Dance Property News

Bonobo alias Simon Green returns with "Distance In Static", his new album, which will be released on September 11, 2026, by Ninja Tune.

On "Distance In Static", Bonobo collaborates with a characteristically impressive lineup of artists, including Arooj Aftab, Joy Crookes, Nilüfer Yanya, Ichiko Aoba, Nicole Miglis (Hundred Waters), and Aanya Martin. The lyrics are written in English, Urdu, and Japanese, while historical Iranian samples and guzheng recordings stand alongside Bonobo's carefully crafted instrumental sounds. These were created during recording sessions in Los Angeles, Tokyo, London, and beyond: a significant part of the album was completed at Neil Young's legendary Broken Arrow Ranch in California, where he had retreated for several weeks earlier this year.

The album's title - "Distance In Static" - aptly describes Bonobo's current situation: it evokes images of distorted transmissions and fleeting frequencies, memory fragments and glimmers of meaning that echo through more than two decades at the forefront of electronic music. He sees the traces of his work reflected in a younger generation rediscovering trip-hop, downtempo, and experimental electronic music of the 1990s from a contemporary perspective. "I think the beginning of my work is relevant to younger people today," he says. "I liked the idea of listening for a distant signal - finding something in the noise," he continues. The entire album conveys the feeling of a search for transcendence: music that hovers between intimacy and vastness, the familiar and the unknown.

Within the universe of "Distance In Static", there is also a sense that this album marks something truly monumental. It is a moment of transition, a celebration of Bonobo's 25th anniversary, but perhaps also his last album in the traditional sense: with numerous guest contributions and a multi-year world tour with a full live band.

Whatever comes next, one thing is certain: "Distance In Static" is arguably Bonobo's best album to date; as ambitious and forward-thinking as ever and a reminder of why he has influenced so many people so strongly for so long.

Fuse leans further into its proposed aesthetic of biting club tracks with a brand new release by Cirkle. ‘Infinity Drift’ balances powerful sound system sound design with lush ambiance, creating standout moments on a dancefloor with a taste of nostalgia. These tracks explore the richness in themes that techno can have when made by someone who’s spent years meticulously crafting it. ‘Skyland’ asserts itself first with impressive pace. Swift chord stabs open and close to create waves of excitement and craze in the track while percussion shuffles along to add impact; Cirkle is an artist of all rooms and dimensions. Shrill sound design cuts through the stereo field creating a wormhole in the middle of rhythmic determination. Tension balance and anticipation are his specialty and every transition whips his dispersed elements into singularity in the EP, specifically the title track. A truly musical piece that embraces the crowd with vintage warmth, ‘Infinity Drift’ tones down the dissonance in exchange for something closer to astral exploration. These larger than life themes are never lost on dancers and serve to unify the dancefloor into an organism instead of pushing sound system violence. This is a theme that is omnipresent in Cirkle’s music and carried through into ‘Stimulus’. Here, the Greek producer dips into the hypnotic bordering on psychotic, stretching arpeggios and delays across drum transitions and time. The dimension of ‘Stimulus’ matches the preceding tracks with ease, but stands out in its effect, rolling a powerful synth through reliably tuned percussion. For the final track, ‘Impulse’ sees Cirkle prioritizing the importance of drums. Pressing hard on the drive of the kick, rides and filtered claps squeeze their way out of the low end to create an infectious groove. Stabs of ethereal pads envelope the rest of the EP, leaving space for the rest to breathe. Bumping along the way, Cirkle lands the EP with class, cementing himself further as an artist whose knowledge of the dancefloor creates a singular experience.

Sciahri and Sublunar are happy to welcome back Clotur with his new EP, One Touch. A release that highlights Clotur’s ability to blend refined groove structures with a distinctive and instantly recognisable sonic language. The EP opens with One Touch, a deep and seductive cut enriched by Suēno’s distinctive vocal, creating one of those tracks that instantly stays in your head. It then moves into Drummz, driven by dynamic and unpredictable rhythms, refined groove work and a strong sense of movement. On the flip side, Endless Love blends deep, repetitive structures with a balance of modern and old-school influences, before closing the vinyl with Fragments of Us, a track that perfectly captures Clotur’s talent for unique sound exploration, paired with an infectious bassline that lingers long after. With this EP, Clotur further establishes himself as one of the most distinctive and hard-to-replicate artists in the current scene.

In the early 2000’s, David Coker, Timmy S and Justin Bailey were right at the heart of the UK tech house scene, producing some of the finest classics the genre has known to date. The projects they worked on together quickly became standout staples and over time those records have turned into proper collector’s pieces.

This reissue on Endell Street brings back one of their most sought after releases. It features the two main tracks from the original release, both carefully remastered and cut one per side. A long lost slice of UK tech house, brought back to life.

For its third release, Tremendo Recordings brings together long-sought-after tracks by Corrie, one of UK tech house’s pioneers, drawn from his early releases on Wiggle and Bosh. Increasingly hard to find in their original form, these records return as a tribute.

Taken from releases between 2003 and 2005, this selection captures a side of Corrie that feels immediately recognisable: bold, playful and unmistakably his own.

Cristi Cons returns to Amphia with Out of Cycle Part 2, expanding the narrative beyond fixed frameworks.

Cristi Cons continues his exploration of fluid musical identity with Out of Cycle Part 2, released via Amphia, the label which he co-founded and runs alongside Vlad Caia.

Conceived as a continuation of Out of Cycle Part 1 released back in 2021, the new installment deepens the concept of operating outside predefined structures, both in form and in sonic direction. Rather than adhering to a single aesthetic, the album reflects a wide spectrum of influences, capturing an evolving artistic language shaped by intuition, experimentation, and long-term musical curiosity.

The title Out of Cycle acts as both a statement and a method: stepping outside familiar loops, resisting categorization, and allowing the music to exist beyond rigid expectations. This philosophy extends into the production itself, where subtle variations in structure, tone, and pacing reveal a process driven less by formula and more by exploration.

Across the album, rhythmic frameworks shift between hypnotic, club-oriented patterns and more introspective passages, while textures unfold with a focus on depth, movement, and spatial detail. Each track functions as part of a broader continuum, yet maintains its own identity, highlighting a deliberate departure from cyclical repetition in favor of a more open-ended approach.

