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Various - BLBX06

Various

BLBX06

exclBLBX06
Black Box Records
18.07.2025

Black Box Records is back.
The label's sixth release is a five-track vinyl VA, a real coup de theatre. They've called upon a strong selection of artists behind the EP's artistic direction, including Ortella , V.I.C.A.R.I. , Nicola Brusegan & Phill Prince with a super Remix by Chklte and the label's founder, Vito Fattore.

Black Box Records has proven once again that they are a company that produces classy, ​​mature and dancefloor-ready house tracks, with many more to come this year.

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11,72
rRoxymore - Juggling Dualities

As rRoxymore, Hermione Frank has been exploring the outer edges of the dance floor and producing music that goes beyond traditional genre boundaries for more than a decade. In that time she has covered plenty of ground from caustic and abrasive techno to long-form and immersive grooves, always with a focus on contrasting tempo, texture and tone. On previous albums she intertwined the electronic and the acoustic with elements of psychedelia and jazz. With Juggling Dualities, Frank takes a sideways look at New Age and Wellness culture.

Writing the album came about after many months of being unable to create during a complicated personal time which left her lacking inspiration, feeling creatively stuck yet emotionally uprooted. What helped was distance - taking time and space to disconnect from the struggle. That brought a different rhythm to life and a fresh perspective that allowed exploration without any expectations. A six-week surge of intense creativity followed in which the majority of the album was written. As she explains, "The record represents a journey of reconnection that conveys an underlying message of hope and healing at its core. I think it is my most honest
work to date."

Initially conceived as a New Age project but with a signature personal twist and some subtle humour, there is a familiarity to Juggling Dualities. It is warm and comforting with a sound palette that is refined but familiar - there are soothing signifiers and organic designs that nod to the motifs of New Age but passed through a more contemporary lens.

Juggling Dualities is an invitation to reconnect with yourself. It's music that encourages you to take a pause, be in the moment and reflect on the fact that no matter what challenges come your way, they shall eventually pass.

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26,01
Westbrook - Who Sent You Ep

Under his Orion Westbrook alias, the man cooks up some serious heavy-hitting house grooves with a funky twist that hits just right. Side A brings the heat with Pasadena’s own queen Moniquea, laying down her signature style — smooth, confident, somewhere between singing and rapping, and always on point. She glides effortlessly over this modern boogie gem, oozing style and swagger. The wildest part? These two only met once — but the chemistry is undeniable. Flip it to Side B and you’re treated to the sultry voice of Mae Rojas, a familiar name from the Cee-O-Funk sessions. Her sweet R’n’B flavor blends perfectly with a catchy, cosmic-tinged beat that’s equal parts seductive and futuristic. Personal but danceable — the kind of cut that lingers. Both tracks walk the line between dancefloor fire and laidback cruise, and that’s the magic here — funky, versatile, and 100% fresh.

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18,91
Hardspace - H007 12" transparent purple - with full cover print

For the seventh installment of his Hardspace series, Len Faki selects three standout tracks from his personal vault - polishing them up with signature flair for maximum impact.

The A-side features a powerhouse mix of Jimmy Edgar´s Strike. Len Faki brings extra drive and spatial depth to the mix: sizzling hi-hats pan sharply across a tight stereo field, vocal chops flicker in and out, and the groove is stripped, slick, and forceful. A subtle reverb treatment adds atmosphere without compromising punch.

On the B-side, Faki dives into Robert Armani's 1994 album Right to Silence, revisiting two Chicago-style jacking tracks that are nodding to the Dance Mania era.
Up rides on a fierce hi-hat shuffle and a pounding stomp, centered around a bold vocal loop that captures the rough, battle-cry attitude of classic Chicago jack tracks. Faki's edit sharpens the angles and tightens the structure, giving the track even more bite.
Road Tour originally leaned on a harsh, detuned lead synth. Len´s Hardspace version removes the abrasive top line and lets the looping arp take center stage, which subtly shifts in tone and pans across the stereo field. The groove doesn't push forward so much as it sways side to side, creating a warped sense of motion. A pitched-up vocal sample-half command, half tease-injects just the right dose of jack attitude.
HS007 channels the raw, functional energy of vintage Chicago trax through Faki's modern lens - respectful to its roots, but fully tuned for today's sound systems.

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14,71
Loose Joints - Tell You

Loose Joints

Tell You

12inchDVAULT004
DFP Vaults
16.07.2025

Loose Joints – Tell You (Today): A Rediscovered Classic Reimagined

Loose Joints was the disco brainchild of Arthur Russell - a visionary composer and producer who helped shape the sound of New York’s underground club scene. Unlike many of his contemporaries who chased polished perfection, Russell embraced rawness and spontaneity. A classically trained musician, he mastered the art of crafting “perfect imperfections,” infusing disco with a punk attitude and an intellectual edge.

“Tell You (Today)” emerged from the same legendary Blank Tape Studio sessions that gave birth to the cult favorite “Is It All Over My Face.” Like its predecessor, it features a cast of handpicked studio luminaries and disco outliers, all guided by Russell’s distinct vision. But while the DNA is similar, this track veers more toward leftfield pop, buoyed by Russell’s unmistakable vocals.

On the A-side, DFP presents a masterfully updated take on Larry Levan’s original remix. Blending unreleased outtakes with refined sonic upgrades, this “Special Version” stays true to the source material - making only the most delicate adjustments to optimize it for today’s dance floors.

The B-side is a gem in its own right. It features the elusive New Shoes Mix with Parts I & II edited here for seamless, continuous play. Long shrouded in confusion due to misprints and misattributions - from the 1983 release to various reissues - while labeled as New Shoes it has in most iterations been a variation of the Larry Levan mix.

Now, for the first time, DFP Vaults is proud to present the New Shoes Mix in its full, 15 minutes, intended glory - finally giving this lost version the recognition it deserves.

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24,16
Purple Disco Machine Featuring Retrosonix - Ghost Town

The undisputed king of Disco House Purple Disco Machine returns to his club roots with retro-inspired release ‘Ghost Town’ ft. Rertosonix. Fresh off reworking the Hurts classic ‘Wonderful Life’ and delivering a huge remix for ‘Born Again’ (Lisa ft. Doja Cat & RAYE), the Dresden-born producer is once again ready to conquer the dancefloor with his signature sound. Tailor-made for that insatiable desire to dance, it’s a release engineered for movement, locking straight into the pulse of late-night energy and crowd euphoria. As such, the track is unsurprisingly becoming a favourite in Purple Disco Machine’s sets already, where dates in Mexico, the USA, and Spain have left the dancefloors anything but a ‘Ghost Town’. Armed with a dancefloor weapon, Purple Disco Machine drops the release early for DJs on Beatport.

A master of channelling the nostalgia of dance music’s beginnings and blending it with a modern-day flair, Purple Disco Machine has expertly crafted a record reminiscent of throwback disco cuts. The soulful vocals come courtesy of Retrosonix, successful songwriters who have come together to specialise in retro disco vocals that ingeniously feel straight from the archives. You’ll be sonically transported back to a time when disco was heard on every corner. Tactfully letting the powerful hooks and provocative lyricism lead the rhythm for the tune, Purple Disco Machine’s iconic groove-driven beats and mesmerising synths lay the foundation for a dancefloor classic. Crafting breakdowns dripping with funk, the disco maestro builds to a crescendo that will undoubtedly be a crowd pleaser for his many shows in 2025.

On the release, Purple Disco Machine said: “While a number of my recent records have referenced the more electronic 80s disco sound, I never lost the love for the classic funky disco of the 70s - which in many ways was the original blueprint - and so it has been equally inspiring and enjoyable to work with this palette again. I'm hoping that the listeners are as haunted (in a good way…) by Ghost Town as I am !”

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14,24
Traxman - Westside Boogie Trax

Traxman

Westside Boogie Trax

12inchDM189-25G
Dance Mania
14.07.2025

The epitome of raw, functional, Westside house. Stripped back to the barest essentials, leaving behind 6 cuts of pure punishing dance floor energy. Originally released on the legendary DANCE MANIA in '96, this 2025 reissue includes the previously unreleased "WESTSIDE BOOGIE 1996"

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16,26
Tom Ries - The Mechanic

Meet The Mechanic: Tom Ries, formerly one of Offenbach’s groove technicians, now based in Berlin, delivers three stripped house tunes designed for full dancefloor function. Known for his role in the Pager Records orbit and his dry, deadpan charm (in both music and manners), each piece here hums with twitchy funk, stripped-down functionality, and just enough mischief under the hood. We first hit him up as fans. A year later, The Mechanic is ready to roll. Built by hand, tested in clubs, and delivered with a grin.

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12,40
Lady Tazz - Sleaze

Lady Tazz

Sleaze

12inchMDZN033
Mind Medizin
08.07.2025

Bangladeshi Born Producer Lady Tazz, debuts ‘Sleaze’ with a killer remix from Radio Slave this June. At the heart of Lady Tazz’s mission is Mind Medizin, her label and event series that champions the sound of kindred spirits, now inviting Radio Slave to the mix this June.

Lady Tazz has overcome many cultural obstacles to achieve her rightful place as one of Toronto’s foremost electronic dance exports. A renegade of sorts, as a teenager, she would regularly visit the UK and Germany without her parents’ knowledge to attend London’s Sound Academy and to party in Berlin, whilst continuing to pursue her aspirations of becoming a DJ.

The Bangladeshi producer and DJ is proud of her heritage but is realistic about the social expectations of throwing raves in her hometown. She moved to Toronto in her teenage years, where she grew up, educating herself on music and a place that has perfected a sound that remains organic and raw. Her record label and party series, Mind Medizin, taps into an erotic lifestyle that embraces the unconventional and free-spirited, which inspires and motivates Lady Tazz on numerous artistic levels.

For Mind Medzin’s latest release, Lady Tazz will drop ‘Sleaze’ on the 27th June, to include a special remix from Rekids founder and UK godfather, Radio Slave, making his debut on her label.
Foreboding and dripping with lascivious intent, ‘Sleaze’ brazenly stalks into existence by way of warping synth fills and glitching hi-hats. The lyrical component consists of a series of smouldering vocal hooks which salaciously enrapture one’s senses, tightly wrapping around the creeping melody before succumbing to the beat’s stomping dominance.

On the flipside, Radio Slave’s remix revs and fires with shots of ringing overtones atop a deep thud, husky vocal and swooshing cymbals. Whilst upping the ante of the original, its stripped-back charm remains, culminating in a moody, chugging rework bubbling with tension and fraught with Radio Slave’s brand of dark, fractured house.

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13,24
DJ Plant Texture - Mondo Nuovo 10"

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

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14,92
FRANCISCO & COSMO DANCE - GO GO DANCE

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.

The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.

The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice.

“Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.

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15,34
Various - Too Slow To Disco (lp+mp3)

RECORD STORE DAY EXCLUSIVE!

Late 70s Westcoast Yachtpop you can almost dance to!

Man nannte sie nicht umsonst die - Me Me Me Generation'. Die sehr von sich überzeugten bärtigen Musiker (und die Musikerinnen in wabernden Kleidern), die Mitte/Ende der 70er in L.A.'s Strassen rum hingen und sich selbst feierten. Der geschmackvolle Teil der Musik-Welt hätte diese Musikrichtung noch vor einigen Monaten nicht mit der Zange angefasst. Zu sanft, zu übertrieben, zu luxuriös, zu offen hedonistisch, zu ausladend. Zu unecht, zu gekünstelt, nicht authentisch, und dann noch diese unfassbaren Akkordwechsel...Aber ' Too Slow To Disco - vol. 1' hält sich nicht auf mit solchen alten Geschichten und Klischees. Wir alle wissen, sobald Musikgenres alt werden, scheinen die wichtigen, relevanten Teile auf einmal durch und diese Zusammenstellung versteht sich als Dokument eines fast vergessenen Teils der West Coast Musikwelt Mitte bis Ende der 70er Jahre.Es hat ein Jahr gedauert, die von uns ausgewählten, meist unbekannteren Songs aufzutreiben. Songs von Musikern, die damals gerade ihre ersten, oft wenig erfolgreichen Schritte unternahmen, bevor sie Jahre später mal eben eine Handvoll Welthits aus dem Ärmel schüttelten und die - grosse Welle' der Musik der kalifonischen Küste surften. Also, willkommen zu Volume 1 unseres sogenannten PRM (Personal Rediscovery Movement).

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36,77
Various - Various Moods Vol. 4

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

collecting

Order now. Collecting orders for repress.

13,40

Last In: 10 months ago
Henzo - The Poems We Write For Ourselves LP 2x12"

With a clutch of EPs under his belt spanning a wealth of pallets, Henzo narrows the focus on his debut studio album “The Poems We Write For Ourselves” - a culmination of persistent iterations over several years, distilling his sonic milieu into something that feels decidedly his own. The album proper is coupled with a debut live performance which reinterprets the tracks and splices them with omitted material from the time of writing - recorded in full in the intimate confines of Manchester’s growingly infamous Stage and Radio basement. Honing his craft in the shadows of Lancashire, Poems is an expansive reflection of the producer’s time spent away committing to the scope of an LP.

A thread of stratified sound design weaves throughout the record, but with a discerning dancefloor proclivity mostly prevalent. Cold opener “Noggin” riffs on noughties Raster-Noton a la Byetone rebuilt with fractal tear out DnB, with closer “Indulgence” following suit on a puckered plod of Dub Techno ambience. More club-focussed moments come in the form of “Rustica Slump” and “Blue Will...”, the former’s sickly sweet vocals resolved by the latter’s stoic UKG/Techno rudeness. “A Bouquet of Clumsy Words” channels mechanical shuffle with a stripped back 2/4 pulse whilst maintaining a firmly FWD>>energy alongside “Plant Your Roots In Me” on a similar vector - swapping out a straight kick pattern for a bludgeoning 808 assault on an early Hessle-indebted tip.

“Take Stock, Touch Grass” harks to golden era ClekClekBoom and Night Slugs with a bare bones kick and vocal motif, updating the formula with a tweaking lead line that places it firmly in the contemporary space. “Swell:Shrink” sings from the same sheet with a shrieking, space age wobble doing the heavy lifting, knocking the pace back to a shoulder-lean swagger on a slow fast conundrum Henzo has shown his flair for on previous releases.

The outliers to Henzo’s more known approach, “Worm Grunting” with Belfast’s Emby, an amalgamation of halfest time DnB and illest mannered Road Rap, plus “The Rest Is The Mess You Leave”, a starkly anti-retro Ghettotek endeavour, give grounds to the LP. Clearly rooted in the comfortable universe of the dancefloor, these tracks expand the producer’s realm into loftier heights as he graduates into long play land.

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27,10
Various - The Sound of Love International #007 LP 2x12"

HUGE CONGRATULATIONS TO MOXIE AND THE LOVE INTERNATIONAL X TEST PRESSING TEAM FOR WINNING THE BEST COMPILATION IN THE DJ MAG BEST OF BRITISH AWARDS 2025


“I feel really chuffed as a lot of work went into building this compilation,” beams Moxie, when we congratulate her on the award. “I also worked alongside a great team, including Dave Harvey, Ellie Stokes, Chez de Milo and everyone at Prime Distribution. I’d been manifesting working on a project like this for years, so when it all came together I was so happy with it. But to have recognition from the DJ Mag public vote is the cherry on the cake.”


Few artists have shaped their local scene quite like Alice Moxom under her celebrated Moxie alias. A born-and-bred Londoner, Moxie is a dance music powerhouse whose influence runs deep—from the grassroots to global stages. Her trajectory spans early teenage years digging for garage records, to dubstep sets at legendary club nights, to running her long-standing and beloved NTS Radio residency. For over a decade, she’s been a midweek staple on NTS, championing deep house, Detroit techno, and all things dubby, groovy, and percussive, while regularly platforming artists through guest mixes and interviews with icons like Jeff Mills, Four Tet, and Or:la.

