Mayday is the third LP by Montreal-based artist, Myriam Gendron. It follows her earlier, critically acclaimed albums, Not So Deep As A Well (2014) and Ma délire - Songs of love, lost & found (2021). Myriam began exploring the complex folk traditions of Quebec (and beyond), with Ma délire, which combines traditional and original songs with arrangements that make space for avant-garde musical interludes by such folks as guitarist Bill Nace (Body/Head) and renowned jazz percussionist Chris Corsano. Mayday presents an even more syncretic fusion of the elements Myriam uses to create her sound. Most of the songs are original, sung in both English and French, and they blend traditional and avant elements with abandon. She is often accompanied on this album by the guitarist Marisa Anderson and drummer Jim White (Dirty Three, Xylouris White), whose work provides a quietly aggressive sort of free-rock base. Additional players include Montreal bassist Cédric Dind-Lavoie, Bill Nace and saxophonist Zoh Amba. Mayday is a thoroughly thrilling effort that manages to create new vistas of sound while maintaining a feel that is both intimate and familiar. The music here certainly possesses a richly serious tone, but Myriam Gendron (like Leonard Cohen) is able to infuse her darkness with a subtle, powerful light that reminds us that even the most pitch-black night is but a transitional state. Beautiful work.
Buscar:2 st
A trio of innovative troubadours, Tryp Tych Tryo is the expression of three legends trading blows, in the singular, in the bilateral movement throughout this sonic stew and as tripartite working, pivoting, layering through modes and counterpoint to create Warsaw Conjunction. An album where each member lays their cornerstone into the foundations, abstractly sketching their complementary, supportive voices with each able to freewheel their own weather front across the record's terrain. Warsaw Conjunction is the project’s first album. The release in collaboration between friends and labels, On the Corner and Lanquidity Records, presents us with Natcyet Wakili FKA Edward Wakili-Hick on drums, Wojtek Mazolewski on electric and acoustic double bass and Tamar Osborn on flute, baritone saxophone and delay effects. Mazolewski led the production, with support from the other musicians.
ERIS inaugurates the Plexus 4 label with the stylish psychedelic club sounds of 'Glimmers'. The Sardinian-Croatian duo consisting of Enrica Falqui and Dea Dvornik drops their next EP this June. ERIS, AKA Enrica Falqui and Dea Dvornik, mint the Plexus 4 label with the 'Glimmers' EP.
Their music mixes acid, techno, and house and has found a home on the likes of Warning, 20/20 Vision and DJ Masda's CABARET Recordings. ERIS 'Glimmers' drops via Plexus 4 15th June 2024.
Eaux proudly announces a new collaborative mini-album from label boss Rrose and Polygonia. Containing six tracks and over 40 minutes of music housed in a fully printed sleeve with artwork by Jon-Paul Villegas, the record focuses squarely on the dancefloor while infusing it with the kinds of psychoactive drones, intricate polyrhythms, and relentless modulations that have come to identify both of their approaches to sound. Featured heavily are their shared interests in sonic shapes that resemble natural forms and conjure tactile feelings, in this case related to themes of skin-like surfaces and circulatory systems experienced simultaneously on a micro and macro level. While several of the tracks hover in a flexible tempo range between 125 and 130 bpm, "Stretcher" reaches up to 142, and the closing track "Vena Cava" trades the kick drums for spectrally processed percussion and endlessly diverging high-frequency pulses.
The story behind the release starts in 2022, when Rrose reached out to Polygonia after noticing that her tracks were appearing in their sets more frequently than any other artist. Never before had Rrose proposed a collaboration with someone they hadn't met before, but there was such an obvious connection in their approach to sound that it felt necessary. As it turns out, Polygonia had only become interested in techno after hearing Rrose perform at a festival in 2018. It all made sense, and they began sharing sketches and unfinished ideas with each other, trading them back and forth until they reached completion. Without any announcement of their collaboration, the two artists have since been asked to share the stage together several times. It seems there are other people out there sensing a connection...
Bios:
RROSE
Rrose is an alias of the multi-disciplinary artist Seth Horvitz, born and raised in California, and currently based in London. Active since 2011, the Rrose project explores the intersection of hypnotic techno, experimental composition and psychoacoustic phenomena with a meticulous touch. The first major breakthrough was 2012's "Waterfall" for Sandwell District which followed "Motormouth Variations," a collaborative project with composer, improviser, and activist Bob Ostertag. After the shuttering of Sandwell District, Rrose established Eaux, a home for further solo productions and collaborations. Building on his studies in electronic composition and history at Mills College, Rrose's electronic pieces blur the lines between thrillingly claustrophobic club tracks and destabilizing sound art explorations. In 2015, she released an extended version of James Tenney's postcard composition "Having Never Written a Note For Percussion" for solo gong, and in 2018 collaborated with Charlemagne Palestine on "The Goldennn Meeenn + Sheeenn" for two grand pianos. These works overlapped with the development of Rrose's singular techno: EPs like "Vanishing Pools," "The Ends of Weather" and "Arc Unknown" as well as 2019's debut LP "Hymn to Moisture" and last year's follow up "Please Touch." Rrose is also active as a touring DJ and live performer, equally comfortable commanding sweaty warehouse dancefloors and seated audiences in historic concert halls. Appearances include Unsound, Atonal, Semibreve, Dekmantel, Mutek, Sonic Acts, Nuit Sonore, Mostra, Parallel, Theatre Graslin, Nextones, and Berghain.
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POLYGONIA
Polygonia represents a multidisciplinary music and art project conceived by Lindsey Wang from Munich, Germany.
She draws inspiration from her many years of practicing various acoustic instruments and her keen interest for other cultural forms of expression, which she translates into the digital language of electronic music and art.
Her productions' soundscape exudes a mystical, organic quality, featuring intricate and compelling rhythms. Polygonia's sound palette ranges from energetic, groovy Deep Techno, Downtempo, Grey Area to textural and/or harmonic Ambient. Besides, she is not afraid to include influences from the genres House, Drum and Bass, Electro etc.. In addition inspiration from nature play a major role in many of her productions. Exemplary for her style are for instance her 'Otro Mundo' EP (2023) on Bambounou's Bambel Imprint, her 'Bloom' EP (2022) on the American record label Sure Thing, the release 'Deformed Human Nature' (2021) on her own label IO, as well as the album 'Abbilder einer vergessenen Welt' (2021) on the Korean label Huinali.
Her DJ and live sets too reflect her passion for different genres. Depending on the time of day and setting, Polygonia shows a different musical side. What unites all her dance music sets is the hypnotizing effect that invites to completely lose oneself in the world of sounds for a longer period of time. Several voices from the audience also confirm that the musician always tells a complex story within her mixes, allowing for very clear highs and lows. In the same set there can be very harmonic passages, which provide emotional moments and on the other hand extremely texture-heavy dark tracks, which establish a connection with the subconscious and put the listener in a kind of trance.
Polygonia has already visited numerous of prestigious venues. She is now a regular at Tresor or Berghain in Berlin and additionally started her residency in 2023 at Munich-based BLITZ club.
»lacuna and parlor« is anchored in the left-field chamber music and incidental recordings that have long accented more eaze’s roving sound. Composed with one ear pressed to the rich textures of instrumental recording environments, this is a resonant and tactile collection tinged in rephrased space and skewed time.
Taking the rudiments of tonal music theory as her conceptual base, more eaze formed the compositions around her own manipulations of these core principles. Simple chord progressions stretch over minutes rather than seconds, for example, while elsewhere specific tonal signifiers were deleted from harmonic progressions, altering the expectations of these tropes.
These and many other bespoke techniques underpin compositions that span Americana-inflected ambient ballads and jaunty string recitals. With wistful vocals, bursts of improvisatory noise, loose chatter and overdubbed room sounds flowing in and out of the mix, more eaze invites us to lounge and linger in these lacunate moments, at once heard, felt and imagined.
- A1: Bashquiat Intro
- A2: Call To Warzone
- A3: Ambuskad
- A4: Kalalou Free
- B1: Tracé
- B2: Float Your Boat
- B3: Scout Yo La
- B4: Spirit Yo Bak
- B5: Pozé
- C1: Corbeau & Le Renard
- C2: Échapé Blues
- C3: Haricot Vert
- C4: Beat Coin
- C5: Mp3 Decoder Lib
- C6: Cry 4 Help
- D1: Blue Cotton
- D2: Lament 4 Ayiti
- D3: La Pryè
- D4: Kod Ujens
- D5: Redevance
- D6: Langaj Ralaviré
Original[39,08 €]
Joseph Omicil, Jr, a.k.a. Jowee Omicil, is a Haitian-Canadian jazz musician. He has worked in the past with artists such as Roy Hargrove, Pharoah Sanders, Tony Allen, Kenny Garrett, Jacob Desvarieux, Glen Ballard, Harold Faustin, Michel Martell, etc. He hosted Quincy Jones' 85th birthday celebration at Montreux Festival. He also starred in the Netflix series The Eddy, produced by Damien Chazelle, and Le temps d'aimer, directed by Katell Quillévéré (Cannes Festival 2023). The Bois- Caïman ceremony was Haiti's first major collective uprising against slavery. On his new album, SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe, Jowee performs his ancestors' revolution in his own way. Joweebroughttogetherallhisinnertubes,soprano,alto,tenor,wood,clarinets, piccolo flute, cornet, that blows, that winds, that rumbles. Thisrecord is an incantation, a therapy, it cleanses the world by drawing onthe fantasized memory of the Haitian revolution. There are FreedomSuites by Sonny Rollins, Max Roach and others. Prayer music, music tobreak the chains in your head and on your wrists, music of black powerandwhitemagic.ForJowee,akidfromMontreal,sonofaHaitianpastor, who sang Jesus in all the tones, and then Michael Jackson, andthen2Pac,wholearnedjazzfromOrnetteColeman,theceremonynecessarilyhasthetasteoffree.Thisrecordisahealinghour-longimprovisation.
Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 – racking up credits with notables across the experimental, jazz, and pop worlds alike – but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker’s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says “represents the thrilling next phase of a vibrant L.A. community.”
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that.
Timeless soul, 'Cool Cool' is the standout title track from James Alexander Bright's recent album. It's an immediately enchanting gem, with tendermusicianship and a stripped back production highlighting James' voice, pitchedsomewhere between Eddie Chacon, Beck and Michael McDonald. Athens of theNorth's in-house band East Coast Love Affair add a delightfully psychedelic Balearicpiquancy with an beautiful dub version on the flip.
'Cool Cool' has been enjoying a plethora of worldwide support; seeing James insession for Gilles Peterson, suppling a Block Party mix for Huey Morgan, interviewedby Bandcamp Weekly, and played across tastemaker shows on stations includingBBC 6 Music, FIP, Jazz FM, KCRW, KEXP, Les Inrocks, NTS, Soho Radio, Triple R,WDET, WNXP.
The past six years has seen James release a veritable treasure trove of music:'Mallorca' and 'Strange Folk' EPs, debut album 'Headroom', joyous second 'Float', analbum of collaborations and reworks with cosmic Americana-disco DJ/producer duoFlying Mojito Bros, and a new project with Groove Armada's Tom Findlay as Bright &Findlay. 'Cool Cool', his third solo album since 2020, was released on 26th July 2024.
- A1: Chrome Mess 02 41
- A2: Earth Hater 02 15
- A3: Rio's Song 02 17
- A4: Our Hometown Boy 02 53
- A5: Renegade 02 13
- B1: Heel Highway 04 26
- B2: Killed By Death 02 36
- B3: Hey 04 29
- B4: It Suits You 02 35
- C1: Six Deaf Rats 06 40
- C2: Action For Military Boys 04 50
- C3: Jacked Existence 02 42
- D1: North Of The Border 03 55
- D2: Thug Dynasty 02 53
- D3: Gripping The Riptide 04 33
Black Vinyl[25,17 €]
Mit The Hard Quartet hat sich eine Band zusammengetan, der man mit Blick auf ihre Mitglieder wohl den ein oder anderen Superlativ zuschreiben kann. Immerhin tummeln sich hier mit Stephen Malkmus, Matt Sweeney, Emmett Kelly und Jim White vier Musiker und Songwriter, die mit prägenden Größen des Indierocks assoziiert werden: Pavement, Chavez, Ty Segall, The Cairo Gang, Bonnie "Prince" Billy, Guided By Voices, Cat Power, Dirty Three und Bill Callahan sind nur ein Bruchteil der musikalischen Institutionen, bei denen die vier ihre Finger (und Stimmen) im Spiel haben. Über das selbstbetitelte Debüt von The Hard Quartet wird m Netz schon seit Bekanntwerden der Gründung der Band angeregt spekuliert: "Es ist einfach ein vertrauensvolles Umfeld, in dem alle bereit sind zu sagen: Komm wir werfen unseren ganzen Kram in einen Topf und machen daraus etwas Größeres", so die Band dazu. Dass es trotz der getrennten musikalischen Biographien so gut läuft, ist aber sicher auch der Tatsache zu verdanken, dass sich die Wege der Vier schon zuvor immer wieder gekreuzt hatten. "Ich habe eine geradezu vorzeitliche Geschichte mit Stephen und Jim", so Matt Sweeney. "Nun, zumindest reicht sie bis in die Neunziger. In jüngerer Vergangenheit war es dann Emmett, der einen wirklich tiefen Eindruck bei mir hinterlassen hat. So sehr, dass es die Art verändert hat, wie ich übers Spielen denke." Das Album vereint die Stärken von Malkmus, Sweeney, Kelly und White, oszilliert zwischen sonnigem Slacker-Rock und Noise-Experimenten und dürfte alle mit einem Faible für die goldene Ära des US-Indierock begeistern.
- A1: Fauna, Pt I 03 33
- A2: You 08 05
- A3: I Fell In Love 06 27
- B1: Rest 05 08
- B2: Dusk 09 27
- C1: Fauna, Pt Ii 08 07
- C2: Huldra 06 55
- D1: Growth 08 46
- D2: Norrland 08 03
- E1: Untitled Piano
- E2: Dusk (2024 Version)
- E3: Rest (Other Version)
- E4: Once (Demo Version)
- E5: Mono-000
- F1: You (2024 Version)
- F2: Opal (Demo Version)
- F3: Growth (Other Version)
- F4: I Fell In Love (2024 Version)
To mark the 10th anniversary of Gidge's landmark album Autumn Bells on Atomnation, the label has assembled a brand new box-
set reissue. This deluxe and expanded edition features a 58-page photo book, poster, the original double album plus a nine-track bonus vinyl with alternative edits and demo tracks from the time, all on transparent wax. The exclusive, limited edition boxset comes first on September 27, then all tracks come digitally in mid-November.
Gidge is the Swedish duo of Jonatan Nilsson and Ludvig Stolterman, who has also taken all of the photos in the booklet. As
friends since high school, they have a deep connection, a great understanding of one another and a shared love of Nordic
woodlands. The spirit of the northeastern forests they grew up around has always coloured their music and lent it an organic,
ethereally, otherworldly edge that conveys feelings of inner peace.
Their brilliant debut album Autumn Bells captured all that in nine accomplished tracks that picked up critical praise from the music
media and millions of online streams. More importantly, it also won them a dedicated fan base who appreciate the art of Gidge's
craft and the sensitivity of their sound. Despite the early success of the album and the three more that have followed since, this
humble pair have chosen to remain low-key. They play only a few shows a year and consciously haven't chased wider commercial
acclaim.
Xylitol is the alias of Catherine Backhouse, producer and DJ under the name DJ Bunnyhausen. She was a resident DJ at Kosmische, the now dormant Krautrock club and is a fan of jungle and hardcore. She currently co-hosts the radio show Slav To The Rhythm, which focuses on vintage central and eastern European pop and electronica and she's also co-writing a book on Yugoslavian pop culture. 'Anemones' is a total project from the cover to the music. Backhouse is fascinated by early botanical illustrations of anemones and other aquatic fauna, and how the act of taxonomy reveals as much about human psychology, desire and sublimation as it does about the organic specimen as a thing in itself. Each track is a microcosm of this 'other life', an allegory for the extraordinary potential latent within bodies that the dancefloor has the power to activate. Using early jungle and garage as starting points to connect dots and open up contrasts between dance music and vintage electronics, Backhouse finds a sweet spot which, in her words "feels like something that's simultaneously still and ancient yet propulsive and ecstatic." Not afraid of letting the the hiss and flutter of the music show, 'Anemones' holds attention with ancient bubbling synths and gracefully drifting arpeggiations, occasionally brought to heel by charming melodies, all accompanied by breakbeats that explode like fireworks. 'Anemones' has a lively and unpolished aesthetic that's a kindred spirit to Nondi_'s 2023 album of smeary, water-damaged footwork, 'Flood City Trax'. 'Moebius' pits the spaced out neon chords of the track's namesake against absolutely tearing breaks, allowing time for this almost overwhelming combination to become near enough transcendental, while the bleeping melody and sad slavic chorus motif in 'Okko' feels like an artifact from an alternative future. The Drexciya meets 2-step garage of 'Dobro Jutro' creates a welcome respite at the album's midpoint before the flow builds up again to 'Daša' with its glassy sounds from a lost radiophonic workshop miniature meeting bruising kicks and snares. Meanwhile 'Iskria' has purring synth chords and 8-bit melodies evoking the cosmonaut age. The subliminal influence of the Yugo era is felt in DIY synthesis and Mitteleuropean melody and seen in song titles such as 'Jelena', 'Miha', 'Daša' (named after novelist Daša Drndič) and 'Iskria' (taken from the fictitious Balkan region in Ottessa Moshfegh's bleak fable 'Lapvona'). 'Anemones' very effectively folds experimental genres from different times and places into a very enjoyable new sound.
Pulsar-driven groovetronics, folky modalisms in waltz time; dreamvitations to the cine-lounge. Rhythm-n'-mood experimenters Les Hommes return with a plasma-rippling suite of jazzified cuts. The new album – Sì, così – takes us into their usual unusual orbits; with re-explored mid-century Lowrey organ, mellifluous bass clarinet, Arcadian flutes, groovified piano electrique and oscillators scorched on re-entry, it's out there.
With compositions aired on BBC 6 Music, Radio 3, Radio 4 and stations around the world, plus sold-out live shows, global cult combo Les Hommes combine mid-century-cool organ group tropes and heavy percussion with contemporary arrangements and sound-sources. Their new 2024 release, Sì, così, takes the line-up further out again to explore spacier themes, esoteric modes and filmic stratospheres, as well as continuing expeditions into 'live' small-group recordings.
Following the huge success of his Predator EP, SIkka returns to Influential with this sick slice of heavy jungle. As ever, Sikka shows a deft touch with the gnarlier side of jungle, being both bombastic with the beats and bass and clever with the edits, all wrapped in clean and deadly production. Another fat classic from this rising jungle star, and the EP is part of the Move-E series to boot....
This release is part of the Move-E series, but not only that, it is a certified classic. Originally released on a white label in the early 90's, this EP was much sought after then, and remains a personal favourite of many Djs for its eclectic take on early jungle and the incredible combination of samples and sound styles.
(Limited to 500 copies, 180 gram pressing, splattered vinyl + sticker) (Van Bellen, Chiller Twist, Mike Monday remix + original remastered for 2024) Airwave, a legend in the scene, is revisiting his iconic Velvet Girl moniker with the reissue of the timeless single "Velvet.
We are thrilled to present a special release that takes you back to the golden era of clubby trance! Airwave, a legend in the scene, is revisiting his iconic Velvet Girl moniker with the reissue of the timeless single "Velvet." Once also released on Positiva's sublabel Additive, "Velvet" now returns in an exclusive 2 x 12" splattered 180 gram audiophile vinyl package.
This collector's edition includes the classic original mixes alongside stunning remixes by Van Bellen, Chiller Twist and Mike Monday. Don't miss this chance to own a piece of history, meticulously preserved in a format that every true fan will cherish.
London-based rising star Sans Soucis (they/them) shares their debut album ‘Circumnavigating Georgia’. Circumnavigating Georgia sees the writer and producer Sans Soucis take us through their coming of age and the reclamation of their identity, tearing apart systemic patriarchy and anti-blackness that's impacted their life. Each track on the album is set to introduce the audience to a new sonic palette, influenced by both the music and personal experiences from Sans Soucis' teenage and early adulthood. Born out of a desire to reconnect with the uninhibited joyfulness and authenticity of childhood, Sans Soucis’ music is a radical act of reclamation. Free from the constraints of genre and with a wide gamut of sonic touchstones – from the effervescent electronics of Little Dragon, Solange Knowles’s alt-R&B, the emotional edge of Joni Mitchell and the robust pop melodies of Rihanna – Sans Soucis’s world is one overflowing with vibrant musical textures pertinent lyrics and refreshing dose of hopefulness.
4th release by Fresh & Low on their own RAWAX Treasures Series!
This time we have the honor to re-issue the first Fresh And Low record - origially released in 1995 on Strictly 4 Groovers/ DIY Communications!
This release will be re-mastered and only available on vinyl!
2024 Silver Vinyl Repress!
On the label (A-Side):
This special release is dedicated to Detroit DJ Legend Ken Collier. His untimely passing deeply touched me personally, as he was one of a small few who always supported me & my music. Because of Ken Collier, Detroit developed a dance scene, which inspired artist & producers to make dance records, which gave birth to Techno, which has provided careers for many of you in the business today. So I dare ask all you techno producers, djs, record labels, record shops, techno magazines, clubs which play techno music, and fans of techno to pay respect to Ken Collier just as you would our other fine music innovators.
Side B:
However, this special compilation isn't about techno, it's about H.O.U.S.E. sounds - broadcasting it to you live from the inside in lovely Ste - re - o!!. This record contains no artist or track listing because i don't want this to be about who made the tracks, track titles, or even who wrote this commentary. This record is my personal tribute to him and how he has motivated me to make my contributions to house music. Thank you Ken Collier, for helping me grow not just as a dj or record producer, but as a person. Every dj and dance artist here in Detroit owes thanks to you for going out into the musical forest, chopping down trees, thus paving the way for us to build HOUSE!.
"In Loving Memory Of Detroit DJ Legend Ken Collier"
"A Seamless Symphony of Harmonious Electronica" - Jazziz
Emerging from over a year of creative hibernation following their debut album, Stavroz's upcoming EP "Kick Up the Dust" jolts them back into action. The EP flows gently, yet the overall mood of the journey isn’t always easy to pinpoint. There’s a certain vagueness to Stavroz’ sound which allows for bizarre experiments to seep through without interrupting the course. “We like to keep it lightly twisted, like a wink with a frown,” says the band.
In the title track however, Stavroz boldly steers towards the heart of the dance floor: efficient, remorseless, powerful, intense and most of all... elegant. Guiding you harmoniously through the club is a delightful duet of trumpet and saxophone, timed perfectly to heal you where it hurts most.
"Her Eyes Were Red" does what it says on the cover. There's melancholy - without sadness. Power - without force. Love - without lust. Stavroz's music possesses a distinct power that feels both natural and organic, never resorting to brute force or aggression. In their own way, the Belgian quartet offers an astonishing journey of saxophone & duduk, supported by broken beats and chopped vocals.
In Dae-El, a track featuring the Brussels-based producer and sound designer Poltrock, ethereal-sounding synths and duduk are combined with ghostly high-pitch distortions. Despite a backbone of muffled beats, the tune has vaporous qualities, reverberations that wobble and tinkle into space – it’s an easy listening experience but in a trippy, spaced-out way. “We’re trying to go for the sweet spot between the couch and the club”.
Adding further depth to their EP, Stavroz collaborates with Brazilian singer and composer Castello Branco in "Valente." Here, intimate Sade-like vocals harmonize with rubbery scratches, acoustic guitar, and horn segments, crafting a lush lounge piece that seamlessly balances both relaxation and empowerment, transparency and provocation. It's a testament to Stavroz's versatility and their knack for creating music that defies easy definition, leaving listeners eagerly anticipating the next twist and turn in their captivating musical journey.
Dj Stephano brings his usual, unusual vibe to this EP, drifting between styles but never missing a trick when it comes to fierce and inventive jungle sounds. With a penchant for unusual samples and formats, Stephano lays down the law on old skool and jungle in an EP called love that you will...love....
Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.
“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)
Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (DMBQ, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).
Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.
Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”
It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.
The latest 45 from Durand Jones & The Indications out on Colemine Records features two tracks from their previous LP, Private Space. The A Side features the album's title track and is a laid-back, string-enhanced, smooth progression where guitarist Blake Rhein plays minimal but on-the-money strokes. The flip is an uptempo, drum heavy beat with lyrics depicting heartbreak and longing. "Sea of Love" delivers on that smell good, look good, feel good '70s synth sheen arrangements, lavish string charts, and double-down confidence from a band who gets to move their core expertly into a different decade.
»Chromacolor« is one of those records that immediately feels like home even though it is hard to locate stylistically. Written and recorded by Hanno Leichtmann in Berlin and Madeira between 2020 and 2022, it draws on rhythmic minimalism as a guiding principle and might call to mind organic, instrument-based ambient music, but also incorporates jazzy moments as well as Annie Garlids multi-layered vocals that permeate through these nine pieces.
