Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.
For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.
Buscar:51
Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.
We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. THIS IS THE CLOSEST IT CAN GET. Comes as strictly 150 copies limited HANDSTAMPED EP.
- A1: Future, Metro Boomin & The Weeknd We Still Don't Trust You 4 13
- A2: Future & Metro Boomin Drink N Dance 3 42
- A3: Future & Metro Boomin Out Of My Hands 4 04
- A4: Future & Metro Boomin Jealous 3 44
- A5: Future & Metro Boomin This Sunday 3 19
- A6: Future, Metro Boomin & Brownstone Luv Bad Bitches 3 17
- A7: Future & Metro Boomin Amazing (Interlude) 2 24
- B1: Future, Metro Boomin & The Weeknd All To Myself 4 15
- B2: Future & Metro Boomin Nights Like This 3 51
- B3: Future & Metro Boomin Came To The Party 3 19
- B4: Future & Metro Boomin Right 4 You 3 55
- B5: Future & Metro Boomin Mile High Memories 3 39
- B6: Future & Metro Boomin Overload 3 44
- C1: Future, Metro Boomin & Ty Dolla $Ign Gracious 3 06
- C2: Future & Metro Boomin Beat It 3 38
- C3: Future, Metro Boomin & The Weeknd Always Be My Fault 4 07
- C4: Future & Metro Boomin One Big Family 4 06
- C5: Future, Metro Boomin & J Cole Red Leather 6 55
- D1: Future & Metro Boomin #1 (Intro) 0 42
- D2: Future & Metro Boomin Nobody Knows My Struggle 3 26
- D3: Future, Metro Boomin & Lil Baby All My Life 3 10
- D4: Future & Metro Boomin Crossed Out 2 23
- D5: Future & Metro Boomin Crazy Clientele 3 10
- D6: Future, Metro Boomin & A$Ap Rocky Show Of Hands 3 34
- D7: Future & Metro Boomin Streets Made Me A King 3 05
Black Vinyl[27,69 €]
Das mit Spannung erwartete WE STILL DON'T TRUST YOU ist das nächste Kapitel einer explosiven Kampagne. Sie feiert die historische Partnerschaft zweier kulturverändernder Legenden, die auf dem Höhepunkt ihrer Kräfte agieren, und zementiert ihr Vermächtnis als Hip-Hop-Pioniere. Wie bei seinem Vorgänger ist das Who's Who ihrer Kollaborateure vertreten und hebt die kultigste Rapper-Produzenten-Partnerschaft in eine ganz neue Stratosphäre.
- A1: Breaking Down (2024 Remaster) 04:24
- A2: Bye Bye (Street Mix)
- A3: I'd Be An Angel (2024 Remaster) 04:47
- A4: Unwounded (2024 Remaster) 03:06
- A5: Captain Of Her Heart (2024 Remaster) 04:50
- B1: Wishing On A Star (2024 Remaster) 04:18
- B2: Are You Sure (2024 Remaster) 04:24
- B3: Sweet Regine (2024 Remaster) 04:11
- B4: Johnny (2024 Remaster) 02:41
- B5: Let It Rain (2024 Remaster) 03:51
- C1: Living In Silence (2024 Remaster) 04:02
- C2: Changes (2024 Remaster) 04:39
- C3: Almaz (2024 Remaster) 04:28
- C4: Honey For My Honey (2024 Remaster) 04:24
- C5: Hymn Of The Big Wheel (2024 Remaster) 06:01
- D1: Wishing On A Star (Elusive Clubradio Version)
- D2: Bye Bye (Radio Version)
- D3: Are You Sure (New Radio Version)
- D4: Silence (Pm Mix)
Das Meisterwerk der amerikanischen Jazz- und R&B-Sängerin jetzt erstmalig auf 2 LPs im Gatefold, remastered und inklusive 4 Bonustrack, die bisher ausschließlich als CD Single B-Seiten veröffentlicht wurden.
UDG Ultimate Flight Case Multi Format Turntable Silver not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black/ silver colored combination.
Fits: Technics SL-1200MK7, Reloop RP-8000MK2, Denon DJ VL12 Prime, Pioneer PLX-1000, Audio Technica LP120XUSB, or similar size turntables
Specification
Specification
EAN 8718969211734
Color Black/Silver
Weight 7,80 kg / 17.16 lbs
Outer Dimensions (W x H x D) 51.1 x 42.6 x 23 cm | 20.1 x 16.7 x 9.1 inch
Inner Dimensions (W x H x D) 45.1 x 38.6 x 7.8 cm | 17.7 x 15.2 x 3.1 inch
Material Heavy duty construction of 9 mm thick plywood
Protection Extra-wide silver solid aluminum profiles
Secure stacking due to stackable ball corners
Sturdy construction
Full padded interior keeps controller well-protected
High density diamond embossed EVA foam protective padding
Extra's Laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern
Fits Technics SL-1200MK7, SL-1200GR, SL-1200GAE, SL-1210GR
Pioneer PLX-1000
Denon DJ VL12 Prime
Reloop RP-8000MK2, RP-7000MK2, RP-4000MK2, RP-2000MK2, RP-1000MK2
Stanton ST-150, STR8.150, T.52, T.55 USB, T.62, T.92 USB
Vestax PDX-3000
Numark TTX
Audio Technica LP120-USB, LP1240-USB, LP120XUSB, LP1240-USBXP, LP140XP, LP3, LP5, LP7, LPW40WN
American Audio Power Drive 2.2
Mixars LTA, STA
or similar size turntables
And accessories
The Rolltop Backpack III is an extremely rugged, entirely weather-proof and multi-functional backpack that is suitable for a wide variety applications. From carrying your DJ- equipment, to convenient carry-on luggage, or just as a regular daypack, the Rolltop Backpack III does it all well. Its bicycle messenger inspired design features a variable “rolltop” opening that gives you an extra 24 cm when unfolded to fit oversized gear like the Pioneer DDJ-SX2/DDJ-RX, the Numark NS-6, 2-octave keyboard controllers, or even multi-effect pedals.
