jon Hassell, Giovanni Venosta, Discrepant.

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19,75
Sky Valley Mistress - Luna Mausoleum LP
  • 1: An Eagle's Epitaph
  • 2: The Exit List
  • 3: Too Many Ghosts
  • 4: No Sleep
  • 5: House Of The Moon
  • 6: Live Past Life
  • 7: White Night
  • 8: Thundertaker
  • 9: Blue Desert Ii
  • 10: The Celestial Comedown
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21,81
RURIKO OGAMI - Typhoon Lady +1 LP
  • A1: Kiraware Mono No Koi
  • A2: Play That Shuffle
  • A3: Country Girl
  • A4: Love Song For You
  • A5: Hollywood
  • B1: Sexy Woman
  • B2: Fuwari Fuwa Fuwa
  • B3: Typhoon Lady
  • B4: Toki Ga Tateba
  • B5: Good-Bye, Baby, Love
  • B6: One Last Love

Ruriko Ogami’s “Typhoon Lady” is set to be released on colored vinyl!
This reissue also includes “ONE LAST LOVE”, a track originally featured as the B side of a single and not included on the album.
The latest remastered audio comes from the album and single, archived in 2018 from the original analog master tapes at 96k/24bit.
Boosted by the popularity of Japanese grooves and further propelled when Japanese creators sampled “Sexy Woman”, the album’s reputation skyrocketed,
driving original vinyl prices to unprecedented highs. Beyond that, tracks like “Typhoon Lady”, which opens with a drum break that exudes funk, and the mellow
“Fuwari Fuwafuwa”, with its tight performance and floating vibe, remain timeless masterpieces even 40 years after their original release.

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42,82
Glenn Underground - The Jerusalem EP’s (2x12")

Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago's Southside, the place where house music was born. Taking inspiration from Chicago's original pioneers, Larry Heard, Ron Hardy, Lil' Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance.
The Jerusalem EP's, GU's second album for Peacefrog originally released in 1997 still sounds so fresh, so deep and so soulful. Blending jazz-tinged chord progressions with sax accents, and rolling basslines the album evokes the sound of late-’90s hypnotic Chicago house.
Timeless, quality, underground house music for the mind, the body and especially the soul.

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34,66
Boris - Flood

Boris

Flood

12inchTMR733V
Third Man Records
18.05.2026
  • A1: Part 2
  • A2: Part 1
  • B1: Part 4
  • B2: Part 3

Formed in 1992, Boris boldly explores their own vision of heavy music, where words like "explosive" and "thunderous" barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billow smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the first-ever and particularly-anticipated official vinyl release of Boris's essential 2000 album, Flood. The album was originally released in Japan, only on CD. Delivered in four equally important movements, Flood is simultaneously delicate, dense, undulating, devastating, emancipating, hypnotic and triumphant. Each season of the album has its own sense of place, best revealed listen-by-listen. With the album, Boris broaden their vision of musical possibility, with a notable and imaginative influence from visionary American minimalist Steve Reich, weaving in prog, drone and slowcore into a multifaceted symphony. There simply has never been another piece of music like Flood.

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27,69
Various - I Had the Craziest Dream: Modern Jazz and Hard-Bop in Post War London, Vol. 2

The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s.

Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period.

Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: New Art in Britain 1945-1965.

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11,35
FIAT LUX - DESIRE & BELIEF LP

FIAT LUX

DESIRE & BELIEF LP

12inchNXN043LPX
NINE X NINE
18.05.2026
  • A1: Summer Solstice
  • A2: Spirit Of The Age
  • A3: Am I Dreaming
  • A4: Clear Sky
  • A5: I Never Explode
  • B1: Shallow Hollow Souls
  • B2: Desire And Belief
  • B3: Turn Me Around
  • B4: Winter Solstice
  • B5: All The Stars Have Died
auch erhältlich

BLACK VINYL[24,16 €]


Fiat Lux return with Desire & Belief, their third album of new material this millennium, following their acclaimed comeback LPs Saved Symmetry and Twisted Culture. The trio—Steve Wright, Will Howard, and David P Crickmore—combine modern production with vintage synths and instruments rooted in their Polydor-era beginnings to craft ten tracks that span cinematic atmospheres, synth-pop anthems, and moody electronica. Tracks like "Clear Sky " and "Turn Me Around" offer hook-laden synth-pop, while "Summer Solstice " and "Am I Dreaming " delve into ambient and darker tones. Desire & Belief is a natural progression for Fiat Lux—retaining the spirit of their 1980s Northern roots in synth, goth, and indie, yet confidently stepping into new sonic territory for long-time fans and new listeners alike. RIYL: Blancmange, OMD, Scary Thieves, Tears For Fears

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26,68
EARTH TONGUE - DUNGEON VISION LP
  • 1: Dungeon Vision
  • 2: Demon Cam
  • 3: Flashlight
  • 4: Body Of Water
  • 5: Watchtower
  • 6: Orbit Of A Witch
  • 7: Symmetry Dripper
  • 8: Curses
  • 9: Silver Eye
  • 10: Living Hell
  • 11: Harvester
  • 12: Ritual
auch erhältlich

Coloured Vinyl[28,53 €]


Ushering in a new era, Berlin based, New Zealand heavy psych duo Earth Tongue lower the castle gates on their third album Dungeon Vision, a trove of fuzz-drenched anthems produced by garage rock luminary Ty Segall in Los Angeles. Guitarist Gussie Larkin and drummer Ezra Simons spent the Berlin winter of 2025 refining the album’s twelve tracks in their self-described “windowless cave” rehearsal space, crafting a record that channels both isolation and the duo’s live intensity. With the songs finally taking shape and a studio deadline looming, they flew to Los Angeles to turn their hard-won ideas into the real thing. Once there, the band and Ty captured lightning in a bottle, recording and mixing Dungeon Vision in just ten days at Altamira Sound. Tracked live to tape, Dungeon Vision pulses with human energy, fuzz guitars, bone-battering drums, and hauntingly tuneful vocals. Ty Segall’s influence is all over the record with Ty choosing the best takes based on feel rather than technical perfection. The “king of fuzzy guitar tones” pushed the duo to find new sonic textures while championing their raw chemistry. “Ty’s been a big driving force,” says Ezra. “We supported him in New Zealand back in 2023, and he’s backed us ever since even bringing us on tour through Europe and the UK in 2024.” Since their emergence in 2016, Earth Tongue’s world-building, visuals, and relentless touring have earned them global attention and a cult-like following. Their 2024 album Great Haunting, also released on In The Red Records, received a Taite Music Prize nomination and saw them win Best Group at the 2025 Aotearoa Music Awards. They’ve toured extensively, sharing stages with the likes of Queens of the Stone Age, IDLES, Acid King, Brant Bjork and Kikagaku Moyo. With Dungeon Vision, Earth Tongue deliver their most immersive work yet, a richly human, fuzz-soaked journey that bottles the magic of their live show and cements their reputation as one of the most exciting psych rock acts on the planet.

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28,53
Rifle - Rifle LP

Rifle

Rifle LP

12inchYR0213LP
YEAR0001
18.05.2026
  • 1: Rifle
  • 2: No King
  • 3: Soldier Doll
  • 4: The Flag
  • 5: Protest
  • 6: Cease And Desist
  • 7: Worthless
  • 8: Cut Me Loose
  • 9: Bastards
  • 10: United State
  • 11: Gauntlet Of Hate
  • 12: Pray For All
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30,67
Hannah Diamond - Reflections Upscaled Vinyl (2x12")
  • A1: Reflections
  • A2: Invisible
  • A3: Love Goes On
  • A4: Never Again
  • A5: True
  • B1: Concrete Angel
  • B2: The Ending
  • B3: Shy
  • B4: Fade Away
  • B5: Make Believe
  • C1: Invisible (Dylan Brady Remix)
  • C2: Love Goes On Feat. Bladee (Palmistry Remix)
  • C3: True (Umru Remix)
  • C4: Fade Away (Mechatok Remix)
  • C5: Make Believe (Yung Sherman Remix)
  • D1: Invisible Instrumental
  • D2: Love Goes On Instrumental
  • D3: Concrete Angel Instrumental
  • D4: Fade Away Instrumental
  • D5: Make Believe Instrumental

Hannah Diamond’s debut album Reflections expanded to include Reflections Remixes and selected Reflections Instrumentals across two LPs. This upscaled edition is pressed on Milky Way Clear Glitter vinyl, in a gatefold sleeve featuring the Remixes Star artwork, and premium board inner sleeves, enhanced with metallic lavender HD monograms. It also includes a high-gloss poster insert of the original Moon artwork and lyric sheet. No secret track.

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33,82
DJ Eprom - We Are The Biobots LP
  • 01: We Are The Biobots
  • 02: Skratching Terminators (Feat. Dj D-Styles &Amp; Prime Cuts)
  • 03: Coffeecuts (Feat. Dj Ben, Krootki &Amp; Pan Jaras)
  • 04: Electrode (Feat. Dj Flip Flop &Amp; Prolifix)
  • 05: Priority (Feat. Dj Tigerstyle &Amp; Dj Iq)
  • 06: Supersonics (Feat. Dj Melo-D)
  • 07: Jam Of A Borg (Feat. Daniel Drumz)
  • 08: Cybots Patrol (Feat. Pan Jaras, Miyajima &Amp; Ken One)
  • 09: Digital Human
  • 10: 8 Bit Overheat (Feat. Mr Krime)

There are two versions of the vinyl edition: classic 140g black record or limited (Universe Edition) 140g black + 7" black vinyl with two bonus tracks.


WE ARE THE BIOBOTS is an album by Michal Baj (DJ Eprom), who has ties to Silesia. It will be released on 21th January 2026, by the legendary Polish label JuNouMi Records (est. 2002). WE ARE THE BIOBOTS is an album that not only talks about technological progress, but also touches on the digitization of human consciousness in the 21st century. Although it discusses the dangers of AI development, no artificial intelligence was used in its creation.

The album features legendary hip hop DJs, including the art of scratching. The album will feature the most outstanding DJs from Poland, England, the USA, and Japan. Thanks to this, the album has a chance to gain a broader, international context. Eprom's professional experience to date has allowed him to bring together such a wide range of artists and bring them together on the album, including:

DJ D-Styles – a legend of scratching from the USA. A pioneer of the genre. Member of groups such as The Beat Junkies and Invisibl Skratch Piklz, creator of many scratching techniques still used today.
DJ Prime Cuts – founder of the legendary Scratch Perverts from London, multiple world champion and creator of unique scratching techniques.
DJ Flip Flop, Prolifix – representatives of the DJ community from the US coast.
DJ Tigerstyle – a leading representative of the DJ community in England, multiple world champion in scratching.
DJ IQ – the most successful scratching champion in the world.
DJ Miyajima – the unrivaled master and creator of the Japanese school of scratching.
DJ Melo-d – co-founder of The Beat Junkies collective, multiple DJ champion hosting a legendary show on Radio HOT 97 in the US.
DJ Ben, Krootki – co-founders of the Modulators group from Poland, World Champions in scratching.
Daniel Drumz – Polish DJ and music producer known worldwide.
Mr Krime – pioneer of DJing and turntablism in Poland.


Michal Baj is a multi-talented musician, artist, and music producer born in Jastrzebie-Zdroj, as well as the owner of the analog Eprom Sounds Studio, where tracks based on mixing and mastering are produced and gain worldwide recognition.

The inspiration for the album is Eprom's connection to Silesia. His work at the KWK Borynia mine, surrounded by heavy equipment and mining technology, became a direct inspiration for creating a musical story about people, machines, as well as the directions of technological development and the impact they have on society.

The album is released by JuNouMi Records, a label specializing in vinyl records, founded in 2002. Your wax supplier.

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32,35
Castelli - Notte Davvero LP

Castelli

Notte Davvero LP

12inchSPITTLEDD12
Spittle Depandance
18.05.2026

The new album ‘Notte Davvero’ will be a surprise for Castelli's fans and lovers of the Italic synth-pop scene. The solo project of Milanese Stefano Castelli, former frontman of the post-punk band Clone Culture, combines 80s-inspired synth-pop and new wave

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21,81
HIP HORNS BRASS COLLECTIVE - BRASSVILLAIN
  • A1: Brassvillain - Vocal Version
  • A2: Brassvillain - Instrumental Version
  • B1: Figaro Feat Las Ninyas Del Corro
  • B2: Accordion Feat. Ana Tijoux
  • B3: Bistro Feat. Escandaloso Xpósito
  • B4: Raid Feat. Rodrigo Laviña

Hip Horns Brass Collective presents Brassvillain, a tribute to the cult album Madvillany by MF DOOM and Madlib with the collaboration of Las Ninyas del Corro, Ana Tijoux, Escandaloso Xpósito and Rodrigo Laviña. The catalan brass band covers iconic songs like Figaro, Meat Grinder or All Caps, with the metallic explosion that characterizes them and the voices of some of the best artists on the current rap scene. Daniel Dumile, aka, MF DOOM is not only a musical reference, but also the illustrations that accompanied his project have a great role in the history of hip hop. For this reason, Brassvillain is also a great graphic epic where the versatile artist Hermes LeBleu displays all his versatility. In the featurings appears HO$$$ Benítez, one of the most renowned drummers on the hip hop scene, who has already accompanied them on their previous releases, “The Dream” and “Thunder”. The production is by Hip Horns together with one of the best bassists and musicians in our country, Tito Bonacera, making this tribute a multidisciplinary meeting point between artists who grew up with the masked hero. On the B side we have two new singles from the band, BRAM! and Mulligan, in which they unleash their full potential both in composition and in execution to prove once again that they are one of the leading brass bands of the moment.

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19,54
Dastgâmachine - Bâzsâzi

“Bâzsâzi” sees the group rearranging their oeuvre for the dancefloor, starting with a raw excerpt of Zolfonoon, taken from their first ever show in August 2023, before they had a name. Caleb dons his Wavemap alias to rework it into a tunnelling, heads-down groover, in the lineage of Mike Dehnert and Luke Hess. Raf Reza (as Raf Rizzla) sends Parisa shapeshifting through the hardcore continuum with a nod to UK Drill, in continuation from his recent debut Ekbar Telephone Explosion. Jason (as Neonlichter) turns Delkash into a jungle montage – all mutant bass and vocal tessellations.

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15,92
Alcides Neto - Amú LP

Alcides Neto

Amú LP

12inchMIE040
Music In Exile
18.05.2026

Alcides Neto is a Brazilian composer and multi-instrumentalist based in Narrm/Melbourne. Drawing inspiration from the folk traditions of his homeland, Alcides offers a fresh perspective on Brazilian music by blending traditional rhythms with contemporary Brazilian jazz, samba, bossa and more. Known for his distinctive percussive guitar playing and warm, soothing vocals, he brings an authentic Brazilian vibe to every performance. Alcides is set to release his debut album Amú via the Music in Exile label in early 2026, featuring eight original compositions recorded at Head Gap Studios, Melbourne. For fans of Gilberto Gil, Jorge Ben Jor, and all the Brazilian samba greats.

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35,50
Knocked Loose - You Won't Go Before You're Supposed To

Knocked Loose kündigen mit "You Won't Go Before You're Supposed To " ihr neues Album an.
Die Hardcore-Band aus Louisville, Kentucky, die für ihre mitreißenden Live-Shows bekannt ist, verbindet verschiedene Einflüsse aus Hardcore, Metal
und Punk und verspricht ein überwältigendes neues Werk.

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26,68
Cheeky Chewnz - Vol 1 (7")

Cheeky Chewnz

Vol 1 (7")

7"-VinylCC70001
Cheeky Chewnz
18.05.2026

This is a dance floor killer mash up destined to rock any radio airwaves and equally any dance floor. The classic Marvin Gaye vocal on top of this familiar funk rap groove, works well in a synergy like it could have been recorded back in the day, like it sounds now in the millennium. Limited edition 300 copies.

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12,82
J Dilla / MF Doom - J Villain: Doomnuts LP

J Dilla / MF Doom

J Villain: Doomnuts LP

12inchDMJD01LP
Promo
18.05.2026
  • A1: Workinonair
  • A2: Wave Grinder
  • A3: Geek Print
  • A4: Mash The Beat
  • A5: Great Day
  • A6: Gazillion Air
  • A7: Clapper Mango
  • A8: One Folder
  • A9: Victory For Two
  • A10: The Cakes Of The Heart
  • B1: Anti America's Most Blunted
  • B2: It Ain't Diff'rent
  • B3: Thunder Melody
  • B4: One For The Cellz
  • B5: Guv'nor Says Go
  • B6: Walkinonit
  • B7: Raedawn Factory
  • B8: Hi, Ghostwhirl
  • B9: Bye Ladies
  • B10: Last Sting Of The Night

First ever vinyl release on vinyl another classic collectors piece following the contemporary fans favorite theme of the classic “mash” of Dilla and Doom.
Beautifully presented on collectible purple vinyl inside a fully artworked shrinkwrapped sleeve

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21,64
Mark Ambrose / Serious Cut - Remedy EP

An inspired link up between UK and continental producers - yeah, in your face, Brexiteers - as Brit talent and Crayon boss Mark Ambrose joins forces with Spanish duo Serious Cut aka Raul Zapata and Ivan Martinez, across four irresistible cuts. 'Remedy' nods its head subtly to the Diana Ross (and then Associates) classic 'Love Hangover' while enchanted, spacious and spacey grooves do their thing, while the cherry on top of 'Deep Track' proves to be some neat sci-fi spoken word, not to mention the kind of soft, jazzy chords that Global Communication's house productions used to revel in. Flip it over for the more electroid 'Talk Box' and the unashamedly Windy City-referencing 'Auto Level. Four sides of a classic sound, three great producers, two sides of top vinyl and one must buy bit of vinyl.

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13,87
Akio Nagase - African Acid EP

Especial welcomes the return of Akio Nagase, Osaka's own 303 specialist, with a second EP of acid infused world music. After the success of his Asia orientated EP, here his ethno-inspired dance comes to and from Africa, the mother.

With a history of making reggae influenced electronics under the Makedub alias, his development to acid master continues to showcase a skill at fusing samples, effects and found sound in a dub-desk mix that is body moving and catchy at the same time.

With a mission to bring the music of the world closer, Acid Maasai Collecthiv sets the scene with TB 303 weaving around dub heavy bass, crossing the Athi river, seeking spirits to bind. Countries and continents are tribes and with a reopening world, the dance can encompass all; open minds to bring unity.

This is exemplified on the ethereal Morisyen Acid. Sound design, Mauritian samples and creole vibrate perfectly with Akio's acid work and simple but effective "predominately" repetitive beats to uplift like the Tamarind sunrise.

Acid mantra as mind-gateway continues with Serengeti Summer. An heir to Whoktish, this is Not Reggae, the 808 and 303 in harmony; a jam of man, machine and samples to bring today's ethno-blue storytelling through consciousness.

Closing is Jua, interweaving the fabric of life, passing down from generations the primal with the psychedelic beat to communal gathering, Akio presents the music with love and respect.

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17,23

Last In: vor 3 Jahren
Yoni Mayraz - Dybbuk Tse! LP

Fast-rising pianist and producer Yoni Mayraz presents his debut LP ‘Dybbuk Tse!’ revealing the story of a malicious possession that is taking over one’s body and soul.

Dybbuk, known from Jewish folklore, is a malevolent wandering spirit that enters and possesses the body of a living person. It’s a cursed soul of a dead one that wanders tirelessly for sins committed during their life. The most vulnerable victims are the young and the sinful. Possession can be taken literally or as an analogy to the burden that young people carry generations back, which they have no influence on, and which they have to accept. Dybbuk can only be removed by exorcism. The titular ‘Dybbuk Tse!’ is a command to remove the spirit from the possessed body. The album is a story about possession but also about exorcism through music.

Recorded live with his band over the course of a spring week last year, ‘Dybbuk Tse!’ is indeed experimenting with the ‘darker side of things’, but yet with a somewhat lighthearted approach which is so typical of Yoni’s work. He easily combines jazz with the sound of 90’s New York hip hop and raw old school breakbeat. The album interweaves unique Middle Eastern melodies, sophisticated structures and sounds, and beautifully crafted solos played by some of the promising talents on the scene.

London based Israeli born pianist and producer Yoni Mayraz has set foot in the instrumental music scene with his EP ‘Rough Cuts’ released in 2020. Since then, Yoni and his band have been playing major venues and festivals around the world including the legendary Ronnie Scott’s and The Jazz Cafe, to name a few, bringing raw energy to stage with live versions of the studio materials, and stretching the melodies and structures into a Dancefloor-focused take on jazz.

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26,68
Ewan Jansen - Bodywash EP

A decade into life, Secret Society marks this notable milestone year with a release that stays true to its ethos of depth and groove. Ewan Jansen started producing in the early 90s in Perth, often with the same hardware he used in his live shows. He's back on the label with two driving cuts built squarely for the dancefloor: 'Hydroid' is bright mid-tempo techno with pixelated synth charm, and 'Bodywash' is a deeper, more syrupy sound for late-night cruising. Alongside them sits a more introspective collaboration with Italian producer Luca that trades peak-time punch for texture and restraint. On remix duties, John Dimas adds his trademark crisp momentum and understated flair, a fitting choice given his long-standing connection to the camp.

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16,18
Jorge Ben - Forca Bruta

Jorge Ben

Forca Bruta

12inch91008
OPINIAO
18.05.2026
  • 1: Oba, La Vem Ela
  • 2: Ze Canjica
  • 3: Domenica Domingava Num Domingo Linda Toda De Branco
  • 4: Charles Jr
  • 5: Pulo, Pulo
  • 6: Apareceu Aparecida
  • 7: O Telefone Tocou Novamente
  • 8: Mulher Brasileira
  • 9: Terezinha
  • 10: Forca Bruta
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17,02
LOGISTICS - EARTHLING (4x12" Boxset)
  • Spacetime
  • Phase
  • Composer
  • Earthling
  • Next 2 Me
  • Rendezvous
  • Future See Millenium
  • Ghost Train
  • Smoke Machine
  • Holding U Closer
  • How Did I Know
  • Over End
  • Only An Emotion
  • Tenzillionlightyears
  • Chasing Storms
  • Tsechu
  • A Thousand Stars Breathing
  • Phoenix
  • Forever
  • Tangerine
  • Arp80
  • Crushed
  • Almost Had It All
  • Time Travel

Logistics makes a highly anticipated return after a three-year hiatus, with a whopping 24-track album.

Released across four 12 inch records, housed in spined sleeves, and presented in a premium two-piece lift-off box with scratch resistant matt laminate, matt varnish, and with fully printed packaging throughout. It is a beautiful presentation of this new LP from a Hospital Records legend.

Dropping almost out of the blue, the current reception from fans, artists & industry heads off the back of the 'ambush' announcement has been incredible. The album campaign is illusive, but rewarding to fans who have been waiting so long for brand new music from Logistics, they've now got 24 brand new tracks to get stuck into!

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47,86
Carla Dal Forno - Confession LP

Carla Dal Forno

Confession LP

12inchKALLISTALP003
Kallista
18.05.2026
  • 1: Going Out
  • 2: Confession
  • 3: Drip Drop
  • 4: Under The Covers
  • 5: Nighttime
  • 6: On The Ward
  • 7: Blue Skies
  • 8: I Go Back
  • 9: Off The Beaten Track
  • 10: Alone With You
  • 11: Gave You Up
  • 12: Staying In

‘Confession' is an album of quiet upheaval. An album about closeness that arrives late and unexpectedly. About stability rubbing up against desire. About the way friendship can suddenly tilt into something charged — and how that charge unsettles everything around it. Where earlier work often observed from a distance, Confession turns inward. The voice is closer, warmer, less shielded. “This wasn’t the album I intended to make,” says Carla dal Forno. “I originally wanted something veiled and abstract, but I realised I couldn’t hide behind abstraction — the songs only worked when I leaned into emotional truth.”

