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The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 50s and the beginning of the 60s.

Somewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the "outback"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss & betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country & western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.

Fresh out of Skudge HQ, we witness a return to home base after a few releases on other labels.

Coming back in strong form, SKUDGE 015 opens with "Corrosion", pulsing around at 143 BPM and accompanied by warm synth work.



Steadily pacing on, A2 brings us "Source", which captures a haunting vibe with a funky twist. A tune that echoes memories of the past but framed in the zeitgeist.

Flipping over to "Code", we're instantly thrown into a tension-ridden force, built from compact and steady sonic machinery.



Finally, "Distressed" provides the counterweight, keeping the pace and rhythm steady with sharp sonic directions, revealing itself as a hidden peak-time monster disguised as a closing track.

Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.

"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

London label Only Music Matters rolls out more mysterious goodness here from another unknown artist. On this evidence, they like the afters and the moments in the night when time and space dissolve and subtly rule. 'AAA001A' is an elastic, dubby minimal tech cut with liquid pads and trippy vocal twist while the next cut is speedier but no less supple. This cosmic odyssey is marbled with vocal fragments, prickly acid and deft percussion and it all weaves endlessly while hypnotising perfectly. 'BBB002B' is more sparse and roomy, with grubby bass ripples and glitchy electronics colouring the groove. Priku and Arapu have already dropped this one to great receptions at Sunwaves 36 so if it's good enough for them...

MidnightRoba is the solo project of vocalist, songwriter and producer Roba El-Essawy. The voice of Attica Blues (Mo Wax 1997, Sony 2000), Raise A Symphony is MidnightRoba's second solo album. Her first album, Golden Seams, very much rooted in jazz, received support, airplay and features from DJs such as Gilles Peterson (BBC Radio 6), Tony Minvielle and China Moses (Jazz FM), Robert Elms (BBC London Live) and Kevin Le Gendre on J to Z (BBC Radio 3). Single releases from this second album have been played by Gilles Peterson (WorldWideFM & BBC Radio 6), Kate Hutchinson (Soho Radio), Marshmello (NTS), Rob Luis (Tru Thoughts), Kev Beadle, Patrick Steele, DJ Amazon, and more.

'Raise A Symphony' is music of our time. A 15-track electronic offering, it comments on topics ranging from colonialism to complicity of silence; from compromised politicians to the power of protest and gratitude to those on the frontlines of change; from displacement and sea migration to the desire to protect our loved ones and the need for kindness; to have faith in the future and the importance of searching for joy in the meantime. The self-produced album 'Raise A Symphony' sees contributions from Saul Williams, Deschanel Gordon, Michael King and Tony Kofi, amongst others. The album title takes it's name from Martin Luther King's 'I Have A Dream' speech where King calls for the nation to rise to gather together and form a 'beautiful symphony of brotherhood'.

"..in Raise A Symphony, Midnight Roba has transmuted talent into something more powerful, where bridges built from her exquisite, unique harmonies, soaring songs and percussive productions allow competing emotions to co-exist and feed into each other. This album itself is a form of community; voices in unison, reaching outwards and offering restoration and upliftment throughout this remarkable work of love and fury." Emma Warren



a 01: Joy (Reprise) [feat. Deschanel Gordon]

Full of joy, they ran to meet him.
Then threw one of the shirts over each of them,
and when the shirts touched their bodies they were transformed into swans,
and flew away over the woods.
The record is comprised of a series of improvised recordings made over the course of an evening in Autumn ’23, captured at the Jabu home studio, south Bristol while Teresa was staying in town for a show. Everything was recorded into the desk in a single take and left as it was, no editing or overdubs, instruments were swapped around and effects units left buzzing ground hum scattered over the floor.
Teresa and Guest (Jasmine of Jabu) provided the vocals, taking words from anything at hand - poetry books, an old copy of the Whole Earth Catalog - their voices winding together, echoing out each other’s melodies. This approach is mirrored by the instrumentals, anchored by something at times - a bassline, one of Birthmark’s synth drones or a fizzing chord but always on the edge of collapsing in on itself or floating away. The tracks become more soporific as the record goes on (and as the night got later), ending on a refrain of ‘say you think its true’ as the instrumental finally dissolves the pedals get dialled up to 11 and Birthmark’s drones turn into distant lasers in a last swan song of feedback.
Recorded Sep 2023 in Bristol, BS3, by:
Teresa Winter (vocals, fx)
Guest (vocals, guitar, fx)
Birthmark (synth, fx)
A.Childs (samples, bass, guitar)

