The Silence returns with this limited edition addendum to their debut album for the true diehards that need their darkness to be a little more complete. To sweeten the deal this EP contains an extended version of their tortured dubstep anthem 'Something Hardcore' and the already infamous 'Industrial Counter'.
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Okain returns to Talman Records with a four-track EP, offering a glimpse into his two-decade journey as a producer. Continuing his legacy of providing DJs with robust dance floor material, this EP stays true to form.
Opening the EP is "Wake Up," a tribute to early 2000s tech house, featuring crisp percussion, sharp stabs, and haunting vocals. Following is "Take Me Up," capturing the essence of UK garage with its thick Reese bassline and distinct vocal hooks.
Turning to the flip side, the EP ventures into darker realms with "Secret Science," blending dub-inspired synths with a weighty sub bass, perfect for late-night atmospheres. Closing the journey is "Swing Theory," a groove-driven track fusing minimal house elements into its infectious rhythm.
Order now. Collecting orders for repress.
Since 2019 Demdike Stare had been playing edits of Dolo Percussion’s bare-boned breaks in their DJ sets, eventually sharing them with Dolo’s Andrew Field-Pickering (Beautiful Swimmers, boss of Future Times) and fomenting a creative fusion that hits at the square root of their shared tastes for unruly, deadly rhythms. In a transatlantic back ’n forth - or what Kodwo Eshun termed a double refraction - they juggle the rudest aspects of UK hardcore, as derived from electro, breaks and garage-house - that would feed into Dolo’s pool of sound, and return to the UK via the likes of breakbeat wizard Karizma, who was a key touchstone for the whole late ‘90s broken beat movement key to Demdike’s tastes.
Still following the thread? It’s not that tricky - both US and UK operators favour breakbeat music more than anywhere else, and this devilish hook-up is the epitome of a conversation ongoing for generations now. At each parry, the three cuts here are exemplary of the way DJs, producers and dancers on both sides of the pond have pushed each other to new heights in a feedback loop designed to make the dance throw the maddest shapes.
‘DOLO DS 1’ racks up a full clip of flintiest breakbeat hardcore, pivoting gasping samples inna dervish of ruffneck syncopation, ruggedly distinguished from the pitching, gritty drum machine chicanery of ‘DS DOLO EDIT 1’, and their super crafty sidestep into the offbeats, hingeing around ghost snares and practically spectral levels of percussive suss in ’DOLO DS 2’ which basically sounds like a prime Autechre tumbling thru dub.
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2024 Repress
A powerful addition to PATRICE BÄUMEL's steadily growing Kompakt catalogue, SPEICHER 89 is the third contribution to the series from the Dutch producer and former Trouw resident. Hitting dance floors in the wake of SPEICHER 81 (KOMPAKT EXTRA 81) and SPEICHER 85 (KOMPAKT EXTRA 85), his latest 12" offering brings you a duo of massive belters, headlined by cyber-calypso manifesto DUM DUM and backed by techno string showdown SURGE. Both tracks nourish some serious bass drops while showcasing an artist invested in carefully crafted melody and impeccable flow - excellent material from a leading beatsmith and DJ who knows how to woo a crowd.
SPEICHER 89 ist die nunmehr dritte Scheibe vom holländischen Produzenten und ehemaligen Trouw-Resident PATRICE BÄUMEL in der Serie, mächtiger Zuwachs in seinem sich verdichtenden Kompakt-Katalog. Nach den Einschlägen von SPEICHER 81 (KOMPAKT EXTRA 81) und SPEICHER 85 (KOMPAKT EXTRA 85) birgt auch die neueste 12" ein massives Set an Schiebern, angeführt vom Cyber-Calypso-Manifest DUM DUM und unterstützt vom grossen Techno-Streicher-Showdown SURGE. Beide Tracks züchten sich ein paar äußerst ernsthafte Bass-Momente heran, vergessen aber nicht den Künstler hinter der Welle, der stets auch in sorgfältige Melodiearbeit und reibungslosen Flow investiert - exzellentes Material von einem führenden Beatschrauber und DJ der weiß wie man mit einer Crowd umzugehen hat.
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With releases that have been heavily rooted in Glasgow's Southside, Full Dose take things international for the next release and invite Jamaican dancehall artist I Jahbar (SKRS, Duppy Gun) to showcase their talents over two versatile Brollachan productions.
Smokin' is a celebration of marijuana in the truest sense, with I Jahbar's potent delivery perfectly connecting to the bouncy dance floor riddim.
UFO is an altogether different prospect, the spaced out percussive production serves as a blank canvas for I Jahbar to make a call for peace, unity and love to overpower the corrupt forces at large here in 2023.
To close on either side are dubbed out, free-form remixes from Lvchessi, Full Dose's brother in sound."
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Plafond continues, taking center stage after the mother label BAKK ceded. Here, two long-time collaborators, Ekolali, originating from Sweden, and Tala Drum Corps, from the Netherlands, await their returns. The former reappears with a characteristic approach earlier heard on 'Doggerland'. The latter did multiple dance releases yet now debuts for this series, expanding on his stylistic spectrum. Despite shared tempo, the energies of the track are each of their own. Pulsating with energetic urgency, Ekolali, towards hypnotic movement, Tala Drum Corps. 'Totem Mollusca' shoots for the sun, like a budding landscape, yellow rays, waterdrops - kraut-inspired yet club-like without seeking a climax. 'tokyo subway' has a marimba-ridden, timeless approach - a clock-ticking, crude atmosphere, as a dream long passed, slowly ascending. Known for its two-sided, two-songs approach, Plafond offers two artists or artist combinations the freeform room for exploration and elongation of their respective sound and practices. This is the eighth in the series.
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Repress!
Next up on Toolroom’s 4-track vinyl sampler series is a tasty collab from label founder, Mark Knight who teams up with rapidly rising talent Crusy for a staunch collaboration ‘Daddy Shhh’. A fiery club heavy cut, focusing on Toolroom’s founder’s speciality of Tribal Tech House, ‘Daddy Shhh’ is a record made for the dance floor specifically. Mixing high energy grooves, Latin percussion and rolling tech bass line that’ll keep you moving until the early hours.
Next up, we’re welcoming UK selector and producer Huxley who drops brand new single, ‘All I Need’. An artist not bound by conventional genres, Huxley’s sound shifts and melds into whatever fits the record, and that is certainly true when listening to ‘All I Need’. Coming through with a lush, Deep House synth vibe and an earworm vocal that melts into the mix before launching into Classic UK House style bass stabs means only one thing, a straight up belter.
Up next is another heater from Liverpudlian DJ and producer ESSEL who returns to the label with ‘Lennon’. An artist well versed in the art of hit-making; ESSEL has been a firm fixture of the Toolroom family over the past few years. A darker take on her typical vibe, ‘Lennon’ is a record that skirts the edge of her sound, tipping over into clubland and we have to say, it’s absolutely class. If there’s ever a glass ceiling above then ESSEL is sure to smash straight through it, she certainly is an exciting new prospect and without doubt one to watch.