Her latest endeavor, the Love International compilation, brings that wealth of experience to life. 'I’d secretly been manifesting this for a while,' Moxie admits. 'Love International has such a specific energy, and I wanted the compilation to reflect that—dubby, fun, euphoric, deep. It’s all the styles of music I love, pulled together in harmony. Being at Love International always feels like coming home. Whether it’s dancing in Barbarellas or sharing a smile with a stranger on the dancefloor, there’s this sense of unity that’s hard to describe. That’s why I chose ‘U Skladu’ for the sleeve—because that’s what it feels like: in harmony.'

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29,83
Jo Tongo - Sa Discossa LP

Jo Tongo

Sa Discossa LP

12inchEDGE-031
The Outer Edge
30.06.2025

A pioneering force in African music, Jo Tongo has always been on top of the game. Since the late 60s he has been recording music under his early Jojo L'Explosif moniker. His debut album "Jo Tongo" was released 1976 on Fiesta/Decca and features classic tracks like Jangolo and Piani. Now, after decades of underground influence and global recognition, his second album Sa Discossa (1980) is re-released for the first time. Being an electrifying fusion of African rhythms, disco, makossa, reggae and funk it is reflecting his lifelong journey of musical exploration and cultural storytelling and claims its place as an essential recording in the Afro-disco movement.
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.

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21,81
EKO - PHONE ME TONIGHT / TAKE ME AS I AM NOW

Eko, or Eko Roosevelt, is a Cameroonian composer, pianist & vocalist. He was born in Kribi in 1946, the son of a local Tribal Chief. Eko developed his love for music at church, later pursuing his growing passionwith music studies abroad, first in Dakar and then in Paris. After concluding his studies in France he went on to a recording career and between 1975 - 1982 released a number of full-length LPs, 7" singles and albums on cassette, before returning to Kribi to take over the role of Tribal Chief from his father, a role he holds to this day.

While the name "Eko" may not be immediately familiar to all, his music will be well known to many, from the DJs to the dancers, the heads to the home listeners. Evergreen classics like “Kilimandjaro My Home”, have remained a mainstay in the record bags & USB crates of disco jocks since its release in the late 70s, while numerous of his other crossover Afro-disco gems have been bootlegged, edited and remixed by a seemingly endless number of both greater & lesser-known producers who have all paid tribute to his work. Eko Roosevelt’s position in the ranks of Cameroon’s great musicians cannot be overstated. As a composer, songwriter, pianist and singer he has influenced generations of musicians both in Cameroon and France and further abroad, while he has written & arranged for many of the Cameroonian musical community.

Here Canopy, with the benediction of Eko himself, officially reissues two of his works that have not been rereleased since their first outings. Stylistically the two songs straddle the line between Afro-disco, funk and pop, with a slightly Balearic, almost AOR sensibility.

“Phone Me Tonight” is taken from a 7” record that has barely resurfaced since it was self-released in 1981 on the “Eko Music’ imprint. The song is an uplifting opus that demonstrates Eko’s deftness for creating catchy songs that succeed in their songwriting prowess and melody crafting, both on and off the dance floor. It is a stripped back composition that employs the key elements to great effect. The groovy bass line is underpinned by a tight Afro-disco beat as Eko’s unmistakeable voice draws us in and with a masterful use of repetition and hooks, creates a song that feels familiar from the outset, while being brand new to almost all listeners. As the song develops, the synth lines lift the song higher and higher, culminating in a euphoric transcendence perfect for elevating the mood of any dancefloor.

“Take Me As I am Now”, is sourced from Eko’s first album, “Nalandi” which originally came out in 1975 on Dragon Phenix. Here we have another fine example of Eko’s ability to hone compositions that blend thelines between pop song writing and more loopy dance floor orientated structures. The vocal hook repeats throughout the song, with only minor variations, making the song feel comfortingly familiar from its early bars. An instantly appealing bass line sets the stage for the sleek guitars and taut horn arrangements. The end result is a feel-good balance of melody and groove that makes for a timeless feel with a positive message!"

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14,50
Various - Wax Collision

Various

Wax Collision

exclP.T.006
Planet Tapes
27.06.2025

The landing isn’t soft. The collision with the wax sends waves of sound and matter. Basslines deep as craters, elliptical grooves, harmonies both dissonant and familiar. The astronaut realizes that this isn’t a crash. He’s arrived on Planet Tapes.

The new EP takes you on a dynamic sonic adventure, blending introspection with dancefloor energy.

A1 – Produced by Riccardo. This track is a mystic and introspective voyage, built on warm, enveloping sounds, a captivating rhythm, and subtle electro textures. Perfect for deep listening.

A2 – Crafted by Two Opposites. This cut is all about movement, interlocking melodies and arpeggios designed to storm the dancefloor with relentless energy.

B1 - Italomario delivers pure electro soul sharp, dark, and packed with attitude. A raw, hypnotic groove that commands attention.

B2 – Torrent closes the journey with a harmonious farewell romantic, serene, and reflective. The calm after the storm.

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10,88
VARIOUS - ALL THE YOUNG DROIDS: JUNKSHOP SYNTH POP 1978-1985 (LP 2x12")
 
24
also available

MB Crystal Vinyl[32,73 €]

LTD Trans Pink Vinyl[32,82 €]

LTD Trans Pink Vinyl[27,69 €]


Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.

All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?

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27,69
Timmy Thomas - Africano

Re issue of Timmy Thomas's long sought after "Afrcaino" 12" excavated from the deepest realms of the TK Disco vaults.
When it comes to this Deep Disco cut, Africano is one of those tracks that became a dancefloor favorite of Danielle Baldelli who during the 80s played Disco, African records, American R&B, and reggae to create what has been since become known as the Afro-Cosmic scene at the height of Club culture in the discotheques of Northern Italy. Remastered, represented and brought back into focus for 2017's DJ bags and dance-floors!
As usual, these TK represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with Henry Stone Music / TK Disco - Miami FL.

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13,40
M.R.E. / ReKab - Ace High EP

M.R.E. is Michiel Eskes - a hot new talent from Holland. His music is deep, emotional and full of finely tuned melodies, these two tracks show off his style perfectly. His two tracks on this EP were written especially for FT having been chased down for them since the label first heard his music. ReKab is back with his trademark deep techno and a 9 minute workout on his "Climbing High" track. "Always Having Fun" is a melody driven bubbling acid track on the flip, if you love ReKaB these are essential. FTV005 is limited to 150 copies and comes on coloured, marbled, eco-vinyl with an insert showing "Post Clubbing Exercises" for when you have thrown too many shapes on the dancefloor the night before!

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15,50
Francis Bebey - The Africa Seven Edits

Francis Bebey was a visionary who explored the intersection of African traditions and global music long before it became a global trend. Born in Cameroon, Bebey's sound was an eclectic blend of his rich cultural heritage and his deep exploration of modern music, spanning genres from traditional folk and jazz to funk and electronic experimentation. As an artist, Bebey was ahead of his time, using his unique voice and instruments to forge new paths for African music to be heard worldwide. His legacy is not just in the music he created but in the way he opened doors for the global recognition of African artists, influencing generations of musicians, producers, and fans alike.

This release marks an exciting moment, as we introduce remixes of bebeys iconic productions by contemporary electronic producers, giving new life through creative re imaginings.

Tracks:

Le Grand Soleil De Dieu (Psychemagik Remix): The UK-based musical duo are known for their eclectic blend of electronic music, psychedelic rock and mystical global sounds. Formed by Danny McLewin and Tommy McLewin, the duo has carved out a unique niche within the global music scene though their intricate arrangements. Their Remixes and Collaborations have been with artists like Fleetwood Mac, Tame Impala, and Hercules & Love Affair. Their psychedelic dub remix has otherworldly qualities, with dreamy atmospheres and bouncing baselines throughout this brilliant opening track.

Guinee (Turbotito Edit): The Berlin-based DJ and producer known for his infectious blend of house, disco, and funk. With a knack for smooth, groovy beats and a deep love for melody, Turbotito's music brings a fresh, energetic vibe to the dance floor. On this track, he effortlessly re-imagines and elevates the world of Guinee to match his signature sound. A combination of a great pulsing base line, ethereal vocals and bird sound effects incorporated into the percussion makes this track an absolute stand out.

Agatha (Voilaaa Remix): Bruno "Patchworks" Hovart from Lyon is the brains behind the Voilaaa project. Fusing soulful grooves, funk, and disco with an unmistakable French touch, Voilaaa creates infectious, feel-good rhythms that blend classic and contemporary influences. In this track we find the first big hook of the album vocally, coupled with Bebey's lively humour in spoken French on top of joyous instrumentation. The smooth vocals, catchy melodies, and vibrant arrangements, bring a fresh energy to the original hit track - a brilliant homage.

Forest Nativity (Red Axes Edit): Red Axes are a dynamic electronic music duo from Tel Aviv, blending disco, house, and psychedelic influences into infectious, genre-defying tracks. Known for their unique sound, warm analog textures, and hypnotic rhythms, Niv Arzi and Dori Simao craft music that moves both the body and the mind. Forest Nativity arrives as a full circle closer, incorporating some of the most authentic African instruments such as a Balafon, an instrument similar to a xylophone and a Djembe, a hand drum central to many West African traditions. The 7 minute track is guaranteed to take you on a fascinating journey through Bebey's culture and livelihood.

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16,18
SCB - Loss… the Re-Up

One of the biggest tunes of 2011 gets a reload on Hotflush with a brand new remix from house legend Mr. G.

Hotflush label boss Scuba was a dubstep exile in Berlin running parties at Berghain in 2011, following the release of his landmark album Triangulation the previous year. The SCB project had been launched as a platform for his productions outside of the 140 realm, anticipating a stylistic move that would make a serious impact on the dance scene at large.

‘Loss’ was released on Aus Music that March, proceeded to destroy dancefloors across the globe, and ended the year at number 7 in RA’s ‘Top Tracks of 2011’. In 2025, it retains the unique combination of minimal elegance and trance power that gave it such impact all those years ago.

UK house mastermind Mr. G steps up with a trademark remix - uncompromising in groove and structure, guaranteed to do the business on the floor.

And to round off the package, a previously unreleased version of the original b-side, FutureUnknown is included. The ‘Voxattack’ made many appearances in the Scuba DJ set at the time and qualifies for ‘sought-after lost dub’ status.

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13,40
WIKSTROM & LEWEN - TIME TO MAKE A CHANGE

It’s been a journey, but thanks to the guys at Universal Music we are very grateful and privileged to bring you this fine piece of modern soul music on vinyl.

Both tracks, on the 7-inch, are taken from the MP3 only 2020 album “Vintage R&B”.
It’s an Anglo-Swedish affair, delivered to you by Swedish songwriters, composers and musicians, Henrik Wikstrom and Anders Lewen, together with UK producer Andrew Stannard.

Side A “Time to Make A Change”, features in Episode One of the 2023 BBC documentary “Fight the Power – How Hip Hop Changed the World”. A track to surely get the dancefloor moving.
After some deliberation of which track to include as a Side B, it was decided as a “Thank you” gesture to invite Universal Music to pick the song of their choice from the MP3 album. “Good, Good Feeling” was the proposal, a song title that is reflected in the composition.

The top side, with its driving beat and the strong vocal ability of Liverpudlian Tommy Blaize, is reminiscent of a Motown track at the peak of its popularity. After listening to the lyrics, it is understandable why this track was used in a “Civil rights” segment within a documentary. A timeless message that can be applied to many social and personal life situations. Listen to the tight musical arrangement. These guys know what they are doing. A track that will surely even get my ageing hips loosened up for the dancefloor. Don’t be tricked by the “paused” ending, a wonderful touch!

The title of the flip side, “Good, good feeling” is exactly that……… A “good feeling” song. Here, the tempo is lowered slightly and the sixties vibe here also leads to a more mainstream direction compared to the A side. Those floaty soulful tones from the UK’s Louise Marshall are very pleasant to the ears, lifting your spirits on any day of the week. Like the A side, get your earlobes in to that musical arrangement. There was no holding back with the broadness of musical instruments in the studio and I especially like the sound of the flute happily skipping throughout. Overall, an enjoyable easy listen.

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17,61
Nail - More Time

Nail

More Time

12inchLAX12INCH103
Skylax Records
24.06.2025

Nail Tolliday is a legendary figure in the UK electronic music scene, hailing from Nottingham, having founded the influential Velocet and 89:GHOST labels, and currently running the *In The Dance* label, Tolliday has played an integral role in shaping the sound of underground dance music, with a career that dates back to the early 90s, his impeccable reputation spans across a wealth of releases on renowned labels such as Classic, Robsoul, and many others, his discography is nothing short of extensive, earning him praise from some of the most respected figures in the electronic music world, including Andrew Weatherall, Colin Faver, Fred Everything, and Danny Howells, beyond his solo work, Nail Tolliday was also part of the iconic group Bent, and in a further testament to his versatility, he has produced multiple tracks for the globally celebrated Sleaford Mods, his sound evokes the essence of classic house and disco from the early 90s, reminiscent of the pioneering works of DJ Sneak, Romanthony, and others who defined the era's vibrant dance scene, this latest EP is a masterclass in the golden era of dance music, seamlessly blending early house vibes with sultry, disco-infused grooves, it exudes a timeless, classy funk that will captivate any dancefloor, the EP as a whole feels like a cohesive journey through Tolliday's rich musical influences, while also carving out its own identity in the modern dance music landscape, each track on the EP is an essential offering, « Shakey » delivers a funky, infectious rhythm that immediately commands attention, the bassline grooves effortlessly, while the vocal snippets add an extra layer of depth, creating an instant floor-filler, « Oh Well » takes a more melodic turn, with smooth chords and a sophisticated vibe, making it perfect for those late-night moments when the energy is just right, « All I Want » is pure house magic, with soulful, driving percussion and a hypnotic vocal that brings everything together in a silky, irresistible package, « Starz » brings an upbeat, celebratory feel, packed with infectious melodies and a buoyant energy that's impossible to ignore, « Feel Like » wraps up the EP with a deeper, more introspective groove, complete with subtle synths and a rich, atmospheric atmosphere that lingers long after the track ends, this EP is a true testament to Nail Tolliday's legacy, showcasing his ability to create music that is both timeless and relevant, his style, while deeply rooted in the traditions of 90s house and disco, is infused with a modern sensibility that proves why he remains a living legend in the dance music world, strikingly, his sound also recalls the work of another recent house maverick, Soundstream, with its deep, raw grooves and unapologetic commitment to the classic roots of house music.

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12,40
Sun Genam - Not For Your Ears LP 2x12"

I turned the page and will never forget what I then saw.

The fountain pen scratched against the paper, whistling like fur on an abandoned tire in the
middle of the night at the centre of the universe in the core of whatever it is I’m trying to believe.
I am a patient human and I live and breathe. I know this for sure.

I read about a whispering stillness of the Stadsnacht as my blood levels gradually even out again. Beneath the ink, the words take shape. This is a secret correspondence with the Book of Change – a dialogue not meant for eyes or ears, but for the soul. Are you still with me?

The Snake Rope tightens, its Coils Dive into the deep well of patience, where waiting is an art, a
dance with the unseen. The Scientists Say we should measure, predict, contain—but here, in
the shadow of the deepest of nights, the only truth is the Celebration of Ignorance. Love is the
force that binds as it untangles the invisible thread that refuses to sever. The next page quotes the mystical figure Daim: “Never Dissever Us.”

There, in the dawning light, the Dageraad reveals the Icequeen in her frigid throne, the Topiary Man standing guard in his sculpted silence. In this quiet landscape, I wait. I continue to wait, for I have good fortune on my very hands.

If You Won’t, I Will.

Can we exhibit the power to possess conformity? Can we redeem the benefits of crossing the water? Yes. The choice, the act of breaking through the barrier of convenience, is both a burden and a liberation.The words swirl, abstract and concrete, like action and inaction. The Book of Change is a paradox to puzzle over.