The foundation for Leichtmann’s Chromacolor project was laid when the prolific Berlin-based producer, musician, and drummer borrowed a vibraphone and a Fender Rhodes from two friends. Combining their unique sonic affordances with those of a Guitaret, an electric lamellophone, he further expanded his sound palette by inviting other musicians—Anthea Caddy, Sabine Vogel, Tobias Delius, Els Vandeweyer, Sabine Ercklentz, Mike Majkowski, Andrei Ladeishchikov, Oona Farchy, Gonçalo Caboz as well as Rafael and Hugo Andrade—to play small but vital parts in the production of the album.
The opener »Kisses and Wine« masterfully sets the tone for an album that is as inviting as it is challenging. Working with relaxed repetitive rhythms, Garlid’s anthemic vocals and a sprinkle of saxophone and flute tones courtesy of Delius and Vogel, respectively, as well as tender piano notes played by Leichtmann, it evokes a lot with only few means: a certain melancholy, but also an elevated atmosphere that feels both exuberant and restrained.
Leichtmann’s elegant study of the power of repetition, minute rhythmic shifts and subtle use of melodic and harmonic elements creates ambiguities and polyvalences like these throughout the entire record, up until its understated finale, aptly titled »A Beautiful Day«—a drone-jazz piece, if you will, both longing and joyful.
As an album, »Chromacolor« is hard to pigeonhole, but rich and rewarding. All it takes is immersing yourself in it.
Monsieur Van Pratt is well known to anyone who likes their disco on the hot side. He heads up the Super Spicy Records label and is now back with a new entry into the Super Spicy Recipe series alongside plenty of other top names. He opens up the EP with a groovy masterpiece featuring a powerful bassline and captivating vocals. Hotmood's 'Like That' showcases the energetic prowess of the Mexican then Julps, from Mexico City's Departamento, debuts with a hypnotic deep cut. On the flipside, Groovy Kds keep the party alive with 'Get Down,' while The Magic Track delivers pure dancefloor magic. Closing out the 12", The Velvet Stripes serve up a super funky and potent finale.
'a masterclass in hardcore dancefloor and bittersweet feeling...Alex Crossan is both acclaimed and not feted enough' **** The Observer
Available on his own Pond Recordings, Curve 1 is a love-letter to club spaces, and the music and people who fill them.
Mura Masa’s forth album is a full-circle moment. Departing from the pop-leaning narrative and who’s-who guestlist of his most recent records, Curve 1 heads back down the rabbit-hole of club music that’s alternately euphoric, introspective, nostalgic and future-facing. Full of tension and release, ambiguity and playfulness, the significance of Curve 1 is left up to the individual: whether enjoyed solo or in the sweat of a packed room, here is music as enigmatic and layered as its author.
Mura Masa himself introduces Curve 1 as 'a manifestation of an attitude I’ve been cultivating in my personal life; ignore everything. All the content, all of the attention economy, all of it. In doing that, the really meaningful and vital parts of what’s around you make themselves known and unignorable, demanding your energy. It’s my first offering as an independent artist through my own record label, and as such I wanted it to be as free and anti-narrative as possible. Impressionistic. Music as entertainment has in many cases, to me, become very advertorial and excessively sentimental in terms of creating narrative around albums and artists. I wanted to strip this away as much as possible to leave room for the music to create its own meaning in the lives of people who form connections with it. It's hard for me not to explain away the intricacies and ideas contained within these records after having theorised and tolled and executed them over the course of nearly three years, but I think it’s far more fitting of the album’s intent to say simply: listen to it in the dark.'
Curve 1 pulls Mura Masa into focus as one of this generation’s most influential figures. Aptly reflecting his rare standing at the heart of youth culture, Mura Masa recently co-wrote long standing collaborator PinkPantheress’ single ‘Turn It Up’, as well as creating a series of remixes for Troye Sivan’s ‘Honey’. From producing global hits like ‘Boy’s a liar Pt.2’ to seminal records like Shygirl’s Mercury-nominated Nymph, it’s a juncture that has also seen Mura Masa embark on a new chapter of his own. He has set up his label and a creative hub and arts space - The Pond - in Peckham as a base for emerging artists and likeminded creatives, which will launch officially next year. Across his three critically-acclaimed solo albums, Mura Masa has built an audience who will follow wherever his genre-defying work goes next; with 2 billion streams, headline festival sets around the world, and live shows ranging from Alexandra Palace to Warehouse Project.
Curve 1 marks a back-to-your-roots approach whilst also highlighting the trailblazing young star’s recurring theme: to capture ‘that’ curvature in pop culture, to make it Mura Masa’s own, and to push things forward.
'Curve 1 has a club focus, no f—ks attitude and production that’s mature, lush — simply put, it’s just cool.' billboard
'a scintillating love letter to club culture and sounds' Wonderland
'the Grammy-winning producer throws a total curveball. Ditching his usual dreamy pop, Mura goes full hardcore dance. From techno to vintage rave' **** The Mirror
'Get sweaty as Mura makes it messy' **** The Sunday Express
'a total curveball...intense but full of hooks' **** The Daily Star
'Mura Masa has always been ahead of the creative curve, but with his new album, the tenured producer is consciously forging a path inspired by his newfound independence.'
'a grab-bag of sounds from a brilliantly restless mind' Rolling Stone
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, SMan, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche
Kicking things off on Toolroom’s next 4-track vinyl sampler series is Mark Knight’s hugely successful rework of Groove Armada’s seminal classic ‘Get Down’. Considered one of the holy-grail records of their back catalogue so it’s an absolute honour for us, and Mark Knight, to be re-presenting this incredible record to a new audience. Fusing those unique vocals from Stush and classic Groove Armada synth line, coupled with the energy and insatiable groove of a Mark Knight record, this is a sure-fire dance floor weapon for 2024! Next up are a fan favourite of the label, the mighty duo Illyus & Barrientos who make their long overdue return with ‘When You Gonna’. Tracks such as ‘Shout’, ‘Promise’ and most famously, ‘So Serious’, propelled them to be one of the most exciting and sought after acts in the World. This record is trademark Illyus & Barrientos and reflects their personalities as artists perfectly. Think high energy house music filled with fun and peak-time dance floor vibes! Leading the charge on the b-side is an incredible collaboration from 2 heavyweight house artists, working together for the very first time! David Penn has a career spanning over 25 years. He was recently crowned the #1 house artist on Beatport and boasts over 1 million monthly listeners across leading streaming platforms. OFFAIAH appears on Toolroom for the first time in his career under this alias, although he was a firm part of the original Toolroom Family line up as Michael Woods. So this is a SPECIAL ONE! The record screams sun-drenched terraces, pool parties and chilled cocktails! A huge bass line, infectious tribal vocals and some lush house pianos for good measure. Last but not least, Long-standing Toolroom Family member and fan favourite, Ben Remember returns to the label with ‘Waiting 4 You’. As with all of Ben’s records, this is super creative and super original. Based around an infectious disco vocal sample and all created using out-board, analogue studio gear which gives the track a real gritty
undertone.
Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
You may not have heard of Long Beach O.G. Greg Royal aka Pür Royale, but you're definitely familiar with his work. With a resume of remix, production, engineering, and editing work ranging from Dr Dre's "The Chronic" to Bobby Brown's "My Prerogative", to the dub version of Patrice Rushen's "Feels So Real", Greg left an indelible mark on contemporary black music from the mid-80's to mid-90s.
In 1993 however, a one off 100 copy house 12" self titled as "Royal Phenomena" on the surface didn't seem to quite fit with the more traditional hip-hop and r&b output of his extensive discography. I only found out it existed through connecting with another unsung west coast pioneer, Aaron Paar, for Must Have's 2016 Teflon Dons compilation. Greg is credited as a mixing and recording engineer on practically every release on Aaron's own consistently excellent label Worldship. After listening to Aaron tell his story, it was clear Greg's studio experience and mentorship were key elements in the development of Aaron's signature tough SP-1200 house sound. "Royal Phenomena" remains an elusive connecting point for LA hip-hop and underground deep house, and Greg and Aaron remain friends and frequent collaborators.
Aaron put me in touch with Greg, who miraculously kept his original DAT tape recordings of these unique house excursions and was happy to finally share them with a wider audience. Blending hip-hop production techniques, west coast Latin sleaze, midwestern minimalism, and a dash of UK bleep, the LA underground house sound remains singular.
How You Make Me Feel: The Life & Legacy of Marcus Intalex is a tribute to the late, great producer/DJ and a genre-transcending story of passion, creativity and timeless underground music. It has unprecedented insider access to his life and legacy with interviews with Goldie, Calibre, DJ Flight, Doc Scott, Mark XTC and many more. It’s also visually captivating, packed with over 100 rare photos, artwork, and memorabilia.
Citirax's next outing takes the form of a debut album from Los Angeles-based duo OP-ART. This pair, like so much great music of recent times, is born out of the creative isolation of lockdown and features Andrew Clinco, who you may know for his work with Drab Majesty. The alias they have adopted is an acronym of "Oblique Pleasures Amidst Rough Times" which they say reflected the challenges of their formation. Musically the duo is inspired by the 1960s visual art movement so embraces layered, psychedelic soundscapes with a minimalist approach and takes cues from New Wave artists like John Foxx and early OMD. OP-ART in particular focuses on analogue synthesis and gear like the Arp Odyssey and Moog Rogue while exploring time, romance, and existential themes with real emotional depth.
The deluxe edition of Ministry's "Twitch" highlights their early industrial sound with tracks like "Just Like You" and "Over The Shoulder." It includes remixes and extended versions such as "All Day Remix" and "Over The Shoulder (12” Version)." This edition offers a deeper dive into the band's innovative and brooding style.
In the follow-up to 2023’s ‘Chrysalis’, Zanias returns with ‘Ecdysis’,
which travels even further into alternate dimensions, casting off all
language and song structures in favour of something far more alien
and sensual. Named after the final stage of emergence from a former
self, ‘Ecdysis’ lays claim to an entirely new electronic soundscape
influenced by the ethereal pioneering of Dead Can Dance, Enya and
Fever Ray. Zanias’s voice morphs deftly between species and gender,
exemplifying the oneness of conscious experience evoked by the more
extreme psychedelic states, while the atmosphere is headily influenced
by the Queensland rainforest where much of the recording took place,
conjuring an environment rich with biodiversity. The creation of the
album itself became a deeply healing process for its producer, and it is
designed to function the same way for its listeners. Best enjoyed on
headphones in total darkness. 140g white and transparent blue A-side /
B-side marbled vinyl housed in a matte 3mm cardboard sleeve with
insert featuring photography and artwork by Hidrico Rubens and Nat
Soba. Limited to 300 copies.
“Worldwide Heavy Industries Vol.1: A Bold New Vinyl Release fromFlux Musical Art and Brutal Forms Flux Musical Art and Brutal Forms have teamed up to release Worldwide Heavy Industries Vol.1, a groundbreaking vinyl that promises to push the boundaries of industrial and rhythmic music. This limited edition release, available in just 300 copies, offers an immersive exploration of mechanized soundscapes and futuristic themes. An Industrial Sonic Journey The album presents a compelling journey through industrial rhythms and dystopian landscapes, with each track showcasing a unique interpretation of the genre. On side A, Dominik Müller opens with “Too Many Posers,” delivering an intricate and immersive soundscape characterized by his signature depth and complexity. Following this, Ryuji Takeuchi’s “In Your Mind” introduces innovative rhythmic structures, adding a fresh and dynamic dimension to the release. The B-side features a powerful collaboration: 6SISS and Hypnoskull’s “Losss” combines intense rhythms with a raw, industrial edge, creating a track that is both abrasive and compelling. Low Order’s “Taste My Venom” delves into the darker and more experimental aspects of industrial music, bringing a raw, experimental touch. Closing the release is Skumring’s “CorpseRidden,” which blends precise rhythms with expansive sound design, offering a rich atmospheric quality that reflects his role as co-founder of Brutal Forms. With only 300 copies available, this limited edition vinyl is a coveted collector’s item. Each record features bespoke artwork that complements the album’s industrial theme. *Worldwide Heavy Industries Vol.1* is set to reach a global audience of dedicated collectors and fans. This release is more than just a vinyl; it’s a journey into a futuristic world through the lens of industrial music. For further details on track listings and purchasing options, visit Flux Webzine or the official websites of Flux Musical Art and Brutal Forms. Dive into this cutting-edge release and experience the forefront of industrial music with Worldwide Heavy Industries Vol.1.”
Hardware Emotions
Stepping outside his usual sphere, Blue Hour delves into dub-infused atmospheres with his latest EP, ‘Duality’. The EP kicks off with ‘Trekia’, a chord-driven techno track evolving slowly with blissful pads and a dreamy melody. ‘Orisus’ follows a similar palette, adding more funk to the drums and introducing drama with an unexpected string variation.
On the B-side, ‘Atoll’ delivers a more rolling, percussive groove, with subtle riffs breaking through the repetition. The final track, ‘Triton’, takes a deeper, moodier turn, featuring melancholic bell like tones and a wandering arpeggio. Followers of Blue Hour will find echoes of his earlier work here, but ‘Duality’ brings a breath of fresh air and sense of refinement, making it the perfect home on Arsenik Records.
2024 Restock
An excellent album by one of the greatest Brazilian funk bands ever – a wonderful blend of funk, jazz, and soul – and a set that rivals any of the best work coming from the US at the time! These guys are right on the money right from the start – moving through sharp changes with effortless ease, yet never in a way that's too slick or commercial – kind of like that perfect balance that Kool & The Gang hit for just a few records in the mid 70s – but with more of a Brazilian feel overall. Jazzy licks abound – and the keyboards, guitar, and horns are just great – but the set's also got some more regional percussion, too – which really rounds out the record wonderfully. The grooves all have a really universal appeal – essential for any fan of funky sounds – and titles include "Mr Funky Samba", "Junia", "Casa Forte", "Na Baixa Do Sapateiro", "Lelbon Via Vaz Lobo", "Baia", "Maria Fumaca", and "Metalurgia".
Giuseppe Scarano, an Italian Artist Based in Antwerp, Belgium, Has Established Himself as a Prolific Figure in the Music Scene. Over the Recent Years, He Has Released a Multitude of Vinyl Records on Labels Such as Nice People, Disco Disco Records, and Core Cardiology. His Work Aligns With the Emerging Italian Wave, a Movement Spanning From Rhythm of Paradise to St. David and Gourmet De Funk. What Sets Scarano Apart Is the Distinctive Punchiness of His Style, Which Seamlessly Fits Into This Musical Landscape. an Exemplary Demonstration of His Talent Is the Ep That Kickstarts the Groove With "De Folies," a Jubilant 90s House Track That Artfully Combines the Vibes of Artists Like Sneak and Dimitri From Paris. This Record Is a Clear Invitation to the Dancefloor, Poised to Get Feet Tapping and Bodies Moving. the Ep Maintains Its Momentum With "Pleasure Dreams," Continuing to Weave a Musical Narrative That Captivates the Listener. Flipping to Side B, We Are Treated to the Disco-Infused Hit, "Walking on Music," and the Closing Gem "Timeless." This 12-Inch Record Is a Manifestation of Spontaneity and Boundless Energy, Guaranteed to Captivate and Delight Audiences. Scarano's Music Exudes Happiness and Is Designed for People Who Revel in the Joy of the Moment. as a Nod to His Roots and Influences, He Also Pays Homage to the Legendary Folie's Pigalle Club, Where Skylax Once Held Court and Organized Memorable Evenings Under the Banner of "House De Folies."...
On their third full-length album, 'The Signal', the Compact Disk Dummies keep a few interesting balls in the air. They play with the opinions and expectations of the outside world, while also confronting their own desires and doubts. This is aptly depicted on the cover with a table, a bell, two brothers and an impatient crowd: who is waiting for whom? The album is as diverse as its cover is surprising. In a mix of styles and influences ranging from retro house to funk, Lennert and Janus Coorevits demonstrate their versatility. Following their scintillating performances at Rock Werchter and Pukkelpop, and the success of the radio hits 'There's No Sex Without You' and 'fomo', 'The Signal' marks the start of a new era for the Dummies.
Lennert notes, "Pfff, I would think about everything indefinitely. And I'm not the only one, I notice. Stuck in a kind of limbo, a state of uncertainty, surrounded by signals, but still feeling a certain fear of following the signal."
On 'The Signal', 'fomo' dissects human desire, reaching for the unattainable. 'Where We Go (Calypso)' is like the shipwreck no one wants. And in the title track, the female lead character finds herself in a toxic relationship, the signs of which are obvious, at least to the outside world. While the content of 'The Signal' revolves around doubt, contemplation and acting or not acting, the musical interpretation is in direct opposition to that. The Compact Disk Dummies do not doubt; they hold their heads up and their chests out. With certainty, they mix everything that excites them musically into the blender, without grinding the identity of the Dummies themselves; actually enriching it instead. The retro house of 'Solàr' (a song about Louis the Fourteenth? Why not) flows into the rampant funk of 'Ballet Dancer' before expanding into 'Underwater'. In every track, you sense the long road the Coorevits brothers have travelled since their breakthrough - and their then angular electro-punk. This third album is Lennert and Janus' most sophisticated work in the expanding universe of the Compact Disk Dummies.
In addition to being a mix of styles, 'The Signal' is also a mix of collaborations. There is the French touch of mixer Michael Declerck and mastering engineer Alex Gopher. There is the Dutch input of Wieger Hoogendorp (Goldband) and Jens Van Der Meij (Froukje). Beautiful string sections are provided by Wietse Meys and Reinhard Vanbergen, bass licks by Boris Van Overschee and backing vocals by Isolde Lasoen and Judith Okon, among others. Producer Jasper Maekelberg always kept an eye on things. And again, for the third album in a row, after 'Mess With Us' (2013) and 'Neon Fever Dream' (2020), artist Athos Burez also provided the artwork for 'The Signal'.
But however international the music sounds, however great the contributions from other top artists, 'The Signal' remains largely the work of the Dummies, with Lennert as vocalist, lyricist and multi-instrumentalist, and Janus as engineer, producer and all-around tech wizard. The album was not made in New York, Tokyo or Berlin, but in Desselgem. Studio 87, the Coorevits family's garage converted into a studio, remains Ali Baba's cave for the Compact Disk Dummies. In their studio crammed with synths, percussion and guitars, Lennert and Janus could not ignore the signal: time to smash it!
Speckled Dragon Egg Color Vinyl. Being Dead knows how to make an entrance - within the first several seconds of EELS, the duo's new record, the bright, hard-strummed guitar line on "Godzilla Rises" conjures cinematic immediacy, a creature emerging from the depths of the ocean in campy, freaky stop motion, fittingly so. Being Dead's records are mosaics, technicolor incantations, each song its own self-contained little universe. And while the dreamlike EELS probes further into the depths of the duo Being Dead's psyche, it is, most importantly, in the year of our lord 2024, a 16-track record that is genuinely unpredictable from one track to the next: a joyous and unexpected trip helmed by two true-blue freak bitch besties holed up in a lil' house in the heart of Austin, Texas. They decamped to Los Angeles for two weeks to record with GRAMMY-winning producer John Congleton, writing songs for the record until days before they left. The radical shift in process was welcome - a good balance and a challenge, Congleton helping them find new ways to work and helping peel back the layers on the core of their songwriting. Being Dead has grown from a duo to a trio live, including bassist Ricky Motto (who is immortalized finally on record here, particularly in the giggles on "Rock n' Roll Hurts") The resulting EELS is a darker record, tapped more into the devilishness within, but it's also a more raucous, rougher ride sonically. There's heartbreak, excitement, enchantment, dancing - we move through it all at a high-octane pace. Falcon Bitch and Smoofy never want to do the same thing twice on any song, and they don't. From the pummeling garage rock distortion of "Firefighters" to "Dragons II," which appears in its demo form taped on a hand recorder, it's unexpected but intuitive, and, most importantly, singularly Being Dead. Like its animal namesake suggests, the songs on EELS are malleable, the record like slithering through murky waters or strange half dreams, mysterious and beautiful in how it moves, reflective in a wavering sheen. Dipping into each song feels like uncovering a new cavern, plunging into depths unknown but fully open to what will be revealed. On the album artwork, an illustration by the artist Julia Soboleva, there are some weird disparate spectral creatures, a stark glimmer against a cloudy darkness. It's a fitting encapsulation of Being Dead, exuding a welcoming, playful energy even if something foreboding lurks just beyond the pale - more out of frame that's left to uncover, no path unexplored, strange and beautiful in the light.
2025 Repress
Originally released in 2002 the Martin Solveig remixes of Madan by Salif Keita is one of those rare releases that even now, 22 years on still gets played everywhere from festivals in Croatia to super clubs in Ibiza. Anyone who has graced any dancefloor in the past 20 years will no doubt instantly recognise this one!
Afro house with a French touch, Salif Keita, often referred to as the 'Golden Voice of Africa' lends his impeccable vocals to flawless production by Martin Solveig.
Until now the only way to obtain a copy on vinyl would be to pay close to £50 on second hand market. For the first time since its original release in 2002, South Street International have remastered and officially reissued this modern classic. Both the Exotic Disco Mix & Exotic Disco Dub are included here, one side each & cut loud for maximum enjoyment.
Still Music Chicago is thrilled to announce the reissue of Jiraffe's ''Out'A The Box,'' a legendary dance record from New York City. Originally released in 1988 on Goldqwest Records, this track emerged from the collaboration between Richie Weeks and Al Smith. This limited 12'' release includes a full sleeve with a never-before-seen picture of Richie Weeks with Vaughan Mason at Vaughan home studio and a story of ''Out'A The Box''. Richie Weeks, known for his work with The Jammers and Weeks & Co, founded Goldqwest Records after Salsoul Records closed. Inspired by his friend Vaughan Mason, Richie ventured into house music production, recording demos that caught the attention of Reynald ''Crazy Frenchman'' Deschamps of M.T.I Exports. A generous supporter funded Goldqwest's third release, leading to Richie and Al Smith creating ''Out'A The Box'' at Al's home studio in Philadelphia. The track blended post-disco, dance, latin, and proto-house elements, achieving cult status among DJs worldwide.
Zenwerk is an eclectic tech trancethusiast from Belarus, though based in Warsaw, Poland, where he has already established himself as a leading artist and party promoter.
Ne Quid Nimis:
Ne Quid Nimis is Latin for "nothing in excess" – the track is a perfectly balanced subaquatic blend of peaceful yet progressive trance and muffled bloopy sonics. Inspired by the mountains hikes, this tribal trip into the rainforest creates a drifting atmosphere of a celestial and dynamic ride meant to pass a healing power of nature alongside joyful turbulence and inspiration. Ethereal vibrations & deep sound textures create a dreamy universe of wonder and bright hopes for the future.
A2 ‘Dew Kissed Silk’ is a 4x4 walk in trance delirium across predator footprints which becomes satisfactory – silk is being kissed by dew, though not soaked with. This contemporary vanguard trance/breakbeat hybrid creates a perfect mental equilibrium.
Rising Bristol star JOELY brings 2 hot B side tracks which show how hot a talent he is at such a young age. Hive Mind creates a playful grit which will get a dance floor moving in the early hours of a set, providing a steady rhythm which never wavers. Jungle Walk takes us down a darker, ethereal path which will make any soundsystem wobble with the thick wonky textures that JOELY expertly weaves in. Mind this gap.
After recent explorations into ambient and pop under his full name, Sacha Renkas switches back to his Antenna moniker for ALT013. The Kiev-born, longtime Rotterdam-based artist uses a rough-around-the-edges, hiss-laden palette to construct his intricate, pensive club tracks. Often recording on the fly, he embraces the limitations and quirks of the hardware he works with, curating the happy accidents that come with them and that help make his music feel as alive as it does. It is emotional and imaginative in spirit, yet raw, almost instinctive in its rendering. Renkas cites the new wave and synth-pop from his youth and the sounds coming from Chicago and Detroit, as well as the Dutch West Coast he encountered later on, as inspirations. The sensitivity and hands-on approach associated with these are also tenets throughout his work. The ''Another Wave EP,'' a selection of tracks created over nearly a decade, further substantiates this approach. Made on multiple MPCs, Juno synthesizers, and an Akai S900, and mixed on a Mackie 16-channel mixer, it blends, among others, elements of first-wave techno and European proto-trance. Opener ''Alisa'' stacks angular sine melodies and formant basslines one upon another yet flows like silk, its balance immaculately kept in check. On ''Everyone M1,'' the bass organ patch from which the track derives its title finds itself amidst a lo-fi flux of capricious arpeggiators, ethereal pads, and decocted drums. ''Another Wave'' is a carefully sculpted slow burner, collected in its unfolding. Wisps of melody, gated pads, and whisper seem to wind between its drum patterns; the tension looming beneath this patchwork never entirely reveals itself. ''Quasar'' blends signature dramatic chords and off-rhythm bells with a creeping acid bassline and more kaleidoscopic drum patterns. It closes an EP distilled in its form, confident in its intent, and nowhere too bothered by genre boundaries or other formal constraints.
Melbourne's Sgt Slick returns with another 4 superb re-edits for Vol 3 of his massive Recuts imprint. 20 years deep in the game, accolades aplenty, collabs with some the finest out there and a serious string of his own productions, Sgt Slick knows what works on the dancefloor and these edits showcase that to a T
Featuring some of the biggest names around mixed for the floor, as always Buy or Cry.