Last but not least, we see the return of powerhouse DJ and production duo Leftwing : Kody who team up with fast-rising producer James Hurr on their debut outing ‘Music Is the Medication’. Reggae vocalist I Jah also features, bringing some Ragga styled heat to the record. ‘Music Is The Medication’ is a sublime record, mixing a tough, Tech House focused vibe with UKG styled breaks and a straight to the point Ragga vocal overlayed for maximum delivery means only one thing, a certified banger.
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DJ Support: Danny Howard, Pete Tong, Sarah Story, Triple J, Groove Armada, Jamie Jones, Marco Carola,Nic Fanciulli, Sam Divine, Carlo Lio, Mat.Joe, Todd Terry, Jansons, Eskuche, Moon Boots, Format:B, Low Steppa, Robosonic, Dantiez Saunderson, Charlotte Van De Peer, Dario D’Attis, Shiba San, Dennis Cruz, Pirupa, DJ Rae, Danny Tenaglia, Rene Amesz, Juliet Fox, Ashibah, Boris, Carly Wilford, Booker T, Dateless, Melvin & Klein, Paco Osuna, DJ Lora
Nothing Else Matters is proud to bring an exciting new vinyl from HoneyLuv who makes her debut on Danny Howard’s imprint, teaming up with New York DJ, producer, singer-songwriter and vocalist Roland Clark for their brand-new single, ‘This Is My Life’. Crowned Radio 1’s Future Star of 2023, HoneyLuv has taken the Dance scene by storm in recent years with support from Seth Troxler, The Martinez Brothers, Nicole Moudaber, Kevin Saunderson, Maya Jane Coles, Loco Dice, Idris Elba and more, with releases signed to Black Book, Insomniac, Tuskegee, Three Six Zero and more. On the other hand, Roland has worked and co-produced music with many of the greats, including Fatboy Slim, Mark Knight, Todd Terry and Bob Sinclair, with his vocals considered the “voice of House” and one of the rare few that can bring you an electrifying DJ set while getting on the mic and giving you a performance unlike no other. Making for the perfect pairing, ‘This Is My Life’ is set to propel both artists to even greater heights and will surely be a firm favourite at clubs and festivals worldwide this year. Kicking off the B-side is a killer rework from the legendary Carl Cox who brings his A-game with this one infusing his signature grooving basslines and high-energy, hypnotic percussive grooves. Rounding off the package, Bontan’s rework delivers organic drums and captivating Afro-House rhythms catapulting the track to new audiences and new heights.
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Renowned US producer Maceo Plex releases his highly anticipated third album, ‘’93', a homage to his three-decade journey through the realms of electronic music. Marking both a passion and a prolific career, the maestro presents a tantalising body of work that masterfully blends House, Hip Hop, Global Bass, Techno, Breaks, and Electronica. This audacious fusion delves into historic and modern influences, crafting an audio journey that transcends time, rich in history yet boldly future-facing.
‘’93' is a cross-genre exploration, seamlessly balancing emotion with hard-hitting beats. Maceo Plex collaborates with a stellar lineup of artists, including Diplo for his contribution on ‘You Don’t Have To Wait’ with Cubicolor, Oscar and the Wolf, Perry Farrell (Jane’s Addiction), Johnny Jewel and Desire, Kirsty Hawkshaw, Mystic Bill, AVNU, Giovanni, Ishi, and Tyler Hill, resulting in a diverse and dynamic musical affair.
This album narrates the story of a highly esteemed artist at a pivotal juncture in his career, consistently evolving towards new directions. Departing from the early deeper house sound that initially defined him, Maceo Plex intentionally ventures into new territory, steering away from his famed melodic and techno direction in recent years. Nevertheless, '93' retains the essence of Maceo Plex's signature style, transcending various sounds and genres in a manner reminiscent of his electrifying DJ sets, meticulously curated for the dancefloor and the crowds.
‘93’ vinyl LP by Maceo Plex is available on Lone Romantic from 17th May 2024.
Key Feedback Quotes:
Pete Tong - Maceo is such a talented producer. A sonic juganaut. An inspiration to so many aspiring music makers. He's a master of analogue and digital in the studio. He's a total 'one of'.
Kolsch - Incredible album!!!!
Artbat - “Very cooooool album!
Gregor Tresher - Wow, now this is what I call an album! Extraordinary stuff, I love it! Big up, Eric!
Hot Since 82 - Nothing short of sensational. My fav producer and DJ who consistantly sets the bar far too high and we all play catch up. Love it.
Rodriguez Jr - Awesome album. LOVE IT. Such a wide spectrum of influences here. Respect!
Laurent Garnier - Very cool. Will play these
Hernan Cattaneo - This is a really good album!
Wehbba - happy to finally see the album coming out, lots of gems, Nasty, Just You and I, Get out Of Here and You're My Desire are my main picks.
Eelke Kleijn - Already listened to the whole album on Spotify. Fantastic. Miles ahead of everyone else. Thanks for sending this, will play many of these for sure.
AFFKT - all tracks are amazing
Ida Engberg - Loooove this release! Stop that and Serpent jazz for me, can't wait to play them. Lone Romantic killing it!
Victor Ruiz - Honestly, you’re a genius! 10/10 productions always.
Pig&Dan - Great to hear new tunes from one of my favorite producers out there
Oliver Huntemann - some real gems on here
Fideles - wow, love it all
Peter Kruder - Love 'em all! Thanks for sending my way!
Yotto - Sick Sick Sick work!
Jody Wisternoff - Insane tracks from Maceo!!!
Terr - Amazing music as always, thx!
Nicolas Masseyeff - Solid release! Full Support!
Paige - Nasty is an absolutely mind-blowing track!!
Braxton - Incredible Album. .
Dense & Pika - Wicked stuff from Maceo.
Eli Brown - Always great music from Maceo Plex.
Anden - Congrats on the album! Love it!
Sergio Muñoz / Fur Coat - Great work from Eric! Congratulations.
La Fleur - So many gems in there, looking forward to having a proper listen from start to end! Thx
Captain Mustache - Big work here from Maceo, congratz!
Alex Kennon - This is a masterpiece!
Timo Maas - Clickbait is a cool track, I like the deep funk.
Martin Eyerer - This is a great album!! I love nasty most, but all great.
Nick Warren - This is such a great album.
Laurent Garnier - Very cool EP. Will play these.
