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Originally released in 1981 on the New Jersey-based Debbie Label, Sweet Magic is the one and only album by Lee McDonald. Produced by Ron Foster -
best known as a member of Ecstasy, Passion & Pain—the album is widely regarded as a standout modern soul classic, covering everything from uplifting
Philly-style dancers to sweet and mellow slow jams.

The album also features superb arrangements that update well-known classics into vibrant Philly soul, including The Carpenters’ smash hit “We’ve Only Just
Begun” and Ecstasy, Passion & Pain’s “I’ll Do Anything For You.” This reissue is pressed on limited yellow-colored vinyl inspired by the album’s iconic
illustrated sleeve, long cherished by rare groove collectors.

2026 Repress

&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.

Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.

Since arriving at the back end of 2023, Chris Massey's Thief Of Time quickly evolved from a solo project into a live 3 piece alongside fellow electronic explorers; Lady Lady and Mike Grubert.
Where dark is light, light is dark and emotions are electronic, We Are Cosmic is a natural evolution of The Thief Of Time project, with elements of contemporaries like New Order, Pet Shop Boys, The Fuck Buttons, Chromatics and The Cocteau Twins being present alongside current inspirations such as Nabihah Iqbal and Night Tapes.

Earth hat die moderne Musik maßgeblich geprägt - von Experimental Metal über Electronic/Ambient bis hin zu Stoner Rock - und Künstler von SUNN O))) über The Bug bis hin zu Godflesh beeinflusst. Die Geschichte von Earth wurde in der gefeierten Dokumentation "Even Hell Has Its Heroes" aus dem Jahr 2023 festgehalten. Das dritte Album von Earth, "Pentastar: In the Style of Demons" aus dem Jahr 1996, ist ein Klassiker der trägen Riff-Verehrung, der vor einer dicken, verzerrten Schmiere nur so strotzt, in der Black Sabbath, Hawkwind, Hendrix, Drone und Ambient-Musik miteinander verschmelzen. Das Ergebnis fühlt sich an wie eine lange, einsame Fahrt durch die Wüste, mit dem inneren und/oder äußeren Weltraum als einzigem Ziel. Als wohl rockorientiertestes Album der Band enthält "Pentastar: In the Style of Demons" die zeitlose ,Hit"-Single "Tallahassee". Diese 30-jährige Jubiläumsausgabe erscheint auf grünem Vinyl und enthält einen limitierten "Wraparound"-Kunstdruck mit einer Neuinterpretation des Albumcovers durch den zeitgenössischen Künstler Matt McCormick.

‘Perfect We Are Not’ the latest track from Soulwax, emerges directly from the band’s recent Abbey Road After Hours project - a unique collaboration with the iconic London studio that saw Soulwax take over the building for a series of recording sessions and a landmark live event.

Working across Abbey Road’s historic spaces - from Studio Three, to Studio Two, to Studio One - the band used all three rooms as a continuous creative environment, moving fluidly between them in pursuit of new material. It was within these sessions that ‘Perfect We Are Not’ was written and recorded with their full live band (including three drummers).

The track was cut using the studio’s vast array of analogue equipment before being pressed direct to vinyl and played as the opening moment of their 2manydjs set inside Studio One

Now released as a standalone single, ‘Perfect We Are Not’ carries that immediacy forward — a driving, full-bodied track that reflects the band’s instinctive, performance-led approach in the studio, and will also be released as a limited edition 12” via DEEWEE.

Globally adored Spanish techno protagonist Indira Paganotto releases her debut album 'Arte Como Amante' via ARTCORE / PIAS Électronique. It brings together thirteen fearless tracks that stretch way beyond any one genre. It's high-pressure, high-energy, and deeply personal. A full-spectrum dive into the world of one of electronic music's most dynamic artists.

It follows a huge 2025. She debuted at Coachella. Played her first ever b2bs with Armin van Buuren at Sonar and Sara Landry at EXIT. She became the first woman to close Monegros. She held down her first Club Room residency at Hï Ibiza for 14 weeks, and even launched her own creative studio space, ARTOPIA, in Santa Eulalia. Her label ARTCORE the home of this special album also took their presence in the dance world to the next level with their own curated stages at Tomorrowland, Mysteryland and Dreambeach.

Now, she's telling her story. The title 'Arte Como Amante' means 'art as a lover'. For Indira, that's not just a phrase. It's her life. This album has been 14 years in the making. It began in Madrid in 2012, when she was 19, and was completed in 2024. She waited for the right moment. She lived life. She collected experiences. She built the sound. "I know to take 14 years to make an album seems crazy," she says, "but without living those experiences, how could I have made the music about them?"

