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Ralo - Broken Way

Ralo

Broken Way

12inchSS003A1
Soul Service
19.06.2026

Consistent funk operator Ralo is back with a brace of tunes that will shake your bones loose. First up is 'Broken Way', a magnificently jumbled rhythm made from languid bass and kicks, peppered with organic percussion and heated through with soft synths. It's atmospheric and real, like the overheard soundtrack to a party happening in your kitchen. 'Djembe' then brings out some brassy horns to take things to the next level. They jump out of the low-slung drums and add jazz, soul and colour that cannot be ignored. Gledd and Monsieur Van Pratt step up on the flip with cultured reworks that turn things up to 11.

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Last In: 64 days ago
14,08 €
Ne-Yo - In My Own Words (20th Anniversary) LP 2x12"

„In My Own Words“ ist eine Hommage an herausragendes lyrisches Storytelling, echte Emotionen und
geschmeidige Choreografien, die jeden Song unterstreichen. Obwohl Ne-Yo bereits als Songwriter für
andere erfolgreich war, machte ihn das 2006 erschienene Album „In My Own Words“ der Welt als Künstler
bekannt. Mit Hitsingles wie „So Sick“, „Sexy Love“ und „When You’re Mad“ stellte dieses Album nicht
nur sein erstaunliches Songwriting, sondern auch sein unglaubliches Gesangstalent unter Beweis. NeYos Debütalbum war ein kommerzieller Erfolg, erreichte Platin-Status und etablierte ihn als einen der
einflussreichsten R&B-Künstler dieser Ära.

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Last In: 3 months ago
27,94 €
HIRO AMA - Booster Pack EP

Japan-born, London-based composer-producer Hiro Ama releases his new EP Booster Pack, out now via PRAH Recordings. Where his previous record Music For Peace & Harmony explored spacious, meditative soundscapes, Booster Pack is an energetic, groove-driven statement, a deliberate move toward music designed to get the body moving while retaining the textural detail that defines his work.

Opening track “Booster” sets the tone: a percussive, rhythm-first piece that builds into propulsive, rave-leaning momentum. It was the seed that shaped the rest of the EP, establishing a new direction rooted in groove, movement and physicality.

On the EP, Hiro explains that “After releasing ‘Music for Peace and Harmony’ I wanted to create something completely opposite. Something dancy, something intense. A total 180-degree flip. The album was all about stillness, subtlety, and emotional resonance. This time I wanted to lean fully into energy, fast paced songs, and groove. Create something that I never created and something that could shake you awake rather than calm you down.

“Instead of beginning with piano or harmonic ideas which is usually my starting point. I focused purely on beats and rhythms in the beginning. I didn't add any chords or melodies until I felt happy with the drums and groove layers. It was a new approach for me and it pushed me to think about music more physically and less emotionally.”

The EP features earlier single “Lava”, a rave-inspired, rhythmically intense track built from pulsing bass and a siren-like synth, designed to create tension, energy and movement while keeping the groove at the forefront.

Across the rest of the Booster Pack EP, Hiro leans into percussion, deceptive rhythmic patterns and taut bass to create forward drive; each track begins with groove before melodic elements arrive, resulting in a record that trades reflective stillness for kinetic urgency while maintaining his compositional precision.

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Last In: 3 months ago
26,01 €
Tony Humphries - Running Back Mastermix: Kiss FM Zanzibar Years (Cassette, mixed)
 
14
also available

Part One[30,21 €]

Part Two[30,21 €]


(*Previously unreleased)

Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)

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Last In: 3 months ago
16,18 €
Glaring - Life On Other Planets Is Difficult

Glaring's release is a glorious feast of emotions. A journey into the deep, a fast rise above the sky, then back down again into the gloom. It's incredible how many places she can guide you to. A mesmerizing voyage through life, death, and everything in between. See the world through her eyes, let her machines obliterate you.

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Last In: 3 months ago
15,76 €
Adrian Rew - Slot Machine Music, Vol. 1 & 2: Field Recordings from Middle American Casinos (Tape)
  • 01: 3/31/23 - Horseshoe Casino, Cleveland, OH
  • 02: 6/23/2013 - Horseshoe Casino, Hammond, IN
  • 03: 7/3/2013 - Grand Victoria Casino, Elgin, IL
  • 04: 1/1/2014 - Greektown Casino, Detroit, MI
  • 05: 1/11/2014 - Majestic Star Casino, Gary, IN
  • 06: 1/1/2014 - MotorCity Casino, Detroit, MI

"Chance animates the smallest parts of the universe: the scintillation of the stars is its power, a wildflower its incantation."
—Georges Bataille, Le Petit

"Even on my way to the gambling hall, as soon as I hear, two rooms away, the clink of the scattered money I almost go into convulsions." —Fyodor Dostoevsky, The Gambler

Video gambling addicts, academic researchers, and industry professionals alike describe the trancelike state into which problem gamblers suspend themselves with remarkable consistency: they unanimously call it the machine “zone,” a kind of inner experience during which the rhythmic flow of human-machine collusion borders on mysticism. Time is abolished in the act of contemporary video gambling —simulated slot reels roll, virtual poker decks deal, and all worldly concerns are lost—leaving only the aura of total zone immersion in its wake. Sometimes characterized as the crack cocaine of gambling, the intensity of the machine zone is a symptom of casino ergonomics: emotionally manipulative fragrance-saturation, mesmerizing lights, subtly controlling walkways and, as captured here, meticulously engineered sonic environments all play a role in evoking the timeless void of the zone.

Although I was not yet aware of the extent to which casinos tailor their environments for maximum comfort (and, correspondingly, profit), I did know as I crossed the threshold of my first casino floor last year that I would be back for more. Hit by a cornucopia of slot machine tones, triggering aleatorically and coalescing into shimmering masses, I was struck by the need to return and record the sounds that so entranced me. It wouldn't prove to be easy—casino security is intense—and due to the clandestine nature of the operation, my recording techniques were by no means sophisticated. Equipped with nothing but an Olympus LS-11 recorder's internal microphone stashed in a sweaty coat pocket, I allowed the lure of the zone to guide me through a series of ambling recording sessions, the best of which are included here.

I learned a lot about casino sonics in the process: game designers, for example, once tuned all their machines to the key of C major in order to optimize harmonic cohesion (strict adherence to the key is no more but C still dominates the game floor); one team of designers, the story goes, even spent a month perfecting a single 'ding' sound on one machine. In the interest of preserving the true ambient sounds of the casino these recordings are untreated, but lost in the sea of chance I did exert some affirmative control by means of meandering intent and my actual playing of the machines. And by participating in the games myself I got a taste of the financially debilitating consequences that accompany the enchantment of video gambling. The cassette in your hands represents my endeavor to bring you the zone experience without the harsh comedown of its unfortunate reality.