Jonas Rathsman - Stop That sounds interesting
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Toronto-based artist and co-boss of Parallel Minds, Ciel, known for her distinctive, precise, playful, and intricately crafted electronic productions, delivers a vibrant new EP on SUZI titled "Sada’s Dream". Originally performed during a live set at MUTEK Montreal, Ciel has refined these initial ideas into a five-track journey that showcases her unique sound palette, marked by meticulous attention to rhythmic and melodic interplay.
The EP opens with "Be That As It May," setting a contemplative tone with complex rhythms and a haunting flute-like melody that gradually unfolds into a brighter, expansive atmosphere.
Following this, the second track "Viral Load" shifts towards a tougher sound, featuring digital bleeps and arpeggiators that swirl around modern dubstep elements, creating a dense auditory texture.
The third piece, "Divide and Conquer," blends airy textures with a robust, infectious bassline and glitchy, compelling melodies, demonstrating Ciel's ability to balance delicacy with power.
Moving forward, "Bubble Gum Pop," the fourth track, adopts a clubbier vibe with its vigorous house vocals and lively breakbeat drums, offering a sharp contrast to the preceding tracks.
Concluding the EP is "Sada's Dream," the title track. This fast-paced, playful composition marries minimalist rhythms with whimsical bleeps and snippets of vocals, ending the EP on a note that feels both conclusive and invitingly open-ended. "Sada's Dream" is a sonic tapestry that weaves together the subtle complexities of Ciel's signature style with a narrative that is both intimate and expansive, capturing the essence of her artistic vision.
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Exchangeable reinforced finger lift for Concorde MkII series
• Tapered shape, robustness where needed
• Metal ring is “unbroken”
• Colour options: Red, Black, Yellow and Orange
• Wider grip area
• Grip texture
• Graphics area
The new finger lift is one of the major improvements: it’s now stand alone replaceable part.
Available in Black, Red, Orange and Yellow colors which is perfect to personalize the cartridge the way you want it.
On Stock and ready to ship
This is Mulatu Astatke’s protege and Ethiopian saxophonist and composer Jorga Mesfin’s debut album. It’s a long foray into Ethio-jazz that takes this courageous syncretism further by fusing spiritual experimentation with bits from all kinds of situations in Ethiopian music, jazz music, and specifically Ethiopian jazz music that precedes it.
Jorga Mesfin is widely regarded as one of the most talented contemporary musicians and composers in Ethiopia. He started his professional career at the young age of 17 and has since collaborated with numerous renowned artists, including Tsegaye Gebremedhin, Carolyn Beard Withlow, The Last Poets, Vijay Iyer, Wayna Wondossen, Kirk Whalum, Takana Miyamoto, Gizze Reggae band, Dionne Farris, Aster Aweke, Mahmoud Ahmed, and Mulatu Astatke. Additionally, Mesfin was a resident at Astatke's legendary African Jazz Village in Addis Ababa every Thursday.
Jorga Mesfin is the founder of the Ethio-jazz group called Wudasse. He composed the music for the epic Ethiopian film "Teza" directed by Haile Gerima. His work on the film earned him the Best Music Award at the 22nd Carthage Film Festival and Best Composition at the 5th Dubai International Film Festival.
Muzikawi is a record label, music publisher, studio, artist management, and event organizer based in Addis Ababa and Stockholm. With extensive experience in curating and representing artists from all regions, Muzikawi has a deep understanding and appreciation of Ethiopia's culture.
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Fata Morgana's concept draws from Ispirian ́s live sets in the USA. Then, back in Europe, Vasco refined his performance and the live takes were finally mixed and mastered in Madrid. The project sees the light in 2023, after the global impasse the world went through, as a two EP installment: Fata Morgana I & II.
Fata Morgana ́s second installment is a 4 track EP that kicks off with a bass- driven cinematic promise (Ohdee) which unfolds in titillating layers, crafting a superb lushness and building up momentum (Flashing on Flushing) and then, fiery reaching climax in a vague, abstract electronic background (Escape into the Sunset) only to usher the shape-shifter (My Pleasure), an edgy alt-ambient closer with a grounding dialogue on pleasure and pain which is Ispirian ́s reflective statement.
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There’s nothing that brings us greater pleasure at Bordello A Parigi than celebrating the inspirational. Alex Virgo’s debut with us is just that. “The Promise” combines the instrumental elegance of Virgo with the smokey vocals of Olugbenga Adelekan, a musician whose trailblazing work with Metronomy has been beyond influential.
A puttering motor of cow bells, hi-hats and steady kicks are the motor of this double dipped disco delight. Bright melodies support Adelekan’s lyrics, lyrics that promise that “things will come easier” from a track guaranteed to put a smile on faces. Those vocals hand the stage over to the musical composition for the instrumental version, those bold and brilliant bars spilling happiness through speaker cones.
Kicks give way to ascending astral notes in the joy of “Event Horizon”. Key stabs pierce deep sonorous drifts as disco echoes mingle with sci-fi daydreams and the floor in this addictive finale.
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A veteran of the great Malian orchestra, the Super Biton de Ségou, Mama Sissoko is an accomplished musician. His music traverses Mandingo, Bambara, Sarakolé, Songhai, Bobo, Peul, Malinke and Bozo traditions, all while flirting with jazz. On stage, Mama Sissoko is a purist who engages with the audience bringing his energy, urgent vocals and truly inspired guitar solos throughout the concert. ‘Live' brings together recordings from a concert given in Paris at La Villette in 1998 and takes us back to a high point in Mama Sissoko's career.
In ‘Live’, we find tracks from Mama Sissoko's second solo album 'Soleil de Minuit', which was released in 1999 by Buda Music. As on the album, the different guitars overlap without compromising the unity of the music, rendering an earthy atmosphere despite being very complex. The recording of this concert was superb. We can hear every note, every nuance, every instrument and voice in the many-layered compositions.
As on the album ‘Soleil de Minuit’, this live recording opens the session with ‘Diarabi’, followed by ‘Safiatou’. Both are up-tempo love songs in which Mama Sissoko's powerful voice sings with all of the passion that such love songs deserve over a clean rhythm driven by the percussion of several guitars. The heavy bassline of ‘Safiatou’ adds to the urgency of the song. After these two beautiful renditions, the energy continues with the guitar-driven ’Fisiriwale’ and then a surprisingly original version of Super Biton’s famous song, ‘Iri’. We are then treated to a lively version of his ‘Soleil de Minuit’, called out by the artist as a ‘salsa Africana’ with a shout out given to Cuban salsa mid-way through when he calls the song ‘El Sol de Medianoche’ in perfect Spanish.
Throughout this concert, Mama Sissoko’s deep and melodic voice seems to emanate effortlessly from his body and soul. Multiple guitars back up his signature solos adding depth to the music that harkens back to the traditional music of Mali. Perfect examples of this are given in the songs ‘Douga’, ‘Manssane’ and ‘Hommage a K’. The last song, before a rousing second version of ‘Soleil de Minuit’, is ‘Boma Ma’, a truly modern rendition of a traditional Malian hunters’ song with multiple guitars, shakers, lively djembe and an outstanding vocal duet with Toussaint Sainé, Mama Sissoko’s long time musical collaborator.