The result is a diverse, adrenaline-fuelled body of work that hits hard and moves deep.

Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

An Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

“From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.” - AARON TURNER

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

On every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.

FITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.

Precisely one year after Lézire, Crush of Souls is back with his third full-length album.

The musical endeavour of Charles Rowell – active in the indie/punk global scene since 2008 with bands like Crocodiles, Flowers of Evil, Issue – is just like its creator: always cooking up something. Relentlessly.

Now, as it was perceivable by the trajectory undertaken by after his previous LP, Captive Youth leaves goth rock and dark folk aside and head swiftly towards some old school 80’s EBM & 90’s Industrial dance vibe. After all, any album exploring themes of dystopia, politics and sexuality requires a strong rhythm. So how could this new chapter not mention seminal synth-pop and body music classics such as Technique by New Order, Belief by Nitzer Ebb, Towards Thee Infinite Beat by Psychic TV and Pressure Points by Anne Clark?

Forever a displaced soul, Charles’ album number three feels like a revision of Crush Of Souls and also a reanimation of his captive youth spent moving from town to town. The energy of the wandering worker poet. Warehouse basslines, artillery fire backbeats. Romance and melancholy wrapped in barbed wire. All this and more oozes from nine new tracks that inevitably deliver that blurry sexy urban vibe that’s become the project’s trademark.
Features collabo hit single Domination with Sade Sanchez from L.A. Witch.

2026 Repress

Here's to a special one..

Ashtar Afterhours is Kenneth Graham - originally from Los Angeles, he has been a defining presence in electronic music ever since the 90s. Buying his first classic synthesizer, a Yamaha CS01, in 1984, he delved into music production at an early stage. Kenneth put out over 40 releases over the years- under his own name as well as stepping up under various aliases- Estelle Montenegro, KG Beat, Exit Strategy and many others. Kenneth also formed some super-groups together with friends, his Sun Children / Sunkiss project- together with David Alvarado- put out highly influential music on legendary Peacefrog Records.

Body Music was originally released on Plastic City in 2001 and it has been a Smallville favourite since a long time, so we are super happy to present this beauty as a repress, as always with a full cover artwork by Stefan Marx.

All tracks written & produced by Kenneth Graham, B3 w&p by Kenneth Graham & Gabriel Ortega
Vinyl cut by Helmut Erler at Lathesville

- The very first Live album by The Liminanas
- 1 Hour concert performed & recorded on October 24th , 2025 in Paris at Centre Pompidou during the Because Beaubourg Event .
- Album artwork by Smith who did the visuals of the live performance.

Periferico is back with a very special 5 tracker EP.
All the tracks were produced between 1998 and 2009 and the Label was able to recover them from old DATs.

While the A side is written and produced entirely by Livio, the B side was co-produced with Luigi Mussi showcasing the first 2 drum&bass tracks ever released on Undersound Recordings.

Nicolás Mirón presents Hi-Tech Thoughts, his debut release on Echo Alpha Recordings. A record that draws inspiration from Detroit Techno, as well as New York Hip-Hop and MPC culture, reflected in the way he works with samples and programs chops on his AKAI MPC 2500. His production focuses on beat-making, pursuing a raw, hardware-driven sound rather than an overproduced one.

Nico’s creative foundation is rooted in Black music in all its forms, from soul and jazz to electronic sounds, while also embracing the legacy of figures like Kraftwerk, and genres such as Italo Disco, and New Wave. His musical career began with his residency at Radio Relativa in 2022, with his program “Pa’ Riparla Benne”, a connection between skateboarding and music, as well as its evolution and close relationship with contemporary culture. In the show you can hear different styles of music that have appeared within this scene through legendary video parts from skateboarding history, along with stories and curiosities behind these pieces of art.

Concrete City's two residents re-emerge with 'Serious Coin', the second long-player from label head DJ Superherb and long-time collaborator Ten Years Lost. Where their 2023 debut basked in heat-hazed hedonism, this follow-up sharpens the focus. At times deeper, and consistently drawing from the pair's shared language, Serious Coin is an unmissable entry in the Full Dose catalogue.

Across eight tracks, the duo lean further into their soulful instincts, balancing weighty low-end pressure with a distinctly human emotional warmth. Vocoded vocals, coalescing with dungeon synths, being carried by heavily swung rhythms represent a new strand in the pair's musical DNA.

The album captures the stillness of early morning city streets, yet still manages to push rhythmic elements forward. Barely-present samples and subtly detuned synths give the tracks a lived-in feel, as if they’ve already soundtracked a hundred late nights before reaching your speakers.

Like the first, this album has one foot firmly in dancefloor utility and the other in headphone introspection. Don't miss this dustier and deeper evolution to the Full Dose sound!