The evening cool rests its shoulders on my fluffy neck. I inhale as my pen lifts itself from the
paper once more, shedding ink as though it were tears of joy. I know that I have touched the
edge of something vast, something that moves beyond the grasp of reason into the heart of the
I Ching, the ever-turning wheel of change. This is the correct orientation. This is the vivid
imagery of clouds falling from the heavens and into our laps. This was never meant for your
ears. This was meant for you to feast on as the seasons bestow upon us

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20,97
VARIOUS - BLUE SUN VA II (TAPE)

Various

BLUE SUN VA II (TAPE)

CassetteBLSN004VA
BLUE SUN
16.06.2025

**CASSETTE**

Budapest based independent concept label Blue Sun celebrates its first anniversary with their second VA cassette, showcasing artists from the local underground and/or electronic music scene, along with some international guests.

Bound together by an aesthetic rooted in the "listening" culture, the release features mostly downtempo tracks with a colorful palette of genres like ambient, trip-hop, jazz, experimental electronica, new wave and even modern classical music. With a contemplative, wandering feel, it shifts the focus from music consumption at dancefloors to the listening-at-home experience.

Just as on the first VA (BLSN001VA) there are no ‘A’ or ‘B’ sides on this release. Instead the label uses colors to distinguish them, largely based on the mood of the tracks. The ‘orange side’ covers a more upbeat line of music, while ‘blue side’ takes us on a more introverted, experimental journey.

Curated with a ‘circular listening concept’ by the founders of the label, the tracks are sorted in such a specific order that they are designed to take the listener on an endless auditory loop - wherever the journey begins.

Curated by Hanussen & Kozmo D

Designed by Idil Emiroğlu

Mastered by Márton Grema Gregus

Manufactured by Headless Duplicated Tapes

Released under the Blue Sun.

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12,56
Cal-C - Bath Bomb

Cal-C

Bath Bomb

12inchBPT001
Bar Part Time
16.06.2025

2025 Repress

Bar Part Time launches its record label with none other than Toronto UFO hunter, certified bad boy DJ, and good friend Cal-C. Cal comes correct with a ripper of a 4 track EP, Bath Bomb. A deep digger and wild style DJ in his own right, Cal brings you a grip of tracks that a tasteful selector can make use of throughout all points of a night time music party. Title track "Bath Bomb" is a blissed out, downtempo joyride that would make a perfect companion for either sunset or sunrise. "Morning Dew" evokes sounds of all your favorite early 90s Italian records, with a particularly euphoric crescendo. Hey man, did you say this guy was from Toronto or Torino? Either way, molto bene! As we move on, "Blurry Moon" is a slice of dancefloor perfection that sounds like something Jose Padilla would've made if he were from San Pedro instead of San Antonio. And lastly, the aptly named "Wine 69" (nice) is an M1 organ cruiser that's practically begging to be heard in front of an azure sea in balmy temps. Vamos a la playa!

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20,97
Voorn + Salvador - Slap My Funk

Joseph Salvador's impressive young Universo Positivo label returns with a new EP from the boss himself alongside Europe mainstay Orlando Voorn. The dynamic duo serve up four cuts that perfectly embody their timeless sound. Salvador has been at the heart of the underground since the 1990s. He is deeply involved on the scene on many different levels from running the cult Tomorrow Is Now Kid! nights in Amsterdam to labels like TINK Records and also working as part of house acts like Black Tulip & Wendell Morrison, Thyone Girls, Digital Cartel and many more. His music always operates at the sharp end of the spectrum and has come on labels like Tribal America, EMI and Sony Columbia. Orlando Voorn is equally as vital to the evolution of techno. His sound famously builds a bridge between Detroit pioneers and the contemporary European sound and he has worked with greats such as Blake Baxter and Amp Fiddler. He recently remixed South Bay Jams on this label and has also dropped music on the likes of Rush Hour, R&S and Housewax. 'Every Man Loves' brings lavish disco strong stabs to a mid-tempo groove that is packed with warmth. Funky bass riffs and jumbled toms all bring it to life next to an exquisite diva vocal that brings the soul. 'Slap My Funk' hits harder with raw drum loops and a touch of filter house energy. Chopped vocal stabs keep things driving with more live funky bass next to jazzy chords. The steamy 'So Well' is a fulsome house sound with big trumpet stabs and smart vocal samples worked into a heavy, party-starting but emotional groove. Last but not least, 'Break It Down' layers up freeform Rhodes jams with crashing drums and smeared synths to make for a real dance floor weapon. These are four potent and expressive new house gems from this dynamic duo.

Limited yellow coloured vinyl!

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20,38
The Bamboos - Tighten Up / The Witch

ANORAX sticks to its’ #eatsleepmantra with the reissue of the perennially in demand TIGHTEN UP by Melbourne soul disciples THE BAMBOOS.

The track - a catchy as you like instrumental slant on Archie Bell & The Drells USA #1 million selling smash from 1968 - was originally released in 2006 on Kenny Dope and Keb Darge’s KAY-DEE label.

It immediately became a favourite in Soul & Acid Jazz circles, and it’s’ popularity rapidly spread across all dance genres, THE BAMBOOS main man LANCE FERGUSON showed genius by ditching the idea of vocals and lyrics in a composition hailed by Rolling Stones magazine “as one of the greatest songs of all time” and instead coming up with the quirky irresistible instrumental we all love. Funky flute anyone?

The Kay Dee 45 was reissued some years ago but enduring demand has outstripped supply.

Limited edition press so grab em while you can….

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14,24
Dj Koze - Dj-kicks 2x12"

Dj Koze

Dj-kicks 2x12"

2x12inchKLP73240
!K7 Records
13.06.2025

2023 Repress

DJ Koze - with his friendly and sometimes slightly melancholic take on the world - is one of the greatest auteurs of club music today, and one of the few internationally active DJs who dares to make music that has relevance beyond the dance floor. During the 70-minute journey on his DJ Kicks - the 50th edition - Kosi
Kos manages to establish a uniform color even though genres alternate in a way that is rarely heard on a mix CD: the stripped down hip hop of Madlib, brutalist Berghain techno, timeless songwriting, floating indie-pop and outlier numbers that oscillate between absurdity andmelancholy. Koze's disregard for the stylistic yoke presents him with an immense challenge. Hence, almost all the tracks are more or less edited, and one is fully rhymed (Session Victim: Hyuwee).Koze rambles on here himself: "I didn't want to kick around ophisticated knowledge, but rather try and weave together some good gems that would make sense to anyone, even people who aren't necessarily music nerds". But this is blabbing that you can count on, also because he approaches the term "mix" from a different angle and doesn't even try to make something fit that doesn't fit: "During the day, I don't need to hear anything that's mixed on the beat. I put the focus on making sure that it works harmoniously - the idea is more to create the impression of a radio show, like people such as John Peel did so uniquely. There is a giant cosmos of music and it runs through my filter".

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27,94
SILVER TEARS - SILVER TEARS LP

Silver Tears is the new joint venture by Berlin-based gent Luca Venezia and Damian Shilman, respectively of Curses and Skelesys’ fame.

The duo first debuted in 2023 on Next Wave Acid Punx Deux (Chapter 2) compilation delivering one track rich with deep bass lines, crystal clear guitars and captivating mechanical drums. One somehow classic formula enriched by an universal allure that left you hoping for more. And here we are: these charming men have been working hard for the past two years and their first, self-titled full-length album is now ready.

Eight new cuts of elegant electronic beat-driven coldwave with baritone vocals, sharp arpeggios and no lack of slow passages, recalling 90’s shoegaze or moody grunge. A subtle play of juxtaposition of dancing moments and introspective retreats, dancefloor-oriented grooves and caustic precipices, sometimes crowned by the two dueting at vocals. One wide musical cape to cloak all the angles of the Goth subculture and prove how this can still be relevant some many years after it first bursted out.

limited to 500 copies

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22,90
Various - Pon A Medi

Various

Pon A Medi

12inchBUKKHA003
BUKKHA
06.06.2025

You've heard it in many of Bukkha's, Mysticwood's and King Original's sessions, and it made you dance and prance.
The moment you have all been waiting for is here!
BUKKHA003 features grime king, Footsie, pon the mic over a nice rockers style riddim built by the original US dub/steppas king, Bukkha.
Footsie come through and provides a deep meditative vocal flow.
Joining us on the vocal mix and horn cut is trumpet badman, Aba Ariginal.
You already know these are guaranteed ANTHEM vibes!
To close the A side, Bukkha dubs the riddim in his unique style and fashion.
On the flip, man like Charlie Mystic steps up to the plate, and brings new life to the vocals by putting them on a heavy steppas riddim.
Mysticwood takes you on a journey with this one by showing you his versatile style.
All of Mysticwood's cuts are certified bangers to take your session/set to the next level.

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13,87
Break 3000 - Electronique

Break 3000

Electronique

12inchENF002V
Electron Feel
06.06.2025

The first new Electro Clash tracks from Break 3000 since 2003! After a string of re-issues of old gems on Italy's "Mondo Phase", the Argentinian label "Calypso's Dream" and his own "Electron Feel" last year, Break 3000 is finally back with some new original cuts!

The A-side "Electronique" has all the ingredients you would want from a hard-hitting Electro Clash track. EBM style drums and a powerful raw bass line topped with soaring rave leads and pads and added original (Vocoder) vocals by Break 3000 himself. This one is road tested already on dance floors and big systems and a guaranteed crowd pleaser! Second up is the driving "Continua", leaning more towards Break 3000 Techno classics like "Flash" and "Fix" this filtered rave lead will make a wild crowd go even wilder. Dark and twisted Electro Techno at its best.

The B-side opens with another aspect of the Break 3000 sound spectrum. We look back to the early years here and to songs like "The Wait" and "Spacemaschinenreise" that were produced in 1999. In a Detroit meets Rotterdam styled Electro setting this song uses a lot of the old sounds from 26 years ago, mostly coming from his original EMU sampler used at the time and a great 80s vocal sample gives this track it's title. We are transported back to the golden era of Cold Wave here. Closing out this new EP is the wonderful Marcello Giordani from Parma, Italy who build a strong reputation with his "Italo Deviance" label over the years. He gives the original "Electronique" a great funky "Proto House" bass line in best "Bobby Orlando" manner, what a brilliant crossover track this one is! With the Vermona drum sounds his - Dark Disco meets Early House - jam will certainly be on many DJ's want list.

We hope you enjoy these new tracks! There is more to come… stay tuned!


All tracks are mastered by Salz Mastering in Cologne. Music, Photography & Art by Break 3000.

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11,72
RICHARD NORRIS - MR NORRIS CHANGES BRAINS - CHAPTER 1 LP 2x12"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of the best crate diggers around to curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both his own and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything having to sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

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26,26
RICHARD NORRIS - MR NORRIS CHANGES BRAINS - CHAPTER 2 LP 2x12"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of thebest crate diggers around to curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both his own and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything having to sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

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26,26
RICHARD NORRIS - MR NORRIS CHANGES BRAINS - CHAPTER 3 LP 2x12"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of the best crate diggers aroundto curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both hisown and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything havingto sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

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26,26
Tim Jackiw - Manifestation EP

Four years after Algorhythms EP, the journey continues. This new vinyl EP from Tim Jackiw Manifests a high-energy fusion of fast-paced rhythms, melodic textures, and deep acid grooves—crafted for the dancefloor, designed for the underground. A relentless pulse of movement and emotion, pushing forward while staying true to the roots. Limited pressing. Just pure analogue energy. Coming soon on Baldo's Physical Education label.

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11,98
Dragomir - Trust EP

Dragomir

Trust EP

exclSWAX001
Selekt Sounds
05.06.2025

Selekt Sounds proudly launches its vinyl-only imprint Selekt Wax with an evocative EP from Dragomir, one of Bucharest’s most prominent voices in minimal. Deeply introspective yet effortlessly hypnotic, this record is a meditation on space, tension, and the emotional resonance of stripped down groove. Each track pulses with a quiet intensity—crafted with care, driven by instinct, and tuned to the inner ear.

Etched on the sleeve, a poem sets the tone:

the space between the sounds
expansion and contraction
allow what comes up to flow
ebb like the ocean waves
keeping in time with the synchrony
manipulating sound waves
helps navigate the now
can you hear yourself between the sound?
in the space between.

Much like the words that frame it, this release invites listeners to tune in—not just to the music, but to the stillness it surrounds.

A1 Trust - A hypnotic minimal roller built around a looping vocal mantra, jazzy percussive details, and swirling psychedelic textures. Subtle yet immersive, it invites deep focus and surrender.

A2 Mirroring - Moody, meditative, and rich in detail, Mirroring unfolds through broken rhythms and shadowy textures—perfect for reflective moments on or off the dancefloor.

B1 Irresolute - With a steady 4x4 pulse and airy, emotional pads, Irresolute balances tension and release in a way that feels both uplifting and unresolved. A track for when the night blurs into morning.

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12,56
Renato Cohen - Roaring EP

Renato Cohen, the Brazilian techno and house producer and DJ best known for his iconic track *Pontapé*, has been a powerhouse in the electronic music scene since the late '90s. Born in São Paulo in 1974, Cohen's career has spanned nearly three decades, marked by releases on some of the industry's most respected labels, including Carl Cox's Intec, Technasia's Sino, Marc Romboy's Systematic, Pets Recordings, and Defected. Known not only for his studio work but also for his dynamic live P.A. shows, Cohen is a true legend. We had the fortune to connect with him after a Boiler Room set in Brazil where he played *Sting the Floor*, a true floor-filler that electrified the room. Since then, our friendship has flourished, leading to this powerful EP. The EP features « Roaring », an outstanding house track that channels Cohen's heart and soul into every arpeggio and swirling melody, bringing to mind the best of Todd Terje's hypnotic grooves. It's a piece that builds momentum with finesse, crafting a sound both grand and intimate, resonating with every listener. « Roaring » is Cohen's homage to house music—a track that encapsulates his passion and mastery. Accompanying « Roaring » is « Wet Desert », a high-caliber production that's as immersive as it is intense. The track carries a deep, evocative energy, combining Cohen's deft touch with an expansive, desert-inspired soundscape. Through our connection, we've brought in The Floorfillers for an acid remix of « Roaring », putting a fresh twist on Cohen's original with a pulsating acid bassline that's reminiscent of our own « Edit1 ». It's a version that takes « Roaring » to new, harder-hitting heights, perfect for late-night dance floors. To complete this standout release, Skylax's own Maltitz has crafted a stunning Italo-Balearic remix, drawing from the spirit of the late David Mancuso. With its warm, nostalgic vibes, Maltitz's remix adds a lush, sun-soaked dimension to « Roaring », perfect for balmy evenings and open-air gatherings. This EP marks a powerful comeback for Renato Cohen, celebrating his career while pushing forward with new, fresh sounds that honor his legacy.

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12,40
Drua - Nightfire

Drua

Nightfire

12inchPNCT005
Punctuality
05.06.2025

Right on time once again, the fifth outing on Punctuality welcomes Irish producer Drua to the fore. In typical Punctuality fashion the release draws influence from the canon of golden era late 90s and early 2000s dance music with an entirely modern production aesthetic, engineered for big rigs and sweaty dancefloors alike.

Nightfire is a fully realised vision of Drua’s sound that could best be described as contemporary hard house. All four tracks are laden with punchy, rolling basslines, detailed low end, vibrant stabs, sultry vocals, undulating rhythms and sprinklings of quintessential club sparks.

The nouveau handbag styling of UP kicks off the EP. Stuttered vocals, M1 organs and solid grooves are fused together with clever sampling that is sure to make this one a hit for the festival season of s/s ‘25, as early support from the likes of Roza Terenzi, Confidence Man, Spray, Sally C and Maara would indicate.

Job 2.3 has all the elements of a Punctuality anthem and maintains the big tune mood of the EP: skippy bass notes, low end wubs, subtle breaks, catchy vocal hooks and precise drums nail the brief in executing this prog-hard-house hybrid heater.

On the flip, Nightfire nods to classic leaning deep house through a peak time lens. Introspective pads make way for pulsing subs, sensuous vocal chops and hip catching basslines. This is one of those tracks that can shift the arc of a DJ set to the next level. Big tip here.