+ BASICS
Crafted from hardwearing and 100% waterproof PVC Tarpaulin
PVC-coated (waterproof zippers)
Especially designed to carry the MAGMA CTRL CASE series
Flexible height adjustment through variable Rolltop Closure
Zippered side access laptop compartment with waterproof zippers
Two accessory pockets with waterproof zippers
Ergonomic padded back panels, s-curved backpack straps, chest strap and hip belt
Hand-luggage compatible (up to 56 cm height)
+ SPECS
+ Outer dimensions: 53-75 x 33 x 20 cm
+ Inner dimensions: 51-70 x 32 x 19 cm
+ Weight: 1,7 kg
Unerlässlich für jeden DJ und Vinylfreund: Diesen Puck-Adapter benötigt man zum Abspielen von 7" Platten mit großem Mittelloch.
- A1: Sandy Gaye - Watch The Dog That Bring The Bone
- A2: Betty Wright - Mr Lucky
- A3: Marva Whitney - Daddy Don't Know About Sugar Bear
- A4: The Trinikas - Remember Me
- A5: Betty & Angel - Honey Coated Loving
- A6: Arelean Brown - I'm A Streaker Baby
- A7: The 20Th Century - Hot Pants (Part 1)
- B1: Promise - I'm Not Ready For Love
- B2: Pearl Dowdell - Good Things
- B3: Fay Cooper - Closer Together
- B4: Lolla Collins - Save The Children (If There Is To Be A Tomorrow)
- B5: Soul Revival - Do What You Gotta Do
- B6: Mae Young - You Got Me Under Your Spell
- B7: The Ba-Roz - Come Back Boy
- B8: Sonics Band - Second Avenue
Black Vinyl[26,85 €]
- A1: Casper, Favorite, Kollegah - Mittelfinger Hoch 3 36
- A2: Kollegah - Halbautomatik 4 06
- A3: Casper - Elefant (Ich Bleib Stehen) 3 51
- A4: Favorite, Olli Banjo - Krieg 4 39
- A5: Kollegah, Favorite, Farid Bang - Westdeutschlands Kings 2 50
- B1: Shiml - Unter Null 2 58
- B2: Favorite - Superman 3 55
- B3: Selfmade Records - Skit 0 32
- B4: Slick One, Edo Maajka - Bruderkrieg 3 28
- B5: Casper, Favorite - 2X Mehr Wie Du 4 10
- C1: Kollegah, Sun Diego - G's Sterben Jung 4 24
- C2: Shiml, Montanamax - Er & Ich 2009 3 32
- C3: Favorite - Lebenswerk 3 30
- C4: Casper - Vatertag 3 38
- D1: Shiml - Mit Jedem Atemzug 4 33
- D2: Kollegah, Favorite - Jebiga 2 58
- D3: Casper, Marteria - Rock 'N' Roll 3 44
- D4: Casper, Favorite, Kollegah, Shiml Dampfwalze - 6 19
Nach den ersten Charterfolgen von Kollegah, Favorite und Shiml folgt der zweite Labelsampler von Selfmade Records, "CHRONIK II", auf dem auch Selfmade-Neuzugang Casper erstmals vertreten ist.Auf 18 Tracks erlebt man die vier höchst unterschiedlichen Rapper Casper, Favorite, Kollegah & Shiml in Höchstform, sowohl solo, als auch auf gemeinsamen Songs. Nachdem die erste Hälfte des Samplers in erster Linie nach vorne geht und Spaß macht, werden gegen Ende auch sanftere Töne angeschlagen.Mit Olli Banjo, Marteria, Edo Maajka, Farid Bang, MontanaMax & SunDiego konnte man sich außerdem erstklassige Features an Land ziehen, die "CHRONIK II" endgültig zur Pflicht für jeden Deutschrap-Fan machen!Produziert wurde der Sampler zum Großteil vom mehrfachen Gold- und Selfmade-Hausproduzenten Rizbo, sowie von Newcomerproducer TiKay One. Weitere Produktionen stammen von Bjet, Alper, Joshimixu & Mauvais Garcon."CHRONIK II" macht die Ausnahmestellung von Selfmade Records im Deutschrap eindrucksvoll deutlich. Wer glaubt, deutsche Rapmusik sei nicht mehr interessant, wird hier vom Gegenteil überzeugt. Nie war ein Labelsampler vielseitiger und musikalisch hochwertiger.Neben der CD liegt "CHRONIK II" als besonderer Bonus die DVD "Selfmade Vol.1" bei. Diese DVD ist keineswegs nur Beilage, sondern ein vollwertiges, eigenständiges Produkt mit 2 Stunden Material. Sie enthält neben einer ausführlichen Tourdokumentation, Studioimpressionen und nie gesehenem Making Of-Material exklusive Einzelbeiträge aller Künstler. So sieht man etwa Casper als Reporter auf der Berlinale oder Favorite bei einem außergewöhnlichen Konzert in einer JVA.