This is dal Forno’s fourth LP, written and recorded over several years in a small country town, in a studio housed inside a partially abandoned hospital. Long corridors, humming lights, emptied rooms — a place built for care and waiting, now quiet enough for thoughts to echo. That stillness shapes the record: intimate, watchful, unadorned. “I live in a small country town that offers a stillness my life didn’t previously have,” she explains. “In that quiet, feelings I might’ve ignored in a busy city grew loud.” Dal Forno sings plainly and conversationally, with an emotional precision that sharpens the everyday into something quietly unsettling.

The album moves through paired states: going out and staying in, wanting and withholding, devotion and distraction. Domestic calm set against private unrest. A long-held relationship offers safety and routine, while a newer connection opens emotional fault lines — longing, jealousy, fantasy, self-exposure. “At the heart of the album is a friendship that became emotionally charged in an unexpected way,” dal Forno says. “That shift brought daydreaming, jealousy, tenderness, confusion, self-awareness — and eventually acceptance.”

The drama here is internal, incremental, lived. Musically, Confession feels lighter on its feet than its subject matter suggests. Melodic basslines anchor the songs while guitars, harmonies, and gently off-kilter rhythms move around them. There’s a looseness, even a playfulness — “like the sensation of tension lifting once you finally admit something to yourself,” as dal Forno puts it. The album traces a subtle arc: attraction blooming where it shouldn’t; obsession quietly taking hold; fantasy overtaking reality; clarity arriving slowly, sometimes painfully. Visually and emotionally, Confession returns to modest spaces: backyards, beds, night streets, overgrown paths. “The record exists in that contrast,” dal Forno reflects. “Peaceful surroundings, unsettled interior.”

Like all of dal Forno’s work, Confession resists clean conclusions. It doesn’t moralise desire or romanticise restraint. Instead, it lingers in the in-between — where love is stable but not total, where yearning teaches as much as it hurts, where solitude becomes a form of care. Plain-spoken but emotionally complex. Rooted and restless. Held together by bass, breath, routine, weather. An album about admitting what you feel —and living with what that admission changes.

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23,49
HIROSHI SATO - Super Market LP
  • A1: Watashi No Kareshi Ha 200 Sai
  • A2: Rainbow Sealine
  • A3: F. W. Y
  • A4: Youi Ha Iikana
  • A5: Night In L. A
  • B1: High Times
  • B2: Itoshino Mary
  • B3: Super Market
  • B4: Paradise
  • B5: For Jun

Hiroshi Sato’s landmark solo debut album, recorded at Electra Studios in California with the support of local musicians including Amos Garrett and Joe Carrello.
The album features a self-cover of “Rainbow Sealine”, originally written for Minako Yoshida, as well as “F.W.Y.”, later covered by Chu Kosaka.
Original Release: LQ-7008 (May 25, 1976)

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51,22
Intrusion - A Gentle Embrace

Intrusion

A Gentle Embrace

12inchINTRUSION05-RE
Echospace
18.05.2026

Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke POLE @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)

On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!

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15,76

Last In: vor 10 Jahren
VARIOUS - INGERABLE (10")

INGERABLE, which means “inedible” or “unpalatable” in French, was the adjective a record label used to describe Cathy Claret when she showed them the song inspired by a Caló poem that is now part of our upcoming release, “Por el Chiben.” The piece was born in 1987 when the artist was living in Can Tunis (Barcelona), inspired by a poem she heard from Uncle Bastián. Years later, when recording her first album, she included this composition, but the artist was censored for not fitting commercial standards. Now, Alhaja Records revives it in an album with two versions: a flamenco one, featuring Emilio Caracafé on guitar, and an electronic one, produced by Wará.

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21,22
Elaine Howley - The Distance Between Heart And Mouth LP
  • 1: Silent Talk
  • 2: Autumn Speak
  • 3: Archeological Longing
  • 4: See Saw Seen
  • 5: To The Test
  • 6: Buried Way Out
  • 7: Person Count
  • 8: Song For Mary Black
  • 9: Soso

REVIEWS
"Utterly gorgeous. This magnificent album is the gift that keeps on giving. Downright essential"
Electronic Sound (No. 6 Album Of The Year 2022)
"A cosmic swoon that plays with closeness and distance in the realm of revelation"
Pitchfork - 7.6
"Gloriously introspective"
Sunday Times
2022 Album Of The Year
The Thin Air

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25,17
NEKTAR - MISSION TO MARS LP
  • Mission To Mars
  • Long Lost Sunday
  • One Day Hi One Day Lo
  • I'll Let You In
auch erhältlich

Limited Green / Blue coloured vinyl[26,85 €]


Multi-coloured vinyl LP or CD. For fans of Nektar, Van Der Graaf Generator and Progressive Rock! Formed in Germany in 1969, Nektar favoured extended compositions and concept albums over the constraints of pop. They were among the progenitors of the progressive rock movement of the 1970s as well as the jam-band scene that arose in the late 1990s. Their sound travelled well to the States, where they enjoyed Top 40 success with "A Tab in the Ocean" (1972) and "Remember the Future" (1973). Nearly 20 albums and a half-century later, the band's artistic and personal charisma has earned them masses of devoted fans. Now Nektar is broadening their horizons with the first in the "Mission To Mars" trilogy. Their first to feature new drummer Jay Dittamo, alongside longtime members Ryche Chlanda (guitars),Kendall Scott(keyboards), and original members Derek "Mo" Moore(bass) and Mick Brockett (visual environment).From the rocking title track "Mission To Mars" to the beautiful "I'll Let You In", Nektar covers all of the prog rock bases while venturing into some new melodic territories. Track listing: Mission To Mars; Long Lost Sunday; One Day Hi One Day Lo; I'll Let You In

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26,68
MASTER MIND - ODYSSEY (2x12")

MASTER MIND

ODYSSEY (2x12")

2x12inchFJLP-08
FOREST JAMS
18.05.2026

Odyssey was originally a CD-only release by Japanese duo Master Mind (Hiroshi Ogawa & Hisaki Kurosawa) and was their 3rd full-length album. 30+ years later it is now available as a double LP on the California-based Forest Jams label. Its one of many albums of this particular genre that came out in the decade but one that is wholly unique with the depth in its sculpted sounds and the transportation it provides to an audio realm of equally fantastical and soothing proportions. For fans of ambient, lush gardens, auditory massages, RPG OST/BGM, and Kankyō Ongaku. Licensed by NHK Publishing and limited to 300 copies.

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24,79
Gabrielle Aplin - English Rain LP

Gabrielle Aplin

English Rain LP

12inch5021732986207
Rhino Records
18.05.2026
  • 1: Panic Cord
  • 2: Keep On Walking
  • 3: Please Don't Say You Love Me
  • 4: How Do You Feel Today
  • 5: Home
  • 6: Salvation
  • 7: Ready To Question
  • 8: The Power Of Love
  • 9: Alive
  • 10: Human
  • 11: November
  • 12: Start Of Time
  • 13: Take Me Away
  • 14: Start Again
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38,61
Jeigo - Nosu

Jeigo

Nosu

12inchFR005
Fleurella
18.05.2026

East London's Jeigo works alongside North London perfume house Nosu on this quietly inventive release from Fleurella Records that extends beyond the usual club framework and intertwines scent and sound. Opener 'Placid Shimmers' drifts between organic house, lo-fi ambient and introspective worlds with swung rhythms and soft focus synths, while 'SPF 50' leans into melancholic breaks and 90s IDM echoes. It feels delicate but still moves you and is where texture and mood carry the groove into something subtly uplifting and tactile. A beatless version of the opener is included for pure dreamy escape.

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15,92
Lofi Girl presents - 5 A.M. Study Session (2x12")
  • A1: Lotus Beats X Notation - Notebooks
  • A2: Takeo - Elevator
  • A3: Xander. - Driving Alone (Flip)
  • A4: Softy X Eehou - Fazed
  • A5: Meadowy - Bumping Gums
  • A6: Sleepermane X Sling Dilly - Saffron
  • A7: Swink - Pathway
  • A8: Chronodrift - Follow
  • B1: Marsquake - Still Learning
  • B2: Aboueb X J'san - Missed Call
  • B3: Yasumu X Dennisivnvc - Lightfall
  • B4: Tosso - Night Shift
  • B5: Aisake X Quist - Faded Memory
  • B6: Saint Rumi X Erwin Do - Brooklyn Sunrise
  • B7: Shopan - Eighty Five
  • B8: Kupla - Reverence
  • B9: Thaehan - Refaire Le Monde
  • C1: Klemsis - Dreaming
  • C2: Aimless X Rook1E - Catching The Sunrise
  • C3: Mondo Loops X Towerz - Dropouts
  • C4: Kanisan X Luqęt - Sleepless Nights
  • C5: Hazy Year - Lonely
  • C6: Phlocalyst X Myríad - Doinit
  • C7: Surfin - All Nighter
  • C8: Hoogway - Kickflip
  • D1: Cxlt. - What A Day
  • D2: Tibeauthetraveler - Fields Of Gray
  • D3: Fnonose X Hm Surf - Amarillo
  • D4: Trxxshed X Lomtre - Aether
  • D5: Lov Sum - Iridiscente
  • D6: No Spirit X Odd Panda - Opal
  • D7: Allem Iversom X Little Blue - To Go
  • D8: Amies - Solution
  • D9: Ødyssee X Ian Ewing - Dusky

It’s 5 AM, the world is still quiet as dawn begins to rise. While most are asleep, a few of us are in the final stretch, finishing last edits or easing into the day, surrounded by scattered notes in the living room with a sleepy cat nearby.

5 AM Study Session is a tribute to the early risers and the night owls. This collection of 34 tracks carries early-morning focus and momentum, guiding you through the quiet and setting the tone for the day ahead. Sunlight slowly peeks in as the melodies play, creating a soundtrack for productivity and peace.

The physical edition captures the warmth of a fresh cup of coffee: pressed on double "Morning Latte" marble vinyl, the swirling beige and brown tones mirror the cozy, studious atmosphere of the artwork. A tangible reminder that the best work often happens when the world is still.

Slip on your headphones, pour a hot drink, and let the sunrise guide your workflow.

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39,08
Demon - You Are My High (Standard Edition)

Demon

You Are My High (Standard Edition)

12inchYAMH001STD
LA TEBWA
18.05.2026
 
2
auch erhältlich

25th Year Anniversary[18,91 €]


"We just wanted a kiss that makes you want to kiss..."

From a sample to the most iconic kiss in music video history… When Demon released "You Are My High" at the end of 1999, it created a frenzy. Nominated at the Victoires de la Musique and the MTV Awards, the track was on everyone’s lips—including the CSA's, which tried to censor it. 25 years later, the "You" shines brighter than ever, captivating each new generation in turn.

A Top 10 hit in France upon release and certified gold within months, "You Are My High" skyrocketed thanks to its video—three minutes of a single-shot French kiss. Briefly banned by the CSA (who quickly realized it’s hard to censor something you see in every film), the clip ended up playing non-stop on music channels, defining an entire era.

Today, the "You"—as its creator fondly calls it—is considered one of the crown jewels of French Touch 1.0 (Daft Punk, Stardust, Cassius, Modjo, The Supermen Lovers...). With nearly 150 million streams across platforms, its legacy holds strong and continues to inspire a new wave of artists. Among the most iconic reinterpretations: a lo-fi cover by Agar Agar, remixes by DJ Snake and Central Cee, the You and Me video by Disclosure and Flume, and even a Jean Paul Gaultier campaign.

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18,45
VENETIAN SNARES - TRADITIONAL SYNTHESIZER MUSIC (10TH ANNIVERSARY ED.) LP 3x12"
  • Dreamt Person V3
  • Everything About You Is Special
  • Slightly Bent Fork Tong V2
  • Magnificent Stumble V2
  • Decembers
  • Can't Vote For Yourself V1
  • You And Shayna V1
  • Goose And Gary V2
  • Anxattack Boss Level19 V3
  • She Married A Chess Computer In The End
  • Health Card10
  • Paganism Ratchets
  • Everything About You Is Ambient
  • You And Shayna Slow Funk V2
  • Your Bounce V1
  • Magnificent Stumble V1
  • Can't Vote For Yourself Video Version
  • Goose And Gary V1
  • Slightly Bent Fork Tong V1
  • You And Shayna Video Version
  • Terrazen 1012Nc
  • Resting Tongue

The tenth anniversary edition of Venetian Snares' Traditional Synthesizer Music adds ten more tracks and alternative versions previously available only on a limited edition compact disc from the artist's Bandcamp.Traditional Synthesizer Music is a collection of songs created and performed live exclusively on the modular synthesizer by Aaron Funk. Each sound contained within was created purely with the modular synthesizer. No overdubbing or editing techniques were utilized in the recordings on Traditional Synthesizer Music. Each song was approached from the ground up and dismantled upon the completion of its recording. The goal was to develop songs with interchangeable structures and substructures, yet musically pleasing motifs.

Many techniques were incorporated to "humanize" or vary the rhythmic results within these sub structures. An exercise in constructing surprises, patches interrupting each other to create unforeseen progressions. Multiple takes were recorded for each song resulting in vastly different versions of each piece, a number of which are released for the first time on vinyl and digital for this updated version of the album. BIO Aaron Funk, mainly known artistically as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba who’s been working since the mid nineties. He is widely known for innovating and popularising the breakcore genre being something of its breakout star. His signature style features complex drums and unusual time signatures and a knack for making ultra-vivid music that takes listeners into unusual places, from the aggressive and extreme, to the surreal, comic and sometimes plain beautiful. His musical explorations extend out in many different ways, from the complex Hungarian, classical-inspired Rossz Csillag Alatt Született, to acid explorations as Last Step, to innovations with modular synths on Traditional Synthesiser Music.

As a collaborator, he’s made music using intimate recordings as musical elements with the artist Hecate as Nymphomatriarch, as Poemss with Joanne Pollock, where they both sing over strange delicate pop. He’s recorded an album of rich, edited improvisations with producer and guitarist Daniel Lanois and he’s also part of the sometime duo Speed Dealer Moms with John Frusciante. Most recently he features on Rosalia’s album Lux on the song Reliquia, providing drum programming and production input.

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35,50
Chris Stussy - Lost, Found & Forgotten... (3x12")

After years of shaping dancefloors worldwide and carefully curating the sonic and visual identity of Up The Stuss, Dutch favourite Chris Stussy presents his most expansive and personal statement to date with his debut album, ‘Lost, Found & Forgotten...’. Landing on 3rd April, the album unfolds across three interconnected chapters - ‘Lost’, ‘Found’, and ‘Forgotten’ - each revealing a different side of his creative world across 19 tracks while remaining tethered to a singular wider vision.

At its core, ‘Lost, Found & Forgotten...’ is an exploration of creative freedom. Visually and conceptually guided by the image of a kite, the album reflects movement, perspective, and balance. Floating freely yet always anchored, the kite mirrors Chris’s approach to music: unrestricted in emotion and imagination, but grounded in groove, craftsmanship, and intention. It’s a symbol that naturally extends the Up The Stuss identity; pointing skyward, embracing openness, and encouraging curiosity.

“This album has been a long time in the making, and I’m excited to finally share it with you. The process behind it - exchanging ideas with other artists and creating music outside of my comfort zone - has been an incredible experience. It gave me a true sense of freedom, allowing me to not think about boundaries or expectations. I’ve never been more proud of a project than this one. It’s deeply personal, and it represents my sound as a whole. I hope you listen with an open mind and find something in it that resonates with you.” - Chris Stussy.

The ‘Lost’ chapter opens the album by giving new life to music once left behind. These are tracks written across different moments in Chris’s journey, ideas that never quite found a home until now. Rather than relics of the past, they emerge re-discovered, refined, and fully realised. ‘

Found’ represents inspiration in motion. Sparked by collaboration, digging, and shared creative exchange, this chapter captures the moment when ideas connect, and colour floods the sky.

The album closes with ‘Forgotten’ - a nod to the deeper cuts, the B-sides, and the moments that reward patience. This chapter is for the heads and diggers; tracks that may not demand immediate attention but reveal their value over time.

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35,50
Venetia - The Face Of The Deep

Venetia presents The Face of The Deep EP. The rising artist from Belle-Île-en-Mer, delivers an elevated deep house record infused with shades of melancholy and nostalgia, exploring a rich spectrum of moods and emotions through driving rhythms, pulsating energy, and deep, resonant basslines. Crafted for late-night dancefloors or early-mornings, wrapped in warm, immersive textures, culminating in an outro that feels like soundscape frame of a moving film.

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12,82
TAFKAMP presents IRV DA PERV - The Most Wanted Digital Dubplates Vol. 2

2026 Repress!

A wild Paling appears! TAFKAMP presents Irv Da Perv coming thru with The Most Wanted Digital Dubplates Vol. 2 on the Paling Trax Limited imprint. A selection of essential ghetto-influenced bangers on this 6-tracker EP - all killer no filler!

Auf Lager

Bei uns am Lager und sofort versandfertig

11,35
Malik Hendricks - Stretching EP
  • A1: Stretching
  • A2: 物の哀れ (Mono No Aware)
  • B1: After The Rain
  • B2: Stretching (Beringei Remix)

Making his first appearance on Flat White Records, NYC’s Malik Hendricks arrives with Stretching, a four-track EP that leans comfortably into the grey space between Deep House and Techno. Across three original cuts, Hendricks delivers warm, hypnotic, and quietly confident sounds that are unmistakably his own.

Rounding out the release is a remix from London-based, Spain-born producer Beringei. Known for his broken-beat excursions, Beringei with a 4x4 workout that still carries his unmistakable percussive touch, proving that even when stepping outside his usual lane, his identity remains firmly intact.

With previous releases on respected imprints like Eglo, Darker Than Wax, and Phuture Shock Muzik, Hendricks arrives in trusted company, thus making it an easy call to hand him the reins for our 15th release.

Born in the ’80s and raised in the ’90s, Malik Hendricks is a product of transatlantic club culture, drawing inspiration from Detroit’s futurism, New York’s grit, and the UK’s rhythmic experimentation. A DJ for over a decade, he approaches music with an almost academic curiosity, seeing the dancefloor as a shared space for cultural exchange.

Recently, his work has caught the attention of heavyweights like Eli Escobar, Byron the Aquarius, James Bangura, and Roy Vision, all stepping in to remix his material. With Stretching, Hendricks continues to prove that subtlety, craft, and groove still go a very long way.

Early DJ Support from: Shy One, LDLDN, Louise Chen, Dam Swindle, LTJ Bukem, Christophe Salin, Franck Roger, Jazzanova, Mr Redley, Last Nubian, Glenn Davis, Seven Davis Jr, Stonie Blue, Stu Clark (WOLF), Adriatique, Marco Weibel, Mr Ties, Tereza, Cottam, Joyce Muniz + MORE

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15,34
SLUTET - Jihad LP

SLUTET

Jihad LP

12inchCRYPTMETAL039
Crypt Of The Wizard
18.05.2026
  • 1: Match Questions - Gasoline Truth
  • 2: Goddess Of Paradox (Tiamat Yawns Awake)

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

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25,00
Solitary Dancer - SDIII 6x12

Solitary Dancer

SDIII 6x12

6x12"-VinylY-3000 LP 01
Y-3000
18.05.2026

Y-3, the pioneering sports-fashion collaboration between adidas and Yohji Yamamoto, has for three decades dwelled calmly within the ''tensions of existence''. In conceiving the brand's long-awaited return to runway format at Paris Fashion Week, these codes laid the groundwork leading up to the Spring/Summer 2025 season. Whilst the focus for runway is traditionally placed on garments, models, styling, environment, and the pageantry in between, it was crucial that music play an integral role in the conversation. Three seasons later, sound has informed creative direction from the very earliest phases of ideation. Commissioning all-original compositions has become a natural part of this ideology. The return to runway has invited the opportunity to define a new sonic palette for the brand, and beyond that, to usher in a new era of sound for Y-3 that echoes across music & culture. Following this ethos, and with a mandate to support obscure talent, Montreal duo Solitary Dancer have emerged as the first collaborators in shaping the intimate brand architecture of noise & feeling. With a body of work now spanning over a trilogy of seasons, the genre-defying Y-3000 imprint provides an outlet to disseminate & recontexualize the original compositions beyond the traditional runway. The label embodies Y-3's enduring commitment to explore innovation within opposing cultural forces. The works, originally released on Y-3000 as a series of white labels, are now being featured as a 6x 12'' vinyl compilation. Designed by Trevor Jackson and limited to just 99 examples, the recordings will also be made available both digitally and on streaming services for the very first time.

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81,47
KKD - IN A SECRET ROOM LP

KKD

IN A SECRET ROOM LP

12inchRWCLTR031
Raw Culture
18.05.2026

In a Secret Room is a retrospective that reopens the sonic and visual archive of KKD, bringing back to light a trajectory that long remained underground within the history of Italian new wave. The tracks, recorded between 1979 and 1986, reflect a constantly evolving process shaped by experimentation, improvisation, and a drive toward new languages. The project takes shape inside a former hotel in Italy’s Po Valley, transformed into a studio, rehearsal space, and visual lab.

Here, among analog synthesizers, homemade electronics, and multitrack recorders, Kriminal Killer Division experimented with and pushed their available technology to its limits, developing a hybrid language: sounds captured from radio and the street, synthetic voices, guitars, and electronic sequences intertwine in compositions that move between art rock, minimal wave, and more industrial directions. This collection aims precisely to reactivate that imaginary. The vinyl is accompanied by a risograph fanzine that restores the project’s visual dimension: collages, photographs, and graphic materials reflecting the same experimental attitude found in the recordings. Sound and image move together, as parts of a single expressive device. In a Secret Room offers access to a hidden space where interference, noise, and intuition take form without mediation. Not a nostalgic operation, but a re-emergence: a living archive that continues to generate meaning in the present.

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22,27
MT Jones - Joy

MT Jones

Joy

12inchMPP060LP
EMDMM
18.05.2026
  • 1: On Your Own
  • 2: I Don’t Understand
  • 3: Why I Cry
  • 4: Tastes Like You
  • 5: You Don’t Love Me Now
  • 6: Easy
  • 7: So Lost
  • 8: Changes Like The Weather
  • 9: Nothing I Can’t Do
  • 10: Gentle Reminder
  • 11: Her Name Is Joy

MT Jones is a soul singer and songwriter whose music channels the emotion and authenticity of legends like Otis Redding and Bill Withers, while embracing the energy of today’s soul and R&B. With his unmistakable voice and poignant lyrics, Jones has captivated audiences and earned, a reputation as one of the most compelling new artists in the genre.

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31,89
PHIL HOOTON - GARDEN PARTY (7")
 
1

ANORAX lives up to its #eatsleepcollect mantra with this limited edition one side only plays special 7”.

Making a cover version of Mezzoforte’s Icelandic jazz funk classic GARDEN PARTY is not a task for the feint hearted.

Phil Hooton and fellow producer Mark Gambe pull it off with aplomb.