—Adrian Rew

pre-order now19.06.2026

expected to be published on 19.06.2026

13,87 €
Mal-One - Punk Rock Daze LP

Mal-One

Punk Rock Daze LP

12inchMAL-ONELP-007
Punk Art Records
19.06.2026
  • 1: Punk Art
  • 2: Someone’s Tuning Up
  • 3: Punk Rock Daze
  • 4 1: 2-3-4
  • 5: Mal-One’s Out To Lunch
  • 6: The Ballad Of Punk Rock
  • 1: Holiday In Other People’s Misery
  • 2: Future Nostalgia
  • 3: Welcome To The Punk Rock Disco
  • 4: The Ballad Of Johnny Rotten
  • 5: Those New York Dolls
  • 6: Punky Rocking Xmas

Yes here we are 50 years on from year zero 1976 (where did that go!!!). To celebrate this and the fact we are all still here and talking about the importance of the Punk Rock movement i put together an album under the banner Punk Rock Daze. The title reflects it was all such a daze, as it ran by so fast and also as a reminder of an old Malcolm McLaren remark that came to mind. That when the band and management were discussing the look and name of the Sex Pistols forthcoming album ‘Never Mind The Bollocks’. Malcolm remarked, lets sell it as you would sell washing powder, bright, simple and with fluorescence colours. Great idea so here is my homage to that thought.

So I hope you enjoy the gesture and here’s to another 50 years of Alchemy, Joyousness and
instruction (Anarchy, Chaos and Destruction).

Peace and Punk Mal-One

pre-order now19.06.2026

expected to be published on 19.06.2026

13,24 €
HIDEO SHIRAKI QUINTET + 3 KOTO GIRLS - SAKURA SAKURA (1965) LP
  • A1: Sakura Sakura
  • A2: Yosakoi Bushi
  • A3: Yamanaka Bushi
  • B1: Matsuri No Genzo
  • B2: Alone, Alone and Alone
  • B3: Suwa

A standout drummer in the Japanese jazz scene of the 1950s and 1960s, Hideo Shiraki recorded this album in Berlin in 1965. The album, featuring a new arrangement of the classic "Matsuri no Genzo" and the original composition "Alone, Alone and Alone" by the young Terumasa Hino, is now set to be reissued in the "Spin This Now!" series.

Hideo Shiraki (ds)
Terumasa Hino (tp)
Takeshi Muraoka (ts)
Yuzuru Sera (p)
Hachiro Kurita (b)
Kinuko Shirane (koto)
Keiko Nosaka (koto)
Sachiko Miyamoto (koto)

pre-order now19.06.2026

expected to be published on 19.06.2026

43,49 €
JEJUNE - WAIT A LIFETIME LP 5x12"
  • 1: METEORITE
  • 2: GREYSCALE
  • 3: PABLO
  • 4: STRESSER
  • 5: ETHAN ALLEN
  • 6: INDIAN GIVER
  • 7: RADICAL FIREPOWER
  • 8: FORD
  • 1: MORALE IS LOW
  • 2: COPING WITH SENILITY (LOWLIFE OWNS A PEN)
  • 3: THIS AFTERNOONS MALADY
  • 4: FIXED ON THTHE ONE
  • 5: SITCOM EPIPHANY
  • 6: SOLAR
  • 1: NEW CLEAR SATURDAY
  • 2: REGRETS ARE UNANSWERED DREAMS
  • 3: DEMONICA
  • 438: CALUMET
  • 5: ONE TRANSMISSION
  • 6: SAME TO YOU
  • 1: RECORD CITY AFTER WORLD
  • 2: THE NEW STATE
  • 3: LUNATIC
  • 4: THE HIGHS AND LOWS
  • 5200: 0 MILES
  • 6: HEART OF DESIRE
  • 7: EARLY STARS
  • 8: MORALE IS LOW (ALTERNATE VERSION)
  • 1: THAT'S WHY SHE HATES ME
  • 2: SOLAR (ALTERNATE VERSION)
  • 3: LOWLIFE (VERSION REMIX)
  • 4: GRACE (WIZARD GLICK IS SWIMMING)
  • 5: DRIVE BY NEGLY
  • 6: EARLY STARS (7" VERSION)
  • 7: THAT'S WHY SHE HATES ME (" VERSION)
  • 8: HIALEAH
  • 9: FIGURED OUT
also available

Opaque Red Vinyl[86,98 €]


Die vollständigen originalen Studioaufnahmen des aus San Diego stammenden, über Boston geformten Alternative-Trios - remastert, restauriert und in einem opulenten Boxset vereint. Wait A Lifetime versammelt die unvergleichlichen Alben der Band Junk und This Afternoon Malady sowie R.I.P., erweitert um ihr unvollendetes drittes Album, Singles, Split-Veröffentlichungen und Beiträge zu Compilations. Das begleitende 68-seitige Booklet zeichnet die gesamte Geschichte anhand eines Essays von Nina Cocoran und Dutzender zeitgenössischer Fotos nach. Alles ist untergebracht in einer beeindruckenden, kaschierten und lackierten Box. Sink in die Erde - und flieg.

pre-order now19.06.2026

expected to be published on 19.06.2026

80,63 €
JEJUNE - WAIT A LIFETIME LP 5x12"

JEJUNE

WAIT A LIFETIME LP 5x12"

5x12inchNUMLPC2233
Numero Group
19.06.2026

Die vollständigen originalen Studioaufnahmen des aus San Diego stammenden, über Boston geformten Alternative-Trios - remastert, restauriert und in einem opulenten Boxset vereint. Wait A Lifetime versammelt die unvergleichlichen Alben der Band Junk und This Afternoon Malady sowie R.I.P., erweitert um ihr unvollendetes drittes Album, Singles, Split-Veröffentlichungen und Beiträge zu Compilations.Das begleitende 68-seitige Booklet zeichnet die gesamte Geschichte anhand eines Essays von Nina Cocoran und Dutzender zeitgenössischer Fotos nach. Alles ist untergebracht in einer beeindruckenden, kaschierten und lackierten Box.Sink in die Erde - und flieg.

pre-order now19.06.2026

expected to be published on 19.06.2026

86,98 €
Iron Kobra - Eternal Dagger
  • 1: Trembling Dungeons
  • 2: Forbidden Fruits
  • 3: Fliehen
  • 4: Shibuya Nights
  • 5: Silver Strings and Iron Wings
  • 6: Eternal Dagger
  • 7: Unchained & Untamed
  • 8: Treacherous Tyrant
  • 9: Mountains of Madness
also available

Cassette[9,66 €]


DYING VICTIMS PRODUCTIONS is proud to present IRON KOBRA’s highly anticipated third album, Eternal Dagger, on CD and vinyl LP formats. Additionally their two previous albums will be re-released at the same time. Formed in 2008, Germany’s IRON KOBRA began with a noble mission: to bring heavy metal back to its unpolished, rough, and weird roots. Influenced by heroes of old like Iron Maiden, Cirith Ungol, Living Death, Manowar, and Tank with a sprinkle of punk, the band brewed up a venomous concoction of catchy-yet-speedy heavy metal with maximum potential for engagement – whether it was singing along to, banging your head, and / or raising your fist! Their first few years were busy, releasing the Cult of the Snake demo in 2009 and the Battlesword EP the year after. After playing extensively all throughout Europe and earning a reputation for being a force to be reckoned with live, IRON KOBRA teamed up with DYING VICTIMS in 2012 for the release of their momentous debut album, Dungeon Masters, and three years later for their more refined second album, Might & Magic.