Released on vinyl and digital formats, Out of Cycle Part 2 marks another chapter in Cristi Cons’ ongoing dialogue between club functionality and deeper listening contexts. While rooted in stereo composition, the project also opens the possibility for further reinterpretation, reflecting an interest in how the same material can evolve across different listening environments.

With this record, Cristi Cons continues to trace a distinct artistic trajectory, one that prioritizes depth, individuality, and an ongoing expansion of his musical language as it evolves beyond established forms.

Dedicated to my dear friend Laurentiu Gavrila (Funk-e).

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took us from theindustrial and post-punk sounds of the late 70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 2.

DAX J returns with Sphinx, a powerful body of work delivering hypnotic brooding techno whilst delving into spirituality and higher realms.

When the first lockdown hit, Ben Westbeech ended up stranded in Walthamstow after months spent drifting through India and Thailand, unable to make it back to Ibiza. Armed with little more than an SM58, a Korg Minilogue and a soundcard, he pieced together a temporary setup in a friend’s flat and got back into the habit of writing music in splendid isolation.
Somewhere in the middle of all that, Deetron sent over a sketch that instantly hit a nerve. Ben wrote and recorded the vocal for Deep In Your Soul in one sitting, then the track quietly sat and evolved over the next couple of years until Sam resurfaced with the finished version. A final vocal session in Ibiza sealed it properly.
What emerged is one of those records that feels lived-in rather than laboured over: warm, soulful and naturally unfolding across different places, phases and points in time. Another chapter in the long-running musical conversation between Deetron and Ben Westbeech.

Post Panic debuts as a label with the release of Dancing Ledge, a specially titled EP featuring five remastered tracks from Delph’s 1998 self titled album. Originally appearing on CD via the Blue Pool label, this new collection breathes fresh life into a hidden gem of the late 90s British electronic scene.

The project of K J Pocock and Steven Smith, Delph captures a unique sonic transition from the rural landscapes of Dorset to the industrial energy of Manchester. While the original album was self titled, this edition takes its name from Dancing Ledge on the Jurassic Coast, paying homage to the duo's roots and the organic, atmospheric nature of their sound.

This debut reissue serves as a definitive statement for Post Panic, unearthing timeless soundscapes that blend ambient, downtempo, and early IDM. An essential discovery for collectors and lovers of evocative electronic music.

This EP is a selection of five re-mastered tracks from the 1998 self-titled Delph album, originally released as a CD on the Blue Pool label. Delph were K J Pocock and Steven Smith. Originally from Dorset in England they moved to Manchester where the album was made.

'Unreleased Stuff Part 'I dives into the rich vault of Charles Webster, a revered name in UK house with a career spanning over three decades. This release brings out three hidden gems from his archives that capture the depth of his skill in minimal and tech house production. Side-1 kicks off with 'The Same Thing (instrumental mix)', a refined deep house track with a tasteful nod to 90s acid influences. Over on Side-2, 'Halftoo' delivers a melodic deep house vibe that feels fresh despite its 1997 origins. Rounding out the collection, 'FYU' combines smooth, classy production with that unmistakable 90s touch, creating a sound that feels timeless yet distinctly of its era.

One of the key architects of Gospel House Music, DJ Spen, gets set to release his brand new full-length artist album, ‘The Praise Party’ on Quantize Recordings. DJ Spen’s weekly Sunday ‘Praise Party’ live stream was born in the pandemic, when a heartfelt idea from his wife Kelly, “go live and bring hope to people”, grew into a global online family united by music, faith, and irresistible gospel house edits. Six years on, that community still gathers, and ‘The Praise Party’ album carries that legacy forward, continuing to bring hope and inspiration through music. A true labour of love, this album sees DJ Spen deliver fifteen uplifting songs where joyful voices rise together in spine-tingling harmony, and stunning solo performances flow over a musical feast of heart lifting, hand clapping and roof raising Gospel grooves.

After a few years of silence, Underplay (Playedby sub-label) is back with its fourth release, welcoming Elia Nafzger and his Music Makes Me High EP.

A rising talent with a strong identity as both DJ and producer, Elia’s music has been regularly played by key figures such as Rhadoo and Praslea. Also part of the Sunrise Agency roster, he has already appeared at Sunwaves, Guesthouse and Supermarket Zurich.

Underground house heavyweight **Enzo Siragusa** is back with a fresh offering, his highly anticipated new EP *Odyssey*, set to drop on **fabric Originals** this month. This marks another standout release for Siragusa, coming hot on the heels of his recent contribution, "Last E," to the *fabric Selects V* compilation, which landed earlier in October.

*Odyssey* features three meticulously crafted tracks that showcase Siragusa’s signature fusion of classic rave elements, deep grooves, and stripped-back house aesthetics. The title track "Odyssey" is a masterclass in his deep production style, while "95 Variant" leans into the artists UK influences. Perhaps the standout cut is "Listen," a nod to the golden era of speed garage, effortlessly blending bass-driven energy with Siragusa’s refined touch.

The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve.

In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar.

Eric Cloutier's career has always been defined by a certain kind of relentless, monastic discipline. With My Friend The Abyss (PALINOIALP01), Cloutier continues to bridge the gap between the selector and the creator. The album title itself suggests a reckoning with the internal-a realization that time is the only distance between an artist and their masterpiece-resulting in a body of work that feels less like a collection of tracks and more like a hard-won transmission from the deep.

Forged in a crucible of stress, chaos, and loss, the LP eschews the easy loops of his earlier output for a far more complex architecture. While Cloutier's signature hypnotic pulse remains the bedrock, the record expands into a startlingly broad lexicon: the dub-wise weight of "Havittaa" and the tribal intensity of "Desassossego" sit alongside moments of fragile ambient beauty. Perhaps most surprising is the inclusion of "Ligrothism," where Cloutier explores the broken rhythms of drum and bass, proving that his obsession with "Palinoia"-the Greek term for perfecting an act through obsessive repetition-has led him to a place of total creative fluidity. This isn't just club music; it's a masterclass in atmospheric tension.