The duo are enjoying success with their single GARDEN OF EDEN by Phil Hooton Featuring Pete Simpson. That involved a new song being written and sung over their instrumental remake of GARDEN PARTY.

The original idea was to only release the new vocal creation but the instrumental version - featuring virtuoso playing by some of the UK’s top session musicans - was simply too good to be left on the shelf.

Only 200 copies of this one sided 7” have been manufactured.

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14,50
Ketzaal - Placed Upon Thee EP

Born in Madrid and now entrenched deep in Boston's underground, Ketzaal operates at the darker more, textural end of the techno spectrum. He shows off that signature again here with a tightly wound four-tracker. Opener 'Placed Upon Thee' lands with great tension, all driving stabs and forward thrust, while 'Final Ritual' dips into a rolling, bass-heavy stride that loosens the grip without losing pace. On the flip, 'The Throne' locks into a head-down groove before 'In Bloom' stretches into something more elusive and shapeshifting. Purposeful construction and a clear sense of function don't mean there isn't plenty of character in these dance floor bombs.

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23,32
Mildred - Fenceline LP
  • 1: Ups Brown
  • 2: Fish Sticks
  • 3: Charlie
  • 4: Cobwebs
  • 5: Fenceline
  • 6: Fleet Week
  • 7: Aquinas
  • 8: Mumblecore Melody
  • 9: Pitch Boats
  • 10: Hardcore Of Beauty

Mildred have announced their debut album Fenceline (out 24 April via Memorials of Distinction / Dog Day Records), they have also shared the Nick Roberts directed video for lead single ‘Fish Sticks’. Speaking of ‘Fish Sticks’ and the album, Mildred say: “Fish Sticks is a song of scenes from two worlds. Conversations with your boss. Acute workplace mediocrity. Riding home and eating fish sticks with your friends. For UK audiences, a fish stick is a fish finger, ideally Alaskan-caught cod. The song comes packaged in Fenceline, an album about conversations with old friends, little cousins, ceaseless piles of dust in your crumbling duplex, loves and theologians and their books. Fencelines mark two places but belong to neither. Neither nor, either or.”
Ahead of Fenceline, at the end of last year Mildred released their debut twin EPs mild and red, an insatiable collection of songs birthed before Mildred even knew they were a band. Arriving purposefully on the scene in that gentle, approachable Mildred way, the EPs picked up support from The Guardian, The Line of Best Fit, Uncut (‘We’re New Here’), The New Cue, Clash, DIY and more. Mildred is a band from Oakland, CA of four equal parts. They don’t have a lead singer, no one person writes the songs. The songs that make up Fenceline come together as a group with their genesis sprouting from any one of their members - Henry Easton Koehler (vocals, guitar), Jack Schrott (vocals, guitar), Matt Palmquist (vocals, bass, woodwinds) or Will Fortna (drums, production) - each time.

The songs are often wrestled from the lead writer by the other three, a lyric might have been mumbled absentmindedly for a few days before one of the other three grabs at it. Summed up neatly by Clash “imagine if Pavement went Americana and you’d be close”, Mildred make music that is pure and poetic, gently addictive and never overwrought. The lyrics for their songs are written largely alone and often draw from their own individual lives and experiences but there’s a shared something there. “It makes sense when common threads emerge” they say, “because we do things together a lot as friends: cook, laze about on a weekend, listen to an album, go walkabout, read, go see movies etc.
Strikingly literal or intriguingly oblique, Mildred have a remarkable way with lyrics that lodge themselves in your head softly but with such determination that they begin to feel like shimmering memories from your own life. Fenceline is a collection of songs that you want to hold close and delve into, and yet play to everyone you know.

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23,49
Tommy Hill - All My Love / Can't Get Over You (7")
  • A1: All My Love
  • B1: Can't Get Over You

The world of discovering Soul music and artists can lead to sheer moments of jubilation. The thought of igniting a long lost sound, reviving the energy of a once exuberant individual . But not every story that's told is filled with joy. Some are peppered along the way with struggles and heartache. Over time artists have battled with over powering label owners, record executives who just don't back what you do. The story of Tommy Hill is one such story. Tommy along with friend and longtime collaborator Ricky Tarbo had a deal with Motown records back in the early 1980's which turned sour very quickly. His release "Flame"/"Super Star Of Love' was dropped pretty quickly with no promotion and record boss Sylvia Rhône calling the shots within the duo questioning skin colour within the group and even trying to get vocals wiped off the release to sabotage it.

This said the single didn't amount to much and nothing else was recorded for Motown records. The duo did record some 4 demo's in LA before Tommy headed to re-record them again in New York circa 1982.

The A side has never been released until now, which is such a crying shame as the quality is so damn good. It's an uptempo boogie cut called "All My Love" which we gave a sexy 45 mix so you get some slamming synth work half way in. Tommy Hill's vocal range is nothing but astonishing. Just check out the 2 step ballad of "Can't Get Over You", which was recorded and released back in 1980 by The James Simpson penetration Band written by Tommy Hill, who went back into the studio 2 years later to give the song much more depth not only within the production but also to his vocal range. Tommy Hill headed back to LA after not securing a record deal and a few years later tried to get this singing career back on track. Like many of the artists who have moved on to a higher place Tommy succumbed to his own mental health issues and took his life. We hope this record does you proud Tommy Hill

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14,50
Jake Muir - Pareidolia LP

Jake Muir

Pareidolia LP

12inchENM-15
enmossed
18.05.2026

Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.

The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.

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26,85
Mad Professor,  Various - Melodies International presents Ariwa Sounds (2x12")
  • 1: Johnny Clarke - Come Back To Me
  • 2: Sgt. Pepper - Wake Up
  • 3: Mad Professor & Joe Ariwa Feat. Horace Andy - Non Violence Dub
  • 4: U Roy - Old School Music
  • 5: Davina Stone - Silly Wasn't I
  • 6: Kofi - Didn't I
  • 7: Sandra Cross - Can't Let Dub Go
  • 8: Mad Professor Feat. Mafia & Fluxy - 6 Million Dub
  • 9: Ariwa Posse Feat. Abel Miller - Everytime I See My Baby
  • 10: Kofi - Losing Time For Love
  • 11: Aisha - Can You Feel It (1990)
  • 12: Sandra Cross - I Lived For You
  • 13: Sister Nancy - Live The Life You Love
  • 14: Queen Omega - Rocking And Popping
  • 15: Ranking Ann - Liberated Woman
  • 16: Bonus Digital Track: Everytime I See My Baby (Mad Professor Osaka Live Dub)

In 1979, Neil Fraser (artistically known as Mad Professor) founded Ariwa Sounds, the longest-serving and one of the most influential independently owned Reggae studios and record labels in the UK. From humble beginnings set up in the front room of Neil's home in South London recording on 4-track and homemade equipment, Ariwa would go on to record and release over 300 albums including works from some of the most impactful and storied artists of their time in the genres of Reggae, Dub, and Lovers Rock

Whilst our previous release in collaboration with Ariwa captured the label's early sound, a shared performance with Neil in Osaka and regular visits to his South London studio inspired us to assemble this 15-track compilation, showcasing the label's output across 45 years. Our release emphasizes some of the label's greatest vocalists: Johnny Clarke, Sandra Cross, Kofi, U Roy, Sister Nancy, Queen Omega, Aisha, Garnett Cross, Abel Miller, Horace Andy and more — presenting the Motown and Stax influences in the Lovers Rock, but also provides a glimpse into the dubbier and more experimental side of the label, showcasing Ariwa's commitment to quality but also their personality, philosophy and their humour. Love songs, break-up songs, socially engaged songs, dub experimentations — this compilation is not a "best of" Ariwa but a diverse and honest celebration of the label through the lens of Melodies International.

The compilation will be out in July in vinyl 2xLP, CD, digital formats, mastered from the original tapes by Frank Merritt (the Carvery), pressed at Optimal, artwork created by Jason Evans with design and assembly contributions from Nevil Bernard and Will Sweeney, animated teaser by Nevil Bernard and Melozine designed by Mafalda Meireles.

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34,41
Lavurn - Baby it Cold Outside LP

“Baby it Cold Outside” is a new album by Lavurn. The music is a lovesick nod to the turn of the millenium and the ones who help show us the way.

FFO: Portishead, Broken Social Scene, D’Angelo, Hysterical Love Project, Stila Nordenstam

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21,22
Vedanā - Convergence / Polarity

Sounds of Sirius Music presents SOSNZ012 – Vedanā – Convergence / Polarity

All forces move in pairs. Light and shadow. Push and pull. Signal and silence.
Frequencies bend toward each other, magnetic fields collapsing into a single point of awareness. Tension becomes motion. Duality becomes flow.

New Zealand-based artist Vedanā leads the A-side with two original cuts, channeling a deep, hypnotic energy that moves between restraint and release. Each track reveals a different side of the same spectrum, balancing introspection with forward momentum.

On the B-side, label founder Herman Saiz delivers a reinterpretation rooted in his signature groove, bridging Chilean and New Zealand influences with a refined, driving touch. Romanian producer RQZ adds his own perspective, reshaping the original into a textured and immersive journey.

Convergence / Polarity captures the space where opposites meet — not as contradictions, but as essential counterparts in constant motion.

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13,40
Federico Durand - La Manzana Magica LP

The concept for this one is as wonderfully odd as we have ever heard: Argentinian Federico Durand draws on his collection of Cinderella stamps and looks to translate their modest scale into sparse arrangements and carefully spaced notes. Small motifs drift across analogue synth tones, all shaped with tape hiss and soft saturation. Pieces move slowly, often built from repeating figures that shift in pitch and melody, feel tentative, sometimes dissolving into low drones or faint harmonic clouds. There is little percussion, with rhythm implied through looping patterns and subtle timing changes. Tracks favour brevity and minimalism and the result leans into a darker mood than his earlier work, with a muted, slightly worn character that makes it all the more real.

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28,36
ICHISAN - EROTIKA / MIDNIGHT HOUSE

For almost two decades, Igor Škafar has honed a own unique sound. Warm and nostalgic, the Slovenian artist melts unctuous analogue tones with subtle percussive patterns. This palette is at the heart of Ichisan’s fifth appearance on Bordello A Parigi. An undulating and understated introduction ushers in “Erotika,” the cosmic gazing sounds of the 1970s and the turquoise waters of Balearic flowing as one. Swirling space synthlines are countered by punchy beats, fudgy basslines balanced by the gently rippling melody. The break offers new directions, drum patterns scatter before regrouping around those sunkissed scaling chords care of Škafar’s impeccable craftsmanship. The beats take on a disco snap for “Midnight House,” a smouldering snaking synthline unfurling itself to glorious heights. Bongos and toms support the sci-fi dipped keys of this seven-minute journey into the musical mind of Ichisan. Two tracks that offer a deep dive into the sounds of a truly singular artist.

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13,40
Sons of Jumira - Jaliyahs' Lament / Tomora

Comprised of double bassist Julian Tjon Sack Kie, drummer/percussionist Mill Voyance, and harpist Ranie Ribeiro, this marks their debut 7" release as Sons of Jumira. Recorded live at NOIIS in Zurich, Switzerland. Taking inspiration from the West African Mandinka concept of Jaliya, the practice and art form of the Jali (griot), as well as the Mandinka tuning Tomora. These elements converge in a sound rooted in storytelling and musical expression.

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13,40
OLIVER HO - OUR SECRET RELIGION

Continuing Blueprint's 30th anniversary celebrations, James Ruskin welcomes the return of Oliver Ho, whose relationship with the label is deep-rooted.

Oliver Ho has spent the last 30 years devoting his life to creating some of the most intense and compelling electronic music out there. Debuting his signature raw sound in 1996 on Blueprint Records, he cemented himself in the underground of the '90s UK techno scene. With a plethora of aliases, he has navigated his way through many different genres. From the frenetic tribal sounds of his own Meta imprint, the off the wall house music made as Birdland and Raudive, the grinding industrial of Broken English Club and the heavily textured ambient of his Slow White Fall and Zov Zov projects. While pushing and pulling at the fringes of electronic music, at the very centre has always been the beating heart of hypnotic techno, an art form that is both brutal and bewitching; techno as ritual magic. Oliver's live shows and DJ sets showcase this expression of music as shamanic experience, metallic and relentless, pure and direct.

An integral figure in shaping Blueprint's early sound, Oliver Ho returned in 2016 for their 20th anniversary with the "Burning Heretics EP", which was followed by a remastered reissue of 1999's "Awakening The Sentient". So it's fitting that he's now back for this latest milestone with a new EP, "Our Secret Religion" dropping in May.

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13,66
Dynamic Forces - Metal Space

Dynamic Forces

Metal Space

12inchDOLLYTS15
Dolly Records
06.05.2026

Bruno + Bruno = Dynamic Forces and are back on the Dolly TS series with their new EP Metal Space! Metal it is and in space we fly with these 4 sinister, visceral, floor-shaking smashers. Yet another great selection of stark rhythms and brooding atmospheres, designed for the nocturnal gravity of the warehouse straight from the Italian techno soil!!!

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13,24
Calling - Camino Palmero

Calling

Camino Palmero

12inchMOVLP3137C
Music On Vinyl
18.05.2026

The American rock band was formed in 1996 by lead singer and guitarist Alex Band and guitarist Aaron Kamin. They’re best known for their hit single “Wherever You Will Go”, which topped the Adult Top 40 for 23 consecutive weeks, making it the second longest running #1 hit in the chart’s history. The track featured on their debut album Camino Palmero, which was released in 2001. At the time, the band’s lineup included Band, Kamin, Sean Woolstenhulme, Nate Wood and the Grammy Award-nominated multi-instrumentalist Billy Mohler.

Camino Palmero was a commercial success and was certified with a Platinum status in several territories. In addition to the hit “Wherever You Will Go”, the band spawned two more singles, “Adrienne” and “Could It Be Any Harder”. The album features several guest performances; Whitesnake member Paul Mirkovich, who is also the band leader of Cher; session musician Bob Glaub, who played with artists such as Bruce Springsteen, Journey, Bob Dylan and many more; producer Ron Fair, who produced multiple #1 hits.

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31,89
thredd - It’s Lovely, Come On In LP

London trio, thredd’s, acclaimed 2025 debut ‘It’s Lovely, Come On In’ available for the first time on vinyl. thredd is the latest project from musicians Will Lister, Max Winter, and Imogen and The Knife who came together as the first (and only) band formed during the infamous Laylow residency in West London.

Over the course of 4 weeks in November 2023, the trio set up a makeshift studio in Laylow’s basement venue and wrote music to be performed live each Wednesday, embracing a raw, immediate approach with no room for overthinking. The result is a sound they call “cold pop”, a mix of atmospheric textures, sharp melodies, and emotional depth. Since then, they’ve built on their diverse strengths having already played the ICA and supported Nourished by Time across the UK.

Having shared a studio in South London together since 2020, the trio have collaborated and cross-pollinated their musical approach while taking time to hone their individual crafts; Will’s drum programming and production, Max’s ear for harmony and composition, Immy’s lyrics, melody and vocal delivery. With music that both feels familiar yet boundary pushing, ear catching and intriguing, it becomes a true sum of its parts celebrating the individualism of each musician.

The album ‘It’s Lovely, Come On In’ moves between late-night indie, synth- driven pop, and stripped-back songwriting with emotional weight. Tracks like ‘Horseshow’ showcase Will’s tight post-triphop inspired beats, Max’s harmonic instincts, and Immy’s evocative vocals. ‘We Don’t Speak Anymore’ came together in a day, capturing a sharp, defiant energy. ‘Something For My Head’ is a late-night, anxious love song, while the title track has a defiant repetitive energy. The lead single ‘Party’ bursts with bold, euphoric energy, and ‘Funny Girl’ strips back to something vulnerable, inspired by a haunting vocal sample and personal notes.

The record channels the layered, mysterious atmosphere of Laylow’s basement, shaped by the building’s winding corridors and hidden rooms. Themes of fatigue, release, and creative survival run throughout, born from a pressure-free, collaborative process.

‘It’s Lovely, Come On In’ feels honest and immediate, a collection made to capture a moment, not polish it away. As they put it, the record is for people who are “Up for a party, down for a cry.” The album doesn’t make grand claims; it simply invites you in.

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28,36
Smoove & Turrell - Antique Soul LP

Smoove & Turrell

Antique Soul LP

12inchJAL75VV
Jalapeno
18.05.2026

Limitierte Neuauflage des Debütalbums von Smoove & Turrell: "Antique Soul" aus 2009. Roh und retro, eine zeitlose Kombination aus Live-Instrumentierung und modernster Technologie. Fetter Funk, erstklassige Beats & Breaks, Northern Soul und mitreißende 1960er-Jams – mit Einflüssen von Mark Ronson, dem soulliebenden Modfather Paul Weller und dem frühen, erzählerischen Bowie aus der Zeit von "London Boys", vermischt mit den Breakbeats der letzten Jahrzehnte. Liner Notes von Funk-Kenner Craig Charles (BBC Radio 6).

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24,33
Peter Thomas Sound Orchester - The Tape Masters Vol. 2 - Soul Power West Germany (2x10")

The second installment of The Tape Masters series by German film music maestro Peter Thomas. Audiophile pressing in deluxe 2x10" vinyl set, limited to 500 copies.
While volume one of the series compiled Thomas' dopest library music cuts, this album dives deep into the soulful side of the Peter Thomas Sound Orchester, featuring the mystique house band of Afro-American Munich GI club Tabarin Bar, Donna Summer's first solo recordings, stunning cinematic funk instrumentals and a healthy amount of breaks and beats.

Out of the 20 scorching tunes on this compilation, only three were released at the time of their recording and are nearly impossible to find on the 2ndhand market, ten have never been released anywhere before, others celebrate their first outing on vinyl or in stereo.

Peter Thomas is widely acknowledged as Germany's most inventive film music composer of the 1960s and 1970s, best known for his iconic soundtracks. Today, his work is cherished not least for its incredible groove factor. The story of this compilation traces the origins of the Peter Thomas Sound Orchester's rhythm section and its soul music background, shines a light on unsung heroes like singer Joe Quick and unearthes nuggets that have been lying dormant on tape for decades.

All music was carefully transferred from Peter Thomas' private master tapes and cut in full dynamics, housed in a beautiful fold-out cover with liner notes and private pictures. The compilation is released in cooperation with Peter Thomas' son Philip who represents the Peter Thomas Sound Orchester catalogue since his father's passing in 2020.

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28,78

Last In: vor 4 Tagen
Uplink - Sporting Audio

Uplink

Sporting Audio

12inchSFLX002
Superflux
18.05.2026

After a sold out first release, NY’s Superflux is back for Round Two with a debut release from arguably the most unsung hero of the Midwest underground. Uplink is a REDACTED-based hardware specialist known for their work running a series of labels and organizing parties that have helped define the region’s sound for more than a decade. Crafted using time-honored tools of the trade, these four dubby, tracky, and raw cuts – lifted from live stereo board recordings – will sit comfortably alongside releases from STL, Skudge, and MRSK.

The A1, Audio Sport, is a dubby groover with almost-steppy hats and bit of bite; a reverb-drenched lattice of delayed pads bends your sense of time and space until you realize you’re 12 hours into the warehouse function and someone’s just thrown a piano off the roof. A2, Blue Untitled, is a deep stomper reminiscent of the early WAX records. A big & shifty bassline turns this into a true head-nodder. B1, Temporary Machine 1, is a more subdued dubbed-out tech house cut anchored on a rolling bassline and flanked by dusty percussion and prescriptive stabs. Proper warm up tackle or hazy after-afters fodder: the choice is yours. Connoisseurs of a fine B2 rejoice – this one is it. Dokta is a moody, tripped out late night techno affair with a dash of bounce for good measure. All that hisses is gold.

Written by Colin Boardway

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15,34
S.A.M. - Mastermind

S.A.M.

Mastermind

12inchOYSTER69
Kalahari Oyster Cult
05.05.2026

It’s a properly transcendent Kalahari debut as S.A.M. makes nods to ’90s Eurodance and deeper, spiritual invocations.

At the helm of multiple labels, but this marks a Kalahari debut for the Danish artist. Sometimes anthemic, sometimes operating from a more meditative space, but always serving as an outlet for ecstatic release. Rapturous big room ascension into more contemplative territory.

Channelling some divine NRG in the vocal hooks, like much of their work, an air of blissed intent cloaks the whole thing. This is a suite of tech and deep house that strikes a balance between the introspective and direct, the metaphysical and corporeal.

Pitting sonic immersion against forward momentum has almost become a blueprint for any Kalahari release, and here, we bear witness to a prime example. Heady stuff.

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13,87
Paul Weller - Weller At The BBC (Vol. 2) (3x12")
  • 1: Gravity
  • 2: What Was I Made For?
  • 3: One Bright Star
  • 4: That Pleasure
  • 5: From The Floorboards Up
  • 6: Woo Sé Mama
  • 1: Pieces Of A Dream
  • 2: Time Of The Season
  • 3: That Dangerous Age
  • 4: Start!
  • 5: Shout To The Top
  • 6: Going My Way
  • 1: Rise Up Singing
  • 2: No Tears To Cry
  • 3: Flying Fish
  • 4: Wake Up The Nation
  • 5: Village
  • 6: The Cranes Are Back
  • 1: Fat Pop
  • 2: Dragonfly
  • 3: Around The Lake
  • 4: Foot Of The Mountain
  • 5: Have You Made Up Your Mind
  • 6: The Attic
  • 3: Sea Spray
  • 4: Days
  • 5: Say You Don’t Mind
  • 1: I Woke Up
  • 2: Burn Out
  • 3: Long Time
  • 4: These City Streets
  • 5: Wild Wood
  • 1: Rip The Pages Up
  • 2: Cosmic Fringes

Paul Weller releases Weller At The BBC (Vol.2) on Friday 24th April.

This second BBC outing gathers live session and live in concert performances, including intimate stripped back acoustic versions and re-workings of tracks across The Jam, The Style Council and Paul’s extensive solo career.

From timeless classics such as Start!, Shout To The Top and Wild Wood, to deep cuts and covers, like The Zombies’ Time Of The Season and Billie Eilish’s What Was I Made For?

The album also features some beautifully orchestrated tracks with the London Metropolitan Orchestra, arranged and conducted by Hannah Peel, including Aspects, Boy About Town and Have You Ever Had It Blue.

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54,20
Mark Broom - Touch EP

Mark Broom

Touch EP

12inchREKIDS288
Rekids
19.05.2026

UK Techno and House lynchpin Mark Broom returns to Radio Slave’s Rekids with the ‘Touch’ EP, landing 8th May 2026. Active since the late ‘80s and widely regarded as one of UK dance music’s most enduring figures, Broom’s catalogue spans key imprints including Warp Records, M-Plant, Hardgroove, and his own Pure Plastic and Beardman, alongside collaborations with the likes of Riva Starr, Baby Ford, and James Ruskin. Since fi rst appearing on Rekids in 2019, he’s gone on to deliver 13 further releases, including his five-part ‘Mutated Battle Breaks’ EP series on sister label RSPX.

Following 2024’s ‘Showtime’ EP, his last House-leaning outing for Rekids, Mark Broom now drops the ‘Touch’ EP.The title track leads the charge, pairing a nostalgic vocal with a Disco-House hybrid feel and jackin’ edge, setting the tone for ‘Eyes’, where he works the filters to build suspense as a loopy sample drives those feel-good dancefloor moments. The B-side shifts into Techno territory with ‘MXM’, a robust, driving groove marked by a machine-like swirl that steadily pushes the pressure, before closer ‘Don’t’ rounds things out with a hard-hitting drumline and tough, strobe-lit stab work.

