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Italian producer Kikko Esse is a talented artist from southern Italy who has been showcasing his skills in producing quality deep house since 2009. Previously prolific, releasing many well-received tracks with respected labels in the underground scene, Kikko Esse makes his debut on the Italian Groovin' Recordings with an EP that sets the bar high. Soul Departure EP is arguably one of his best works to date, where deep house meets intricate melodies and live instrumentation, creating a profound journey into electronic music.

Mood Child Presents 'Various Moods Vol. 2' VA; six multi-mood tracks from artists including DJ Sneak, Antss, Marian (BR), and more.

Mood Child, the brainchild of Manda Moor and Sirus Hood, is back with ‘Various Moods Vol. 2’, a captivating collection of six tunes, each possessing its own distinct mood and power.

The VA kicks off with ‘Pakit Ban’ a timeless percussive and funky anthem. Brazilian talents Marian (BR) and Freenzy join forces to create this highly requested track, which has graced not only Manda and Sirus’ sets but also those of Jamie Jones and The Martinez Brothers.

House legend DJ Sneak returns to Mood Child with ‘Wemen’s Groove’. Prepare to be hooked by Sneak’s bouncy rhythms and to feel a masterclass with the massive buildup and incomparable vibe. Making his debut on the label, Barcelona-based artist Dafgal delivers ‘Gozando’. This high-energy tune features a universal groove and a captivating female vocal that will undoubtedly get anyone in a good mood.

UK rising star Antss drops ‘La La Lala’, a simple yet immensely effective track. Its powerful bassline, combined with playful voices, is tailor-made for electrifying crowds.

Brazilian duo Rokke & Techin present ‘Diamonds’, a shiny gem. Its addictive bass-led loop is complemented by an unforgettable bubbly synth, leading to a drop that etches memories.
Riffel & Jack Baron’s ‘Flute’ boasts an irresistible groove, complete with wonderful flute melodies. It’s auditory candy for discerning listeners.

Following the success of their first release with Serpico’s ‘Just Can’t Stop’, Moonworks are reissuing a highly sought-after UK house 12” from The Outsiders, originally from 1995.

The Outsiders’ Beyond The Ego EP is a lost London gem born from the UK capital’s rich musical heritage and the transatlantic influence of deep house. Produced by two close friends Mark Mellor and Paul Murphy within 48 hours in their Westbourne Grove home studio, its fusion of US house production techniques with a myriad of UK influences has cemented its status as a timeless and unique treasure.

The record received few plaudits on release but has since become a sought-after underground rarity, with scarce original copies trading hands for hefty prices. Whether you draw for the euphoric Warp Factor 9 Mix, the stripped back Ego Dub or the sun-kissed grooves of Do Dat Scat and Shu Bop, the record epitomizes the tasteful and quirky sound of UK house music from the 90s.

Moonworks have once again worked closely with the original artists to restore and remaster these tracks to modern standards, as well as revamping the original artwork in their own style.

DJ Support: Danny Howard, Pete Tong, Sarah Story, Triple J, Groove Armada, Jamie Jones, Marco Carola,Nic Fanciulli, Sam Divine, Carlo Lio, Mat.Joe, Todd Terry, Jansons, Eskuche, Moon Boots, Format:B, Low Steppa, Robosonic, Dantiez Saunderson, Charlotte Van De Peer, Dario D’Attis, Shiba San, Dennis Cruz, Pirupa, DJ Rae, Danny Tenaglia, Rene Amesz, Juliet Fox, Ashibah, Boris, Carly Wilford, Booker T, Dateless, Melvin & Klein, Paco Osuna, DJ Lora

Nothing Else Matters is proud to bring an exciting new vinyl from HoneyLuv who makes her debut on Danny Howard’s imprint, teaming up with New York DJ, producer, singer-songwriter and vocalist Roland Clark for their brand-new single, ‘This Is My Life’. Crowned Radio 1’s Future Star of 2023, HoneyLuv has taken the Dance scene by storm in recent years with support from Seth Troxler, The Martinez Brothers, Nicole Moudaber, Kevin Saunderson, Maya Jane Coles, Loco Dice, Idris Elba and more, with releases signed to Black Book, Insomniac, Tuskegee, Three Six Zero and more. On the other hand, Roland has worked and co-produced music with many of the greats, including Fatboy Slim, Mark Knight, Todd Terry and Bob Sinclair, with his vocals considered the “voice of House” and one of the rare few that can bring you an electrifying DJ set while getting on the mic and giving you a performance unlike no other. Making for the perfect pairing, ‘This Is My Life’ is set to propel both artists to even greater heights and will surely be a firm favourite at clubs and festivals worldwide this year. Kicking off the B-side is a killer rework from the legendary Carl Cox who brings his A-game with this one infusing his signature grooving basslines and high-energy, hypnotic percussive grooves. Rounding off the package, Bontan’s rework delivers organic drums and captivating Afro-House rhythms catapulting the track to new audiences and new heights.