Five new edits LUXXURY’s infamous series now on wax showcasing some of the LA-based producer’s most sought after cuts: “How Does it Feel?” reworks a classic Mancunian post-punk anthem, while “A Woman’s Man” reveals additional gold hidden under the hood of a well-tread disco classic. “Crystal Visions” and “They Don’t Love You” are new exclusives LUXXURY created to kick off his weekly radio show on Los Angeles station KCRW; while “I’m a Man” disco-fies the legendary 60s UK blue-eyed soul classic.

The first outing of Ferg’s solo trip is here. Titled Buds Bloom, this well-rounded project delivers a smooth listening experience whilst only scratching the surface of his blossoming sound. Enjoy four tracks that plant the seeds for what’s to come.

Franck Roger is back with 4 handpicked tracks from the legendary archives of Real Tone Records.

Real Tone Classics Vol 5 – a limited-edition vinyl release act fast!

Hedonistic club music from the mysterious Glasgow Sound System. Incredible productions from an artist that has appeared from the ether to bless our dancefloors with otherworldly and atmospheric tracks. Varied productions overspilling with excess and emotion. This record is split into 2 phases; the first comprised of 3 club-focussed tracks for dark rooms with a red light, the second phase are 2 downtempo trips to mellow the comedown. Welcome to the club, Glasgow Sound System – what a debut.

Back again— Soul N Palms droppin' fresh soulful re-edits for the real ones who know the vibe. Built for late-night sessions, block party vibes, and crate-diggin’ heads alike.

“In This House” is the new 4-track EP from Kenneth Graham, a deep and elegant journey into the world of underground house music. Hypnotic grooves, warm atmospheres, and immersive rhythms come together in a release designed for both late-night listening and the dancefloor. A sophisticated and timeless collection that captures the pure essence of deep house.

UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

2026 Repress

Artwork and Typography by Stefan Marx

We are very happy to welcome Lb Honne from Switzerland to the Smallville circle, bringing a superb 4-tracker for the special dancefloors. Including a full Cover Artwork by Stefan Marx.

DJ Support: Chloe Caillet, Bradley Zero, Per Hammar, Alec Falconer, Voigtmann, Tsepo, Jorkes, Archie Hamilton, Tai Lokun

There’s no messing about for Luke Alessi's Coffee Cola imprint, quickly returning for a sexy second sip via his 'Sex Machine' EP. Remaining faithful to the imprint's modus operandi of mischievous, high-energy tunes to party to, Alessi is showing the label is here for a good time & a long time.

DJ Support: Enzo Siragusa, Traumer, Laidlaw, Voigtmann, Janeret and many more

Mateo Dufour and Cosenza return to Key Records as part of the label’s family, this time joining our second vinyl release with Sweat, representing the Rio de la Plata sound on the dancefloor.

The A-side is led by ‘Sweat’, a high-impact, peak-time track driven by a penetrating vocal and a distinct vintage character. Road-tested over the past months, it has become a true secret weapon in sets by artists such as Traumer and Enzo Siragusa. Following that, ‘Girl (I Want To)’ lowers the intensity, moving into a more groove-driven and sensual territory, creating a natural contrast within the side.

The B-side shifts into a more playful and character-driven territory, suited for transitional moments, whether at sunrise or during deeper phases of the night — perfectly fitting summer settings. ‘Why So Freak?’ stands out for its distinctive synth line and catchy vocal, giving it a strong and recognisable identity. Closing the EP, Dan Ghenacia delivers a deep and refined remix, adding an elegant layer to the release.

From peak time to early morning, just drop it and let it speak.

A record that balances impact and subtlety, reinforcing the connection between the artists and the Key Records universe.

For Gradients 4th instalment they welcome an artist whose longevity and contribution to music speaks for itself. Doncaster legend Mella Dee presents a 4 track special full of
Weird and wonderful spangle-core rollers. It’s twisted, dark and generally a little bit off it’s head. Designed for times when things are getting strange. Not for the faint of heart, no fancy tricks just bleeps bass and a bucket full attitude.

This release is set to fly out… so don’t sleep!

After the acclaimed Bar Mediterraneo, Massimo Di Lena and Lucio Aquilina return with a new album that broadens the scope of their sound even further, sailing beyond the Pillars of Hercules into a constellation of gravity-defying creative freedom.

People Of The Moon is not an imagined cosmic species, but a dimension within us all. Deeply personal yet universally shared. An alternative way of thinking that lays dormant until we find the courage to untether it, helping us experience life more fully. It is that precious sphere of the soul that slips away from everyday life. A form of self-expression free from the social pressures that weigh on each, at every latitude on the planet.

Under the moonlight, these songs trace anxieties and aspirations, guided by the international language of groove and rhythmic motion, articulated in Neapolitan, Arabic, English, Spanish, and Portuguese. It speaks with equal clarity through the Afro-Cuban influences of Celavì (“That’s Life”), with its circular rhythmic energy, and through the Anatolian zurna of Ma Tu Che Bbuò (“What Do You Want?” in Neapolitan), moving from highlife guitars to the mandolins that have become a Nu Genea signature. New idioms and rhythms, filtered through an Italian perspective.

The first single Sciallà (“Go Away” in Neapolitan), released in the summer of 2025, already hinted at what was taking shape in the Nu Genea workshop - a radiant guide to embracing difficulty and finding relief in dance. Not so much an escape, but a form of catharsis. Looking up at the giant mirror ball orbiting above us, we catch a glimpse of our best selves reflected back, and appreciate that the People Of The Moon invoked in the title track are more familiar than we first realised.

There’s a kind of resilience in these voices that isn’t loud or triumphant, but persistent and rooted in the simple act of continuing. The imagery of high-speed motion is central to Onenon (“On and On”), where British singer and multi-instrumentalist Tom Misch helps conjure a Mediterranean brit-funk reminiscent of Pino D’Angiò’s basslines.

The voice in Acelera (“Speed Up” in Spanish) summons the strength to chase the moon as if it were an unattainable ideal, in this Andalusian-tinged track featuring María José Llergo, who also lends her voice to Celavì. Both tracks are among the more languorous arrangements, with flamenco palmas introducing an original fusion into the Nu Genea groove.
With its driving momentum, Puleza (“Clean Up” in Neapolitan) recalls the spirit of Nuova Napoli, albeit with vintage synth textures and wild, unrestrained delays. The track’s protagonist, performed by Fabiana Martone, is another of our lunar dwellers.