Vinyl release of the album from 2023. Black vinyl in a standard sleeve. “out of love in the face of a shadow” is the new album from Credit Electric. Exploring the human unconscious through impressionistic pop vignettes, the album represents a significant evolution of the band’s sound that originally stemmed from limitations put in place by the global pandemic, before blossoming into something altogether new and unexpected. What started to emerge was a body of work that drew upon lo-fi jazz, dub, post-rock, ambient music, 70’s studio experimentation, and 90’s indie rock as much as the rustic folk of their past releases. The resulting album “out of love in face of a shadow” calls to mind influences as disparate as Hiroshi Yoshimura, American Football, Scientist, and Magnolia Electric Co, all the while inhabiting a world completely of their own design. Highly anticipated sophomore album from Credit Electric. Press coverage on recent releases includes reviews and features in New Commute (Albums of the Year), Various Small Flames, Raven Sings the Blues, Psychedelic Baby Magazine, and more. UK/EU Publicity handled by Chris Carr & Mal Smith. “…the band crafts American hymns that peer through fogged glass, tracing the lines of lament in hazy relief…” - Raven Sings the Blues // Albums of the Year - New Commute

‘Pilot’ is the debut album from London quintet Miniseries. Channelling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread.

Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub – a musical nexus where burgeoning indie and Americana scenes collide – where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock, with their first single being an eight-minute jam called "Road".

When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland – one of the world's most breathtaking and idiosyncratic studio locations, adding unquantifiable magic to the proceedings.

For the closing track "May You Always", they headed to another studio imbued with tangible inspiration: Blueprint Studio in Salford with producer Craig Potter (Elbow) at the helm. For the song, Dermot drew cinematic inspiration from the Withnail & I line "I'll never play The Dane", the song is about realising that the things you aspired to in youth will never come to pass and being at peace with that realisation.

The recurring themes of youth and ageing are apparent in the resplendent lead track ‘You're Gold’ – a heartfelt call for young people to reject materialism and exploitative influencer culture in search of life's deeper meaning, with stylistic nods to The Pixies and early Stereolab.

On the opposite end of the spectrum, "Sepia" explores old age and fading memories through dementia, where the ending descends into chaos like a fragmenting mind. Elements of "Sepia" are foreshadowed in the album's opening track, the instrumental "Pilot Theme", which pays homage to TV theme music, invoking spy thrillers or perhaps something otherworldly from science fiction.

“Offcumdens” is a Calder Valley, Yorkshire term for people who live in the area but come from somewhere else. Hailing from Bury, Lancashire, Morch wrote the song while living in Hebden Bridge (and watching too much Happy Valley) and found himself being an offcumden. It’s a pop at the kind of local nativism which breeds intolerance and an illustration of the sinister rise of wider political populism.

Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless. As singer Doug Morch says, "It's the Miniseries Pilot episode. Like the TV episode a studio makes to test whether it's viable.” In the age of streaming and box-sets, this is an album to truly binge on. We can’t wait to hear what happens next.

Free Mousse is a Paris-based collective and festival. They have been spreading their signature “Mousse” across the capital over the past three years. This year, they’ve decided to share it with everyone by pressing it on wax. To make it happen Blinkduus Dischetto and Kiss The Future, rising talented producers and close friends of Mousse team joined forces on a unique EP born from their collaboration.

On the record, you’ll find:

A1 – a banger by Kiss that has been tearing up dancefloors for a year now

B1 – a tech-house weapon from Blinkduus bringing the heat every time it’s played

Finally, both artists’ identities come together on A2 & B2 in exclusive cuts that we invite you to uncover.

We deliver mousse <3

A true gem of French animated cinema, Sylvain Chomet's Les Triplettes de Belleville (2003) left a lasting impression with its quirky universe, tender humor, and unforgettable musical score.


Composed by Benoît Charest, this cult soundtrack blends retro swing, gypsy jazz, ramshackle brass bands, and cycling rhythms to create a unique atmosphere that is both nostalgic and fiercely modern.