The EP concludes with Arch In Ur Back which has all the elements to work a dancefloor: multiple grooves, rolling breakbeats, party starting vocals and the modern sound design that punctuality has gained worldwide notoriety for. An all killer no filler EP in the form of four well rounded club tools from Drua that are sure to be mainstays for discerning DJs and Punctualists

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13,03
Larry Davis - For 5 Long Years

P-Vine Japan does great work once more here by bringing back into print some hugely sought-after sounds from the blues and r&b world. The first release in their new series revives Larry Davis' 1969 Kent Records single, which was originally written by Sherwood Fleming. The A-side, 'For 5 Long Years' delivers a gritty mid-tempo funk-blues groove while the B-side, 'I've Been Hurt So Many Times' (a classic subject for a blues tune) channels Willie Cobbs' signature sound. These will be familiar to anyone who has danced at a Northern Soul event and cannot be slept on.

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16,18
Letta Mbulu - Nomalizo / Kilimanjaro Take Us Higher

The double A sider of all double headers combines African music superstar Letta Mbulu's two evergreen heaters; the afro-electro boogie gem Nomalizo, a track that has achieved cult status among collectors and DJ's. Finally released for the first time as a single b/w Kilimanjaro Takes Us Higher, the singalong up-tempo dance classic there never fades. Previously unreleased on as a single together, these tracks have had spins aplenty by every DJ worth their salt, and danced to within a myriad of scenes, over many decades. You really need this in your life! Essential!

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14,08
Neg - Cosmic Love

Neg

Cosmic Love

12inchLYRE002
Metrica Recordings
02.06.2025

"Cosmic Love" is an EP by Neg, one of the co-founders of Metrica Recordings, and marks the label's second release. The project features original tracks that merge house foundations with electro, cosmic, and deep soundscapes, creating an expansive yet grounded atmosphere. Adding distinctive interpretations to the mix, the EP includes two notable remixes. Alex Neri's interpretation of Cosmic Love offers a more refined, dancefloor-ready version with driving beats, while Manuold explores a dub-inflected approach, emphasizing echoing textures and a deeper, more contemplative vibe. The original tracks were mixed by Manuold, the EP was mastered at MDLMastering.

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12,40
Unsighted - Foreboding EPy

Unsighted is the Brooklyn based project of Nicolás Sierra ,and Mutante returns with a new sonic manifesto: an EP that channels the rough energy of EBM, the analog sensibility of Minimal Synth and the hypnotic pulse of New Beat.

This EP is a distorted time capsule, where corrosive basslines, martial rhythms and analog synths coexist in constant tension. It is a statement without nostalgia but with retro DNA, designed for sweaty dancefloors, smoky basements and minds that vibrate on the fringes of the mainstream.

Foreboding EP is a collection of tracks that don't ask for permission, they hit you straight on, like a post-industrial alarm on eternal loop.

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12,56
Various - [R]3VOLUTION V|KT|MS VOL.3

3volution in the recent past, Divide is like a bridge between old generations and new ones. Its sounds range from Sci-Fi techno to 90's techno, characterized by minimal sequences, heavy drum patterns, and an accurate sound design.
Third and last chapter for the VA vinyl trilogy on R3volution Records called

This edition includes exclusive tracks by the following artists:

- UVALL, from Tbilisi, Georgia. Born there and at the age of 23, he is no longer at the beginning of his musical journey and the refinement of his taste and style. Always on the cutting edge, he has been impressing with productions and releases on labels such as Semantica, WSNWG with Rohad, Float Records, Hayes, MALoR, and many many more. Already well known in our roster thanks to a previous collaboration for a remix, the talented young music producer delivers deep, muscular rhythms in his portfolio and translates this energy into a raw, dancefloor oriented session.

- Operator, there is no need to spend many words to describe one of the most talented and innovative British artists on the scene for a long time, recently appearing on

- Divide co-owner of EvodMusic and South Berlin Studio, with recent appearances on all the top labels on the planet (WarmUp, Semantica, MindTrip, Tremsix, Hayes, to name a few), and several collaborations and remixes for

- PTTRNRCRRNT aka Dave Brody from Antwerpen - Belgium. Characterized by efficiently percussion tunnelling through juggled textures, PTTRNRCRRNT's technical know-how and conceptual intentions can be masked by the efficiency and singularity of his music. Taking techno's tendency to constantly reinvent itself as a priority and researches between experimentalism and futurism. He is one of the artists with the most collaborations within our roster (some of his remixes are memorable), he alternates his productions on our label with frequent appearances on highly referenced labels in the scene, such as Soma, Materia and Devotion among others.

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11,72
Dam Swindle - Open LP 2x12"

Dam Swindle

Open LP 2x12"

2x12inchHEISTLP03
Heist Recordings
30.05.2025

Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.

The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.

“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.

While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.

Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.

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20,38
Yelfris Valdés - For The Ones EP

His 2019 debut LP ‘For The Ones...' saw Yelfris delving deep into his Yoruba religion and its shamanic chants, subtly infusing those deeply personal elements with electronica and live instrumentation creating a beautiful pulsating soundscape. In purposefully mutating the acoustic sound of his trumpet he adds depth without losing his power and tenderness. Manifesting an adventurous and experimental shift in his composition, drawing on his classical training and love of jazz whilst at the same time delving further into the world of electronica. With the LP’s impressive palette of epic, cosmos-weaving trumpet melodies, fuzzy keys and psychedelic textures at their disposal, Quantic, K15, LCSM, Osunlade, Maxwell Owin, Contours repurpose and rework some of the album’s key moments, bringing an injection of dancefloor - friendly sensibilities to the proceedings.
With this offering, Yelfris’ incredible musicianship is re-contextualised for a new audience, making itself right at home on the dancefloors of the world.

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15,92
The Light Brigade - SHUFFLE THE DECK / ONLY LOVE CAN SAVE US

The Light Brigade is a new collaborative project from Belfast DJ and music producer, David Holmes. Shuffle The Deck sees David Holmes join forces with Keith Tenniswood (Radioactive Man/Two Lone Swordsmen), for a track that pays tribute to their friend Andrew Weatherall. This cut is aimed for hedonistic, sweaty nights on the dancefloor.

On Side two David works with Michael Andrews, who he previously collaborated with for his 2023 album, Blind On A Galloping Horse. This time we are treated to a swirling, sonic adventure that draws you in and takes you on a psychedelic voyage.

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12,56
Mister Joshooa - Settle Down EP

Mister Joshooa

Settle Down EP

12inchPLE65412-6
Planet E
23.05.2025

Planet E looks to the heart of Detroit’s club culture for the debut appearance on the label from Motor City mainstay, Mister Joshooa. A DJ and sound engineer closely intertwined with the city’s music scene, regularly found behind the decks at clubs like TV Lounge and Lincoln Factory and having previously appeared on Carl Craig’s celebrated Detroit Love compilation, ‘Settle Down’ introduces four tracks that cement Mister Joshooa’s lucid, far-out take on house.

Lead track ‘Settle Down’ distills the energies and influence of the scene into a rubber-jointed, rolling introduction that vibrates with energy and anticipation, nailing a bassline that could run for hours and injecting trippy effects, live percussion and out-there vocals drawing in dancers. ‘Snake Oil’ meanwhile strips things way back, squeezing plenty of juice for the floor from a tunnelling, lightly psychedelic arrangement, offering bang-for-buck deepness that’s no scam.

‘Stop Me’ continues to drive Mister Joshooa’s productions in even wonkier, even mysterious directions, its oscillating crawl and hypnotic melody primed to create a heady atmosphere, giving surreal or even sinister, depending on each dancer’s perspective. Finally, ‘Step Up’ offers the roughest, readiest ride to close, where classic drum machine programming reverberates against throbbing sonics and all manner of analogue weirdness, transforming into an outsider techno stepper from the darker side.

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14,71
Crömic - Eyes on the hole Ep

Crömic lands a genre-blurring, ultra energetic two tracker on Memento Records, showcasing his unique talent in blending field recordings with classic Electronica, carrying the listener into several sonic dimensions at once and experimenting with multifaceted soundscapes and deep melodies.

“For Me” opens with an intro of manic high-pitched vocals that lead into a pumping dark Techno monster, interspersed with loopy vocal snippets and old school Detroit-style synths.

“Like A Spring” features another robotic vocal intro and morphs into a relentless Electro number with more crazy vocal loops and a Eurodance-like catchy singing. Breakbeat percussions enter the track unexpectedly and kick the vibe up a notch, while a melodic break toward the end spices up the mood and rounds off a masterful composition that fuses together more than 30 years of dance floor madness.

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13,66
Various - Manzo Edits Vol. 5

Manzo Edits Vol. 5 trots proudly back into the ring, tail high and hooves tapping, with four fresh cuts to leave the dancefloor gasping for hay. "Rosy" opens the stampede with groovy springtime melancholy: Manzo is lovesick, staring across the fence at a cow he just can’t forget. "Amare Moto" slinks in with sultry swagger, a slow and sexy jam built to get the hips moving. On the flip, "You Have To Cry Tonight" struts in with crisp Italo drums and more attitude than a Saturday night stallion. We close with "Bring Me", an alpine rave of cowbells and yodeling, ready for the pasture.
dee

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10,88
95 North - Jazz Ascension

95 North

Jazz Ascension

12inchLAR030
Large
22.05.2025

Large Music is proud to announce the highly anticipated re-release of Jazz Ascension from the legendary artist duo 95 North. Originally released in 1997, Jazz Ascension has long been celebrated as one of the defining tracks in the label’s illustrious catalog. Now, over two decades later, this jazz-infused spoken word house masterpiece returns, remastered and reissued for a new generation of listeners, while retaining all of its original soul and energy.

With its stunning blend of deep, soulful house rhythms and sophisticated jazz elements, Jazz Ascension quickly became a fan favorite upon its first release in clubs across the globe, further cementing 95 North’s place in the pantheon of house music innovators. Its intricate production, smooth piano lines, and poetic spoken vocal from Baba Lukas swells continue to captivate dancers, DJs, and jazz lovers alike.

The re-release on Large Music marks the continuation of the label’s commitment to preserving and expanding its rich musical legacy. As with many of the label’s timeless offerings, Jazz Ascension is a track that transcends time and genre boundaries, a perfect example of Large Music’s dedication to crafting sounds that stand the test of time.

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13,40
Spacer IV - EP

Spacer IV

EP

12inchSLUSH003
Slush
20.05.2025

Hitting release number three, Slush Records remaster and reissue Spacer IV aka James Zeiter’s sought-after 1997 EP on Pleasure Records. The man behind a slew of lauded records under a variety of different aliases, his sound is one that is cherished for orbiting the spheres of progressive trance and atmospheric dub techno. This four-track EP, however, saw James venture into unchartered territory, exploring a more melodic, house-tinted spectrum, before flipping back into the progressive techno-trance underbelly.

Having started life in 1995, Spacer IV had already gone from the leagues of limited white labels, to being the name stamped on one of Pleasure’s biggest-selling records by the time this EP came out. With only 195 white labels of his first record ARC 1/ARC 2 pressed, a copy was passed to Pete Robinson at Robs Records. ‘ARC 2’ was plucked from that release, supplemented with a new cut ‘ARC 3’ and given a proper pressing on Robs Records offshoot label Pleasure to notable success.

Fast forward to 1997 and James chose to depart the trance-infused techno sound of those first releases. Absorbing elements by osmosis, this EP sees James dipping his toes into fresh waters. Using what limited hardware he had available, including an Akai S950 sampler, Ensoniq ESQ-1 and Novation Bass Station 1, James laid down four distinctive and versatile club cuts.

‘Sirocco’ opens the EP, a tingling hit of endorphins that only the most timeless of tracks can elicit. Echoing pads feed acid murmurings, that sit atop dusty breakbeats and rattling sub-bass. An aural exploration, that is equal parts ethereal and empowering, taking cues from breaks, ambient, chill out and house. It’s one of those rare tracks that has the power to float you away or fuel your buzz, giving a healthy tug on the heartstrings in the process.

‘Mono’ follows, merging heads-down dancefloors with the embrace of warmer climates. It’s deep and Detroit-infused yet bolstered by a dream house bassline straight out of the Italian riviera. A dose of eyes-closed euphoria that hits just right.

The flipside sees James in more familiar territory with ‘Jetson’ and ‘Dust’. The former is a hit of space-age progressive house. Trippy, hypnotising, driving goodness, showcasing James’ ability to lock your body into a groove, yet send your mind to another world. The latter rounds out the EP, serving up an acid-swirling club stomper, forever building in intensity before dropping you into the vacuum of deep space.

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14,24
FIGI & LUCA DELL'ORSO - MR. COMPUTER EP

Mr. Computer sees two figureheads of Dutch electronics pay homage to the voice of electro disco, the vocoder. Figi and Luca dell’Orso team up to sing praise of a tool that has crossed genres and styles and give the little metal larynx deserved limelight on their own three track theatre. Rumbling bass is shot through with crisp snaps in the title piece, warbling vocals rising as keys dance in this wonderful collaboration.

Production across the 12” is beautifully clean and sharp, allowing the rich analogue sound and robotic lyrics to be fully appreciated. Of course, as happens with the vocoder, those lyrics are just that shade of bittersweet. That brooding quality is used to full effect by Luca dell’Orso in “Fire with Fire”. A bold and daring melody is countered by a tale flecked with sorrow, the brightness and immersion of synths contrasted by the filtered and fractured human voice. Figi flies solo for the finale. “Moonlight (Vocoder Version)” dips words in a thick mechanical syrup, a story of burning love recanted to moonbeam rinses and bending disco bars.

A true celebration of man and machine.

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13,40
Pallas - A Taste Of Ulysses

"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.

In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.

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13,24
Five Sinners - Magic

Five Sinners

Magic

12inchBST-X105
Best Record Italy
15.05.2025

With the reissue of ''Magic" the circle of the works originally published by Eyes Records and composed in the earliest 80s by Celso Valli is completed: Future State, Blue Gas and now precisely Five Sinners !!! Best Record thus creates ''the triplet'' of the Italo-Disco operas made by the immense musician from Bologna, who used various nicknames at that time - as the trend of the main Italian arrangers - feeling 'a certain shame' in making commercial pieces, songs that were danced in the discos. He hid under dozens of pseudonyms (Adal-Scandy, Azoto, Bulldog Lama, Sandon, Super Band....) ''Magic'' and ''Precious Lies'' kept hidden, almost buried for over 40 years (but with many followers abroad) now shine their own light! Indeed. To further enrich this latest vinyl production by Claudio Casalini there is - in addition to the successful artwork of graphic designer Nerina Fernandez - the new captivating version of ''Magic'' (timing 6'20'') skillfully remixed by the talented Italian-Australian DJ-producer Dave Mathmos. In short, a 12-inch reissue not to be missed for both collectors and club DJs.

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17,23
Ceri - I Need You to Make Me Sweat EP

Find Your Own Records recently launched with a sold out first release; Ceri's 'Life Holstee E.P.' which included a timeless Fred P Reshape. Fusing the sounds of Berlin, Detroit, Chicago and London, the release was supported by everyone from Midland, Move D, Ben UFO and Fumiya Tanaka, to Steve O'Sullivan.

The second release, the 'I Need You To Make Me Sweat' E.P. also draws inspiration from the classic sounds of Chicago and Detroit, and features none other than a remix from bona fide Dance Music Legend, Mr. G.

The title track 'Need You' is a Juno bassline driven, classic sounding 'proper' deep house track, raising in energy as it peaks, with vocal snippets and modulated analogue drums building throughout.

Mr. G has taken Ceri's title track, 'Need You', and twisted it into a harder, faster 'Jaded Dub', capturing a dark and driving energy, tantalising and adding to the drum grooves with his trademark swinging rides and industrial synths, adding his infamous MPC swing to the vocal snippets, and building the tension throughout, as the one and only G can.

The B side 'Sweat', draws inspiration from 80's and 90's house with a modern dark twist, mixing variating funky drum machine rhythms, classic house vocal samples and pulsing sub-bass to.