Yet even when it leans into forward motion, People Of The Moon doesn’t pulse at a frantic pace, moving instead through shifting states of speed, orbit, and suspension. In fact, the Levantine bossa nova Shway Shway (“Slowly, Slowly” in Arabic), sung by Celinatique, captures the orbital motion of the entire record. Not exactly slow, but measured. Rich in color, and marked by a rhythmic complexity that was also heard on the duo’s rare access to foundational afrobeat on The Tony Allen Experiments.
All the while, the album remains deeply attuned to melody - a Nu Genea hallmark - as heard in the effervescent hook of Carè (“Falling” in Neapolitan). In the lunar microgravity of these ten tracks, falling and flying become interchangeable with dancing as ways of following the beat, suspended yet compelled to move. That compulsion is also invoked by Brazilian percussionist Gabriel Prado, making his vocal debut on Ondas Do Mar (“Waves Of The Sea” in Portuguese). The pull of the waves, a constant interplay of motion and return, steady as a lunar phase, is impossible to resist. One might as well lean into the blue, not to dissolve but to rebuild. “Você vai ver que dentro de nós / vai rolar”: you’ll see that something will happen within us.

Tether Records emerges from the ether with a statement of purpose in People People’s third offering on wax after their acclaimed Out of Our Hands LP. Born from the genre-bending minds of André Baum and Gulp, “Waking Up” finds the duo stretching their wings into bold and uplifted raver territory. The single is complimented by carefully selected remixes from fellow dreamers Adam Collins, Aline Umber & Krol, Arno, and Dana Ruh. This is music for tethering body and mind in wild and wooly times. “Now your heart is on fire/ you’re coming back to life/ you’re waking up, waking up, waking up…”

UK-duo Prospa are set to release their highly anticipated debut album Free Your Mind on June 5. Synthesizing the traditions of classic house with the sounds of modern global dance music, Free Your Mind is a sleek collection of club-ready future classics. As a first preview, Prospa also shared its title track, a driving cut of jacking vocal house featuring tech-house innovator Cloonee.

Give me some crystal meth, put it in a line and snort it - there you go."

Ella Fitzgerald meets Gangsta Rap and the Beach Boys encounter their despotic father. AMERICAN PSYCHE by Raymond Pettibon & Oliver Augst is an ABC of Jazz standards and nostalgia on speed, "that the world will never forget."

Another standout chapter in the Sacred Medicine catalogue, this latest release sees Ron Trent at the helm once again. This time featuring master percussionist Angel Figueroa (Herbie Hancock “This is the Drum” ) and multi versed guitarist Pablo Color.

The track unfolds through layered rhythms and melodies that feel light yet deeply pulsating, carrying both elegance and intensity. Its rich, evolving arrangement balances a strong percussive drive with a sense of space and musicality, revealing new details with every listen.

On the flipside, a more acoustic “Suite” version offers an alternate perspective, highlighting the composition’s organic textures and depth. A record that speaks to both dancers and attentive listeners alike, and another meaningful addition to the ever-consistent Sacred Medicine catalogue.

For the first me as a "single vinyl edion" the iconic and widely considered “anthem” Rave by
Sam Paganini, originally released on 2014 on his masterpiece album “Satellite”.
In addion to the original extended mix also included the “Speed Up 2025 Mix” that marked the
10 years Celebraon.

Supported by the only man with a copy the one and only DJ Harvey, so you know what to expect.

The concept remains simple — extend what already works. With the second chapter of MAXI MAXIMAL, Leicht Matrose SIRS continues a DJ focused approach to reconstruction, taking timeless disco, synth pop and balearic moments and reshaping them into extended, more playable versions built for flow, space, and long-form mixing. This is not about rarity or obscurity, it’s about clarity. Not digging for forgotten gems here but refining familiar material into its most functional, immersive form. Each track is treated with a clear intention: to open up space, deepen the arrangement, and allow the original emotion to unfold over a longer timeline made for modern use, without losing its core feeling. you dig it .

ncl remixes by Pulso & Translate, ORBE and PWCCA. Re-defined continues with the 15 Years Anniversary of Svreca - Obscur series.



This new 12" showcases Svreca unreleased / alternative material and Remixes by Pulso & Translate, ORBE and PWCCA.

Tom Sharkett has been one to watch in the last year via his remix work for DFA, Sub Pop and more plus his edits that are quietly out there doing damage with those that know. Here he arrives on Test Pressing Recordings with ’25’. Hot on the heels of his remix of LCD Soundsystem’s ‘Home’ – ‘Easily one of the biggest records of the Summer’ (Phonica Records) – here is his first solo EP for the label. ‘Painting On Glass’ arrives and sets the mood. Heavy synths and breaks. ’25’ features the vocals of mui zyu and pulls from the likes of New Order but takes them somewhere new. The third track, 'Sleepwalk', sees mui zyu return — a love song that sets a mood then drops into a vocoder loop midway before a fitting finale. ‘I’ll Call If I Want You’ closes the EP with a vocal from Tom himself. It’s a perfect closer. This isn’t a straight up dance record. It’s an artist showing they’ve got big ideas and a home for them.

For thirty years, Alden Tyrell has been at the forefront of electronic music. This analogue alchemist has concocted heady grooves that transmute genres: acid, disco, electro, house, italo and techno; no style left unturned. Under his Tyrell Corporation moniker, he returns to the Bordello with a sound forged for dancefloors. Midnight Machines is a warm embrace that melts electro‑disco with star‑gazing synthlines. “Midnight Machines Pt. 1” balances robust melodies and incising snares with soulful undercurrents and joyous breaks. Past energies are re‑channelled. Arpeggiators rumble as beats throb. Beneath it all, there is a greater consideration of the interplay of elements.

This focus pulsates through speaker cones on the needle‑drop of “Love in Decay.” Elated key changes and bright shifts are tempered by bittersweet moments, early‑morning light piercing fresh mists of grey. Tempos rise on the flip with “Midnight Machines Pt. 2.” Sci‑fi‑scored disco lifts ever higher as scaling notes untether themselves from the floor and soar above vibrant rhythms. Coy and alluring, the bright “Romance Obscura” closes the record. Cowbells and bending wavelengths open into an expansive, intoxicating melody where keys search the horizon as arms fold around celestial bodies.