2024 Repress
Witness the fusion of two distinctive creative forces in the "Demons & The Ghost" EP, an unparalleled collaboration between VOXNOX's core artists, Blame The Mono & DLV.
This groundbreaking 4-track EP is an explosive blend of raw energy and unmatched creativity, designed to ignite dance floors across the globe. Prepare yourself for a sonic journey as Blame The Mono & DLV unleash a bold and unforgettable testament to the VOXNOX sound. Don't miss it - destined to become a classic.
(comes with a poster) The Klein blue horizon, gliding seagulls, a ferry purring between two languid islands, dotted with ultra-white villages and ancient ruins... These idyllic visions run through Glika, the ultimate musical project of Les Cyclades. An exciting electronic odyssey from West to East, from Belgian effervescence to Greek mysticism.
In 2020, confined to the neighborhoods of Yser and Mystère in Brussels, Alex and Ludo dream of Greek islands, of scorching sun on their skin, of salty baths, chilled ouzo and braised octopus. But everywhere, time stands still. Must one necessarily move to travel? To levitate? In the absence of Elsewhere, the Franco-Canadian duo will compose the imaginary soundtrack to their escape.
Glika (which means "sweet" in Greek) perfectly synthesizes the musical influences of Les Cyclades: a cosmic saxophone inherited from Alex’s dub and free jazz past, an architect-pastry chef-botanist from Normandy, and Ludo’s "Balearic" tracks, a musician-performer-wine lover who frequented his first raves in 1995 in Houston, Texas.
From a hedonistic encounter on a friendly terrace in the 19th arrondissement of Paris to their chosen exile in Brussels, these hypersensitive jacks-of-all-trades first danced and mixed records. Before creating their own phantasmagorical sonic territories, where cinema and poetry meet more or less human voices, brass instruments, synthesizers and analogue drum machines.
A searing fragment of Greek filmmaker Theo Angelopoulos's "Eternity and a Day" preludes Glika. Then, on Yser Mystère - the names of the two stations on tram 51 that physically linked Alex and Ludo's psyches during the lockdown - Alex's astral sax balances out the industrial mechanics of a locomotive, against a backdrop of urban soundscapes.
And then a rising bpm dominates Alocasia, with its deep and sensual light foot. So sunny. From one track to another, there are interludes influenced by Xenakis, Vangelis and Jean-Michel Jarre. Seminal heroes of the Cyclades... But soon, the duo unleash hostilities at the helm of Epigone, their meta-techno anthem. "I know", "You know", echoes Alex.
Laughs of friends, "mouth noises," and "bizarre rhythms" still dominate Parc Fou, while DRAM eyes the minimalist techno of Detroit. So dear to Ludo's heart... And what about PAME, that post-modern Greek epic.Or Glossa, a timeless track that finishes with a fascinating - because diffracted - elegance, this multi-sensory journey through Les Cyclades. Let's close our eyes. Silencio! Hay Banda!
By Eléonore Colin, journalist (and friend!!)
- A1: Blood In The Water 6 54
- A2: Enigma Of Reason 10 06
- A3: The Wanderer 5 03
- B1: The Big Quit 8 35
- B2: Devil's Encyclopedia 5 47
- B3: A Memory Of My Future 6 26
- C1: I Am Because You Are 4 32
- C2: My Share Of Your Life 7 48
- C3: Age Of Thought 4 38
- D1: Matchbox Racing 6 56
- D2: We Stay Loud 5 25
- D3: Melting Pot 5 51
Über drei Jahrzehnte nach ihrer Gründung durch Leslie Mandoki, setzen Mandoki Soulmates mit ihrem Album "A Memory Of Our Future" nicht nur musikalisch neue Maßstäbe, sondern präsentieren ein produktionstechnisches Meisterwerk: Das gesamte Album wurde analog aufgenommen und produziert - vom ersten Ton bis zum fertigen Vinyl. Die Produktion des rund 80-minütigen Konzeptalbums ist ein seltenes Unterfangen in der heutigen Musiklandschaft. Mit durchgehend analoger Signalverarbeitung vom Mikrofon bis zur Vinylpressung ist die Produktion von "A Memory Of Our Future" ein Manifest von Präzision und Leidenschaft, die in jedem Ton des Albums zu spüren ist. Das Mastering des analogen Magnetbandes durch Greg Calbi im renommierten Sterling Sound Studio in New York und der Vinylschnitt in den Emil Berliner Studios sind ein Symbol für die audiophile Exzellenz des Albums. Mit einem Setup, das in der gegenwärtigen Musikproduktion kaum noch zu finden ist, und mit der die Band eine Wärme und Lebendigkeit in ihrer Musik eingefangen hat, die in digitalen Aufnahmen oft verloren geht, haben die Soulmates ein Werk musikalischer Vielfalt geschaffen, das von Prog bis Jazz Rock reicht, und kompositorische Reife, spielerische Leichtigkeit und kunstvolle Solos mit großen Spannungsbögen und tiefgründigen Texten zu gesellschaftspolitischen Themen verbindet. Die generationsübergreifende Supergroup von Rock- und Fusion-Großmeistern mit Ian Anderson (Jethro Tull), Mike Stern, Al di Meola, Randy Brecker, Till Brönner, Bill Evans, John Helliwell (Supertramp), Cory Henry, Richard Bona, Steve Bailey, Simon Phillips (Toto), Leslie Mandoki, Tony Carey (Rainbow), Nick van Eede (Cutting Crew), Jesse Siebenberg und Mark Hart (beide Supertramp) ruft mit dem Album zum Handeln gegen Spaltung und für Menschlichkeit auf. Mit "A Memory Of Our Future" gelingt den Soulmates eine einzigartige Verschmelzung audiophiler Exzellenz und gesellschaftspolitisch relevanter Musik. Dieses Album ist nicht nur für Fans von Prog und Jazz Rock, sondern für alle, die echte Musik zu schätzen wissen.