Accompanied by incredible musicians, including Toussaint Sainé, his partner in the Super Biton orchestra, "Live" plays in the timeless way of Malian music. What's more, it gives us the gift of its most direct and powerful dimension, that of live music, as if 20 years hadn't passed.
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High Roller Records, black vinyl, ltd 300, insert, download code, 425gsm heavy cardboard cover, Cloven Hoof aus den Midlands gehören wohl zu den legendärsten Bands der gesamten New Wave Of British Heavy Metal Bewegung. Die Ursprünge der Gruppe gehen auf das Jahr 1979 zurück, als sie sich zunächst unter dem Namen Nightstalker formierte. Im Jahr 1981 wechselte die Band jedoch zu ihrem neuen Namen: Cloven Hoof. Der ursprüngliche Sänger David Potter, der Gitarrist Steve Rounds, der Schlagzeuger Kevin Poutney und der Hauptdarsteller Lee Payne am Bass nahmen die Bühnencharaktere 'Earth', 'Fire', 'Water' und 'Air' an. Nachdem sie Demo-Versionen von Songs wie "Return Of The Passover" und "Nightstalker" aufgenommen hatten, veröffentlichten Cloven Hoof 1982 ihre erste 12"-Vinyl-EP "The Opening Ritual" auf Elemental Music. 1984 wurde das selbstbetitelte Cloven Hoof-Album veröffentlicht, gefolgt von "Fighting Back" (1986), "Dominator" (1988) und "A Sultan's Ransom" (1989). Nach der Trennung in den 1990er Jahren kehrten Cloven Hoof 2006 in neuer Besetzung und mit einem neuen Album namens "Eye Of The Sun" zurück. Im Jahr 2014 wurde "Resist Or Serve" aufgenommen, gefolgt von "Who Mourns For The Morning Star?" (2017), beide auf High Roller Records. Das Album war eine Art Wendepunkt für die Band, da sie damit zum ersten Mal in ihrer Karriere in Nordamerika auf Tour gehen konnte. Seitdem haben Cloven Hoof zwei weitere Studioalben veröffentlicht, "Age Of Steel" auf Pure Steel Records im Jahr 2020 und "Time Assassins" auf FM Revolver zwei Jahre später.
Mit Songs wie "Do What Thou Wilt", "Sabbat Stones" und "The Summoning" markiert ihr brandneues Album "Heathen Cross" die Rückkehr zu High Roller Records. "Wir sind jetzt wieder da, wo wir hingehören", schmunzelt Lee Payne. "Heathen Cross" ist Cloven Hoofs bisher düsterstes und schwerstes Album! Es hat die satanischen Untertöne unseres Debütalbums, aber mit dem besten Sänger, den die Gruppe je hatte. Für mich persönlich ist es mit Abstand mein liebstes Cloven Hoof-Album. Wir wollten den Geist und die übernatürliche Majestät des Debütalbums wieder einfangen. Wir haben mit den Fans gesprochen und ihnen das gegeben, was sie am meisten wollten: eine Rückkehr zu den Wurzeln der NWOBHM. Sie werden es lieben!" Der Bassist ist in der Tat voll des Lobes für den neuen Sänger der Band, der ausgerechnet einen gewissen Harry "The Tyrant" Conklin verpflichtet hat: "Harry Conklin ist ein Weltklasse-Sänger. Er ist super engagiert und hochprofessionell und wir wussten, dass er nahtlos in die Band passen würde. Seine stimmliche Leistung auf dem neuen Album hebt die Band in neue Höhen, und ich kann es kaum erwarten, dass die Fans ihn hören. Harry ist ein erstaunlicher Sänger, er ist so vielseitig. Er kann hoch, tief und immer mit Kraft und Leidenschaft singen. Er weiß, wie man einen Song lebt und verkauft. Harry ist wie ein Schauspieler, der eine Geschichte erzählt, niemand interpretiert meine Texte so wie Mr. Conklin. Ich kann ihn nicht genug loben. Wir hätten schon vor Jahren zusammenarbeiten sollen."
Lee Payne - Bass Guitar, Harry (The Tyrant) Conklin - Lead Vocals, Luke Hatton - Lead Guitar, Chris Coss - Lead Guitar, Ash Baker Drums / Backing Vocals, Chris Dando - Keyboards / Backing Vocals
On Stock and ready to ship
High Roller Records, black vinyl, ltd 300, insert, download code, 425gsm heavy cardboard cover, Cloven Hoof aus den Midlands gehören wohl zu den legendärsten Bands der gesamten New Wave Of British Heavy Metal Bewegung. Die Ursprünge der Gruppe gehen auf das Jahr 1979 zurück, als sie sich zunächst unter dem Namen Nightstalker formierte. Im Jahr 1981 wechselte die Band jedoch zu ihrem neuen Namen: Cloven Hoof. Der ursprüngliche Sänger David Potter, der Gitarrist Steve Rounds, der Schlagzeuger Kevin Poutney und der Hauptdarsteller Lee Payne am Bass nahmen die Bühnencharaktere 'Earth', 'Fire', 'Water' und 'Air' an. Nachdem sie Demo-Versionen von Songs wie "Return Of The Passover" und "Nightstalker" aufgenommen hatten, veröffentlichten Cloven Hoof 1982 ihre erste 12"-Vinyl-EP "The Opening Ritual" auf Elemental Music. 1984 wurde das selbstbetitelte Cloven Hoof-Album veröffentlicht, gefolgt von "Fighting Back" (1986), "Dominator" (1988) und "A Sultan's Ransom" (1989). Nach der Trennung in den 1990er Jahren kehrten Cloven Hoof 2006 in neuer Besetzung und mit einem neuen Album namens "Eye Of The Sun" zurück. Im Jahr 2014 wurde "Resist Or Serve" aufgenommen, gefolgt von "Who Mourns For The Morning Star?" (2017), beide auf High Roller Records. Das Album war eine Art Wendepunkt für die Band, da sie damit zum ersten Mal in ihrer Karriere in Nordamerika auf Tour gehen konnte. Seitdem haben Cloven Hoof zwei weitere Studioalben veröffentlicht, "Age Of Steel" auf Pure Steel Records im Jahr 2020 und "Time Assassins" auf FM Revolver zwei Jahre später.