- A1: Dudu Moraes – Eloiá
- A2: Yvette - Upa Neguinho
- A3: As Sublimes - Mangueira É Canção
- A4: Os Panteras – O Espaço
- A5: Chico Evangelista – Frutas & Línguas
- A6: Roman Andrén - Captain's Sword
- B1: Romeu Fernandes - Nagô Naê*
- B2: Conjunto De Percussão Dora Pinto - Noite De Temporal*
- B3: Gitte & Inger – Ud Af Buret (Can't Hide Love)
- B4: Truth & Devotion - Bless My Soul
- B5: Judson Moore – Everybody Push And Pull
- B6: Willy Chirino – Africa
- C1: Chain Reaction – Search For Tomorrow
- C2: Claude Jay - Find Your Light
- C3: The Shades Of Love - Come Inside
- C4: The Duncans - Too Damn Hot
- D1: Thandi Zulu & The Young Five – Love Games
- D2: Tony Wilson – Hangin' Out In Space (Dub Mix)
- D3: Jc Lodge – In Between The Sheets
- D4: Soyuz Feat Asha Puthli & Sven Wunder - Spring Has Sprun
Purple Vinyl[29,20 €]
It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.
Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band SOYUZ and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.
Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.
We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.
Kulture Galerie returns with its third various artists record featuring Doc Sleep, Rambal Cochet, The Jaffa Kid, Mesmerist, Jack Bags and Undsidedly.
The multi format label run by Filippo MSM (of Metropolitan Soul Museum) is back with its 7th release overall, this time on wax. This new collection continues to show Filippo’s predilection for music with non straight forward drum patterns and moody melodies.
Volume Three is a well thought mix of styles, spanning to and from two Trance oriented tracks from Rambal Cochet and The Mesmerist through the broken techno of Doc Sleep, Jack Bags’s all analogue Acid House track, The Jaffa Kid’s uncompromising Drexcian’s Electro and Undsidedly dreamy’s own take on the genre.
Split #3 is the latest installment in the Split Series released by Overthink Records, showcasing a dynamic blend of techno and EBM from talented producers. This record features two sides, each offering distinct yet complementary styles.
Corsica producer Charlou takes over the A side with two techno tracks, delivering a unique sound that seamlessly blends retro and modern elements.
On the B side, Italian producer Waveratio 618 makes a strong debut with two solid techno/EBM tracks. Waveratio 618's music is marked by its gritty textures, driving beats, and dark / atmospheric tones. The tracks merge the raw intensity of EBM with the precision and complexity of techno, creating a sound that is both intense and hypnotic.
Black Vinyl[21,22 €]
Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences. The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility. What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness? Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools. If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many. In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining a path where the final act is to give back what was received from creation, offering our lives and deaths to sustain existence. once I slough off this human skin I will find my home and ancestral kin_ in the coffin-birth of my cadaver's ecosystem
PROXY returns with a new transmission by Dutchman Tifra. Combining inspiration from 90s rave sounds with his own futuristic production style, Tifra’s engineering of the Algorythm EP takes you deep into his realm of house, bass and rhythms. On the B side, Local Group infuse their signature UK breaks, DnB and rave galore into a blasting remix of Bio Lab.
Contexture is another classic example of a true friends & family gathering. The Nijmegen based imprint, running for over 12 years was born out of a tight group of friends with the same passion. 12 years later, their strongest releases are still based on this exact same principle, collect and release music from the inner circle. Julien Fuentes, Dorcas label head, starts things easy with his Klaridub ambient mix. It's quickly followed by familiar ESHU faces Jocelyn and Yasin Engwer, classic dub techno beats from the ESHU vaults. There's also room for new faces, the recently launched collaborative project between Vand and Shoal as Voal dropping their 'Eight Ball' as their ESHU label debut. Flawless minimalistic grooves that make a perfect fit for their long awaited contribution. Label head Ivano Tetelepta teams up with Pirat Records own Christine Benz. After sharing the DJ booth together multiple times they also joined forces in the studio recently and crafted this squeeky techno drifter. There's also an additional 10", exclusive to the ESHU Bandcamp, includes two beats from Klaridub, bringing some excellent smoke ready, head steady dub-techno cuts.
Housepainters is a dynamic post-punk and no-wave ensemble. The band's inspiration is a fusion of krautrock, wave-punk, and dub. Their debut LP is based on dystopian films like 1984 and Basic Instinct. Big tip for fans of Saada Bonaire, ESG & Liquid Liquid. Most essential 2024 Post-punk, disco-no-disco release.
Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment. The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).
Second release for the label boRdeR Edits, which confirms its sound with four disco funk groove tracks, once again expertly cut and edited by RedRob. Despite the sounds remaining strictly classic without any modern nu-disco references, a much more dub-like structure makes them perfect for mixing in extremely eclectic dancefloors!
Lenske's 23rd release is a comeback by the undeniably talented Milo Spykers. With his fifth release on the label, the Belgian producer and DJ solidifies his strong presence within the Lenske family. This EP features his distinctive blend of harder techno and psy-elements, delivering an electrifying package and his most mature to date.
This four-track EP is a testament to Spykers' unique style and innovative approach, perfect for the sweaty dancefloor. It kicks off with the title track 'Thunderworld', bringing a stomping kick and a hard, rolling groove. The bouncing lead, reminiscent of a thunderstorm, paired with cinematic alien sound design, creates an intense atmosphere. A breakbeat section provides a contrasting element, heightening tension during the break. Following, 'Ghostrider' features metallic percussion resonating throughout the track, with a rolling bassline and a catchy groove that keeps listeners anchored to the dancefloor. The rising dark bassline adds an intimate
vibe, building suspense and intensity.
With a bouncy groove and a trancy bassline, 'Warp Drive' takes listeners on a mind-bending journey. The synth seems to rise from the underworld, pushed by a distorted bass evoking the sensation of racing through a neon-lit tunnel, akin to a Blade Runner-esque landscape. Closing the EP, 'Croton' showcases Spykers' producer-skills once again, delivering a rolling distorted bassline and saturated percussion that the Belgian producer is best known for. Dark leads dominate the scene, merging seamlessly with the fast-paced, aggressive cut, while delayed leads on the downbeat add color and atmospheric pads unify the composition, introducing a touch of darkness.
- A1: Bergendy - Randevúm Lesz Délután
- A2: Neoton - Majd Ha Nem Leszek…
- A3: Kék Csillag - Ki Volt Ez Az Ember?
- A4: Meteor - Kívánj Te Is Nekem Szép Jóéjszakát
- A5: Apostol - Az Esti Utcán
- B1: Kex - Elszállt Egy Hajó A Szélben
- B2: Non-Stop - Szelíd Tüzek
- B3: Echo - Boldogságból Építettem
- B4: Juventus - Egy Pont A Térben
- B5: Scampolo - Levegőben
(Physical release only, Limited edition of 300 hand numbered copies + insert) Psyched Out Grooves from Hungary compiles ten of the most outstanding singles recorded by the underdogs of this period.
The psychedelic scene that never was – the perfect subtitle to this compilation. There were barely any drugs in Hungary to begin with. In this era, alcohol, music, and imagination have served as the primary means of mind alteration among the youth. The Communist party had a firm grip on culture through monopole control over venues, the media, and the recording industry, western records were not available, clubs enforced a strict dress code of suits, shirts, and longer skirts, and the police harassed young men for not more than having long hair or wearing blue jeans.
There was, however, an undercurrent of smaller semi-professional bands striving to succeed in the shadow of the very few stars privileged by the sole state owned record company. Given their chances to release music were at best limited to a few 7“ singles at the mercy of said record company powers. Psyched Out Grooves from Hungary compiles ten of the most outstanding singles recorded by the underdogs of this period. Some of the bands featured on here have eventually reached wider success by switching to more commercial styles, like Bergendy, Neoton, and Apostol. Most, like Echo, Meteor, Kék Csillag, Non-Stop, were temporal formations that dissolved after a few years due to personal conflicts, lack of success, or both. Others, like Scampolo or Juventus, lasted a longer time without an actual break through. Most of these bands never had a consistent, lasting ’psychedelic’ repertoire or identity at any point. These tracks were the exception, not the norm. That coherence - the illusion of a scene - comes from the curation and sequencing of Budabeats head honchos Von Yodi and Gandharva. It is the arrangement of these puzzle pieces that makes them fit together.
Limited edition of 300 hand numbered copies. Edited excerpt from the liner notes written by Gábor Vályi (Dj Shuriken)
- A1: Oasis - Live Forever
- A2: Manic Street Preachers - A Design For Life
- A3: Ash - Goldfinger
- A4: Ocean Colour Scene - The Day We Caught The Train
- A5: The La's - There She Goes
- A6: The Boo Radleys - Wake Up Boo!
- A7: Supergrass - Alright
- A8: Sleeper - Sale Of The Century
- B1: New Order - Regret
- B2: Mcalmont & Butter - Yes
- B3: Suede - Beautiful Ones
- B4: The Cure - High
- B5: The Cardigans - Erase/Rewind
- B6: Babybird - You're Gorgeous
- B7: The Bluetones - Slight Return
- B8: Stereophonics - Local Boy In The Photograph
- C1: The Clash - Should I Stay Or Should I Go
- C2: Iggy Pop - Lust For Life
- C3: Kula Shaker - Hey Dude
- C4: Paul Weller - Peacock Suit
- C5: Happy Mondays - Step On
- C6: The Soup Dragons - I'm Free
- C7: The Lightning Seeds - The Life Of Riley
- C8: The Fram - All Together Now
- D1: The Stone Roses - Fools Gold
- D2: Primal Scream - Rocks
- D3: Leftfield - Release The Pressure
- D4: The Chemical Brothers - Setting Sun
- D5: Faithless - God Is A Dj
- D6: Electronic - Getting Away With It
- D7: The Wannadies - You & Me Song
- D8: Chumbawamba - Tubthumping
"Loaded – The Collection highlights a stellar selection of 32 tracks from the genres that defined the 90s alternative music across a 2LP.
A monumental music and cultural movement celebrated in this album includes ‘Britpop’, demonstrated in songs featuring the amazing artists Oasis, Suede, The Stone Roses, The La’s and Supergrass. Defining 90s Indie rock and pop is featured on this album from bands including Stereophonics, The Boo Radleys, New Order, The Wannadies, Sleeper, The Cardigans, Ocean Colour Scene and many more. Plus, we celebrate the electronic/club scene of the 90s, showcased by dance hits from The Chemical Brothers, Faithless, Primal Scream, Happy Mondays and Leftfield. For your nostalgic trip through the alternative 90s music scene… we are proud to present Loaded.
Loaded – The Alternative Album is the must have 3CD that combines 62 tracks from multiple music genres that defined the alternative music of the 90s.
"
Dialling up the needlepoint rhythmic science and deadly restraint we hold so dear, SPD debuts on Sneaker Social Club with a taut four-tracker built for smashing systems with measured flair. It's no surprise to learn Will Sheppard has graced labels like Keysound, EC2A and Roska Kicks + Snares in recent times, given his sound taps into the UK bassweight lineage while maintaining a necessary futuristic tilt.
'Genbu' deals in the kind of stripped back, snaking sequences that keep a body of people rolling deep into the dance, powered by sounds so crisp you'd think they'd slipped out of a trouser press. Maintaining this sonic poise, 'Systema' is a lean, bleep-speckled roller with a firm grip on the square wave snarls lurking below the midrange.
'Willman' rides a choppier groove, but still Sheppard holds down the dance with a monk-like patience, finding power in the art of holding back before opening out into the subtly emotional swathes of 'OK' to round the record out. The devil is in the detail, and there are deep-diving layers to the sound of SPD, but this is a specific angle on club music that prizes subtlety and meditation over brash arrangement swerves and bait hype trysts. For selectors seeking sublime set builders, SPD has got you.
Konduku's appearance on Amenthia feels like something that happened a long time ago, but with 'Slowworm,' he officially makes his label debut, delivering three solo works that solidify his close relationship with the pioneering Basel crew. 'Slowworm' includes three mesmerizing, slow-paced, tension-building mind trips that are a perfect fit for Amenthia. It's an excellent showcase of impeccable rhythms, morphing from sludgy slow beats to introverted intensity--a style for which both Konduku and Amenthia are celebrated. Konduku's tracks have been a staple in the Amenthia crew's setlists for years. In addition to creating the 2022 release 'Glimmer' by Konsudd, a project with Aa Sudd; and contributing a track on the latest Amenthia x A Walking Contradiction collaboration EP; the partnership has generated a close friendship along the way.
Returning for his third release on UFO Inc., DJ Europarking conjures up four cuts of high-spirits rave hedonism on The Legend of the Princess. Following on from two unhinged standout EPs on UFO Inc., the Dutchman lays down a mischievous package of the weird and unexpected, fusing references to all sorts with a spring in his step and a donk on his drums. Never one to shy away from experimentation, his belief in the power of playfulness is balanced with a sincere appreciation for sound and a rigorous knowledge of technical production skill, and the results are, as always, complete bangers.
Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.
Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.
Scenic Route Records is proud to announce the first vinyl press of Mark William Lewis's critically acclaimed EPs Pleasure Is Everything and God Complex. These releases, which have collectively amassed nearly 3 million Spotify streams, capture the raw and evocative sound that has earned Mark a dedicated following within London’s underground music scene. Influenced by left-field pop, ambient, and indie rock, is deeply personal, reflecting his experiences and the unique perspective gained from living on the 18th floor of a tower block in London.
Mark's music has been widely praised for its emotional depth and innovative songwriting, with support from publications such as Pitchfork and The Fader praising his ability to create atmospheric soundscapes that resonate with listeners on a profound level. This vinyl press offers fans a chance to experience these early EPs in a format that enhances the warmth and texture of his music.
As Mark continues to build his presence with sold-out shows at Cafe Oto & and international tours alongside NYC rapper MIKE, this pressing serves as both a celebration of his early achievements and a milestone in his artistic journey. Whether you're a long-time fan or new to his music, the repress of Pleasure Is Everything and God Complex is an essential addition to your collection, offering a deeper connection to the intricate, emotive world of Mark William Lewis.
Finnish electro duo Morphology, comprised of Matti Turunen and Michael Diekmann, is set to release ‘Made Up Reality’ on Deeptrax Records, the label with a mission to deliver high-quality, groundbreaking electronic music focusing on the deeper side of electronica and eclectic leftfield dance jams, exploring those spaces between deeper house and techno, with hints from the past and a strong vision of the future.
Continuing Morphology's tradition of dark, melodic, and skilfully produced electro funk that has captivated international audiences, they’ve have been holding down the retro-activism of Detroit and its call for an illuminated future of programmable, motorized, electro-fantasies for over 15 years. With releases on Semantica, Solar One Music and a slew of albums for Germany’s Zyntax Motorcity, it’s been Cultivated Electronics and Central Processing Unit that have given new rise to the music of Morphology. Their Traveller LP released through FireScope, helmed by the UK’s B12 in 2018, the floodlights remain unshakably fixed on the Finnish pair’s brilliance, appearing on landmark compilations like CPU’s 50th release jubilee to DJ Stingray’s Kern mix for Tresor, or holding it down in the underground at Scand nights in London, to bookings at Concrete Paris and Closer in the Ukraine, to Berlin’s unmissable Berghain. With a forever exploratory live set, Morphology’s place as a mainstay of futurist electro is rock solid and burning bright.
Renowned for their soul charged, emotion rich melodies and signature blend of techno and traditional electro, Morphology's new EP takes listeners on an unforgettable auditory journey. ‘Made Up Reality’ showcases the duo's ability to integrate acid lines and vibrant drum patterns creating a sonic landscape that is both innovative and deeply resonant. ‘Seven Fingers’ is a deep dive into the darker side of electro, with haunting melodies and pulsating rhythms. ‘Particle Swarm’ is an acid-infused cut that melds techno elements with classic electro beats. ‘Gradient Descent’ is a more electrifying electro acid heater, blending head nodding bassline with sharp acid riffs and pulsating rhythms that will ignite the floor. ‘Active Inclusion’ is a vibrant, drum-heavy composition that brings the EP to a powerful close.
Over 14 days at Henson Recording Studios in Los Angeles, Nikka created Pebble to a Pearl- a quintessential collection of soul, blues, funk & pop infused tracks.
Originally recorded and produced by Justin Stanley (James Lidell, Beck), the album was released on Stax Records in 2008.
This timely Deluxe Anniversary Edition features new feel-good funk track ‘Soulsucka’ and will be released alongside Costa's new album 'Dirty Disco' coming June 2024.
- A1: Welcome Back
- A2: Just Like You
- A3: Automatic (Feat Panama)
- A4: Northern Lights (Feat David Harks)
- B1: String It Again
- B2: Mirage
- B3: Shadow Of You (Feat David Harks)
- C1: Primordial (Feat Niya Wells)
- C2: Still Not Forgotten
- C3: Take It From Me (Feat Emma Brammer)
- C4: Athena (Feat Anduze)
- D1: Don't Go (Feat Nteibint)
- D2: All For You
- D3: Through The Night (Feat David Harks)
2024 Repress
'Solar Nights' is the long awaited second album from German nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings this April, 'Solar Nights' follows on from Bernhardt's critically acclaimed, and Gold certified, debut LP 'Panorama Pacifico' and features 14 tracks of smooth disco and leftfield pop sounds with guest appearances from the likes of Future Classic's Panama, David Harks, Niya Wells, Emma Brammer and Anduze.
The global success of 'Panorama Pacifico' has seen Bernhardt coaxed out from his remote studio in one of Germany's ancient forests to play to fans across the world, from South Korea to Mexico and beyond, experiences that inspired both the album itself and its title, 'Solar Nights'.
"In recent years the world's become smaller, a more inter-connected place. It can be dark and cold here, with snow all around, and the next day I can be playing to people on a beach. Somewhere on the planet it's always daytime or summer, but beyond that day and night just blend into each other these days," Tim explains. "We have daytime discos so you can go and party while the sun is still high in the sky, and you can go and hit the gym at night. Beit day or night, Satin Jackets is your soundtrack."
And what a soundtrack it is, from the first chords of opening 'Welcome Back' it's clear we're in safe hands here, the warm pads, delicate guitars and pianos providing the perfect introduction to the album. Whether it's the slow burning seductive pop of tracks like 'Just Like You', piano led house tracks like 'String It Again', the Balearic haze of 'All For You' or bonafide hits like the Nordic inspired 'Northern Lights' and 'Mirage' that between them have already scored well over 10 million streams across streaming platforms, 'Solar Nights' takes everything we loved from 'Panorama Pacifico' and polishes it to an ultra high sheen.
And in an age when rough and raw production is seen as an easy shorthand for authenticity, Tim's love of über-smooth production has made him an unlikely iconoclast, "I had always been fascinated by how glossy people like Nile Rodgers made their music," he reveals. "It always sounded like the musical equivalent of a fashion magazine's cover. I'd been making more underground music for a while but really wanted to go in totally the other direction and instead create a really smooth, polished sound."
That obsession with sonic fidelity shines through across every track on 'Solar Nights', and the years since his debut was released have been well spent perfecting his craft. "Even in just the last couple of years I've made some big changes in how I produce music. Compared to my debut, everything under the hood has changed here," he explains. "Every day, with every production, I'm learning new things and when I listen to these new tracks, the depth in the mixes, the clarity, I like to think of 'Solar Nights' as Satin Jackets but in 3D."
From wanting to recreate the sound of magazine covers to appearing on them, the past few years has been quite some journey for the still enigmatic producer. The man behind the golden mask may prefer to stay out of sight but 'Solar Nights' reveals him to be fully in control, producing music that reflects the glamour and glitz of 70s Manhattan, artfully updated for the 21st century.
‘Before the Odysee, there was the Iliad; a tale of the golden age of heroes and warriors.'
The idea behind the Iliads series has been to return to the sound of the golden age of Jungle/Drum & Bass, and more specifically the original ‘heroes’ of the Odysee label
This third instalment in the series focuses particularly on the darker style of the Hokusai releases; where dystopian landscapes of avant-garde Breakbeat Jazz-infused D&B reigned supreme.
- A1: Troense Metro (Feat Christoffer Holm Clausen, Maria Dybbroe)
- A2: 271,8 Mov (Feat Christoffer Holm Clausen)
- A3: The Bells Without Mardi Gras (Feat Grégoire Pignède)
- A4: Pause Fish (Feat Heine Abbø, Christoffer Holm Clausen, Rasmus Riis Sitarz)
- A5: Percussion Fruit (Feat Oddbjørn, Christoffer Holm Clausen)
- B1: Exhausted Rescue Squad (Feat Christoffer Holm Clausen, Flavia Huarachi Jørgensen, Mette Dahl Kristensen)
- B2: Numismatics (Feat Heine Abbø, Albert Von Bülow, Christoffer Holm Clausen, Flavia Huarachi Jørgensen)
- B3: Percussion Fruit (Sweet Aftertaste) (Feat Oddbjørn, Christoffer Holm Clausen)
- B4: Three Ways To Pronounce The Letter E (Feat Heine Abbø, Albert Von Bu¨low, Maria Dybbroe)
- B5: Troense Metro (Exit) (Feat Christoffer Holm Clausen)
The ever-evolving beat maker and jazz aficionado Shatter Hands audibly took space to grow for his 5th album, amounting to his most versatile body of work yet. His all new approach of recording and sampling musicians around him results in a wild yet super coherent ride through ambient jazz, afro-influenced drum work and stinky basslines that will make you want to get sum. "A Show Of Hands Vol. 1" is packed with knowledge from years of digging and beat making, yet super open and fresh towards the future side of sound.
SUNANDBASS ambassador FD returns for his latest EP to guide you back to the familiar shores of our annual celebration in Sardinia. Rich and expressive music that works on the dancefloor can be hard to find but FD brings the goodness once again, with this diverse three-tracker.
“All Yours” hits the sweet spot straight away, with dusky vocals and tight beats. Deft guitar licks keep the funk fluid, wrapping around an essential groove, whilst crystal keys shimmer in the heat haze. An ace opener to any set, this track strikes a rare balance between rhythm and elegance.
Flipping the script with an ice-cold intro, “Second Villain” creeps up close and personal before dropping a murderous bassline on your chest. Produced alongside one of Switzerland’s most respected DJs, Ryck, the ‘Villain’ encompasses and embraces influences from Jungle and Drum & Bass alike.
Finalising the ninth release on SUNANDBASS Recordings is “Wah Wah Track”, which puts the music first to prove that the medium really is the message here. Melodic layers rise and fall like waves on this classy and uplifting piece of future soul music.
This tape contains a recording of a live of NPLGNN recorded at Human Razzmatazz (Barcelona) on March 2023.Everything you hear it comes from two Korg Electribe EMX1 +Pioneer DJM900 NXS + Traktor.
To describe the sound it makes sense to bring back what was thepress release of “Sigma/Tau” the first record of NPLGNN releasedin 2014 on Where To Now? (RIP): “NPLGNN creates a less pampered style of body music, stripping away the usual signifiers such as melodies and basslines to create something more utilitarian, brutal and pure.
This is the pre-babel language of dance music - it's cadences are rhythmic and its meaning is comprehensible to all on an innate, primal level.”Ten years later this tape makes those words still remarkable to describe the sound of the Neapolitan head. Among a bunch of unreleased sounds you can go through all the NPLGNN recent records for LavaLava, Youth, Hundebiss and its own lathe cuts series dubbed here and there with vocal cuts intersections.
Coming off like the rude son of early ‘00s breakcore heroes, quotingthe Manchester Boomy heads, NPLGNN delivers a 45 mins mutant soundsystem recording. It's acid dancehall punk, amorphed ragga riddimz, or whatever you want to call it. 100% dancefloor melting .Ask Aphex Twin for a couple of IDs
Powered by the jazzy electronic feel of Azimuth, Previs–o Do Tempo is a highlight in the Valle discography. This beautiful batch of tracks Marcos Valle has him pushing way past his bossa work of the 60s into a cool 70s mix of electronics and sexy scoring, for a sound that's a mix of Brazilian rhythms with other styles that evoke Italian soundtracks and French pop backing
Rendez-Vous by Erik Tagg, released 6 September 2024, includes the following tracks: "Lover With Stature", "Marja's Tune", "Mutual Feeling", "Life Goes On (Without Me)" and more.
This version of Rendez-Vous comes as a 1xLP. This release comes with (a) Insert(s).
The vinyl is pressed as a translucent, yellow disc.
"Pages' self-titled debut album, released in 1978, marked the beginning of a notable journey for the American rock band featuring Richard Page and Steve George, who later gained fame as members of the successful 1980s band Mr. Mister (with hits “Broken Wings” and “Kyrie”). This album introduced listeners to the smooth and sophisticated sounds that was dubbed as AOR back in the day, but nowadays is making a comeback called yacht rock or yacht soul.
The album Pages is a blend of pop, rock, and jazz influences, showcasing the duo's knack for crafting catchy melodies and intricate harmonies. Richard Page's distinct vocal style, combined with Steve George's keyboard wizardry, set a foundation for the lush and polished sound that would define their future work. Next to the further band members Peter Leinheiser, Jerry Manfredi and Russ Battelene, session musicians included Philip Bailey (Earth, Wind & Fire), Dave Grusin and Michael Brecker. Notable tracks include ""If I Saw You Again"" and ""Let It Go"".
The self-titled debut album by Pages is available as a limited edition of 1000 individually numbered copies on blue marbled vinyl and includes an insert with lyrics. The album is housed in a deluxe sleeve with linen laminate finish.