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13,66
GbClifford - Love, Diskito (TAPE)

There is an abruptness to waking up to the sight of the other person’s back, a quiet violence hidden in the impression of intimacy, that’s leaving an aftertaste of emptiness. The feeling of losing oneself completely in a love that is given but never returned. Or the slower, less immediate one - the gradual disintegration of a world into which so much was once invested.

Love, Diskito is like a worn out overdubbed cassette found in a drawer, with its underlying tracks flickering between contrasting emotional states. Written, produced and mixed by GbClifford, the release follows up on the elusive, multifaceted output of the Prague-based experimental artist, who dresses fleeting glimpses of youthful yearning, sentiment and fragility in the blunt apparel of distortion and immediacy.

Drawing from their idiosyncratic, collage-like approach to music production, GbClifford condenses on Love, Diskito a varied palette of field recordings, samples, distorted instruments and ambient sounds. They resemble doodles in the corner of a school notebook, tightly overlapping with the evocative, minimalistic artwork by Czech artist Kateřina Šípová.

The guidance of GbClifford’s personless, at times highly decomposed vocals modulates the emotional urgency of the recording and reflects on the past. “I’m so close to relapsing, I’m here for you, closer than ever,” echoes in the elusive track So Only Yours, carrying the undercurrents of surrendering to the sole necessity of caring, even at the cost of individual ache. While the album does not forgo its earthbound, bare setting, there is something deeply pastoral and sky-gazing in the layered, multi-pitched vocals, horn-like tones and sense of space that Love, Diskito evokes.

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15,92
LOW LIGHT ENSEMBLE - FROG'S Garden LP

An album of improvised music was recorded in Belgrade, in the courtyard of one of the musicians’ homes. There were no prior agreements, prepared compositions, or preplanned ideas. The album came into being in real time, right there on the spot.



Ulya Volkova (pleurereme) - cellist/multi-instrumentalist, composer/sound designer, producer and music enthusiast with over a two decade of experience in cultural community. After studying for 15 years at the Gnessin School (Academy) of Music she began writing music for big films, documentaries, TV series, audio books, plays and exhibitions, soundtracks for games and sound design for interfaces, and music production for artists all over the world.

Evgenii Piankov - Keyboardist, producer, composer, sound designer, arranger, and multi-instrumentalist. Throughout his career, he has worked in various roles with different popular artists.

Aleksei Siubaev (Mark Borzer) - Musician, ( from True Flavas Band, and Great Rvivers ) producer and DJ operating at the intersection of funk, soul, avant-jazz, post-rock and experimental music. Alongside the collaborative projects, he develops a solo practice focused on hybrid forms and textural experimentation.

vorbestellen19.05.2026

erscheint voraussichtlich am 19.05.2026

20,97
VARIOUS - XTRICTLY ELEKTRO VOL. 5 EP

The fifth transmission in the XTRICTLY ELEKTRO series connects the past and future of the genre in one powerful statement.

Side A channels the sharp, forward-driven pulse of the new school — EC13, Elektrotechnik, and Parand deliver cutting-edge vibes built for the modern floor. Side B pays tribute to the roots with Calagad 13, DJ Overdose, and Motorobot — a legendary alliance between Bass Junkie and Dynamik Bass System, returning for only their second-ever collaboration.

A bridge between eras: classic heritage meets futuristic sound design — timeless, synthetic, and deeply interconnected.

Limited edition of 150 copies.

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18,45
DIETER BÜHRIG - BUTTERFLY DANCE

DIETER BÜHRIG

BUTTERFLY DANCE

7"-VinylFUNKSCAPES013
FUNKSCAPES
05.05.2026

Official reissue of a German under-the-radar disco tune. The original from 1979 is a bubbling dancefloor stomper with freewheeling synth lines. For the flipside of this 7" Korkut Elbay created a spaced out balearic dub rework. Picture sleeve with a funky painting by Holger Kurt Jäger that picks up on the original.

The melody of 'Butterfly Dance' came to Dieter Bührig's mind as a butterfly floated through the recording studio during a session break. The resulting track landed on a compilation with mostly cover versions of disco hits. Now, more than 45 years later, the tune found its well-deserved single release on funkscapes.

Korkut Elbay is a fixture of Cologne's electronic music scene for over 20 years. He's part of the Cómeme camp and with remixes and edits for labels like Permanent Vacation or funkscapes he prooves his sensitive feel for the dancefloor. So does he on this rework, giving the orginal space to breathe and calm down without leaving the dancefloor.

Dieter Bührig studied electrical engineering and sound recording in Berlin. Afterwards he worked several years as a sound engineer for the music industry and as a producer. Later on he worked as a teacher for physics and music, trained trainee teachers for secondary schools and wrote articles and publications on musical education, choir and band arrangements. Nowadays he's writing, among other things, musical crime stories.

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15,92
SENTOMEA - WONDERMENT EP

SENTOMEA

WONDERMENT EP

12inchMOS039
M>O>S
05.05.2026

Rarely-seen Delsin alumn Sentomea resurfaces on the M>O>S label with the Wonderment EP, brandishing a blissful quintet of tracks in his trademark style. Inspired by organic textures in sound and image, this release merges distinctive sound-design with raw improvisation and hardware-based live performance. A carefully selected set of tracks takes you along clunky Chicago house sounds, far away echoes from the NWAQ universe and lo-fi Detroit oriented journeys.

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12,56
THE TRUE UNDERGROUND SOUND OF ROME - THE TRUE UNDERGROUND SOUND OF ROME

Double 12" release

The Story — From the Streets of Rome to the Male Productions Label
In the early 1990s, Rome lived in a kind of suspended moment. The city was still tied to its historic clubs, yet in the outskirts—inside abandoned warehouses, quarries along the coastline, and the wooded parks north of the capital—something new was beginning to stir. A nocturnal, constantly shifting movement fuelled by a hunger for freedom and a sonic curiosity that reached far beyond the mainstream.

Moving through this ferment was Francesco “Chicco” Furlotti. First an organizer of unconventional parties and underground nights, he soon became one of the driving forces behind Rome’s itinerant rave scene. Furlotti sensed that a wave of change was about to sweep across the city. It wasn’t just about parties: it was the rise of a culture, a new way of thinking about music, community, and belonging.

It was within those nights—later held with official permits, properly built sound systems, and an ever-growing crowd—that Furlotti recognized the existence of a distinctly Roman sound, and the need to capture it, preserve it, and give it tangible form.
So, in 1991, he decided to take a bolder step: to found an independent record label—small, determined, and far removed from the commercial logic that dominated at the time.
That was the birth of Male Productions.

Male was not a label like any other: it was a workshop, a gathering point, a creative hub where DJs, producers, friends, and wanderers converged. Within that environment, an artistic core took shape—Stefano Di Carlo, Leo Young, and Mauro Tannino, along with other collaborators orbiting around Furlotti. From their synergy emerged a project whose very name declared its mission:

The True Underground Sound of Rome.

The collective did not simply aim to release music; it sought to tell a story of Rome through sounds that defied categorization: house, techno, ambient, electronic mysticism, psychedelic visions… a unique blend, instantly recognizable, emotional, and experimental. The sessions unfolded using essential yet razor-sharp gear: Roland drum machines, analogue synthesizers, Akai samplers, stripped-down mixers. Few tools, endless imagination.
The first result of this work was the 12” Secret Doctrine, released in 1991 in an extremely limited run—around 500 promotional copies, according to accounts. The record captured something that until then had floated only in the air of Roman raves: enveloping atmospheres, deep rhythms, melodies built to make the mind travel far beyond the dancefloor. A sound that did not imitate what was happening in Detroit, London, or Berlin, but absorbed those influences and re-sculpted them with a distinctly Roman sensibility.
Yet, precisely because it was independent and detached from commercial circuits, Male’s output remained sparse: few EPs, few copies, irregular distribution. Over time, those records became rare artifacts—almost mythical objects within the Italian electronic scene. The legacy of Male Productions seemed destined to survive only in the memories of those early years, in the stories told after raves, and in the private archives of a handful of collectors.
Many years later, thanks to the almost accidental rediscovery of a few original copies of the first two releases issued by Male Productions, it became possible to undertake a meticulous process of recovery and restoration of the audio etched into those grooves, with the aim of preserving as fully as possible the quality and character of that unrepeatable sound.

We are therefore able today to present — at last in a complete and faithful form — the first two mixes created for Male Productions, now released on a double vinyl that brings back into the present the exact moment when it all began: the nomadic nights of the raves, Furlotti’s vision, the creativity of Di Carlo, Young and Tannino, and the sonic identity of a Rome in the midst of transformation.

This is not merely a reissue.
It is a historical document.
A fragment of a culture that changed the city.
The authentic sound of the Roman underground, finally returned to the world.

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23,74
The Balek Band - Fragments of Reality (incl Bufiman & Shubostar remixes)

Some grooves don’t rush to the dancefloor — they crawl there, slow and heavy, like smoke wrapping around a bassline. With Fragments of Reality, The Balek Band sculpt an electronic funk that lives between shadow and light — an end-of-the-world fever dream, a Barjavel-style Ravage where chaos turns nihilistic.

No sequencer grid here — just four musicians sharing the same room, shaping air and tension together: drums locked tight with a slap bass, a guitar dripping with echo and heat, and a one-man orchestra behind his machines, weaving acid lines and synth arpeggios while mixing the band live — drenching it in delay, reverb, and saturation, like a dub producer in a Kingston studio, Lee Scratch Perry or King Tubby conjuring ghosts through smoke.

This isn’t fusion — it’s friction. A living ritual where the TB-303 hums, and machines don’t dominate but converse with the human pulse. Each track feels like a night that refuses to end — that humid in-between where trance slips into languor, and the body starts to think for itself.

The record recalls the cosmic jazz of Alain Mion or Eddy Louiss meeting the fiery energy of West African afrobeat musicians freshly arrived in a smoky Belleville basement in the mid-’80s. When The Balek Band summon ghosts, it’s only to reshape them — bending the past into something futuristic, alive, and strangely refreshing. Both disciplined and delirious, Fragments of Reality feels like a promise at dawn: dark funk for the late hours, slow acid for warm blood.

This EP isn’t nostalgic, though it remembers. It’s a transmission from a parallel past — a moment when jazz players met drum machines and decided never to stop playing. Each note sweats, each rhythm breathes. You can almost see the light cutting through the haze, faces half-awake, half-possessed.

The Balek Band aren’t recreating a moment — they’re keeping it alive.
Flesh and cables. Impulse and patience.
A band, not a loop.
A trip, not a format.

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13,87
Groof - Simulation (Oscar Mulero Remix)

This is a highly limited pressing, please order your desired quantity and we’ll see what we can supply.

We are pleased to be back with the talented Groof, the experienced producer from Madrid’s legendary electronic music scene, who is responsible for our eighth release and his debut on Kontralamakina.

We welcome you to “Simulation.” This EP/LP consists of a collection of 5 tracks that explore repetition and dynamism, with structures generated by various noise sources and algorithmic sequencing with a raw and forceful sound. It consists of excellently stomping techno rawness exercises.

Plus 1 remix by the techno legend Oscar Mulero Remix; Outstanding mind bending tools, Expertly careful Drone treatments, Stunning, deep, atmospheric but energetic Techno voyage.

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17,44
Unknown - Suntrip

Unknown

Suntrip

7"-VinylMWSE016
Magic Wand
05.05.2026
 
1

16 years after debuting, Coyote's hush-hush Magic Wand imprint continues to be one of the most reliable sources of Balearic-minded re-edits and reworks. Their latest is suitably mysterious - a single-sided missive released with no information about either the uncredited scalpel fiend behind it or the source material. What we can tell you is that 'Suntrip' is undeniably ace, with our shadowy editor delivering an extended, lightly dubbed-out take on what sounds like a mid-1980s big studio number: the kind of off-beat pop-not-pop record that Balearic heads love. Think synth marimba lines, fretless bass, effects-laden drums, glassy-eyed male lead vocals, glistening guitars, nods to dub and lashings

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12,82
Foxtrot / Collision / Egebamyasi / Minimum Syndicat - FBI 005

Foxbam Inc is building up a fine head of early steam and after featuring the likes of LFO's Gez Varley and Mark Archer, that looks set to continue into 2026 with this latest various artists EP. It's a white knuckle ride through panel beating techno fervour, starting with Foxtrot's 'Tartam Tripper', which could be called paint stripper, it's that caustic. Collision lays down flat, hard, distorted drums on 'Plop Projekt', Egebamyasi offers up a stuttering, bass-driven club take on an unmistakable 80s electronic classic and Minimum Syndicat's 'Tunnel Chase' is a slower, darker, more foreboding closer that carries serious weight and a soot-black atmosphere from which there is no escape.

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15,55
Fabio Santos - Constant Black 36

You can always rely on Burnski and his many labels to keep DJs and dancers well-oiled with plenty of fresh house and garage tackle in various different guises. Constant Black keeps it stripped back with this new one from Rotterdam resident Fabio Santos. 'Midnight Protocol' is an ice-cold stepper, and 'Duster' gets more sleazy and raw with a heavy house foundation. There's wub-wub filth underpinning the garage shuffler 'Breather', old school ragga vibes on 'Request To All Junglist' and 'Conspiracy' is a light-footed hot-stepper with mutant energy. An absolute no-brainer that will become a go-to for months to come.

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15,34
Gregory Shiff - Puzzle ep.

Gregory Shiff

Puzzle ep.

12inchSBC001
Sub Culture
05.05.2026

The first release of Sub Culture, Puzzle by Gregory Shiff, is a tech house masterpiece with both delicacy and an innate strength. The original release came out in 2003 on the American label Matter/:Form Records and immediately caught the attention of lovers of the genre. The release features four versions of Puzzle, including an “Unreleased mix” produced in 2003. A highly respectable repress for record bags, not only for those who love tech house.

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13,87
Rhythm Of Paradise - Divina EP

Rythm Of Paradise launches his brand new label “Ritmo Adriatico” with "Divina EP", a sonic manifesto of Italian house music. This four-track journey blends the power of main stages with the warm intimacy of clubs, always driven by a profoundly Mediterranean soul. A first release that doesn't just present a sound, but tells a story.

The EP opens with main track "Divina" , powerful and immediate groove built for the dance floor, wrapped in warm atmospheres and bright pads that create a sense of high energy, with emotional breaks that reminds French Kiss sound.

Followed by its remixed version of Divina by St. David where he reimagined and elevate the impact on main stages. The bass becomes more prominent, the groove expands, and the voice became more hypnotice, without ever falling into cliché.

B1. Italia Novanta is where, Ritmo Adriatico reveals its beating heart. "Italia novanta " is a respectful and modern tribute to the golden era of Italo House, diving into the Mediterranean soul of the 90s, reinterpreted with today's power.

Closing with B2. Te Quiero where takes the dreamy atmospheres and immerses them in a deep, meditative dub treatment of spacious bass lines and captivating Italo house piano licks.

Written and Produced by Michele Lamacchia.
Mixed & Mastered by St. David

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12,19
Makz - TSR004 (incl Ferro Remix)

After years of shaping his sound, Makz steps forward with his debut EP. No big statements, just four tracks that speak for themselves.

On the A side, Clubmate sets things in motion with a steady drive. Execution Style follows up with heavy drums and a rolling bassline that keeps pushing forward.

On the flip, Ferro brings his own take on Clubmate. His DDC Tornado remix pulls the track into a deeper, more hypnotic space, made for those later hours.

B2, 926813, is a small nod to The Set Crew. Light in name, but the track itself carries real weight.

No gimmicks, no extras. Just honest house music, built for the floor.

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14,08
Various - Hot Creations Spring Sampler 2026

Hot Creations Spring 2026 Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.

After a year in which Joe Rolét’s ‘No Hesitating’ on Hot Creations became one of the biggest tracks of 2025 earning a spot in Mixmag’s ‘30 Best Dancefloor Bangers of 2025’, UK favourite Max Dean’s own
interpretation give s whole new energy to the track. Max’s remix reframes it even further for maximum peak-time impact. The bassline is murkier, the cuts sharply, and the overall momentum makes it a powerful weapon for DJs looking to keep crowds moving. Next up is ‘Sweat’, a collaborative drop from in-demand rising talents Locky and Mad.Again, bringing together two distinct voices shaped by London’s underground. ‘Sweat’ is a monster of a track, delivering punchy, driving drums, weighty bass, and tightly coiled grooves designed for peak-time floors, it’s a collaboration that feels rooted, purposeful, and built for the club!

On the flip and L.P Rhythm delivers his 90s-driven house aesthetic with ‘Want Somebody’, leaning into the warmth and swing of the era he draws so much influence from, the production blends crisp percussion, squiggly acid basslines, and soulful vocal flashes into a sharp, club-focused flip of a ’90s house classic - built and re-purposed for packed rooms and late-night energy. Final track ‘Freaks’ from Joshwa, brings a hypnotic blend of infectious vocal chops, punchy percussion, and growling low-end heat built for late-night dancefloors. Another four track banger!

vorbestellen19.05.2026

erscheint voraussichtlich am 19.05.2026

14,50
Felix Da Housecat - Test Press (Aphrohead Remix / Erol Alkan Re-Edit)

‘Test Press’ originally landed with Erol Alkan long before his monumental B2B2B2B with Busy P, Fred Again and Thomas Bangalter of Daft Punk in Paris in October 2025. A few nips and tucks by Alkan later resulted in his own simple yet highly effective battle weapon, and ‘Test Press’ was ready for the Parisian dancers at the now legendary Pompidou Centre’s closing party, as well as thousands locked into the live stream of this unexpected link-up.

Not content with the edit to merely be confined to a series of YouTube rips and Alkan's own USB key, Felix Da Housecat’s ‘Test Press (Aphrohead Remix / Erol Alkan Re-Edit)’ has been pressed onto a limited edition single-sided while label.

This is not a promotional copy!

Test complete.

vorbestellen19.05.2026

erscheint voraussichtlich am 19.05.2026

14,50
Pheek, Kike Mayor, Jay Tripwire - Salida EP

Pheek, Kike Mayor, Jay Tripwire

Salida EP

12inchMRS004BLACK
Morsecode
05.05.2026

Outstanding monimal grooves! In Spanish, Salida means “exit”, but in this EP, it becomes a metaphor for emergence. Not a way out, but a way through. From beneath layered emotions and dormant states, a new force begins to pulse. Textures rise from the underlayer. Grooves fracture silence. Each track is a signal of rebirth, slow, deep, inevitable. The artwork reflects this moment. From cracks of vivid red, new life pushes forward in green. It’s not escape. It’s transformation. This is Salida, the first breath of something real.

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11,72
Pheek, Kike Mayor, Jay Tripwire - Salida EP

Pheek, Kike Mayor, Jay Tripwire

Salida EP

12inchMRS004COLOR
Morsecode
05.05.2026

Outstanding monimal grooves! In Spanish, Salida means “exit”, but in this EP, it becomes a metaphor for emergence. Not a way out, but a way through. From beneath layered emotions and dormant states, a new force begins to pulse. Textures rise from the underlayer. Grooves fracture silence. Each track is a signal of rebirth, slow, deep, inevitable. The artwork reflects this moment. From cracks of vivid red, new life pushes forward in green. It’s not escape. It’s transformation. This is Salida, the first breath of something real.

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11,72
Various - Ease

Various

Ease

12inchSUN-001
Sun & Sound Detroit
05.05.2026

This isn’t a compilation—it’s a vinyl conversation between cities, generations, and musical bloodlines. This inaugural release embodies the spirit of collaboration, community, and cross-generational artistry that defines each artist’s deep musical legacy.

A statement on wax bringing together Glenn Underground, Coflo, Jon Dixon, Kevin Reynolds and sillygirlcarmen, this four-song project documents the shared language of five Artists through deep house, jazz roots, and forward-looking soul. Though these artists have shared DJ booths and dance floors around the world, this release marks a rare moment where their creative voices intertwine on wax. Each track stands on its own, but together they form a continuum—past, present, and future etched into wax. Pressed with intention and made for real systems, this release exists for the heads, the selectors, and anyone who still believes vinyl is where the story lives. Meant to be played—not archived. The kind of tracks that feel alive in the room and grow every time you hear them.

‘Ease’ EP tracks:
Glenn Underground ‘Dive (Into The Deep)’; the Chicago legend & Strictly Jaz Unit co-founder combines deep house, freeform jazz & soul, here in a jazz-infused, laid-back, hypnotic melange of house beat, synth chord riff, rippling arps, with a whisper of disco in the bassline and 80’s electro in the high, singing strings.

Coflo x sillygirlcarmen ‘Never Forget (That Feelin’)’; East Bay CA-based Coflo combines Hawaiian & Portugese roots with a global reach. A collaborative skipping house beat, pattering percussion & melodic jazz synth piano embrace sillygirlcarmen’s soulful voice and heartfelt lyrics. This collaboration marks a merging of emotional storytelling and percussive sophistication.

Jon Dixon ‘Saturday At Northland’; Detroit’s modern jazz & techno fusionist, rooted in long study and prestigious performance of classical & jazz piano both in orchestral and electronic contexts, employs his keyboard virtuosity in a thrilling wave of melodic piano improvisation & complex lively percussion, combining sheer craft with spiritual heft.

Kevin Reynolds ‘I Got Music’; from an Irish/US Detroit family, producer/live artist Reynolds blends techno, jazz, soul, from influences as diverse as 90s underground techno, Kraftwerk & John Coltrane, and roles/performances in multiple prestigious venues & positions. Here, a stealthy beat & Kraftwerk-evoking robotic electro synth theme are joined by a dual vocal used as a riff, while clusters of piano chords flower into jazz motifs.