Mit Songs wie "Do What Thou Wilt", "Sabbat Stones" und "The Summoning" markiert ihr brandneues Album "Heathen Cross" die Rückkehr zu High Roller Records. "Wir sind jetzt wieder da, wo wir hingehören", schmunzelt Lee Payne. "Heathen Cross" ist Cloven Hoofs bisher düsterstes und schwerstes Album! Es hat die satanischen Untertöne unseres Debütalbums, aber mit dem besten Sänger, den die Gruppe je hatte. Für mich persönlich ist es mit Abstand mein liebstes Cloven Hoof-Album. Wir wollten den Geist und die übernatürliche Majestät des Debütalbums wieder einfangen. Wir haben mit den Fans gesprochen und ihnen das gegeben, was sie am meisten wollten: eine Rückkehr zu den Wurzeln der NWOBHM. Sie werden es lieben!" Der Bassist ist in der Tat voll des Lobes für den neuen Sänger der Band, der ausgerechnet einen gewissen Harry "The Tyrant" Conklin verpflichtet hat: "Harry Conklin ist ein Weltklasse-Sänger. Er ist super engagiert und hochprofessionell und wir wussten, dass er nahtlos in die Band passen würde. Seine stimmliche Leistung auf dem neuen Album hebt die Band in neue Höhen, und ich kann es kaum erwarten, dass die Fans ihn hören. Harry ist ein erstaunlicher Sänger, er ist so vielseitig. Er kann hoch, tief und immer mit Kraft und Leidenschaft singen. Er weiß, wie man einen Song lebt und verkauft. Harry ist wie ein Schauspieler, der eine Geschichte erzählt, niemand interpretiert meine Texte so wie Mr. Conklin. Ich kann ihn nicht genug loben. Wir hätten schon vor Jahren zusammenarbeiten sollen."
Lee Payne - Bass Guitar, Harry (The Tyrant) Conklin - Lead Vocals, Luke Hatton - Lead Guitar, Chris Coss - Lead Guitar, Ash Baker Drums / Backing Vocals, Chris Dando - Keyboards / Backing Vocals
On Stock and ready to ship
Exchangeable reinforced finger lift for Concorde MkII series
• Tapered shape, robustness where needed
• Metal ring is “unbroken”
• Colour options: Red, Black, Yellow and Orange
• Wider grip area
• Grip texture
• Graphics area
The new finger lift is one of the major improvements: it’s now stand alone replaceable part.
Available in Black, Red, Orange and Yellow colors which is perfect to personalize the cartridge the way you want it.
On Stock and ready to ship
One of the most prolific electro artists of his generation, Boris Bunnik aka Versalife, returns to TRUST with an exceptional soundtrack for the algorithmic hellscape we live in. As neofeudalist power structures solidify around us, Versalife's tracks remain in constant flux. Subtle tonal shifts and undulating synth currents create tension and beauty while crisp machine beats provide the clockwork rhythm for humanity's march into the singularity.
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A holy grail for fans of French boogie, early hip hop, Arabic funk and Balearic bops,"Ettika" has been seriously sought after since Vidal Benjamin found it in the 1€ bin back in 2006. Teasing the ears of the underground via Vidal's 'Balearic Nightmare' mix for Noncollective, copies of the original were soon snapped up completely, and the later adopters were sated by a Blackdisco edit from Alexis Le-Tan (himself gifted Vidal's second copy), which is now also rare as hen's teeth. The fervour for the track is easy to understand. Underpinned by an endlessly buoyant bass groove, chanted female vocals dart out the speakers like a post- modern mantra while synth vamps flare in stuttering stereo.
Middle-Eastern motifs add an air of mystery, but this truly belongs in a dance floor utopia. That the track was the product of a 'back-to-work' scheme aimed at unemployed immigrant youth in Rouen only adds to the appeal. Led by teacher Bernard Guégan, a quartet of students delivered lyrics in French and Arabic inspired by their rejection letters, serving a little social commentary and a lot of funk. If you're mad on Ahmed Fakroun and Shams Dinn, or even those folks in the Bush of Ghosts, then this is a must have for you.
Archeology isn't just about excavation, there should be interpretation too, and in this case it comes from Italian duo Hear & Now and Leeds' The Veteran Delinquents. The former furnish the 12" with two radical takes, the dreamy downtempo stroll of their French Remix - all unhurried percussion, Gilmour-riffing and coastal élan - and the peaktime pump of their Arab Remix, which transports the original vocal into a land of desert new beat and Balearic trance with a little space left for some frazzled fretwork. If you've followed their work with Claremont you know the quality on show.
The Veteran Delinquents, the collaborative vehicle of Leeds stalwarts Craig Christon and Tim Hutton, condense a lifetime of club experiences into their remix, establishing the infectious groove of the original before subverting with chugging bass and winking acid, all augmented with their own slick synth work. The original was an all time classic at Craig's Joe's Bakery nights way back when, and this new interpretation is both respectful and revolutionary.
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Live artist Innellea dropped his limited vinyl deluxe album . ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'
‘The Belonging’ project is a cohesive multi-media concept, comprising the album heralded by a series of singles, multiple music videos. All of this will evoke a ‘collective catharsis’ after charting a personal and universal journey. This says Innellea: ‘As personal crises are part of life, we want to go through this journey collectively, from a silent, burned out state of ‘Where do we belong?’ Together, we will go forward forever through all the insanity until the certainty that ‘We belong here!’ as each track charts a step away from crisis, towards this feeling of belonging.
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This album consists of unreleased Dubs recorded between 1986-90 at the early Blakamix Studios.
Blakamix have re-opened the tape vaults and let Mixman loose to revamp and revitalise and give the Dub Doctor treatment to these early Dub tapes.
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shipping to EU only!
Xone:96. The long-awaited follow-up to a genuine club classic.
A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.
It’s all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.
Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.
Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.
Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.
Xone96: You mixed. We listened.
Features:
• Type Analogue
• Channels 6 + 2
• EQ
o Channel 1-4, 4-Band EQ
o Channel A-B, 3-Band Parametric EQ
• USB Soundcards Dual 24 Channel (12 in / 12 out)
o Hi-Speed USB2.0 / Mac Class Compliant
o 32bit / 96kHz
o MIDI over USB
• Line Inputs 4 x RCA (CH 1-4)
o 4 x 1/4″ TRS (CH A-D) Mono/Stereo
• Phono Inputs 4 x RCA (CH 1-4)
o LN/PH Switch for DVS
• USB Inputs 6 x USB (CH 1-4 + CH A – CH B)
• Mic Input 2 x XLR
• Master Output 1 x XLR (Balanced)
• Master 2 Output 1 x 1/4″ TRS (Balanced)
• Booth Output 1 x 1/4″ TRS (Balanced)
• Record Output 1 x RCA (Un-balanced)
• Master Insert 1 x 1/4″ TRS
• MIDI Out 1 x 5-Pin DIN
• Send/Return I/O
o 2 x 1/4″ TRS Send
o 4 x 1/4″ TRS Return
o 1 x LN/Hi-Z Switch (SND1/RTNA)
o Filter 2 x VCF Filter
o HPF / BPF / LPF
o Adjustable Frequency & Resonance
o Assignable CH 1-4 + CH A-B
o CRUNCH (Controlled Harmonic Signal Distortion)
• X-Link 1 x RJ45
• Headphones 2 x 1/4″
o 2 x 3.5mm
o Split Cue Monitoring
• Channel Faders 60mm VCA / Replaceable
• Chanel Meters 9 Segment LED
• Channel Fader Curve 3 Types
• X-Fader InnoFADER / 45mm VCA / Replaceable
• X-Fader Curve 3 Types
• Earth Ground Terminals x 2
• Headroom 20dB
• AC Mains
o 100 to 240V
o AC 50/60Hz
o Consumption 45W max
o Mains Adaptor 3 pin IEC socket
• Height 109mm / 4.3″
• Width 336mm / 13.25″
• Depth 410mm / 16.2″
• Weight 7kg / 15.4 lbs.