The first release was quickly repressed, but there will be no repress on 002, so grab it now before it sells out...

Early support comes from K-HAND, Ryan Elliot, Paranoid London and many more.

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8,36
Borai & Denham Audio - Make Me

DJ Support: Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch.

Pink Vinyl Limited Pressing

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Records. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat

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15,08
Pentola - Grey Hoodie

"Grey Hoodie is the 1st official album of the young producer and DJ Pentola, born in Apulia and based in Milan. Grey Hoodie is a mixture of electronic vibes inspired by the UK sound from 90s and 2000s. Broken-Beat, UK Garage, Jungle, Deep-House are the ingredients of these 8 tracks in which you can also recognize a post-Dilla flavor, all embellished by the presence of jazz musicians like Stefano De Santis, G-Foxxx and Stefano Nardon, and the singer Aljiaa. Anyone could write a good review of this album just by listening to the snippets that compose it and realize the conceptuality of the work that aims to achieve different goals, including that of being the album made with the greatest passion possible and with the greatest spirit of aggregation. Grey Hoodie is Pentola's sonic refuge, the place where the artist feels most at ease, where he manages to bring together the harmonies of jazz with the percussions and grooves of modern electronic music with that "touch" inspired by J Dilla, leader of Detroit's underground hip-hop scene in the mid-1990s."

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20,80
Dylan Thomas - We Don't Own, We Create

"Dylan Hayes' album debut LP, We Don't Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent-where minimalism, industrial textures, and introspective loopy moods collide.

As the result of 8 years of research and experimentation, We Don't Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision-crafting a signature 'futurepast' sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments. The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece-its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.

The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don't Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

The record balances four club-driven tracks and four experimental pieces, crafting a distorted, explorative soundscape-an immersive journey where dance music meets dark, avant-garde sound design."

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23,95
Chlär - Intrinsic Drive

Chlär

Intrinsic Drive

12inchMR-015RP
Mutual Rytm
08.05.2025

2026 Repress

Mutual Rytm welcome back Swiss DJ/producer Chlär for a bustling, high-octane return as he unveils his latest six-track EP, 'Intrinsic Drive'.

Swiss artist and mastering engineer Chlär's last outing on Mutual Rytm, his 'Optimized Grooves' EP, was a standout success that made an impact far and wide across the techno realm. It was another big step for the fast-rising producer, who is also a dexterous DJ that plays across three and even four decks in the club. A craftsman of sounds, his take on techno is full throttle and has come on labels like Iceland's NIX and Stranger's Self Reflektion imprint. Always looking to improve his sounds, he hits a perfect sweet spot with a fresh and visionary approach across six fresh productions with his 'Intrinsic Drive' EP, again showcasing exemplary creative progression in his ever-impressing production skills.

Up first is 'Dopamine Rush', a quickened techno pumper with synths peeling off the straight-ahead drums and locking you into a state of hypnosis. The title track 'Intrinsic Drive' is a tightly woven mix of drums, hits and bass that never lets up, while the supple rhythm is overlaid with alien sound designs to up the intensity. 'For Marco' takes a heavier path with darkened and more weighty kick drums under eerie synth loops. There is a real swing in the drums of 'Steady Pace' as the crisp hits and vocal fragments all up the ante, before 'Greedy Man' delivers a tough panel beater with skewed synths and an industrial undertone. Digital bonus 'May I Dance?' rounds things out with raw textures and unhinged loops that take you to the heart of a strobe-lit dance floor, shaping up another
mighty fine statement of intent from the ever more vital Swiss native.

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11,56
Dompe - French Collection Vol. II 2x12"

Dompe presents French Collection 2: A journey through funky house, disco house and French house


After the successful first part of his French Collection, Dompe sets new standards with the sequel and brings a breath of fresh air to the house scene. French Collection 2 skillfully combines the pulsating rhythms of funky house, the nostalgic vibes of disco house and the iconic melodies of French house - all with Dompe's unique style.


This album is a musical homage to the golden years of 90's house, combined with modern, funky grooves that will conquer any dancefloor. Dompe proves once again that he is a master of the genre, making the perfect connections between driving basslines, smooth funk guitars and catchy vocals. Every track on French Collection 2 is designed to evoke nostalgic memories as well as inspire today's dance-loving generation.


Dompe manages to preserve the spirit of the classic 90's house scene while adding a modern twist. French Collection 2 is a must for all fans of the genre - and for anyone who simply wants to experience the funk and energy of a great house album.

collecting

Order now. Collecting orders for repress.

20,97

Last In: 12 months ago
Funkool Orchestra - Tengo che ffà / P-Funk (Dance with Pezz) (7")

After the dazzling debut of their first LP "Latin Freaks", the Funkool Orchestra is back with a brand new single that anticipates the release of their second studio album. A pure adrenaline double sider 7" vinyl with two dancefloor killer tracks.

"Tengo che ffà"
A dancefloor where the sun never sets, pulsing with a Mediterranean heartbeat. Funkool Orchestra return with "Teng Che Fa", a vibrant fusion of funk, disco, and Neapolitan groove. Following their sold-out debut Latin Freaks, this Maledetta Discoteca production delivers pure feel-good energy: sweaty, euphoric and made for endless dancing under golden skies. Perfect for global grooves, nu-disco, and upbeat funk playlists.

"P-Funk (Dance with Pezz)"
A rhythm that grabs your hips and won’t let go, while you smile to the world. Funkool Orchestra set the dancefloor on fire with ‘2-P–Funk’, a percussive, Latin-infused groove drenched in funk and soul. This Maledetta Discoteca production is built for shaking and radiating pure joy, packed with irresistible horns and unstoppable rhythm. Perfect for Latin funk, soulful disco, and global grooves playlists.

FUNKOOL ORCHESTRA: Valentina Conte – Voice; Daniele Mango – Voice; Pask Bluenne – Voice; Adriano Rubino – Trumpet; Riccardo Colicchio – Saxophones; Mario Tammaro – Trombone; Enrico Pizzuti – Guitar; Mattia Leone – Keyboards; Dario 'Pezz' Gessato – Bass; Peppe Shaf – Drums; Paolo 'Batà' Bianconcini - Percussions

Recorded, mixed and mastered by Fabrizio Piccolo at Auditorium Novecento (Naples)
Graphics and Illustrations by Jack Bulgaro

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14,50
Marcello Giordani - Synthetic Music Pt. 2

2025 Re-press of this classic EP by Marcello Giordani! This one was originally released on vinyl back in 2006 on our now defunct sub-label “Players Paradise” and was one of the first ever releases by Marcello Giordani who went on to become a household name in the scene and a man of many successes. Currently he is making waves with his “Italo Deviance Music” label and productions under his alias “I/D”.

Get in these three fine cuts again in a superb re-mastered quality. From the Italo inspired “Narcos” to the deeper and darker B-side Disco gems “Change Position” and “Prova 2”. We are sure these tracks will rock your dance floors again this spring and summer. Enjoy!

All tracks re-mastered by Salz Mastering in Cologne.

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11,72
Junior Sanchez ft Dave Giles II - Bitch U Could Neva

Tuskegee returns with serious intent and a fresh club weapon from a recognised statesman of house music, Junior Sanchez. Having written and collaborated with artists including Daft Punk, Armand Van Helden, Todd Terry, and Roger Sanchez, ‘Bitch U Could Neva’ pairs Sanchez with vocalist and songwriter Dave Giles II, riding high himself following link-ups with Honey Dijon, Mike Dunn, and a producer on Beyonce’s anthemic ‘Cozy’.

‘Bitch U Could Neva’ is a powerful, instantaneous trip back into the underground style and attitude shared between both artists, reflecting the vibe of Sanchez’s rise to success in the halcyon days of New York nineties clubbing, alongside Giles II’s own youth in the Chicago creative scene. Living up to the attitude of its title, ‘Bitch U Could Neva’ bumps with peak-time energy, jackhammer drums and chopped-up vocals never undermining its fundamental sensuality, an increasingly rare link between true, authentic dancefloors past and present.

The pair then look to London for a confident, stripped-back take from prestigious record collector and curator GIDEON. The founder of dance music institutions Adonis and Glastonbury’s infamous Block 9 goes deep to find the track’s potential as a minimal, vogue-adjacent house workout, scattered with telephone dial tones and an upfront disclosure; “Bitch, I’m serving.”

Back across the Atlantic, Physical Therapy and Michael Mangan team up under their Fatherhood project to give ‘Bitch U Could Neva’ a seriously bouncy redress, winding tight drums atop a rubbery bassline and paying their own Twilo and Tunnel-era tributes with cut-up vocals and an ecstatic onslaught of rave stabs.

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16,77
Magari / Ilija Rudman - M.A.D RECORDS 012

MAD012 has arrived! or as we’ve been referring to it the ‘M.A.D Garage’ EP. (as in Paradise Garage)

After receiving Magari and Ilija Rudman’s tracks within a short time of each other it felt like a perfect fit to pair them together. Both productions give a nod to the 80s House sound whilst expertly bringing the aesthetic up to date.

Magari has provided us with an eyes closed dub’d out groover and Rudman supplies a winding and weaving synthesised journey, giving a sonic glimpse in to his fully stocked studio.

It’s always been top of our list to work with the inimitable Mark Seven. His music is a staple of our sets and as many of you know, is somewhat of guiding light of our scene. Any fan of Parkway Records knows it’s always an exciting day when they announce something new, needless to say we are proud to present a Parkway Powermix on M.A.D.

Finally, our good friend, the extremely versatile Producer/DJ Manuel Darquart finishes off the record with a sublime rolling take on ‘Danceteria’. If somehow you didn’t know him already consider yourself informed.

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14,24
Narciss & Gerd Janson - No Maze Like Heaven

Running Back is delighted to introduce RB Studio Sessions, a new sub-imprint of music envisioned, recorded and fully realised at Running Back’s in-house studio.
Built on the promise of unfettered creative freedom and aided by agreeable local autobahn connections in the Hesse region, the RB Studio Sessions project is christened with the work of Running Back’s founder, chief dreamer, and Geschäftsführer, Gerd Janson.
For this debut edition, he is joined for a momentous jam by the new-school hero of the house, good friend and kindred spirit, Narciss.
Just as Running Back’s earliest releases dropped a stylus to preserve timeless ideals of club culture, the four tracks on ‘No Maze Like Heaven’ further this continuum by turning back the sonic clock just a decade or so. Picture, if you will, a nascent Narciss, youthfully club
hopping and deeply inspired by the selections of Gerd himself, alongside a selection of DJs coaxing the Panorama Bar blinds open with exquisite, mid-tempo precision.
As such, new light immediately floods in for ‘Chicco’s Chips’, which captures many of those irresistible elements—Italo-tinted synths, hooky vocals, and perfect percussion— regenerated with the wide-eyed, high energy of Narciss’s own solo productions. ‘Elka,
meanwhile, is a richer, deeper dish, masterfully interlocking multiple heavenly melodies under layers of optimistic analogue fuzz.
Narciss and Gerd then look to the Netherlands for further collaboration with one of electronic music’s best-loved vocalists and another fine producer, Coloray, who fills ‘Look For You’ with a yearning performance in the vulnerable, synth-pop tradition. Finally, ‘No
Maze Like Heaven’ builds on this mood and melody for a finale that hits the sweet spot between machine power and oh-so-human emotion.
Featuring labyrinthian artwork from the mighty Gasius., via a sleeve that appears to blend M.C. Escher with MC Hammer, ‘No Maze Like Heaven’ proves to be a divine foundation of RB Studio Sessions. For Narciss, “a memory they will cherish forever.”
For Gerd, a taxdeductible working lunch. For DJs and dancers? Four ebullient hits-in-waiting, sounding great and meaning more.

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11,72
DECODER - Distant Beings EP

Blank Code is a Detroit, USA techno outfit that have released music by artists like Bas Mooy, Mike Parker, Brian Sanhaji, DJ Hyperactive, Drumcell, and many more.

The newest Blank Code release is Decoder with his 'Distant Beings' EP, a fellow American from Dallas who has gained many devoted supporters from having releases on Jeff Mills' Axis Records, Amotik Records, TWR72's Float, Edit Select Records, Molecular Recordings, and Science Cult, amongst others.

Beginning with "Missing Sector," a dystopian and airy soundscape of captivating rattlesnake hisses and muted tones of melody and suspense amidst a stuttering kick pattern.

"Strange Interaction" follows with an abstract approach overall, but using a solid, rhythmic beat as a pulsing constant. Static crackles create mesmerising textures and light tom drums are met with wandering waves of analogue whispers and skipping hats.

"Farther" introduces deep and looping modular frequencies that dance around in a sci-fi aesthetic. This sublimely hypnotic track has an ethereal quality of patience and draws influence from dubby and atmospheric styling.

Finishing with "Elevation," it instantly has an experimental vibe that seems mysterious and menacing. Cyclical mid tones create a sonic suction before phasing pulses add even more tension to this esoteric adventure.

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20,97
Various - Longplay II - 10 Years Anniversary Compilation 6x12"

We are thrilled to announce the Playedby020 vinyl compilation, a special edition celebrating Playedby's 10th anniversary. This exclusive collection features 20 notable tracks from renowned international producers. As we mark a decade of musical innovation and passion, the Playedby020 compilation showcases the diverse and cutting-edge sounds that have defined our journey. Join us in celebrating ten years of incredible music with this limited edition vinyl box, a must-have for any electronic music aficionado or committed collector. Thank you for being part of our journey—here's to many more years of musical excellence!

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83,99
Gnonnas Pedro - The Man Who Sings All African Languages LP 2x12"

An official retrospective (1967 to 1985) of the legendary Beninese Composer, Gentleman & Salsero Gnonnas Pedro, who recorded dozen of albums & singles from the 1960s the 2000s with mythical bands such as Los Panchos, Les Dadjes & Africando !

21 tracks covering the extremely wide musical spectrum of this mythical artist in 40 years of career : Afrobeat, Salsa, Funk, Soul, Jerk & Folk frenzied grooves that will set any dancefloor on fire !

Available in a beautiful Limited Deluxe 2xLP gatefold edition (with a digital voucher including a Bonus track) & in HQ digital format with very detailed biography & liner notes in French & English, + Exclusive pictures, never seen before.

Bonus track : "À Ma Fille" (Digital only, includes with the download voucher of the album that comes with the release)

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28,53
Black Loops - Experience EP

Black Loops

Experience EP

12inchFR304
Freerange
16.04.2025

Black Loops is an endlessly creative producer who has brought constant invention to house music since his first release over a decade ago. His widescreen sounds take their cue from funk, soul and disco and are underpinned by a love of 90’s grooves. They appeal to DJs and dancers alike which explains his constant demand for DJ sets around the world as well as his music being played and supported by the biggest names in the scene. After many years of vital 12"s and remixes, he now draws on everything he has learned and raises his levels with a fully realised debut full length album dropping 9th May, 2025.

Ahead of the LP we present the Experience EP which sees Jimpster and Black Loops himself deliver Dub versions of two of the LP’s highlights; Electrical and Experience. Jimpster kicks off with a stripped back, rolling Italo-inspired groover with touches of modular synth sequences, string stabs and dubbed out vocals. Black Loops follows with his own version keeping the funk factor intact with guitar licks, synth blips and extra fat, moog bassline.

Flip over for the original of Experience featuring Marlena Dae with it’s distinctly 90’s, Vogue-era Madge mood. Black Loops then proceeds to take it to the club on his Dancefloor Dub, stripping out the vocals and working up a punchy, minimal groove for the dancers. Closing out the release we have an exclusive original, not included on the LP entitled Inmasoul. Jazzy, deep beats are the order of the day here, making for a perfect warm up track to set the mood.

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15,17
KOPERBLOND - MAKE A SCENE EP

No words are needed for tracks and collaborations this bold, but we still decided to give it a short introduction.

Hips don’t lie on the title track “Make A Scene”, which comes with two massive remixes. Dirty Dutch legend Chuckie teams up with Finnish talent Skuwa to deliver some real old-school bubbling beats. Man of the moment, DJ Babatr, completes the A-side with his Raptor House remix—a heavy, drum-driven build-up that erupts into a volcanic dancefloor moment.