This vinyl edition finally celebrates the soundscape of Belleville as it deserves to be celebrated: unusual percussion instruments made from bicycle parts, mischievous orchestrations, and the playful voice of the cult song “Belleville Rendez-vous,” performed by M - Matthieu Chedid in its French version.



Carefully remastered for analog format, the record captures all the warmth and vitality of this timeless music, a vibrant tribute to the creativity and audacity of the film.


A must-have for lovers of cinema, jazz, and beautiful vinyl editions.

ECHOES OF SOUL FEAT. SHELLY NELSON — “MY PEOPLE / THE ONE THING” The debut release from Boogie Back Dance — the new spin-off label of Boogie Back Records — delivers a deep and heartfelt journey through rhythm and soul. “Echoes of Soul” brings together the warmth of classic street soul with the energy of soulful house and the groove of neo boogie.

Side A, “My People,” is a dancefloor statement — a call to unity and movement, blending lush keys, vibrant basslines, and uplifting vocals that honor the spirit of community and togetherness.

Side B, “The One Thing,” dives deeper into the groove — a smooth, late-night cut layered with emotion, subtle percussion, and timeless soul sensibilities. With BBD001, Boogie Back Dance sets the tone for a new era of soulful club music — one rooted in authenticity, crafted for the heads and the heart alike.

Over two decades later, the underground classic that lit the fuse on indie hip-hop’s next era finally gets its vinyl debut. Originally dropped in 2001, Table Scraps is a gritty, no-frills compilation of unreleased tracks and lost sessions from the formative years of MHz, the Columbus, Ohio hip hop crew that helped define an era before the mainstream caught wind of the underground. Recorded between 1997–2001, the album is raw, urgent, and packed with early glimpses of the greatness that would follow.
The core lineup is fully intact and fully in form: Copywrite flexes his unmatched wordplay and delivers two self-produced heaters, “The Funnel” (co-produced) and “Combustion Spontaneous,” proving he’s just as deadly behind the boards. Tage Future brings futuristic cadence and sharp delivery, Jakki Da Motamouth stays unapologetically rugged, and the late Camu Tao is in rare, untamed form, a creative force whose brilliance only grew from here. Holding it all together are beats from RJD2, Mighty Mi, Camu, and Copywrite himself.
Pressed on vinyl for the first time ever, Table Scraps is more than a collection, it’s a time capsule from a crew that helped shape the underground before it had a name.

The record captures the raw electricity of their live performances while revealing surprising moments of melody and restraint. Tracks like "Bastard," "Reptilian Brain" and "Professionalism Debunked" showcase the band's volatile edge, while "Holy Building Tourist" offers a brief but memorable shift in tone. The result is a cohesive and unpredictable debut that positions Volk Soup as one of the most inventive underground bands emerging from Leeds

Limited edition (numbered 100 copies) 180g black vinyl with insert.

"BEN BEKELE does not exist. At least not the one I'm thinking of.


It's a mix of memories and fantasies from the mid-80s when it was my father who visited Ethiopia, returning with two small drums, a couple of pictures and tons of tales.
One of them was a story of a boy named Bekele, who taught him a traditional Ethiopian song.

Father passed this song on to us, as best as he could - now I'm having doubts as to what the message is actually about - but back then I was fascinated. Many years later, when I was preparing a song for a compilation "Portrety" at U Know Me Records, I realized that the bass line that I created resembled a fragment of that exact song. Apparently the melody buried itself somewhere deep in my subconscious and unexpectedly revealed itself at that moment. Therefore I decided to honor the memory of my deceased of 30 years dad (whose friends called him Ben) naming the composition: "The Life and Death of Ben Bekele". The song turned out to be very happy to me - its success definitely exceeded expectations, while in my head an idea to go further after Ben Bekele began to form.

This time I didn't want to work alone. I invited Kamil Piotrowicz and Igor Wiśniewski to cooperate with me. Incredibly creative, sensitive artists and wonderful companions on stage as well as off it. The music on this album is similar to a small extent to the "founding" piece.
It has however a couple of common features, with focus on the rhythm as the form-forming factor at the forefront. It's also organic, emotional, at times trance-like and illustrative.

I sincerely hope that when listening to this record, for these tens of minutes you'll escape from the surrounding us not-so-pleasant everyday life."