Toronto-based artist and co-boss of Parallel Minds, Ciel, known for her distinctive, precise, playful, and intricately crafted electronic productions, delivers a vibrant new EP on SUZI titled "Sada’s Dream". Originally performed during a live set at MUTEK Montreal, Ciel has refined these initial ideas into a five-track journey that showcases her unique sound palette, marked by meticulous attention to rhythmic and melodic interplay.

The EP opens with "Be That As It May," setting a contemplative tone with complex rhythms and a haunting flute-like melody that gradually unfolds into a brighter, expansive atmosphere.
Following this, the second track "Viral Load" shifts towards a tougher sound, featuring digital bleeps and arpeggiators that swirl around modern dubstep elements, creating a dense auditory texture.

The third piece, "Divide and Conquer," blends airy textures with a robust, infectious bassline and glitchy, compelling melodies, demonstrating Ciel's ability to balance delicacy with power.
Moving forward, "Bubble Gum Pop," the fourth track, adopts a clubbier vibe with its vigorous house vocals and lively breakbeat drums, offering a sharp contrast to the preceding tracks.

Concluding the EP is "Sada's Dream," the title track. This fast-paced, playful composition marries minimalist rhythms with whimsical bleeps and snippets of vocals, ending the EP on a note that feels both conclusive and invitingly open-ended. "Sada's Dream" is a sonic tapestry that weaves together the subtle complexities of Ciel's signature style with a narrative that is both intimate and expansive, capturing the essence of her artistic vision.

Two versions available - limited hand numbered (100 copies) of red vinyl and normal black vinyl version.

"Balance", the artist's third album, is a return to the roots, i.e. towards club sounds - on the album you can hear several amazing guests - Dominik Płonek, YANA, Dizkret, Runforrest, Einar Indra from Iceland and DJ Eprom. A unique mix of artpop with sophisticated electronics, which Envee brought together with its amazing mixing and mastering. For dessert, Barrakuz, which took the title "Balance" from Wojtek Koziar's photo to a new dimension with its collage. Everything is perfect on this album.

A veteran of the great Malian orchestra, the Super Biton de Ségou, Mama Sissoko is an accomplished musician. His music traverses Mandingo, Bambara, Sarakolé, Songhai, Bobo, Peul, Malinke and Bozo traditions, all while flirting with jazz. On stage, Mama Sissoko is a purist who engages with the audience bringing his energy, urgent vocals and truly inspired guitar solos throughout the concert. ‘Live' brings together recordings from a concert given in Paris at La Villette in 1998 and takes us back to a high point in Mama Sissoko's career.

In ‘Live’, we find tracks from Mama Sissoko's second solo album 'Soleil de Minuit', which was released in 1999 by Buda Music. As on the album, the different guitars overlap without compromising the unity of the music, rendering an earthy atmosphere despite being very complex. The recording of this concert was superb. We can hear every note, every nuance, every instrument and voice in the many-layered compositions.

As on the album ‘Soleil de Minuit’, this live recording opens the session with ‘Diarabi’, followed by ‘Safiatou’. Both are up-tempo love songs in which Mama Sissoko's powerful voice sings with all of the passion that such love songs deserve over a clean rhythm driven by the percussion of several guitars. The heavy bassline of ‘Safiatou’ adds to the urgency of the song. After these two beautiful renditions, the energy continues with the guitar-driven ’Fisiriwale’ and then a surprisingly original version of Super Biton’s famous song, ‘Iri’. We are then treated to a lively version of his ‘Soleil de Minuit’, called out by the artist as a ‘salsa Africana’ with a shout out given to Cuban salsa mid-way through when he calls the song ‘El Sol de Medianoche’ in perfect Spanish.
Throughout this concert, Mama Sissoko’s deep and melodic voice seems to emanate effortlessly from his body and soul. Multiple guitars back up his signature solos adding depth to the music that harkens back to the traditional music of Mali. Perfect examples of this are given in the songs ‘Douga’, ‘Manssane’ and ‘Hommage a K’. The last song, before a rousing second version of ‘Soleil de Minuit’, is ‘Boma Ma’, a truly modern rendition of a traditional Malian hunters’ song with multiple guitars, shakers, lively djembe and an outstanding vocal duet with Toussaint Sainé, Mama Sissoko’s long time musical collaborator.