Lecca is back with a new collection of edits, four classic disco cuts for diggers only!

Trance Pearlz proudly returns with another fresh selection of timeless trance anthems. Staying true to our philosophy, this release blends iconic classics with more hidden trance pearls — all in their extended versions.

Rediscover the long-sought-after classic “Space”, and relive the energy of the massive trance classic “Alcatraz” that helped shape the sound of the 90s. Featuring Barthezz and Phynn on this compilation, this edition also proudly showcases two true trance pearls from the Netherlands.

A must-have for every fan of authentic trance!

The trilogy is finally complete as Deep Dish make their monumental return to Global Underground, following up the seminal Moscow and Toronto mixes with #GU49 Dublin. The legendary duo has delivered a masterclass in mixing. This isn’t just an album, it’s a legacy.

We’re thrilled to present Volume 2 of ‘30 Years Of Freerange’. Six more, brand-new and exclusive tracks from a variety of label regulars including Fouk, Aroop Roy, Coflo, Fred Everything, Matt Masters & Radic The Myth

Three decades in, Freerange doesn’t look back - it expands. 30 Years Of Freerange - 30 tracks from 30 artists across Five EPs. A slow-burn rollout culminating in a beautiful boxset meticulously assembled to outlast trends, algorithms, and short attention spans. A handpicked cross-section of the Freerange continuum from artists who’ve shaped the sound alongside up and coming voices pushing it somewhere new.

Our brand new Club Sweat compilation series has landed with Vol. 002 - a meticulously curated vinyl EP that captures some of our favourite releases from 2026.

From the Latin-infused energy of LO’99 & Yolanda Be Cool’s ‘Casa Cantina’ to the peak-time euphoria of CHANEY’s ‘Everybody Rising’, and Tseba’s ‘Dusk Til Dawn’, Side A is built for the dancefloor’s brightest moments.

Flip the record to Steve Lawler’s hypnotic ‘Tiny D’, the funk-filled ‘On The Limit’ by DvirNuns and a masterclass in momentum from Bonafique with ‘Sunday Routine’.

This one captures the essence of Sweat It Out’s undeniable influence on dancefloors across the globe.

Various Artist

AML007 - ALEJ CH & Friends

A four-track progressive house EP pressed to wax — uplifting, energetic, and built to be felt. From driving, hypnotic grooves to warm melodic peaks, the record moves with purpose and intention, the kind of music that rewards full attention.

Whether you're behind the decks or in the listening chair, this is a release that holds up. Already supported by leading DJs worldwide, it carries the depth and craft that only the physical format can fully capture.

Vinyl only. Pre-order now.

XPRESS Singles Vol.2 is here, and its a certified dance floor weapon. Here at TDE we're stoked to welcome back mystery London duo Dirty Supercar with a brand new cut, Nothing But The Music.

Powered by the deep, soulful vocal of Elliot Chapman, it’s a direct call to the floor. Lush, emotive strings glide over choppy 70s guitar licks, all driven by a throbbing house kick and bouncing bassline combination that hits with precision. It’s a confident, fully-formed house record that speaks to both classic and contemporary sensibilities.

On remix duties, Italian house music heavyweight Angelo Ferreri steps in with a fresh rework that’s already slamming our worldwide parties. A consistent force in the global house scene for over a decade, Ferreri’s catalogue spans chart-topping releases, millions of streams, and support from the scene’s most respected selectors. Regularly ranking among Beatport’s top-selling artists, his signature blend of groove-led, feel-good house is unmistakable. Here he delivers a version that’s primed for peak-time impact. Tested, refined, and truly defined house heat.

Fesh off strong support from Purple Disco Machine, DE SOFFER returns to TDE in fine form. The nu-disco specialist delivers two standout remixes, reworking 20 Buck Funk by Bustin’ Loose and Hot by La Felix. The latter was one of our label’s biggest records of 2025 and gets a slick extended treatment. Meanwhile, 20 Buck Funk is reimagined with a sharp, modern nu-disco edge. Both featuring West Coast's Relaye on the rap, these're both tight, energetic, and fiery Nu Disco bangers ready to cause club carnage.

A seriously strong vinyl package from front to back. Pressed on a limited run of 300, this is one for the collectors and the selectors alike.

Labyrinth marks the debut release from Theorum, a brand new collaborative project between A.Paul and Lisa Oakes.
The EP features original productions from the duo, alongside solo contributions from both artists.
A remix of the title track by Ramon Tapia delivers a fresh, driving reinterpretation, deepening the EP's hypnotic, driving energy.

Between Tides marks the next chapter for Deep Steppe—a various artists cut balancing forward motion with the deeper foundation the label’s built on. The A-side leans into a newer lane. Mungo Sound Machine opens with a direct, no-frills party starter. Ballan follows, bringing an overseas touch that stretches the palette—loose, rolling, and just off-center in the right way. On the flip, things return to deeper territory. Kerouac kicks off the B-side with a funky, stripped-back groover—effective across a range of settings. Closing the record, Adam Rose, Miro, & JJ Selects come together on a collaborative tune. Subtle, patient, and dialed in. Two sides, one current.

Claus Voigtmann has built his reputation away from excess, favouring precision, patience, and a deep understanding of the dancefloor over trend-led movements. Emerging from a punk background, his approach to music carries that same raw intent, translated into rolling, groove-led sets that blend movement with a stripped-back sense of pressure and release. As co-founder of the influential Toi.Toi.Musik party series, he helped shape one of London’s most respected underground movements, while later channelling his focus into his label Subsequent - a platform for more exploratory, long-form expression that has found its way into the crates of DJs including Zip, Ricardo Villalobos, and Sonja Moonear.

Having already landed on Enzo Siragusa’s FUSE imprint in 2023, remixing the label boss’s ‘Laughing Tones’, and after featuring heavily across the brand’s global events for years, his ‘Elevate’ EP distils his ethos into four direct, function-led cuts. Built with clarity and intent, the record reflects his commitment to music that works in the room first and foremost, resulting in a collection of tracks shaped by experience rather than excess, and where every element serves a clear purpose.