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2024 Repress
Alberto Pascual, also known as Ribe is a well seasoned veteran in the Spanish scene. An expert synthesist and modular weirdo, his sound palette is amazing. If you have been so fortunate to enjoy his live PA before these turbulent times, you've got the precision and hypnosis he always provides.
This release has a physical side and a digital one, with four and seven tracks respectively, including two Oscar Mulero remixes.
"Palette" opens the release, a lone kick drum squashed in reverb sets the pace on the first bars while abstract details appear randomly and a continuous sequence grows from below. The tension is kept all over the arrangement, not additional percussive elements, just the few principal elements going back and forth.
"Shapes" has a Basic Channel approach soundwise, texturized techno as its best, exploring the dark corners of sound design, and again all relaying on a linear and mental arrangement.
"Ad Infinitum" is remixed by Oscar Mulero in his first remake, transforming the formerly broken and abstract Ad Infinitum is a danceable intelligent weapon.
Original version of "Ad Infinitum" follows, providing the experimental slice of the EP. Broken rhythms, shuffled components and low rated tempos.
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Reissue of this 1981 gem from New York's Warren Doris. Remastered from the original 16-track tapes.
A veteran of the NYC's nightlife and dance music scenes, Warren worked with names like Mark Kamins & George Benson, and produced the Larry Levan favourite Affinity - Don't Go Away before leaving the music industry and starting life as a high school teacher.
Lost In Space by New York City based Warren Doris flew under the radar upon its initial release in 1981. Despite radio play in the Northeastern US, the tune never completely broke out and instead became a closely guarded secret among soul music aficionados. More than four decades after its release, the emotional power of Warren's vocal performance and the lush, swelling arrangement have cemented the record's well deserved status as a holy grail for collectors.
Meticulously remixed and remastered from the original 16-track tapes by Warren himself, this new edition of Lost In Space does justice to the original with three all new cuts; The familiar extended mix and new radio edit pair with an instrumental version and a heavy dub of “Let It Show” the flip side on the original pressing.
“This was my breakup song for my ex-wife. I was 28 and she was 32 at the time. Now here we are 43 years later. It was originally released on my label, Maya Communications. At the time it got a bunch of airplay in New York, South Carolina, and Washington D.C., but I got jerked by the distributors on my money, so I couldn't keep up with the demand for the repress. The fact that it stayed enough to be selling for $1000 says a bunch.” - Warren Doris
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Dr Packer's is back with his masterful rework of Candi Staton’s timeless disco classic 'You Got The Love!' Renowned for his unparalleled expertise in the electronic dance music landscape, Dr Packer's remixes consistently captivate audiences, earning him accolades and chart-topping success across leading platforms.
With over three decades of DJ experience and a distinguished portfolio of achievements including countless Traxsource awards,, Dr Packer stands as a trailblazer in the industry. His rework of 'You Got The Love' is one of his finest moments to date and sure to heat up the dance floor, with Dr Packer’s trademark groove pumping all the way through the track.
On remix duties is Sydney rising talent St Croix, who has already built a solid reputation for her own productions and a slew of top charting Aria Club chart moments. St Croix amps things up even further with her peak time dancefloor weapon.
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DirtybLends 13 comes from these 2 misfits that split the 4th edition on the label which is Zodiac and The Jak..Zodiac kicks off the a-side with a Thanksgivin beat...food is served and your stone cold munching.
Fuk Christopher Columbo and the pilgrims. It's all about eating p@#$$.
Stuff your gullet with this heat and be thankful..
The flip side of this disc come from the leader of the the klan as “Itz In Ur Mind” is created strictly for Ron Hardy as this is the 3rd conceptual idea to follow “Hardy’s Haunted Box” from the 2nd edition of dirtybLends.
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For their 35th release Left Ear returns to the archives of Spanish Musician Jesús Mª Catalán and his project Respuesta Alternativa, or the Alternative Response. Unlike his previous release, the tracks from this compilation were not released at the time and the tapes only found recently, which had been lying dormant in a shoebox since their creation from the period 1987-1990. When not on the road working as a sound technician,
Jesús continued to craft atmospheric tracks in the quiet of his bedroom and later finished productions with the assistance of long-time collaborator Julián C. Pérez. Together, they captured simple themes, with the sound evolving over time. Transitioning from guitars, they incorporated vocal samples to weave enduring musical tapestries. Given Jesus’ geographic location (Spain) and the atmospheric down-tempo nature of the music, we wondered if the ‘balearic’ sounds had played a part in his productions. Jesus explains that “the distinction in the Balearic and Asturias Islands is marked by the different character of its people and the incidence of the weather, where the sea influences the Mediterranean Sea of the Balearic Islands is a calm sea. The Cantabrico de Asturias Sea is stormier”.
As a proud Asturian, Jesús was influenced by and payed homage to his surroundings, with lush breezy passages echoing calm ocean days and others reflecting sudden turns in conditions, weaving a stormier, more confronting layer into his already distinct sounds.
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Repress!
The release of Crosstown Rebels’ SPIRITS compilation is always a bastion moment for the label. The first edition came to prominence in 2017 and we’ve been graced with an annual compilation ever since, showcasing a consistent habit to champion established artists and breakthrough ones alike. Now, Crosstown Rebels’ lauded SPIRITS series will see the light of day once more in June, with the release of SPIRITS V.
NYC-native Layla Benitez leads proceedings with Fides, a progressive-leaning, introspective number that retains an inherent danceability throughout. It kicks off the compilation with a driving energy, one that’s perfectly matched by Trabajar - the Crosstown Rebels debut of recent Hot Creations inductee Mr.Diamond.
A techy-inspired cut, punchy four-four drum patterns create a distinctive late-night feel, as UK-talent Denney soon arrives with Kill The Soundboy. Showcasing the groove-laced house sound with which he’s become best known, the near seven-minute piece is sure to light up many a club setting this year, paving the way for Talk To Me. It’s a collaborative venture between Munich-based artist ASK:ME and El Muerto, with Soulfoot featuring on vocals. Retaining a vintage Detroit style, the fast-paced tempo creates a natural excitement before Romanian-born mainstay GruuvElement’s gifts us the minimal-toned Boom Room.