Accompanied by incredible musicians, including Toussaint Sainé, his partner in the Super Biton orchestra, "Live" plays in the timeless way of Malian music. What's more, it gives us the gift of its most direct and powerful dimension, that of live music, as if 20 years hadn't passed.

Caedite Eos is thrilled to present another intense various artist EP for its forthcoming vinyl release,showcasing a talented lineup of Spanish artists.Kicking offthis EP is Hurtado with his track "No Surrender". With previous releases on Overstep,Body Theory, and Shiv (a label he co-runs with UVB), Hurtado brings his signature style, deliveringa relentless onslaught of heavy offbeat techno.Following suit is Neurite, making his debut on this EP with "Black Eyes".

As co-owner of Madrid'sunderground techno party "Crudo", Neurite brings a fresh perspective with breakbeat techno,weaving tension-filled atmospheres and lively percussions into his captivating track.

Returning to the label is SlugoS with "Self-Inflicted". Fresh from his recent release on SacredCourt, SlugoS, the label owner, presents an elegant hard techno gem designed to ignitedancefloors with its infectious groove.

Rounding up this EP is TKNS with "Cacharreo y Dinamita". A familiar face on Caedite Eos, TKNS, known for his previous work on the label and a recent remix for EKKA, delivers a breakbeattechno journey that steadily builds to a climax after the main break, showcasing his talent andcreativity as a dancefloor killer.

This EP encapsulates the essence of Caedite Eos - a celebration of cutting-edge techno withdiverse influences and uncompromising energy, destined to leave a lasting impression on technomusic enthusiasts worldwide.

Live artist Innellea dropped his limited vinyl deluxe album . ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'

‘The Belonging’ project is a cohesive multi-media concept, comprising the album heralded by a series of singles, multiple music videos. All of this will evoke a ‘collective catharsis’ after charting a personal and universal journey. This says Innellea: ‘As personal crises are part of life, we want to go through this journey collectively, from a silent, burned out state of ‘Where do we belong?’ Together, we will go forward forever through all the insanity until the certainty that ‘We belong here!’ as each track charts a step away from crisis, towards this feeling of belonging.

Di.Capa is back on his own imprint Soria with the original track Sorrow followed by remixes of the Italy's finest deep hypnotic techno artists like Luigi Tozzi , Feral and Antonio Ruscito.

"Creation" is the debut album by British songwriter, singer & pianist James Sayer and includes the three singles "Living It Up", "Chemistry" and Cherry".

After spending many years playing for others, Sayer says that "writing my own music happened completely by accident. But I'm so glad I recorded that one demo which ultimately spurred me on to create a full album all this time later." Sayer, often called an old soul due to his love of classic song writing and bygone eras comments that although technology has changed the landscape of the musical world today, making a record organically was still a must for him.

Originally from Birmingham, Sayer's fascination and love of music began at a very young age when he learnt all thing rhythm & blues and rock'n'roll from his dad's music collection of artists such as Elton John or Jerry Lee Lewis, later also finding a love of soul artists such as Michael McDonald, Aretha Franklin, Van Morrison and Earth, Wind and Fire. Sayer moved to London in 2012 where he began performing almost every night in piano bars, clubs and pubs; spotted by the likes of Tom Jones whilst holding down a residency at the world-famous American Bar at the Savoy hotel.

About recording "Creation" he says: "I've tried to capture all the styles I love - Soul, Rhythm & Blues, Gospel and classic pop music – but still create a sound that is all mine".

Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day!

22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done!

Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now!

This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger.

Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records.

On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”.

On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk.

These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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The release of Crosstown Rebels’ SPIRITS compilation is always a bastion moment for the label. The first edition came to prominence in 2017 and we’ve been graced with an annual compilation ever since, showcasing a consistent habit to champion established artists and breakthrough ones alike. Now, Crosstown Rebels’ lauded SPIRITS series will see the light of day once more in June, with the release of SPIRITS V.