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15,92
BEN VIDA - OBLIVION SEEKERS

Ein aufmerksamer Zuhörer der Welt zu sein, bedeutet, von Sprache umgeben zu sein. Sprache hallt durch fast jeden Raum, in dem sich Menschen aufhalten, ob unerwünscht oder erwünscht, banal oder tiefgründig. Worte stehen auf der Seite und klingen im Ohr nach, vermehren sich endlos. Diese Überfülle fasziniert den Komponisten und Musiker Ben Vida schon lange, aber in den letzten Jahren hat sie zu einer neuen Art des Musikmachens geführt, die die Vorrangstellung der Sprache in unserer Klang- und Kulturwelt gleichzeitig hervorhebt und hinterfragt. Sanft und spielerisch bricht Vida die Hierarchie von Bedeutung und Klang der Sprache auf, bis sie in egalitärer Harmonie existieren. Oblivion Seekers ist Vidas neuestes Album in diesem Kompositionsstil, nach der Zusammenarbeit mit dem New-Music-Ensemble Yarn/Wire The Beat My Head Hit aus dem Jahr 2023. Wie bei seinem Vorgänger liegt der Fokus der Musik auf koordinierten Duetten aus gesprochenem Wort in neutralem Ton, wobei die variablen Rhythmen der bewegten Worte komplexe interne rhythmische Strukturen schaffen. Er wird von den Stimmen von Nina Dante, Christina Vantzou, John Also Bennett und Félicia Atkinson, die einen einzigartigen Klang erzeugen, der weder ihrer noch seiner ist und in seiner Geschlechtsdarstellung, seinem Akzent und seiner Aussprache fließend ist. Die instrumentalen Kompositionen, die den Hintergrund des Albums bilden, haben den ungezwungenen Fluss eines Dialogs, gesprächig, aber zurückhaltend, selten als Motor der Veränderung. Es herrscht eine ruhige, konzentrierte Stimmung, die durch den zurückhaltenden Rhythmus der Stimmen noch verstärkt wird, sodass man das Gefühl hat, die Musik sei ein langes Mantra, das nie ganz zu seinem Ausgangspunkt zurückkehrt. Der Effekt ist bezaubernd, gleichermaßen einschläfernd und fesselnd, und suggeriert Wiederholung, ohne sich jemals genau gleich zu bewegen. Die Instrumentierung der vier Stücke des Albums variiert; ,Be Yr Own Abyss" wird durch den wellenartigen Kontrapunkt der Saxophone geprägt, während der mehrdeutige Klang des Vibraphons über ,Oblivion Seekers" schwebt und Frasers anschwellender Bass den einzigen dramatischen Auftritt des Albums liefert. Die Musik verändert sich im Ohr, während der Text die Form und Bewegung der Komposition ständig neu definiert und in einen neuen Kontext stellt, auch wenn sie in ihrem jenseitigen Glanz konsistent bleibt. Der Text besteht oft aus Sprachfetzen, denen Vida während seines Lebens beim Komponieren begegnet ist: zufällig mitgehörtes Gemurmel in der Schlange im Supermarkt, eindrucksvolle Sätze aus einem Roman, den er gerade las, Eindrücke von Musik, die er immer wieder auf seinem Plattenspieler hörte. Kleine, ansonsten unbedeutende Details sammeln sich an, nicht um eine Erzählung zu bilden, sondern um einen Eindruck vom komplexen Prozess der Bedeutungsfindung zu vermitteln, der im täglichen Leben stattfindet. Charaktere und Szenen tauchen im Bild auf und verschwinden wieder, und Sätze, die nach einer Erklärung verlangen, dürfen einfach vorbeiziehen. Vidas Liebe zu Robert Ashley ist gut dokumentiert, aber vielleicht noch bedeutender sind Mark E. Smith und The Fall, Neil Tennant und die gesprochenen Verse der Pet Shop Boys, die gesamte Geschichte des Hip-Hop und Meredith Monk. Die Art und Weise, wie die Worte dargeboten werden, ist genauso wichtig wie die Worte selbst und offenbart eine Intentionalität und Direktheit, die Vida mit den abstrakten Konstruktionsmustern des Textes hervorhebt und untergräbt. Auf Oblivion Seekers ist der omnidirektionale Lärm der Marmor, den Vida abträgt, um zu beleuchten, wie wir die unermessliche Fremdheit der Welt verarbeiten. Der Triumph des Albums besteht darin, dass wir nichts von dem schönen Geheimnis verlieren, wie diese Zeichen unsere äußere und innere Welt miteinander verbinden.

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24,79
DEMUJA - TITLE.TXT

DEMUJA

TITLE.TXT

12inchPEACH027
Peach Discs
20.05.2026

Peach Discs continues into 2026 with a deeply jacking record from the king of the live house jam Demuja. If you've seen him on the 'gram you'll know just how incredibly prolific he is – the tracks that make up this EP were whittled down, tweaked and finessed from close to 100 demos, and we're thrilled with what we've put together, together. In his own words, the EP is "a little love letter to the dancefloor that lives within the idea of a long, sweaty night out. All the tracks were made at very different stages – some produced a while ago, others more recently – and I hope that’s part of what makes the EP interesting as well."

The "title.txt" EP embodies a pure distillation of Demuja's sound– rooted in classic house techniques with a dubbed-out sensibility and, the record's five tracks all stem from live-jams bashed out with focused intention in his Austrian studio on a plethora of drum machines, synths and effects units.

Things kick off with probably the wiggliest of the lot, as "Stop Asking Me" worms a long-range bassline around snappy, stripped-back drums before leaning towards techno (can you hear a snare on the 2 and the 4 cos i can't) on "Oldhead," as its dusty samples drag it back towards house, with a sprinkling of dubstep flavour tucked away in the breakdown. The A-side wraps up in a dubbed-out mode with "Say No More's" deep, modulating textures wrapping themselves around skippy, insistent percussion.

Those dub sounds carry over onto the B-side's "Tool 6," as classically filtered chords peek through the mix (though that bassline is definitely talking tech-house), and Pulse brings it home with strutting drums, disembodied vox and arcing synthlines.

We've also thrown in two bonus tracks you won't find on the 12" but will be available to those that pick up a copy of the record through the Peach Discs Bandcamp. Tasked with picking one fave each, Gramrcy went for "Almost Cherry," a barreling ride across an insistent Reese bassline reminiscent of Samuel L Sessions' best bombs, while Shanti chose the wiggling, diva-wailing "Art of Failing."

vorbestellen20.05.2026

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12,56
Intertoto - Siccar Point LP

Siccar Point is the second album release from Intertoto, and is a study of the geographical extremes on the east coast of his native Scotland. The eight pieces of music on the album serve as vignettes portraying this ancient headland, while also acting as an allegorical reference to the pioneering work of Scottish geologist James Hutton, who proposed that geological features are not static but undergo continuous transformation over indefinitely long periods of time.

With this theory — and the striking landscape — in mind, Jamie Coull, aka Intertoto, imagines tectonic forces through tension, space, density, and texture. Divergent and convergent boundaries are realised in different moods throughout. Siccar Point opens with the irregular drift of Raw Lunar Concrete, a track that undulates asymmetrically, pulling you off balance before settling into the pulse of Condor Launch and Cloud Chamber — the more veiled club moments of the album.

Further into the strata, Siccar Point mines deep into the dense textures of Metallic Veins and Redox Dub, before closing with the cascading outro Foraber, shimmering with tones that imagine a view outward from the rocky promontory — beyond the vanishing point.

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23,95
Marc Acardipane - The Most Famous Unknown Remastered V7

2026 Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.

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12,56
Mike Parker - Spaceship Galliot / Saber-tooth Animal 10"

Long requested and previously confined to the digital realm, Spaceship Galliot and Sabre-tooth Animal now materialise on wax - pressed as a very limited 10" edition

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14,71
Various - SWAY SH-3

Various

SWAY SH-3

12inchSH-3
Sway
04.05.2026

A new SWAY vinyl is coming your way, packed with some of our very best material. Kicking things off is Hertz & Wehbba - Ink, the Beatport No. 1 that's still riding high in the charts. Then the legendary Ken Ishii brings the heat. Next up, Hertz & Ramon Tapia deliver another high-energy collaboration. And finally, the Richie Hawtin favourite Kristian Heikkila & CDTRAX - Work, a track that's been in more or less every set over the past six months. Support also comes from Dave Clarke, Ben Sims, Kaiserdisco, UMEK, Christian Smith, Pan-Pot and Perc, just to name a few. SWAY vinyl FTW!

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12,56
KaioBarssalos - Whale LP

KaioBarssalos

Whale LP

12inchSMILE011
Smile Sessions
04.05.2026

Berlin-based producer and DJ KaioBarssalos returns to Smile Sessions with his most visceral statement yet. 'Whale' is a six-track EP built for bodies in motion : obsidian grooves that pull you under, primal percussion that speaks directly to the hips, and a low-end surge that turns a dancefloor into a ritual.

Old-school in its bones, stripped back to what matters: the kick, the groove, the trance of it all. Repetitive, hypnotic, communal. The bark of a drum that doesn't ask permission. No distractions, just tools honed for the floor, weapons a DJ can reach for at peak time and trust completely.

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11,56
Calibre - Tricklemore Sea (2x12")

Calibre

Tricklemore Sea (2x12")

2x12inchSIGLP022
Signature
04.05.2026

Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

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27,31
NICOLINI - QUITA MALDICION

NICOLINI

QUITA MALDICION

12inchSONLP-022
SOUTH OF NORTH
21.05.2026

Nicolini is back with 'Quita Maldicion' - an album of hyper riddim tracks, mixing up Memphis-tinged beats, pitched vocal chops, blown-out bass, and fever dream Dembow. With guest appearances from Chimira, Sharp Shin, Cheba Tmax, and Toff Youth, 'Quita Maldicion' hits like the zaps of an alien rave defibrillator, reanimating your lifeless body for the dance. Remove the curse on this world!

vorbestellen21.05.2026

erscheint voraussichtlich am 21.05.2026

22,48
Vita Noctis - Fragile Life LP

Vita Noctis is a curious Belgian formation that, in a more experimental vein, recorded two cassette tapes featuring a dark and distorted sound blending industrial with minimal, darkwave, and synthpop. Active during the 1980s, they remained inactive for many years until Dark Entries Records revived their work in 2011, releasing recordings created between 1984 and 1986. This encouraged Kris and Martine, the current members of the band, to continue the legacy of Vita Noctis by creating new music.

This EP is a selection of tracks created by Vita Noctis from the 2000s onwards. It includes songs that have never been released before, such as “Betrail,” an extended version of the song “Engaged,” along with other tracks that will appear on vinyl for the first time, marking the first release of Casual Strippers Rubicon Records. Also the EP comes with an insert featuring an image of Vita Noctis printed on yellow paper.

Hope you enjoy!

vorbestellen21.05.2026

erscheint voraussichtlich am 21.05.2026

19,54
Conjunto Media Luna - Cumbia

Little Beat More welcomes a new 7” from Conjunto Media Luna, a release that moves along the deep axis connecting Colombia and Mexico where cumbia mutates, and projects itself into new dimensions.
On the A-side, “Kumbia Tequendama” sees the group joined by rebajada pioneer Amantes del Futuro, a key figure in shaping the futuristic vision of cumbia across generations and geographies. Born between Mérida, Medellín, and the legendary Mambo Negro studios in Bogotá, the track reflects years of friendship and shared sonic research. Hypnotic accordion lines intertwine with dense low-end pressure, channeling an energy rooted in tradition but fully tuned to the present, built for dancefloors, sound systems, and the growing decentralized community of modern cumbia.
On the flip side, French producer La Dame reshapes “No es Moda”, originally featuring La Terrorista del Sabor, into a forward-leaning DnB and Future Bass reinterpretation. Faster, sharper, and more weightless, the remix opens a new perspective on the original while preserving its nocturnal spirit and emotional depth.
The artwork is signed by Bogotá’s own Mateo Rivano, whose unmistakable visual language has defined the aesthetic of some of the most visionary projects in contemporary cumbia.
Part of the wider sonic universe of Sociedad Internacional de la Kumbia, Conjunto Media Luna’s upcoming album, this 7” captures the group’s ongoing exploration of cumbia as a shared space, where distance disappears, traditions remain in motion, and new frequencies emerge from collective memory.


Made with Love by Little Beat More 2026
“We Dance We Think”

vorbestellen21.05.2026

erscheint voraussichtlich am 21.05.2026

13,40
Jungstötter - Sustained LP

Jungstötter

Sustained LP

12inchUGD-030
Unguarded
22.05.2026

‘Sustained’ is the new album by Jungstötter, the solo project of Berlin-based songwriter and musician Fabian Altstötter. With sparse, poignant arrangements of piano, strings, electronics, and noise, Jungstötter composes a tender, raw, and poetic song cycle of exquisite romanticism, featuring a cast of close collaborators including the Berlin-based artist Ronja (Roomer). Evoking the fervent vocal versatility of ANOHNI and Scott Walker, Jungstötter adopts the human breath as a central metaphor in a miraculously moving opus of intimacy, vulnerability, and communion.

Across ten tracks of experimental pop songcraft, notes oscillate, soft strings linger, piano ambles, noise billows up and sears back into itself – and all of it is bound by a distinct voice that roams from a remote, warped undertone to an immediate melodic intensity.

Distorting the soft edges of vocal melody with rattling tactile noise, ‘Sustained’ is a mercurial portrait of layered lyric and contracting sound. The third album by Jungstötter, ‘Sustained’ bends away from the more dense, knotted sounds of his last two solo albums, ‘Love Is’ (2019) and ‘One Star’ (2023), toward a particular rawness that reestablishes the strength of poetics, of vocal sound, and the softness of song when reduced, restrained, redirected.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

22,06
Noah Gundersen - Rites Of Spring
  • 1: Rites Of Spring
  • 2: You & Me
  • 3: Die Young
  • 4: Driving With My Eyes Closed
  • 5: Heaven
  • 6: Signs & Wonders
  • 7: Good Guy
  • 8: Scene By Scene
  • 9: Tidal Wave
  • 10: Tired Tonight
  • 11: Circles

Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore to indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft. Noah takes vulnerability to a new level on his album 'Rites of Spring,' produced by Andy D. Park (Medium Build, Joseph, Pedro the Lion, Death Cab For Cutie.)

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

23,49
Noir Desir - Du Ciment Sous les Plaines LP 2x12"
vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

52,90
Farma G - Nearly Nothing Enough LP

Fresh from the success of his debut solo LP ‘How To Kill A Butterfly’ out last year on High Focus Records, Farma G returns with the anticipated full-length follow up ’Nearly Nothing’s Enough’.

An album anchored in his notorious musical adventures as 1/2 of Task Force, Bury Crew and Mud Family, but very much informed by the state of 2026 Britain and beyond, Farma’s new body of work is fuelled by equal parts venom and deep introspection across 12-tracks courtesy of Brighton based producer Relense.

With one eye on following ‘How To Kill A Butterfly’ with something of equal standing, Farma revisited the fundamentals in the hope of better understanding what he really wants to say with the music he makes. By channelling feelings of familiarity and seeking out emotional connections to his past he created a record that feels both concise and expansive.

With the help of Relense’s gritty analog instrumentals, Farma found himself journeying across subjects and bandwidths; from exploring the mind of a conspiracy theorist on ‘X-Files’, to being a zen master with a mountain on his back on ‘Sun Wukong’, before returning to earth for a typical day in the life on ‘Mr Moany’, ‘Nearly Nothing’s Enough’ is an album that took Farma home and he is delighted to welcome you on the journey.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

34,41
FEX - Don't Look Back (LP)

FEX

Don't Look Back (LP)

12inchEDGE-040
The Outer Edge
22.05.2026

We are pleased to announce the first FEX live album, Don't Look Back. The release features selected recordings from two concerts in Paderborn and Uelzen, both captured in 1985. All tracks on the album are previously unissued, including entirely unheard songs such as It's a Hard Life, Just Get Back, Legend, and Waiting Song, alongside a previously unreleased version of Subways of Your Mind, widely known as "The Most Mysterious Song on the Internet."
One of the most striking aspects of the album is the remarkable sound quality of the live recordings, as well as the strength of the performances themselves - particularly given that FEX were still considered a newcomer band at the time. The four-piece lineup consisted of singer, guitarist, and primary songwriter Ture Rückwardt, Michael Hädrich on keyboards and occasional second guitar, Norbert Ziermann on bass, and Hans-Reimer Sievers on drums. In 1985, the band was preparing for broader exposure through a nationwide tour organized by the small promotion company HBM-Musikbüro.
The album opens with the psychedelic Skyscraper, a track Rückwardt reportedly regarded as a personal favorite to perform. Hädrich contributes dynamic synthesizer layers, while Ziermann underpins the track with a distinctive slap bass groove. This is followed by the energetic rock number It's a Hard Life, which once again demonstrates that the band possessed multiple songs capable of matching the impact of their best known track Subways of Your Mind.
After this energetic opening, the album shifts into a more restrained mood with the synth-pop ballad I Got My Eyes On You. It is followed by Strange Feeling, presented here in a particularly compelling live version that arguably surpasses the previously released studio demo featured on the Skyscraper LP, with Rückwardt delivering one of his most expressive vocal performances. On Goldrush, another fan favorite, it is Hädrich's DX7 synthesizer work that stands out.
Don't Look Back continues to flow seamlessly, moving between styles such as new wave, synth pop, and a blues-influenced form of classic rock. On It's Good To Know, a song addressing the theme of stardom, the band returns to a heavier rock sound. In contrast, the synth-driven Just Get Back reflects on the conflict in Northern Ireland, then ongoing at the time. Lines such as "It's the money, it's the money why they come along" are directed at mercenary soldiers, while "even Sunday's a killing time" directly references Sunday Bloody Sunday by U2.
Previously known songs such as Dirty Slapstick and Heart in Danger lead into We Don't Want It No More, perhaps the band's most striking pop ballad. It is easy to imagine that the track had the potential to achieve radio success in the 1980s. The following piece, the epic Legend, explores themes of loneliness and love simultaneously. With poetic and abstract lines such as "some isolate in the falling rain" and "that's why I count all the reasons they call out for living, sadness is falling inside," it builds an almost eerie atmosphere.
One of the final highlights of the album is Subways of Your Mind, recorded in Uelzen. In this version, Rückwardt's vocal performance is even more on point than on the previously issued recording from Paderborn. Another notable moment is the driving, 1970s-inspired rock 'n' roll track Waiting Song. Both the composition and its live performance carry an energy that could easily stand alongside the repertoire of bands such as AC/DC. It was usually the track that FEX ended their concerts with, calling out each band member at the end of the song.
This leads to a broader reflection: it is striking that FEX did not achieve a wider breakthrough at the time. The performances captured here suggest a band capable of delivering consistently, song by song, note by note. It is not difficult to imagine FEX performing in large venues and engaging sizeable audiences. In reality, however, most performances in 1985 took place in front of relatively small crowds. The recordings featured on this album originate from the Roxy club in Paderborn and a small, unknown venue in Uelzen, likely in front of fewer than fifty attendees.
An essential figure behind these recordings is the engineer known only under his nickname Hase (German for "rabbit"), who was responsible for capturing not only these concerts but many other surviving FEX recordings. Bringing his own mixing desk to performances, he developed a deep familiarity with the band's material and was able to shape the live sound with precision, including the timely use of vocal effects. The original recordings existed only on cassette and required careful and extensive restoration work. Zoey Cairs was finally responsible for bringing them to their present quality.
This album marks the beginning of the Live Waves series, following the rediscovery of additional recordings that have gained international attention since November 2024, when they surfaced through what has been described as the largest "lost wave" music search to date. The title of this first live LP Don't Look Back carries a certain paradox. While the album invites listeners to revisit recordings from forty years ago, FEX themselves were always oriented toward the future. In that spirit, further releases of brand new material are already planned.
The cover artwork is once again based on an image by Magnussen from the Kiel archive, depicting the Prinz-Heinrich-Brücke. The bridge, once located in the northern part of the city, no longer exists. As a symbol, however, it remains fitting: a bridge stands for movement and connection - qualities that FEX sought to embody on tour, bringing their music to different places and audiences.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

24,58
Various - Höga Nord 100 - The Effect Will Last Forever
 
40

What better way to celebrate 100 releases than with a handmade box containing soul expanding music!? Höga Nord Rekords have reached an important goal and releases a rare box set containing all 12” from the HNRUK-series plus a new record from Birds, unique for this box. Except Birds, this compilation includes Dark Strands, High Boys, Vox Low, Timothy J. Fairplay, Fontän, Bird Of Paradise, Mythologen, Jamie Paton and Frak.

The music is of course the main focus of all releases on Höga Nord Rekords but what birthday gift comes without a proper wrapping? This exclusive handmade box made in Norrmalms kartongfabrik in Stockholm, is a celebration to the Scandinavian Bronze age. You’ll find rock carvings like those on the artwork scattered over the land but mostly near Gothenburg, home of Höga Nord Rekords on the Swedish west coast.

Archaeological evidence proves similarities in ornaments and pictures between the Nordic and European Bronze age, just like you find common features in the music released on our label. Though the acts in this compilation box come from all over Europe and beyond, they stem from an obscured and mysterious common source of escapism, purity and creativity.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

113,40
Gateway Jones - Boogie Magic Vol 1

Focus 21 is back with a second sizzling disco drop, this time in the form of 'Boogie Magic Vol 1', which has its feet firmly rooted in the 80s and the iconic machine sounds of that era. All four cuts are super tight and super funky from Gateway Jones, starting with 'Transmission', which is turbocharged with razzle-dazzle. 'Contact Zone' is slightly deeper and more sensuous with its playful synths and wriggling baseline. 'Non - Physical Boogie' is a taught stepper with loose claps and funky licks, then 'Midnight Call' closes with more of the same - feel good, uplifting but classy and sophisticated disco-boogie brilliance. A vital EP full of craft.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

14,08
NOFX - THE DECLINE EP

NOFX

THE DECLINE EP

12inchFAT1305
Fat Wreck Chords
22.05.2026
 
2
auch erhältlich

Black Vinyl[24,33 €]


GER NOFX waren sauer (sind es möglicherweise immer noch) und wollten uns das wissen lassen! Ursprünglich 1999 veröffentlicht, war "The Decline" ein mutiges Werk und markierte einen großen Wendepunkt für NOFX. Der Song, der weithin als eines ihrer Meisterwerke gilt, ist ein 18-minütiges Punkrock-Spektakel, das die Entertainmentqualitäten, den lyrischen Witz und die Musikalität der besten Punkrockband aller Zeiten richtig zur Geltung bringt. Der Song, der den Zustand Amerikas satirisch darstellt und die gleichgültigen Massen und Politiker gleichermaßen aufs Korn nimmt, ist auch im Jahr 2026 natürlich leider noch aktuell und kritisiert somit weiterhin die Mächtigen auf eine Weise, zu der nur wenige Künstler den Mut haben. Die Vinyl-Single enthält auf der B-Seite die erste Version von "Clams Have Feelings Too" (das später auf dem Album "Pump Up The Valuum" wieder auftauchte) und ist ein Muss für jeden NOFX-Fan. Erneut auf schwarzem Vinyl wieder da und und limitiert in neuem farbigem Vinyl. Inklusive Beilage mit Texten und Bildern. NOFX were pissed off (possibly still are) and they wanted to let us know! Originally released in 1999,The Decline, was a brave release and marked a huge turning point for NOFX. Widely regarded as their magnum opus, the song is an 18-minute punk rock spectacle that showcases the showmanship, lyrical wit, and musicality of the best punk rock band of all time. Satirizing the state of America and skewering the indifferent masses & politicians alike, the song is eerily relevant in 2026 and continues to critique the powers that be in a way few artists have the courage to do. The vinyl adds first version of "Clams Have Feelings Too" (later resurfacing on the Pump Up The Valuum album) on the flip, the 12" is an essential release for any NOFX fan. Back on black and colored vinyl (ltd), includes insert with lyrics and pics.

vorbestellen22.05.2026

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25,42
Steve Bug - Let’s Work

Steve Bug

Let’s Work

12inchNG174
Nu Groove
22.05.2026

House and techno mainstay Steve Bug returns to Nu Groove with four-track EP ‘Let’s Work’, showcasing the sound of a true electronic pioneer on vinyl. Up first is title track ‘Let’s Work’, a bouncy club record with a cool, metropolitan feel. What follows are ‘Mr Wonders’ and ‘Not The First Time’, two tracks that highlight Steve Bug’s rhythmic expertise and mastery of tension. Closing out this vinyl collection of fresh house music is a collaboration with Los Angeles native and dance culture expert Juliet Mendoza; ‘Whispers In The Dark’ features Juliet’s magnetic spoken word over Steve’s brooding electronic groove.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,87
MIKIO MASUDA - MOON STONE (1978) LP

MIKIO MASUDA

MOON STONE (1978) LP

12inchTYO-1006
THREE BLIND MICE
22.05.2026

At the time, Mikio Masuda was frequently mentioned as a Japanese jazz musician on par with the soft-and-mellow crossover sound of artists like Bob James and Ramsey Lewis. With a supple sensibility that moves effortlessly between jazz and rock, he stands as one of the defining figures of the 1970s. Now, one of his essential masterpieces, "Moon Stone", has been confirmed for reissue as the fifth installment from SPIN THIS NOW!