The years after – especially those around the pandemic – brought the band’s external momentum to a crawl. But behind the scenes, they were still writing and playing select shows, even venturing as far as Japan. Now, at very long last, IRON KOBRA return to stake their claim as kings of swords & sorcery metal with Eternal Dagger! Granted, the characteristically amazing cover artwork suggests a sci-fi bent, but the timeless HEAVY METAL the Germans unleash here is vintage IRON KOBRA: immediately recognizable as them, but still reflecting on (and refining) their past, incorporating influences from their favorite bands to result in something that will be YOUR favorite soon enough! Aided by the gleaming & glorious production of Stefan Castevet (Vulture, Luzifer), Eternal Dagger explodes with excitement at every turn, its nine songs ranging speed metal tracks like “Trembling Dungeons” to NWOBHM-fueled rockers like “Shibuya Nights” and epics like "Mountains of Madness.” It goes without saying that IRON KOBRA’s arsenal here offers a wide variety of pure metal gold, evoking the likes of Exciter, Brocas Helm, Diamond Head, and early Running Wild but, of course, with their undeniable personality and panache. So strap yourselves to your seats, maniacs: the Cult of the Snake is back, bringing you heavy hymns that will pierce your eardrums like a heavy metal drill

pre-order now19.06.2026

expected to be published on 19.06.2026

22,65 €
Various - You're No Good | Mueve La Cadera (7")
  • A1: You're No Good
  • B1: Mueve La Cadera

For this new 45, "Matasuna Records" returns to the "ATCO" and "Atlantic" vaults, pairing two distinct cuts from the 1960s New York Latin music landscape.

On the A-side, "The Harvey Averne Dozen's" "You’re No Good" blends warm "Latin Soul crossover" with a steady mid-tempo groove and vibraphone-led arrangement. The flip side features "Louie Ramirez & His Orchestra's" "Mueve la Cadera" – a percussion and brass-driven "Boogaloo" recording full of movement, tension and energy.

Two contrasting yet complementary sides, now officially back on 45.

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Last In: 3 months ago
12,82 €
Mark Ambrose / Serious Cut - Remedy EP

An inspired link up between UK and continental producers - yeah, in your face, Brexiteers - as Brit talent and Crayon boss Mark Ambrose joins forces with Spanish duo Serious Cut aka Raul Zapata and Ivan Martinez, across four irresistible cuts. 'Remedy' nods its head subtly to the Diana Ross (and then Associates) classic 'Love Hangover' while enchanted, spacious and spacey grooves do their thing, while the cherry on top of 'Deep Track' proves to be some neat sci-fi spoken word, not to mention the kind of soft, jazzy chords that Global Communication's house productions used to revel in. Flip it over for the more electroid 'Talk Box' and the unashamedly Windy City-referencing 'Auto Level. Four sides of a classic sound, three great producers, two sides of top vinyl and one must buy bit of vinyl.

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Last In: 57 days ago
13,87 €
Slim Smith - Keep The Light Shining

Slim Smith is high on the list of great singers that came out of Jamaica.
Although Jamaica was bursting with musical talent, few could match his soulful and heartfelt style.
Sadly he had a very short career but he produced a catalogue of music that still stands the test of time ,like all the great artists his story carries through the songs he left behind.
We have compiled some of his finest moments from his period working alongside the Hit Maker from Jamaica producer Bunny Lee...
A great set of tunes that we hope will keep his memory alive
Keep the Light Shining.....Respect

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Last In: 12 years ago
13,24 €
Lorenzo’s Oil - Paperopolis LP
  • 1: Neo-Paperopolis Jump Suite
  • 2: Upworld Groove (TV Version)
  • 3: You Wouldn't Understand It's Swamp Thing
  • 4: The Neverending Skylines of Taipei
  • 5: E.B.E. Bridge-Jump
  • 6: A View From The Otherside Of The Rollercoaster
  • 7: Central Jungle, Paperopolis

A conjuration between our favourite dreamweaver Spencer Clark and Italian psychic traveller Mondo Riviera, Lorenzo's Oil present an oracle of aural travelogues between seen and unseen worlds on 'Paperopolis'.
Two likeminded individuals on their distinct but complementary quest for the netherworld, Clark and Riviera's meeting of the minds projects sonic artefacts assembled from lucid dreaming keyboard pads, narcotic late night TV rhythms, spiralling sequences and mangled voices.
The 10+ minutes 'Neo-Paperopolis Jump Suite' makes these intentions quite clear right from the start, veering from no frills keyboard runs to a mid tempo bounce and on towards the house of mirrors synth stabs and driving rarefied percussion that close the suite and open the pathway to such "places" as 'Central Jungle, Paperopolis' and "visions" as 'The Neverending Skylines of Taipei'. Ride on.  

pre-order now19.06.2026

expected to be published on 19.06.2026

19,54 €
RuPaul - Foxy Lady (30th Anniversary) 2x12
  • 1: Happy
  • 2: Party Train
  • 3: A Little Bit of Love
  • 4: Snapshot
  • 5: Foxy Lady
  • 6: R.U. Nasty
  • 7: Falling
  • 8: Dolores
  • 9: Work That Body
  • 10: Celebrate
  • 11: Snatched for the Gods
  • 12: If You Were a Woman and I Was a Man
  • 13: Snapshot (Spike Club Mix)
  • 14: Snapshot (Kupper's Funkin' Dub)
  • 15: A Little Bit of Love (Plastik Vocal)
  • 16: A Little Bit of Love (Welcome's Sly Vocal Edit)
pre-order now19.06.2026

expected to be published on 19.06.2026

32,35 €
casi - CASI LP

casi

CASI LP

12inchCAK189LP
Carpark Records
19.06.2026
  • A1: TRIGGER

  • A2: I’M HUNGOVER AND WENT TO CHURCH

  • A3: HOCKEY
  • A4: D.O.A
  • A5: INTRUSIVE THOUGHTS
  • B1: JUMPER

  • B2: ELEVEN87
  • B3: SUBSTANCE
  • B4: HUMAN STEREOTYPE
  • B5 5: BRIDGES

Near the end of fifth grade, Eli Edwards’ mom gave him $20 and told him to go find a friend. His team had won its soccer game that day, so they were out celebrating at a local pizza parlor with games. But, more importantly, there had been one other Black kid that day on the pitch in Spanaway, WA, a Tacoma suburb and military-base town at the rainy northwest corner of the United States. That kid just happened to be Xayvien Young. An instant deep connection was formed between Edwards and Young—Eli and Xay, as they prefer to be called were inseparable— and now twelve years later they are the electrifying, boundary-skipping duo Casi.

Along the way, Eli had relocated to Los Angeles with the indie rock band Enumclaw he had helped found, but he found himself flying home maybe a little too much. He was ostensibly visiting his girlfriend, but he spent most of his time with Xay. They cut tracks in every bit of free time they found until they had an epiphany: Maybe this music they’d made together for a dozen years was actually something special. Casi’s 10-track, self-titled debut out on Carpark Records is the electrifying proof they needed.

On the record, they enthusiastically explore every musical interest they have ever had—explosive hip-hop and unbridled hardcore, high-gloss nü metal and a little bit of emo—as a pair. These songs don’t ignore genre lines; they delight in destroying them, in finding ways to slam hip-hop and hardcore, emo and nü metal together until it seems illogical that they were ever apart. Take “Jumper,” where heavy metal guitars and face-kicking drums stir the moshpit for rabid verses about crushing ICE and the lessons you learn riding the poverty line. And take closer “Bridges,” where the melodic imprint of Deftones meets the relentless confessions of Death Grips. Here are the hard, funny, and loud stories of two 23-year-olds, screaming about the world over a breathless composite of all the music they’ve ever loved.