NYC-native Layla Benitez leads proceedings with Fides, a progressive-leaning, introspective number that retains an inherent danceability throughout. It kicks off the compilation with a driving energy, one that’s perfectly matched by Trabajar - the Crosstown Rebels debut of recent Hot Creations inductee Mr.Diamond.

A techy-inspired cut, punchy four-four drum patterns create a distinctive late-night feel, as UK-talent Denney soon arrives with Kill The Soundboy. Showcasing the groove-laced house sound with which he’s become best known, the near seven-minute piece is sure to light up many a club setting this year, paving the way for Talk To Me. It’s a collaborative venture between Munich-based artist ASK:ME and El Muerto, with Soulfoot featuring on vocals. Retaining a vintage Detroit style, the fast-paced tempo creates a natural excitement before Romanian-born mainstay GruuvElement’s gifts us the minimal-toned Boom Room.

Building with tribal-like percussion and salsa-inspired instrumentals, it’s a playful excursion into dance music’s outer realms, paving the way for young Peruvian producer Chinonegro with My Moment. Whether it be the pluck of a guitar string or a jazzy trumpet solo, there’s an inherent authenticity to the six-minute piece, as a mid-track breakdown gives way to whispering hats and a rhythmic underlying backbone.

The penultimate offering comes from French-born, London-based regular Maglia, who serves up the enchanting Rayiys. The chirping of birds resides atop an ever-changing bassline, leaving us open and ready for the VA’s closing saga: Thanks Moon, by Spain’s I AM JAS. A heady combination of beautiful lyrical contributions combines with softly moving electronic elements, to leave us in a state of calm, inward reflection. Rounding off proceedings on a note of quietude, it reminds us of the final moments in clubland, transporting our psyche to sunrise, fond memories and everything in between.

Over a period of nineteen years, Damian Lazarus’ Crosstown Rebels has evolved into a world-renowned institution, garnering global audiences thanks to a consistent schedule of quality releases. In years since it’s earliest beginnings, the likes of Maceo Plex, Art Department, Seth Troxler, Ali Love, Mathew Jonson, Pier Bucci, Acid Pauli, Dennis Kurtel, Francesca Lombardo, Glimpse, Aphrohead, Fur Coat and a plethora of other figureheads have all found their home on the label.

The roster is international, showcasing how Crosstown has shaped a truly global scene. Releases are born in different continents by artists who hail from different countries, resulting in a sound that resonates worldwide. Perhaps most pivotal to the label’s success is its musical output: no part is governed by boundary or genre. It’s underpinned by a truly eclectic sound, one that reflects the diversity of Damian’s love for music itself. An album from drum and bass icon DJ Krust here, a maiden LP from Audiojack there… traversing genres has been Damian’s forte for decades - and Crosstown epitomises that as a result.

Singer, songwriter and producer Johnny Burgos returns with veteran producer Jeremy Page (Kendra Morris, Czarface, MF Doom) for "Hit Me Like," the
instrumental is dripping with retro soul nostalgia, serving up the drums and bass-forward and funky, under
a blanket of buttery guitar chords. The production carries Burgos' silky smooth and heartfelt delivery
effortlessly, offering a brilliant take on a timeless-sounding, soul-inspired love song.

Singer, songwriter, and producer Johnny Burgos returns with

veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom, That Handsome

Devil) for "Get Back." The fourth single off of the duo's upcoming album titled, 'All I Ever Wonder,' is a vulnerable retrospective of a love gone cold, with hopes of rekindling the

magic that once kept its flame alive. In true Neo Soul form, the song is driven heavily by the

drum and bass groove, distinctly reminiscent of an early 2000's J Dilla beat. Page's signature

colorful chords evoke the struggle in Burgos' story, as he confronts his inability to accept the fate

of his relationship and let go of the magic it once embodied.

Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of retro-soul embodies a

raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting.

Influenced by his uncle and world-class percussionist, Andre Martinez, growing up Johnny developed a

fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion

for hip-hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill

and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of

hip-hop, funk, pop, salsa, and reggae. Collaborations include artists such as DJ Skizz, Mobb Deep & M.O.P.,

Marco Polo, Frans Mernick, and Liza Colby (The Gold Setting) and his band Bridge City Hustle, with whom he

toured nationally.