Commemorate's self-titled debut album blends swirling guitars and dreamy vocals to create a hypnotic yet weightless sound, a longing that swells and fades gently. Emerging from Kuala Lumpur's hazy musical depths, Commemorate is a 5-piece ensemble creating their own ethereal soundscapes, while taking heavy influences from shoegaze titans and infusing modern dreampop with post-rock sensibilities. Available in clear and black vinyl.

Auf dem vierten Album von Chrystia Cabral als SPELLLING verwandelt die Künstlerin aus der Bay Area ihr gefeiertes Avant-Pop-Projekt in einen Spiegel. Cabrals Texte auf „Portrait of My Heart“ befassen sich mit Liebe, Intimität, Angst und Entfremdung und tauschen den allegorischen Ansatz vieler ihrer früheren Werke gegen einen Blick in ihr menschliches Herz. Die thematische Unverblümtheit des Albums spiegelt sich in den Arrangements wider und macht es zum bisher schärfsten und direktesten SPELLLING-Album. Vom düsteren Minimalismus ihrer frühesten Musik über den üppig orchestrierten Prog-Pop von „The Turning Wheel“ aus dem Jahr 2021 bis hin zu diesem neuen energiegeladenen Ausdruck ihres kreativen Geistes hat Cabral immer wieder bewiesen, dass SPELLLING alles sein kann, was sie braucht. Der Titeltrack mit seinem treibenden Drum-Groove und dem hymnischen Refrain von „I don't belong here“ ist die stärkste Verkörperung der Hinwendung des Albums zu emotionaler Direktheit. Sobald sich die Hauptmelodie herauskristallisiert hatte, nutzte Cabral den Song als Werkzeug, um ihre Ängste als Performerin zu verarbeiten, und entschied sich für eine straffere, rockigere Komposition. Diese Transformation spiegelt die allgemeine Verlagerung des Albums in Richtung Energie und Unmittelbarkeit wider, die von der Kernband Wyatt Overson (Gitarre), Patrick Shelley (Schlagzeug) und Giulio Xavier Cetto (Bass) vorangetrieben wird, deren Zusammenarbeit neue Konturen des SPELLLING-Sounds offenbart. Cabral schreibt und demontiert immer noch alleine, aber die Präsentation der Songs für „Portrait of My Heart“ vor ihren Bandkollegen hat ihr geholfen, die späteren lebendigen, organischen Formen zu entdecken. Das gilt auch für die Zusammenarbeit mit einem Produzententrio: Drew Vandenberg, der Tontechniker von „The Turning Wheel“, Rob Bisel, der mit SZA zusammenarbeitet, und Psymun, der Produzent von Yves Tumor. Wichtige Gastbeiträge prägen das Album zusätzlich. Chaz Bear (Toro y Moi) liefert SPELLLINGs erstes Duett auf „Mount Analogue“, Turnstile-Gitarrist Pat McCrory verwandelt Cabrals ursprüngliches Piano-Demo für „Alibi“ in die knackige, rifflastige Version, die auf dem Album zu hören ist, während Braxton Marcellous von Zulu „Drain“ seine schlammige Wucht verleiht. Diese Teile fügen sich nicht nur nahtlos in das Album ein, sie fühlen sich wie ein integraler Bestandteil seines Universums an. Letztendlich ist Portrait of My Heart jedoch niemandes Platte, sondern die von Cabral. Sie zieht furchtlos den Vorhang über Teile ihrer selbst zurück, die sie in SPELLLING noch nie gezeigt hat - ihre Gefühle als Außenseiterin, ihre übermäßig vorsichtige Art, die Art und Weise, wie sie sich rücksichtslos in intime Beziehungen stürzen kann, um sie dann genauso schnell wieder abzubrechen. „Es ist wie ein offenes Tagebuch all dieser Empfindungen“, sagt sie.