- A1: Change Feat Lupe Fiasco 4 16
- A2: Let Go 4 30
- A3: Be Real 4 17
- A4: Heaven Or Hell Feat Raekwon 4 39
- B1: One In A Million 3 46
- B2: For The Love 4 05
- B3: 7 Year Itch 5 00
- C1: Caught Up 3 31
- C2: Stranger In This Land 5 36
- C3: Start Over 3 59
- C4: Born & Raised 4 08
- D1: Something Stirrin' Up Feat Governor 5 50
- D2: Despite It All 3 51
- D3: Soweto '76 - '06 4 51
- D4: Sometimes Love 3 11
- A1: Tadaaki Misago & Tokyo Cuban Boys – Sakura Sakura 7 32
- A2: Minoru Muraoka – Muraiki 3 55
- A3: Count Buffalo & The Jazz Rock Band – Mago-Uta 3 43
- A4: Kiyoshi Sugimoto Quartet – D-51 6 05
- B1: Toshiyuki Miyama & The New Herd– Adult's Day 9 25
- B2: Soul Media – Breeze 4 33
- B3: ジョージ・大塚カルテット– Sea View 5 03
- C1: Hozan Yamamoto, Masahiko Togashi, Yosuke Yamashita – Breath Prologue 5 08
- C2: Jiro Inagaki & Soul Media – Do It! 7 25
- C3: Hiroshi Suzuki – Romance 5 56
- C4: Masahiko Sato – Tochi Mo Kurumi Mo Fukiotose 3 01
- D1: Masahiko Togashi – Fourth Expression 6 45
- D2: Takeshi Inomata & Sound Limited – Mustache (Live) 8 50
- D3: Takeo Moriyama – Watarase 6 40
repressed !
● Essential 14 track collection of "WaJazz" music selected and compiled by renowned Japanese jazz expert Yusuke Ogawa, owner of the Universounds record store in Tokyo.
● Gatefold 180g heavy double vinyl LP. Comes with extensive track-by-track liner notes by Yusuke Ogawa.
● All tracks licensed by Nippon Columbia, Tokyo, Japan.
● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
---
Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!
"Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also theShōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has been a growing trend to move away from the DJ-focused perspective and to appreciate jazz with a deeper understanding. Nowadays, there is more and more interest in the background and roots in which jazz has developed in Japan, with Japanese jazz as a whole now considered as its own distinctive genre.
Of course, even if we speak about "WaJazz" as one genre, there is a truly wide variety of styles within it. However, when Japanese musicians play, there is something uniquely Japanese flowing through that creates a kind of synergy. It may be the melody, the rhythm, or even something deeper, like an inexpressible flicker. I would be happy if some of its charms and secrets emerge from the fourteen tracks included in this collection." (Yusuke Ogawa)
Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.
The latest 7" single on Bob Stanley's MEASURED MILE label is a floor-filling double-sider.
The percussion-and-woodwind driven ‘Night Of The Wolf’ has been played out at northern soul nights in the UK, at Brooklyn discotheques in the mid-70s, and originally it was an Italian progressive rock album track. Much loved by everyone. It was issued as a super-rare US 45 in 1975 under the name the Al Foster Band, and this is its first official reissue.
ACT 1's 70s modern soul midtempo classic ‘It’s The Same Old Story’ also got played out in the early discos of New York, Chicago and LA, but it was only ever an album track. This marks its first ever release on a DJ-friendly 7". Get it while you can!
Dee Ervin suffered collateral damage from GRC/Aware’s bankruptcy. He only got to release two mediocre sides on Hotlanta but these recordings match anything he created in a successful career throughout the 60s & 70s.
By 1974 he was as much a composer as artist, but he excels at both on these two numbers that were fully produced and ready for release. ‘You Make Me Happy’ is a terrific uptempo dance track that recently featured on CDKEND 512 “Masterpieces Of Modern Soul; Vol 6”.
‘Give Me One More Day’ was issued erroneously in 1975 as a Tribe LP track on ABC, but the session details clearly have it as a Dee Ervin recorded number.