We are excited to announce the creation of Dentelles Records, a new sub-label of Diki Records, founded by Greg All, the visionary behind the Les Dentelles Electroniques festival, known for its festive atmosphere and resounding successes.
To mark this debut release, Dentelles Records highlights the La Fontaine concept, a flagship event of Les Dentelles Electroniques, centered around House, Tech House, and Afro House sounds. This vinyl features four tracks created by the La Fontaine residents: Francesco Marra, Laurent Top, DJ Steven, and Greg All himself, capturing the very essence of the rhythms that make the most energetic parties come alive.
With this first vinyl, Dentelles Records immerses the listener in festive and enchanting grooves, reflecting the unique atmosphere of La Fontaine and offering a true dive into the world of these parties.
Following on from his percussion driven 'Rhythm Trainx Vol 2' EP on the renowned Running Back Ketiov returns with something special for the fourth outing on his own self-titled label. The 'King Of Hypocrisy' LP is a journey of personal development and musical discovery built around soundscapes, field recordings and new monotone arrangements. From the start the Ketiov alias has been about free expression and musical direction and in stark contrast to the Running Back EP this record shows the broad spectrum of the artist's influences and inspirations. Each track holds a special meaning and background story, written in private and kept private until totally finished. From the spooky vocals of 'the Wait' to the blissed-out guitars of 'Today' and the analogue arpeggiators of 'Dual Morality' the ten short tracks come together as an exceptional personal listening experience, which leave us wondering... what else does Ketiov have in store for the future
The musical odyssey of the mighty Ketiov continues as he returns for the fifth edition of his self titled
label with the ‘F/G’ EP. In contrast to his well received ambient and downbeat ‘King Of Hypocrisy' LP
released back in spring 2019 Ketiov is right back on the dance floor bringing a broad range of tempos
and styles, demonstrating yet again his ability to effortlessly blend his unique sound and production
style into many genres.
From the quick-paced loose percussive disco grooves of ‘Another Mindset’ to ‘Loca’ taking us back to
the electro-house era in its finest days and to the lazy mid tempo gem of ‘Number One’ this EP is once
again packed with musical goodness for the discerning dance floor and home listener alike...
Meanwhile outside the studio Ketiov has also been hard at work on another project and making a mark
on the Madrid club scene with his night CARBS, as you would expect from Ketiov delivering an
eclectic range of music including disco, boogie, funk, house and modern electronic in an open-minded
‘label free’ space for the LGBTQ+ crowd and anyone else who loves good music. As the man himself
puts it, “you do you, we do the rest…”
- A1: . 81Summer
- A2: . Climbed Mountain
- A3: . One Dream
- B1: . Nightwood
- B2: . Waltz For Life Will Born
- B3: . Ribbon In The Sea
- C1: . Port51(Interlude)
- C2: . Carbon Rose
- C3: . Vision Eyes Featuring Golden Boy
- C4: . Fly Love Song Featuring Pase Rock
- D1: . Last Transit(Interlude)
- D2: . Stratus
- D3: . Walk In The Sunset
- D4: . Color Of Jade
Uyama Hiroto, one of the most important artists behind Nujabes works, released his debut album 'a son of the sun' on 2LP after 12 years.
Uyama Hiroto provided "Letter From Yokosuka" for Nujabes "metaphorical music" released in 2003 and was featured on the title track of "modal soul" released in 2005.
A son of the sun" was released in 2008 and continues to fascinate many listeners to this day.
First Word Records are very proud to present a brand new album from Kaidi Tatham!
'An Insight To All Minds' is Kaidi's 3rd solo album under his own name, following several EPs and two albums for First Word; 2018's acclaimed 'It's A World Before You' and the re-press of his seminal 2008 sophomore album 'In Search Of Hope' last year.
For those that don't know, Kaidi Tatham is a legendary multi-instrumentalist. Once dubbed "the UK's Herbie Hancock" by Benji B, he's a virtuoso on the keys and a true innovator in sound production as one of the original creators of the Broken Beat sound. Over the years his musical prowess has blessed numerous projects, initially with the likes of Bugz In The Attic and The Herbaliser, and more recently with DJ Jazzy Jeff (through the PLAYlist projects), Andrew Ashong (on the acclaimed 'Sankofa Season' EP last year) and with longtime accomplice, Dego. This in addition to session work for artists such as Mulatu Astatke, Slum Village, Amy Winehouse, Soul II Soul and Leroy Burgess, along with First Word label mates such as Eric Lau, Children of Zeus and Darkhouse Family. Kaidi is also a revered DJ known for rocking parties globally, whilst his solo catalogue spans tons of EPs and releases for labels such as 2000 Black, Eglo and Theo Parrish's Sound Signature.
On 'An Insight To All Minds', Kaidi says it's "not about a destination, but a process. It's about how you drive, not where you're going. Nothing in this world can torment you as much as your own thoughts… We are all going through it. We can all feel what the next person is feeling, believe it or not. It's learning how to tap into it".
The album is comprised of an assortment of Kaidi's unique flavours - uptempo jazz-funk bruk, laced with rhodes, flutes, live bass and delicious percussion. Using that blueprint he moves effortlessly through latin and samba, half-step, deep afro house and a sprinkle of curveballs, all presented in Kaidi's inimitable way.
'Intergalactic Relations' brings with it some 110bpm synthed-out spacey electro-breaks, 'Could It Be' sets off sounding like a Morricone film score, whilst 'Rodney' is some serious heads-down business; stark and punchy off-kilter broken beat and vocal stabs. There are a few guests too - 'Chungo' sees the return of Uhmeer (who previously appeared on 'Cupid' on the album 'It's A World Before You'); here the young Philly MC deftly rides a 9/4 time signature beat. Meanwhile 'Stro Kyat' invites in another supreme talent, Stro Elliot (The Roots), who provides a suitably crisp & crunchy riddim to accompany Kaidi's key play over a mind-bending 5/4 time signature.
With this new album, Kaidi Tatham adds further to his already impressive catalogue, a body of work that falls within the cracks of jazz and dance music, exemplifying modern British black brilliance once again; uncompromising, innovative, groundbreaking, intricately sophisticated and deeply funky. His fanbase expands on every release and it's no surprise that that fanbase includes peers such as Madlib ("ahead of his time"), Gilles Peterson ("a key part of an entire movement"), K15 ("a limitless source of inspiration"), Alexander Nut ("a true virtuoso") and Kyle Hall.
- Nujabes– Voice Of Autumn 1:56
- Nujabes– Sky Is Falling 4:41
- Uyama Hiroto– Waltz For Life Will Born 4:52
- Clammbon By Nujabes– Imaginary Folklore 5:18
- Nujabes– Hikari 4:20
- Nujabes– Counting Stars 4:07
- Nujabes– Another Reflection 3:44
- Nujabes– Fly By Night 3:57
- Pase Rock– Old Light (Voices From 93 Million Miles Away Remix) 4:27
- Emancipator– With Rainy Eyes 4:59
- Shing02– Luv(Sic.) Modal Soul Remix 4:48
- Uyama Hiroto– Windspeaks 4:29
- Dsk (2)– Winter Lane (Nujabes Remix) 5:11
- Nujabes– After Hanabi -Listen To My Beats
One of the disco underground's crown jewels has an unknown history courtesy of the holy grailsters themselves. Not only do you get the promotional long version, but two unreleased mixes containing a disco dub and an instrumental from the same studio sessions captured on tape. Colored Vinyl
Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.
London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.
Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.
Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."
Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.
"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."
Auch nach 40 Jahren Bandgeschichte werden die dänischen Heavy-Rock-Superstars D-A-D nicht müde. Während sich andere Bands nach dieser langen Zeit längst getrennt haben, sind D-A-D in Bestform und veröffentlichen ein neues Studio Album mit dem Titel „Speed of Darkness“. Fans können sich auf das 13. Album freuen, denn laut Band und ersten Reaktionen basiert es auf einem der stärksten Songpools seit langem.
„Speed of Darkness“ wird am 4. Oktober als Jewelcase-CD, lim. Earbook mit einigen Überraschungen, auf schwarzer Vinyl sowie in 3 verschiedenen, streng limitierten Vinylfarben erscheinen. Die beiden Singles „The Ghost“ & „1st, 2nd & 3rd“ haben bereits gezeigt, dass das neue Studioalbum von D-A-D ein heißer Kandidat für die Kategorie 'absolutely required rock' ist.
Auch nach 40 Jahren Bandgeschichte werden die dänischen Heavy-Rock-Superstars D-A-D nicht müde. Während sich andere Bands nach dieser langen Zeit längst getrennt haben, sind D-A-D in Bestform und veröffentlichen ein neues Studio Album mit dem Titel „Speed of Darkness“. Fans können sich auf das 13. Album freuen, denn laut Band und ersten Reaktionen basiert es auf einem der stärksten Songpools seit langem.
„Speed of Darkness“ wird am 4. Oktober als Jewelcase-CD, lim. Earbook mit einigen Überraschungen, auf schwarzer Vinyl sowie in 3 verschiedenen, streng limitierten Vinylfarben erscheinen. Die beiden Singles „The Ghost“ & „1st, 2nd & 3rd“ haben bereits gezeigt, dass das neue Studioalbum von D-A-D ein heißer Kandidat für die Kategorie 'absolutely required rock' ist.
- A1: Strong Enough To Break
- A2: Dancin' In The Wind
- A3: Penny & Me
- A4: Underneath
- B1: Misery
- B2: Lost Without Each Other
- B3: When You're Gone
- B4: Broken Angel
- C1: Deeper
- C2: Get Up And Go
- C3: Crazy Beautiful
- D1: Hey
- D2: Believe
- D3: Lulla Belle
- E1: Pink Moon
- E2: Penny & Me (Moonlight Version)
- E3: Dream Girl
- E4: Love Somebody To Know
- E5: Breaktown
- F1: My Own Sweet Time
- F2: Out Of My Head
- F3: I Almost Care
- F4: Let You Go
Die neue Single Penny And Me (Moonlight Version), aufgenommen anlässlich des 20-jährigen Jubiläums von HANSONs Pop-Rock-Klassiker aus dem
Jahr 2004, interpretiert das Original durch die warme, rosafarbene Linse des Nick Drake-Klassikers „Pink Moon“ neu, der eine ursprüngliche
Inspiration für das Schreiben und den Text des Songs war.
The highly anticipated follow-up to Thee Sacred Souls's breakout 2022 self-titled debut, Got A Story To Tell, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. Recorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world. What swirls together on Got A Story To Tell is an appreciation of decades of soul music, and beyond - a sound and feel that is timeless, lived in, and very much in the now. Album opener “Lucid Girl” champions independent women, set to some of the toughest sounding drums and bass the band has yet to put to tape. “Waiting On The Right Time” slinks with a touch of slow-burning psychedelia. A plea for empathy punctuates “One and the Same,” with Lane singing: “We’re one and the same, I feel one day / We learn to live with each other / In love, not fear / Just for a moment, why can’t we be together.” “On My Mind” is a sweeping orchestration, with Lane navigating the complexities of finding happiness while balancing the good with the bad. The album is punctuated with strings and squelching guitar, trundling piano, pops of conga, horns - it makes for a thrilling, layered listen that rewards with multiple spins.
Clear Vinyl[26,26 €]
Der Afrobeat-Virtuose Seun Kuti bereitet sich darauf vor, sein neuestes musikalisches Meisterwerk, das von Lenny Kravitz produziert wurde und auf dem Damian Marley und Sampa The Great zu hören sind, auf die Welt loszulassen. Sein Album “Heavier Yet (Lays The Crownless Head)“ erscheint sechs Jahre nach dem Grammy-nominierten Album "Black Times" und einen entscheidenden Moment in Seun Kutis glanzvoller Karriere und zeigt seine Entwicklung als Künstler und Aktivist. Produziert von dem legendären Musiker Lenny Kravitz und Fela Kutis ursprünglichem Tontechniker Sodi Marciszewer (künstlerischer Produzent), verspricht „Heavier Yet (Lays The Crownless Head)“ ein Klangerlebnis wie kein anderes. Mit der Expertise von Kravitz und Sodi und dem unvergleichlichen Talent von Seun Kuti bleibt das Album den Wurzeln des Afrobeat treu und definiert gleichzeitig die Grenzen der zeitgenössischen Musik neu. Die sechs elektrisierenden Songs auf „Heavier Yet (Lays The Crownless Head)“ verkörpern den Geist des Widerstands, der Resilienz und der Revolution. Jeder Song handelt davon, sich Herausforderungen zu stellen und für Veränderungen zu kämpfen. So wie die Einzelsingles „Dey“ feat. Reggae-Ikone Damian Marley, beschrieben als "ein Song über das Umarmen und Verfechten dessen, was wir sind, ungeachtet dessen" und „Emi Aluta“ "ein Song über den Kampf (Aluta bedeutet Kampf), der eine Hommage an alle großen Revolutionäre ist", mit dem sambischen Sänger, Rapper und Songwriter Sampa The Great, einem der besten und innovativsten Lyriker unserer Zeit. Der Song „T.O.P.“ handelt davon, "wie die Gesellschaft Geld und Erfolg mehr schätzt als Menschen". Seun Kuti möchte dies ändern, indem er Empathie fördert und die Verbindung zur Natur wiederherstellt. In einem anderen Song, „Love & Revolution'“, drückt er seine Liebe zu seiner Frau aus und glaubt, dass wahre Liebe die Menschen dazu inspirieren kann, die Welt zu einem besseren Ort zu machen. "Dieses Projekt war für mich etwas ganz Besonderes, von dem Moment an, als ich es konzipierte und mit Lenny Kravitz sprach, der mir so viel brüderliche Liebe und Respekt entgegenbrachte", sagt Seun. "Er hat mich in sein Haus eingeladen. Ich habe seine Tochter Zoe kennengelernt und er hat uns mit Feuereifer geführt. Seit wir vor drei Jahren über das Album gesprochen haben, war er als ausführender Produzent dieses Projekts immer an unserer Seite und hat uns sehr unterstützt". "Ich möchte mich bei Craig Ross und Sodi, dem Produzenten dieses Projekts, bedanken. Wir hatten eine großartige Zeit. Es war das erste Mal für mich, dass ich mit Sodi im Studio war und ich war wirklich beeindruckt von seiner Arbeit und seinen väterlichen Ratschlägen und seiner Hingabe". Jeder Song auf dem Album ist ein Beweis für Seun Kutis unerschütterliches Engagement, Musik als Werkzeug für sozialen Wandel und Empowerment einzusetzen. Mit seinen kraftvollen Texten und ansteckenden Grooves führt er das Erbe seines Vaters, des legendären Fela Kuti, fort und bahnt sich gleichzeitig seinen eigenen Weg in der Welt der Musik.
Seun Kuti ist ein nigerianischer Musiker, Sänger und Songwriter, der für seine fesselnden Auftritte und seine gesellschaftskritische Musik bekannt ist. Er ist der jüngste Sohn des Afro-Beat-Pioniers Fela Kuti. Seun hat die meiste Zeit seines Lebens damit verbracht, das politische und musikalische Erbe seines Vaters zu bewahren und zu erweitern, und zwar als Leiter der ehemaligen Band seines Vaters, Egypt 80. Als aufstrebender Saxophonist und Schlagzeuger trat er in die formellen Reihen der Band ein, bevor er 12 Jahre alt war. Als Fela 1997 starb, übernahm Seun Kuti auf Wunsch seines Vaters die Leitung von Egypt 80, die er seither innehat. Im Laufe seiner Karriere hat Seun Kuti 4 Alben mit Egypt 80 veröffentlicht: `Many Things' (2008), `From Africa with Fury: Rise for Knitting Factory Records" (2011), koproduziert von Brian Eno und John Reynolds, "A Long Way Beginning" (2014) und das für einen Grammy nominierte "Black Times" (2018), das ein Feature von Carlos Santana enthält. Außerdem haben sie zahlreiche EPs veröffentlicht. Seun hat vor einem begeisterten Publikum auf der ganzen Welt gespielt und mit vielen großen Künstlern zusammengearbeitet. Im Jahr 2022 schloss er sich für die EP "African Dreams" mit dem Roots-Frontmann und MC-Extraordinarius Black Thought zusammen. Im Jahr 2023 arbeitete Seun an Janelle Monaes "The Age of Pleasure" (Grammy-Nominierung für das Album des Jahres) mit den beiden Singles "Float" und "Knows Better" mit, tat sich mit Talib Kweli und MadLib für deren Album "Liberation 2" bei dem Song "Nat Turner" mit Cassper Nyovest zusammen und veröffentlichte eine neue Version der Single "Bad Man Lighter" mit Black Thought und Vic Mensa.
Black Vinyl[23,95 €]
Der Afrobeat-Virtuose Seun Kuti bereitet sich darauf vor, sein neuestes musikalisches Meisterwerk, das von Lenny Kravitz produziert wurde und auf dem Damian Marley und Sampa The Great zu hören sind, auf die Welt loszulassen. Sein Album “Heavier Yet (Lays The Crownless Head)“ erscheint sechs Jahre nach dem Grammy-nominierten Album "Black Times" und einen entscheidenden Moment in Seun Kutis glanzvoller Karriere und zeigt seine Entwicklung als Künstler und Aktivist. Produziert von dem legendären Musiker Lenny Kravitz und Fela Kutis ursprünglichem Tontechniker Sodi Marciszewer (künstlerischer Produzent), verspricht „Heavier Yet (Lays The Crownless Head)“ ein Klangerlebnis wie kein anderes. Mit der Expertise von Kravitz und Sodi und dem unvergleichlichen Talent von Seun Kuti bleibt das Album den Wurzeln des Afrobeat treu und definiert gleichzeitig die Grenzen der zeitgenössischen Musik neu. Die sechs elektrisierenden Songs auf „Heavier Yet (Lays The Crownless Head)“ verkörpern den Geist des Widerstands, der Resilienz und der Revolution. Jeder Song handelt davon, sich Herausforderungen zu stellen und für Veränderungen zu kämpfen. So wie die Einzelsingles „Dey“ feat. Reggae-Ikone Damian Marley, beschrieben als "ein Song über das Umarmen und Verfechten dessen, was wir sind, ungeachtet dessen" und „Emi Aluta“ "ein Song über den Kampf (Aluta bedeutet Kampf), der eine Hommage an alle großen Revolutionäre ist", mit dem sambischen Sänger, Rapper und Songwriter Sampa The Great, einem der besten und innovativsten Lyriker unserer Zeit. Der Song „T.O.P.“ handelt davon, "wie die Gesellschaft Geld und Erfolg mehr schätzt als Menschen". Seun Kuti möchte dies ändern, indem er Empathie fördert und die Verbindung zur Natur wiederherstellt. In einem anderen Song, „Love & Revolution'“, drückt er seine Liebe zu seiner Frau aus und glaubt, dass wahre Liebe die Menschen dazu inspirieren kann, die Welt zu einem besseren Ort zu machen. "Dieses Projekt war für mich etwas ganz Besonderes, von dem Moment an, als ich es konzipierte und mit Lenny Kravitz sprach, der mir so viel brüderliche Liebe und Respekt entgegenbrachte", sagt Seun. "Er hat mich in sein Haus eingeladen. Ich habe seine Tochter Zoe kennengelernt und er hat uns mit Feuereifer geführt. Seit wir vor drei Jahren über das Album gesprochen haben, war er als ausführender Produzent dieses Projekts immer an unserer Seite und hat uns sehr unterstützt". "Ich möchte mich bei Craig Ross und Sodi, dem Produzenten dieses Projekts, bedanken. Wir hatten eine großartige Zeit. Es war das erste Mal für mich, dass ich mit Sodi im Studio war und ich war wirklich beeindruckt von seiner Arbeit und seinen väterlichen Ratschlägen und seiner Hingabe". Jeder Song auf dem Album ist ein Beweis für Seun Kutis unerschütterliches Engagement, Musik als Werkzeug für sozialen Wandel und Empowerment einzusetzen. Mit seinen kraftvollen Texten und ansteckenden Grooves führt er das Erbe seines Vaters, des legendären Fela Kuti, fort und bahnt sich gleichzeitig seinen eigenen Weg in der Welt der Musik.
Seun Kuti ist ein nigerianischer Musiker, Sänger und Songwriter, der für seine fesselnden Auftritte und seine gesellschaftskritische Musik bekannt ist. Er ist der jüngste Sohn des Afro-Beat-Pioniers Fela Kuti. Seun hat die meiste Zeit seines Lebens damit verbracht, das politische und musikalische Erbe seines Vaters zu bewahren und zu erweitern, und zwar als Leiter der ehemaligen Band seines Vaters, Egypt 80. Als aufstrebender Saxophonist und Schlagzeuger trat er in die formellen Reihen der Band ein, bevor er 12 Jahre alt war. Als Fela 1997 starb, übernahm Seun Kuti auf Wunsch seines Vaters die Leitung von Egypt 80, die er seither innehat. Im Laufe seiner Karriere hat Seun Kuti 4 Alben mit Egypt 80 veröffentlicht: `Many Things' (2008), `From Africa with Fury: Rise for Knitting Factory Records" (2011), koproduziert von Brian Eno und John Reynolds, "A Long Way Beginning" (2014) und das für einen Grammy nominierte "Black Times" (2018), das ein Feature von Carlos Santana enthält. Außerdem haben sie zahlreiche EPs veröffentlicht. Seun hat vor einem begeisterten Publikum auf der ganzen Welt gespielt und mit vielen großen Künstlern zusammengearbeitet. Im Jahr 2022 schloss er sich für die EP "African Dreams" mit dem Roots-Frontmann und MC-Extraordinarius Black Thought zusammen. Im Jahr 2023 arbeitete Seun an Janelle Monaes "The Age of Pleasure" (Grammy-Nominierung für das Album des Jahres) mit den beiden Singles "Float" und "Knows Better" mit, tat sich mit Talib Kweli und MadLib für deren Album "Liberation 2" bei dem Song "Nat Turner" mit Cassper Nyovest zusammen und veröffentlichte eine neue Version der Single "Bad Man Lighter" mit Black Thought und Vic Mensa.
Das erste Album der deutschen Epic-Metal-Band, die auch vom Folk-Rock der 70er Jahre beeinflusst ist! Eine herrliche Mischung aus Epic Metal, Epic Doom, Acid Folk, Folk, Folk Rock, Krautrock, Musik im Stil der Renaissance und Rock der 70er Jahre. Grendel's Sÿster aus Deutschland haben vielleicht keine eindeutige und praktische Genrebezeichnung, aber auf ihrem ersten Studioalbum webt die Band einen dynamischen, kraftvollen Zauber, der an nichts anderes als ihre eigenen kreativen Launen gebunden ist. Grendel's Sÿster wurde 2015 nach einer Reihe improvisierter Jam-Sessions in den Vogesen in Frankreich gegründet. Cruz Del Sur Music nahm die Band 2020 unter Vertrag und veröffentlichte 2019 die EP 'Myrtle Wreath / Myrtenkranz', welche die Band nun zum ersten Longplayer 'Katabasis Into The Abaton' führt. Die CD enthält acht Bonustracks mit dem Übertitel 'Abstieg In Die Traumkammer'.
Old-School-Heavy-Metal der epischen Art! Phaëthon bringt auf ihrem ersten Album monumentalen klassischen Metal hervor, eine Meisterklasse in Sachen Metal. 'Wielder Of The Steel' ist ein acht Songs umfassendes Werk, das Fans von Manowar, Mercyful Fate oder Bathory zweifellos ansprechen wird. Phaëthon wurde 2020 in London gegründet und tauchte im Metal-Untergrund mit der Mini-LP 'Sacrifice Doth Call' auf, die später über Gates of Hell Records auf Vinyl veröffentlicht wurde.
Die Nummern auf dem Album haben einen gemeinsamen thematischen Faden, in dessen Mittelpunkt die warnende Geschichte von Phaëthon steht. Die Songs befassen sich mit den tiefgreifenden Auswirkungen von Erzählungen auf die Menschheit - seien es Götter, Aberglaube oder glatte Lügen -, die über die Grenzen der griechischen Mythologie hinausgehen. Es ist passender Textstoff für ein Album, das auf brillante Weise eine klangliche und erzählerische Reise durch Epochen der Tapferkeit und des Konflikts, verloren gegangene Imperien und epische Geschichten von Trotz und Ehrgeiz webt und dabei den ewigen Gegensatz zwischen der Hybris der Menschheit und ihrem unbezwingbaren Geist offenlegt.
Rock Hard (8,5 Pkt.)
"Vom Bandnamen und den Albumtitel über das Coverartwork und die Produktion bis zu den Songtiteln und den Synonymen, die sich die Mucker gegeben haben: Mehr Heavy Metal geht nicht - und das meine ich im wirklich allerbesten Sinne. PHAËTHON zocken Musik für Fans von (alten) Manowar, Atlantean Kodex, Scald, Visigoth und Eternal Champion; Musik für Menschen, die lieber zum Keep It True, Headbangers Open Air oder Trveheim als zum Wacken oder Summer Breeze pilgern. Der aus London stammende Vierer macht bereits seit Anfang des aktuellen Jahrzehnts mit diversen Veröffentlichungen (ein Demo, eine EP und ein Beitrag für eine Compilation) von sich reden und knüpft mit dem Debütalbum nun nahtlos an sein bisheriges Schaffen an. "Wielder Of The Steel" wirkt nicht zuletzt aufgrund seiner Produktion von vorne bis hinten absolut authentisch; die extrem live klingenden und stark komponierten Songs scheppern, dass es eine wahre Freude ist. Ein extrem guter Einstand - wer´s nicht glaubt, zieht sich als "Appetithappen" den fast zehnminütigen Titeltrack rein."