When Eli was in Los Angeles, Xay missed his friend. But in his absence, he also felt the spark of inspiration. Music was something that had just been their childhood hobby, but now Eli was in a rock band that had press accolades and tours. He got serious about the craft. Eli would write about the dislocation and isolation he felt in California, while Xay would document the hardships of being a young Black man with a complicated family while working menial jobs in Spanaway.

This isn’t a coming-of-age album for Casi; it is, instead, a raw and riveting snapshot of that process, painful as it can be. “Eleven87” is a breakup song, a soul beat springing beneath arching emo vocals. And “Intrusive Thoughts” treats that topic like a punching bag, Eli and Xav fighting against the mental habits that keep them down. These 10 songs instantly close that gap.

pre-order now19.06.2026

expected to be published on 19.06.2026

25,84 €
Soul Jazz Records Presents - STUDIO ONE SKA LP 2x12"

Soul Jazz Records celebrate 25 years of working in partnership with Studio One with brand new editions of FIVE of their best-selling CLASSIC Studio One collections all released on limited-edition one-off pressing coloured double vinyl. Also available in new limited-edition card wallet CD editions. The new edition featured albums are Studio One Funk, Studio One Dub, Studio One Ska, Studio One Roots and Studio One Classics.

A blistering collection of non-stop Ska classic tunes featuring classic cuts from the originators of Ska alongside a heavy dose of superb rarities from the might vaults of 13 Brentford Road - pure fire! This compilation features classic tracks from The Skatalites, Bob Marley & The Wailers, Delroy Wilson alongside super-rare tracks from the likes of Ken Boothe, The Maytals, Jackie Mittoo, Tommy McCook and many more. Clement ‘Sir Coxsone’ Dodd’s musical empire was founded on Ska, the first explosive and most exciting music to come out of newly independent Jamaica. This album is a celebration of the music of Studio One Records’ seminal Ska releases and features a who’s who of some of the most important artists in the history of reggae music.

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Last In: 4 months ago
30,67 €
PENGUIN CAFE - The Red Book (2x12")
  • 1: Aurora
  • 2: Solaris
  • 3: Black Hibiscus
  • 4: Bluejay
  • 5: Radio Bemba
  • 6: Catania
  • 7: 1420
  • 8: And Yet…
  • 9: Moonbo
  • 10: Odeon
  • 11: (The Roaring of a) Silent Sun
  • 12: Close Encounter (Bonus Track)
  • 13: The Track of a Dull Sun (Bonus Track)

Erased Tapes are proud to re-issue The Red Book by Penguin Cafe, with an expanded vinyl track list which now includes the CD and digital-only “And Yet…” plus two tracks from the limited-edition Umbrella EP. This new edition will be available on limited translucent vinyl and CD, both with updated art from Studio Torsten Posselt utilising the original drawing from renowned British sculptor and Simon Jeffes’ partner Emily Young.

Penguin Cafe was founded by Arthur Jeffes in 2009, bringing together a talented and disparate group of musicians initially to perform his father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997. Following the release of A Matter of Life shortly after founding, The Red Book was released in 2014 to critical and fan acclaim.

“The name The Red Book comes from the book by Karl Jung of the same name. The book is about, among other things, the way our subconscious interacts with and intrudes into our daily lives. I thought this fitted what we were trying to achieve with the second album quite neatly — namely, exploring musical worlds that are at once both familiar and strange. There is another meaning which is that the main mastered disc you end up with, the one from which all other copies will be made, is called the Red Book Master — so somewhere at some point there will be a disc on which will be written “The Red Book — Red Book Master.”

The tracks on the album all fall on some point along a scale going from gently Apollonian at the one end to perhaps a bit more Dionysian at the other. For our purposes this would be the ‘spacey’ end — with tunes like 1420 and Aurora, and the ‘imaginary folk’ end — with tracks like Odeon, Radio Bemba and Black Hibiscus. The tracks between these extremes are, perhaps with Silent Sun in particular, an attempt to blend these two parts.”

pre-order now19.06.2026

expected to be published on 19.06.2026

26,01 €
Dennis Brown - Dubbing At King Tubby LP

2023 Repress

Dennis Brown has always been cited as Jamaica's favourite singer.
While Bob Marley set out to conquer the world, Dennis's popularity on the island grew with every year.
His most prolific period is said to be with producer Niney the Observer,who led the singer down a more Roots avenue.He put Dennis on some of his heaviest rhythms.
Throwing also into the pot the fact that these rhythms were also to be mixed by the Dubmaster himself King Tubby we are bound to get one of the best Dub albums around.
Here is where the Crown Prince of Reggae Meets Niney the Observer at King Tubbys.
It's from this period that we have focused on and it's these tracks that were taken to King Tubby's studio to produce this stunning album.
Hope you enjoy the set.......






G a7 | COME AGAIN DUB

J b2 | WOLF AND LEOPARDS DUB

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14,83 €
HARD-FI - SWEATING SOMEONE ELSE'S FEVER LP
  • 1: They Ain't Your Friends
  • 2: Digo Nada (feat.Mike Kalle)
  • 3: You Rule My Heart / When The Summer's Gone
  • 4: Humpback Whale
  • 5: Looking For Fun
  • 6: A Rose Electric (feat. Krysten Cummings)
  • 7: Always and Forever
  • 8: Arise
  • 9: Ain't Going Out Tonight (feat. Krysten Cummings)
  • 10: Now and Then
  • 11: Don't Go Making Plans
also available

turquoise vinyl[30,67 €]


Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

pre-order now19.06.2026

expected to be published on 19.06.2026

28,36 €
HARD-FI - SWEATING SOMEONE ELSE'S FEVER LP
  • 1: They Ain't Your Friends
  • 2: Digo Nada (feat.Mike Kalle)
  • 3: You Rule My Heart / When The Summer's Gone
  • 4: Humpback Whale
  • 5: Looking For Fun
  • 6: A Rose Electric (feat. Krysten Cummings)
  • 7: Always and Forever
  • 8: Arise
  • 9: Ain't Going Out Tonight (feat. Krysten Cummings)
  • 10: Now and Then
  • 11: Don't Go Making Plans
also available

Black Vinyl[28,36 €]


Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

pre-order now19.06.2026

expected to be published on 19.06.2026

30,67 €
Concepción Huerta - El Sol de los Muertos

Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.

Crafted entirely through subharmonic structures and tape manipulation, “El Sol de los Muertos” stands as Concepción Huerta’s most abrasive and emotionally charged work to date, rooted in drone, musique concrète, and visceral textures. The album reflects on dispossession, extraction, and colonialism, while connecting deeply with Latin American critical thought and Indigenous resistance across the region. Inspired in part by Eduardo Galeano’s work, it is not a manifesto, but an invitation to reflection, memory, and vigilance against the enduring forms of fascism and colonialism.