- A1: All The Junk On The Outskirts (3 35)
- A2: Shake The Feeling (3 50)
- A3: Sociopath Boogie (2 34)
- A4: I'll Keep It With Mine (3 33)
- A5: Calm Of Gilead (3 10)
- A6: I'm Ready To Make A Baby (3 06)
- A7: My Mule (2 15)
- B1: Order Meets Demand (3 51)
- B2: Broken Hours (5 54)
- B3: Lockdown Blues (3 53)
- B4: Namouche (3 31)
- B5: Shelter Song (Acoustic) (5 06)
Shake The Feeling: Outtakes & Rarities 2015-2021, Iceage's second full length for Mexican Summer, is a collection of non-LP cuts (or “misfit children,” as lead singer Elias Bender Rønnenfelt describes them) from the seven years during which Iceage made Plowing Into the Field of Love (2014), Beyondless (2018), and Seek Shelter (2021). As with all of Iceage’s albums, whether it be the sensual daring-do of their dark-hardcore masterpiece debut, the Flying Nun-dappled “Oi!!!!” of You’re Nothing, the shift to cowpunk gothic romanticism on Plowing Into the Field of Love, or the space truckin’ gospel-rock of their most recent albums, Elias Bender Rønnenfelt, Johan Suurballe Wieth, Jakob Tvilling Pless and Dan Kjær Nielsen make the impossible seem effortless.
Ninja Tune favourite and sometime lo-fi house pin-up DJ Seinfeld continues to prove he was always about so much more with a new collab alongside Confidence Man that he describes as "quirky, naive and an ode to all the summer flings out there". It came about after the pair hung out a few times and enjoyed each other's company and the tun itself has already been something of a mini classic during festival season. As well as the original with its catchy drum loops, pop leaning vocal hooks and lush strings, there is a cheeky UK garage version that has even more irresistible bump and a Carlita remix that reworks into something different but equally essential.
- A1: Groove Armada - Fly Me To The Moon 5 13 (Exclusive Cover Version)
- A2: Brs - Lovin’ Me (Dubtribe Mix) 6 48
- A3: Good Together - (We Can) Work It Out 8 21
- B1: Tim ‘Love’ Lee - Java Jam 5 53
- B2: Open Door - Breathe 6 19
- B3: Kleeer - Tonight 5 06
- B4: Roy Ayers - The Memory 4 31
- C1: Metro Area Miura 6 42
- C2: Kimbu Kimra - Raise The Dead 5 51(Love From San Francisco Dub)
- C3: Don Ray - Standing In The Rain 6 32
- C4: Al Green - Truth N' Time 3 42
- D1: Shuggie Otis - Strawberry Letter 23 3 56
- D2: Mr Fingers - Can You Feel It 5 45
- D3: Aretha Franklin - Day Dreaming 3 59
- D4: Loose Ends - Feel The Vibe 4 09
- D5: Sir Patrick Moore - Peepshow Part 1 4 57
Undoubtedly one of the finest disco songs ever created, “Dance Reaction” emerged as a sensation from Holland, representing a true ‘one-hit wonder.’ The distinguished ‘Siamese’ label in the US and Carrere in Europe both recognized its potential and took it under their wings. This track, clearly inspired by dan Hartman’s “Vertigo”, swiftly climbed the charts across the continent in the spring of 1982.
On the A-Side, listeners are treated to the captivating and sensuous sounds of the Martin Boer version. This interpretation unequivocally showcases Martin’s innate connection with disco, evident in his captivating electro-disco masterpiece. Notably, Martin Boer holds the distinction of being a founding member of “2 Brothers on the 4th Floor,” a Eurodance phenomenon that dominated the 90s, amassing millions of record sales globally. Intriguingly, this release marks his return to remixing records, after a 15-year hiatus; incidentally, Martin embarked on his journey with High Fashion Music in 1990.
Flipping over to the AA-side, Croatian legendary DJ Pucko presents a remix that encapsulates the unique essence of the former Eastern bloc sound. This rendition exudes a raw and forceful energy, characteristic of that regional style. At the behest of High Fashion, the components of his mix were extracted and meticulously reworked and refined through the mastering process. The objective was to preserve the core while polishing the rough edges, culminating in an essential vinyl record that retro and disco DJs alike must acquire to elevate their dance floors.
Freude am Tanzen is back for a very special occasion. In 2022, three Various Artists EPs will be released, celebrating the 24th anniversary of the label from Thuringia. Whilst occasions like this would normally be celebrated on the quarter century, this release makes sense not only on the mathematical level. 3 compilations with 4 tracks provide the half of 24.
The release however also makes sense in terms of history. Freude am Tanzen is showcasing a broad range of electronic music, never neglecting their history but also looking into the future.
The last installment of the anniversary-compilation starts with the upcoming effgee reminiscing about something that’s most likely happened to everyone once or twice, packed into a classic yet fresh house track. Beautiful chords combined with a proper baseline. Sharing the A-Side with him is d.m.s., who’s production is settled somewhere between the urban and the jungle, incorporating elements of both worlds. Some groove to it, with vocals that stimulate to think!
The B-Side on this release focusses on variation. Lauer combines lush deep house vibes with some acid elements into his track ‚Janitors‘, while LoYoTo have opened their whole toolbox for their contribution. A wide array of samples and a meticious drum arrangement.
FUSE welcomes back core family member Rich NxT as he partners with Childe for ‘Brakelights’.
One of the original FUSE residents and a cornerstone of the collective’s ever-evolving sound, Rich NxT remains one of the scene’s favourites as he continues to push his trademark low-end heavy sound and represent his home city on a global level. An ever-present name on the label, delivering a wealth of solo and collaborative EPs alongside artists such as East End Dubs, Seb Zito and head honcho Enzo Siragusa, he returns for his first outing on the label this year - joining with Childe for the hypnotic and heady sonics of ‘Brakelights’.