Human Impact, die laserpräzise Noise-Rock-Allianz von Unsane-Frontmann Chris Spencer und Cop Shoot Cop-Mitglied Jim Coleman, meldet sich mit 'Gone Dark', dem zweiten Album der Band, zurück. 'Gone Dark' ist kein Schrei aus der Dunkelheit, sondern ein Schrei durch die Dunkelheit, eine robuste Proklamation von Resilienz und Widerstand im Angesicht der drohenden Apokalypse.
Dank der Verstärkung durch zwei weitere Noise-Rock-Veteranen - Bassist Eric Cooper (Made Out of Babies, Bad Powers) und Schlagzeuger Jon Syverson (Daughters) - ist das Arsenal von Human Impact gewaltiger denn je. Spencer, der das Jahr 2020 damit verbracht hatte, an einer Hütte in den Wäldern von Ost-Texas zu arbeiten, reiste nach Austin, um mit den beiden in der Garage des Bassisten zu jammen. Freundschaftliche Jamsessions mit alten Unsane-Songs führten schließlich dazu, dass die Rhythmusgruppe für die Europatournee 2022 vollständig in das Line-Up von Unsane und Human Impact integriert wurde.
Aufgenommen mit Co-Produzent Andrew Schneider (Ken Mode, Cave In) im Cedar Creek Studio in Austin, Texas, ist 'Gone Dark' eine härtere, straffere Version der strammen Grooves von Human Impact, mit zerbrechlichen Gitarrensplittern, leidenschaftlichen Schreien und Wolken aus dystopischem Lärm.
- Trouble - Mike Viola
- Cold, Cold, Cold - Joachim Cooder
- Long Distance Love - Elvis Costello
- Heartache - Bedouine
- I've Been The One - Bhi Bhiman
- Rock 'N' Roll Doctor - Miles Tackett
- Be One Now - Lady Blackbird
- Love Needs A Heart - Madison Cunningham
- Easy To Slip - Jonah Tolchin
- Dixie Chicken - Eleni Mandell And Milo Jones
- Roll 'Um Easy - Ben Harper
- Lafayette Railroad - Larry Goldings
- 6: Feet Of Snow - Jack Shit
- Cheek To Cheek - Gaby Moreno
- Two Trains Running - Chris Seefried
- China White - Chris Stills
- A Apolitical Blues - Dave Alvin
- Feats Don't Fail Me Now - Sugaray Rayford
- Sailin' Shoes - Taylor Goldsmith
- Spanish Moon - Inara George
- Rocket In My Pocket - Sam Morrow
- Willin' - Jonathan Wilson
- Teenage Nervous Breakdown - The Bird And The Bee
- Crazy Captain Gunboat Willie - Andras Jones
- 20: Million Things To Do - Gus Seyffert
Mit der neuen Doppel-LP 'Long Distance Love - A Sweet Relief Tribute to Lowell George' hat Sweet Relief, die Organisation, die alle Arten von Berufsmusikern und Beschäftigten der Musikindustrie finanziell unterstützt, die mit körperlichen oder geistigen Problemen, Behinderungen oder altersbedingten Problemen zu kämpfen haben, ein Juwel vorgelegt.
Lowell George war der Gitarrenvirtuose, Sänger und Songschreiber von Little Feat. In dieser Sammlung von 25 Liedern interpretieren und spielen Künstler wie Elvis Costello, Ben Harper und Dave Alvin seinen vielfältigen Katalog. Der in Hollywood, Kalifornien, geborene George war Mitglied von Frank Zappas Mothers of Inventions, bevor er diese Band verließ und mit Bill Payne Little Feat gründete. Lowell gehörte der Band 7 Jahre lang bis zu seinem Tod an und veröffentlichte in dieser Zeit acht Alben. Obwohl George 1979 starb, lebt sein Vermächtnis durch dieses Album weiter.
After 2 years of relentless touring in support of their critically acclaimed debut album, Thee Sacred Souls return with "Lucid Girl", the lead single from their forthcoming sophomore album, Got a Story to Tell. Backed by a heavy beat and lavish arrangement, singer Josh Lane-displaying a soulfulness beyond his years-sings an empowering tale of a girl who has the clarity to put her needs before prospective suitors. B-side features "Losing Side of Love."
- A1: Neither The Day, Nor The Hour
- A2: There's A Devil In The Jukebox
- A3: To Be Young
- A4: The Bonnie Banks
- A5: The Ravelin
- A6: Anticop
- A7: Some To Make You Better, Some To Make You Sick
- B1: Company I Don't Want To Keep
- B2: Love Song (A Response)
- B3: Since You Said Goodbye
- B4: Trepanning
- B5: Wish You Were Here
- B6: Two Hearts
- B7: Cocaine Sunday
Cassette[16,60 €]
Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet
- A1: Neither The Day, Nor The Hour
- A2: There's A Devil In The Jukebox
- A3: To Be Young
- A4: The Bonnie Banks
- A5: The Ravelin
- A6: Anticop
- A7: Some To Make You Better, Some To Make You Sick
- B1: Company I Don't Want To Keep
- B2: Love Song (A Response)
- B3: Since You Said Goodbye
- B4: Trepanning
- B5: Wish You Were Here
- B6: Two Hearts
- B7: Cocaine Sunday
Vinyl[26,68 €]
Charlie Manning ist Chubby and The Gang. Der Mitte 30-jährige gebürtige Londoner startete das Projekt 2019 mit der Absicht, Hardcore-Punk mit den
ansteckendsten Elementen des 70er-Jahre-Rock'n'Roll und Doo-Wop zu vermischen. Charlie brachte eine „Gang“ rotierender Instrumentalisten ins
Spiel, die auf den Alben Speed Kills (2020) und The Mutt's Nuts (2021) mitwirkten. Jetzt ist es soweit: Chubby and the Gang schließt sich dem
langjährigen Hardcore-Label Flatspot Records an und veröffentlicht das neue Album „And Then There Was...“.
Das Album besteht aus 16 von Charlie geschriebenen und gespielten Songs, produziert von Jonah Falco und aufgenommen und abgemischt von James
Atckinson. Es ist eine Mischung aus Kontrolle und Chaos, Liebe und Einsamkeit, Wut und Verletzlichkeit. Die Songs schreien förmlich danach, live
gehört zu werden, fühlen sich aber genauso wohl, wenn sie über die Lautsprecher einer schummrigen Kneipe laufen. Auf „And Then There Was...“
stellt Charlie sein Talent für Melodien und die Offenlegung seines wahren Ichs unter Beweis.
In den fünf Jahren, die es Chubby and the Gang gibt, hat die Band mehr erreicht als die meisten in der doppelten Zeitspanne. Es ist keine
Überraschung, dass die Band weltweit und in den Medien gelobt wird: Rolling Stone, Pitchfork, The Guardian, NME und viele mehr haben über sie
berichtet
Tamil Rogeon, the Melbourne based multifaceted jazz, classical and electronic violin & viola player firmly cemented his reputation with the critical success of his 2021 album Son Of Nyx which was released on Soul Bank Music, Impressive Collective head honcho Greg Boraman's previous label. Lauded as a modal and spiritual jazz fusion opus, Son Of Nyx found favour with Gilles Peterson, Laurent Garnier, Rebecca Vasmant, BBC6 Music's' Cerys Matthews and Deb Grant, was a Jazz FM’ Album of the Week. Building upon that highly original sound concept, Wave Theory draws from the jazz fusion movements of the 70s and 80s and conjures up textured soundscapes rich with cosmic synths, soaring vocals and deep jazz funk, and sees Tamil once again joining forces with Son of Nyx contributors Rita Satch and Daniel Mougerman, plus new collaborators and special guests including Lance Ferguson and celebrated trumpeter, friend Audrey Powne. Listeners can expect the same modal experiments, driving percussion and cosmic synths of Son of Nyx as well as new and exhilarating experiments in electric string instrumentation. Across all 6 tracks the highlights are numerous, but of particular note are the album opener "Ascend it!"; a fusion masterpiece that seamlessly blends psychedelic elements, funk grooves, intricate melodies, and improvisation. When "Doom Date" takes flight we are transported to Mahavishnu Orchestra-like territory, before finishing with an angular melody that is pure jazz-fusion inventiveness. The irresistibly funky 'Gift Of The Gab” is built upon a hypnotic bass line over drum and percussion. Laden with synth and retro keyboards reminiscent of the deep funk of Herbie Hancock’s late 70s period. "Mountain Bug' alternates between minor and major keys, a hallucinatory violin solo is followed by a dazzling trumpet improvisation. A restatement of the melody accompanied by the gunfire of the drum set and percussion. Tamil says of Wave Theory “Sometimes themes reveal themselves through creative encounters and through life experience. I wrote and recorded the album in six months. A lot happened to me and my friends during that time so, for me, ‘Wave Theory’ is like a musical snapshot of life’s relentless ebbs and flows. It’s about the sadness and thrills of endless transformation and the power of creative connection".
Die meisten Bands schreiben Songs über Alltagserlebnisse, Liebesgeschichten, Gedanken zur Welt. Public Service Broadcasting sind anders. Das Quartett aus London taucht tief in die Archive ein und macht aus historischen Begebenheiten packende Konzeptalben. Mit Samples aus alten Nachrichtenfilmen, Archiv- und Propagandamaterial formt die Band packende Geschichten, getragen von cineastischen, meist instrumentalen Rock-, Elektro- und Orchesterklängen.
Dies gilt auch für das neue Album: "The Last Flight" handelt von der letzten Reise der US-Flugpionierin Amelia Earhart, die mit nur 25 Jahren begann, eine Reihe von Rekorden aufzustellen: Sie überquerte als erste Frau im Alleinflug den Atlantik und Pazifik, ihr gelangen mehrere Geschwindigkeits- und Streckenrekorde. Doch ihr Plan, als erste Frau die Welt am Äquator zu umrunden, ging nicht auf. Sie überquerte Amerika, Afrika, den Nahen Osten und Asien, erreichte aber nie die letzte Zwischenstation vor der finalen Pazifik-Etappe, die Howlandinsel. Die bis dahin grösste Suchaktion der Luftfahrtgeschichte mit 4 Flugzeugen und 8 Kriegsschiffen blieb erfolglos. Stattdessen stieg Amelia Earhart in mythische Höhen auf, die nur den mutigsten Abenteurern vorbehalten sind.
Songschreiber J. Willgoose, Esq. war vom "Mythos Earhart" fasziniert: "Ich wollte eine Geschichte mit einer Frau im Mittelpunkt erzählen, weil ein überwältigender Teil des Archivmaterials, zu dem wir Zugang haben, männlich geprägt ist." Aufgenommen im Londoner Bandstudio, mit einem Tag für die Streicher des London Contemporary Orchestra in The Church, sind auf "The Last Flight" u.a. Carl Broemel (My Morning Jacket) an der Eno-artigen Pedal-Steel-Gitarre, die Berliner Stimmen Andreya Casablanca (Gurr)und EERA, sowie Kate Stables (This Is The Kit) zu hören.
Die Zuhörer mögen überrascht sein, dass das Album keine originalen Zeugenaussagen aus erster Hand enthält, sondern neu aufgenommene Dialoge von Schauspielern, darunter Kate Graham, die Amelia vorlas. Diese wurden behutsam bearbeitet, um ihnen Klangeigenschaften und Verzerrungen der 1930er Jahre zu verleihen. Als Ausgangspunkt dienten Earharts Aufzeichnungen aus erster Hand, darunter "Last Flight" von 1937, sowie die Biografie "East To The Dawn" von Susan Butler.
Clear Vinyl
Die meisten Bands schreiben Songs über Alltagserlebnisse, Liebesgeschichten, Gedanken zur Welt. Public Service Broadcasting sind anders. Das Quartett aus London taucht tief in die Archive ein und macht aus historischen Begebenheiten packende Konzeptalben. Mit Samples aus alten Nachrichtenfilmen, Archiv- und Propagandamaterial formt die Band packende Geschichten, getragen von cineastischen, meist instrumentalen Rock-, Elektro- und Orchesterklängen.
Dies gilt auch für das neue Album: "The Last Flight" handelt von der letzten Reise der US-Flugpionierin Amelia Earhart, die mit nur 25 Jahren begann, eine Reihe von Rekorden aufzustellen: Sie überquerte als erste Frau im Alleinflug den Atlantik und Pazifik, ihr gelangen mehrere Geschwindigkeits- und Streckenrekorde. Doch ihr Plan, als erste Frau die Welt am Äquator zu umrunden, ging nicht auf. Sie überquerte Amerika, Afrika, den Nahen Osten und Asien, erreichte aber nie die letzte Zwischenstation vor der finalen Pazifik-Etappe, die Howlandinsel. Die bis dahin grösste Suchaktion der Luftfahrtgeschichte mit 4 Flugzeugen und 8 Kriegsschiffen blieb erfolglos. Stattdessen stieg Amelia Earhart in mythische Höhen auf, die nur den mutigsten Abenteurern vorbehalten sind.
Songschreiber J. Willgoose, Esq. war vom "Mythos Earhart" fasziniert: "Ich wollte eine Geschichte mit einer Frau im Mittelpunkt erzählen, weil ein überwältigender Teil des Archivmaterials, zu dem wir Zugang haben, männlich geprägt ist." Aufgenommen im Londoner Bandstudio, mit einem Tag für die Streicher des London Contemporary Orchestra in The Church, sind auf "The Last Flight" u.a. Carl Broemel (My Morning Jacket) an der Eno-artigen Pedal-Steel-Gitarre, die Berliner Stimmen Andreya Casablanca (Gurr)und EERA, sowie Kate Stables (This Is The Kit) zu hören.
Die Zuhörer mögen überrascht sein, dass das Album keine originalen Zeugenaussagen aus erster Hand enthält, sondern neu aufgenommene Dialoge von Schauspielern, darunter Kate Graham, die Amelia vorlas. Diese wurden behutsam bearbeitet, um ihnen Klangeigenschaften und Verzerrungen der 1930er Jahre zu verleihen. Als Ausgangspunkt dienten Earharts Aufzeichnungen aus erster Hand, darunter "Last Flight" von 1937, sowie die Biografie "East To The Dawn" von Susan Butler.
Die aus den eisigen Landschaften Norwegens stammenden 1349 haben dem Black Metal ihren Stempel aufgedrückt, indem sie ihre Instrumente wie Kriegsäxte in der Vorhut des unerbittlichen Angriffs des Genres schwangen. Mit einem Vermächtnis, das mit dem Blut der akustischen Extreme getränkt ist, sind sie zu den Vorreitern der unerbittlichen akustischen Kriegsführung geworden, unermüdlich in ihrem Streben nach den dunklen Künsten.
"The Wolf and The King" - der neueste Kataklysmus, den 1349 entfesseln. Eine stürmische Odyssee durch acht Tracks reinen, unverfälschten Black Metals, der die Fähigkeiten der Band in Sachen Chaos und Gemetzel makellos unter Beweis stellt. Vom unersättlichen Ansturm von The God Devourer bis zu den düsteren Tiefen von Fatalist ist jeder Track ein Portal in ein Reich, in dem Schatten regieren und die Luft dick ist vom Gestank des Verfalls. Ash of Ages vermischt Thrash-Einflüsse mit extremen Black-Metal-Elementen zu einer Reise durch das Herz der Finsternis, während Shadow Point und Inferior Pathways ein eisernes Rückgrat aus klassischen Headbanger-Riffs und unerbittlichem Groove formen. Mit The Wolf and The King erweitern 1349 die Grenzen des Genres, indem sie ihre unerbittlichen Blastbeats und sengenden Gitarren mit einer Atmosphäre apokalyptischer Eleganz versehen.
FFO: Marduk, Gorgoroth, Mayhem, Immortal
Die aus den eisigen Landschaften Norwegens stammenden 1349 haben dem Black Metal ihren Stempel aufgedrückt, indem sie ihre Instrumente wie Kriegsäxte in der Vorhut des unerbittlichen Angriffs des Genres schwangen. Mit einem Vermächtnis, das mit dem Blut der akustischen Extreme getränkt ist, sind sie zu den Vorreitern der unerbittlichen akustischen Kriegsführung geworden, unermüdlich in ihrem Streben nach den dunklen Künsten.
"The Wolf and The King" - der neueste Kataklysmus, den 1349 entfesseln. Eine stürmische Odyssee durch acht Tracks reinen, unverfälschten Black Metals, der die Fähigkeiten der Band in Sachen Chaos und Gemetzel makellos unter Beweis stellt. Vom unersättlichen Ansturm von The God Devourer bis zu den düsteren Tiefen von Fatalist ist jeder Track ein Portal in ein Reich, in dem Schatten regieren und die Luft dick ist vom Gestank des Verfalls. Ash of Ages vermischt Thrash-Einflüsse mit extremen Black-Metal-Elementen zu einer Reise durch das Herz der Finsternis, während Shadow Point und Inferior Pathways ein eisernes Rückgrat aus klassischen Headbanger-Riffs und unerbittlichem Groove formen. Mit The Wolf and The King erweitern 1349 die Grenzen des Genres, indem sie ihre unerbittlichen Blastbeats und sengenden Gitarren mit einer Atmosphäre apokalyptischer Eleganz versehen.
FFO: Marduk, Gorgoroth, Mayhem, Immortal
Seitdem sie sich 1992 ihren Weg aus der düsteren Unterwelt Tokios gebahnt haben, haben DEFILED mit ihrer knochenbrechenden Aggression und komplexen Kunstfertigkeit eine blutige Schneise in die globale Death Metal-Szene geschlagen. Sie haben ihr Vermächtnis als Vertreter der Grausamkeit zementiert und ihre unerbittlichen Angriffe sind so unerbittlich wie immer geblieben.
Willkommen in den Abgründen von Horror Beyond Horror, DEFILEDs katastrophalem neuesten Werk, das mit der Bosheit veredelt ist, die nur erfahrene Dämonen des Todes beschwören können. Jeder Track ist eine weitere groteske Erkundung der Tiefen menschlicher Verderbtheit, und das Album verschmilzt auf bösartige Weise die Grausamkeit des Death Metal alter Schule mit Strängen von technischem Thrash und progressiver Psychose.
Schalt DEFILEDs Horror Beyond Horror ein und lass dich vom Wahnsinn befreien - das einzige, was brutaler ist als die Realität, ist dieses Album.
FFO: Cryptopsy, Hate Eternal, Dying Fetus
- A2: Unkill Crash
- A3: Hollowed Victory
- A4: Primate Apeshit
- A5: Bodies Recede
- B1: Dog Tags
- B2: Grind You Down
- B3: Danger Of Death
- B4: Wreck
- B5: Vicious Claim
- B6: Cosmo Death
Silver Vinyl[19,96 €]
Die schwedischen Groove-Metal-Legenden Transport League melden sich ihrem explosiven neuen Album 'We Are Satan's People' zurück! Auf ihrem 11. Studioalbum besinnen sie sich tief auf ihre Wurzeln und entfesseln einen Sound, der sowohl nostalgisch als auch ungemein modern ist. 'We Are Satan's People' ist absolutes Must Have für alle Fans von Pantera, Clutch, COC, Mustasch, White Zombie oder Prong.
- A2: Unkill Crash
- A3: Hollowed Victory
- A4: Primate Apeshit
- A5: Bodies Recede
- B1: Dog Tags
- B2: Grind You Down
- B3: Danger Of Death
- B4: Wreck
- B5: Vicious Claim
- B6: Cosmo Death
Black Vinyl[19,96 €]
Die schwedischen Groove-Metal-Legenden Transport League melden sich ihrem explosiven neuen Album 'We Are Satan's People' zurück! Auf ihrem 11. Studioalbum besinnen sie sich tief auf ihre Wurzeln und entfesseln einen Sound, der sowohl nostalgisch als auch ungemein modern ist. 'We Are Satan's People' ist absolutes Must Have für alle Fans von Pantera, Clutch, COC, Mustasch, White Zombie oder Prong.
Die italienische Zwergen-Metal Armee WIND ROSE kehrt aus der Schmiede zurück und liefert ihr neues Album Trollslayer, das am 4. Oktober 2024
über Napalm Records erscheint! Die Power Metaller haben nicht nur die Million Hörer auf Spotify geknackt, sondern auch mehrere Millionen TikTok
Views gesammelt und ihren Status in der Szene in den letzten Jahren zementiert!
Den Durchbruch hatten sie mit ihrem Über Hit „Diggy Diggy Hole“ vom Wintersaga Album, der über 50 Millionen Streams und Aufrufe auf allen
Plattformen erreichte, sowie auf jedem Festival über den Zeltplatz hallt. Mit dem Nachfolgealbum Warfront erreichten sie erstmals die Top 10 der US
Currrent Hard Rock Charts und die Top 25 der Albumcharts in Deutschland.
Das neue Album Trollslayer ist der perfekte Mix aus absoluten Partyhymnen und tiefschürfenden, ernsthaften Tracks und erscheint direkt vor Start
der größten Europa Tour der Bandgeschichte zusammen mit Powerwolf und Hammerfall.
Die Ostfriesen von der Insel Spiekeroog versinken zum Glück nicht in einem Meer aus abgestandener Nostalgie. Obwohl "God of the Godless" mit der brachialen Kraft tosender Winterstürme und dem oft rauen Charme des Nordseewetters daherkommt, haben die Norddeutschen auch die cineastischen Aspekte ihres Sounds verfeinert, die sie auf dem Vorgängeralbum "Beyond Acheron" (2023) fest etabliert hatten. Auf einem soliden Fundament aus Brutal Death zimmern TEMPLE OF DREAD mit Hilfe von dunklen und schweren Stützbalken, Querstreben aus überraschender Melancholie und sogar einigen 12-Zoll Black Metal Nägeln ihre wuchtigen Songstrukturen. Als Zierelement dient erneut ein Gastbeitrag des INSIDIOUS DISEASE, ASINHELL und ehemaligen MORGOTH Sängers Marc Grewe. Die wuchtige Produktion von "God of the Godless" stammt wie gewohnt von Schlagzeuger Jörg Uken. In dessen renommierter Death Metal Klangschmiede, dem Soundlodge Tonstudio, wurden auch schon zahlreiche Langspieler solcher Szenegrößen wie unter anderen DEW-SCENTED, GOD DETHRONED, OBSCENITY, SUICIDAL ANGELS und WARPATH in Form gehämmert. TEMPLE OF DREAD wurden von Markus Bünnemeyer im Jahr 2017 auf Spiekeroog gegründet, als der Gitarrist den Entschluss fasste, seinen Mordshunger auf mehr Death Metal der alten Schule selbst zu stillen. Ein Jahr später stießen Sänger Jens Finger und Jörg Uken dazu, mit denen Bünnemeyer bereits bei SLAUGHTERDAY aktiv war. Dieses Dreiergespann besteht seitdem unverändert fort. Schon das erste Album "Blood Craving Mantras" (2019) schlug in Death Metal Kreisen hart ein. Die Arbeitstiere ließen in kurzer Folge zwei weitere Erfolgsalben, "World Sacrifice" (2020) und das von der Kritik in höchsten Tönen gefeierte "Hades Unleashed" (2021), auf die Welt los. Während sich das Trio für "Beyond Acheron" (2023) etwas mehr Zeit nahm, sind TEMPLE OF DREAD wieder auf der Überholspur unterwegs. Noch besser: Die Ostfriesen begeistern endlich auch mit Live-Auftritten. Mit "God of the Godless" legen TEMPLE OF DREAD die Messlatte für intelligente Death Metal Brutalität wieder um einige Zentimeter höher auf!
Kreaturen der Nacht sehnen sich in die 80er Jahre des letzten Jahrhunderts zurück. Post-Punk und New Wave stiegen zu glorreichen Höhen auf und diese epische Erforschung dunkler Klangwelten auf der Basis von harten Gitarren und treibender Elektronik fand auf allen alternativen Tanzflächen statt. Klangvolle Namen wie SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX und viele andere funkeln noch immer in einem magischen Glanz. Zum Glück sind all die subtile Erotik, elektrisierende Spannung und die düstere musikalische Leidenschaft nicht für alle Zeiten verloren gegangen: Die Rettung naht mit SOROR DOLOROSA auf schwarzen Schwingen. Das vierte Album der Franzosen mit dem vielsagenden Titel "Mond" hat musikalische Reißzähne, die schon beim ersten Durchgang köstliches Klangblut sprudeln lassen. Der klassisch-dunkle Post-Punk findet sich ebenso wieder wie Wave-Elemente und ein überwältigender Drang, die Füße in ekstatischen Tänzen unter dem namensgebenden Mond bewegen zu müssen. Doch SOROR DOLOROSA gehen dabei keineswegs mit abgestandenem Nostalgie-Schlangenöl hausieren. Die nach Paris umgezogenen Veteranen haben das klassische Feeling mit dem massiven Sound des neuen Jahrtausends für einen neuen Höhenflug aufgerüstet. Die Idee, den Mix und das Mastering von "Mond" James Kent anzuvertrauen, erweist sich als hervorragender Schachzug. Der PERTURBATOR-Vordenker hat die üppige Produktion dieses epischen Albums mit einer vibrierenden Power und wohltuenden ätherischen Kühle aufpoliert. Textlich bleiben SOROR DOLOROSA dem seit ihrer Gründung im Jahr 2001 in der südfranzösischen Stadt Toulouse eingeschlagenen Weg treu. Die erstmals mit der "Severance" (2009) Debüt-EP manifestierten dunkel-romantischen und kathartischen Gefühlslandschaften lassen noch immer das Herz der Band schlagen. Die Inspiration für "Mond" stammt unter anderen aus den Federn von Dichtern und Schriftstellern wie William Blake und Edgar Alan Poe.