Koperblond collaborates with hot new producers AUTOFLOWER and Beau de Wit on “Feel You”, a piano house track with a catchy vocal. It’s all fun—perfect for getting every crowd on their feet.

Closing duties for “Plan B.”, a deeper house groove that captures the bittersweet loneliness of being without your love. Even when everyone assures you it will come, the emptiness can still feel real— and this track captures that emotion perfectly.

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13,40
RED PIG FLOWER - PRACTICE LOVE LP 2x12"

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

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25,84
Mangiadischi - MD007

The needle drops, and with it, a fresh chapter in the world of re-edits comes to life. This electrifying

new EP offers four masterfully crafted tracks, each one a gateway into a distinct musical world.



From epic anthems to intimate grooves, these cuts promise to leave a lasting imprint on the dancefloor.



Vinyl-only, limited edition—this is not one to miss.



A1 - Rewind The Drill Step back in time with an epic late 80’s anthem that channels the power and

raw energy of a golden era. With thunderous beats and soaring melodies, "Rewind The Drill" is an

instant classic that bridges past and present with finesse and force.



A2 - Pizzichella An ode to Tokyo’s iconic 90’s Shibuya Kei movement, "Pizzichella" is a vibrant

tribute to a beloved scene. Melding playful nostalgia with modern production, it’s a kaleidoscope of

sound that’s as colorful as the streets of Shibuya themselves. A must-listen for fans of cross-cultural sonic adventures.



B1 - Jara Sevo Immerse yourself in the haunting beauty of "Jara Sevo." With a Balkan-inspired feel, this melodramatic anthem evokes the chill of a winter’s night and the warmth of love’s glow.

Poignant strings and cinematic swells make it a standout moment of emotional resonance.



B2 - Come Vanno i Grøøvöni Closing out the EP is "Come Vanno i Grøøvöni," a sweet, romantic

groovy house cut that’s as gentle as it is infectious. Smooth, soulful, and effortlessly cool, it’s the

sound of a perfect night in motion. With lush pads and subtle swing, it’s the kind of groove that’s

impossible to resist.



Limited Edition, Vinyl Only As always, exclusivity is key. This EP is a one-time pressing, and once

it’s gone, it’s gone for good.



Collectors and DJs, take note: this is a sonic treasure you’ll want in your arsenal.



Stay tuned for release details and grab your copy before it’s too late. Four tracks, four journeys—and one unforgettable record.

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12,19
MANU KENTON - PETROL 2024 REMIXES (VINYL PART 1/2)

"Petrol", one of Manu Kenton's most iconic tracks, makes its highly anticipated return in a limited edition that will appeal to both collectors and techno enthusiasts. This special version features not only the original track, but also exclusive remixes that reinterpret the piece from different angles, offering a diverse and exciting sonic palette.

Manu Kenton, staying true to his creative genius, revisits his own track by adding an energetic and catchy vocal, bringing a fresh new dynamic to the already electrifying atmosphere of the original.
The Gregor Size remix is a true powerhouse: dynamic, industrial, and powerful, it transforms "Petrol" into a heavy, punchy piece, with dark textures and irresistible rhythms that leave a lasting impression.
Greg Denbosa, on the other hand, delivers a progressive techno remix, with a dynamic and repetitive beat that builds tension, creating a hypnotic experience perfectly suited for the dancefloor.
Finally, Bestien offers a nervous, straight, and punchy version, ideal for the peak moments of a night. His explosive remix ramps up the intensity on the dancefloors, with raw energy and power that demands attention.

Visually, this vinyl stands out with its "Yolk" effect, a unique blend of white and white with luminous accents, creating a striking and modern design that will enhance any collection.

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"Petrol", l'un des morceaux les plus emblématiques de Manu Kenton, fait son grand retour dans une édition limitée qui séduira aussi bien les collectionneurs que les passionnés de techno. Cette version spéciale inclut non seulement la version originale du titre, mais aussi des remixes inédits qui réinterprètent le morceau sous des angles différents, offrant ainsi une palette sonore variée et excitante.

Manu Kenton, fidèle à son génie créatif, revisite son propre morceau en y ajoutant un vocal énergique et entraînant, donnant une nouvelle dynamique à l'atmosphère déjà électrisante de l'original.
Le remix de Gregor Size est un véritable tour de force : très dynamique, industriel et puissant, il transforme "Petrol" en une œuvre lourde et percutante, avec des textures sombres et des rythmes irrésistibles qui marquent les esprits.
Greg Denbosa, quant à lui, propose un remix techno progressif, avec un beat dynamique et répétitif qui crée une tension croissante, offrant une expérience hypnotique et parfaitement calibrée pour les sets dansants.
Enfin, Bestien livre une version nerveuse, droite et percutante, idéale pour les moments intenses d'une soirée. Son remix explosif fait monter l’intensité sur les dancefloors, avec une énergie brute et une puissance qui ne laisse personne indifférent.

Visuellement, ce vinyle se distingue par un effet "Yolk", un mélange unique de blanc et de rouge lumineux, créant un visuel frappant et moderne qui enrichira toute collection.

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17,86
New Regency Orchestra - New Regency Orchestra LP

Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.

Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.

Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.

The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.

“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”

This pure collective joy, shared experience and music you can’t help but move to.

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26,68
Verdure, Ciklo - Natus Ex Nebula

New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

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18,70
Kaz James - Rocker In The Disco / Dance Her Right

DJ Support: Pete Tong, Adam Beyer, Black Coffee, Demi Riquisimo, Nic Fanciulli, Tronik Youth, Duke Dumont, Argy, Phantoms

A techy double A slice of house from label head Kaz James thats been doing the rounds with some heavy hitting DJ piers. Both tracks have been staple part of Kaz's sets at Art Basel, Desa Kitsuné Bali, Burning Man, Brooklyn Mirage, Pacha Ibiza, Koko London, Mayan Warrior Tulum, his Mykonos residency Alamagou and beyond.

The release follows 'Sun is Shining' which was supported by the likes of Keinemusik, Black Coffee, and Pete Tong as Essential New Tune.

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14,50
Funky Trip - Alpha EP

Black Vinyl Repress

We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.


Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.

Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.

On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.

Artwork by Jose Alvarez


Early support by Gescu, Sepp, Nu Zau, Mihai Pol, Sublee, Charlie, Lumieux, Tania Vulcano, Costin RP, Iuly.B, Crihan, Primãrie, Zenk and more..

collecting

Order now. Collecting orders for repress.

12,56

Last In: 15 months ago
Giovanni Damico - LAx5 / Loud And Clear 7"

The A-side puts the fun in a funky psychedelic disco stomper complete with sing-along chants and breakbeats. Imagine an overlooked KID CREOLE garage dub cut. The B-side is a fresh take on classic Italo disco with analog percussion, vintage synths and his own guitar and bass.

At this point, Southern Italy's Giovanni Damico is basically an honorary Windy City Native. I don't think he's ever been to Chicago
but he certainly has status on all sides of the City. Damico's collaborations with Chicago's Star Creature kicked have spanned the
better part of the last decade with just as many vinyl releases during that time spanning 2 LPs, 2 EPs, a handful of 7's and an appearance on the 2020's Star Creature Vibes label compilation not to mention the over 20+ 12's and a dozen appearances on labels ranging from MCDE, Lumberjacks in Hell to Kalakuta Soul, Bordelllo A Parigi, his own White Rabbit Recordings and more.
That perfect blend of Tracky Italo Early Drum Machine, Bang the Box type of Proto House Electro Soul with adventurous and ambitious beats and melody combos pulled from a range of global influencers, mixing of electronic and acoustic instruments giving some of the most full body unique compositions in dance music, each being accomplished, evolving and truly unique.

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12,19
Various - ECHOES OF ITALY – THE BIRDS OF PARADISE – EARLY 90S HOUSE VIBES VOL.2 (2x12")

Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.

It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.

Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.

In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.

No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.

For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.

“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy."

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28,99
Perc - The Cut Off Remixed EP2

Perc Trax is proud to unleash the second EP of remixes of tracks from Perc's Resident Advisor recommended album 'The Cut Off'. Following on from EP1 this collection of remixes again covers a range of sounds from cutting edge Parisian deep techno to the sound of the UK underground scene.

Opening up the EP is Mac Declos, a breakout star of the Paris techno scene and a key member of Anetha's Mama Told Ya crew. Mac takes 'Full Goblin', one of the more uncompromising tracks on 'The Cut Off' and transforms it into a slice of grinding stripped back techno, recalling the glory days of Daniel Bell's DBX project.

Next up Sweden's Peder Mannerfelt, who has a long association with Perc & Perc Trax, remixes album standout track 'Static' which features his regular collaborator Sissel Wincent. Peder's version of 'Static' recalls classic Detroit electro with the addition of gliding harp runs providing a glistening counterpoint to the jabbing drums and Sissel's deadpan vocal delivery.

On the B-side Perc Trax new boy Million follows up his recent 'Six Ways To Die' EP taking hold of 'UK Style', originally one of the 'The Cut Off's more abstract tracks, energising it into a driving techno / jungle hybrid with just a sprinkling of classic UK rave to raise a smile on the face of the most exhausted raver.

Finally UK underground legend Boy Pete drags 'Imperial Leather' to the nearest free party, dirtying up Perc's epic original delivering a remix that will keep any 4am dance floor bubbling with energy. The relentless energy that Pete's productions are known for is all over this remix as it continuously powers forward.

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11,13
Rinder & Lewis - Seven Deadly Sins (LP)

Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?

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26,85
MONDO GROOVE - the new italian funky scene LP 2x12"

Black Music has always been the main source of inspiration for contemporary music and for the IRMA records label, which turns 37
this year, it is a fundamental part of its musical vision.
In the 80s with the birth of the term Acid Jazz this international scene began to emerge that fished out the Soul Jazz Funk sounds of the
70s and which to this day is a scene alive and well that continuously generates new artists. IRMA records is recognized as one of the
labels that has published several of these artists since the 90s starting with Jestofunk, Bossa Nostra, Gazzara, Man Sueto and many
others.
With this compilation entitled ‘Mondo Groove’ it wanted to highlight the very varied Italian scene today that inevitably undergoes the influences of Dancefloor but also those of Afrobeat, Fusion and World Music.
On the cover one of the artists included in the selection: Alixia Mistral.

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26,68
Sebastian Sandmann - Onslaught

Sebastian Sandmann, from Elsteraue in Germany, has been DJing and producing since 1999, honing his skills in clubs and gigs such as the ‘Endstation’ event series in the Leipzig Distillery which resulted in him being picked up by the renowned Leveltrauma booking agency where his obvious talent flourished leading to residencies at the Sky Club, Leipzig and the Tube Club, Merseburg. Sebastian’s music repertoire covers many genres inc. multiple forms of techno, house, hardcore and DnB which has culminated in releases on some insane German labels including “Rage & Error”, “Leveltrauma” and “PsychoDevils Records”.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in
Scotland, we’re getting more extreme than we’ve ever been before with an absolute ‘Onslaught’ of speaker
punishment grade screaming techno. This is Sebastian Sandmann’s first ever solo vinyl release and it‘s utterly lethal. Featuring four aggressive crushin’ tracks to get all them imprisoned clubbers marching
to its accelerated beat. This aint dance music, this is stomp music, and you best not pound on down in front of
anyone when it’s spinning or you’re gonna get trampled on, mark our RIOTous words.

The full digital release also features one bonus brain mashin’ track so you can dive even deeper into your own infernal techno psyche.

WARNING: ONCE THE RIOT SENTINEL APPEARS YOU MUST OBEY ……………. OR ELSE

Credits:

Written by Sebastian Sandmann
Mastered by Joe Farr
Artwork by Nomad

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12,40
Derya Yıldırım & Grup Şimşek - Yarın Yoksa

Produced by Grammy Nominated producer Leon Michels (El Michels Affair, Clairo). Big Crown Records is proud to present Derya Yıldırım & Grup Şimşek’s latest album Yarın Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Şimşek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message. They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the bağlama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage. Yarın Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album. “Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and light-heartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home. Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it. The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and centre and the music is too moving to deny. Yarın Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait till you hear them play it live… Upcoming Tour Dates (+More To Be Added): 18th March The Deaf Institute, Manchester / 19th The Jam Jar, Bristol / 20th Scala, London / 21st Norwich Arts Centre.

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27,52
Ananda Shankar - Ananda Shankar And His Music LP

Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting 40 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.

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25,17
Minuit Machine - Queendom

Minuit Machine

Queendom

12inchSR0026LPCLR
Synth Religion
24.03.2025

QUEENDOM is an album that marks a new era for the project while staying true to the essence of Minuit Machine. Produced under the SYNTH RELIGION label, this opus immerses us in Amandine's introspective realm, oscillating between darkness and light, between doubt and self-conquest. While retaining the emotional DNA of previous productions, QUEENDOM stands out with a more pop-oriented touch, featuring tracks where Amandine sings in French for the first time.

The first single, "HOLD ME," is a powerful pop anthem addressed to the queer community, celebrating the freedom to be oneself and breaking free from societal and patriarchal norms. This track is a true empowerment statement, with striking electro beats supporting a strong message of emancipation and pride.

"Créatures," a collaboration between RAUMM and Minuit Machine, is a modern fairy tale—a timeless love story that could take place in any era. This salvific love, rarely seen today, embodies a poignant depth and beauty.

Continuing the journey, "Cent Fois"—a French-written track—takes us into a techno-pop universe with nostalgic yet hopeful undertones. This song perfectly reflects Minuit Machine's evolution toward a more radiant approach while staying faithful to its dark heritage.

"Party People," on the other hand, is a return to roots with dark wave/italo sounds. This hypnotic and haunting track questions identity in an increasingly robotic society, where individuals are forced to conform to imposed norms. This exploration of the individual versus the collective lies at the core of Minuit Machine's DNA.

"Mes Souvenirs," created in collaboration with Rebeka Warrior, dives intimately into the memories of Amandine and Rebeka. Together, they reveal fragments of their past—precious and vibrant memories that resonate through powerful and melancholic electro sounds.

Finally, the eponymous track "Queendom" invites us to plunge into the depths of Amandine's world—a universe that is both tormented and icy, yet resilient. Supported by a slow and captivating rhythm, this track is designed to grip and haunt the listener, like an incantation.

QUEENDOM is a bold and hybrid work where each track reflects a pursuit of sincerity and artistic reinvention while maintaining the ability to express emotions through rhythms that are both danceable and introspective. The album showcases Minuit Machine's artistic maturity, establishing itself as a must-listen in the darkwave and electronic pop scene.

Amandine entrusted the artistic direction of this album to Manon Dupeyrat, a brilliant young artist who crafted a bespoke universe perfectly aligned with the produced tracks. The album cover, both intimate and anachronistic, invites listeners into Amandine's private world through her bedroom, revealing what she wishes to share.

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24,58
Various - Soul Jazz Records Presents Studio One Showcase 45 Expanded Edition

Soul Jazz Records" Studio One Showcase 45 features a roll call of classic Studio One reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The Wailers, Jackie Mittoo, The Heptones, The Skatalites and more - seminal reggae artists who all launched their careers at the legendary Studio One label. The album was previously only ever released as a long-deleted limited-edition seven-inch box set for Record Store Day. This album has now been expanded into a super double-vinyl album edition as well as first time on CD, with both featuring a massive eight bonus tracks of wicked Studio One classics and rarities.

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28,78
Aizikovic - Dry Blow

Aizikovic

Dry Blow

12inchPHASELAB002
Phase Imprint
18.03.2025

Next stop... Second reference in the PHASELAB catalog and twenty-third of our PHASE IMPRINT label! What a satisfaction to finally present this project (vinyl and digital) by Aizikovic, the yout from Madrid who is trying to bring an especially fresh, as well as profound, vision to our city. This EP transmits us; altered visions in music, many experiences linked to the dance floor and feelings of light in a dark space. And in case anyone wanted a little more, Comissar Lag aka Lag has prepared a melting remix for us.