As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung

US, using them as a platform to launch his 2018 EP Love Through it All. In March 2021 his debut album Gone

Into The Grey received critical acclaim and has since been added to multiple editorial playlists by Spotify, Apple

Music and Tidal, resulting in an ever-growing listening fan base. In 2022, Burgos' song "Wild About You" was

then used as the soundtrack for Neiman Marcus' It's Your Moment global streaming campaign.

Celebrating a monumental decade for music, birthing numerous timeless classics that pushed music to new heights Smash Hits The 80s takes the very best tracks from the decade across 2LPs providing the soundtrack to the era. This must-have collection contains hits from artists of all genres, featuring New Order, Duran Duran, Spandau Ballet, The Smiths & Talk Talk.

Splatter is a new vinyl and digital underground techno label from Austrian artists Luca Tresque, Joe Haensn and Rotary Motion.

'Exceed Limits' follows their special prequel EP and launches the label catalogue in style.

Florian Meindl is a Berlin-based artist who runs the FLASH record label and who has appeared outside of his own imprint on labels like Stephan Bodzin's Herzblut to Oliver Koletzki's Stil vor Talent. "Gridlock" is a true jackin' cut with a multitude of mechanical elements and raw analogue energy.

Linear System is a Spanish artist who has released music on esteemed labels like Edit Select, Ben Sims' Symbolism and Dynamic Reflection. "Taurinom" is a moody, rolling groove with gripping suspense and haunting touches from gothic effects and an eerie atmosphere.

Leipzig is the home of JANEIN, a respected artist known for releasing on Index Marcel Fengler, Slam's Soma, Fiedel's Fiedeltwo, Exos' Planet X and Electric Rescue's Skryptom. "Neowise" is punchy and percussive track with a metallic, siren-like hook and infectious energy.

Daniel Heinrich is also from Berlin, and shows himself to be a top talent following his EP's on Elektrotribe to Inherit with remixes by Arnaud Le Texier an Hadone. "Close Your Eyes" has a pacey style with superb stabbing chords that create an old-school feel alongside vocal chants for extra impact.

Stuttgart-based Egotot runs the Schimmer label and also lists BCCO, OECUS and Ketch's SYXT in his quality back catalogue. "Name It As You Want" has a quirky, bouncing beat with Detroit-style stabs and a light-hearted vibe ready for the dance floor.

“Omni – meaning all-encompassing – is an apt title for celebrating over a decade of music on Blue Hour Music. Marking the musical diversity and longevity of Blue Hour’s imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.“

*** Sides C-D are vinyl exclusive until Autumn 2024 when Part 2 will be announced ***

A deeper dive into the mind of the mysterious man who gave us Niggajazz at the top of the pandemic. Although only a six song ep, the title song gained traction for its jazz bop, house appeal. The follow up, New World Order is the first full length from the artist and displays a wider scope of that exact sound. Written and produced in 2021 NWO comprises tunes for the floor as well as the ride. With lush ballad Black Apple, The Common Suicides latin flare, The Torus’ obscurity and Ota Benga with its tribute to the worlds most renown human zoo attraction, this release is complete and advanced from the introduction received prior. We are pleased to present New World Order in a time when most needed to reflect and absorb carefully. We hope you enjoy it as much as we do!

3V1L GL0B4L1SM is a sound journey to consciousness, which invites us to dedicate ourselves to a sensitive reflection on the progress and dehumanization of this capitalized society.

Four cuts full of rage and freshness, capable of immersing us in the perfection of the chaos through industrial breaks and delicate melodies guided by the brutality of their synthesized sounds.

7053M4R14 is the architect of this project published by the Black Quasar Records label, with which also shares his previous work. The multidisciplinary artist who converges between numerous genres and akas, such as C-System or Spectrums Data Forces, opts for this album for a fusion of styles ranging from IDM, Break Beat and Electro.

The pristine mastering by Koschitzky is what finishes signing this piece.

On 24th May, 2024, the exact day of its Golden Jubilee, Diamond Dogs will be issued as a limited edition 50th anniversary half-speed mastered LP. The first single from the album, ‘Rebel Rebel’, reached number 5 in the UK and the album would also reach similar heights on both sides of the Atlantic reaching number 1 in the UK and number 5 in the USA.