- A1: Main Theme - The Legend Of Zelda
- A2: Zelda Ii : The Adventure Of Link (Palace Theme) - The Legend Of Zelda Ii
- A3: Dark World - A Link To The Past
- B1: Ballad Of The Windfish - Link's Awakening
- B2: Song Of Storms - Ocarina Of Time
- B3: Zelda's Lullaby - Ocarina Of Time
- C1: Song Of Healing - Majora's Mask
- C2: Palace Of Winds - Four Swords Adventures
- C3: Title Theme - The Wind Waker
- D1: Minish Village - The Minish Cap
- D2: Ilia's Theme - Twilight Princess
- D3: Linebeck's Theme - Phantom Hourglass
- E1: Realm Overworld - Spirit Tracks
- E2: Skyloft - Skyward Sword
- E3: Lorule Castle - A Link Between Worlds
- F1: Woodlands - Tri Force Heroes
- F2: Theme - Breath Of The Wild
- F3: Main Theme - Tears Of The Kingdom
Are you ready to embark on an unforgettable musical adventure across Hyrule? For all fans of this legendary saga, we're pleased to present an exceptional collection: the Legend of Zelda music triple vinyl
- A1: Koffer 3 32
- A2: Lost In Berlin 2 33
- A3: Kopf Im Nacken 3 01
- A4: Grau With Paula Hartmann 2 50
- A5: So Leicht 2 44
- A6: Haut Wie Pelz 2 21
- A7: Reiche Freunde With Boondawg 2 50
- B1: Sag Bescheid Interlude 0 37
- B2: Augen In Der Nacht With Blumengarten 3 02
- B3: Bsr 2 40
- B4: Baba 2 34
- B5: Brustumfang 2 16
- B6: Friedensnobelpreis With Caney030 3 05
- B7: Outro 3 13
Als Sohn türkischer Eltern und Gastarbeitenden ist er immer noch da, wo er aufgewachsen ist - in seiner Heimat Moabit. Nach fast 10 Jahren Texte schreiben verbringt Apsilon seit gut zwei Jahren viel Zeit im Studio. Inhaltlich gibt es Deutschrap mit antikapitalistischer Analyse ohne erhobenen moralischen Zeigefinger. Provokante Gesellschaftskritik ohne Kompromisse gegen weißdeutsche Bequemlichkeit und Resignation. Die Delivery ist die pure Wut, der Sound ist trappig und modern. New Wave. Apsilon kommt leger um die Ecke und legt Basketballreferenzen neben Rassismuskritik, reiht geschickt deutsche Redewendungen aneinander, während er sie bricht und so mit der deutschen Sprache dribbelt.Mit Songs wie "Baba", EPs wie "32 Zähne" oder "Blei" und Zusammenarbeiten mit Bazzazian, LUVRE47 oder Wa22ermann hat Apsilon sich in gerade mal zwei Jahren vom Newcomer aus Berlin-Moabit zu einem echten Hoffnungsträger für hiesigen HipHop entwickelt. Aus gutem Grund: Apsilon vereint lyrische Schauspiele und nachhallende Performance. Seine inbrünstigen Flows um Lines über Antikapitalismus und Straßenkämpfe umgeben dabei den Hauch einer (Rap-)Revolution, die nicht nur antirassistisch, inklusiv, sondern sogar ohne Zeigefinger auskommt. Selten war politischer Rap so zwingend und zwanglos. Mit "Haut wie Pelz" veröffentlicht Apsilon jetzt sein langerwartetes Debütalbum. Die 14 Tracks setzen sich auf unterschiedlichen Ebenen und aus verschiedenen Perspektiven mit der Geschichte von Apsilons Familie auseinander. Es erzählt von seinen Großeltern, die aus der Türkei nach Deutschland gekommen sind, immer in dem Glauben, nur kurz zu bleiben und bald wieder in die Heimat zurückzukehren. Aber genauso geht es auch um ihre Kinder und um Apsilon und seine Geschwister. "Auf jedem der Songs geht es um unsere Geschichte, die Träume und Traumata, die schönen aber auch die schmerzhaften Seiten dieses Lebens. Einerseits sind es sehr persönliche und emotionale Themen, aber andererseits möchte ich diese Geschichte auch deshalb erzählen, weil sie auf viele andere Menschen und Familien in Deutschland übertragbar ist." Die Idee für "Haut wie Pelz" kam Apsilon nach der Veröffentlichung seiner Single "Baba" im letzten Jahr, mit der er sich auf berührende Weise an seinen Vater wandte. "Nach dem Release ist mir klar geworden, in welche Richtung das Album gehen soll", erinnert sich Apsilson. "Der Song hat mir aber nicht nur inhaltlich, sondern auch musikalisch ein ganz neues Selbstbewusstsein gegeben." Entstanden ist "Haut wie Pelz" deshalb gemeinsam mit dem Team, dass auch schon für "Baba" verantwortlich war: Bazzazian, Ralph Heidel und Apsilons Bruder Arman, der gleichzeitig auch als Executive Producer für das Album fungiert. "Haut wie Pelz" von Apsilon erscheint am 04.10.2024. Im November geht Apsilon gemeinsam mit seinem Bruder Arman und dem neuen Album auf große Tour durch Deutschland, Österreich und die Schweiz.
Abramelin, die Pioniere des australischen Death Metal, haben soeben ihr viertes Studioalbum mit dem Titel „Sins of the Father“ fertiggestellt. Nach
dem sehr gut aufgenommenen Album „Never Enough Snuff“ aus dem Jahr 2020 ist „Sins of the Father“ ein brutaler Death Metal-Angriff auf die Sinne,
der textlich die Grenzen des Horrors und der Verderbtheit weiter ausreizt. 1988 von Sänger Simon Dower und dem damaligen Gitarristen David
Abbott als Acheron gegründet, änderte die Band ihren Namen Anfang der 90er Jahre aufgrund eines Zusammenstoßes mit einem internationalen Act
gleichen Namens. Tim Aldrige stieß 1989 zur Band und wurde schnell zum Hauptautor der Musik, während Dower für die grotesken Texte zuständig
war. Abramelin war in den 90er Jahren eine starke, treibende Kraft und spielte neben einer Reihe bekannter australischer Bands aus verschiedenen
Genres sowie internationalen Metal-Giganten wie Morbid Angel, Cradle of Filth, Cannibal Corpse, Carcass & Paradise Lost, um nur einige zu nennen.
Everybody Needs A Hero ist das zweite Studioalbum der in Dublin geborenen Orla Gartland, das über ihr eigenes Label New Friends erscheint.
Everybody Needs A Hero erforscht, wie Gartland sich durch die Strömungen einer Langzeitbeziehung wandelt und herausfindet, wie sie in einer
postfeministischen Welt ihren Platz einnehmen kann. Während des gesamten Albums erforscht Orla die Idee eines „Helden“: jemand, zu dem man
aufschaut, jemand, der uns vor uns selbst rettet, jemand, den wir benutzen, um uns von unserem eigenen Schattenselbst abzulenken. Als Zeugnis
ihres künstlerischen Wachstums, ihres wachsenden Selbstbewusstseins und ihres stolzen Gefühls der Unabhängigkeit ist dieses Album der jüngste
Meilenstein auf der Reise dieses Selfmade-Talents.
Mit einer Viertelmilliarde Streams in ihrer Karriere, ausverkauften Tourneen und Festivalauftritten bei Glastonbury und Latitude; bis hin zu ihrem
Debütalbum „Woman On The Internet“, das die UK & Irish Top 10 erreichte, ist Orla bereit, mutig in das nächste Kapitel ihrer Karriere einzutreten.
The release will be available on super ltd edition black and clear vinyl, including download code.
Up In Her Room are delighted to bring you the latest offering from Uruguay’s Las Cobras!
Emerging from the Uruguayan city of Canelones in 2017, Las Cobras introduced themselves with their debut album, 'Temporal', a 9-track release that quickly became a reference point in global psychedelia after signing with London’s Fuzz Club Records. A couple of years later, the duo—Leandro Rebellato and Sofia Aguerre—expanded to include Dario Macarín and Diego Mercadal, releasing their second album, 'Selva'.
In their debut, Las Cobras blended proto-punk and shoegaze with hints of afrobeat and Tropicalia. With 'Selva', the band amplified these elements, showcasing their evolving sound. Notably, their track "Al más Allá" is featured in the Amazon Prime series "La Cabeza de Joaquín Murrieta."
For their third album, 'Cárcavas', the band explores the concept of the cárcava—a scar on the earth symbolizing a period of desolation. Teaming up with London label 'Up in her Room', they present a darker, more chaotic record that reflects the tumultuous years they've endured. Most tracks were mixed by James Aparicio (Depeche Mode, Spiritualized, Throw Down Bones Grinderman), lending the album a sharper, more defined sound. Las Cobras continue to delve into their sonic palette, incorporating electronic drums, Latin percussion, penetrating synthesizers, and fuzzed-out guitars, all from a more stripped-down perspective.
Black butterfly for example is an espectrum of a lost friend. Like a ghost...Always in orbit. Diving into darker places... Traveling through the universe...
RAT BOY have recorded in Los Angeles with T im Armstrong of Rancid, played festivals as far afield as Japan and China, and toured North America with The Interrupters. Yet for all those globe-trotting adventures, there"s no place you know quite as well as home. That"s the central topic that R AT BOY explore on their upcoming third album "SUBURBIA CALLING", which will be released on October 4th via Hellcat. "SUBURBIA CALLING" sees RAT BOY exploring stories from their roots in Essex. It"s the land of wheeler -dealers and dodgy geezers, and home to nosey neighbours, rowdy clubs and Joey Essex. For readers outside of the UK, it"s the land of Blur, Depeche Mode and The Prodigy: a place not so far outside of east London, but in other ways it"s a world away. And it"s not only an immense font of inspiration for RAT BOY, but the place where ever ything happens for them.. Just outside of Chelmsford sits a converted barn where the band can jump in and be creative whenever the mood takes them - a HQ that is a recording studio, a rehearsal space, an art studio, a storage space and a hangout spot all-in-one. Frontman Jordan Cardy says, "I wanted to sing about Essex. Essex is where we live and when you"ve grown up somewhere you notice things about it. There"s so much to draw on. Essex is really close to London but it"s different in a lot of ways. We"ve got a lot of freedom here, we built a place where we can record and rehearse and hang out, somewhere you wouldn"t be able to have in London." RAT BOY - completed by Liam Haygarth (bass), Harr y Todd (guitar) and Noah Booth (dr ums) - approached the making of the al - bum in unorthodox fashion. They recorded a home demo and a live performance of each song, which were then sent to producer Stephen Street (The Smiths, Blur) to edit together like a tapestry puzzle.
RAT BOY have recorded in Los Angeles with T im Armstrong of Rancid, played festivals as far afield as Japan and China, and toured North America with The Interrupters. Yet for all those globe-trotting adventures, there"s no place you know quite as well as home. That"s the central topic that R AT BOY explore on their upcoming third album "SUBURBIA CALLING", which will be released on October 4th via Hellcat. "SUBURBIA CALLING" sees RAT BOY exploring stories from their roots in Essex. It"s the land of wheeler -dealers and dodgy geezers, and home to nosey neighbours, rowdy clubs and Joey Essex. For readers outside of the UK, it"s the land of Blur, Depeche Mode and The Prodigy: a place not so far outside of east London, but in other ways it"s a world away. And it"s not only an immense font of inspiration for RAT BOY, but the place where ever ything happens for them.. Just outside of Chelmsford sits a converted barn where the band can jump in and be creative whenever the mood takes them - a HQ that is a recording studio, a rehearsal space, an art studio, a storage space and a hangout spot all-in-one. Frontman Jordan Cardy says, "I wanted to sing about Essex. Essex is where we live and when you"ve grown up somewhere you notice things about it. There"s so much to draw on. Essex is really close to London but it"s different in a lot of ways. We"ve got a lot of freedom here, we built a place where we can record and rehearse and hang out, somewhere you wouldn"t be able to have in London." RAT BOY - completed by Liam Haygarth (bass), Harr y Todd (guitar) and Noah Booth (dr ums) - approached the making of the al - bum in unorthodox fashion. They recorded a home demo and a live performance of each song, which were then sent to producer Stephen Street (The Smiths, Blur) to edit together like a tapestry puzzle.
In celebration of the 40th anniversary of Talk Talk's iconic "It's My Life" album, it has been cut at Half-Speed by Matt Colton at Metropolis Studios, overseen by Talk Talk drummer Lee Harris and Charlie Hollis, son of Mark Hollis, giving the album a greater depth. Originally released in February 1984, "It's My Life" is the band' second album and followed the 1982 release of their debut "The Party's Over" which initially received moderate success in the UK reaching number 21 in the UK chart and finding some global success.
By the time they came to writin and recording "It's My Life" the band had gone from the four piece to a three with Simon Brenner leaving the band. The album initally found considerable international success. "Such A Shame", the album's first single was a top 10 hit across Europe and the album's title track entered global Top 40's including in the US.
Schwerpunkt Süden und Austria! Anna Buchegger bringt
frischen Wind in die österreichische Volksmusik - kühn und
selbstbestimmt. In ihrer Musik verbindet sie ausgewählte
traditionelle Elemente mit zeitgenössischen Strömungen und
erschafft einen Dialog, der die Werte von gestern und die
Dringlichkeiten von heute miteinander verknüpft. Kein Blatt
vor den Mund nehmen! – Ihre Texte spiegeln die raue Realität
wider, verpackt im dialektalen Sprachklang der Salzburger
Mundart und eingebettet im zeitlosen Bandsound der 70erJahre. Kurz gesagt: musikalisches Brückenbauen zwischen
Tradition und Innovation.
- The Moon Turned To Blood
- The Salem Witch Trial
- Ghost Power
- Running Through The Night
- In My Grave
- Crystal Ball
- Cemetery
- Unknown Fear
- Turned Killer
- Haunted After Midnight
- Doomsday
- Igor's Party
- Haunted Piano
- Mummy Drag
- Black Magic & Witchcraft
- Thrills And Chills
- Don't Make Me Kill You
- Too Many Skeletons In The Closet
- Nightmare Strut
- Cannibals
OPAQUE METALLIC SILVER COLORED VINYL[28,78 €]
Haunted Presence ist ein bis zum Rand gefüllter Kissenbezug mit köstlichen Halloween-Leckerbissen aus dem Numeroverse und eine unterhaltsame Mischung aus schaurigem Garage-Rock, skelettartigem Soul, mutiertem Protometal und gruseligem 60er-Jahre-Kitsch. Mit einer Spannweite von 20 Tracks wird diese Doppel-LP mit Sicherheit jede Kostümparty, Séance oder Monster-Mash beleben. Warnung! Längerer Genuss kann Gehörschäden verursachen.
- The Moon Turned To Blood
- The Salem Witch Trial
- Ghost Power
- Running Through The Night
- In My Grave
- Crystal Ball
- Cemetery
- Unknown Fear
- Turned Killer
- Haunted After Midnight
- Doomsday
- Igor's Party
- Haunted Piano
- Mummy Drag
- Black Magic & Witchcraft
- Thrills And Chills
- Don't Make Me Kill You
- Too Many Skeletons In The Closet
- Nightmare Strut
- Cannibals
Black Vinyl[27,52 €]
Haunted Presence ist ein bis zum Rand gefüllter Kissenbezug mit köstlichen Halloween-Leckerbissen aus dem Numeroverse und eine unterhaltsame Mischung aus schaurigem Garage-Rock, skelettartigem Soul, mutiertem Protometal und gruseligem 60er-Jahre-Kitsch. Mit einer Spannweite von 20 Tracks wird diese Doppel-LP mit Sicherheit jede Kostümparty, Séance oder Monster-Mash beleben. Warnung! Längerer Genuss kann Gehörschäden verursachen.
Gepaart mit dem unermüdlichen Bestreben der Band, ihre Musik im ganzen Land unter die Leute zu bringen, wuchs der Ruf von Maul schnell und ein Pakt mit 20 Buck Spin wurde mit Blut besiegelt. Die ersten Früchte dieses Bündnisses wurden Ende 2023 mit dem Promo-Tape "Desecration and Enchantment" geliefert. Und nun führen alle Wege zu Mauls zweitem Album "In the Jaws of Bereavement".
Während der verrottete Death Metal im Kern der Band unbestritten ist, schämt sich die Band nicht, wenn es darum geht, eine Vorliebe für die härtere Seite des Hardcore mit moshtauglichen Riffs und massentauglichen Breaks zu zeigen. In the "Jaws of Bereavement" schafft es, die unheimlichen Erscheinungen und die melodische Leadarbeit der Größen des Death Metal mit den strafenden Rhythmen der gewalttätigen Kraft des Hardcore so gekonnt zu verschmelzen, dass es sich völlig organisch anfühlt. Zusammengehalten wird das Ganze durch die ungestüme Stimmgewalt der menschlichen Abrissbirne Garrett Alvarado.
FFO: Sanguisugabogg, Phobophilic, Fulci, Scorched, Warflurch, Kruelty, Terminal Nation, Obituary, Gatecreeper
Gepaart mit dem unermüdlichen Bestreben der Band, ihre Musik im ganzen Land unter die Leute zu bringen, wuchs der Ruf von Maul schnell und ein Pakt mit 20 Buck Spin wurde mit Blut besiegelt. Die ersten Früchte dieses Bündnisses wurden Ende 2023 mit dem Promo-Tape "Desecration and Enchantment" geliefert. Und nun führen alle Wege zu Mauls zweitem Album "In the Jaws of Bereavement".
Während der verrottete Death Metal im Kern der Band unbestritten ist, schämt sich die Band nicht, wenn es darum geht, eine Vorliebe für die härtere Seite des Hardcore mit moshtauglichen Riffs und massentauglichen Breaks zu zeigen. In the "Jaws of Bereavement" schafft es, die unheimlichen Erscheinungen und die melodische Leadarbeit der Größen des Death Metal mit den strafenden Rhythmen der gewalttätigen Kraft des Hardcore so gekonnt zu verschmelzen, dass es sich völlig organisch anfühlt. Zusammengehalten wird das Ganze durch die ungestüme Stimmgewalt der menschlichen Abrissbirne Garrett Alvarado.
FFO: Sanguisugabogg, Phobophilic, Fulci, Scorched, Warflurch, Kruelty, Terminal Nation, Obituary, Gatecreeper
Der italienische Musiker, Produzent, Komponist und Instrumentenbauer Alessandro Cortini veröffentlicht am 4. Oktober sein neues Album 'NATI INFINITI' via Mute.
Nach 'Scuro Chiaro' (2021) ist 'NATI INFINITI' ein 40-minütiges Stück in fünf Sätzen, das auf einer immersiven Audioinstallation basiert, die Cortini ursprünglich für das Sónar Lisboa Festival 2022 schuf, wo sie auf vier Etagen des Museu de Lisboa's Moagem präsentiert wurde. Später, im Jahr 2023, präsentierte Cortini die Live-Performance auf dem Atonal-Festival in Berlin, wo er das Werk als einen einzigartigen, sich entwickelnden Dialog neu interpretierte. Das Album wurde von der für einen Grammy nominierten Tontechnikerin, Produzentin und Mischerin Marta Salogni (Björk, Depeche Mode, Sampha) abgemischt und enthält Cortinis Strega-Synthesizer, den er zusammen mit dem Musiktechnologieunternehmen Make Noise entwickelt hat.
Cortini ist einer der wichtigsten Vertreter der zeitgenössischen elektronischen Musik und vor allem für seine eindringlichen, atmosphärischen Werke bekannt. Als langjähriges Mitglied von Nine Inch Nails ist er ein äußerst produktiver Solokünstler, der in den letzten zehn Jahren einen stetigen Strom seiner eigenen berauschenden Musik auf renommierten Labels wie Mute, Hospital und Important Records veröffentlicht hat. Während seines schattenhaften Aufstiegs zum Ruhm hat er mit Künstlern wie Lawrence English, Daniel Avery und Merzbow zusammengearbeitet und wurde in die Rock and Roll Hall of Fame aufgenommen (als einziger italienischer Musiker, der jemals geehrt wurde).
- Ltd. LP: (Limited edition first pressing - Silver Mirror Board - Embossed on front / Debossed on back / Includes information sheet insert)
- A1: Fairytale Of New York (Feat. Kirsty Maccoll)
- A2: Sally Maclennane
- A3: Dirty Old Town
- A4: The Irish Rover (Feat. The Dubliners)
- A5: A Pair Of Brown Eyes
- A6: Streams Of Whiskey (2013 Mix)
- A7: A Rainy Night In Soho
- B1: Fiesta
- B2: Rain Street
- B3: Misty Morning, Albert Bridge (2013 Mix)
- B4: White City (2013 Mix)
- B5: Thousands Are Sailing
- B6: The Broad Majestic Shannon
- B7: The Body Of An American
"Blue Garden", das fünfte Album der britischen Math-Rock-Band Delta Sleep, wurde in zweieinhalb Wochen in den belgischen Daft Studios geschrieben und mit Produzent Mark Roberts (Black Peaks, Toska, The Physics House Band) aufgenommen, während die Band die Gelegenheit nutzte, mit dem vorhandenen Equipment wie elektronische Sampler und Synthesizer ihren Sound zu bereichern. Inhaltlich ist das Album eine Art Katharsis in den jetzigen dunklen Zeiten und wirft die Frage auf, wie man mit traumatischen Momenten ausserhalb der eigenen persönlichen Sphäre klarkommt, die einen machtlos und verzweifelt zurücklassen.
Nach ersten EPs, Touren und Shows mit u. a. Bratmobile und L7 veröffentlichen Cumgirl8 im Herbst 2024 ihr Debütalbum. Für Veronika Vilim (Gitarre), Chase Lombardo (Drums), Lida Fox (Bass) und Avishag Rodrigues (Gitarre) ist dabei weiterhin eine Philosophie von zentraler Bedeutung: der Cyberfeminismus, der die Beziehung zwischen Mensch, Natur, Technologie und Maschine im Blick hat. In diesem Kontext ist "the 8th cumming" ein musikalischer Fiebertraum geworden. Die Platte wandelt zwischen Dunkelheit und Licht, zwischen verzerrten Industrial-Sounds und Carpenters Retro-Horror-Soundtracks, streift Post-Punk wie Synth-Wave-Romantik.
Nach ersten EPs, Touren und Shows mit u. a. Bratmobile und L7 veröffentlichen Cumgirl8 im Herbst 2024 ihr Debütalbum. Für Veronika Vilim (Gitarre), Chase Lombardo (Drums), Lida Fox (Bass) und Avishag Rodrigues (Gitarre) ist dabei weiterhin eine Philosophie von zentraler Bedeutung: der Cyberfeminismus, der die Beziehung zwischen Mensch, Natur, Technologie und Maschine im Blick hat. In diesem Kontext ist "the 8th cumming" ein musikalischer Fiebertraum geworden. Die Platte wandelt zwischen Dunkelheit und Licht, zwischen verzerrten Industrial-Sounds und Carpenters Retro-Horror-Soundtracks, streift Post-Punk wie Synth-Wave-Romantik.
SPEC. ED. BLACK W/ RED SPLATTER LP + XTRS[32,98 €]
LTD IVORY W/ GLITTER VINYL[20,46 €]
THE HEADLINES aus Skandinavien sind zurück! Neues Album der Band, die dich an deine erste Liebe zum Rock'n'Roll oder an dein erstes Punkfestival erinnert, begleitet von einem schnellen Beat und billigem Wein in der Sonne. Als "Homewrecker" wird oft eine Person bezeichnet, die sich - in den meisten Fällen wissentlich - auf eine Beziehung oder Affäre mit einem verheirateten Partner einlässt.Aber was ist die wahre Bedeutung hinter diesem Wort und der übermäßigen Kraft, die nötig ist, um etwas in Schutt und Asche zu legen, sei es ein Haushalt oder ein ganzes Leben mit all seinen Seelen? Drogen, Glücksspiel, Dekadenz, Aggression, Geld, promiskuitiver Sex. Die zerstörerischen Kräfte haben alle Bandmitglieder von THE HEADLINES in irgendeiner Weise fasziniert, und alle 12 Songs versuchen, das Thema bis zu einem gewissen Grad zu zerlegen."Was passiert, bevor, während und nachdem der HOMEWRECKER die Kontrolle über dein Leben übernimmt?"Der Wille, das herauszufinden, führte zu ihrem bisher ambitioniertesten Werk. Das aktuelle Line-Up mit der authetischen und aufgeschlossenen KERRY BOMB im Zentrum markiert einen neuen Schritt für dieses Punk-Quintett in Richtung Alternative, aber noch mit dem gleichen punkigen Nerv und umarmenden Texten. Ein vitaler und ehrgeiziger Sound von hardrockenden Hymnen, die die Ohren herausfordern! Es hat Alternative-Rock-Vibes, Hardrock-Soli, punkiges Knurren und erstklassige Hooks. Skandinavischer Rock hat schon immer die Grenzen von "wie weit kann das gehen?" getestet. Dieses Album bildet da keine Ausnahme, mit Texten, die tief in den Abgrund führen, aber auch mit unbeschwerten Partyhymnen! Für dieses Album hat die Band mit einem starken Team in ihrem "eigenen Hinterhof" Skandinavien zusammengearbeitet. Aufgenommen, bearbeitet und produziert von KB Larsen (Volbeat) und Thomas Larsen (Tambourine Studios/Fabriken Studios) in Kopenhagen und Malmö, gemischt von Håkan Sörle (Mando Diao) in Stockholm. Eine weitere einzigartige der HEADLINES, die in die bei Alternative/Punk/Rock bestens aufgehoben ist. THE HEADLINES touren weltweit und waren Special Guests auf der gesamten Millencolin & Danko Jones Tour (2023 / 2022), zur Album VÖ im Oktober gibt es nun die eigenen Headline-Tour, klaro!