Electric Piano, Organ, Clavinet, Synthesizer - Mikio Masuda
Drums - Hideo Yamaki
Electric Bass - Motohiko Hamase
Electric Guitar - Kazumi Watanabe
Electric Guitar, Vocals - Kazumasa Akiyama

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

43,49
MASAO YAGI - MASAO YAGI PLAYS THELONIOUS MONK (1960)LP

Masao Yagi’s memorable first leader date, by a musician active since the dawn of Japanese jazz and also known as a devoted Monk scholar. This album features Monk’s compositions throughout, including classics such as "’Round Midnight", "Straight, No Chaser", and "Blue Monk".

Masao Yagi (p)
Sadao Watanabe (as)
Akira Nakano (tp)
Masanaga Harada (b)
Teiichi Tabata (dr)

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

43,49
AJA MONET - THE COLOR OF RAIN LP 2x12"
  • 1: Say It With Your Chest
  • 2: Elsewhere (Feat. Meshell Ndegeocello & Georgia Anne Muldrow)
  • 3: Withness
  • 4: Hollyweird
  • 5: Skinfolk
  • 6: For The Congo
  • 7: I Came To The Poem
  • 8: To Sister (Feat. Ganavya & Brandee Younger)
  • 9: I Know That I Don't Know
  • 10: Working Class Musicians
  • 11: Love Is A Choosing (Feat. Mereba)
  • 12: Song Of Myself
  • 13: Melting Clocks (Feat. Mick Jenkins & Vic Mensa)
  • 14: Every Media Minute
  • 15: Indigo

aja monet ist eine surrealistische Blues-Dichterin, Musikerin und Bandleaderin, deren Werk fließend zwischen Poesie, Musik und politischem Ausdruck wechselt. Aus der Spoken-Word-Szene der Lower East Side in New York City hervorgegangen, wurde sie die jüngste Gewinnerin des Nuyorican Grand Slam Poetry-Titels, bevor sie ihr Schaffen auf genreübergreifende musikalische Darbietungen ausweitete, die ihre Wurzeln im Jazz, Blues und experimentellen Sound haben. Ihr Debüt-Poetry-Album ,when the poems do what they do" wurde 2024 für einen Grammy Award in der Kategorie ,Best Spoken Word Poetry Album" nominiert und etablierte Monetas als einzigartige Stimme in der zeitgenössischen schwarzen Musik- und Performance-Szene. Das Projekt verbindet Poesie mit Live-Instrumentierung und Improvisation und erkundet Themen wie Widerstand, Liebe und Freude durch einen kollaborativen, ensembleorientierten Ansatz. Als tourende Bandleaderin ist sie weltweit bei großen Festivals und in bedeutenden Veranstaltungsorten aufgetreten, darunter das Newport Jazz Festival, das North Sea Jazz Festival, das Montreal Jazz Festival, das Guggenheim, das Lincoln Center, das Barbican Centre und die Fremantle Biennale. Neben ihrer musikalischen Arbeit ist monet eine gefeierte Dichterin und Autorin. Ihr erster vollständiger Gedichtband, ,my mother was a freedom fighter" (2017), wurde für den NAACP Image Award in der Kategorie Poesie nominiert. Ihr jüngstes Buch, ,florida water", erschienen bei Haymarket Books, schöpft aus mehreren Jahren des Lebens und der Organisationsarbeit in Südflorida und setzt ihre Auseinandersetzung mit Ort, Bewegung und kollektivem Gedächtnis fort. Zu ihren Auszeichnungen zählen der Marjory Stoneman Douglas Award für Poesie, der Nelson Mandela Changemaker Award, der Harry Belafonte Voices for Social Justice Award, der EBONY 100 Artist in Residence Award sowie der Malcolm X & Dr. Betty Shabazz Vanguard Award. Zudem ist sie künstlerische Kreativdirektorin von V-Day, der globalen Bewegung zur Beendigung von Gewalt gegen Frauen und Mädchen, und Schöpferin von VOICES, einem Hörspiel aus dem Jahr 2022, das die Geschichten schwarzer Frauen in der Diaspora und auf dem afrikanischen Kontinent in den Vordergrund rückt. aja monet's zweites Studioalbum, ,the color of rain", wird im Mai 2026 bei drink sum wtr erscheinen.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

24,79
LOWERTOWN - UGLY DUCKLING UNION
  • 1: Mice Protection
  • 2: Worst Friend
  • 3: Echo Of Desire
  • 4: Forgive Yourself
  • 5: Big Thumb
  • 6: Cover You
  • 7: I Like You A Lot
  • 8: (I Like To Play With) Mutts
  • 9: Dipsh*T
  • 10: Good Take Blood
  • 11: Found A
  • 12: Some Things Never End
auch erhältlich

Cassette[14,08 €]

RAINBOW ROAD MARBLE VINYL[24,79 €]


Falls Sie Lowertown - die faszinierende Band bestehend aus Olivia Osby und Avsha Weinberg - noch nicht kennen, ist jetzt der ideale Zeitpunkt dafür dies zu ändern. Es hat einige Jahre gedauert, bis das in New York ansässige Duo wieder zu Atem gekommen ist: Nachdem die Band aufgrund von Streitigkeiten mit ihrem Label, kreativen Frustrationen und einer ungesunden Bindung an ihre künstlerische Partnerschaft jahrelang am Rande des Zusammenbruchs stand, war es Zeit für einen Neuanfang. Ihr neues Album ,Ugly Duckling Union" beginnt mit einem gelassenen Ausatmen von Osby, einem symbolischen Moment, der die Bühne für ihre bisher nachdenklichste, ungehemmteste, eingängigste und exzentrischste Sammlung von Songs bereitet. ,Ugly Duckling Union" ist ein Konzeptalbum, das auf den eigenen Erfahrungen der Band basiert, durch ihre Musik eine Gemeinschaft zu schaffen. Der Protagonist Dale und seine Gefährten schließen sich zusammen, um LBH zu besiegen, ein tyrannisches Medienunternehmen, das in seinem Streben nach Kontrolle auf Spaltung und Isolation setzt. Das Album enthält ein Handbuch mit Überlieferungen und illustrierten Comics von Doctor Nowhere (Silias Orion). Darüber hinaus können Fans mit Plüschpuppen und einer spielbaren Minecraft-Welt, die von ,Ugly Duckling Union" inspiriert ist, noch tiefer in die Materie eintauchen. Inspiriert von der konzeptionellen Kreativität von Bands wie Gorillaz und der Betonung des gemeinschaftlichen Konzerterlebnisses von Fugazi, verbindet Lowertown Online- und Offline-Fandoms zu einem umfassenden Erlebnis.,Ugly Duckling Union" wurde vollständig von Osby und Weinberg geschrieben, aufgenommen, produziert und gemischt. Obwohl Lowertown die alleinigen Hüter ihrer Kunst sind, ist der Titel ihres neuen Albums eine Hommage an die bedeutungsvolle Gemeinschaft, die sie aufgebaut haben.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

24,79
LOWERTOWN - UGLY DUCKLING UNION (TAPE)

Falls Sie Lowertown - die faszinierende Band bestehend aus Olivia Osby und Avsha Weinberg - noch nicht kennen, ist jetzt der ideale Zeitpunkt dafür dies zu ändern. Es hat einige Jahre gedauert, bis das in New York ansässige Duo wieder zu Atem gekommen ist: Nachdem die Band aufgrund von Streitigkeiten mit ihrem Label, kreativen Frustrationen und einer ungesunden Bindung an ihre künstlerische Partnerschaft jahrelang am Rande des Zusammenbruchs stand, war es Zeit für einen Neuanfang. Ihr neues Album ,Ugly Duckling Union" beginnt mit einem gelassenen Ausatmen von Osby, einem symbolischen Moment, der die Bühne für ihre bisher nachdenklichste, ungehemmteste, eingängigste und exzentrischste Sammlung von Songs bereitet. ,Ugly Duckling Union" ist ein Konzeptalbum, das auf den eigenen Erfahrungen der Band basiert, durch ihre Musik eine Gemeinschaft zu schaffen. Der Protagonist Dale und seine Gefährten schließen sich zusammen, um LBH zu besiegen, ein tyrannisches Medienunternehmen, das in seinem Streben nach Kontrolle auf Spaltung und Isolation setzt. Das Album enthält ein Handbuch mit Überlieferungen und illustrierten Comics von Doctor Nowhere (Silias Orion). Darüber hinaus können Fans mit Plüschpuppen und einer spielbaren Minecraft-Welt, die von ,Ugly Duckling Union" inspiriert ist, noch tiefer in die Materie eintauchen. Inspiriert von der konzeptionellen Kreativität von Bands wie Gorillaz und der Betonung des gemeinschaftlichen Konzerterlebnisses von Fugazi, verbindet Lowertown Online- und Offline-Fandoms zu einem umfassenden Erlebnis.,Ugly Duckling Union" wurde vollständig von Osby und Weinberg geschrieben, aufgenommen, produziert und gemischt. Obwohl Lowertown die alleinigen Hüter ihrer Kunst sind, ist der Titel ihres neuen Albums eine Hommage an die bedeutungsvolle Gemeinschaft, die sie aufgebaut haben.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

14,08
LOWERTOWN - UGLY DUCKLING UNION

Falls Sie Lowertown - die faszinierende Band bestehend aus Olivia Osby und Avsha Weinberg - noch nicht kennen, ist jetzt der ideale Zeitpunkt dafür dies zu ändern. Es hat einige Jahre gedauert, bis das in New York ansässige Duo wieder zu Atem gekommen ist: Nachdem die Band aufgrund von Streitigkeiten mit ihrem Label, kreativen Frustrationen und einer ungesunden Bindung an ihre künstlerische Partnerschaft jahrelang am Rande des Zusammenbruchs stand, war es Zeit für einen Neuanfang. Ihr neues Album ,Ugly Duckling Union" beginnt mit einem gelassenen Ausatmen von Osby, einem symbolischen Moment, der die Bühne für ihre bisher nachdenklichste, ungehemmteste, eingängigste und exzentrischste Sammlung von Songs bereitet. ,Ugly Duckling Union" ist ein Konzeptalbum, das auf den eigenen Erfahrungen der Band basiert, durch ihre Musik eine Gemeinschaft zu schaffen. Der Protagonist Dale und seine Gefährten schließen sich zusammen, um LBH zu besiegen, ein tyrannisches Medienunternehmen, das in seinem Streben nach Kontrolle auf Spaltung und Isolation setzt. Das Album enthält ein Handbuch mit Überlieferungen und illustrierten Comics von Doctor Nowhere (Silias Orion). Darüber hinaus können Fans mit Plüschpuppen und einer spielbaren Minecraft-Welt, die von ,Ugly Duckling Union" inspiriert ist, noch tiefer in die Materie eintauchen. Inspiriert von der konzeptionellen Kreativität von Bands wie Gorillaz und der Betonung des gemeinschaftlichen Konzerterlebnisses von Fugazi, verbindet Lowertown Online- und Offline-Fandoms zu einem umfassenden Erlebnis.,Ugly Duckling Union" wurde vollständig von Osby und Weinberg geschrieben, aufgenommen, produziert und gemischt. Obwohl Lowertown die alleinigen Hüter ihrer Kunst sind, ist der Titel ihres neuen Albums eine Hommage an die bedeutungsvolle Gemeinschaft, die sie aufgebaut haben.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

24,79
Gledd - My House Is Your Church EP

Italian producer Gledd has been quietly carving out a reputation for groove-led house music that balances raw dancefloor energy with rich musicality. Drawing on influences that span gospel, afrobeat, and classic deep house, his productions channel both heritage and forward-thinking club culture. My House Is Your Church marks his debut release on Delusions Of Grandeur - a fitting home for his expansive, souldrenched sound - and signals a bold new chapter in his evolution as an artist.

The EP opens with On His Way, a percussion-heavy deep roller built for maximum dancefloor impact. Anchored by fat, heavyweight production and a massive low-end presence, the track surges forward with relentless energy. An incredible gospel vocal cuts through the mix, elevating the groove into something transcendent - equal parts spiritual and physical. On It’s Not That Easy, Gledd leans further into his gospel house influences. Highimpact and rhythmically rich, the track weaves together organ fills and subtle tropical flourishes, creating a vibrant, sun-soaked energy while keeping the pressure firmly on the floor.

It’s a track that feels both uplifting and commanding. Flipping to the B-side, Habibi Gospel pushes into more “outernational” territory. A wild, expressive lead vocal takes center stage, riding atop a heavy, driving groove. Organ stabs punctuate the rhythm, locking dancers into a hypnotic flow that bridges cultures and styles with effortless confidence. Closing the EP, Can You Hear My Noise? brings things to a richly textured finale. Slightly more organic in feel, it blends echoing synth stabs, percussive melodic lines, and chopped vocals into a melting pot of sound. The result is a seamless fusion of gospel, afrobeat, and classic house - deep, emotive, and undeniably danceable. With My House Is Your Church, Gledd delivers a statement of intent: music as ritual, the dancefloor as sanctuary.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

15,55
Various - Invites Homeground Edition

Various

Invites Homeground Edition

12inchANA011LTD
Anaoh
22.05.2026

ANAOH INVITES - Homeground Edition

Celebrating 10 years of ANAOH, this special edition of the label's annual Invites series turns the focus inward. Fixon and Dig-It open the A-side with two collaborative tracks reflecting the sound and creative bond that has shaped the label over the years.
On the B-side, Damian Vargas and Victor Fernandez, key members of the ANAOH crew, contribute two distinctive cuts representing the label's close-knit artistic circle.

Four tracks celebrating a decade of shared vision and community.
Available May 22 in record stores worldwide.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

17,61
Kruder & Dorfmeister - DJ-Kicks Kruder & Dorfmeister (30th Anniversary Box)
  • A1: Herbaliser – A Mother
  • A2: Small World – Livin’ Free (Soundtrack Mix)
  • B1: Tango – Spellbound
  • B2: The Lab Rats – Give My Soul
  • B3: Statik Sound System – Revolutionary Pilot
  • C1: Jmj & Flytronix – In Too Deep
  • C2: Aquasky – Kauna
  • C3: James Bong – Mr. Kiss Kiss Bong Bong (Big Brothers Dubbing You Full On - Dub Tractor Remix)
  • D1: Hardfloor Presents Dadamnphreaknoizephunk – Dupdope (Dubdope)
  • D2: Thievery Corporation – Shaolin Satellite
  • D3: Kruder & Dorfmeister – High Noon
  • E1: Beanfield – Keep On Believing
  • E2: Sapien – Que Dolor
  • E3: Shantel – Bass And Several Cars
  • F1: Karma – Look Up Dere
  • F2: Showroom Recordings – Radio Burning Chrome
  • F3: Kruder & Dorfmeister – Black Baby (Dj-Kicks)

For its 30th anniversary, Kruder & Dorfmeister’s DJ-Kicks is available for the first time in mixed form on 3LP, remastered by Bernie Grundman and packaged in a special box set including original imagery. Kruder & Dorfmeister's rendition of the series created an era defining moment, which tied together a glowing array of musical registers. The Viennese downtempo royalty blended a fusion of slowed down moments across many genres with rolling Drum and Bass from the likes of Aquasky, the melting acid lines of deep Hardfloor and the 90s boom bap sampling, smoked out atmospherics of Thievery Corporation amongst many more.

These masters of mood channeled the sound of a moment with their DJ-Kicks, which still retains a certified cinematic sheen, the patina of the real – curation and mixing at its most playful and refined. It remains to this day one of the most recognizable DJ-Kicks and mixes of all time. Containing two certified cuts from K&D themselves; the wooze is strong on “High Noon” with Dorfmeister's intoxicating jazz flute licks and a trembling harmonica atop a mirage of breaks. Their DJ-Kicks original and legendary tune “Black Baby” closes the mix providing a piece of grandeur, riding off into the distance deep to the vanishing point.

When the mix dropped in 1996, the slo-beat pioneers were among the hottest producers in the dance universe. Even though they only produced two unreleased maxis, names like Count Basie, Bomb The Bass, Alex Reece or United Future Organization had some of their tracks remixed by these exceptional producers. Rumour has it during the work for DJ-Kicks and their debut album they refused doing remixes for U2, Grace Jones, Elvis Costello and the Fantastic Four! ‘DJ-Kicks: Kruder & Dorfmeister’ took its place in the pantheon a long while back, effortless in its ability to traverse sounds, styles and tempos while retaining a selection which remains timelessly recognisable as: Kruder & Dorfmeister.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

54,83
Art Blakey - Des Femmes Disparaissent

Art Blakey

Des Femmes Disparaissent

10inchSRLP32
Sam Records
22.05.2026
 
8

Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack for the film Molinaro just finished? The only problem, albeit a major one, was that time was short, so an original score was out of the question: the Jazz Messengers would have to preach the good word by other means. Fortunately, the band's tenor and arranger, Benny Golson, had become an expeet in the art of making somrthing new out of somrthing old, and he did it with equal talent and intelligence.Except for three originals, the musical sequences of the film are actually fragments from the Messengers' book, but in adapted versions; 'Whisper Not', for example, can be discerned underneath 'Ne Chuchote Pas'. It was an extremely hazardous process...but the result turned out to be remarkable!!!

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

27,31
BLKE - BLKE

BLKE

BLKE

12inchTON199
Tonzonen Records
22.05.2026
  • 1: How About I End Life
  • 2: Up Tight
  • 3: Never Try
  • 4: So Do I
  • 5: Interlude
  • 6: Traffic
  • 7: Heat
  • 8: Satellite
  • 9: Take It All

Transparentes Vinyl, limitiert auf 300 Exemplare. BLKE ist eine in Berlin ansässige Psych-Noise-Rock-Band, die aus Londons Underground hervorgegangen ist und sich an der Schnittstelle von roher Intensität und hypnotischer Wiederholungen bewegt. Beeinflusst von Krautrock, Noise Rock, Garage Punk und Psychedelia ist ihr Sound unmittelbar, körperlich und emotional aufgeladen - gemacht sowohl für dunkle, enge Räume als auch für große Bühnen. Neun Tracks eröffnen einen hypnotischen Einblick in die Welt von BLKE. Geschichtete Lyrics und psychoakustische Elemente formen eine poetische Erzählung, geprägt vom sozialen Umfeld der Band der letzten vier Jahre. Psychedelisch, roh und krautgetrieben hallt das Album lange nach seinem Ende nach.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

31,51
CAPTAIN ASSHOLE - I'M HAVING MORE FUN THAN YOU
  • 1: From Hamburg To Montreal
  • 2: Holding On
  • 3: Toast To Nothing
  • 4: Alive In A Dive (Feat. The Penske File)
  • 5: Furious George
  • 6: Not Just A Phase
  • 7: This Is Not For You Tony
  • 8: Four Guys Walk Into A Bar
  • 9: Molly Hates Firecrackers
  • 10: F.o.m.u. - Fear Of Messing Up
  • 11: Bad News Everyone
  • 12: Sorry There Ain't Nothing Left

Captain Asshole, ein Name, der leicht im Gedächtnis bleibt. Aber zum Glück sind die Songs besser als der Bandname der Münchener vermuten lässt. Punkrock mit melodischen Gitarren und vielen Mitsing-Momenten, deutlich inspiriert von Bands wie The Copyrights, Dear Landlord und Latterman.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

22,65
DRUNK - A DERBY SPIRITUAL

DRUNK

A DERBY SPIRITUAL

12inchJAGLP2
JAGJAGUWAR
22.05.2026
  • 1: Collarbone
  • 2: Indeliberate Matrimony
  • 3: Coming Home
  • 4: Hand On Deck
  • 5: Germany Skies
  • 6: Gideon's Trumpet
  • 7: Window Sill
  • 8: Gizmo
  • 9: A Nip For Kitty
  • 10: Fraulein
  • 11: Drunk Bed
  • 12: Mental Illness
  • 13: Roanoke
  • 14: Library

Wer sich Drunks Debütalbum ,A Derby Spiritual" aus dem Jahr 1996 noch einmal anhört, wird feststellen, dass es charmanter, sanfter und - wenn ich das so sagen darf - farbenfroher ist, als es sein stoischer Slow-Core-Ruf aus den 90ern vermuten lässt. Und man könnte sogar bemerken, dass Rick Alversons Stimme einen bisher ungeahnten, von Niederlagen gezeichneten Tom-Petty-Singsang aufweist. Der Sound der Band aus Richmond ist zweifellos zurückhaltend, knarrend und karg. Doch die Jahrzehnte haben diesem alten, traurigen Kerl einen wärmenden bernsteinfarbenen Schimmer verliehen. Das Black-Hole-Radio-Stück am Ende des atemberaubenden Openers ,Collarbone" scheint das Kommen von ,Yankee Hotel Foxtrot" vorherzusagen. Und hier in der seltsamen Gegenwart könnten Stücke wie ,Germany Skies", ,Gideon's Trumpet" und ,Gizmo" nahtlos in den heutigen Indie-Country-Boom eingefügt werden. Der seltsame Walzer aus Akkordeon und Geige in Stücken wie ,Indeliberate Matrimony" und ,Coming Home" klingt - wage ich es noch einmal zu sagen - wie Mellencamp aus der ,The Lonesome Jubilee"-Ära am Boden eines Fasses Schnaps. Alversons Lyrik schwankt zwischen dem hoffnungsvollen Nihilismus seines zeitgenössischen Songwriter- und Dichterkollegen aus Virginia, David Berman, und dem tiefgründigen Post-Beat-Minimalismus von Robert Creeley. Ich schwöre, wenn er in dem hoch-und-einsamen, von der Mundharmonika getragenen ,Window Sill" seufzt: ,I feel willy-nill/I pissed upon your window sill", klingt das im Lenderman'schen Sinne des Wortes verdammt romantisch. Im Rahmen des 30-jährigen Jubiläums von Jagjaguwar wird ,A Derby Spiritual", Jags zweite Veröffentlichung überhaupt, zum ersten Mal auf Vinyl gepresst. Ein drei Jahrzehnte langes Unrecht wird endlich wiedergutgemacht. Tatsächlich erscheinen im Rahmen der Feierlichkeiten zum 30-jährigen Jubiläum des Labels eine Handvoll dieser frühen Veröffentlichungen aus der Charlottesville-Ära von Jagjaguwar auf Vinyl.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

28,53
VARIOUS - Melodic Techno 2026

Various

Melodic Techno 2026

12inchZYX54080-1
Zyx Music
22.05.2026
  • A1: Klartraum - Snicker Dub
  • A2: Concrete Panther, Wiebe Roose - Eclipse Of The Blues
  • A3: No Hopes - Sadness
  • A4: Serioes & Legendaer, Little Duracell - Pachamama
  • B1: Greg Welsh - Sirens
  • B2: Khainz - Getting Lost
  • B3: Slug - Laws Of Physics
  • B4: Night Freaks Ft. Karisha - I Will Never Know

Melodic Techno 2026 ist der eindrucksvolle Nachfolger der erfolgreichen Melodic Techno 2025 und präsentiert eine exklusive Auswahl moderner, melodischer Clubsounds. Gemixt von Seriös & Legendär sowie Little Duracell, verbindet die Compilation atmosphärische Klangwelten, treibende Beats und emotionale Peak-Time-Momente zu einem stimmigen Hörerlebnis.