Building with tribal-like percussion and salsa-inspired instrumentals, it’s a playful excursion into dance music’s outer realms, paving the way for young Peruvian producer Chinonegro with My Moment. Whether it be the pluck of a guitar string or a jazzy trumpet solo, there’s an inherent authenticity to the six-minute piece, as a mid-track breakdown gives way to whispering hats and a rhythmic underlying backbone.
The penultimate offering comes from French-born, London-based regular Maglia, who serves up the enchanting Rayiys. The chirping of birds resides atop an ever-changing bassline, leaving us open and ready for the VA’s closing saga: Thanks Moon, by Spain’s I AM JAS. A heady combination of beautiful lyrical contributions combines with softly moving electronic elements, to leave us in a state of calm, inward reflection. Rounding off proceedings on a note of quietude, it reminds us of the final moments in clubland, transporting our psyche to sunrise, fond memories and everything in between.
Over a period of nineteen years, Damian Lazarus’ Crosstown Rebels has evolved into a world-renowned institution, garnering global audiences thanks to a consistent schedule of quality releases. In years since it’s earliest beginnings, the likes of Maceo Plex, Art Department, Seth Troxler, Ali Love, Mathew Jonson, Pier Bucci, Acid Pauli, Dennis Kurtel, Francesca Lombardo, Glimpse, Aphrohead, Fur Coat and a plethora of other figureheads have all found their home on the label.
The roster is international, showcasing how Crosstown has shaped a truly global scene. Releases are born in different continents by artists who hail from different countries, resulting in a sound that resonates worldwide. Perhaps most pivotal to the label’s success is its musical output: no part is governed by boundary or genre. It’s underpinned by a truly eclectic sound, one that reflects the diversity of Damian’s love for music itself. An album from drum and bass icon DJ Krust here, a maiden LP from Audiojack there… traversing genres has been Damian’s forte for decades - and Crosstown epitomises that as a result.
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Congratulations is the debut EP for Raji Rags - DJ on NTS Radio, a label head, an A&R or behind the scenes at institutions like Boiler Room, Warp, Bleep, Livin' Proof and now at the helm of his own label, OTIH Records. The EP features instrumentation from members of Speakers Corner Quartet and a collaboration track with Taiwanese producer, Sonia Calico.
Confirmed mixes, reviews, radioplay and press confirmed from RA, DJ Mag, Mixmag, NTS Radio + more launch parties TBA. Limited edition run of 300 hand screen-printed vinyl.
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It’s approximately been a year since Antoine lost what would have been his debut album, ironically dubbed ‘Humour. Positivity & Affection’. In its wake, stemmed the idea for the producer to reform his conceptually based project (Mise En Place) into a vinyl only label.
The Land Down Dunder EP being the first, of hopefully, many releases throughout this new imprint. The label head feels there is no better way to start this campaign, than with a body of work, entirely inspired by the modern, timeless TV Sitcom - The Office (US).
The opener ‘Australian Reds’ looks to bridge the gap between Progressive House and Antoine interpretation of Minimal. Matched with Ghanian inherited grooves of course.
‘Colombian Whites’ as suggested by its title, widens the eyes and warms the soul with its textbook, 90’s House inspired Kicks, Hi’s and Baseline. Synthy melodies run throughout the mid(s) of the track to marry the ensemble together. Fitting for all terrains, but would be highly favoured in the Summer.
The B-Side flips the script in tone, tempo and texture - pulling on Antoine’s repertoire for groove laden Techno - ‘Cafe Disco (AK’s Rare Groove Dub)’ brings you to the after hours of any setting with it’s full bodied percussive rhythms, beautifully automated soundscapes and highly persuasive swing. Lastly, the EP is capped off by ‘Threat Level Midnight’. A nod to Antoine’s versatility within the realms of House and Techno. An incredibly versatile track, structurally inspired by the producers love of Hip-Hop. A cacophony of ethereal chord progressions run throughout the track alongside one moody baseline, as well as solemn drum patterns which progress in both body-feel and stature.
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Singer, songwriter and producer Johnny Burgos returns with veteran producer Jeremy Page (Kendra Morris, Czarface, MF Doom) for "Hit Me Like," the
instrumental is dripping with retro soul nostalgia, serving up the drums and bass-forward and funky, under
a blanket of buttery guitar chords. The production carries Burgos' silky smooth and heartfelt delivery
effortlessly, offering a brilliant take on a timeless-sounding, soul-inspired love song.
Singer, songwriter, and producer Johnny Burgos returns with
veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom, That Handsome
Devil) for "Get Back." The fourth single off of the duo's upcoming album titled, 'All I Ever Wonder,' is a vulnerable retrospective of a love gone cold, with hopes of rekindling the
magic that once kept its flame alive. In true Neo Soul form, the song is driven heavily by the
drum and bass groove, distinctly reminiscent of an early 2000's J Dilla beat. Page's signature
colorful chords evoke the struggle in Burgos' story, as he confronts his inability to accept the fate
of his relationship and let go of the magic it once embodied.
Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of retro-soul embodies a
raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting.
Influenced by his uncle and world-class percussionist, Andre Martinez, growing up Johnny developed a
fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion
for hip-hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill
and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of
hip-hop, funk, pop, salsa, and reggae. Collaborations include artists such as DJ Skizz, Mobb Deep & M.O.P.,
Marco Polo, Frans Mernick, and Liza Colby (The Gold Setting) and his band Bridge City Hustle, with whom he
toured nationally.
As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung
US, using them as a platform to launch his 2018 EP Love Through it All. In March 2021 his debut album Gone
Into The Grey received critical acclaim and has since been added to multiple editorial playlists by Spotify, Apple
Music and Tidal, resulting in an ever-growing listening fan base. In 2022, Burgos' song "Wild About You" was
then used as the soundtrack for Neiman Marcus' It's Your Moment global streaming campaign.
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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day!
22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done!
Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now!
This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger.
Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records.
On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”.
On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk.
These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.
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The Samosa label gets its Re-Funk Head on once again with Part 2 of the exciting sonic laboratory project.
Opening this outrageously good EP are Samosa alumni Dirty Elements & Drunk Drivers feat E.M.E and their all-powerful and energy blasting ‘Disco Ball’ – a track that never even attempts to hide its sassiness. The brass ensemble fanfare (which is truly one of the best disco riffs in the known universe) acts as a victory parade through Samosa City – all tickertape and confetti raining down on smiling faces. A serious, serious groove which has featured in sets by Art of Tones on his Ultimate Mix Show for Glitterbox Ibiza and by Folamour in his Amsterdam gigs in March 2024.