‘Bass Tool’ brings low-end pressure and tightly wound percussion, setting the tone from the off , while ‘Loading Complete’ leans into a more cosmic roll, layering shifting textures over a forward-driving framework. On the B-side, ‘Sidequest West’ keeps the focus in the sub-bass realms while still maintaining focus on groove and flow, before the title cut closes the release by opening things out, balancing weight and space in a way that reframes the EP’s direction and journeys into the late hours.

Wilba rolls into Haŵs with 'Kombucha in the Club' - four chunky club cuts dipped in acid, prog and sleazy late-night pressure. Built with proper low-end heft and a wicked grin, this one doesn’t hang about.

A1 opener 'Wrong Turn' sets things in motion with pulsating proggy goodness, restless energy and the repeating call of “Destination” guiding the trip into the unknown. 'Polly’s Acid Kiss' follows with squelching 303 lines and a sci-fi-esque vocal, pushing deeper into tripped-out territory without losing its punch. On the flip, 'Sin City' leans fully into the sleaze - rolling tech house, smoky vocals, wailing sirens and enough attitude to carry the small hours. The EP rounds off with 'Rejigging the Jig', which wastes no time laying down the damage: fat drums, elastic basslines and enough swing to pull the room sideways.

Heavy grooves, crooked hooks and just the right amount of mischief. Kombucha never sounded so wrong.

Youandewan takes us back to the fourth dimension.

The mysterious, presumed missing-in-action Modwerks 10 reports back to HQ carrying 2 special remixes from Rodhad and Rene Wise

A killer. A side brings a Breakcore Grime and B side brings a Breakcore Dubstep. Maximum dancefloor little pearl

With only two albums out, Slow Pulp are one of the defining bands of the generation that grew up on "90s alt rock radio and came of age with the 2000s indie wave. Their new album, Melodie, out on September 18 was produced by Elliott Kozel (whose credits include SZA, Lizzo, Jean Dawson, and Rosalia) and was co-written by Emily Massey and Henry Stoehr in the band. Melodie sees the band exploring beyond their shoegaze roots into new sonic territory with pop-tinged hooks and melodies. Melodie is the follow-up to their acclaimed sophomore album Yard. With resounding praise from the likes of Rolling Stone, The New Yorker, Pitchfork, Billboard, The FADER and Stereogum, with Variety declaring it "one of 2023"s best rock records" Following tours supporting Lucy Dacus, Death Cab for Cutie, and The Postal Service, the band will play their biggest hometown show to date at the Salt Shed, plus dates in New York City, Philadelphia, Boston, Los Angeles, and San Diego this fall.

Superb 1NC1N Ep, on his Home based familly !
A banger as you can imagine... just listen :)

Pumpin mental deep travel.
Humble sounds.

Still 4 crazy tracks, pure tribe ! Summer sound !

French Hardcore Banger !
Splattered red & black !

A second cut was done and new viuals, that was needed for sound conveniance :)

Livesets from 1998.
Amiga set-up in parties.

A side at Concarneau "fête de la musique". June 1998. (12 minutes)
B Side at the Teknival from St-Goazec, Mai 1998. (15.30 Minutes)

This should have been released as Keltik 02, a label from Bretagne. But it never came out finally...

All sources are DAT, extracted at DK mastering in Paris.
Mastered by Fred in Rennes and cut at... DK Mastering in Paris again.

NBT sound posse first release. Ragga tek and Pumpin Acid Tribe influenced by FKY, with a fatter kick. Hartek Familly there.. No Tribecore and no Electro Techno. Just a fidelity to a sound and to a spirit. Roma power linking south to north, unity ! Limited 300.

The first track is a hardware masterpiece of a kind ! Don't miss that classic way...
Then comes a cool Tekno banger, again very analogic.
The other side is more some kind of meeting between Win and Jaquarius, Win for the structures and the global ambiances and Jaquarius for the way of using and growing the acid gimmics...

Serious Newskool Pumpin' sound !!!

Fat dancefloor pearl !

Superb second opus for T.I.R. !

The record open on a flood raving Tribe tune from Spinhell...
Then his second tune brings something definitly more old school Tribe, minimal and jumpy/pumping, annoncing the style that carries the flip from CRLTTO and Dottor Gonzo

Double LP for a travel into darkness, Tribe to Hardcore with lots of storytellings... At the concept album frontier !

Unique !

Double pack of full Pumpin Tribe !!
Newcommers and old schoolers meeting !!

Superb new EP from the Adam Vandal mental master sweet sound... Inviting GRE and M4rty Epitom.

A Pico is a bus/truck/jeep transformed into a rolling sound system.
It's a very popular caribean/south and center american way to make a carnival or a party, or a birthday, a wedding... whatever.

The music they play is defenitely banging, and minimal home made... Those trucks are full painted and the Pico : it also a way to name a street-art style.


DISTROPIKO is a project born from the encounter between traveling producer Luca Zod, visual artist and DJ Nicho Line, and Bari-based writer PERK aka Maffia of the UG crew. Their Apulian roots and respective influences—tropical wave, tribal imagery, and urban-funky aesthetics—merge in a dystopian sonic journey toward an urban tropical, where a piko de sonido spreads a new psychedelic vibe ready to shake the dance floor. Studio production is being handled by the historic Quadraro Basement studio in Rome.

New tunes, old tunes : an artist cannot escape his sound.
And this is a good sound !

LTD 300.

50 hand numbered 10 inches copies, leathe cut.
White colored high quality with sticked sleeve !

---- ATTE?NTION ! LIMITED TO 1 PER CUSTOMMER !!! ---- If more ordered you'll get refund 100% and you will get none !!! Be aware of that.

Delsin's Inertia sub continues their dancefloor focussed series with a fierce four-track EP by Danza Nativa co-owner Forest On Stasys. Influenced by tribal minimalist techno in the nineties and the abstract side of contemporary techno his first EP on Delsin includes all of this. A flawless pack of well balanced playful yet deep immersive techno.

Kaizen is a Japanese philosophy that means “continuous improvement.”