A trippy cut merging warping vocals with sweeping synths and snaking bass patterns, ‘Brakelight’ showcases a hazy after-hours production as the two artists take things deep into the night. The EP also comes loaded with two further interpretations, with the ‘Dub’ leaning deep into the music and emphasising the track’s wicked acid-flecked baseline, while the ‘Club Mix’ raises the energy levels to harness the hooky vocal snippets and journey to the heart of the dancefloor.
Last year the Atlanta artist releaed her debut EP Swan, made with producer Marshall Vore who is known for his work with folk dynamo Phoebe Bridgers. The five song col¬lection found a supportive home with Royal Mountain Re¬cords, and drew remarkable acclaim for a debut EP, earning praise from outlets like NPR, FADER, Nylon, Paste, Under The Radar, Coup De Main and Line of Best Fit among many others.
When I’m Alone is the debut album from Girlpuppy. Across the record, Harvey weaves in several cinematic allusions: a Keanu Reeves look alike pops up in “Teenage Dream,” named for the alternate title of an ‘80s movie he stars in;
- A1: Check Tha Resume
- A2: 360 (What Goes Around) (What Goes Around)
- A3: That's How We Move It
- B1: Check It Out (Feat Mary J Blige)
- B2: Big Kids Don't Play
- B3: Honey Don't Front
- B4: Who Makes The Loot?
- C1: Lickshot
- C2: Ya Know How It Goes
- C3: Reel To Reel
- C4: Soul Controller
- D1: Proper Education
- D2: Back It Up (Feat Kid Capri)
- D3: Baby What's Your Name?
- D4: 360 (What Goes Around) (What Goes Around)
- A1: Approach 1' 52
- A2: Omaggio A Fellini 1' 50
- A3: Pipes 4' 05
- A4: Orgal 3' 38
- A5: Babbel 3' 54
- A6: Yaya 4' 21
- B1: Ba Loon 3' 17
- B2: Clocking 3' 37
- B3: Wail 8' 34
- B4: Bottom 3' 34
- B5: Feeder 1' 36
- C1: Spindrift 3' 35
- C2: Surfer 4' 00
- C3: Low Roller 3' 24
- C4: Still 4' 56
- C5: Beating 3' 51
- D1: Picolo 5' 41
- D2: Wire 2' 07
- D3: Knock 6' 21
- D4: Wah 3' 02
- D5: Aah 1' 40
Tod Dockstader's Aerial series, an electronic/drone masterpiece, is cherished among fans of the artist's work and this second volume is available in an audiophile quality double LP edition.
Tod Dockstader's Aerial series is sourced from his life long passion for shortwave radio. Dockstader collected over 90 hours of recordings, made at night, and comprised of cross signals and fragments plucked from the atmosphere.
Opening with airwave drones, Dockstader gradually allows elements to slowly come and go, summoning an ominous atmosphere of ethereal cloud clouds. Malignant placidity continues, giving the feeling of eavesdropping upon late-night audio activity not unlike discovering number stations while sweeping the dials. These sounds pull you in as their density and rhythms come and go.
Backward voices, deep echoing choruses of conversations flowing under the surface, ocean sounds, pulsing electro-rhythms, all seem to be created via the collaging of many hours of source recordings. A masterwork of collage and juxtaposition by an overlooked pioneer of American electronic music.
Artwork by John Brien (Imprec) is inspired by the propagation of shortwave radio signals throughout the earth's atmosphere.
"This return of Dockstader is something to cherish, not just because his output has been so limited and scarce but because what we do have is so intriguing, persuasive and cliche-free; the music of an inspired explorer who trails in nobody's slipstream." The Wire
"One of the great figures of musique concrete composition." Dusted
The Aerial project
I've written before of my interest in shortwave radio, in the notes to the Quatermass CD. Also, in the notes to the Omniphony CD (which has my first "Aerial" mix, "Past Prelude," in it), I mentioned "The Aerial Etudes," which was my working title for what became the three CDs you have. And, at the end of an interview with Chris Cutler (which can be found in the "Unofficial TD Website"), the piece I mentioned I was starting to work on at the time became Aerial.) When I was very young, people got most of their entertainment from radio. They called it "playing the radio," as if it were a musical instrument. That's what I've tried to do in this piece. About this time, a few people encouraged me to look into using a computer for this work.
I'd never used one, but I saw it would allow me to keep my mixes digital - no more transfer losses. So, at the end of 2001, I got a computer and an editing program for it, and spent what seemed a long time learning it. I began selecting mixes and loading them into the computer in late March, 2002. Out of the 580, I selected 90 "best" mixes - eventually reduced to 59, the ones on the CDs. Finally, in assembling the CDs, I followed David Myers' suggestion to allow each piece to flow into the next - making a continuous journey to the end. Tod Dockstader, 14 september 2003
About Tod Dockstader: Dockstader moved to New York in 1958 and became a self-taught sound engineer and sound effects specialist and apprenticed as a recording engineer at Gotham Recording Studios. It was around this time that he started to use his off-work hours to experiment with mixing and manipulating sounds on magnetic tape (musique concrète). By 1960 he had amassed enough material to assemble his first record Eight Electronic Pieces which was released on the Folkways label in 1961 (this would later be used in the soundtrack of Fellini’s Satyricon). The last of the eight pieces was later re-worked into his first stereo piece. In 1961 he applied to use the facilities at the Columbia-Princeton Electronic Music Center and was denied access by Vladimir Ussachevsky. Ussachevsky’s official reason was the “overstrained” scheduling of the studios, although many suspect that Dockstader’s lack of academic training was a factor in the decision. He continued to create music throughout the first half of the 60s, working principally with tape manipulation effects. His last piece at Gotham was Four Telemetry Tapes in 1965, after which he left to work as an audio-visual designer on the Air Canada Pavillion at Montreal’s Expo ‘67. It was around this time in 1966 that some of Dockstader’s pieces were released on three Owl L.P.s, and his work became known to a larger audience. He achieved modest recognition and radio play alongside the likes of Karlheinz Stockhausen, Edgard Varèse, and John Cage.