XL Recordings is proud to mark the 10th anniversary of Archy Marshall’s (aka King Krule) A New Place 2 Drown with the release of a newly remastered instrumental edition.
Originally released on 10 December 2015, A New Place 2 Drown remains a singular entry in the Archy Marshall catalogue. Known to many for his work as King Krule, Marshall released A New Place 2 Drown under his own name, highlighting a different facet of his creative identity. An atmospheric blend of submerged beats, woozy textures, and diaristic storytelling, the project earned widespread acclaim upon release, including Pitchfork’s Best New Music.
Developed in parallel with a visual world shaped with his brother and longtime collaborator Jack Marshall, the quietly influential project stands as a multidisciplinary love letter to their home of South London, originally released alongside a Will Robson-Scott–directed short film and a book of artworks, photography, and poetry by the Marshall brothers.
The 2025 instrumental edition offers a newly illuminated perspective on the record’s sonic core, drawing fresh attention to the production craft that underpins the project. By stripping the songs back to their foundations, the release highlights the intricate textures, rhythmic detail, and atmospheric depth that have helped A New Place 2 Drown grow into a cult favourite over the past decade.
“A New Place 2 Drown evokes a septic world filled with flickering halogen bulbs, sticky synth keys, and corroded outputs. Marshall has made tremendous strides as a producer, gorgeously reproducing the gloom and loneliness of early '90s hip-hop and finding a way to integrate it into his own style.” - PITCHFORK

Pioneering experimental electronic record receives first-ever complete vinyl pressing, featuring expanded content and exclusive liner notes.

Editions Mego release the highly anticipated vinyl reissue of Get Out, the groundbreaking second album by Peter Rehberg under his influential PITA moniker. Originally released in 1999, this seminal work stands as a landmark achievement in experimental electronic music, praised for its revolutionary fusion of ear-splitting noise and melancholic melodies. Moving beyond the era's trend of pure abstraction, Get Out represents a pivotal moment when experimental electronic music began exploring new territories laying forth a path which many artists would subsequently follow.

This expansive reissue marks a significant milestone for collectors and enthusiasts, presenting all 12 tracks from the 2008 eMego CD version on vinyl for the first time. The inclusion of the rare Detroit live recording (remastered by Jim O’Rourke) provides invaluable insight into PITA's performance practice during the album's original touring cycle, whilst new liner notes from Jim O'Rourke and Chris Clepper provide further personal and anecdotal insight.

Since its original release, Get Out has been recognized as essential listening for understanding the evolution of experimental electronic music in the late 20th century. This authoritative reissue ensures that Rehberg's visionary work remains accessible to new audiences while providing longtime admirers with the definitive version of this crucial album.

The vinyl comes with a DL code which contains a 20 minute live performance in Kyoto, Metro, 25.01.1999.

The latest smash hit 7" from Gee Bello featuring Roy Ayers & Jocelyn Brown, now available!

Gee Bello, known as a backing vocalist for Wham! and a key member of iconic bands like Light Of The World and Incognito, returns with a new release featuring the legendary Roy Ayers & Jocelyn Brown.

Side A Features the radio edit of The Sunshine Goes On And On, originally released as a digital single in 2025. Produced by Gee Bello. Side B Pure Perfection, a sophisticated and danceable 2023 track. Mixed by Europe's popular production unit Cool Million featuring the legendry, Jocelyn Brown. Produced by Gee Bello.



a 01: The Sunshine Goes on and On (Radio Edit) feat. Roy Ayers
Georgie B Radio Edit

Everything Is Recorded, ist das musikalische Kollaborationsprojekt von XL-Recordings Chef Richard Russell. Auf dem Album "Temporary" sind zu hören u.a. Sampha, Bill Callahan, Noah Cyrus, Florence Welch, Maddy Prior, Berwyn, Alabaster Deplume, Jah Wobble, Yazz Ahmed, Laura Groves, Kamasi Washington, Ricky Washington, Roses Gabor, Jack Penate, Samantha Morton, Clari Freeman-Taylor und Nourished By Time. "Temporary" entstand im Verlauf von vier Jahren in Russells Londoner Copper House Studio und während einiger zusätzlicher Sessions in Tottenham, Cumbria, Dorset, Los Angeles und Las Vegas Es schließt an die vorangegangenen Releases wie das 2018 für den Mercury Prize nominierte Debüt an. Auf dem neuen Album erfährt Russells musikalische DNA allerdings ein Reboot: Sein Cut & Paste Approach reicht in die Zeit vor Sampling-Helden wie The Bomb Squad und Prince Paul zurück bis hin zu Innovatoren wie Steve Reich, Robert Rauschenberg und William S. Burroughs. Während Russells Musik bislang geprägt war von Rhythmus, Worten und Melodie - in ebendieser Reihenfolge - tauschen zwei Aspekte diesmal ihre Rollen. Der Rhythmus tritt zugunsten der Melodie in den Hintergrund. Musikalisch ist "Temporary" vom Gedankenexperiment "what if folk music had "gone digital" in the 80s, just as reggae had?" geleitet, während sich in spiritueller und lyrischer Hinsicht vieles um Trauer und den Verlust von Freunden, Familienmitgliedern und Kollegen dreht. Im Ergebnis stehen leuchtende und gelassene Kompositionen, auch dank der faszinierenden und vielfältigen Gästeliste, die "Temporary" mitbringt. Die fragilen, zärtlichen und stillen Tracks liefern vielleicht eines der sanftesten Alben, die je über den Tod geschrieben wurden. "Das Album zu machen, war erfüllend, eine Art, das Leben zu heiligen", so Russell. "Temporary" ist die erste reguläre Veröffentlichung von Everything Is Recorded nach über vier Jahren. In der Zwischenzeit war Russell allerdings nicht untätig. Via Soundcloud und Bandcamp erschienen zuletzt "Summer Solstice", "Autumn Equinox", "Winter Solstice" und "Spring Equinox", die alle mit einer Reihe von Gastmusikerinnen und -.musikern im Rahmen ausgiebiger Jams an jeweils nur einem Tag entstanden. Mit der Schauspielerin und Regisseurin Samantha Morton tat er sich zum Duo Sam Morton zusammen, welches sein Debüt "Daffodils und Dirt" veröffentlichte. Für Peter Gabriels Comeback-Album "i/o" produzierte Russell den Song "Four Kinds of Horses".