This new pressing of Diamond Dogs was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios



The writing of the album was influenced by Bowie not being able to secure the rights for a theatrical production of George Orwell’s 1984 and the work of William S. Burroughs, whom Bowie had interviewed for Rolling Stone in November 1973. The songs on the album created an urban apocalyptic scenario with Bowie appearing on the cover as a controversial half-man, half-dog hybrid painted by the Belgian artist Guy Peellaert from photos by the world-renowned photographer Terry O’Neill. Since its release, tracks from Diamond Dogs have been covered by artists such as Beck, Tina Turner, Duran Duran, Def Leppard, Joan As Police Woman, Dead Or Alive and The Struts.

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This December, Slovenian label Cogo is presenting their second release. After the amazing success of the first release by Tonske with remixes from Magna Pia and Volster, Cogo presents this four track various artist vinyl release with modern and futuristic techno sound. The EP contains tracks by Stanislav Tolkachev, Inigo Kennedy, Samuli Kemppi and Tonske. Early support by: Marcel Dettmann, Ben Klock, Dax J, Josh Wink, Charlotte de Witte, Terence Fixmer, The Advent, Benjamin Damage, Wata Igarashi, Electric Rescue, Takaaki Itoh, Svreca, Ness, Kaiser, Dimi Angelis, Orde Meikle, Kr!z, Stephanie Sykes, Arnaud Le Texier, Arjun Vagale, Kessell, Tensal, Hd Substance, MTD, Brendon Moeller, Juho Kusti, Leiras, W.I.R.E., Joton, Xhei, JP Enfant, Audio Units, Alderaan etc.

Musica Per Immagini is glad to present the first vinyl release of Detto Mariano's “Delitto Al Ristorante Cinese”, the second original Soundtrack in the so-called 'delitti' series. It's another classic iteration of the crime-comedy films that came out of the partnership between director Bruno Corbucci and actor Tomas Milian, a special connection that had started with the great success of “Squadra Antiscippo” and was followed by eleven more pictures, all centered on the character of Nico Giraldi, a former criminal who, while having become a cop, was unwilling to give up his in your face attitude and the Roman slang of the city's thieves. The score by the Italian composer is a mix of sounds characterized by a unique investigation of musical timbre. Nine tracks that cross the entire sound spectrum: electronic pulses,
funk rhythms, jazz and Mediterranean sounds and some oriental atmospheres. A brief summary of the artist's creativity passed away a few months ago.

2024 Repress

Frenzy returns with a sequel on their First Various Artist release - presenting their highly anticipated '23 Various Artists' release with FRNZYVA002, containing 12 tracks, designed by 13 artists, with the focus on the old school sound with a modern-day twist. Alarico and Chlar, as Funk Assault, Undivulged and Lobster cover the A-side, Levzon, Nicolas Vogler and Ruiz OSC1 are on the B-side, TWR72, Hemka and Insolate on the C-side and CRAVO, Jannik Abfalg and ANNE cover the D-side with their approaches of the old school with a modern day twist.

After a long absence, Forbidden Teachings returns with a new vinyl
release from artist Mind I Matter. This EP can be interpreted as a
reflection of the current era, where inequality and injustice have
become the norm. As hope begins to fade, the artist proposes a
journey into the heart of the workings of the human mind which could
relate to the origins of this situation. Is humanity imperfect at its core, or is our condition the direct consequence of an imperfect world? Could it be that, in the midst of all this pain and suffering, we all have an individual responsibility? With four cutting-edge tracks, Mind I Matter offers a window into what these questions might imply. Ultimately, this EP testifies to the label's commitment to offering experiences that transcend our earthly senses

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards.

“Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

April 2024 sees the launch of the Stratasonic imprint with the four-track ‘Accidental Effects’ by ANiML, a collaborative guise for the members of the collective behind the label.

Stratasonic is a new label founded by a German/Canadian collective operating out of LA whose roots dig deep into electronic music. By collaborating with artists new and legendary they’ll push the boundaries of the traditional music space into visual arts, video, events, digital and beyond. The collective’s philosophy is to reimagine the music, masters, and methods of the past in a modern context, exposing the world to the stuff they like. Here to inaugurate the label is ANIML, the project whose members will remain anonymous is inspired by the classic era of vinyl and analogue production with hints of 90’s nostalgia.

Title-cut ‘Accidental Effects’ leads the EP and lays down twitchy bass grooves, crisp, crunchy breaks and an amalgamation of hip hop vocals all dynamically pieced together and processed to create a raw, fluid dance floorworkout. ‘Mementos’ follows next and veers into a more immersive, cinematic electronica realm via subtly unfurling synth textures, murky bass swells, bumpy breaks, squelchy acid lines and hypnotic brass licks.