Recorded by Concepción Huerta in 2024 between Berlin, The Hague, and Mexico City. Original master and remastered for vinyl by Rafael Anton Irisarri at Black Knoll Studio, New York. Volcano photography by Magaly Ugarte. Design by Daniel Castrejón in Mexico City.

pre-order now19.06.2026

expected to be published on 19.06.2026

28,15 €
Earth-o-Naut - This Is Nowhere. This Is Everywhere LP
  • A1: This Is Day One
  • A2: Come Out Swinging
  • A3: Bring The Light
  • A4: Am I Really Here
  • A5: o.n.l.y.l.o.v.e
  • A6: Call Me
  • B1: There’s Nothing Above Music And Love
  • B2: Please
  • B3: y.m.e
  • B4: It Ain’t What You Know
  • B5: Everything. All At Once. All Of The Time
  • B6: This Is Nowhere. This Is Everywhere

“All I can do is make my art from an honest place with an honest intention.” Earth-o-Naut.

Earth-o-Naut is a songwriter, drummer, musician and producer. He was born in Liverpool and raised in one of its satellite towns, Skelmersdale. He was raised by his mum and uncles on music from every genre, falling in love, amazement and awe with the groove and the craft of songwriting. Nothing has changed to this day. Songwriting has also always been a constant. That quest to create something original and use the songwriting process as some form of catharsis. Learning guitar and piano was the next logical step, to help with the creation of new ideas into new songs. A lot of time was spent playing drumming gigs and then taking his own songs on the road, solo with just an acoustic guitar, learning the ropes and serving his apprenticeship. Great songwriters The Beatles, Curtis Mayfield, Bill Withers, Neil Finn and many others inspire Earth-o-Naut to this day.

Earth-o-naut has worked hard for many years on his studio chops and is the writer, arranger, recording engineer, mix engineer and producer on all of his own material, and he also works with other artists as a producer. Earth-o-Naut's debut album, 'This Is Nowhere. This Is Everywhere.' will be released on Agogo Records in June 2026. The debut album features UK drumming legend, Steve White and also the vocals of Amalia Estradas and Suzanne Maddock. 2026 will also see Earth-o-Naut take his songs on the road and play some live shows.st singular, emotive, and genre-defying releases of its era.

pre-order now19.06.2026

expected to be published on 19.06.2026

22,27 €
HALF-HANDED CLOUD - TOOTHPASTE HORSE / I DON'T HAVE A BIB
  • 1: WAKE UP, IT'S TRUE!
  • 2: GALLOPING THE MANDIBULAR CONCOURSE
  • 3: STILL FOOD IN YOUR BOWL
  • 4: THE SOLEMN RITE OF WIPING
  • 5: WHAT? WHERE YOU GOING?
  • 6: TRYING TO LEAVE WITH THE CHATTERBOX
  • 7: FLOOR TO CEILING
  • 8: WHAT IS A LIVING FOR?
  • 9: LITTLE BABY BEE-BAH
  • 10: LADY & HER BABY
  • 11: LITTLE BUBBLES
  • 12: GRANDPOP BOB PING PONG BALL
  • 13: NONNA BIRTHDAY SONG
  • 14: SWEETIE SONG
  • 15: AUNT'S BIRTHDAY
  • 16: FOUR KID SONG
  • 17: RIAN'S BIRTHDEE SONG
  • 18: LITTLE BABY BOOM
  • 19: BABY'S SO NICE
  • 20: MAGIC MARKERS
  • 21: SOMETIMES (NOT YOUR FAVORITE)
  • 22: BABY IN YOUR HOUSE
  • 23: WORKING TOGETHER
  • 24: BABY HOUDINI
  • 25: I LIKE MY BABY
  • 26: TURN THE LIGHT OFF
  • 27: I DON'T HAVE A BIB
  • 28: RINGHOFERS ABROAD
  • 29: DIAPER COVER DIAPER
  • 30: THE BEATLES
  • 31: RUNEBERG DAY
  • 32: KINDA WALKING AROUND
  • 33: YOGURT SONG
  • 34: TAPES
  • 35: HANDS IN THE SANTA GLOVES
  • 36: WHO NEEDS A BATH?
  • 37: GOING TO THE PLAYGROUND
  • 38: WHAT DO I DO? EVERYTHING!
  • 39: BLANKET FORT SONG
  • 40: POPCORN SONG
  • 41: WE HAVE A LITTLE BABY
  • 42: JUST A LITTLE BIT OF PIZZA
  • 43: I DON'T HAVE A BIB (MOUSE VERSION)
  • 44: DOCTOR RAINBOW
  • 45: WELCOME BABY RINGHOFER
  • 46: HOARDING STARTS AT BIRTH
  • 47: THIS MUST BE SO
  • 48: PICK-UP SONG
  • 49: GETTING READY TO GO
  • 50: GOING PEE PEE IS SO FUN
  • 51: WASH YOUR HANDS & YOUR FINGERS
  • 52: BRUSH YOUR TEETH TEETH TEETH
  • 53: LULLABY

John Ringhofer, der Mann hinter Half-Canded Cloud, ist ebenso fröhlich und genügsam wie seine Musik. Als sparsamer Mensch zieht Ringhofer die U-Bahn dem Taxi vor, recycelt Plastik, macht sich zwanghaft Notizen und ist ein geborener Optimist. Half-Canded Cloud begann 1999 als Heimstudio-Projekt in Chattanooga, Tennessee. Ringhofer lebte später über ein Jahrzehnt lang in der kalifornischen Bay Area (wo er als Teilzeit-Hausmeister arbeitete), bevor er 2015 mit seiner jungen Familie nach Helsinki, Finnland, zog, um die linguistische Forschung seiner Frau zu unterstützen. Half-Canded Cloud versteht es, komplexe theologische Konzepte in eingängige und erhabene Kinderlieder zu verpacken, die sich weder ihrem Thema noch ihrem Zuhörer herablassend nähern.

pre-order now19.06.2026

expected to be published on 19.06.2026

24,79 €
PYREXIA - SERMON OF MOCKERY
  • 1: SERMON OF MOCKERY
  • 2: RESURRECTION
  • 3: ABOMINAT
  • 4: THE UNCREATION
  • 5: GOD
  • 6: DEMIGOD
  • 7: INHUMANITY
  • 8: LITURGY OF IMPURITY

Orange Splatter vinyl. "Sermon of Mockery" by Pyrexia is not an album that tries to be accessible - it is built to be heavy, direct, and unsettling, and it delivers exactly that. Released in 1993, it sits right in the middle of a key moment when American death metal was evolving into something more technical and extreme. The sound is rooted in the New York scene: tight, compact riffing, constant stop-and-go structures, aggressive drumming, and deep guttural vocals with no room for melody. It's not about speed alone, but about control - everything feels deliberate, almost surgical in how the songs are constructed. Lyrically, the album revolves around a strongly blasphemous and anti-Christian theme. It's not just shock value; it's more like an inverted liturgy, where religious symbols are twisted into something dark and violent. This concept is consistent throughout the music, lyrics, and visuals, as you can see in the booklet. It may not be a mainstream landmark, but it played a key role in shaping the brutal death metal sound that followed. It influenced many underground bands and is still regarded today as a cult record. Listening to it now, the production may feel dated, but that's also part of its strength - it's raw, honest, and uncompromising. In short, it's a record that perfectly captures a specific era and mindset within the genre.