Die abwechslungsreiche Track-Zusammenstellung vereint starke Originale und hochkarätige Remixe von etablierten Szenegrößen und spannenden Artists der aktuellen MelodicTechno-Szene. Zu den bekanntesten Namen dieser Ausgabe zählen unter anderem Resistance D, Alexander Bollinger, Klartraum und No Hopes.

Mit ihrer Mischung aus bekannten Artists, modernen RemixVersionen und zeitgemäßen Me

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

20,38
Darwin Chamber - Can You Pass The Acid Test? (feat DJ Spun mix)

Darwin Chamber is a veteran of the prog game, and now that sound is very much back en vogue, it's no wonder new generations are falling for the American's sounds. Back in March, he dropped this EP which was inspired by a San Fran acid trip, and it became an instant classic that meant the initial translucent yellow vinyl edition, limited to 303 copies, soon sold out. Now it reappears on black wax and obviously it still bangs. 'The Acid Test (DJ Spun mix)' is a heavy, raw jam with plenty of trippy details, warped pads and vocals that come and go so subtly you can't really be sure they're there. 'Never Coming Down' is a deep and dark workout with cold analogue hits and paranoid vocals, then '25th Century Acid Cat' is a little brighter with its synths but no less of a mind-fuck. 'Get Down' is gurgling, coruscated, sleazy and mid-tempo acid techno for the freaks. Brilliant.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

21,64
Valtteri Laurell - Visions of Dilla
  • 1: Y'all Ain't Ready
  • 2: Rico Suave Bossa Nova
  • 3: Won’t Do
  • 4: B.b.e. - Big Booty Express
  • 5: Beej-N-Dem

Finnish jazz producer Valtteri Laurell reworks some of J Dilla’s most iconic beats into adventurous big band versions. With drummer/producer Teddy Rok (Teppo Mäkynen of Five Corners Quintet, Stance Bros. etc.), flutist extraordinaire Elena Pinderhughes and Laurell’s own 17-piece Ricky-Tick Big Band, he creates a big band album that you never thought you would hear. Using the sparse and visionary beats of J Dilla as a starting point, Laurell has composed and arranged material on top of the original versions, performed by Ricky-Tick Big Band. ”My original idea was to write very abstract big band moments, that would be like samples Dilla might have used in his work. During the process though, on some of the tracks I started to feel more of a Bob James or Henry Mancini vibe in the arrangements, so the end result is a hybrid of those worlds. Naturally, the spirit of Gil Evans and the later work of Duke Ellington is also floating in the air”. To create a strong connection with the original material, Laurell asked Dilla-aficionado and drummer/producer Teppo ”Teddy Rok” Mäkynen to work with him on the rhythmic side of the pieces. Teddy Rok also mixed the album. As a special guest star, flutist Elena Pinderhughes is featured on Won’t Do and Rico Suave Bossa Nova. Ricky-Tick Big Band, which Laurell founded in 2010 is also well on display here, with rising baritone sax star Linda Fredriksson featured on Beej-n-Dem and trumpetist Jukka Eskola featured on Y’All Ain’t Ready.

vorbestellen22.05.2026

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32,35
Mad Dog - Mad Dog EP

Mad Dog

Mad Dog EP

12inchVFS001RP
Vinyl Fanatiks
22.05.2026

180g

Our very first release on the label back in 2018. We are always being asked if we will repress it again, and now we have. But this time it's slightly different to our first pressings - for this repress we took the original DAT rips to Dapz at Compound Audio for him to master. And then those masters were shipped to Beau at Ten Eight Seven Mastering. So now this release is audibly similar to our other releases over the past 8 years - and in turn the label has been updated. So for those collector headz out there, it'll always be apparent which pressing this one is.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

15,92

Last In: vor 6 Jahren
Mary Clark - Take Me I'm Yours / You Got Your Hold On Me

- 1000 Hand Numbered Limited Edition rsd 2018
- First UK release
- Original US copies worth £300
- Curtis Mayfield song, first released on Curtom

These two classic tracks from the elusive Mary Clark were originally released on the P&P distributed La Shawn label in 1980. The Original 45 is now extremely rare and in demand and now sells for circa £200 if you can find one.
'Take Me I'm Yours' has that classic Patrick Adams NY Disco/Boogie sound and is a very popular club anthem, being reissued on 45 for the first time here.
'You Got Your Hold On Me' is a beautiful Modern Soul /2-stepper that has gained popularity in recent years. It is re-released on a single for the first time here.
This single will be very popular with DJ's and Disco and Soul collectors.
Limited to 1000 hand numbered copies with RSD and date in text.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

15,55

Last In: vor 4 Jahren
Various - Systematic Gent EP

Systematic Gent EP brings together four distinctive cuts from artists who each embody a different shade of the label’s sound. For this special various-artists release, Ghent-based Maxim Lany delivers the deep, driving, atmospheric and immersive “Noise”; Dimitri Andreas adds rhythmic drive and tribal energy with “Jungle Circus”; Robert Babicz contributes the hypnotic, progressive and emotive “Soul Traveler”; and Drumcomplex & Frank Sonic round out the EP with the powerful, forward-moving techno gem “Solar.”
Released on 12” vinyl, Systematic Gent EP arrives in perfect sync with the label’s showcase at Wintercircus in Gent on May 8, 2026, creating a direct link between the music on wax and the energy of the dancefloor. With a tracklist that balances atmosphere, groove and peak-time impact, the EP captures the essence of Systematic’s sonic identity while celebrating a special night in one of Belgium’s most exciting cultural spaces.
Marc Romboy, A&R of Systematic, says: “I’m very glad to present this EP, showcasing the different shades of music Systematic currently stands for. Each track could be an A-side on its own. The vinyl will be released on the day of our label showcase at the local record store GENX Recordstore in the city centre, as well as via our distributor, Word and Sound.”

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,24

Last In: vor 5 Tagen
Planetary Assault Systems - Planetary People 3x12"
  • A1: Into The Night 4:07
  • A2: Labyrinth 5:32
  • B1: Quadrant 10 5:40
  • B2: Sermon Of The Light Tides 6:23
  • C1: Brave Cosmo 5:50
  • C2: Retina Burn 6:07
  • D1: Thunder Major 5:55
  • D2: Beton Brut 5:37
  • E1: No Ninja 6:02
  • E2: Ha Jam 4:44
  • F1: Lynx 7:25
  • F2: Generation Slip 5:21

“One of Berghain’s longest-serving residents, Luke Slater has been defining bleepy, polyrhythmic, industrial-strength techno as Planetary Assault Systems since the mid-nineties. P.A.S albums tend to come together in their own time:

“External signals and signs combine until the recipe feels right, both musically and from being ‘out there’,” Slater adds. “10 years since I released Arc Angel on Ostgut Ton, and it’s a fitting pleasure to combine live show ideas and studio work for the new album, served up with raw energy” That patience runs through his whole Ostgut catalogue; since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each P.A.S. release on Ostgut Ton has been its own quest for discovery, from The Messenger’s search for sounds not yet present in club music to Arc Angel’s focus on melody to the deep hypnosis of Plantae.

His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio.

“Into The Night” creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. “Labyrinth” breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. “Quadrant 10” is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. “Sermon Of The Light Tides” scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. “Brave Cosmo” is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. “Retina Burn” rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. “Thunder Major” barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. “Beton Brut” marches juggernaut percussion stamping through hall reverb so vast you can visualise the room, the darkest and most unrelenting track on the record. “No Ninja” crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind’s eye. “Ha Jam” is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. “Lynx” lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. “Generation Slip” closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barrelling on into oblivion.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

52,90
Marco Passarani - Digipack Vol. 2

Marco Passarani

Digipack Vol. 2

12inchSTUDIOMST004
Studiomaster
22.05.2026

Studiomaster Digipack Vol. 2 sees Marco Passarani back with another serving of unique club sounds straight from Rome. Following the vibe of the first volume,
this new edition delivers his unmistakable blend of house pressure and pure techno, featuring two brand new gems: “Hypercuatro” and “Locked In A Trance.” Both are wired for late hours and low ceilings, where acid grooves meet hypnotic drum programming and forward leaning intent.
Completing the set are three remastered tracks from his Bandcamp vault, making their first appearance on vinyl: Analog Fingerprints (“Unusual Behaviour”, “Motion 5”) and PSS2099 (“Kir’Shara”). Together, these digitalonly transmissions sketch a lean map of Passarani’s studio practice: tactile, direct, and crafted with that in the moment feel.
No nostalgia trip here, just functional futurism with character. Whether you know these tunes from online drops or the first 12”, Vol. 2 delivers real deal dancefloor tools ready for heavy rotation. No fillers, just groove for dancers who still believe the floor is a testing ground for what comes next.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,24
Various - We Out Here LP 2x12"

Repress of 2018’s classic compilation from Brownswood.

A primer on London’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. A set of nine newly-recorded tracks, We Out Here captures a moment where genre markers matter less than raw, focused energy. Looking at the album’s running order, it could easily serve as a name-checking exercise for some of London’s most-tipped and hardworking bands of the past couple of years. Recorded across three long, fruitful days in a North West London studio, the crossover between each of the groups speaks to the close-knit circles which make up the scene.

Surveying the way that London’s jazz-influenced music had spread outside of its usual spaces in recent years, this album bottles up some of the vital ideas emanating from that burgeoning movement. Giving a platform to a scene where mutual cooperation and a DIY spirit are second-nature, it’s a window into the wide-eyed future of London’s musical underground.

Ubiquitous, much-lauded saxophonist Shabaka Hutchings is the project’s musical director. His own recent projects span from South Africa-connected, spiritually-minded jazz players Shabaka and the Ancestors to Sons of Kemet, who match diasporically-connected compositions with viscerally-direct live shows. His entry on the album, ‘Black Skin, Black Masks’, is typically difficult-to-define: with an off-kilter, shifting rhythmic backbone, repeated phrases – mirrored between clarinet and bass clarinet – shape the track with an alluring hue. His input ties together a deft, genre-agnostic sensibility that’s shared through all the players on the record.

Theon Cross – who’s also part of Sons of Kemet with Hutchings – starts his track, ‘Brockley’, with the solo, distinctive low rumble of his tuba. Winding and mesmeric, it sees tuba and sax lines winding together in rhythmic and melodic parallels. Ezra Collective – whose drummer and bandleader Femi Koleoso has toured with Pharaohe Monch – run a tight, Afrobeat-tipped rhythm on ‘Pure Shade’, with the final third changing gear into a melodic, momentous closing stretch.

Joe Armon-Jones, whose ludicrous chops on the piano have seen him touring with the likes of Ata Kak, showcases earworm-like, insistent motifs on ‘Go See’, balanced with a playful, improvisatory approach with room for ad-libbing and solos a-plenty. Taking a softer tact than many of the other entries, Kokoroko – whose guitarist Oscar Jerome has been making waves with his solo material – spin a lyrical, steady-paced meditation on ‘Abusey Junction’, matching chanted vocals with gently-played guitar.

Nodding to spiritual jazz influences, Maisha’s ‘Inside The Acorn’ is a wandering, explorative rumination, balancing delicate washes of piano and percussion with sharp interplay between flute and bass clarinet. In contrast, Nubya Garcia’s ‘Once’ is taut and carefully-poised, her tenor sax guiding a carefully-built energy to an explosive conclusion. And finally, Triforce’s ‘Walls’ is a performance in two parts: starting with Mansur Brown’s languorous, lyrical guitar, the second half switches up to a low-slung, g-funk-tipped groove.

vorbestellen22.05.2026

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30,04

Last In: vor 23 Monaten
Various - guerrilla girls! she-punks & beyond 1975-2016
 
25

• “Guerrilla Girls!”, Ace Records’ much-anticipated first release of 2023, takes us on a thrilling ride from punk’s mid-70s origins, via the left-field post-punk groups, jangly female combos, grunge bands and vigilante Riot Grrrls of the 80s and 90s, to the she-punk bands of recent years – a five-decade alternative to the macho hegemony of rock.

• The collection highlights songs that emerged out of a dynamic underculture of female creative expression. What unites the featured artists is a healthy disregard for the way the music industry ties up its female performers into pretty, neo-liberal packages. From Patti Smith, universal mother of the punk movement, to the Bags, Bikini Kill and Skinny Girl Diet, this music is anti-A&R. Including lesser-known names such as San Francisco street punk Mary Monday and London-based experimentalists pragVec, it shows that, rather than being a few novelty bands existing on the margins, these performers represent a stronger, more three-dimensional version of the female experience.

• Glorious resistance was on display in the first wave of UK female-fronted punk bands. Poly Styrene’s charged vocals on X-Ray Spex’s ‘Iama Poseur’, for instance, were a deliberate refusal to be a pretty punkette. With 15 year-old Lora Logic on saxophone, X-Ray Spex epitomised a fearless, self-defined agency that was at odds with the pastel shades and flowery, submissive Laura Ashley version of 1970s girlhood. By the early 80s, there was a hugely vibrant scene propelled by the diverse rhythms and voices of post-punk feminism. Lora Logic had left X-Ray Spex to form the interweaving textures of Essential Logic, the Mo-dettes mangled ska and off-kilter pop, and Birmingham band Au Pairs sliced political rigour into their lyrics and funky guitar work.

• Some female artists took that elemental energy into pop, creating pop-punk with a twist. We’ve Got A Fuzzbox And We’re Gonna Use It!! made a statement on music technology and female power with a cheeky play on words. Their song ‘Rules And Regulations’ shows that what Guerrilla Girls do well is debunking – taking genres of popular song and turning them inside out – like the way the Pandoras and the Pussywillows would amp up the driving beat and high vocals of the 60s girl group style, and subvert it with a DIY garage element.

• In its fanzine culture, use of montage and DIY music, 90s Riot Grrrl bands such as Bikini Kill and Bratmobile drew direct inspiration from 70s punk, articulated through the prism of Third Wave feminism. Too often, Riot Grrrl gigs were invaded by men intent on heckling “the enemy”. Liz Naylor, manager of British Riot Grrrl band Huggy Bear, says that their concerts became war zones. From the US grunge and Riot Grrrl scenes emerged more female instrumentalists, with bands such as L7 and Babes In Toyland proving that it was possible to recruit cutting-edge drummers, bass players and guitarists. Lori Barbero, whose relentless power drumming is a major element of Babes In Toyland, took the one instrument that has been a staple of male rock’n’roll and made it her muse.

• In the 2000s a new generation of girl-punk bands drew on the Riot Grrrl underculture to form their own sound. London trio the Tuts refashioned C86, Riot Grrrl and lush dream pop on songs like the ironically titled ‘Let Go Of The Past’, while the Regrettes injected shots of ska and doo wop into their explosive West Coast pop-punk. What began with Patti Smith and 70s punk has grown into a vast, spikey infrastructure of girl music. Many take inspiration from their foremothers, like Skinny Girl Diet whose vigilante feminism and punk distortion has been championed in return by Viv Albertine of the Slits. As long as these female artists stay aware of their musical vision and what they are trying to express – in a sense, A&R themselves – the underculture will continue to grow and flower. And this “Guerrilla Girls!” compilation is a celebration of that power.


• The back sleeve of the release features a scene-setting introductory essay by Lucy O’Brien (author of She Bop: The Definitive History Of Women In Popular Music). Each of the two discs come in a swanky inner bag containing a track commentary by compiler Mick Patrick (Ace Records’ long-serving champion of female artists of all persuasions) and exclusive interviews with many of the featured artists by Vim Renault and Lene Cortina (founders of the Punk Girl Diaries webzine).

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35,25
Funkadelic - Uncle Jam Wants You

Funkadelic

Uncle Jam Wants You

12inchCHLP3371
CHARLY
22.05.2026

Funkadelic’s eleventh studio LP, released in 1979, was more militant in tone than its predecessor 'One Nation Under A Groove' which described a Funk utopia. In contrast, ‘Uncle Jam Wants You’ stated mandate was to “rescue dance music from the blahs”. The album features a 15-minute version of what was to become the Funkadelic’s last hit single ‘(Not Just) Knee Deep’, an edited version of which made no.1 in the US R&B chart. This was Funkadelic’s first album since 1972 not to feature a cover design by artist Pedro Bell (although he did contribute the interior design). A reference to the “Uncle Sam Wants You!” US Army recruitment poster, the sleeve depicts George Clinton aka Dr Funkenstein in a Huey Newton Black Panthers pose. ‘Uncle Jam Wants You’ and Funkadelic-Parliament had a huge influence on Prince, The Red Hot Chilli Peppers, Bill Laswell, Tupac Shakar, De La Soul and many more across all musical genres. George Clinton’s genius Funk & Style will continue to be an influence for many more years to come... FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

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28,53
Funkadelic - One Nation Under A Groove
auch erhältlich

Black Vinyl[41,98 €]


Regarded by many as the greatest funk album of all time, ‘One Nation Under A Groove’ was recorded at United Sound in Detroit & included a live track from their concert appearance at the Monroe Civic Center in Louisiana in April 1978. The band’s tenth studio album released during September 1978 was also their most commercial & gave the band their first platinum disc. The iconic title track was an international hit and a US R&B No.1. With lead guitarists Michael Hampton & Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell & Walter “Junie” Morrison’s keyboard wizardry & many more, the album was produced by the genius of George Clinton. Regularly ranked at or near the top of various “best album” lists, ‘One Nation Under A Groove’ is mastered for vinyl in a deluxe facsimile gatefold sleeve with booklet & lyric inner sleeves, all housed in a protective PVC sleeve. The albums’ original bonus songs are now included on a second 12-inch “Special EP” which adds the rare 11-minute “Disco Mix” of ‘One Nation Under A Groove’ to replicate the original first UK pressing from 1978. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

46,01
Nick Malkin - At The Libra Hotel

Nick Malkin

At The Libra Hotel

CassetteOOH035K
OOH-sounds
22.05.2026

Tucked in the heart of Koreatown, Los Angeles, lies The Libra Hotel—the titular architecture of Nick Malkin's new album and site of his musical and psychogeographic exploration. Unlike most musical "site-specific" studies, Malkin remains wholly ambivalent to the documentarian approach, instead sharpening an auteur-like focus on the site as a conceptual and highly expressive backdrop. The Libra is musically explored as a space that houses a noir fragmentation of identity—the exhausted trope of a complicated protagonist walking through rain-soaked street corners and fumy neon lights—where an inner monologue is rendered in both miniature and at a cosmic scale. Casting aside stifling tropes around field recording, ambient, and improvised music, Malkin's work finds its own unique fidelity and emotional core through the assembly and reassembly of memory. Nearly every sound on the album—from frayed saxophones, lambent pianos, and dissected jazz drum kits—are multiplied, shattered, and reconstituted into shapes that adorn The Libra in a motion-blurred fog. The narrative of the Hotel suddenly appears as if out of the mist, with intersecting characters interacting within its walls by happenstance. Adminst the languid set pieces, wraith-like sonic grains gravitate around wide subbass beams that give structural form to The Libra, a narrative tension like when a scene is shot from hundreds of different perspectives: an image both luminous and veiled.

Much like Frank Sinatra's own spatial residency immortalized on "Live at The Sands," "At The Libra Hotel" showcases an exuberant view of entertainment, hospitality, and a form of masculinity, one that can quickly detourn into darkness. Knowing this, Malkin extracts a melancholic core out of The Libra locale. The flickering shadows of American decadence are shown in their ephemeral honesty, lines that trace how even in everyday life virtue is tested, sanity is tested, even reality is tested within the confines of desire, within the night. The album is draped in fleeting textures, carefully arranged with a trance-like microtonality, the faint inflections and articulations of a jazz band cascading into dissipated stillness. Voicemails about changed locations and covert eavesdropping on guests' whispered conversations provide an atmosphere of missed connection and voyeurism—a purloined letter of desire receding into a vanishing point. Like the music itself, The Hotel, a chapel perilous at the intersection of desolation row, the center of it all, yet simultaneously at the edge of town, becomes a structure between libidinous virtuality and actuality—our inevitable half-light.

Ultimately, the pensive atmosphere of "At The Libra Hotel," powerfully asserts a plea for the kinds of intimacy only possible in transient spaces. Here, memory cascades into a force that feels like something supernatural, perhaps even religious, yet always subject to the infidelity of our imagination. Here, the album opens into its primary psychodrama, the transient nature of subjectivity itself and how this becomes fractured in the tumult between our commitments and desires. Within this nocturnal space, to quote Louise Bourgeois, "you pile up associations the way you pile up bricks. Memory itself is a form of architecture."

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11,64
Shit & Shine - Joy of Joys

Shit&Shine

Joy of Joys

12inchOOH037
OOH-sounds
22.05.2026

Craig Clouse has devoted the past several decades to exploring a wide range of avant-garde avenues for his brainchild Shit & Shine. The monolithic riffs of raw and powerful psych'n'roll hysteria, the freeform dance miasma, sub-heavy electronica and the blissful stupidity crafted for ecstatic ascension: all perfectly-placed in the idiosyncratic world of Shit & Shine. There's also fertile soil for twisted noises in their lowest form, often obscured by groovier comrades in S&S releases yet vitally important for the substance of Clouse's compositional carcass and OOH-sounds has given him the required space to stretch out his longtime interest in developing loose structures and crackling landscapes to transcend his rhythmic comfort zone.

Making an enthusiastic transgression into noisy tones, "Joy Of Joys" has a friendly way of presenting difficult material. The rough and ready cheapo electronics sparkle in full electrifying mode, welding an ascetic gamut of aural hypnotics with a wormhole of uncompromising loop brut. Clanks, bangs, twangs and creeping, ragged globs of sound bloom on the bones of repetition to focus on the swinging stream of dirty anarchy. Stepping out of any context and genre disciplines, S&S finds new sonic trajectories in "Joy Of Joys" which perfectly sit in-between a wobbly cabal of international sub-underground acts: the idiot-avant strategies of LAFMS, early Mego bad digitalia, no-brow enthusiasm of Wolf Eyes family, micro-DIY ethos of Chocolate Monk and the sheer hellish nonsense of US noise circa '00s.

Clouse was already established as a landscape painter with a series of faux naïf paintings charmingly accompanying his releases. With his heart full of passion for abstract minimalism, he continued these narrative forms but was always in search of the confidence to paint non-figurative art. The first step into the chaotic abyss is coming from his sonic side by abandoning the beat and riff layers of his previous works to complete nakedness and reductionist courage. At once Clouse makes an evolutionary lurch into extremes as well as taking us back to basic forms in "Joy Of Joys". He creates an entire new parallel world to Shit & Shine with his maverick imagination presenting us with one of the most mutant releases to bear his name. Arthur Kuzmin

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19,75
More Eaze, Pardo & Glass - Paris Paris, Texas Texas LP

OOH-sounds family members more eaze, pardo & glass join forces on a celestial album linking ambient neo-folk, fractured electronics and romantic escapism.

Referencing to Wim Wenders' 1984 road-movie drama masterpiece, 'paris paris, texas texas' is a strikingly cinematic tapestry of americana, resampled guitars, glistening electronics, subtle field recordings and processed vocals.

The beginnings of this project date back to the summer of 2022 when pardo and glass started recording some improvisations in a small studio with the aim of making an experimental guitar record. Over time, the drafts developed into mesmerizing slabs of guitar textures, simultaneously immense and intimate. No material was better suited for more eaze to add to the recordings her transversal and sensitive approach, linking the past and the present.