Rich Aucoin is announcing his next album entitled Synthetic - The record is a rare Quadruple Album with its 4 seasons/LPs being staggered in 6 month intervals over the next 2 years
The album, which began at The National Music Centre in Calgary, Alberta in March 2020, houses one of the world's most extensive collections of rare and historic synthesizers. There, Aucoin was doing the Artist In Residence program and recorded 51 synthesizers to begin the project. The project was paused with the start of the pandemic and Aucoin shifted back into film scoring and worked
on the critically- acclaimed and short- listed New Yorker - Films of the Year documentary, No Ordinary Man, about the trans- masculine jazz musician Billy Tipton.This record is a good demonstration of Aucoin's scoring potential as well as it's a quadruple instrumental album; a huge contrast to United States, Aucoin's previous, and most vocal heavy album to date. Lyrics just take me so long to write that I just want to take a couple years to make other kinds of albums before going back to lyrical music as I can write instrumental music much faster. This first fulllength features Aucoin as the solo musician playing some 37 synthesizers including: Arp 2600s, the Supertramp owned Elka Rhapsody 610 String Machine, Formanta Polivoks, Novatron T550, Oxford Synthesizer Company Oscar, Selmer Clavioline CM 8 and the legendary TONTO which the first release off the record
was made on.
Tracks: Tonto / Hypernormalization / Algorithm / Future / Buchla / Esc / 456 /
Space Western / Return
Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.
Now a revered composer, musician, and arranger, Caiphus left apartheid South Africa in the 60s for self-imposed exile in Southern California together with his wife, Letta Mbulu. Settling in Los Angeles he started working with the likes of Hugh Masekela and Miriam Makeba and other exiled and semi-exiled South african artists, as well as, of course, his wife Letta.
Caiphus also found himself working with and composing for a broad range of jazz and pop artists, including Lou Rawls, Nina Simone and Cannonball Adderley. His facility with both jazz and African forms served him well. His LA stay also the beginning of an ongoing collaboration with Quincy Jones, the fruits of which can be tasted in Caiphus’s African compositions for the scores to Roots and Spielberg’s adaptation of The Color Purple.
Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.
The Afro-Cuban grooves of “Mamase” open the record. Continuing where Listen To The Wind left off, this is another horn-heavy call-and-response ode to a positive life. Life as an invitation to party, to take part, to “get involved”. But only if you’re willing to let in the transcendent power of music. “There’s gonna be a Mardi Gras, there’s gonna be a carnival; there’s gonna be a jamboree, there’s gonna be a bacchanal”. Who can resist that? Vibrations everywhere.
It’s followed by the joy of “Aida”. Gleeful, dayglow keys and synths *just* on the right side of mid-80s sleaze are accompanied by a killer bassline, slick, skipping drums and proud horns. Infectious funk.
The tempo is taken down a few notches for the powerful “Nomalanga” and the lamentations of a heartbroken man who must leave his wife Nomalanga and their children to join the fight against apartheid. It’s an emotional song, no question, but it doesn’t bring you down. The uplifting music and optimistic vocal delivery from Caiphus and his backing singers in the second half offer hope.
Breezy drums and contemplative keys act as a backdrop for the stunning backing vocal harmonies in the intro of “Moshanyana”. This gives way to stuttering beats, a bassline to die for and Caiphus giving it his all, over guitars, marimba and synth strings. Another slo-mo winner.
Side two opens with “Dial Your Number”, an uptempo English-language boogie-funk workout, complete with mid-song cutaway to a random telephone call. Whether or not this propels the song into “key track” status, we’ll let you decide.
What’s not up for debate is the brilliance of “Matswale”. This was a hit in South Africa in the mid-80s and you can still hear why. It might just be our favourite Caiphus hit. Wow. This is some damn fine breezy, beautiful, emotional pop. The restrained playing, the guitar licks and the gentle keys are out of this world. The beats? Thundering, direct and slick. The singing? It’ll give you goosebumps. As for the sentiment? This is Caiphus singing to his in-laws about their daughter’s adultery, begging them to intervene and help him save his marriage. Not your typical pop single story-telling!
The ferocious “Ndi-Kulindile” closes the set with a nod to the coming sound of the States. The hard-edged, electro-influenced drum patterns and bouncing, elastic bassline are something of a departure from the album’s predominant sound, yet one wonderful constant, Caiphus’s exceptional delivery and his sparring with his backing vocalists, is satisfyingly present and warmly deployed.