pre-order now19.06.2026

expected to be published on 19.06.2026

29,37 €
THE SHAGGS - PHILOSOPHY OF THE WORLD
  • 1: PHILOSOPHY OF THE WORLD
  • 2: THAT LITTLE SPORTS CAR
  • 3: WHO ARE PARENTS?
  • 4: MY PAL FOOT FOOT
  • 5: MY COMPANION
  • 6: I'M SO HAPPY WHEN YOU'RE NEAR
  • 7: THINGS I WONDER
  • 8: SWEET THING
  • 9: IT'S HALLOWEEN
  • 10: WHY DO I FEEL?
  • 11: WHAT SHOULD I DO?
  • 12: WE HAVE A SAVIOR

* Begleittext vom legendären Musiker, Autor und Compiler Lenny Kaye (Patti Smith, Nuggets) * Das Booklet enthält bisher unveröffentlichte Fotos und Raritäten * Das Cover wurde restauriert und auf ein Gatefold-Cover erweitert * Neu remastert * Platz 5 auf Kurt Cobains Liste der 50 Lieblingsalben 1968 schnappten sich drei Schwestern aus Fremont, New Hampshire, ihre Instrumente und nannten sich ,The Shaggs". In diesem Moment begann eine eigentümliche Geschichte, die weit über die fünfjährige Existenz der Gruppe hinausreichen sollte. Dot, Betty und Helen (und gelegentlich Rachel, die vierte Schwester) spielten in der Gruppe auf Drängen ihres Vaters, Austin Wiggin Jr., der überzeugt war, dass sie groß rauskommen würden. Jahre zuvor hatte Austins Mutter ihm aus der Hand gelesen und vorausgesagt, dass ihr Sohn eine strohblonde Frau heiraten würde, dass er nach dem Tod seiner Mutter zwei Söhne bekommen würde und dass seine Töchter eine beliebte Musikgruppe gründen würden. Die ersten beiden Vorhersagen traten ein, also war Austin sicher, dass auch die dritte eintreffen würde. Mit unerschütterlichem Selbstvertrauen und der kühnen Vorhersage seiner Mutter beschloss Austin, dass seine Töchter auf den Besuch der örtlichen Highschool verzichten und stattdessen zu Hause unterrichtet werden sollten, unterbrochen von einem strengen Programm aus Instrumental- und Gesangsübungen sowie Jumping Jacks und Sit-ups. Bald darauf betraten The Shaggs die Fleetwood Recording Studios in Revere, Massachusetts, um ihr einziges Album ,Philosophy Of The World" aufzunehmen, eine Sammlung von Garage-Rock-Songs, die Charme und Dissonanz gleichermaßen in Einklang brachten. Austin gab den Großteil seiner Ersparnisse nicht nur für die Aufnahmen aus, sondern auch für die Produktionskosten, um 1.000 Exemplare des Albums zu pressen (von denen 900 nach Fertigstellung auf mysteriöse Weise verschwanden). Im gesamten Album werden einfache Wahrheiten durch die Feder von Schwester Dot, der Songwriterin der Band, offenbart. Die Reichen wollen das, was die Armen haben, genauso wie die Armen das wollen, was die Reichen haben. Deine Eltern lieben dich. In der Nähe liegt Glück und in der Ferne Traurigkeit. Das Album erfüllte Austins Erwartungen an den Rockstar-Ruhm nicht, doch die Gruppe blieb bis zum Tod ihres Vaters zusammen und trat regelmäßig im Rathaus von Fremont und in einem örtlichen Pflegeheim auf; weitere Alben wurden jedoch nicht veröffentlicht. Das hätte das Ende sein können, bis die Rockband NRBQ eine Kopie bei einem Radiosender in Massachusetts entdeckte und sie 1980 neu veröffentlichte. Der damalige Rezensent des Rolling Stone beschrieb es als ,die atemberaubend schrecklichste wunderbare Platte, die ich seit Ewigkeiten gehört habe". Fast 50 Jahre später zählt das Album zu den polarisierendsten LPs aller Zeiten. Manche sagten, es sei das Schlimmste, was je produziert wurde. Andere empfanden es als eines der großartigsten Langspielalben des 20. Jahrhunderts. Frank Zappa bezeichnete die Band bekanntlich als ,besser als die Beatles", während Kurt Cobain das Album auf Platz 5 seiner Liste der 50 Lieblingsalben setzte. Originalausgaben des Albums erzielen Preise von 10.000 Dollar. Jahrzehnte später könnte man argumentieren, dass Austin vielleicht die ganze Zeit recht hatte. Wir sind alle hier und immer noch fasziniert von der Reinheit der Shaggs.

pre-order now19.06.2026

expected to be published on 19.06.2026

40,97 €
MICHAEL J. SHEEHY - DON'T WE DESERVE SOME KIND OF LOVE?
  • 1: Like Blood on Snow
  • 2: Full Moon, Empty Belly
  • 3: Don't Put Yourself Beyond The Reach Of Love
  • 4: You Better Take Everything
  • 5: Pure Deep Water
  • 6: Only Drinking In My Dreams
  • 7: If I Had Known It Was The Last Time
  • 8: The Left Hand Don't Need To Know
  • 9: Don't We Deserve Some Kind Of Love?
  • 10: Tiny Blessings

Michael J. Sheehy has been making records for almost three decades, initially as founder and mouthpiece of mid-"90s cult band Dream City Film Club, then as a solo artist and frontman of rootsy garage rock act Miraculous Mule. He has toured with the likes of Kristin Hersh, Tindersticks, John Cale and Peter Murphy, while his songs have been utilised in films such as "Intimacy" and the TV show "Deadwood". Following a six-year hiatus, Sheehy has just "Don"t We Deserve Some Kind of Love?", his seventh solo album but first for Dimple Discs. "Don"t We Deserve Some Kind Of Love?" features contributions from Fiona Brice (violin), Sandy Mill (backing vocals), Ian Burns (drums) and Patrick McCarthy (guitar). It was recorded at home over a five-year period while Sheehy was a stay-at-home father and working evenings at a bar in Camden, north London.

pre-order now19.06.2026

expected to be published on 19.06.2026

23,49 €
Various - KPop Demon Hunters Anniversary Edition LP
  • A1: Prologue (Hunter’s Mantra)
  • A2: Jinu’s Lament
  • A3: How It’s Done
  • A4: Soda Pop
  • A5: Golden
  • A6: Strategy
  • A7: Takedown
  • A8: Your Idol
  • B1: Free
  • B2: What It Sounds Like
  • B3: 사랑인가 봐 Love, Maybe
  • B4: 오솔길 Path
  • B5: TAKEDOWN (JEONGYEON, JIHYO, CHAEYOUNG)
  • B6: Score Suite
  • B7: Golden - David Guetta REM/X

KPop Demon Hunters, a Netflix film from Sony Pictures Animation, follows K-Pop superstars HUNTR/X - when they aren't selling out stadiums, they use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. This special, one-year anniversary version of the soundtrack features four additional tracks, never before released on vinyl / CD.

pre-order now19.06.2026

expected to be published on 19.06.2026

33,19 €
The Hanging Stars - Just A Day
  • 1: All Your Yesterdays
  • 2: The Glasshouse
  • 3: Sister Of The Sun
  • 4: Think I’ll Be Alright
  • 5: Let It Slide
  • 6: (Keep On) Making Me Wait
  • 7: Big Red Car
  • 8: Time Is Nothing
  • 9: Run Run Run
  • 10: Show Me The Way
  • 11: My Lucky Charm
  • 12: Just A Day