Opening the flip-side is ‘Day Dreaming’, shifting focus back to a raw off-kilter rhythm at its foundation while haunting synth lines ebb and flow amongst hooky vocal chants and bubbling echoes. ‘Formulaic Appeal’ then concludes the original material, a three minute ambient darkwave excursion through brooding analogue bass drones, heavily reverberated atmospherics and a ticking clock like percussive effect.

One of the most interesting publishing events of the 1980s were special British editions of Italian, French or German productions containing PWL remixes. Behind PWL name were producers associated with the hit trio Stock/Aitken/Waterman, which promoted a number of great artists, including Dead Of Alive, Banarama and Kylie Minogue to name a few. PWL’s remixes for London Boys and Blue System became evergreens.

And since the group of artists associated with DISCO NOSTALGIC included those who sounded like Blue System, the label decided to refer to the events of 1989 and prepared an EP with remixes inspired by the mixture of German and British euro disco.

Moderna Ignites the Dance Floor with Debut Album "The Future Is Among Us"
Conceived over seven years in Berlin and Mexico City, "The Future Is Among Us" is a sonic tapestry woven from diverse influences. Each track, produced in a different era, retains its unique character while seamlessly blending into a cohesive album experience.
The album ignites with "DIE4U," a powerful homage to Prince's iconic "I Would Die 4 U." Moderna reimagines the timeless sentiment – entirely self-produced and written in Berlin. Layered vocals, a driving bass line, and a pulsating electro beats that create a controlled yet electrifying atmosphere.
The title track, "The Future Is Among Us," embodies the collaborative spirit at the heart of the album.
Originally conceived before the album was complete, bringing bass lines and a percussive energy that feels like a declaration that the future is not something to wait for, but something we are actively creating together on the dance floor.
The album promises a vibrant blend of electronic and dark wave music, showcasing Moderna's ability to weave together infectious dance floor anthems with deeper, more introspective moments.
This depth is evident in tracks like "Lost at Heart," a collaboration with post-punk artist Skelesys that transcends genre with its raw emotional vulnerability. The album's ability to seamlessly shift
between these contrasting styles is a testament to Moderna's artistry and her ability to curate a cohesive listening experience that invites a provocative energy.
Moderna’s impressive career extends beyond this album. Beyond her solo work, she has showcased her remixing talent on tracks for The Matrix 4 soundtrack and Curses' Next Wave Acid Punx compilation, collaborated on four EPs with Mexican artist Theus Mago who also contributes to the album on the dream wave serenade “Blades”.
The album will be released on her ‘Brave New Rave’ imprint which she established in 2019 from her highly recognized radio show on KCRW Berlin.

‘Unknown Fate’ is the debut release from UF - the collaborative live project between German experimental techno artist OAKE and British producer and live performer Samuel Kerridge.
Self-described as the ‘power metal techno’ duo, the project was initially born from an Atonal commission. Now, OAKE & Kerridge present two EPs ‘Unknown’ and ‘Fate’, culminating in 9 tracks of unadulterated sonic warfare for their LP release.
Of the project UF say "Forged through friendship, addiction, and debauchery, UF is the sum of our parts. It’s taken over a decade to formulate these ideas and the noise is palpable. Pack your end of world survival bags and prepare yourselves for the ensuing riot.”
Samuel Kerridge and OAKE started creating music together when they shared a studio in Berlin and have been making music together for a decade. This is the first time that they have released music as a duo and it’s been a long time in the making.

• Limited LP 180g White Vinyl – 300 copies only

• UK marketing and global PR teams engaged - recent coverage: Hypnotic Groove, Expansion Radio, Metal Junkbox and Skreen B

• Samuel Kerridge is a pioneering & well-respected British electronic music producer and DJ recently featured as Resident Advisor’s ‘Mix of The Day’.

• Berlin based OAKE aka Eric Goldstein is recognized for his dark, atmospheric soundscapes that blend elements of techno, industrial, and ambient music

Next up on Subterranean Odyssey is Braik with Los Dos Caminos. Hailing from Montevideo, Uruguay he shows his versatility and talent as a producer with another well rounded 4 track EP. It has been getting plenty of support and plaudits from top artists before release and will no doubt continue to do so in the coming months. Artwork design by Irene.av.