Track 2 is respected Italian Maestro, Moplen and the wonderful ‘Ain’t No Doubt About It’. There’s an immediate dance floor lure to the disco beats and bongo rhythms here. Take a good helping of ‘pew-pew’ laser bolts, cow bells and hand claps; add a masterful bassline and you have some serious, serious disco business. You could be sipping evening cocktails in Club Coco Bongo or taking in a beach at sunrise - this track would make you want to dance regardless.
On the B-side the disco theme continues with the most aptly titled ‘Sexy Thing’ by Jazzyfunk. At 122bpm, this heads quickly into soaring, heavenly strings and punchy bassline territory, enveloping your ears like a warm duvet. The melody is a dance floor dream – it demands that you join the hands-in-the-air crowd and there really is no point in resisting. ‘Sexy Thing’ is one of those rare ‘moment in time’ tunes that could either kick a night off or act as the grandest of grand finales. Pure, unadulterated disco pleasure.
Closing the EP with Track 4 is DeGama himself and ‘Feel The Groove’. Make no mistake, this is a powerful, brooding beast of a tune that bursts out of the traps in no time at all. At a very deceptive 120bpm, ‘Feel The Groove’ starts with a warm, housey vibe that quickly breaks into a jumping, blues inspirerd guitar battle. The solid beat bounces gorgeously in tandem with the filthy rhythm guitar riffs and sultry saxophone in a knee-slapping, somersaulting, backsliding explosion. A seriously filthy tune from DeGama.
Re-Funk Head Part 2 acts as a perfect companion to its predecessor – featuring an all-star cast of some of the best talents to grace Samosa. A must for all serious record collectors.
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Celebrating a monumental decade for music, birthing numerous timeless classics that pushed music to new heights Smash Hits The 80s takes the very best tracks from the decade across 2LPs providing the soundtrack to the era. This must-have collection contains hits from artists of all genres, featuring New Order, Duran Duran, Spandau Ballet, The Smiths & Talk Talk.
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Shipping by UPS NOT possible !
...because of Disco-Antistat-Mixture
EN:
Makes LPs durably antistatic with the alcohol-free Disco-Antistat mixture, a special liquid that automatically removes dust, dirt particles and dried liquids without leaving any residue and deep into the grooves.
The care set consists of:
Wash case with inserted goat hair brushes
Label cover with hanging axle for LPs, singles and 10 inch discs --> Adapter included
1 litre cleaning fluid DISCO-ANTISTAT Mixture (alcohol-free)
Funnel incl. filter grid and filter fleece (5 pieces), with which the liquid is filtered back into the bottle after use.
Drip stand (drying rack) with drip tray for up to 15 LPs or singles (slides into the casing after use)
Device can be stored in our original Archifix box (Art. 1202431) to save space.
DE: Disco-Antistat, das praktische Pflege-Set für die Grundreinigung.
Macht LPs dauerhaft antistatisch, mit der alkoholfreien Disco-Antistat-Mixture, einer Spezialflüssigkeit, die selbsttätig, rückstandslos und rillentief Staub, Schmutzteile, sowie eingetrocknete Flüssigkeiten entfernt.
Das Pflege-Set besteht aus:
Waschgehäuse mit eingesetzten Bürsten aus Ziegenhaar.
Labelschutz mit Aufhänge Achse für LPs, Singles und 10 Inch. --> Adapter inklusive
1 Liter Reinigungsflüssigkeit DISCO-ANTISTAT Mixture. (alkoholfrei)
Trichter inkl. Filtergitter und Filterflies (5 Stück), mit dem die Flüssigkeit nach Gebrauch wieder in die Flasche zurückgefiltert wird.
Abtropfständer (Trockenständer) mit Auffangschale für bis zu 15 LPs oder Singles (wird nach Gebrauch in das Gehäuse geschoben)
Gerät kann platzsparen in unserer Original Archifix-Box (Art. 1202431) verstaut werden.
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Vinyl only. Limited. No Repress.
Begin a journey of sound with NOREPRESS Sounds' enthralling launch, NRP003 - VA - NOREPRESS 003. A challenging 4-tune EP, an offshoot of MixCult Records, bids you to dive into modern-day electronic music's essence, each tune offering an individual trek through tone and ambiance.
Keny G’s “Permission” (A1) escorts us into the tech house domain, laced with late 2000s tech house resonances yet revamped for today's ear. Its throbbing beats and echoey cymbals craft a catchy rhythm that bridges reminiscence and novelty, tempting foot-tappers to immerse in its enchanting pull.
Gonzalo Villarreal’s “Segment Two (Ian Oskadev Remix)” (A2) alongside Genning’s “Observation Glass Scenery” (B1), submerge deeper into dub techno mysteries, spinning a narrative filled with enigma and allurement. Both pieces radiate dark but potent vibes whereby profound basses mingle with ghostly tunes crafting auditory terrains full of allure and secrecy. Each chord hints at undiscovered territories beckoning ears toward acoustic curiosity.
Closing the EP is by Zone+'s "Evening Ride" (B2), giving nods to timeless deep house while introducing refined tweaks propelling it higher. This piece oozes grace and classiness reflecting those memorable deep house anthems’ spirit consistently entrancing audiences. With unfolding notes listeners get swathed in smooth harmonies alongside heartfelt rhythms —a flawless finale for traversing diverse electronic sounds realms.
NOREPRESS 003 is a testament to the versatility and creativity within the electronic music landscape, showcasing a range of genres and influences that captivate the senses and stir the soul. So immerse yourself in the music, let the rhythms guide you, and experience the magic of NRP003 firsthand.
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Rosati launches his new imprint, Global Pulse. The label embraces a futuristic development of Techno, exploring unknown sonic territories while always staying true to its original essence.
The inaugural release, 'Automatic Response EP', features five original tracks that are pulsating with powerful dynamics and detailed textures.
In the first track, A1 'Automatic Response', the vibe is established by a steady bass line and hypnotic bleep sequences that are ensuring high pressure energy.
Continuing with A2 'Way Out', where a wide landscape is created through the use of well crafted sound design elements, juxtaposed to a minimalistic 909 groove.
With B1 'Ufo Memory', Rosati is diving into alien realms, blending atmospheric UFO textures with heavily saturated drum patterns, creating a dark, pumping, and futuristic mood.
In B2 'Feeling', the focus shifts to the late 90s era, where a story of freedom is told through the appearance of percussive loops, funky bass lines and pad melodies.
Inside the record there is also a digital bonus 'Time Tunnel': a melodic electro journey that transports the listener into a robo-dystopic, yet hopeful, future.
With this first release, Global Pulse lays the ground for a promising series that will push the envelopes of Techno, promising a platform focused on sustainability and authenticity of Electronic Music.
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