London’s The Hanging Stars return with their sixth album, Just A Day – a dazzling collection of four-part harmonies, shimmering twelve-string guitars and chiming songs, touching on themes of longing, new beginnings and the fragility of the everyday. Recorded at Edwyn Collin’s legendary Clashnarrow Studios in the Scottish Highlands, the album marks a bold new chapter for the band, produced with the invaluable guidance of Teenage Fanclub’s Gerard Love.

pre-order now19.06.2026

expected to be published on 19.06.2026

22,65 €
Warning - Rituals of Shame
  • 1: Rituals of Shame
  • 2: Stations
  • 3: Night Comes Down
  • 4: Landing Lights
  • 5: Teacher
also available

Coke Bottle Green with Splatter Vinyl[24,33 €]


As WARNING prepares to release Rituals of Shame - their first new music in twenty years,vocalist/guitarist Patrick Walker is self-effacing about what led to this moment. Over the last two decades he continued to write and release music, satisfied that he had achieved what he set out to do with WARNING. In those intervening years, interest in WARNING swelled, organically gathering an ardent fanbase. In particular, the 2006 album, Watching from a Distance, has gained a cult following. In response to a transformative period in his life, Walker turned towards writing new songs, and it soon became apparent that these belonged to WARNING. In early January 2025, he started with a completely blank canvas, and piece by piece, he started to fill it with ideas that evolved to become the songs that make up Rituals of Shame.

His immersion in the project became a full-time pursuit. After successfully demoing the five songs, Walker retreated to a remote house on a hill outside Florence, Italy, to refine the lyrics. Recording took place at The Arch Studio, a 140-year-old former church in Southport, UK. Chris Fullard (Idles, Sunn O))), Ulver) handled the recording and mixing. Walker's lifelong musical inspirations can be traced through Rituals of Shame. The ambitious structural arrangements harken to Marillion’s complex but soaring episodic songs. They retain a sparsity that is reminiscent of June Tabor’s economic arrangements; thick with melody but with a diaphanous air to them. Citing John Brenner of Revelation as an enduring inspiration, Patrick credits him with introducing the idea of how to infuse heavy music with significant emotional depth. Often reluctant to discuss the minutiae of his lyrics, Walker does acknowledge that making this album was a direct response to the immediate concerns of his current life period. Rituals of Shame also echoes the enduring themes and fixations that have marked most of his work: guilt, shame, personal failure, obsession, longing, and separation, but, most of all, he says, love. Short: WARNING return with Rituals of Shame - the pioneering Doom band's first new music in 20 years! FFO: My Dying Bride, Candlemass, YOB, Black Sabbath, 40 Watt Sun, Pallbearer, Pagan Altar

pre-order now19.06.2026

expected to be published on 19.06.2026

22,65 €
Knocked Loose - A Different Shade of Blue

Knocked Loose

A Different Shade of Blue

12inchPNE24715
Pure Noise Records
19.06.2026
  • 1: Belleville
  • 2: Trapped in the Grasp of a Memory
  • 3: A Serpent's Touch
  • 4: By the Grave
  • 5: In the Walls
  • 6: Guided by the Moon
  • 7: Mistakes Like Fractures
  • 8: Forget Your Name
  • 9: Road 23
  • 10: And Still I Wander South
  • 11: Denied by Fate
  • 12: Misguided Son

Knocked Loose have announced their hotly anticipated new album, A Different Shade of Blue -- a mammoth of a sophomore release and massive step forward for the band and for hardcore and metal as we know it. Recorded by producer Will Putney, the new LP was approached slower and more methodically. Abandoning the previous 'live in studio' recording approach for something more deliberate, the band cranked out twelve new tracks that deal with all manner of anger, especially loss in lieu of absence. While some musical influences are easily identified - Pantera, Hatebreed, Obituary and more - the band's palette and canvas has expanded by leaps and bounds, incorporating Gothenburg-style death metal (At the Gates, early In Flames), slam metal (Devourment, Dying Fetus), blood-thirsty thrash (Sodom, Kreator), black metal (Craft) and the mind-boggling complexity of latter noisy hardcore like Snapcase and Bloodlet. Clocking in at a lean and mean 37 minutes and featuring guest vocals from Emma Boster of Dying Wish and Keith Buckley of Every Time I Die, A Different Shade of Blue grabs the listener by the throat from the jump and slowly tightening that grip for the duration.

pre-order now19.06.2026

expected to be published on 19.06.2026

26,85 €
Stupidity - Beyond Stupidity
  • 1: Spread It Around
  • 2: Carolina
  • 3: Midnight Man
  • 4: Heart of the City
  • 5: World Shut Your Mouth
  • 6: Innocents
  • 7: BBC
  • 8: Get Outa My Pagoda
  • 9: Cold Cold Shoes
  • 10: There's a Ghost In My House
  • 11: Stupidity
pre-order now19.06.2026

expected to be published on 19.06.2026

26,85 €
LOST IN KYIV - WE'RE ALL GOING TO BE FINE

Over the course of more than a decade, the French quartet Lost in Kyiv have refined a sound that fuses cinematic ambition, electronic precision, and visceral live energy into something unmistakably their own. With their new album, `We're All Going To Be Fine', they push that identity further than ever; sharpening their production, intensifying their dynamics, and embracing a darker, more immersive sonic architecture. Lost in Kyiv's music has always thrived on tension between the organic and the synthetic. On `We're All Going To Be Fine', that integration reaches a new level of clarity and depth. The writing and production process was long and exacting, allowing the band to refine every transition and tonal detail. Songs unfold with architectural precision, motifs are introduced subtly before expanding into vast, multi-layered climaxes. Dynamics are handled with patience and control, silence and minimalism are deployed as strategically as explosive crescendos. This careful pacing gives the album a cinematic flow and larger narrative in which struggle and compassion coexist. Guitars surge and recede in wide, panoramic arcs. At moments they shimmer and support, at others they thrash violently, accumulating layers of distortion and harmonic overtones. Acoustic instrumentation is interwoven with sequenced synth lines, pulsing arpeggiators, and carefully sculpted electronic textures that give the band's sound a sense of forward propulsion. Rhythm plays a central role in Lost in Kyiv's identity. The drums provide impact and structure, locking into intricate patterns that interact with bass-driven synth pulses. At times the groove feels almost mechanical, echoing the steady insistence of electronic music; at others, it breathes and swells with human elasticity. This interplay creates a powerful sense of movement, an impression that the music is always advancing, even in its most introspective passages. "We almost consider this album as the first record of a new version of the band. That's why we decided to use the name Lost in Kyiv now. We don't want to erase the past, but it really feels like a new direction. Artistically, I think this album marks the beginning of a new direction, louder and more metal-oriented than what we did before." (Lost in Kyiv) FOR FANS OF Russian Circles * P.G.Lost * The Ocean * Cult of Luna * Brutus * This Will Destroy You

pre-order now19.06.2026

expected to be published on 19.06.2026

24,79 €
LOST IN KYIV - WE'RE ALL GOING TO BE FINE
  • ENLIGHTENED
  • BURST
  • MANTRA
  • ECLIPSE
  • BECOMING
  • EUPHORIA
  • LIMINALITY
also available

AFTERNOON LIGHT ED.[24,79 €]