On the occasion of this first vinyl of the year 2024 and to celebrate its 15th anniversary, Fantastic Friends Recordings sets the bar high by signing 4 new artists on the label among the most talented of the moment which are Daniel Meister, Lukea, M&M and the duo Primarie & Lucide. All the tracks on this EP are rich in texture and catchy melodies. On the A-side, Daniel Meister and Lukea offer you the best of minimal/rominimal sound in its futuristic and acidic orientations, while on the B-side M&M and the duo Primarie & Lucide will delight you with their work on the rhythmic with a deeper side. Either way, it's a "must to have" in your flight cases.

We are delighted to present our first Split Series and to welcome three notable artists to the label.

FDEZ takes charge of the A side with three dancefloor tunes fresh from Barcelona.

A1/ ABSTRACT FUNK is an Electro House track with arpeggio synths and classic hi-hats following a fat bassline.
A2/ SUN FIGHT is inspired by a hot summer's day in the summer of 22. Including a vocal sampler from another planet and 303 notes.
A3/ RAVAL NOCHE is flush with hypnotic and spooky synths, making for an after friendly house track.

Two french producers who require no introduction, Chris Carrier and Le Loup, aka AV1 put thier mark on the B side.

B1/ MYSTIC POINT is a powerful track with mysterious melodies and a forceful rhythm, right at home in an underground warehouse.
B2/ TROPICAL EXCURSION is a hypnotic voyage inspired by the golden age of trance. Ideal company during an endless after.

Only 200 copies

Pure Dub techno driven 5 tracker. Hydergine is back on Ranges with a new sonic journey that delves deep into dub techno while infusing it with innovative broken beat structures.

The EP showcases the artists signature style in a captivating and refreshing way. Four tracks take the listener on a diverse and evocative journey, ranging from futuristic and dark sci-fi vibes to immersive and emotionally resonant soundscapes, with a rich tapestry of sonic elements that engage the mind and stimulate the senses.

Resoe provides a reinterpretation of “Perception” that reveals new layers of complexity and emotion. A captivating exploration that results in a hypnotic and addictive masterpiece, further enriching the overall package.

Dj Nitro, nos sorprende una vez más con un nuevo lanzamiento bajo el sello discográfico Blue Roots Label. Este artista incansable nos presenta su última creación mussical, un álbum cargado de energía y ritmos que te transportarán a otra dimensión.

Desde sus inicios, ha demostrado ser un talento excepcional. Su pasión por la música electrónica nació desde muy joven y se ha convertido en su vida. Ha logrado conquistar a miles de seguidores en todo el mundo, y ahora, con este nuevo lanzamiento, está listo para llegar a aún más personas.

Este artista eleva la escena Old School con su último lanzamiento.
El vinilo presenta tres pistas emblemáticas que encapsulan la esencia única del sonido de DJ Nitro. La primera, “A – Luminosity “, es un viaje hipnótico a través de capas de ritmos vibrantes, melodías y vocales que tejen una atmósfera de euforia sonora. Esta pista se erige como un faro de creatividad y energía pura, donde los beats trascienden el tiempo y el espacio.

Por otro lado, “B1 – All I Want You” encarna la pasión y el deseo con una fusión cautivadora de ritmos y progresiones melódicas que atrapan los sentidos. Esta pieza es un tributo a su amigo F.EE D.EE y nos demuestra la maestría para combinar la intensidad emocional con la profundidad musical.

El cierre de este excepcional vinilo lo lleva “B2 – Mixed Feelings”, una pista que refleja la versatilidad del DJ al explorar diversos matices sonoros. Esta composición lleva a los oyentes a un viaje emocional donde se entrelazan distintas sensaciones.

Con este nuevo lanzamiento, reafirma su posición como un pionero en el universo de la música electrónica Old School. Su habilidad para fusionar lo clásico con lo contemporáneo y su talento para crear paisajes sonoros únicos han consolidado su lugar en la vanguardia de la escena musical.

El vinilo estará disponible en edición limitada, lo que lo convierte en una joya codiciada para los coleccionistas y amantes de la música por igual. Prepárate para sumergirte en la magia de DJ Nitro con este cautivador lanzamiento en Blue Roots Label.

BRL0001 NITRO – BLUE ROOTS es un verdadero tesoro musical. Cada pista del álbum está cuidadosamente diseñada para llevar al oyente a un viaje sonoro inolvidable. Los pianos acompañados de bonitas vocales y los beats irresistibles te atrapan desde el primer segundo.

Este album sin duda es una combinación perfecta de elementos clásicos y vanguardistas