Ranging from gentle ambient folk to winding pedal steel passages, from twinkling electronics to distorted drones, 'paris paris, texas texas' is an album that's not just "atmospheric", it conjures its own unique atmosphere from thin air. Like a snake shedding its skin, the record slowly mutates from track to track - an epiphany, a transformation, a tangible and perceptible moment. Despite its distant trans-Atlantic origins, it evokes a warmth and intimacy that is hard to deny, an emotion that has perhaps been held back for too long. A landmark release in OOH's catalogue, capturing the magic of its curation and sensibility in one sublime record.

Mastered by Giuseppe Ielasi, artwork by incepBOY, words by Adam Badi Donoval

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23,32
Various - Star Trek Strange New Worlds Subspace Rhapsody
 
18

STAR TREK: STRANGE NEW WORLDS is based on the years Captain Christopher Pike manned the helm of the U.S.S. Enterprise. The series will feature fan favorites from season two of STAR TREK: DISCOVERY: Anson Mount as Captain Christopher Pike, Rebecca Romijn as Number One and Ethan Peck as Science Officer Spock, and follows Captain Pike, Science Officer Spock and Number One in the years before Captain Kirk boarded the U.S.S. Enterprise, as they explore new worlds around the galaxy. Drivers: * Focus track scored written, produced and conducted by Emmy Award winner, and 3 time nominee, Jeff Russo (The Man Who Fell To Earth, Legion, Fargo, Oslo, The Night Of, Umbrella Academy, Altered Carbon, Star Trek: Discovery, Short Treks, Strange & New Worlds, Picard series, Love & Death) * Jeff is a founder, lead guitarist and songwriter of 2x Grammy Award nominated, multi platinum rock band, Tonic. * Russo's main theme is a modern adaptation of Alexander Courage's original Star Trek theme, and includes a theremin as a way to foreshadow Courage's vocal arrangement of the theme. * Tracks taken for Season 2, episode 9, titled, Subspace Rhapsody

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23,49
Marvin Gaye - Where Are We Going/Woman of the World (7")

Recorded in 1973, these two gems were originally album tracks on Marvin’s “You’re The Man” LP. Now these two and only gems curated by the Mizell Brothers are back to back for the first time on a 7” single. While on Expansion, the label art pays homage to Tamla. Marvin was never on Motown. There is a later, alternative remix of “Where Are We Going”, but this 7” is the 1973 original.

Versand ab22.05.2026

Der Artikel ist bereits auf dem Weg zu uns und voraussichtlich versandbereit ab 22.05.2026

15,34
nobile - FANTASTICO INTERIORE MC (TAPE)

nobile, one half of the former Milanese duo Voronoi, presents a new series of recordings of ephemeral ambient soundscapes, organic throbs and broken rhythmic textures that sublimate the more instinctual and playful side of his poetics.


The project is haunted by cavernous sounds and an obsession with the 'netherworld' of the videogame Minecraft, and by Le Matin des Magiciens - the classic and revolutionary book that popularised occultism, alchemy and paranormal phenomena in the 1960s. "...FANTASTICO INTERIORE is" - as the artist puts it - "a fantastic journey inside the body, perhaps also a journey into the unconscious to understand my gastritis?"

The seven tracks traverse underworlds, infused with fantastic realism, where odd sounds materialise like poltergeists of digital folklore. Creepy voices emerge from the hell-like nether, intertwined with clusters of gelatinous percussive sounds that trudge to the surface. Earthy streams of crackling white noise carry volatile sonic particles that bounce off walls with short delays and reverberations, giving an almost visible form to the space.




But it is not always serious. As soon as you come across the curiously long titles of the tracks (which are rough translations of the Minecraft manual into Italian) a subtle irony emerges. The imagery appears to be harmless and eventually, as in a video game, you can switch to safe-mode and refill your health-bar along the way... 
No panic attacks in the soft-occultism of FANTASTICO INTERIORE ;)

vorbestellen22.05.2026

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14,24
Various - KRK Rap Atak 2.0
  • A1: Bosski X P.a.f.f. - Najlepsza Wyprawa Nocna
  • A2: Kobik - Skrzypek Na Dach
  • A3: Hamish - Odkorkowałem Hennessy
  • A4: Gettoblaster - Znowu
  • A5: Zwola - Wciąż O Tym Samym
  • B1: Camel & Grochubartt - Modelki Za Samare
  • B2: Ufocore - Kamikaze
  • B3: S1Lencio - Bezpardonowy Rage
  • B4: Dsn - Siekierap
  • B5: Abracham Montana - Kasa, Kasa
  • C1: Kafu - Halo X
  • C2: Arson - Świadomość
  • C3: Tobi - Dość Mam
  • C4: Barrad Squad - Siła Wsteczna
  • C5: Camel, Grochybartt, Hamish, Mc Robak, Abram Montana, Zwola, Emceen, S1Lencio, Arson - Mapa Miasta
  • D1: Papaj, Sabot, Tobi, Ind, Bosski, Solo Gki, Ordy, Wuerski, Klint, Kafu - Stara Banda
  • D2: Wysoki Lot - Głowa Do Góry
  • D3: Mc Robak - Tylko W Krakowie
  • D4: Emceen - Jetlag
  • D5: Ida 2024 Promo Jungle Scratch - Tuse, Mad Cannabeatz, Sabot, Cheeba, Dj Dammdanny, Dj Ride

KRK Rap Atak 2.0 is a limited-edition compilation that unites Kraków's old and new school hip-hop talent. Mastered by DJ Eprom and featuring artwork by Maciej Wroblewski, this album showcases the city's vibrant rap culture. Each vinyl copy is hand-numbered, making it a true collector's item. With exceptional production and a unique artistic identity, KRK Rap Atak 2.0 celebrates the evolution of Kraków’s hip-hop scene.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

40,29
BON IVER - SABLE, FABLE (TAPE)

Bon Iver

SABLE, FABLE (TAPE)

CassetteJAG450CASS
JAGJAGUWAR
22.05.2026
  • Things Behind Things Behind Things
  • S P E Y S I D E
  • Awards Season
  • Short Story
  • Everything Is Peaceful Love
  • Walk Home
  • Day One (Feat. Dijon And Flock Of Dimes)
  • From
  • I'll Be There
  • If Only I Could Wait (Feat. Danielle Haim)
  • There's A Rhythmn
  • Au Revoir
auch erhältlich

Black Vinyl[28,78 €]

BLACK & SALMON VINYL[30,04 €]


"SABLE, fABLE" ist das fünfte Album des Projekts von Justin Vernon und enthält eine Liebesgeschichte, die mit üppiger, strahlender Popmusik unterlegt ist. Während das Album mit der verletzlichen Entlastung der im vorangegangenen Herbst erschienenen "SABLE," EP beginnt, geht das Triptychon nahtlos in eine neue, neunsongige Saga über, in der aus einer Person zwei werden, Dunkelheit sich in lachsfarbene Schönheit verwandelt und Traurigkeit in unbändige Freude umschlägt. Während SABLE eine karge und einsame Abrechnung mit einem Schmerz ist, der lange die Vergangenheit bestimmte, blickt fABLE in eine lebendige Zukunft voller Licht, Sinn und Möglichkeiten. "SABLE, fABLE" wurde von Justin Vernon und Jim-E Stack produziert und hauptsächlich in Vernons April Base in Wisconsin aufgenommen, nachdem das Studio während einer Renovierung jahrelang still lag. Das Konzept für das Album entstand am 22.2.22, als Stack mit Danielle Haim dort eintraf. Mehrere Tage lang eingeschneit, vereinten sich Vernons und Haims Stimmen auf "If Only I Could Wait", einem Duett mit entscheidender Perspektive, in dem es darum geht, dass man nicht die Kraft hat, die beste Version von sich selbst außerhalb des Glühens einer neuen Liebe zu sein. Wenn SABLE der Prolog war, ein Prolog in der Dunkelheit, eine kontrollierte Verbrennung, die den Weg für neue Möglichkeiten ebnet, dann ist fABLE das Buch, das folgt. Wo SABLE, ein Werk der Einsamkeit war, ist fABLE eine ausgestreckte Hand. Strahlende, verschnörkelte Popmusik umspielt Vernons Stimme, während er sich auf eine neue und schöne Ära konzentriert. Bei jedem Lied sind seine Augen auf eine bestimmte Person gerichtet. Es ist Liebe, was bedeutet, dass in fABLE eine intensive Klarheit, Konzentration und Ehrlichkeit herrscht. Es ist das Porträt eines Mannes, der von dieser ersten Begegnung überflutet und überwältigt ist ("Everything Is Peaceful Love"). Es ist ein Tableau, das von Sex und unbändigem Verlangen geprägt ist ("Walk Home"). Ein Mann, voller Licht und Tatendrang, der eine ganze Zukunft vor sich sieht. Verliebtheit hat etwas unbestreitbar Heilendes an sich, und die intensive Klarheit, Konzentration, Ehrlichkeit und Feierlichkeit, die sie in diese Songs bringt. Doch der Schatten von SABLE liegt noch immer in der Luft, und alte Gefühle können zurückkehren, selbst wenn man sich die Mühe gemacht hat, neu anzufangen. Wie in einer Fabel vermittelt jeder Track eine Lektion, und in fABLE geht es um den selbstlosen Rhythmus, der erforderlich ist, wenn man mit einer anderen Person verstrickt ist. Der vorletzte Song - und im weiteren Sinne das ganze Album - ist ein Versprechen. Er ist bereit, diesen Rhythmus zu finden.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

14,71
Jordan Fields - Mood Groove EP

Private press 7 track 12" from 1996 that we never "officially" released. Until now. "The deepest dubs and asbtract sounds you can imagine from the raw & unfiltered mind of JORDAN FIELDS." Limited edition staying true to the original artwork. Grab it.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

15,08

Last In: vor 7 Monaten
Tom Peters - CAN U

Tom Peters

CAN U

12inchIS011
...is serving
22.05.2026

Berlin-based artist and label head Tom Peters returns to his techno-focused imprint ...isserving with IS011 - CAN U, a refined four-track vinyl-only release that channels groove,hypnosis, and physical intensity in equal measure.
The EP opens with "CAN U", a deep yet propulsive cut built around metallic percussion,textured synths, and a haunting vocal hook. Its stripped precision and subtle emotionalcharge reflect Peters' evolving sound-somewhere between warehouse minimalism andlate-night transcendence.
Ketch, from the SYXT collective, reimagines the title track with raw drive and rhythmicprecision. His remix sharpens the low-end punch while unfolding layers of atmospherictension that feel both industrial and intimate.
On the flip, "Control Conscious" dives deeper into Tom's hypnotic palette-dark, groove-heavy, and cinematic in its design.
Steffi's remix closes the EP with her signature blend of deep techno and Detroit-infusedswing: warm chords, tight percussion, and a dynamic arrangement that nods to bothemotion and functionality.
Pressed on 140g black vinyl in a limited run of 300 copies, CAN U EP encapsulates thecore spirit of ...is serving-techno with groove, depth, and emotional intelligence.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,03
Black Electric - Black Electric

Terrestrial Funk presents a piece of Detroit history. Born and raised in Motor City, Karl Fultz knew at the age of twelve that he wanted to be the most talented and successful DJ in the world. In 1999 he released on Juan Atkins’ Metroplex under the alias People Mover and in 2000 he released as Black Electric on Puzzlebox. Inspired by British synth-pop duo Eurythmics, Fultz says Black Electric was a way to get more women involved in the techno movement. Together alongside vocalists Tiffany Elliott, Kim Glover & Talena Fultz, Black Electric brought sex appeal to the scene. Their first and only release stays in demand and has become inaccessible until now. Terrestrial Funk’s reissue provides two fresh cuts on the new 12”. ‘Purple’ a chugging Detroit acid track describing soul modification to enhance intimacy and a proper bassed out club mix of the nasty electro sex song ‘Work That’, which was only featured as an acapella on the original release. Black Electric stands as a testament to turn of the century Detroit and the city’s undying devotion to expand our connection to music.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

14,50
Blue Mode & El Chavo - Smells Like Teen Spirit

The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records. Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices....

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

14,71

Last In: vor 2 Jahren
Bleachers - everyone for ten minutes LP
  • A1: Sideways
  • A2: The Van
  • A3: We Should Talk
  • A4: You And Forever
  • A5: Dirty Wedding Dress
  • A6: Take You Out Tonight
  • B1: I Can't Believe You're Gone
  • B2: Dancing
  • B3: She's From Before
  • B4: I'm Not Joking
  • B5: Upstairs At Els
auch erhältlich

white Vinyl[26,01 €]

Tape Cassette[15,92 €]


Bleachers' new album “everyone for ten minutes” will be released on 22 May 2026. Described by The New York Times as “anthemic, life-affirming pop rock,” Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers’ self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

26,01
Bleachers - everyone for ten minutes LP

Bleachers' new album “everyone for ten minutes” will be released on 22 May 2026. Described by The New York Times as “anthemic, life-affirming pop rock,” Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers’ self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

26,01
Bleachers - everyone for ten minutes MC

Bleachers' new album “everyone for ten minutes” will be released on 22 May 2026. Described by The New York Times as “anthemic, life-affirming pop rock,” Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers’ self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

15,92
Sorry We Play Vinyl - Sorry We Play Vinyl 3

Sorry We Play Vinyl are once again not at all sorry to play vinyl and good, frankly, because what they serve up on wax is always going to be well received. 'EDIT7' kicks off this latest with a tightly worked 90s sample woven into a loopy groove that is going to get crowds into a funky lather. 'EDIT8' follows with retro-slanted raver era breakbeats and opulent synth oozing, the odd bleep and a bubbling bass thrown in for good measure. 'EDIT9' completes a varied EP with some smooth and succulent deep house with a US warmth to it. The soulful vocals are smeared through soft drums and it's a perfect late-night tool.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,03
XDCVR - I HATE THAT SHIT, I HATE ALL THAT SHIT (Tape)
  • 01: Just Because You Don&Apos;T Believe That I Want To Dance, Don&Apos;T Mean That I Don&Apos;T Want To
  • 02: Psalm 68 (22-35)
  • 03: Cyber Feminism Index
  • 04: Faithful And True
  • 05: Crimes Of The Future
  • 06: Rider On The White Horse
  • 07: The Royal Arch
  • 08: Best Served Cold
  • 09: Op1 Dead
  • 10: Ai Futurr

XDCVR_ unveils 'I HATE THAT SHIT, I HATE ALL THAT SHIT' a blistering sonic manifesto on the 'performativity of decay'.

In a world saturated with digital perfection, the album emerges as a vital, hand-made act of electronic rebellion.

Framed as a "soundtrack for the end stretch" the record explores the notion that societal decay is not a passive process, but an active performance—a machine chugging along long after its wheels have fallen off.

This is cyborg music for a bifurcated reality: carbon-fiber toughness shielding a core of systemic rot. The sound palette is intentionally raw and imperfect, a direct challenge to the sterile, automated order of what the artist calls the "techno-fascist oligarchy."

Tracks eschew conventional temporality, mirroring the feeling of existing in two concurrent timelines—one hyper-aware of the collapse, the other numbly consuming it.

Drawing a line from the Cold War anxieties of the past to the data-farming dystopia of the present, 'I HATE THAT SHIT…' posits art as the last authentic incubator for societal change. It is, in the artist's words, "a deliberate 'fuck you' to the oppressive order of the status quo. This is not easy listening; it is a contested space, a lit fuse, and a necessary noise for our complicated times."

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

17,23
Discotecas - Discotecas 009

Discotecas

Discotecas 009

12inchDISCOT009
Discotecas
22.05.2026

Apiento and Lexx join forces on some super nice edits for Discotecas. The first one has long been a staple of Apiento’s Test Pressing show and finally hits vinyl. The others are all new edits which sit perfectly in the current climate.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

13,87
OF TROPIQUE - Looking For My Foot Foot LP
  • A1: Tiempo (Feat. Miramar)
  • A2: Golden Beauty (Feat. Nishioka Diddley)
  • A3: Flux Tide (Feat. Joshua Camp)
  • A4: Sunday Sunny Silver River (Feat. Hiroyuki Nagakubo)
  • A5: Nocky Nock (Feat. Rockin’ Enocky)
  • A6: Joy Joy (Feat. Moe)
  • B1: Theme Of Kitaro Okuwa (Feat. Minori Izumi And Samut Nobe)
  • B2: Fishcake And Fortune (Feat. Koji Yagihashi)
  • B3: Totem
  • B4: Cheech Is Dead (Feat. Wada Mambo)
  • B5: Gerry In The Desert (Feat. Kazuma Koseki)
  • B6: Forever Night Shade Mary

The borderless, tropical band “of Tropique,” whose core sound blends funk and rock-infused exotica, releases a 12-track full-length album on vinyl LP!!
This work maximizes their core lineup as a guitar-less trio, featuring a diverse array of 14 guest musicians to construct a rich sonic landscape.
This landmark release in the history of domestic exotica and tropical music features Mutsumi Kobayashi of the Minyo Crusaders, Rockin' Enocky of Jackie
& The Cedrics, to global talents like Joshua Camp of CHICHA LIBRE and MIRAMAR, the standard-bearer of US new wave Latin bands, and more!
It's a masterpiece that delivers the full thrill, excitement, and pleasure of encountering unknown music.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

42,82
Amyl and The Sniffers - Giddy Up / Big Attraction LP

Ten years ago, in a sharehouse on Chapel Street, four 20-year-olds with zero expectations wrote and recorded an EP in a single afternoon. Those six blistering minutes of music became Giddy Up. An hour later, Amyl and The Sniffers had a name, a Bandcamp upload, and the beginnings of a legacy.
Following a year of backyard gigs, playing for friends and partying across Melbourne's sticky carpet music scene, the band released their iconic second EP Big Attraction in 2017.
Now, to celebrate a decade of raw power and reckless spirit, Giddy Up/Big Attraction returns in a definitive 10th anniversary 12-inch vinyl edition — fully remastered for maximum punch.
Featuring early classics like “I’m Not A Loser” and “Stole My Pushbike,” plus enduring live favourites “Balaclava Lover Boogie” and “Westgate,” this is the sound of Amyl and The Sniffers before the world caught up — feral, funny, and unstoppable.
The LP is housed in a gatefold sleeve showcasing Chris Sutherland’s iconic 2017 band photo, alongside an exclusive new essay from Amy Taylor and a heap of never-before-seen behind-the-scenes shots from the band’s earliest days by Jamie Wdziekonski. As Amy recalls: “We recorded and wrote over the afternoon… we’d never played together before that day… it’s spontaneous, and fun and achievable in that time because to us it sounded more than good and we weren’t perfectionists and it didn’t matter.”
From DIY house shows in Melbourne to international stages, it all started here.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

22,65
Matt Gold & Dustin Laurenzi - Devotional Fade LP
  • 01: Devotional Fade
  • 02: Clown Car
  • 03: Morocco
  • 04: Cool Whip
  • 05: Soft Hold
  • 06: Seven On The Floor
  • 07: Arpeggio
  • 08: End Of The Horn

Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chicago's most vibrant instrumental voices listening deeply, communing in sound.

Recorded in Laurenzi's attic studio, Devotional Fade emerged from a series of weekly sessions over the course of a single month. The duo kept the tape rolling continuously each day and selected a number of immersive sonic worlds to present, oscillating between patient, sacred minimalism and wild, dancefloor-worthy combustion.

The pair set two parameters to heighten the sessions' stakes: editing would be kept to a minimum, and a rule of "no pitched overdubs" was put in place – ensuring that all melodic and harmonic gestures would have to be committed in real time. Laurenzi and Gold held true, only sparingly adding a stray shaker or brush to these already largely complete improvisations. Devotional Fade is imbued with quiet propulsion and ecstatic repetition.

Matt Gold is a guitarist, multi-instrumentalist, songwriter, and producer based in Chicago, IL. His work pulls from diverse traditions of electric and acoustic music. Matt has performed across six continents and contributed to over fifty recordings as a collaborator and instrumentalist, garnering critical praise from Pitchfork for playing "one of the most exhilarating guitar solos of recent memory, in any genre." Gold has several long-running collaborative bands spanning jazz, folk, experimental, and chamber music including Sun Speak, Storm Jameson, and Tin. He performs and records with an array of creative artists including Makaya McCraven, Marquis Hill, Jamila Woods, Natalie Merchant, and Greg Ward. Gold co-curates the record label and concert series Flood Music.

Chicago saxophonist/multi-instrumentalist Dustin Laurenzi has developed a personal approach to improvisation and composition that has garnered the attention of the city's creative music community. Laurenzi's music is inspired and informed by jazz, folk, and improvised music. His inventive improvisational sensibilities have made him a sought-after musician in many circles of Chicago's vibrant music scene and beyond. Laurenzi has toured extensively with songwriter Bill Callahan and is featured on Callahan's 2024 release Resuscitate! He has toured with Grammy award-winning artist Bon Iver and appears on the band's critically lauded 2016 release 22, A Million. Laurenzi has also performed with Jeff Parker & The New Breed, Marquis Hill, Makaya McCraven, Matt Ulery, Japanese Breakfast, and This Is The Kit.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

22,65
Loraine James - Detached From The Rest Of You LP
  • A1: A Long Distance Call
  • A2: The Book Of Self Doubt
  • A3: In A Rut Ft Sydney Spann
  • A4: Score Ft Anysia Kym
  • A5: Seems Like I A6. Flatline Ft Miho Hatori
  • B1: Peak Again Ft Alan Sparhawk
  • B2: Habits And Patterns Ft Tirzah
  • B3: Wish I Was Like U
  • B4: Ending Us All Ft Le3 Black X Fyn Dobson
  • B5: Forever Still (Steel)
  • B6: See Through
 
1

Forged from the fire of internal struggles, Loraine James was wrestling with confidence and a desire for change when she embarked on “Detached From The Rest Of You”. A guiding hand came through producing 2025's “Clandestine” EP with singer Anysia Kym, which gave her the experience of a more 'pop' setting and the tools and insight to work her instrumentals into more conventional shapes; a shift from club driven sounds and winding instrumentals into more precise song forms.


Loraine’s production is stripped to the bone, soundscapes of clicks and glitches inspired by Aoki Takamasa, Ryoji Ikeda, and the early-00s Clicks & Cuts school. Here, often with not much more than sparse keyboard chords to fill in with subtle colouring, she uses the space around the sounds and vocals to draw the listener in to a succinct and direct album, her most confident yet.


Guest contributors include vocalist Sydney Spann on “In a Rut”, Alan Sparkhawk (Low) on downcast anthem “Peak Again”, Miho Hatori (Cibo Matto) on “Flatline”, Anysia Kim on “Score”, and Tirzah on “Habits and Patterns”. Finally her old spar, the rapper Le3 bLACK returns to spit fire with the jazz-indebted track “Ending Us All” with Fyn Dobson backing on tumbling drums.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

21,81
SHIGEHARU MUKAI - SPACING OUT (1978) LP

SHIGEHARU MUKAI

SPACING OUT (1978) LP

12inchTYO-1005
THREE BLIND MICE
22.05.2026

This is the long-awaited reissue of Mukai’s first release on the Better Days label, bringing together jazz dynamism and fusion’s vivid flair. With a spirituality reminiscent of his early works, bossa nova touches that hint at what would come later, plus tropical and rock beats and plenty of funk, it’s a crossover gem packed with diverse appeal.

vorbestellen22.05.2026

erscheint voraussichtlich am 22.05.2026

43,49
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