The new Lisbon-based label is built around a vision of constant evolution in groove and rhythm. The label’s debut release comes from its founder, Stan Yaroslavsky, delivering a deeply personal project that reflects his artistic growth throughout years of musical exploration and production.

The 4-track EP showcases different sides of his musical identity, with each track representing a unique approach to sound, groove, and atmosphere. Blending elements of House and Tech House with subtle minimal influences, the release captures both movement and progression while staying true to the label’s core philosophy of continuous change.

Summer is around the corner and what a perfect timing to introduce you to Admo’s latest musical project - Charlottenzbeul Science Club. After three years since his last solo EP, many live acts around the globe and releases on Limousine Dream, Haws and Ordinateuf, the mad bassist is back at it again with his first release on his new label - Two-Headed Fish Records - which he co-runs with his wife. Definitely an EP that stays in the family.

It’s another four-tracker - you know the kind of vinyl that keeps on giving. A celebration of his time in the vibrant German capital, Berlin (West is the best). A1 opens the ball : bassy, catchy and this infectious chromatic melodic line. The recipe for a summer hit. Now onto A2 (and we’re not talking about his German language skills here): a regular laidback approach where acid sounds mesh together with this high-energy baseline. A classic in the making. If you’ve seen him live, you must’ve recognised B1 as it used to be his closing. A dreamy touch, where storytelling is the key word. You will have your head bopping from the first minute - mellow moment guaranteed. And B2 wraps it up - it takes you by the hand, you hop onto the next U-bahn and straight to the dance floor. The analogic bass keeps on bringing the track higher, progressively transforming into this groover that gets your feet stomping. It’s a proper farewell and a perfect conclusion to this beautifully crafted record.

With the launch of Flirt, Alarico distills the essence of his current techno vision while sketching its next phase.
This is techno stripped to its most instinctive form: rolling basslines, teasing vocals and seductive rhythms with hints towards deeper and more melodic realms.

NYC house legend Joaquin “Joe” Claussell steps up for a fantastic remix of Arp Frique’s 'Save Your Soul' taken from the recent album “The Gospel Of Jesamy”. Support from Floating Points, Palms Trax, Antal and Hunee amongst others. Big TIP!

Sticking to the gospel roots, the 'Sacred Rhythm Praise Version' opens with an organ and piano solo before the iconic "Claussell drums" kick in followed by additional disco strings. Powerful vocals provided by Rocq-E Harrell, Muriel Blijd and Brandon Delagraentiss whilst Arp Frique’s instrumentation glues the whole track together.

Remix on the A-side and original mix on the B-side, pressed at 45RPM.

Bella Boo lands on Aus Music with a mix of party-starting and heart-racing house jams

Swedish artist KURT. brings her characterful style to the title cut

Bella Boo has lit up the house world since breaking through in 2018. She has become a Studio Barnhus mainstay with a sound that is both emotional and energetic in the way it contrasts light and dark. It's built on solid grooves with fresh sound designs and has taken her to dj everywhere from Panorama Bar to Printworks. Her debut LP, as well as follow-up EPs, have seen her nominated for several Swedish Grammys and seen her profile grow around the world. KURT. is a rising star from Stockholm with an electric sound that blends club, r&b, pop and soul. It's high on attitude and laced with her own provocative vocals. She guests on opener 'Shake Down', which is a chunky, bass-first rhythm packed with character: hints of jungle breaks, heat-damaged synths and blasts of gloopy bass all bring the fun before KURT.'s vocal motifs - which are variously sultry, whispered and visceral - inject even more heat. The Regrette Rien Mix takes on a late-night feel with sustained chords and a silky smooth vocal from KURT. that turns you inwards. Bella Boo then goes solo for the super vibey 'Atlas', a deep, cruising house cut with catchy percussion and lush, layered bells. The golden chords and shimmering pads are immersive and expansive as the bass powered on. Lastly, '8Ball' quickens your step with bumpy kicks and increasingly detuned, wonky synths that bring a future feel to a punchy yet cuddly and feel-good groove.

Finally, the long-awaited repress of this tech-house banger by French producer Bobby Parker from ’03. A real classic from DJ Francesco Del Garda. The B-side comes from another sick release on the label, this time with Mogcha. It’s a straight-up electro-house heater, perfect to get that dancefloor hyped. Antinote’s also planning to reissue some of the Monster Funky catalog in the next monthes. Stay tuned!

Bonafique return to Crosstown Rebels with ‘Terapia’, featuring Yuvèe and a standout remix from Josh Baker.

Out on 5th June 2026, the duo delivers a hypnotic release remixed by one of the most in-demand names in modern house music. Following their debut appearance on the label’s ‘SPIRITS VII’ compilation in 2025, Bonafique return to Damian Lazarus’ Crosstown Rebels imprint with a fully realised statement in the form of their ‘Terapia’ EP. With an instinct-driven studio process and emotionally charged sound, the duo continues to refine a style rooted in hypnotic groove, stripped-back club energy, and warped, psychedelic textures - perfectly exemplified across both solo and collaborative offerings here.

Lead cut ‘Profill’, crafted alongside previous collaborator and close friend Yuvèe, travels through tightly coiled rhythmic tension and driving low-end pressure, balancing intensity with restraint in a way that feels raw yet deliberate. Yuvèe’s background informs the track’s direction, bringing a sense of musical discipline that bridges composition and club functionality, adding an understated yet vital layer to Bonafi que’s vision.

On remix duties, You&Me boss Josh Baker makes a notable Crosstown Rebels debut, stepping in as one of the most in-demand figures in contemporary house music. His reinterpretation reshapes the original into a sharp peak-time weapon, injecting spiralling melodies and controlled pressure while retaining its hypnotic core. Closing the release, title track ‘Terapia’ offers Bonafique’s solo excursion of the EP and strips things back into deeper territory, unfolding through atmospheric layers and evolving rhythmic detail to off er a more introspective counterpart to the energy of ‘Profill’.

With CONVENT009, Carebears deliver another quirky and sharply crafted slice of underground house music, joined by Tommy Vicari Jnr for a remix that fits the record’s off-center spirit perfectly. Dry, minimal, playful and built with real club instinct, The Pagemaster sits in that sweet spot where character matters more than obvious effect. Another tasteful and quietly effective tool for those who like their records with personality.