With Simon Francis handling the mastering of this Be With edition, you know it sounds as fantastic as ever. The stunning sleeve has been restored, with its painting of a dream-like cosmic vista, as a lone figure takes in a scene that’s part distant planet, part urban sprawl. One listen and you’ll be transported.
Caiphus Semenya, AKA Mr Letta Mbulu, is a South African legend and Streams Today… Rivers Tomorrow, his second solo LP, is perfect. A ten out-of ten album if ever we heard one. It’s also incredibly rare, especially in good condition, so Be With is delighted to present this reissue.
Originally released in 1984, Streams Today… Rivers Tomorrow is not just a musical masterpiece, it is also the soundtrack to the life of many South Africans - both then and now. Fusing the US-heavy sounds of boogie, disco and funk with Afrobeat and traditional African elements, it’s truly a spectacular listen. Jabu Nkosi handles keyboards on the album, with synths by Caiphus and Craig Harris. Sipho Gumede is on bass and Condry Ziqubu is on guitars.
One listen and you’ll be transported.
- A1: Love Is All We Have Left
- A2: Lights Of Home
- A3: You're The Best Thing About Me
- A4: Get Out Of Your Own Way
- A5: American Soul
- B1: Summer Of Love
- B2: Red Flag Day
- B3: The Showman (Little More Better) (Little More Better)
- B4: The Little Things That Give You Away
- C1: Landlady
- C2: The Blackout
- C3: Love Is Bigger Than Anything In Its Way
- C4: 13 (There Is A Light) (There Is A Light)
- D1: Ordinary Love (Extraordinary Mix)
- D2: Book Of Your Heart
- D3: Lights Of Home (St Peter's String Version)
2x blue LP[33,57 €]
U2 return with their hotly anticipated new studio album 'Songs of Experience'. The Island Records priority release completes a stellar year for the Dublin band, following their return to stadiums with the critically acclaimed, sold out 'The Joshua Tree Tour 2017' playing to 2.4 million fans in just 51 shows across Europe and North and South America, as well as the successful 30th Anniversary re-issue of 'The Joshua Tree'.
Recorded in Dublin, New York and Los Angeles, Songs of Experience was completed earlier this year with its subject matter influenced by Brendan Kennelly's* advice to Bono, to ...write as if you're dead'.
The result is a collection of songs in the form of intimate letters to places and people close to the singer's heart: family, friends, fans and indeed himself.
Songs Of Experience is the companion release to 2014's 'Songs Of Innocence', the two titles drawing inspiration from a collection of poems, Songs of Innocence and Experience, by the 18th century English mystic and poet William Blake.
Produced by Jacknife Lee and Ryan Tedder, with Steve Lillywhite, Andy Barlow and Jolyon Thomas, the album features a cover image by Anton Corbijn of band-members' teenage children Eli Hewson and Sian Evans.
'The Blackout' and 'You're The Best Thing About Me' were the first songs to be made available from the album. 'You're The Best Thing About Me' is the band's first UK Top 20 airplay record in a decade and has also been remixed by Norwegian superstar DJ and producer Kygo.
*Brendan Kennelly - Irish poet, novelist and Professor Emeritus at Trinity College, Dublin.
12' x 12' rigid box (numbered).
- 2LP gatefold vinyl - cyan blue vinyl, 16 tracks.
- Deluxe CD, 17 tracks.
- Fold-out poster.
- Songs of Experience Newspaper.
- Download voucher.
Returning to Iceland to focus on fresh material, Kiasmos will release new EP 'Blurred' through Erased Tapes on October 6th.
Janus Rasmussen explains: "To write new material felt like a new beginning for us after two years of touring. The plan was to write something a tad darker than our previous stuff. Spring in Reykjavík had other plans though, as this turned out to be our brightest release to date." Remixes on the EP come from Bonobo and Stimming, each taking Kiasmos' music in fresh directions
1999...after the global supremacy of Oasis and Blur, the world is looking for some musical freshness. Some artists such as Daft Punk and Air have already contributed to globally popularise what the English called the "French Touch", a new term that refers to a large musical French movement. The first album of Cassius is one of the key pieces of this growing genre, and demonstrates once again the variety of the trend. Indeed, after have cooperated for a long time with MC Solaar, one of France's 90's best rappers, the hip-hop influence of both Cassius members had to have an impact on their personal concept, and it did seduce a lot of listeners hungry for new musical flavours: more than 250 000 units sold worldwide and numerous unconditional fans...Before the release of their new album Ibifornia coming out this summer, we're taking you back to basics with a new release of Cassius' first album, for the ones who didn't have the opportunity to hear it, or for those who only have the CD, and would like to get themselves the vinyl edition !
What if we took you back to your untroubled teenage days, when all seemed complicated and easy to reach at the same time That is exactly what Cassius managed to transpose in 15 Again: a carefree music, coloured by some deep songs; like an emancipated soul, but always tormented. The hit 'Toop Toop", sampled by Madonna or David Guetta, among others, and the intense 'La Notte' illustrate perfectly this state of mind of the youth. Pharrell Williams is present on the song 'Eye Water", a beautiful ode to our planet and its natural resources, and Cassius has got further exciting surprises for you. We're releasing their third album once again for this summer, a real shot of freshness to relieve you from the heat!








