Over the course of more than a decade, the French quartet Lost in Kyiv have refined a sound that fuses cinematic ambition, electronic precision, and visceral live energy into something unmistakably their own. With their new album, `We're All Going To Be Fine', they push that identity further than ever; sharpening their production, intensifying their dynamics, and embracing a darker, more immersive sonic architecture. Lost in Kyiv's music has always thrived on tension between the organic and the synthetic. On `We're All Going To Be Fine', that integration reaches a new level of clarity and depth. The writing and production process was long and exacting, allowing the band to refine every transition and tonal detail. Songs unfold with architectural precision, motifs are introduced subtly before expanding into vast, multi-layered climaxes. Dynamics are handled with patience and control, silence and minimalism are deployed as strategically as explosive crescendos. This careful pacing gives the album a cinematic flow and larger narrative in which struggle and compassion coexist. Guitars surge and recede in wide, panoramic arcs. At moments they shimmer and support, at others they thrash violently, accumulating layers of distortion and harmonic overtones. Acoustic instrumentation is interwoven with sequenced synth lines, pulsing arpeggiators, and carefully sculpted electronic textures that give the band's sound a sense of forward propulsion. Rhythm plays a central role in Lost in Kyiv's identity. The drums provide impact and structure, locking into intricate patterns that interact with bass-driven synth pulses. At times the groove feels almost mechanical, echoing the steady insistence of electronic music; at others, it breathes and swells with human elasticity. This interplay creates a powerful sense of movement, an impression that the music is always advancing, even in its most introspective passages. "We almost consider this album as the first record of a new version of the band. That's why we decided to use the name Lost in Kyiv now. We don't want to erase the past, but it really feels like a new direction. Artistically, I think this album marks the beginning of a new direction, louder and more metal-oriented than what we did before." (Lost in Kyiv) FOR FANS OF Russian Circles * P.G.Lost * The Ocean * Cult of Luna * Brutus * This Will Destroy You

pre-order now19.06.2026

expected to be published on 19.06.2026

21,81 €
KILL YOUR IDOLS - THIS IS JUST THE BEGINNING...
  • 1: CAN'T TAKE IT AWAY
  • 2: FALLING
  • 3: SEE THROUGH YOU
  • 4: ENJOY THE SHOW
  • 5: JUST THE BEGINNING
  • 6: I'M STILL HERE
  • 7: EPILOGUE
  • 8: SHITS CREEK
  • 9: FASHION STATEMENT
  • 10: WAKE UP SHEEP
  • 11: CHANGE
  • 12: SEND IN THE CLOWNS
  • 13: DREAD
  • 14: KNOW THE PAIN
  • 15: THE PATH
  • 16: COUSIN FRED
  • 17: WHAT I'VE BECOME
  • 18: I WON'T FORGET YOU
  • 19: CONTROL
  • 20: GREEN
  • 21: SMALL MAN BIG MOUTH

Kill Your Idols' debut release, This Is Just the Beginning, compiles their early recordings, including the original Kill Your Idols 12". The album captures the band's raw intensity and DIY ethos, solidifying their place in the late '90s New York hardcore scene. This record became a blueprint for their no-frills, high-speed hardcore sound that would influence countless bands.

pre-order now19.06.2026

expected to be published on 19.06.2026

24,33 €
Kenny Burrell - Blue Lights, Volume 1

Am 14. Mai 1958 versammelte der Gitarrist Kenny Burrell im Manhattan Towers Studio in New York
sieben hochkarätige Musiker um sich, um im Stil einer lockeren Jamsession bluesige Originale, Balladen
und Standards für zwei Alben aufzunehmen. Während “Blue Lights, Volume 1” noch im selben Jahr von
Blue Note veröffentlicht wurde, erschien “Blue Lights, Volume 2” erst 1961. Das Cover ziert eine Illustration des damals noch relativ unbekannten Andy Warhol. Auf All About Jazz pries Marc Davis den “wirklich
demokratischen” Charakter dieser Jamsession und schrieb: “‘Blue Lights’ bietet eine wunderbare Mischung
aus bluesigen Stücken - daher auch der Titel des Albums - und traditionellem Bop-Spaß, darunter eine
ziemlich mitreißende Version von Duke Ellingtons ‘Caravan’.”

pre-order now19.06.2026

expected to be published on 19.06.2026

25,63 €
DIE SPITZ - SOMETHING TO CONSUME
  • 1: POP PUNK ANTHEM (SORRY FOR THE DELAY)
  • 2: VOIR DIRE
  • 3: THROW YOURSELF TO THE SWORD
  • 4: AMERICAN PORN
  • 5: SOUND TO NO ONE
  • 6: GO GET DRESSED
  • 7: RED40
  • 8: RIDING WITH MY GIRLS
  • 9: PUNISHERS
  • 10: DOWN ON IT
  • 11: A STRANGE MOON/SELENOPHILIA

Wenn Leidenschaft, Freundschaft, Identität und Kunst aufeinandertreffen, kann es sich anfühlen, als würden dir kämpferische Worte aus den Adern spritzen. Und während die postmoderne Gesellschaft bröckelt, springen Die Spitz ausgelassen zwischen einem Dutzend verschiedener Möglichkeiten hin und her, um sich zu wehren. Wenn die Welt der Rockmusik eine Eisdiele wäre, hätte das Quartett aus Austin jede Sorte probiert, den Gefrierschrank umgeworfen und angefangen, mit den Angestellten zu tanzen, denen sie geholfen haben, sich zu organisieren. Auf ihrem Debütalbum ,Something to Consume" kämpfen Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston und Kate Halter gegen den unausweichlichen Konsum, der das Leben umgibt. ,Das hat eine politische Seite, aber auch Sucht und Liebe können alles verzehrend sein", sagt Livingston. Und während die vier ihre Instrumente tauschen, sich beim Songwriting und Gesang abwechseln und kraftvolle Songs in mitreißenden Ausbrüchen schreiben, haben Die Spitz ihre eigene kleine Welt geschaffen, in der wir alle gemeinsam am Abgrund stehen können.

pre-order now19.06.2026

expected to be published on 19.06.2026

23,74 €
Byard Lancaster, Keno Speller - Exactement LP 2x12"

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

pre-order now19.06.2026

expected to be published on 19.06.2026

30,21 €
Vince Staples - Cry Baby
  • 1: Blackberry Marmalade - Vince Staples
  • 2: Go! Go! Gorilla - Vince Staples
  • 3: White Flag - Vince Staples
  • 4: The Running Man - Vince Staples
  • 5: TV Guide - Vince Staples
  • 6: The Big Bad Wolf - Vince Staples
  • 7: Only in America - Vince Staples
  • 8: Do You Know the Devil - Vince Staples
  • 9: Cotton - Vince Staples
  • 10: 7 in the Morning - Vince Staples
  • 11: Tulsa OK - Vince Staples

Vince Staples is one of the most revered voices of his generation. Though he's a celebrated multi-hyphenate, making an impact in TV, film, & contemporary culture, music is where he most naturally pushes boundaries as an artist, storyteller, & creative force. Following a string of acclaimed introspective projects, Ramona Park (a melancholic tribute to his hometown) & Dark Times (deeper, more personal themes), Cry Baby is a more outwardly facing artistic statement and piece of social commentary.

pre-order now19.06.2026

expected to be published on 19.06.2026

36,77 €
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