Our journey through “Música Para Boliche” literally “music for the club” from Argentina’s underground scene doesn’t stop. We dug even deeper, right into the ’90s.
Four tracks plus one, all visionary even at the time of their release. Once again, you can feel the magical touch of the Italian and Argentine DJs who worked on it.
Jack Bulgaro did his part, bringing home an instrumental unreleased version of Podés Seguir Sin Arriesgarte, taken from the album Undermalabia, produced by El Signo, pioneers of electronic music in Latin America.
The version will be officially released for the first time, vinyl only, by Maledetta Discoteca Records.

Tift Merritt ist seit langem eine Lichtgestalt der Americana-Musik. Anlässlich des 20-jährigen Jubiläums ihres für den Grammy nominierten Albums „Tambourine“ kehrt Merritt mit „Time and Patience“ zurück – einem Begleitwerk mit intimen Neuaufnahmen und neuen Songs aus Merritts „Tambourine“-Ära. Einige der Aufnahmen reduzieren ihre beliebten Klassiker auf ihre ursprüngliche Essenz – aufgenommen zu Hause, nur mit Gesang und akustischen Instrumenten, 20 Jahre nachdem sie damit erstmals von den Kritikern gefeiert wurde. Andere sind noch nie zuvor zu hören gewesen.

Transparentes Vinyl mit gelben Spritzern in Gatefold-Hülle

Celebrating over a decade of hip-hop excellence, Legacy of Hits delivers 15 career-defining tracks from Rich Homie Quan, one of Atlanta’s most influential voices. From the breakout anthem "Type of Way" to the multi-platinum-certified smash Flex "(Ooh, Ooh, Ooh)", this collection captures Quan’s ability to craft both raw street records and timeless radio staples that shaped the sound of Southern rap.
The set includes fan favorites like “Differences”, "Walk Thru (feat. Problem)”, "They Don’t Know”, "Blah Blah Blah”, “Reloaded" and "15 Shots, giving fans a complete retrospective of his impact. With production from heavyweights such as Yung Carter, Metro Boomin, London on Da Track, Trauma Tone, and Yizzle, the project stands as a true testament to Quan’s consistency, resilience, and influence.
Available in both vinyl and CD formats with exclusive collectible packaging, Legacy of Hits is more than just a greatest hits, it’s a landmark release that celebrates Rich Homie Quan’s journey, artistry, and legacy.

A meditative, folk-inflected score rooted in improvisation, ‘Dragon’s return’ echoes the soul of A film long buried behind the Iron Curtain



With Dragon’s Return, Australian composer and multi-instrumentalist Oren Ambarchi and Norwegian guitarist Fredrik Rasten present a new, meditative score to Eduard Grecner’s eponymous 1967 Slovak cult film — a stark, black-and-white parable.