2026 Repress

The Architects of Shadows explores the volatile undercurrents shaping today's polarized world, where extremes on all sides vie for influence and control. Against a backdrop of rising nationalism, digital echo chambers, and deepening distrust, each track captures a stage in the gradual radicalization of society. Through dark, immersive soundscapes, the album delves into how unseen architects exploit fear, amplify division, and pull the strings of public sentiment, leading society toward ideological extremes. The Architects of Shadows invites listeners to confront the forces behind the fracturing of Western societies in an era marked by profound political and cultural polarization.

The British duo Andrew Eggleton and Daniel Hird, better known as Definite Grooves, return to Groove Culture with a new vinyl release that is pure energy for the dancefloor. Titled "Alive", this EP perfectly captures the essence of the label: delivering high-quality dance music curated with exceptional detail.

The record opens with the title track "Alive", a vibrant anthem that immediately sets the duo's intentions: solid grooves and infectious atmospheres. It follows with "Everyday (Move My Soul)", a track that, as the name suggests, hits all the right notes thanks to an impeccable rhythmic section and irresistible soul-infused warmth.

Side B keeps the momentum high with "Feel It", a track designed to keep the club moving during peak moments, while the closing is entrusted to "Don’t Do Disco". Despite the ironic title, the track plays with sophisticated house sounds, reaffirming the technical mastery of Eggleton and Hird.

In short, "Alive" is a must-have for vinyl collectors and DJs looking for that distinctive, elegant, and powerful sound that only Definite Grooves can deliver under the Groove Culture umbrella.

Channels Of Love, the collaboration between Italian duo's Dirty Channels and Eternal Love present their first original release from Dirty Channels featuring Ethiopian-Dutch singer Minyeshu and a remix from Dionisos...

With Harmony, Dirty Channels mark the first official original release on their new imprint Channels Of Love, founded together with Italian duo Eternal Love. Born as a platform for edits and reworks, the label now evolves into a broader vision rooted in global grooves and club energy.

Featuring Ethiopian-Dutch singer Minyeshu, whose spiritual and emotive voice bridges African traditions with contemporary sounds, Harmony blends percussive drive, warm basslines and hypnotic arrangements into a powerful yet soulful peak-time record built for connection.

The release also includes a soulful remix by Dutch producer Dionisos, delivering a deeper, housy reinterpretation while preserving the essence of the original vocal.

With this debut, Channels Of Love sets the tone for its future direction: alternative club music rooted in authenticity, where edits evolve into original productions and the dancefloor becomes a space for shared energy and unity.

Open the doors of perception with 'Alchemy of Being,' a deep ambient exploration inspired by Jungian analysis, olfactory meditations and psycho-nautic navigations.

Dublab resident, LA-based DJ and producer Dor Wand invites us to practice ‘deactivation through music:’ a softening art he describes as guiding energy down gently, so the body can rest, the heart can open, and the mind can return to stillness. The album creates a space where movement turns inward, where rhythm becomes breath, and where sound holds us as we land.

A mix of mellow synths, live harp and tuned percussion, the album oscillates softly between tension and relaxation, a harmonizing journey that gradually brings together mind and body, inhale and exhale, a unifying yogic tool for heightened self-understanding.

Limited vinyl // Self-released // Handstamped

For his sixth solo album, Ezéchiel Pailhès returns with a new collection of songs infused by a sunny wandering spirit.
Within each of the twelve songs on SOL is a thread of melancholic happiness that has permeated much of Pailhès’ music and songwriting. He addresses love, the passing of time, hope, lost illusions, fleeting moments of grace, the temptation of forgetting, a need to escape, and desire. All this is
insulated by understated orchestrations that blend acoustic and electronic instrumentation with deft confidence.
The Portuguese and Brazilian concept of saudade—a form of melancholic longing and nostalgia— pervades, thanks in part to Pailhès decision to record the album in Rio de Janiero and to reinterpret some of the finest works of Música Popular Brasileira (MPB). In particular, he revisits a handful of
lesser known classics from the mid-century samba and bossa nova era—originally written or performed by talents including Vinícius de Moraes, João Gilberto, Tom Zé, Dorival Caymmi, João Donato, Os Tincoãs, and Ataulfo Alves.
The shift from Brazilian Portuguese to French and the decision to adapt rather than perform a straightforward cover versions, allows Pailhès to invent a form of prosody and euphony (the musicality and harmonious combination of words) that feels vibrant and unlike anything else in today’s French
chanson landscape.
“Some lyrics are simple translations from Portuguese, in what I’d call an expanded version. For others, I started from a single word or a single phrase and embroidered an entirely new text that carried me elsewhere,” explains Pailhès. “I allowed myself great interpretive freedom, while preserving the humanist dimension of the original songs. I’ve always been deeply moved by the way Brazilians transfigure reality through heightened emotion. I love this visceral and spontaneous country, which always seems to live through emotion. And above all, I love its music both popular and unifying,
bringing together all social classes. In that sense, it’s very political music, but even more so utopian, made by the people and for the people.”
On this new album, however, the French artist was keen to avoid cliché. Each song is therefore built around a carefully balanced interplay between Pailhès’ piano and synthesizers, alongside restrained arrangements of percussion, brass, bass, and cavaquinho (a small four-string plucked guitar). These parts were recorded in Rio de Janeiro with two musicians who regularly perform alongside the legendary Caetano Veloso—Kainã Do Jêje and Alberto Continentino—joined by Thomas Harres, Antônio Neves, Eduardo Neves, and Gabriel Loddo.
Since the 1960s, France and Brazil have shared a long-standing cultural and musical relationship. Some Brazilian artists, most famously Gilberto Gil, took refuge in France during the dictatorship years (1964–1985). But above all, French chanson quickly fell in love with the richness and ingenuity of
bossa nova and samba, translating and reinventing them in the language of Molière. Throughout the 1960s and 1970s, albums and hits by Henri Salvador, Georges Moustaki, Pierre Barouh, Pierre Vassiliu, and Claude Nougaro all drew from the MPB repertoire.
Fifty years later, with SOL, Ezéchiel Pailhès reinvents this rich Franco-Brazilian musical legacy, bringing to it a personality and modernity that stand confidently alongside those of his forbears.