Many thanks for the designs to the snowboarder of the strokes @judyisangry, to Mario Castillo for the Master and to Pedro O'Connor for the Mix.

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14,08
Manata - Final Frontier EP

A new chapter for LowMoneyMusicLove…nothing but LO VE.

Kicking off this special new series is Manata, the mind behind Lisbon’s Nugs on Board imprint. It’s the Final Frontier EP, and we are treated to beautifully crafted house music, with four dreamy party chargers. LO VE letters to the dancefloor…

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9,20
END-JY - SITARO 2K25 EDITION

2025 marks the triumphant return of Sitaro, the iconic track that once lit up dancefloors worldwide. Originally released in 2007 and championed by the likes of Carl Cox—earning its place on Carl Cox Ultimate (Universal Music)—Sitaro is back with a fresh 2K25 Edition on Move Recordings, the newly minted sublabel of Diki Records.

The Belgian techno duo End-Jy & Dimitri Andreas, known for their heavyweight releases on Lupp, Intec, Terminal M, Music Man, and Systematic, deliver an updated version of this melodic anthem. The remastered original brims with Sitaro's signature sound: hypnotic sitar riffs, emotive atmospheres, and a groove that’s as irresistible as ever—a true dancefloor odyssey packed with intensity and raw emotion.

And for the remix? Who better than Dimitri Andreas himself. With an illustrious career spanning decades and releases on Systematic, Music Man, Kling Klong, and Token, Andreas takes Sitaro to new heights. His remix is a masterclass in contemporary melodic techno, drawing comparisons to the work of Guy J, Sébastien Léger, and Roy Rosenfeld. Expect driving Latin-inspired percussion, lush synths, and dreamy soundscapes that seamlessly blend piano-laden breakdowns with deep, pulsating grooves.
The result is a stunning reinterpretation—eclectic yet cohesive, powerful yet delicate. Dimitri Andreas once again proves why he remains a pivotal figure in the global techno landscape.
Press play, and let the journey begin.

Early support from Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

Français

End-Jy - Sitaro (2K25 Edition) featuring Dimitri Andreas Remix

2025 marque le retour triomphal de Sitaro, le morceau emblématique qui a illuminé les pistes de danse du monde entier. Initialement sorti en 2007 et soutenu par des DJ comme Carl Cox—qui l’a même inclus dans Carl Cox Ultimate (Universal Music)—Sitaro fait son grand retour avec une toute nouvelle édition 2K25 sur Move Recordings, la nouvelle subdivision de Diki Records.

Le duo techno belge End-Jy & Dimitri Andreas, connu pour leurs sorties majeures sur Lupp, Intec, Terminal M, Music Man et Systematic, propose une version actualisée de cet hymne mélodique. L’original remasterisé regorge de la sonorité signature de Sitaro : des riffs hypnotiques de sitar, des atmosphères émotionnelles, et un groove aussi irrésistible que jamais—une véritable odyssée sur la piste de danse, remplie d’intensité et d’émotion brute.

Et pour le remix ? Qui de mieux que Dimitri Andreas lui-même ? Avec une carrière illustre qui s’étend sur plusieurs décennies et des productions sur Systematic, Music Man, Kling Klong et Token, Andreas emmène Sitaro vers de nouveaux sommets. Son remix est une véritable masterclass de techno mélodique contemporaine, qui rappelle le travail de Guy J, Sébastien Léger et Roy Rosenfeld. Attendez-vous à des percussions latines entraînantes, des synthés luxuriants et des paysages sonores oniriques qui fusionnent parfaitement des breakdowns pianistiques avec des grooves profonds et pulsants.

Le résultat est une réinterprétation impressionnante—éclectique mais cohérente, puissante mais délicate. Dimitri Andreas prouve une fois de plus pourquoi il reste une figure incontournable du paysage techno mondial.
Appuyez sur play et laissez le voyage commencer.

Support de Adriatique (Afterlife), Nick Varon (Sudbeat), Raw Main (Lost Miracle), Dclviii Ofc (Cod3qr), Alex Neri (Wildflower)…

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15,92
Deeply Armed - The Healing

Deeply Armed announce release of debut single, ‘The Healing’.

Release features remixes by Andrew Innes (Primal Scream) & Brendan Lynch (Lynch Mob/Paul Weller) and Keith Tenniswood (2 Lone Swordsmen/Radioactive Man).

Belfast’s Deeply Armed have been making subterranean waves for a while now, with tracks being passed around serious heads via various samizdat channels. Andrew Weatherall was an early booster. David Holmes dropped an incredible psychedelic remix that was played out live on specific ritual occasions – but now the trio finally break cover with a three-track 12” that combines deep soul with Krautrock grooves and a rock and roll heart.

With their debut 12” Deeply Armed announce themselves as a singular presence on the fringes of electronic underground sound, hallucinating the kind of phantom dancefloor moves that would reconcile the version, the loop and the live jam with the kind of audacious pop elan of a dream Phil Spector/Dennis Bovell/Conny Plank mega mix.

At times like these we could all do with a little healing, and Deeply Armed are the ones to bring it.

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17,86
Insolate - Full Disclosure LP 2x12"

Insolate unveils the 'Full Disclosure' album, arriving 7th March 2025 on her Out Of Place Records, released on digital and double record vinyl. It's the Croatian artist's second full-length release, already supported by the likes of Rodhad, Stephanie Sykes, and Nastia, following 2019's 'Order Is Chaos' on the label and its subsequent remix album, which featured reworks by Ben Sims, Pfirter, Sev Dah, Amotik, Under Black Helmet, Volster, ASEC, and Flamina.

"'Full Disclosure' is a reflection of who I am today. It represents the music I love to play, featuring high-energy bangers alongside functional tracks while experimenting with chords, vocals and melodies. As the title suggests, Full Disclosure is about openness, transparency, and revealing the full truth of who I am as an artist" - Insolate

'On Your Knees' starts Insolate's 'Full Disclosure' LP with rolling dub-infused rhythm drenched in a subtle but potent 303, an otherwordly vocal providing a tripped-out vibe. Closing out the A-side is 'Stand Strong', a pacey groove with an effective vocal sample and well-swung drums shot through with razor-sharp stabs.
On the flip, Insolate teams up with Croatian guitarist PEP for 'The Proof', a real banger that marks his debut in Techno production featuring mind-melting arpeggio sequences and a shadowy atmosphere. This is before 'Survival Symphony' strips things back via minimal drum work and electrifying synthlines that build in intensity.

The title track of Insolate's 'Full Disclosure' album, perfect peak-time cut 'Full Disclosure', continues with glitchy sequences, a bass bin-shaking groove, and another high-impact vocal sample. The aptly named 'Playground' then picks up speed with racing drums and rattling percussion while synths wriggle around playfully, followed by 'Big City', which features hauntingly enchanting melodies laid over bubbling arps and a steady beat. Insolate's 'The Biggest Fan' is another rave-ready trip with carefully crafted polyrhythms which won't fail to hypnotise the dancefloor before 'Ocean of Tears' closes out Insolate's stellar long-player via a captivating vocal harmony and acid-soaked 909s.

Since 1997, Insolate has become synonymous with the Croatian Techno scene via her HUSH! and TRAUM event series and her Osijek-based Out Of Place record label that's spotlighted artists like Anne, Francois X, and many more. She has built an impressive international career that's led her play at Berghain, Rex, and Tomorrowland, while her productions have seen her win the support of titans like Laurent Garnier and Ben Klock and join labels such as Luke Slater's Mote-Evolver and Bpitch.

'Full Disclosure' is a masterful body of work that shows the complete wealth of Insolate's talent and two-decade-long experience in Techno.

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20,59
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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22,90
Infradisco - Aqua Cheta (Beyond The Remixes)

Archeo Recordings serve a special delight with two extended and alternate reworks from the all star cast behind the recent AR025 Aqua Cheta remix 12”. Dipping into the cool waters of Infradisco’s original LP once again, Hear & Now and Manu Archeo look to the horizon and channel the horizontal with a couple of ambient suites, new age dreamscapes and day trippers, each awash with positive vibrations and healing frequencies.
Perugia's peerless Hear & Now open the 12", cultivating pulsing chords, hazy reverb and elegiac fretwork for a White Isle romance steeped in the sunset lineage of the Café Del Mar. Heart-swelling piano and restrained bass throbs conspire to see the rest of the world melt away, with occasional percussion the only reminder that time is still passing. Though radically different from their dance-floor driven revision on the 12", this is no less impactful, swapping the club sonics for the sensation of sheer beauty.
Not content with making a spectacular production debut via his dubbed out diversion of "Dulcis" last time out, Manu Archeo makes further waves with a meditative masterpiece - spaced out and sprawling through a sultry thirteen minutes. An echo drenched meditation script gradually sinks into the immersive ripple of balmy horn, delicate hand percussion and watery pads, making room for a succession of stunning lead-lines and glistening sequences. If you thought the new age of New Age was over, it's time to open your mind.

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19,96
VARIOUS - THE BEST SONGS FROM QUENTIN TARANTINO'S FILMS  3x12"
 
33

THE VINYLBOX COLLECTION IS BACK REDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO. STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...

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37,77
Various - Earthly Tapes 04 LP

Restoring balance to our series of earthly compilations, one that has brought to you an array of different artists, all with the collective goal of sharing the joy of exploring musical wonders with no borders, we have Earthly Tapes 04.

In keeping with the series so far, nature and electronica intertwine in unison to share a space as befitting to hedonistic dancefloor groovers as it is to homebound explorations. With this release, we have 7 wonderful artists expressing their creativity across 6 carefully curated tracks, with native roots connected to 5 different countries across South America and Europe.

2 years in the making and chopping and changing as it’s passed through the motions, what has remained is the concept behind it. On this edition, we're shining a light on a small portion of female producers within a music scene that we’re fortunate to be a part of.

Each artist that has carefully created a track for this compilation, has also contributed their beautiful crafts within the Organica/Folkloric/Downtempo scene and we’re truly blessed to be able to share them with you. The countdown to the release of this next chapter finds us coinciding fittingly with International Women’s Day.

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14,24
Parade Ground - The Golden Years (2025 Remaster)

Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.

Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.

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20,59
Various - Double Copy Sampler

2025 Repress

Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!

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11,72
Various - Fast Blood EP

Various

Fast Blood EP

12inchSW002
Spooky Wooky
28.02.2025

Boooo ! Spooky Wooky returns with its second release, Fast Blood. A spine-chilling collection of dark beats and eerie atmospheres, for those who crave the thrill of the dark, the unknown, and the mysterious. Let the haunting beats take over and dance !

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12,82
Various - New Beginning Ep

Descr: The return of Monday Morning on vinyl is captained by it’s founder Manuel De Lorenzi in sweet company of his close friends and talented producers Giacomo Silvestri, Freddie Wall and Fichs. The aim of the label is always to promote music without compromises so you can play it loud on the dance floor or just listen at home to understand the journey and the message that Manuel De Lorenzi wants to give to the people. As the vinyl says: WE ARE ALL UNDER THE SAME MESSAGE CALLED LOVE…!

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10,50
wAFF - Leaving You

wAFF

Leaving You

12inchNATURE012
Nature
25.02.2025

DJ Support: Frank Rizardo, Capriati Bros, Dice, Marco, Bibi, Pawsa, Rossi, Richy Ahmed, Jamie Jones, Illario Alicante, Blondish

The Leeds/Hull born DJ has always championed new and younger artists. But with Nature his aim was to begin to develop the careers of next-gen talent alongside already established tech-house figures. After overseeing a steady stream of serious tech-house numbers as the Nature head, wAFF will take back the reigns for the label’s 12th release.

‘Leaving You’ sets off with an addictive groove that vigorously permeates throughout the 7-minute opener. Like many of Nature’s releases, the track features a vocal lead that will remain with you long after leaving the dance. Its vibrant sound design is underpinned by a tough bassline and simmering percussion.

wAFF employs a taut and squelchy pad combo on ‘Underbite’ to accompany a tumbling bass. The track unrolls like a coiled spring, steadily expanding into a hi-energy, foot stomper that oozes with a sugary ambience despite its somewhat hard-edged undertone.

The snappy claps and zig-zagging synths that open ‘Fat Couch’ are a constant throughout the EP’s final number. It’s another playful but sharply presented track that switches up late on as an ominous, Jaws like melody circles before a chopped vocal – which is instantly recognisable – signals the last few measures of oscillating bass, hypo hats and snares.

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15,50
Nfaly Diakité - Hunter Folk Vol I: Tribute To Toumani Kone

Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters. Nfaly Diakité is named after his grandfather, the late Nfaly Diakité, one of Mali’s most respected donso chiefs. His grandfather did not play, but as a leading figure in the donso brotherhood, he was always accompanied by musician Yoro Sidibé. Nfaly grew up alongside Yoro Sidibé, who became his first master of the donso ngoni, a type of eight-stringed antelope skin harp. After leaving school to devote himself to his instrument, Nfaly continued his apprenticeship with Diakaria Diakité and Oumar Sidibé, two donso masters from the Wassolo region.

He quickly made a name for himself in the donso community and was much asked to play at the traditional ceremonies of his brotherhood. He then met percussionist Ibrahim Sarr and joined the BKO Quintet, with whom he recorded an album and toured Europe and the United States. His virtuosity on the donso ngoni soon attracted attention, and he took part in numerous music and dance festivals in Mali and abroad, with the aim of raising awareness of this little-known traditional instrument.

Nfaly Diakité is also a Kônô, meaning that he is responsible for passing on the history and culture of the Bambara people through music and song. He pursues his mission by combining tradition with more contemporary sounds and by collaborating with artists from a wide range of musical backgrounds. For him, music is a means of conveying messages of peace, love and harmony, and his compositions evoke the values of respect, tolerance and open-mindedness.

‘Tribute to Toumani Koné’ is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama. Nfaly Diakité is a representative of the new generation of donso ngoni players and he wishes to pay tribute to Toumani Koné, who throughout his long career has been a symbol of courage, daring, loyalty and honesty.

The nine-track of this solo album leaves no room for hesitation. Three instruments (donso ngoni, voice and keregne) manage to carry one into another dimension without ever tiring. The fitting and precise rhythm is a deep but melodious transe. Nfaly’s voice plays between expressive urgency and calm wisdom, and the choruses with his own voice multiply the planes of dimension of the music. The donso n’goni, of which Nfaly is an excellent player, sounds rough and earthy but always clear and sharp. All the strength of a music that does not belong to a single musician but to a long cultural tradition of which he is the spokesman is expressed here. The young Nfaly, thanks to his experience and sensitivity, succeeds on his own in pushing us into this world without feeling the weight of tradition but only the liberation of music that sounds all the more contemporary. This album is to be listened to in its entirety as one tight journey between repeated formulas, highlights and moments of rest within the same relentless rhythm. The densest moment is probably found in the heart of the album, between the tracks Nankama (the predestined one) and Mogote Diabeye (no one can please everyone). Here, the message, which can be deciphered from the translation of the lyrics, seems to transcend language barriers and intepret us directly about our human condition, urging us to move our bodies to the dense rhythm of life.

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18,91
Cratebug - Cratebug Edits

Cratebug

Cratebug Edits

12inchBUG003
Bug Records
18.02.2025

'BOSTICH PT.1' – A hot Chicago House flip on this legendary classic by Swiss synthpop band Yello! Some unexpected editing surprises in this one! The groove will have you from the start! 'OPTIMO' – A highly energetic rework of this classic from American dance-punk band Liquid Liquid, with a percussion section that uses the snare drum, bass kick drum, cowbell, and claves that all combine for insane repeated drum rolls! A hot sure shot for the dancefloor!