The album captures a unique live performance recorded at the Videodroom Festival during Film Fest Ghent in October 2024, where this new score premiered alongside the film in collaboration with the Slovak Film Institute. What began as a fleeting, improvisational encounter between music and image has since taken on a life of its own — an evocative sound world that retains its power even in the absence of visuals.



The album will be available on vinyl and all digital platforms from September 12 via VIERNULVIER Records. The vinyl edition includes an obi strip, a booklet with film stills, and extensive liner notes on the film.



The label is known for shedding new light on forgotten films through reimagined soundtracks — claire rousay’s acclaimed The Bloody Lady being the most recent example.


“Folklore meets avant-garde in an ancient drama - a ballad about love, hate and finding a way out of loneliness” - Rastislav Steranka (Slovak Film Institute)



Ambarchi and Rasten do not accompany the images so much as speak through them. Their interplay — on guitars, flutes, percussion, and voice — unfolds slowly, without a fixed destination, culminating in subtle, entrancing drones. With few breaks or ruptures, this trippy, folk-inflected continuous composition invites surrender.



Rasten’s 12-string guitar and delicate use of voice create layered textures that shimmer and shift. Ambarchi, known for his electro-acoustic work, here explores a radically softer mode — strumming, bowing and coaxing tones from his instrument as though it were a string section unto itself. He blows into shells, adding breath and texture to the sonic palette, touching on something elemental.


Together, they evoke a sound world that feels both ritualistic and strangely familiar — as if echoing from a forgotten ceremony or dreamed into being after hearing an old folk tale. Rooted in improvisation, the music speaks in tones both intimate and expansive, shaped live in dialogue with the film and with each other, with only minimal overdubs added afterward.

Bruit's sound is a tectonic collision of raw noise and patient, cinematic structure: layers of metallic percussion, low-end rumbles and fractured melodic fragments that creep, accumulate and then converge. Balancing soaring melancholy and industrial grit with meticulous dynamics, they turn long-form pieces into physical architectures where silence, resonance and sudden force are equally important. In this reissue of their staggering debut EP `Monolith', Bruit give us the opportunity to rediscover their first ever release, the completely self-produced and recorded record that defined their direction and introduced their world-shattering sound. `Monolith' is an epic portrayal at the centre of the human experience, the band's use of melancholia, industrial textures reimagined through patient dynamics, sculpted resonances, and a singular attention to momentum gives listeners access deep and power terrains. `Monolith' is the first expression of Bruit's exploration of material sound and human scale. Building on the dense palette of integrity and compositional mastery, Bruit interrogates what long-form composition can hold: memory, pressure, and a cinematic coalescence. Bruit's sound captures the exorbitant nature of the times, the outrageousness of humanity at a moment in time that is grotesque in scale and overwhelming in scope. Two long tracks for FOR FANS OF Hans Zimmer * Nils Frahm * Godspeed You! Black Emperor * Balmorhea * Max Richter * Olafur Arnalds * A Silver Mount Zion * Boards Of Canada

Step into The Colors Within, where Totsuko sees emotions as colors and discovers real connections through music with Kimi and Rui. kensuke ushio’s score brings their world to life with glowing melodies and intimate textures.

This vinyl edition pairs the soundtrack with special artwork from the film and a translucent milky-clear LP inspired by its soft, dreamlike palette.

A must-have for fans who felt every hue of this beautiful story.

Bruit's sound is a tectonic collision of raw noise and patient, cinematic structure: layers of metallic percussion, low-end rumbles and fractured melodic fragments that creep, accumulate and then converge. Balancing soaring melancholy and industrial grit with meticulous dynamics, they turn long-form pieces into physical architectures where silence, resonance and sudden force are equally important. In this reissue of their staggering debut EP `Monolith', Bruit give us the opportunity to rediscover their first ever release, the completely self-produced and recorded record that defined their direction and introduced their world-shattering sound. `Monolith' is an epic portrayal at the centre of the human experience, the band's use of melancholia, industrial textures reimagined through patient dynamics, sculpted resonances, and a singular attention to momentum gives listeners access deep and power terrains. `Monolith' is the first expression of Bruit's exploration of material sound and human scale. Building on the dense palette of integrity and compositional mastery, Bruit interrogates what long-form composition can hold: memory, pressure, and a cinematic coalescence. Bruit's sound captures the exorbitant nature of the times, the outrageousness of humanity at a moment in time that is grotesque in scale and overwhelming in scope. Two long tracks for FOR FANS OF Hans Zimmer * Nils Frahm * Godspeed You! Black Emperor * Balmorhea * Max Richter * Olafur Arnalds * A Silver Mount Zion * Boards Of Canada

Mesh-mainstay Jinjé teams up with A. Montane for a collaborative EP born out of live improvised sessions, and composed over the period of a year.