Die Special Edition des neuen Albums kommt als schwarzes Vinyl mit rotem Splatter, verpackt in Headlines-Beutel mit vielen Extras: CD-Album, drei besondere Kunstdrucke von Gitarrist Jake Lundtofte, zweiseitiges Poster, Aufkleber und signierte Band-Karte!
THE HEADLINES aus Skandinavien sind zurück! Neues Album der Band, die dich an deine erste Liebe zum Rock'n'Roll oder an dein erstes Punkfestival erinnert, begleitet von einem schnellen Beat und billigem Wein in der Sonne. Als "Homewrecker" wird oft eine Person bezeichnet, die sich - in den meisten Fällen wissentlich - auf eine Beziehung oder Affäre mit einem verheirateten Partner einlässt.Aber was ist die wahre Bedeutung hinter diesem Wort und der übermäßigen Kraft, die nötig ist, um etwas in Schutt und Asche zu legen, sei es ein Haushalt oder ein ganzes Leben mit all seinen Seelen? Drogen, Glücksspiel, Dekadenz, Aggression, Geld, promiskuitiver Sex. Die zerstörerischen Kräfte haben alle Bandmitglieder von THE HEADLINES in irgendeiner Weise fasziniert, und alle 12 Songs versuchen, das Thema bis zu einem gewissen Grad zu zerlegen."Was passiert, bevor, während und nachdem der HOMEWRECKER die Kontrolle über dein Leben übernimmt?"Der Wille, das herauszufinden, führte zu ihrem bisher ambitioniertesten Werk. Das aktuelle Line-Up mit der authetischen und aufgeschlossenen KERRY BOMB im Zentrum markiert einen neuen Schritt für dieses Punk-Quintett in Richtung Alternative, aber noch mit dem gleichen punkigen Nerv und umarmenden Texten. Ein vitaler und ehrgeiziger Sound von hardrockenden Hymnen, die die Ohren herausfordern! Es hat Alternative-Rock-Vibes, Hardrock-Soli, punkiges Knurren und erstklassige Hooks. Skandinavischer Rock hat schon immer die Grenzen von "wie weit kann das gehen?" getestet. Dieses Album bildet da keine Ausnahme, mit Texten, die tief in den Abgrund führen, aber auch mit unbeschwerten Partyhymnen! Für dieses Album hat die Band mit einem starken Team in ihrem "eigenen Hinterhof" Skandinavien zusammengearbeitet. Aufgenommen, bearbeitet und produziert von KB Larsen (Volbeat) und Thomas Larsen (Tambourine Studios/Fabriken Studios) in Kopenhagen und Malmö, gemischt von Håkan Sörle (Mando Diao) in Stockholm. Eine weitere einzigartige der HEADLINES, die in die bei Alternative/Punk/Rock bestens aufgehoben ist. THE HEADLINES touren weltweit und waren Special Guests auf der gesamten Millencolin & Danko Jones Tour (2023 / 2022), zur Album VÖ im Oktober gibt es nun die eigenen Headline-Tour, klaro!
Die Special Edition des neuen Albums kommt als schwarzes Vinyl mit rotem Splatter, verpackt in Headlines-Beutel mit vielen Extras: CD-Album, drei besondere Kunstdrucke von Gitarrist Jake Lundtofte, zweiseitiges Poster, Aufkleber und signierte Band-Karte!
THE HEADLINES aus Skandinavien sind zurück! Neues Album der Band, die dich an deine erste Liebe zum Rock'n'Roll oder an dein erstes Punkfestival erinnert, begleitet von einem schnellen Beat und billigem Wein in der Sonne. Als "Homewrecker" wird oft eine Person bezeichnet, die sich - in den meisten Fällen wissentlich - auf eine Beziehung oder Affäre mit einem verheirateten Partner einlässt.Aber was ist die wahre Bedeutung hinter diesem Wort und der übermäßigen Kraft, die nötig ist, um etwas in Schutt und Asche zu legen, sei es ein Haushalt oder ein ganzes Leben mit all seinen Seelen? Drogen, Glücksspiel, Dekadenz, Aggression, Geld, promiskuitiver Sex. Die zerstörerischen Kräfte haben alle Bandmitglieder von THE HEADLINES in irgendeiner Weise fasziniert, und alle 12 Songs versuchen, das Thema bis zu einem gewissen Grad zu zerlegen."Was passiert, bevor, während und nachdem der HOMEWRECKER die Kontrolle über dein Leben übernimmt?"Der Wille, das herauszufinden, führte zu ihrem bisher ambitioniertesten Werk. Das aktuelle Line-Up mit der authetischen und aufgeschlossenen KERRY BOMB im Zentrum markiert einen neuen Schritt für dieses Punk-Quintett in Richtung Alternative, aber noch mit dem gleichen punkigen Nerv und umarmenden Texten. Ein vitaler und ehrgeiziger Sound von hardrockenden Hymnen, die die Ohren herausfordern! Es hat Alternative-Rock-Vibes, Hardrock-Soli, punkiges Knurren und erstklassige Hooks. Skandinavischer Rock hat schon immer die Grenzen von "wie weit kann das gehen?" getestet. Dieses Album bildet da keine Ausnahme, mit Texten, die tief in den Abgrund führen, aber auch mit unbeschwerten Partyhymnen! Für dieses Album hat die Band mit einem starken Team in ihrem "eigenen Hinterhof" Skandinavien zusammengearbeitet. Aufgenommen, bearbeitet und produziert von KB Larsen (Volbeat) und Thomas Larsen (Tambourine Studios/Fabriken Studios) in Kopenhagen und Malmö, gemischt von Håkan Sörle (Mando Diao) in Stockholm. Eine weitere einzigartige der HEADLINES, die in die bei Alternative/Punk/Rock bestens aufgehoben ist. THE HEADLINES touren weltweit und waren Special Guests auf der gesamten Millencolin & Danko Jones Tour (2023 / 2022), zur Album VÖ im Oktober gibt es nun die eigenen Headline-Tour, klaro!
- Live At Harvard Square Theater
- Cambridge, Ma, November 20, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Introduction – Bob Neuwirth
- 2: Edith And The Kingpin
- 3: Don’t Interrupt The Sorrow
- Live At Music Hall
- Boston, Ma, November 21, 1975
- Recording Supervised By Don Devito; Mixed By Patrick Milligan
- 4: Introduction – Bob Neuwirth
- 5: Harry’s House
- Live In Bangor
- Bangor, Me, November 27, 1975
- Recorded By L.a. Johnson & Petur Hliddal
- 6: A Case Of You
- Live At Montreal Forum
- Montreal, Qc, Canada, December 4, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Intro To Coyote
- 2: Coyote
- 1976: Tour Of The United States
- Recorded By Stanley Johnston From Pa Mixes By Brian Jonathan
- (Courtesy Of The Estate Of Stanley Tajima Johnston)
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 3: Free Man In Paris
- 4: Shades Of Scarlett Conquering
- Live At Nassau Coliseum
- Uniondale, Ny, February 20, 1976
- 5: For Free
- Side Three
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 1: Shadows And Light
- 2: In France They Kiss On Main Street
- 3: Intro To Furry Sings The Blues
- 4: Furry Sings The Blues
- Hejira Demos
- A&M Studios, Hollywood, Ca, March 1976
- Recorded By Henry Lewy; Mixed By Patrick Milligan
- 5: Traveling (Hejira)
- 1: Black Crow
- 2: Amelia
- Rolling Thunder Revue
- Tarrant County Convention Center, Fort Worth, Tx, May 16, 1976
- Recording Supervised By Don Devito; Engineered By
- Don Meehan; Mixed By Patrick Milligan
- 3: Intro To Song For Sharon
- 4: Song For Sharon
- Hejira Sessions
- A&M Studios, Hollywood, Ca, Summer 1976
- Recorded & Mixed By Henry Lewy
- 1: Refuge Of The Roads (Early Mix With Horns)
- 2: Don Juan’s Reckless Daughter (Early Rough Mix)
- Don Juan’s Reckless Daughter Sessions
- A&M Studios, Hollywood, Ca
- Recorded & Mixed By Henry Lewy
- 3: Otis And Marlena (Early Rough Mix)
- Mingus Sessions
- Electric Lady Studios, New York, Ny
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 4: Sweet Sucker Dance (Vocals & Drums Version – Take 5)
- Live At Bread & Roses Festival
- Greek Theatre, Berkeley, Ca, September 2 & 3, 1978
- Recorded & Mixed By Henry Lewy
- 1: Introduction
- 2: The Dry Cleaner From Des Moines
- 3: Intro To Goodbye Pork Pie Hat
- 4: Goodbye Pork Pie Hat
- 5: Intro To The Wolf That Lives In Lindsey
- 6: The Wolf That Lives In Lindsey
- Mingus Early Alternate Version
- Electric Lady Studios, New York, Ny And A&M Studios
- Hollywood, Ca, 1978 & 1979
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 15: God Must Be A Boogie Man
- 1: Sue And The Holy River
- 1979: Tour Rehearsals
- Sir Rehearsal Studios, Los Angeles, Ca
- Recorded By Joel Bernstein
- 2: Jericho
- 3: Help Me
- 1979: Tour Of The United States
- Live At Forest Hills Tennis Stadium
- Queens, Ny, August 25, 1979
- Recorded By Joel Bernstein From Pa Mix By Ed Wynne
- 4: Big Yellow Taxi
- 5: Just Like This Train
- 6: Raised On Robbery
- 1: The Last Time I Saw Richard
- Live At Greek Theatre
- Los Angeles, Ca, September 13, 1979
- Recorded By Andy Johns & Henry Lewy; Mixed By Patrick Milligan
- 2: Intro To A Chair In The Sky
- 3: A Chair In The Sky
Features Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos & An Extensive Conversation Between Joni & Cameron Crowe
Sourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks & Cassette Tapes
Throughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA 1976, the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.
Available as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread & Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.
Vol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.
Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.
Tony Iommi ist ein englischer Musiker. Er war Mitbegründer der bahnbrechenden Heavy-Metal-Band Black Sabbath und war über fünf Jahrzehnte lang Gitarrist, Bandleader, Hauptkomponist und einziges ununterbrochenes Bandmitglied der Band. Er gilt als einer der Wegbereiter und Pioniere der Heavy-Metal-Musik und hat zahlreiche Subgenres des Metal inspiriert. Er gilt weithin als einer der größten Rockgitarristen aller Zeiten. Iommi hat eine Reihe von Preisen gewonnen. Dazu gehören Q Awards, Kerrang! Awards sowie
drei Grammy Awards, die er als Mitglied von Black Sabbath gewonnen hat.
Glenn Hughes ist ein englischer Musiker, der vor allem als Bassist und Sänger in der Hardrock-Band Trapeze und in den Mk. III- und IV-Besetzungen von Deep Purple bekannt ist. Außerdem war er Mitte der
1980er Jahre kurzzeitig Frontmann von Black Sabbath. Neben seiner Tätigkeit als aktiver Sessionmusiker verfolgt Hughes auch eine bemerkenswerte Solokarriere. Derzeit ist er Frontmann der Supergruppe Black Country Communion und war von 2013 bis 2015 Frontmann von California Breed und von 2019 bis 2023 Frontmann von The Dead Daisies. 2016 wurde Hughes als Mitglied von Deep Purple in die Rock and Roll Hall of Fame aufgenommen.
Dies ist eine Neuauflage des Albums DEP Sessions von 1996 – ein gemeinsames Studioalbum des legendären Black Sabbath-Gitarristen Tony Iommi und des ehemaligen Sabbath-Frontmanns Glenn Hughes.
John Davis is a sound artist and filmmaker based in the Bay Area. Active since the mid-aughts, he has published recordings on labels such as Root Strata and Digitalis, as well as on his own Bimodal Press imprint. “Landlines” sees a return to the SOD catalog for Davis, following a full-length release in 2013, and may be seen as somewhat of a spiritual successor to that album. In all of Davis’ work, there is a specific pastoral sensibility that feels firmly rooted in the forests and coasts of Northern California, moving with the delicate and erratic cadence of dust motes rendered visible in bright sunlight. Opening track “Verichrome” articulates the soundscape wonderfully, stitching together Music Mouse-esque formant synthesis and meditative vocal sampling with an exquisite minimalist suite for prepared piano. Of these recordings, Davis himself writes, “In a general sense the conceit here is nostalgia, a desire to reflect on the importance of connection – to ourselves and to the world around us. The title is, of course, a euphemism for the telephone, but I am also considering landscape, horizons, and infrastructure, as well as the invisible lines that connect us, the threads that bind us, and the communities that form us.”
Trumpeter Booker Little made only a few albums during his tragically short life including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists. Little came to prominence in Max Roach’s band and the drummer joins him here along with George Coleman, Tommy Flanagan, and Art Davis. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Four years after their Discrepant debut - 'OOOO' -, Lisbon-based travellers Jibóia return to the fold with another offering of globetrotting psychedelia with 'Salar'. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a guest to elevate Jibóia's music to uncharted realms - both in a mystical and geographical sense.
Opener 'Selar' summons the cello of songstress Joana Guerra for a skewed dialogue with Silva's guitar, propelled by Martins' drums and percussion and André's electronic textures into 4 minutes and 20 seconds that feel epic - if there was any psychedelic numerological symbolism needed. On 'Solar', Silva's non-western plucking rides on for Yaw Tembe's trumpet to veer in a multitude in directions, while the mysterious 'Sitar' conjures the voice of moroccan musician Ayoub El Ayadi for a contemplative nighttime prayer. Elsewhere, guitarist Rui Carvalho aka Filho da Mãe injects dissonant guitar lines unto 'Sarar's pummelling dance and Pedro Augusto's electronics hover below the shapeshifting dynamics of 'Sonar', among mesmerising keyboard lines. 'Salir' featuring Daiyen Jone enchanted flute brings the album to a close at its most reflective, all crepuscular synth lines and reverbed handclaps.
The highly anticipated album from LAWRENCE is finally here and 15 years after the CD release for the first time available on vinyl!!!
Hamburg based DIAL and SMALLVILLE owner Peter Kersten aka LAWRENCE is one of the most valued and highly regarded artist's in the modern dance music community with a long history of releases on Nova Mute, Kompakt, Ladomat, Spectral, Ghostly, Mule and of course his own imprint DIAL. UNTIL THEN, GOODBYE kicks off with a special 'intro' version of a fan favourite FRIDAY'S CHILD followed by the introspective ambient piece SUNRISE. GREY LIGHT remarks the electronic style of DRUTTI COLUMN while JILL is purely sweet slow house music. The album shifts towards more acoustic driven material with songs such as FATHER UMBRILLO and TODERHAUSEN BLUES…don't fret purists as LAWRENCE hits back with his classic signature sounds with the likes of IN YOUR EYES, SLEEP and SUFFER. LAWRENCE leaves us with a whisper in the most beautiful of ways. The atmospheric ambient tune DON'T FOLLOW ME, the ebb and flow of the piano driven A NEW DAY and the title track leave the listener in a state of bliss. Dare we say, this is one of LAWRENCE's most daring and diverse albums to date…not necessarily a 'concept' album per say but definitely showcases his gift for provoking a remarkably diverse range of musical influences and styles.
Der Saxofonist Phillip Dornbusch hat sich mit seiner Band Projektor vorgenommen, die Aufmerksamkeit des Publikums auf Musik zu lenken, die in Momenten entstand, in denen sich Menschen in Vergangenheit und Gegenwart nicht in einer Demokratie, nicht in Freiheit befanden. Die meisten Stücke auf dem dritten Projektor-Album, das den Titel Revolt trägt, speisen sich aus Liedern, die in Iran und Estland entstanden sind und während der Aufstände gegen das sowjetische Regime beziehungsweise die Islamische Republik gesungen wurden. Das Zusammenspiel der fünf Musiker:innen hatte schon auf den beiden Alben "Reflex" (2021), sowie auf "Re|Construct" (2023) etwas traumwandlerisch-sicheres. Johanna Summer, Johannes Mann, Roger Kintopf und Philip Adrian Dornbusch organisieren sich um meist vom Saxophon Dornbuschs getragene Melodien und Themen, weichen ab und kehren wieder zurück, um ein anderes Instrument, eine andere Idee, eine andere Klangfarbe in den Vordergrund treten zu lassen. Dieses Zusammenspiel hat auf Revolt das nächste Level erreicht.
Der Assistent scheint am Ende. In der dubiosen Klinik unter Palmen kommt er umnebelt zu sich. Diagnose: Amnesie am Amazonas! Eine Kakteensaft-Kur soll helfen bei der Spurensuche im Sumpf der Erinnerung. Am Ende bleibt nur die Erkenntnis: "Nichts holt mich ab, so wie die Melancholie."
Wie bei seinem Debut wird der Assistent auch beim zweiten Teil seiner Odyssee von den Klängen der späten siebziger und frühen achtziger Jahre begleitet. Ein Sound wie auf einem Mixtape, das zu lange in der südamerikanischen Sonne auf der Heckablage eines verbeulten Citroën Visa lag. Sein Sofrito aus Library-Muzak, Dub-Rhytmen, japanischem Reggae und Yachtrock, gewürzt mit Latin und Bossanova, serviert er auf zartem Weißbrot-Soul. Die Texte sind bisweilen absurd, stets sehnsuchtsvoll und mindestens doppeldeutig. Hier und da wurde ein Easter Egg versteckt: Jörg Fauser, Raymond Chandler und Agatha Christie lassen grüßen. In bekannter Marlowe-Manier driftet der Erzähler verstrahlt durch die (Alp-)Traumwelten seiner acht Lieder. Ist es Tom Hessler selbst, der dort im Zerrspiegel der Cocktailbar erscheint, oder sein Alter Ego? Der Assistent kehrt zurück als relaxed-verzweifelter Fitzcarraldo, der versucht einen Urlaubsdampfer voller Grooves aus der Spree über einen Zauberberg im Regenwald zu hieven, und dabei in Welten jenseits von Raum und Zeit entschwindet. Dabei helfen Wolfgang Pérez (Golf), Magic Manfred (Stella and the Longos), Pedro Goncalves Crescenti (The Düsseldorf Düsterboys, International Music) u.v.a.
London's, Master Peace strikes again with an EP of five new high-energy tracks, continuing his thriving musical journey to deliver this follow up to his debut album How To Make A Master Peace which was released in March 2024. How To Make A(nuva) Master Peace includes the soon-to-be summer anthem `Home', a genius collaboration with US artist Wale that channels an uplifting, nostalgic summer vibe. On the remaining tracks, he draws on a wide range of influences from rock, indie sleaze, electro-pop and more to deliver a fresh, dynamic sound that demonstrates his commitment to bringing something new to the alternative music scene. Master Peace's latest offering further cements his recognition by The Ivor Novello Awards as a Rising Star in the UK new wave indie scene, following what has already been a momentous year for this artist on the up.
‘Leon’ is the highly anticipated fourth album from Grammy Award-winning recording artist, songwriter, and producer Leon Bridges. With 13 tracks featuring Leon’s signature storytelling and a unique blend of organic genre alchemy, ‘Leon’ is his most poignant, powerful, and personal work to date. He takes fans on a trip through the heart of Ft. Worth he knows best, the things he holds dear, and the people and places that shaped him. Featuring production by Ian Fitchuk (Beyonce, Noah Kahan), Daniel Tashian (Kacey Musgraves), and Tyler Johnson (Harry Styles, Miley Cyrus), Leon describes the album as “somewhat of a self-portrait… I’m excited to share these stories about my home, about nostalgia, about my upbringing, about where I’m from, with all of you. I hope this music brings you back to your roots and your journey.”
Quote from Leon:
“‘Leon’ has been a long-time coming. I started writing pieces of it as far back as ‘Gold-Diggers Sound.’ They didn’t fit what I was trying to do with that album and I tried moving on. But I couldn’t shake them because they’re part of me. And, if I’m honest, also because I think this is some of my most excellent work yet.In many ways, Leon has been in the works since my childhood. This record is about simpler days. It’s about time spent in my beloved Fort Worth and the experiences that made me the man I am today. It’s soulful music in the truest sense - it’s imbued with my soul.I’m excited to share these stories about my home, about nostalgia, about my upbringing, about where I’m from, with all of you. I hope this music brings you back to your roots and your journey.”
Ten years after the release of his last project, Jaco returns with a 12-track solo album, signed to Stone Milk Records. Reflecting his last five years of travel and creation, this album bears witness to major transitions. A Brazilian singer-songwriter, Jaco offers a collection of nuanced, musically rich songs, where his poetry takes us into a gentle dream world. Imbued with a certain melancholy, we also find the joyful aesthetic influences of his world music project La Macchina Volante. Triste Alegre echoes the paradoxesoftheworldandofeachindividual,asoothingandoriginaljourneyofferedbythisartist-philosopherfullofmythsandtangents.
Modern progressive rock band DILEMMA presents its third full length album, ‘The Purpose Paradox’. This concept album, spanning over 60 minutes, is released on CD, double LP and via all streaming platforms, and distributed internationally by Butler Records, a division of V2 Records.
It features 9 brand new tracks ranging in length from 4 to nearly 16 minutes. The sound showcases a broader side of DILEMMA — louder, faster, more technical, more progressive. With new frontman Jermain van der Bogt (Wudstik), the vocals have become rawer and more varied. Almost six years after the previous record ‘Random Acts of Liberation’ the band sounds reborn.
Like its predecessor, ‘The Purpose Paradox’ was produced by drummer Collin Leijenaar, who, together with the famed music wizard Rich Mouser (The Mouse House, LA), was also responsible for the mix and mastering. Thanks to their unmatched ears, the result is an audio experience that DILEMMA has worked on with great pride over the past years.
As said, ‘The Purpose Paradox’ was written and produced like a concept album. Because let’s face it, you’re either a progressive rock band or you’re not. But seriously: the story of ‘The Purpose Paradox’ revolves around a man named Neon. Someone like us in the here and now. During his quest for connection and fulfilment, he finds support from an unconventional guide named Electra. She points out to him that sometimes the things we look for are the things that found us first. Will Neon’s heart glow again when he discovers the outer light? Or does the greed of the corporate machine known as The Hand succeed in extinguishing his inner fire? Can Neon’s secrets be deleted? And will he, in the end, arrive in the comfort zone of allies in the raw, rainy city he once left behind?
COKE BOTTLE CLEAR VINYL[25,17 €]
Mit The Hard Quartet hat sich eine Band zusammengetan, der man mit Blick auf ihre Mitglieder wohl den ein oder anderen Superlativ zuschreiben kann. Immerhin tummeln sich hier mit Stephen Malkmus, Matt Sweeney, Emmett Kelly und Jim White vier Musiker und Songwriter, die mit prägenden Größen des Indierocks assoziiert werden: Pavement, Chavez, Ty Segall, The Cairo Gang, Bonnie "Prince" Billy, Guided By Voices, Cat Power, Dirty Three und Bill Callahan sind nur ein Bruchteil der musikalischen Institutionen, bei denen die vier ihre Finger (und Stimmen) im Spiel haben. Über das selbstbetitelte Debüt von The Hard Quartet wird m Netz schon seit Bekanntwerden der Gründung der Band angeregt spekuliert: "Es ist einfach ein vertrauensvolles Umfeld, in dem alle bereit sind zu sagen: Komm wir werfen unseren ganzen Kram in einen Topf und machen daraus etwas Größeres", so die Band dazu. Dass es trotz der getrennten musikalischen Biographien so gut läuft, ist aber sicher auch der Tatsache zu verdanken, dass sich die Wege der Vier schon zuvor immer wieder gekreuzt hatten. "Ich habe eine geradezu vorzeitliche Geschichte mit Stephen und Jim", so Matt Sweeney. "Nun, zumindest reicht sie bis in die Neunziger. In jüngerer Vergangenheit war es dann Emmett, der einen wirklich tiefen Eindruck bei mir hinterlassen hat. So sehr, dass es die Art verändert hat, wie ich übers Spielen denke." Das Album vereint die Stärken von Malkmus, Sweeney, Kelly und White, oszilliert zwischen sonnigem Slacker-Rock und Noise-Experimenten und dürfte alle mit einem Faible für die goldene Ära des US-Indierock begeistern.