Ovatow made quite a stir when he first started dropping deep dubs on his mysterious MySpace page (the main social media at the time). The tracks on the little crappy audio player got hunted down by a flock of DJ's and label heads. From behind a curtain of anonymity he soon started releasing his material on various labels, becoming cult classics in the dub-techno world. It was 2007 when X-dub first appeared on the Dutch imprint SD Records, followed up by his classic release on Frantic Flowers and a string of other projects while keeping his identity secret to everyone. Years later, the rumors proved true... the artist behind these mysterious projects was non other than the Frantic Flowers / Frustrated Funk label head himself. Just testing the waters around him, receiving release offers from close friends and colleagues while he kept his anonymity up. A fun little joke for himself, though the tracks are still relevant and sought after classics today. Both X-dub versions re-appear now, for the first time after almost 20 years, fully retouched and remastered, together with an unknown unreleased jam called Autistic Navigational Spectrum. This is the first in a series of Ovatow work, revived for the heads that appreciate the foggy deep of the Undacurrnt.

Pure world magic brims from every groove of this new set of pearlers from the Beauty & The Beat label. We know nothing about Loopico, who is behind the originals, but they blend plenty of Latin, cumbia and expressive percussive sounds into ass-wiggling grooves. Cow bells litter 'Curimbobata', which has stringy rhythms and external synths weaving in and out. 'Maquio' has busy, relentless handicaps and acoustic strings with shamanic spoken words, then 'Upaon-acu' and 'Calma-cara' bring sunny spiritualism to another pair of urgent rhythms. Leonidas lays down hefty, bass-driven rhythms that make these suited to club deployment and open-air dancing this summer.

Polished and forward-looking even 40-odd years on from its initial release, Bourbon Suite captures Japanese female keyboard trio Cosmos at a time when fusion leaned into pop accessibility without losing technical finesse. Built around layered keys and crisp studio musicianship, the album moves with a sleek, late-night feel. 'Midnight Shuffle' stands out for reworking earlier material into a smoother, instrumental-led groove, while 'Cosmic Cosmos' drifts into more spacey territory and is driven by elastic bass and shimmering synth lines. There's a clarity to the arrangements that keeps things light on their feet and means this remains a refined example of early 80s crossover fusion.

2025 Repress

DJ Europarking lands on UFO Inc. with his debut EP. Tongue-in-cheek and extremely danceable, this is an incendiary EP. 'Boompahpah' gets things rolling with dense beats, a high-octane tempo and a choir-driven breakdown. '20inch Chrome' is a madcap cut that uses a variety of hip hop-esque samples, sirens and a tribal chant. On the flip 'Bitte Everyday' utilises breakbeats and a mixture of rapping, chanting, and zany effects to enchant the listener. Finally 'Like Trampolines' features hefty beats alongside an incendiary riff that is sure to cause havoc on the dance floor.

2026 Repress

Originally from Malaga but a Berlin resident for the past 13 years, Carlo is thrilled to unveil his first album released under his own record label, Bisiesto. This label stands out for its unique approach, releasing just one album every four years on leap day, February 29th. In contrast to his previous style, this album blends all his musical influences into a unique mixtape of instrumentals.

Reminiscent of Nightmares on Wax, Kid Loco, and Mushroom Jazz, this album offers a unique auditory experience. Lora Ute brings a hint of tangy mellowness to ‘Because’ balancing dreaminess with playful notes, while Jose Fernancaster, with his immaculate guitar skills, infuses ‘Todo Mal’ with sexy guitar riffs and wahs. Intr0beatz's hip-hop touch enhances ‘Lemon Haze’, while Black Loops, a percussionist at heart, collaborates on ‘Midnight Cruiser’ to encapsulate the solitude of night-time city cruising with a lo-fi sound. Piek rounds off ‘Esperanza’ with an empowering bassline, tying the track together with a golden ribbon.

2026 Repress

WOW. Released on Valentine's Day 2025, we're deeply honoured to present the first time reissue of the first *ever* heart-shaped red vinyl 45. Extremely limited!

The smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over.

Here we present two timeless masterpieces of sophisticated jazzy soul brilliance that are strictly canonical.

The originals of these red heart-shaped vinyl records go for stupid money - if you can find one in good condition. Here's your chance to snag a real collectors item for fans of Bobby and, well, LOVE, the world over.

The eternal "What You Won't Do for Love" became a national anthem. It remains that way - perhaps even more so in the past year or two. It perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy.

A perennial favourite, it has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Bobby's dynamite "Open Your Eyes" was immortalised by the eternal J Dilla in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023,