Taking a slowed approach to the production of Neon Garden EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.

‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yū’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.

A nod to the joys of improvisation, Neon Garden EP takes the spirit of spontaneity and lays out new structures for its ideas to grow.

Open minded EP melting Electro, Hardtek and Ambient. 5 tunes. The kind of good record melting the Bunker NL vibe to the Mononom influence.

Trackwahser side bring a crazy romance, mystic call for a tribal dancefloor banger ! Legend !
Second tune, in collab with Boubou, member of Antinorm-17 Sound System back in the years... The oldschool Acid excitation supported by a thick Hard Techno kick. Put some electricity in the air, be Deter-Mina !

With Roland K side you will get 2 Hardtek missiles !
The first track delivers a high-energy, fast-paced, and punchy vibe, perfect for rocking the dancefloor.
The second, a collab with Darth Leng, takes the energy even further with an explosive mix of styles and unrelenting power.
Tracks designed to get parties rocking and boost good vibes to the max!

Aphasy, a dive into a fascinating sonic universe. A two-sided journey. Designed with a strong artistic vision, the artwork showcases a striking duality between Side A and Side B, offering a contrasting auditory experience. Side A, adorned with a delicate shade of pink, embodies the essence of deep, lyrical, and ethereal tracks. The melodies unfold with mesmerizing lightness, enveloping the listener in an atmosphere of softness and contemplation. Vibrant basslines and subtle rhythms intertwine with evocative sound textures, creating a musical landscape that invites reverie and escape. Flipping the record reveals Side B in all its dark and nostalgic splendor. The back of the sleeve immerses the listener in a more introspective and captivating world. The tracks on this side unveil emotional depth and hypnotic intensity. Darker tones, dissonant harmonies, and entrancing rhythms transport us into an enchanting atmosphere, evoking feelings of melancholy and introspection. This record embodies the very essence of electronic music, with its intricate sound textures, signed by Romain Mégroz.

Rakkit Records is a brand new label that specialises in darkside jungle techno.

Heading in a different direction to Radman's older releases, this EP is inspired by two of his young loves: London squat parties and militant EA raves. That darkside hardcore sound you'd hear in the morning at the squats, with the energy of the main event at a Thetford Forest party. Dark, stompin', and drenched in 303s.

It's dedicated to one of his partners in crime of the time, Phil Sayer, who introduced him to much of the above and always pushed Radman to keep releasing tunes, with his support and brutal critique. Radman took samples of one of Phil's original poems for the track ACAB, from his performance in his old living room. Phil loved vinyl, 303s, darkside and hardcore, so we think he woulda been chuffed.

Just 150 copies getting pressed. Once they're gone, they're gone.

This is the first vinyl release of our label, from the Canary Islands to the world! The founder and Spanish producer Luis Pitti captures in this release some of the sounds and style that marked an era on our beloved island. On this record you will find Oldskool Hardcore sounds, breaks, enveloping pianos, synths and sounds from the 90s fused with a modern and fun touch.

Released in a limited edition by ExperimentalBass Records on 150 gram black viny

A rhythmic minimal ambient piece played with organic electronic sounds. Elements of electronic, psychedelic, and ethnic music are interwoven. The vinyl debut of Japanese composer / electronic musician NAT000. Mastered by ISAO KUMANO of Phonon, a Japanese audio equipment manufacturer. NAT000 : After performing live as a one-man drone under the name sonic mainly at 20000v in Koenji Tokyo and DOM in Nishi-Shinjuku (now EARTHDOM in Shin-Okubo), he became a band member of the hardcore bands BUTTHEAD SUNGLASS and ABRAHAM CROSS, which gained popularity in the underground scene in Tokyo in the 2000s.The Band has been performing in parks, abandoned buildings, and campgrounds. Since turning solo again, he has been producing electronic music and performing live using analog synths, samplers, drum machines, software, and effectors, and has privately released a CD of self-produced recordings. This album is a compilation of past works from those CDs and newly produced works for the album.