- A1: Oblivion (Remastered)
- A2: Divinations (Remastered)
- A3: Quintessence (Remastered)
- A4: The Czar (Remastered): I. Usurper (Remastered)/Ii. Escape (Remastered)/Iii. Martyr (Remastered)/Iv. Spiral (Remastered)
- B1: Ghost Of Karelia (Remastered)
- B1: Crack The Skye (Remastered)
- B2: The Last Baron (Remastered)
- C1: Oblivion (Instrumental)
- C2: Divinations (Instrumental)
- C3: Quintessence (Instrumental)
- D4: The Czar (Instrumental): I. Usurper (Instrumental)/Ii. Escape (Instrumental)/Iii. Martyr (Instrumental)/Iv. Spiral (Instrumental)
- D1: Ghost Of Karelia (Instrumental)
- D2: Crack The Skye (Instrumental)
- D3: The Last Baron (Instrumental)
Gold Vinyl + BD Deluxe][96,60 €]
15th Anniversary Deluxe Edition des vierten Studioalbums von Mastodon, »Crack the Skye«, auf 2LP Sky Blue Vinyl.
LP 1 ist das Originalalbum, das neu gemastert wurde, während LP 2, »Crack the Skye: The Score«, Instrumentalversionen der einzelnen Titel enthält. Ursprünglich im März 2009 veröffentlicht, enthält das Album »Oblivion«, »Divinations«, »The Last Baron« und mehr.
- A1: Oblivion (Remastered)
- A2: Divinations (Remastered)
- A3: Quintessence (Remastered)
- A4: The Czar (Remastered): I. Usurper (Remastered)/Ii. Escape (Remastered)/Iii. Martyr (Remastered)/Iv. Spiral (Remastered)
- B1: Ghost Of Karelia (Remastered)
- B1: Crack The Skye (Remastered)
- B2: The Last Baron (Remastered)
- C1: Oblivion (Instrumental)
- C2: Divinations (Instrumental)
- C3: Quintessence (Instrumental)
- D4: The Czar (Instrumental): I. Usurper (Instrumental)/Ii. Escape (Instrumental)/Iii. Martyr (Instrumental)/Iv. Spiral (Instrumental)
- D1: Ghost Of Karelia (Instrumental)
- D2: Crack The Skye (Instrumental)
- D3: The Last Baron (Instrumental)
Sky Blue Vinyl[40,76 €]
15th Anniversary Deluxe Edition des vierten Studioalbums von Mastodon, Crack the Skye, auf 2LP Sky Blue Vinyl. Disc 1 ist das Originalalbum, das neu gemastert wurde, während Disc 2, Crack the Skye: The Score, Instrumentalversionen der einzelnen Titel enthält. Ursprünglich im März 2009 veröffentlicht, enthält das Album „Oblivion“, „Divinations“, „The Last Baron“ und mehr.
The growth of the Jamaican recording industry…
Records have played an integral part in the history of Jamaican music and the importance of making records, as opposed to making music, can never be overstated. These are the stories, told through first-hand accounts wherever possible, of the men and women… manufacturers, musicians, singers, deejays, arrangers and record producers… who made the records and who made the sound of reggae available worldwide.
“This volume of what promises to become a crucial series covers in comprehensive fashion Jamaican music’s pivotal phase, when the music absorbed its US influences from soul and moved on from rock steady and progressed to the uniquely Jamaican sound of reggae and rockers.
It was a period in which old and new rhythms became the cornerstone of the music and thus the true
foundation of reggae. This second volume in the trilogy, amply illustrated, contains a wealth of interview testimony from the creators of the music and is both utterly authentic and essential reading.”
Steve Barrow
Co-author of ‘Reggae The Rough Guide’
“Noel Hawks takes another deep dive into the history of Jamaica’s recording studios, the businessmen who owned them and the record producers who worked in them. While the previous volume, ‘The Birth Of Ska’, dealt with Jamaica’s nascent music business and the journey, from its mento and folk roots to rhythm & blues and then ska, ‘Rock Steady To Rockers’ picks up the story as ska is about to transform into the smoother rock steady style and carries us through to reggae and the sonically sophisticated dub of the Seventies.
The book contains a stunning collection of hard facts about the business of making records, as well as personal recollections from many of the leading lights of Jamaica’s music scene, and is a fascinating read for record collectors, reggae fans and anyone who loves music.
Chris Lane
Fashion Records
“The second part of this important trilogy is no less informative and engrossing than the first volume. The author’s blending of his own authoritative narrative and entertaining quotes from people who watched everything that’s chronicled here unfold… artists, producers and early collectors… makes for a seamlessly entertaining read from start to finish.
If you couldn’t be there, or even thereabouts, at the time consider this book your very own literary TARDIS to help you to relive the evolution of Jamaican music at (almost) first hand. I’m very proud to have had even the smallest involvement with this essential read. Roll on Volume Three…”
Tony Rounce
Author & Music Historian
The sophomore effort from Gray/Smith refines their petroleum-based, hard-lullaby sound with a decidedly dusty precision. To call this pair's brand of country-rock détournement "cosmic" would be too breezy: L. Gray and Rob Smith prefer to stare into sunken depths, channeling their recondite affections for lay-by mauve zones and red-dirt guitar wanderings. Formed in the outer-edges of Kings and Richmond counties circa 2020, Gray/Smith is something of an East-Coast involution. L. Gray (guitar and vocals) and Rob Smith (drums, guitar and vocals) are both trusty veterans of "band's bands" like Pigeons (Soft Abuse), No-Neck Blues Band (Revenant, Locust), Rhyton (Thrill Jockey), and The Suntanama (Drag City), freewheeling groups known for mining from polyglot sources: rough-hewn folk and the spiritual avant-garde, bargain-bin hard rock and and collector's-choice psychedelia alike. On their first, self-released LP Gray/Smith, serendipitously recorded at Gary's Electric at the top of 2021, the pair trained their assured chops onto the great American song-form, honing a murky but tight approach that variously cribs "urban cowboy" and finger-picked primitivism. A string of cryptic appearances soon followed, including a short-lived residency at a now-shuttered vodka dive; a micro-tour with Coloradan songstress Josephine Foster; and a series of backyard and barroom gigs sharing stages with compatriots like Stella Kola, Blues Ambush, Samara Lubelski, and Wednesday Knudsen. Heels in the Aisle is the slipshod, burnt-out, mid-'70s unter-prog comedown to their debut's backwoods, bushy-tailed, early-'70s, country-rock meanderings_expect more unrestrained riffs, artful studio wizardry, and worn-down introspection. Joining the ranks of bloodshot-eyed, blues-rock medleys à la Canned Heat's "Parthenogenesis" and Grand Funk's "Into The Sun," "The SDSPS" is the nearly side-length opening cut, an expanded song-cycle condensing and riffing on the themes of their debut. "Help Me" ventriloquizes Pomona College outlaw Kris Kristofferson's slow-roaring ballad of libidinal woe. On the flip side, "Verrazano Tile" and the title track pay heed to lower bays of Staten Island, while their arrangement of the traditional Zimbabwean tune "Guabi Guabi" is a bright Dead/Feat-like jaunt with blissed-out wah-wah pay-off. "Gaslight Boulevard" is lean, mean, and eight-beers-in space rock, and the closing track "Kekule's Ring" is a slack-jawed, wistful crash back down to earth. All this, packaged in a luxe, expertly-printed sleeve photographed by downtown artist Lary 7 and designed by Eric Wrenn (Sophie's Oil of Every Pearl's Un-Insides).
The monolithically heavy, uniquely mercurial UK quartet Sugar Horse are proud to announce their new album Grand Scheme Of Things, to be released 4th October via Pelagic Records. Darting wildly between dark/light, pain/bliss and sacred/profane, the band originating from Bristol offers a different perspective on Post Metal! On Grand Scheme Of Things, Sugar Horse comment: "This album was intended to be a sideways step. A move away from the kind of thing that is expected of us_ if anything is at all. What I mean by that, is the songs are more direct. They take a much shorter amount of time to "get to the point". We also wanted to make this one noticeably "less Metal". While we love being a bit boneheaded and confrontational, we definitely wanted to explore the more melodic, song-based side of the band's sound. Normally you'd see shortened song structures and more singing and think "Oh these guys are going for gold_.they wanna get on the radio and make millions of bloodstained pounds." Well_you're very much entitled to think that if you wish, but it felt like more of a songwriting challenge than anything else to be honest. We've done the whole drawn out, endless Space Rock thing a good few times now and it would've been easy to rest on those laurels. Do something we're comfortable with. Alas, that is not really the point of this band. We'd much prefer to make it difficult and take the long route."
- Fuzzyfalafelosophy
- Speed King Universal Lifestyle
- You Don't Have To Ask
- Old Socrates
- It Was A Party
- Gin Tonic
- I've Got The Blues (Even Though Nothing Is Wrong) Fun Style
- One Of You
- Hunt A Little
- Forever
- Fun Campfire Song
- The Best Conversations
- Nine Pound Hammer
- This New Band
- Fuck Off
- Feather
- What I Was Thinking
- 52: Years Ago
- This Hopeless World
- Smithereens
- (I Ain't Got No) Fighting Style
- Banjoman
- Bloo You Believe In Bloo Blove
- Sex Is Still A Mess
- Ma Baby
- Skiing Song
- Hungry Heart
Red & Yellow Splatter Vinyl. Dan Reeder is a multi-faceted artist, recently championed by boygenius. He is Oh Boy Records longest signed artist, and was personally signed by the legendary John Prine himself. Reeder is releasing a collection of songs titled,Smithereens, an eclectic mix of songs, many recorded and played on gear he built. A true DIY maestro, Dan seamlessly assumes the roles of producer, mixer, mastering engineer, and visual artist, imbuing every facet of his artistry with his distinct touch. His musical stylings often draw comparisons to the likes of Blaze Foley, Bon Iver, Sufjan Stevens, and Ween.
Taylor Hollingsworth, the fingerpicking songwriter hailing from the vibrant city of Birmingham, AL, is back with an electrifying, foot stomper of an album titled "Yahola." With his unique blend of folk, rock, and blues, Taylor has carved out a distinct musical niche that he calls "folk n' roll" or electric folk. In a world full of manufactured pop sensations and cookie-cutter artists, Taylor Hollingsworth stands apart as a true maverick of original music.Taylor's dedication to his craft has earned him accolades and recognition both within and outside the local music scene. His immense talent on the guitar, coupled with his remarkable songwriting abilities, has earned him a rightful place among music connoisseurs. Notable achievements in Taylor's musical journey include having his works featured in popular TV shows, podcasts, and movies, showcasing his ability to strike an emotional chord with listeners. Esteemed artists such as Conor Oberst and Phoebe Bridgers have recognized Taylor's songwriting prowess by covering one of his songs.
- Acceptable Experience
- Lamplighter
- Cut It Like A Diamond
- Name Me
- Memorial Waterslide Ii
- Book Stall
- False Landing
- Horse Head Pencil
- I Have Been Alive
- The Politics Of Whatever
Memorial Waterslides" ist das Debütalbum von MEMORIALS, dem Duo bestehend aus Verity Susman und Matthew Simms (zuvor bei Electrelane und Wire). Es handelt sich um ein surrealistisches Pop-Album, das sowohl zeitlos als auch zeitgemäß ist und eine seltene Mischung aus klassischem Songwriting und Avantgarde-Attitüde aufweist. MEMORIALS kreieren einen Panorama-Pop, der auf Vertrautes und Fremdes zurückgreift, aber bekannte Pfade aber auch neue Wege beschreitet. Mit ihrem verspielten und experimentellen Stil, kombiniert mit einer Liebe zu Melodien, stehen sie in einer Reihe mit Broadcast, Portishead, Arthur Russell, The Velvet Underground, Yo La Tengo und Tortoise. Das Album ist voll von Bildern, die eine verlorene Zukunft, eine verschleierte Gegenwart und eine tagträumerische Vergangenheit heraufbeschwören, wobei jeder Song eine Rolle bei der Schaffung einer wirbelnden Breitwandatmosphäre spielt und den Hörer mit auf die Reise nimmt. Der Sound des Albums, das die beiden komplett selbst produziert haben, wurde von den Experimenten mit Tonbändern inspiriert, mit denen sie zunächst auf der Bühne herumspielten, als sie begannen, ihre vielschichtigen Aufnahmen für Live-Auftritte als Duo zu entwickeln. Nach ihren gefeierten 2023-Soundtracks "Women Against The Bomb" und "Tramps!", einer Europatournee mit Stereolab (sie wurden als "Stereolabs böser Zwilling" bezeichnet) und einem neuen Musikauftrag des Centre Pompidou in Paris kamen Verity und Matthew auf MEMORIALS in umgekehrter Richtung an, indem sie ihren Soundtrack-Alltagsjobs entflohen, um kosmische Reisen durch den Gartenschuppen in psychedelischen Rock, abgefahrenen Folk und wilde analoge Elektronik zu unternehmen. "Exciting and unpredictable" The Guardian. "Everything you'd expect from a duo adept in the strange and esoteric, while also in thrall to pop music's melodic bent." The Quietus. (Limitiertes) Pink farbenes Vinyl mit DLC sowie Digisleeve-CD!
The monolithically heavy, uniquely mercurial UK quartet Sugar Horse are proud to announce their new album Grand Scheme Of Things, to be released 4th October via Pelagic Records. Darting wildly between dark/light, pain/bliss and sacred/profane, the band originating from Bristol offers a different perspective on Post Metal! On Grand Scheme Of Things, Sugar Horse comment: "This album was intended to be a sideways step. A move away from the kind of thing that is expected of us_ if anything is at all. What I mean by that, is the songs are more direct. They take a much shorter amount of time to "get to the point". We also wanted to make this one noticeably "less Metal". While we love being a bit boneheaded and confrontational, we definitely wanted to explore the more melodic, song-based side of the band's sound. Normally you'd see shortened song structures and more singing and think "Oh these guys are going for gold_.they wanna get on the radio and make millions of bloodstained pounds." Well_you're very much entitled to think that if you wish, but it felt like more of a songwriting challenge than anything else to be honest. We've done the whole drawn out, endless Space Rock thing a good few times now and it would've been easy to rest on those laurels. Do something we're comfortable with. Alas, that is not really the point of this band. We'd much prefer to make it difficult and take the long route."
Ursprünglich im Januar 2015 erschienen hat ‚Curse Of The Damned‘ – nach der selbstbetitelten Debüt-EP von 2012 – den charakteristischen Night
Demon-Sound endgültig manifestiert. Die Scheibe löste eine geradezu fanatische Begeisterung der Heavy Metal-Anhänger aus, erntete überall
großartige Presse-Echos und wurde von den Hörern der WCJU-Radioshow ‚Metal on Metal‘ in Cleveland, Ohio zum besten Album des Jahres 2015
gewählt. Um das Werk angemessen zu promoten, tourten Night Demon fast zwei Jahre lang auf beiden Seiten des Atlantiks sowie in Mexiko,
Lateinamerika und Südamerika. Mit jeder weiteren Tournee hat sich der Ruf von Night Demon als grandiose und überaus explosive Live-Band, die
man unbedingt gesehen haben muss, ebenso rasant vergrößert wie die Zahl ihrer Fans. ‚Curse Of The Damned‘ umfasst viele Songs, die bis heute
fester Bestandteil ihres Live-Sets sind, darunter ‚Screams In The Night‘, ‚The Howling Man‘ und ‚Heavy Metal Heat‘ sowie ebenso beliebte,
eindringliche Stücke wie ‚Mastermind‘, ‚Satan‘ und ‚Save Me Now‘.
Auf der 2024er Deluxe Edition von ‚Curse Of The Damned‘ findet man das komplette Originalalbum, neu remastert von Night Demon-Gitarrist
Armand John Anthony. Sie enthält zusätzlich einige Bonustracks aus unterschiedlichen früheren Editionen, wie etwa die Coverversion von Riots ‚Road
Racin`‘ und eine Neuaufnahme des Night Demons-Klassikers ‚The Chalice‘ mit dem prägnanten Titel ‚The Chalice ´15‘.
Ursprünglich im Januar 2015 erschienen hat ‚Curse Of The Damned‘ – nach der selbstbetitelten Debüt-EP von 2012 – den charakteristischen Night
Demon-Sound endgültig manifestiert. Die Scheibe löste eine geradezu fanatische Begeisterung der Heavy Metal-Anhänger aus, erntete überall
großartige Presse-Echos und wurde von den Hörern der WCJU-Radioshow ‚Metal on Metal‘ in Cleveland, Ohio zum besten Album des Jahres 2015
gewählt. Um das Werk angemessen zu promoten, tourten Night Demon fast zwei Jahre lang auf beiden Seiten des Atlantiks sowie in Mexiko,
Lateinamerika und Südamerika. Mit jeder weiteren Tournee hat sich der Ruf von Night Demon als grandiose und überaus explosive Live-Band, die
man unbedingt gesehen haben muss, ebenso rasant vergrößert wie die Zahl ihrer Fans. ‚Curse Of The Damned‘ umfasst viele Songs, die bis heute
fester Bestandteil ihres Live-Sets sind, darunter ‚Screams In The Night‘, ‚The Howling Man‘ und ‚Heavy Metal Heat‘ sowie ebenso beliebte,
eindringliche Stücke wie ‚Mastermind‘, ‚Satan‘ und ‚Save Me Now‘.
Auf der 2024er Deluxe Edition von ‚Curse Of The Damned‘ findet man das komplette Originalalbum, neu remastert von Night Demon-Gitarrist
Armand John Anthony. Sie enthält zusätzlich einige Bonustracks aus unterschiedlichen früheren Editionen, wie etwa die Coverversion von Riots ‚Road
Racin`‘ und eine Neuaufnahme des Night Demons-Klassikers ‚The Chalice‘ mit dem prägnanten Titel ‚The Chalice ´15‘.
SANZ sind zurück! Nach dem Debütalbum „Let Us Die“ von 2022, welches ein Jahr später als Rock-Edition „We Are Lost“ neu aufgelegt wurde, sowie
ausgedehnten Touren mit Szenegrößen wie u.a. MONO INC. und Hell Boulevard, läutet die Band um Frontmann Sandro Geissler nun endgültig die
nächste Ära ein.
Das neue Album „Ending Things“, welches am 04.10.24 erscheint, entwickelt den Modern Dark Rock Sound des Vorgängers konsequent weiter und
etabliert SANZ eindrucksvoll als neue Hoffnung am Szenehimmel.
Als ‚Darkness Remains‘ im April 2017 das Licht der Welt erblickte, verstummten schlagartig sämtliche Spekulationen über einen eventuellen
Qualitätseinbruch bzw. einem vermeintlichen Status als Eintagsfliege. Denn auch ‚Darkness Remains‘ lieferte den erhofften NWOBHM-inspirierten
Nervenkitzel und begeisterte die Night Demon-Getreuen. Gleichzeitig wagte sich die Scheibe einen mutigen Schritt vorwärts, da die Musiker ihre
Songwriting-Fähigkeiten verfeinern, einen noch individuelleren Sound entwickeln und ihre Waffen schärfen konnten, um bewusst ein paar
kompositorische Risiken einzugehen. Mit der fabelhaften Single ‚Welcome To The Night‘ und dem dazugehörenden Videoclip startete auch ‚Darkness
Remains‘ als Album, das zahlreiche Publikumslieblinge und Live-Set-Klassiker umfasst, wie etwa ‚Dawn Rider‘, ‚Black Widow‘, ‚Hallowed Ground‘ und
der rasante Titeltrack ‚Darkness Remains‘. Das Album katapultierte Night Demon sowohl künstlerisch als auch kommerziell auf die nächste
Entwicklungsstufe und war ein entscheidender Meilenstein in der Karriere der Band.
Die 2024er Deluxe Edition von ‚Darkness Remains‘ umfasst das Originalalbum in voller Länge, aufgewertet durch ein neues Remastering von Night
Demon-Sechssaiter Armand John Anthony. Als zusätzliche Extras gibt es einige Songs, die bislang nur als territorial limitiertes Bonusmaterial früherer
Albumversionen zu finden waren, darunter Queens ‚We Will Rock You‘ und eine kraftvolle Version von Black Sabbaths ‚Turn Up The Night'.
Everybody Needs A Hero ist das zweite Studioalbum der in Dublin geborenen Orla Gartland, das über ihr eigenes Label New Friends erscheint.
Everybody Needs A Hero erforscht, wie Gartland sich durch die Strömungen einer Langzeitbeziehung wandelt und herausfindet, wie sie in einer
postfeministischen Welt ihren Platz einnehmen kann. Während des gesamten Albums erforscht Orla die Idee eines „Helden“: jemand, zu dem man
aufschaut, jemand, der uns vor uns selbst rettet, jemand, den wir benutzen, um uns von unserem eigenen Schattenselbst abzulenken. Als Zeugnis
ihres künstlerischen Wachstums, ihres wachsenden Selbstbewusstseins und ihres stolzen Gefühls der Unabhängigkeit ist dieses Album der jüngste
Meilenstein auf der Reise dieses Selfmade-Talents.
Mit einer Viertelmilliarde Streams in ihrer Karriere, ausverkauften Tourneen und Festivalauftritten bei Glastonbury und Latitude; bis hin zu ihrem
Debütalbum „Woman On The Internet“, das die UK & Irish Top 10 erreichte, ist Orla bereit, mutig in das nächste Kapitel ihrer Karriere einzutreten.
Their first EP "Higher" on Toy Tonic last year reached no. 1 of BEATPORT House music charts and this follow up probably will be similarly successful as it has the same high quality of music and dancefloor catchiness every DJ dreams of.
The new "Everybody Knows" EP consists of four extremely groove infected house music tracks that connect the good things of 1990ies house with the indie disco of the 2000s. Think of Daft Punk in the studio with Kerri Chandler and LCD Soundsystem and you got the sound!
Dutch house wizzard Lars Dales (who also runs HEIST records) and keyboarder and super producer Lorenz Rhode (recently worked also with Purple Disco Machine) connected through their mutual love for dance music. After years of having worked together on several projects, such as the Dam Swindle liveshow, they finally got around to making more and more music together to release their amazing tracks under the name of SOUND SUPPORT: A perfect name because these tracks really support every DJs set ... they fill dancefloors in seconds and make people go mad.
The Smile haben ihr neues Album "Cutouts" für den 04.10.2024 angekündigt. Mit "Foreign Spies" und "Zero Sum" sind zugleich zwei neue Tracks erschienen, wobei der Künstler Weirdcore zu letzterem auch ein Video kreiert hat. Bereits erschienen sind "Don"t Get Me Started" und "The Slip", zwei Stücke, die Anfang des Monats als limitierte 12"-Single kurzzeitig weltweit in Plattenläden auftauchten. Thom Yorke, Jonny Greenwood und Tom Skinner haben einige der Songs von "Cutouts" erstmals auf der März-Tour in UK gespielt. Insgesamt enthält das von Sam Petts-Davies produzierte Album, das auf "Wall of Eyes" aus dem Januar und das 2022er-Debüt "A Light For Attracting Attention" folgt, zehn neue Tracks. "Cutouts" wurde zur gleichen Phase wie "Wall Of Eyes" in Oxford und den Abbey Road Studios aufgenommen und enthält String-Arrangements vom London Contemporary Orchestra. Das Artwork von Stanley Donwood und Thom Yorke entstand während der Aufnahmen. "Cutouts" ist bereits das zweite Studioalbum der Band in weniger als einem Jahr. Sein Vorgänger erreichte Platz 4 der deutschen Albumcharts und die Nummer 3 in UK. Thom Yorke veröffentlichte im April außerdem den Score zu Daniele Luchettis Film "Confidenza" und kündigte eine Solotour für Neuseeland, Australien, Singapur und Japan an. Jonny Greenwood arbeitet aktuell am Score zu Paul Thomas Andersons kommenden Film "The Battle of Baktan Cross". Tom Skinner hat das Album "Voices of Bishara Live at mu" veröffentlicht und tourt mit seinen Soloarbeiten im Rahmen internationaler Jazz-Festivals.
Off the back of "electrifying" (Rolling Stone) performances across Australia's premier festivals throughout summer, proud Yorta Yorta, Dja Dja Wurrung, Kalkadoon and Yirendali woman & multi-award-winning Naarm/Melbourne-via-lutriwita/Tasmania artist MISS KANINNA is thrilled to announce her internationally-anticipated debut EP KANINNA, out 20 September via Soul Has No Tempo. Spanning hip-hop, rap, R&B and pop with touches of Amapiano, Afrobeats and Middle Eastern influences, the EP features her latest single 'Push Up', plus "the left-right goodnight" (triple j) combo of her debut 2023 singles 'Blak Britney' & 'Pinnacle Bitch' which spurred her meteoric rise with far-ranging support from Apple Radio 1, BBC Radio 6, KEXP, KCRW and triple j, who crowned her with the J Award for Unearthed Artist of the Year 2023.































































































































