Cratebug is a Chicago Dj, Producer & Remixer. His remixes and edits are hot gold and have found their way into the mixes and live sets of COUNTLESS djs all over the world. Most notable and well-known among fans & supporters of Cratebug’s work include: Derrick Carter, Jamie 3:26, Honey Dijon, Frankie Knuckles (RIP), Louie Vega, Scott K., Kenny Dope Gonzalez, Dimitri From Paris, Boris Dlugosch, Francois Kevorkian, Danny Krivit, Moodymann (Kenny Dixon Jr.), Theo Parrish, Master Kev, Moon Boots, Jackmaster (Jack Revill), The Martinez Brothers, Doc Martin, Mark farina, KON, Detroit Swindle, Radio Slave, Moodena, Luke Solomon, Jimpster, Alton Miller, Juan McClean, James Murphy, Alton Miller, Horse Meat Disco, Gene Farris, Jack The Box (Tyree Cooper & Bobby Starr), The Black Madonna, Jojo Flores, Marques Wyatt, Terry Hunter, Ricardo Villalobos, Kiko Navarro, Ted Patterson and MANY MORE!…

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15,08
Traxman - Da Mind Of Traxman

Anyone with a passing interest in footwork and juke will know of Traxman. Corky Strong has a long history of deep involvement in Chicago house, first releasing on the legendary Dance Mania label in the mid nineties, and since then splitting his productions between ghetto house, juke and footwork, releasing alongside Steve Poindexter and Fast Eddie and the late DJ Deeon and DJ Rashad, including an seemingly endless supply of self-released juke edits of whatever direction his deep knowledge of Black American music takes him. The third volume of 'Da Mind Of Traxman' is his first since 2014. In the intervening years he's kept things rolling, DJing regularly, releasing lots of music, becoming a grandfather and being a mentor for younger artists coming up in the scene.

This new album was crafted with the help of fellow Planet Mu artist Sinjin Hawke, who took on A&R duties to collate the best from hundreds of tracks dating back to 2005. Sinjin holds Traxman's status in high regard; "This album series is important and holds real documentarian value—working on it feels like the modern equivalent of curating a piece of Miles Davis’s catalog in the '60s and '70s." Volume 3 showcases Traxman's uncanny ability to take old music into the future without losing the feeling and energy of his samples and influences. He knows how to add a hi-definition modern chassis with the skill of someone who deeply and intuitively understands the craft of dance music. These are some of the purest, most innovative ideations of Chicago footwork.

a A1 Kill Da DJ (ft. Bobby Skillz & Sinjin Hawke) explicit


[d] A4 Where They At (ft. DJ Twan) [explicit]

[f] A6 I’ll Write The Hook [explicit]


[i] B1 Trust Me [explicit]



[m] B5 Talaban [explicit]

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26,01
Charlotte de Witte - Power Of Thought EP

Repress!

Techno phenomenon Charlotte de Witte today announces her brand-new EP “Power Of Thought”, out October 19 on her own KNTXT label. The trio begins with the title track “Power Of Thought” - which immediately erupts into a hypnotic techno beat interspersed with spoken mantras of mindfulness. This is followed by “Pria”, a pulsating journey featuring hypnotic, mantra-like vocals. The EP ends with ambient track “Abada”, punctuated with the occasional drum and chanting vocals before it quickly strips away to silence.

“For ‘Power Of Thought’, I wanted to create an EP that touches deeper emotions and captivating the meditative trance you have when you let go on the dance floor,” says de Witte. “‘Pria’ has already brought me a lot of joy over the last few months when I have played it during my sets. It offers a moment of reflection and a chance to catch your breath during the rougher, more peak time tracks I play. ‘Abada’ is a track that I really enjoyed making. I discovered these magical chanting vocals and I just knew I wanted to use them in a track. Though this track is maybe less playable in one of my sets, I feel that Abada found its home on this EP and completes the ‘Power Of Thought’ circle.”

Best known for her “dark and stripped-back” brand of techno and crossover to other sounds of the underground, Charlotte de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that
have won her a dedicated fan base and critical acclaim.

“Power Of Thought” is the followup EP to de Witte’s “Overdrive” EP, campaign and tour, which recently wrapped with a Los Angeles takeover last month and included performances at Brooklyn Mirage, Primavera Sound, Rock Werchter, Super Bock Super Rock, Lowlands and Rock En Seine. The “Power Of Thought” release will include an exclusive apparel drop as well and will coincide with the opening day of KNTXT Turbo Club, de Witte’s epic 3-day pop-up event series taking over Amsterdam Dance Event (ADE) from October 19 - 21, 2023.

With a different “KNTXT” each day, the turbo-charged pop-up will feature a massive lineup of performances, a dedicated KNTXT shop, immersive music experiences and other surprises at an undisclosed location in Amsterdam. Capacity will be very limited and tickets can be purchased now at https://kntxt.be/events/ade.

Following ADE, de Witte will embark upon the KNTXT Latin America Tour on October 26, which will take her to Mexico City, Buenos Aires and São Paulo.

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15,92
Resonances (IT) - Signal

Resonances(It)

Signal

12inchCHAPEAU002
Chapeau Music
14.02.2025

Chapeau Music presents its second vinyl release, this time by Resonances (IT). "Signal" is a record that connects diverse shades of electronic music: from jazzy undertones to industrial techno, from punchy and intricate rhythms to straight and clean grooves. It's a collection of tracks that showcases the vision of the "man behind the Octatrack".

The title track "Signal" develops naturally, immersing the listener in its dynamic layers of piano stabs and synth elements with a fast-paced groove. The subtle distortion of the rhythmic elements injects raw energy without compromising the track's underlying elegance. It reimagines the genre's darker roots, offering a bold and innovative perspective.

Gene Richards Jr's remix of Signal intensifies the journey, delivering a high-impact, hard-groove edge that perfectly complements the EP.

"Please" concludes the A-side with a pulsating rhythm and a cadence that keeps the dancefloor in motion. Its energetic progression completes the A-side with an undeniable dancefloor weapon.

The flip side begins with "Randomizer", an exploration of atmospheric and industrial textures. The track builds around a solid kick drum and spatial synths, with scattered elements orbiting like satellites to create an extraterrestrial experience.

To close, "The Stand" merges classic influences with melodic, Detroit-inspired elements. Wide, reverberated synths fill the space, crafting a fusion of rhythm and melodies to deliver a standout closing track that feels timeless.

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11,98
Phase Fatale - Scanning Backwards LP 2x12"

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

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27,69
Chalo & Vell - Made from Moss Vol. 2

Chalo & Vell return with Made From Moss Volume 2, marking the next step in their collaborative EP series. This four-track of club rollers explores a range of styles and tempos, each track anchored by distinctive rhythms and textures aimed squarely at the dancefloor.

Bangkok, despite being a bustling metropolis, boasts a music scene that feels as intimate and vibrant as those found in smaller European cities. It’s a place where local creatives from various disciplines come together, leaving their artistic imprint across the city. This collaborative energy resonates through Boiled Wonderland’s catalog, which features artists like DOTT, Sarayu, and Chalo—pioneers of Thailand’s burgeoning underground music movement. Both DOTT and Sarayu are co-founders of the record store and label More Rice Records, while Chalo plays a pivotal role as the mastering engineer at Thailand’s pressing plant, Resurrecc. It’s here that the Made From Moss project took root.

While Boiled Wonderland continues to champion eclectic and boundary-pushing music, its sonic direction has evolved to embrace a more dancefloor-oriented approach. This shift reflects the label’s immersion in Bangkok’s electrifying club culture and the inspiration drawn from the city’s warm, sunlit atmosphere.

The Made From Moss series emerged from a creative dialogue between Chalo and label founder Vell. Moss, with its simplicity yet dynamic nature, became the symbolic foundation for a series focused on rhythmically driven, danceable tracks. This vision also sparked the creation of Mosspit events and welcomed MetalMetal as a core contributor.

Chalo’s opener, Feeling, weaves house-inflected vocals with acid synth lines, building a steady groove that carries effortlessly to the finish. Tolerance Break follows, layering dynamic snares, tight breaks, and basslines that pulse with energy. On the B-side, Vell leads with The Ship Rolls Through, a euphoric roller balanced by flickering sound effects that keep the track grounded. Back To Normality closes the EP, leaning into progressive tones with bouncing bass lines that sizzle toward a breaking point, bringing the EP to a close.

The record is already receiving support from the likes of: Ploy, Mixtress, Raresh, Space Dimension Controller, Jennifer Cardini, Answer Code Request and many more.

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13,66
DJ Romain - The Lost D.A.T.S. Part 2 - Unreleased House Music 1997

Last May, Hard Times captivated us with The Lost D.A.T.S (Part One)—a remarkable collection of unreleased and freshly unearthed gems from the vaults of NYC legend DJ Romain. But the story didn’t end there. To our surprise and delight, Romain had delivered an even larger treasure trove of beats—too many to reveal all at once.

Now, Hard Times is proud to present the next chapter: DJ Romain – The Lost D.A.T.S (Part Two).

"1996-97? Yeah, that’s when New York was still NEW YORK!

That was around the time we really started to get hold of exotic herbs. Copper Haze, hydroponic! The vibes in the studio were always lovely. I had hair at the time! Dread-Locs down to my shoulders... I was still rockin’ the Wallabees, or British Walkers as we called them - representing for Brooklyn and my West Indian roots!

There was no social media, no supervision, nobody all up in our business… It was classic "mind your own business" NYC Vibes! I was DJing at a lot of the hot clubs and THE hottest afterhours in the city. There were nights when I saw Micheal Douglas roll into the afters with Grace Jones - they were there to party and unwind and I was there dropping the dope tracks for the people.

When it was studio time, with my homie Matt Echols...I was probably setting things off with some quality herbage, a big ass bag of Funyuns and my trusty SP-1200, lol. I had picked up some tips and tricks from Todd Terry and by '96-'97 I was a Shaolin with it myself! This was around the time tracks like "Flowers" and "Only Love Can Break Your Heart (Dub)" were tearing up the clubs. I wanted to be able to get my ideas out with no problem, and by then I had a lot of confidence...

Being able to Dj in some of the hottest NY hot spots at the time, I was able to really see what worked and what didn't on the dancefloor. The best House Dancers from around the world and around the Tri-State area would be at my jams. I'm talking Ejoe, Voodoo Ray, maybe kids from the Mop-Top Crew... I was definitely taking note of the kind of rhythms and sounds that would make them go crazy on the dancefloor!

And that's how we went about it - I laid down the rhythms that made it happen in my sets and translated the vibes I was picking up from NYC itself. Matt threw down musically and we were just being as creative and inventive as possible! But we always kept in mind that our job was to make the people on the dancefloor jump!

A lot of the jams from those days got signed to various record labels, we dropped a lot of them on our own label...and some of them ended up in the archives - until now!"

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16,39
Soundwalk Collective with Patti Smith - Khandroma

While they’ve been active for more than two decades, it’s only been in recent years that the Berlin and New York based contemporary sonic arts platform, Soundwalk Collective, has begun to gather the accolades and attention that they rightfully deserve. Firmly rooted within a multi-disciplinary practice that engages the narrative potential of sound within the contexts of visual art, dance, music and film, as well as tapping anthropological, ethnographic, and psycho-geographic research, they’ve gained great note for collaborations with Jean-Luc Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others.

Building on the back of 2023’s brilliant “All the Beauty and the Bloodshed”, Soundwalk Collective now returns with “Khandroma”, one of their most fascinating and singular endeavours to date, which re-engages their enduring creative partnerships with Patti Smith. Issued by Ubi Kū, a brand new imprint founded by the Italian Buddhist Union dedicated to the relationships between Buddhist cultures, music, and sound, across the album’s stunning two sides this incredible ensemble draws inspiration from and conjures Tibetan deities, the Himalayan Plateau, the valleys of Nepal and the highest peaks where the most ancient Buddhist temples reside, culminating as a sprawling sonic tapestry like little else. Issued as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, it’s hands down among our favourite releases by Soundwalk Collective to date and not to be missed!

An international experimental sound art collective founded in 2001 by the artists Stephan Crasneanscki, who was joined in 2008 by producer Simone Merli, Soundwalk Collective is a contemporary sonic arts platform, featuring a rotating constellation of artists and musicians, that, in vastly varied number of ways, has continuously explored the remarkable potential of sound within the contexts of visual art, dance, music and film, offering particular emphasis to anthropological, ethnographic, and psycho-geographic research, examining conceptual, literary or artistic themes. In addition to their many collaborations and accolades that attend to an increased ambitious catalog of releases, they scored Laura Poitras’ film, “All the Beauty and the Bloodshed”, which won the Golden Lion at the 2022 Venice Film Festival, as well performed and exhibited at Berghain, CTM Festival, documenta, Manifesta, New Museum, and Centre Pompidou, where they notably opened “Evidence”, a exhibition with Patti Smith comprising an audio-visual journey from the work of French poets Arthur Rimbaud, Antonin Artaud and René Daumal. While Soundwalk Collective’s output and use of sonority - sometimes original composition and others manipulated archival recordings - and context is varied, the project’s endeavours are unified by a focus on sound as material that is both tactile and poetic, pursuing layered narratives that address ideas of memory, time, love and loss. Their latest, “Khandroma”, enlisting Patti Smith’s contribution on one of its tracks, stands among the most exciting and rich of these explorations yet.

Perhaps the best way of approaching “Khandroma” is through Soundwalk Collective’s longstanding focus on the discipline of psycho-geography - a practice that interrogates the impact of an environment’s embedded histories and meanings on the psychology of the present - as well as the group’s integration of observations of nature, and uses of non-linear narrative, as a vehicle for recording and the synthesis of meaning. Like previous projects that have encountered them traveling extensively across the world, occupying diverse environments for long periods of investigation and fieldwork, during which they source materials for subsequent works, the material roots of “Khandroma” are a body of field recordings made by Crasneanscki, Francisco López, and Merli at altitudes between 2,760 and 4,500 meters, in varying locations across Upper Mustang during 2016.

Drawing the album’s title from the Tibetan feminine deity who reigns the skies, the album’s two compositions weave a stunning sonic tapestry from collaged sounds of nature, bells, drones, unplaceable tones and vocals, and in the case of its second piece, “Chasing the Demon”, the voice of Patti Smith, culminating as a deeply emotive and imagistic expanse that taps something far more profound than any of its single parts. As the collective states: “the album traces the continuous morphing of the wind into sound expressions. The Himalayan Plateau seems designed to amplify and echo the encounter of the breaths, the prayers, and the chants emerging from around and within those temples; amid the sounding of bells, the turning of prayer wheels, and the billowing of flags. A resonant musical body that we recorded so as to capture its boundless mutations; an unstoppable force that cries, whispers, and blows through and over stones, wood, empty halls and monastic robes, etching an ever-changing sonic landscape onto the surfaces it encounters.”

Immersive, stunningly beautiful, and haunting, “Khandroma” draws the ancient and distant into the consciousness of the present, close to home, bordering on the profound. Issued by Ubi Kū as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, we can’t recommend it enough.

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19,96
DJ Stenn & DJ Stanic - Most Wanted

90’s House Nostalgik duo “ No Hype DJ’s ” formed by DJ Stenn and DJ Stanic is coming back with new dancefloors heavy weapons, this time in ghetto house style like they used to make those Dance Maniacs bad Boyz .
Pure tribute to the Chicago House Pioneers Paul Johnson, DJ Deeon or Robert Armani and all the devoted.

Written, Mixed and Produced by ‪St. David‬ at TOW Records Studio in collaboration with No Hype Studios and Wildbox.

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10,88
Shanti Celeste - Ice Cream Dream Boy

‘Ice Cream Dream Boy’ serves as a celebratory anthem, an ode to manifesting dreams into reality, and a testament to Shanti's knack for creating infectious and uplifting dance music as she explains: “I wanted to make a happy and uplifting vocal summer tune and I just so happened to be in the peak honeymoon romance period with my now partner (The Ice Cream Dream Boy). He had discovered my love for soft plush toys and decided to buy me a cute little fluffy Jellycat Ice Cream so when I made the instrumental I felt insecure and unsure about what lyrics to write, so I just decided to sing about what I was currently experiencing in my life. I had been a fan of Shivum Sharma for a while and I had just done a remix for his amazing song '7am', so after establishing a cute lil connection I thought I’d ask him to help me write the song as I was very new to writing lyrics!”

This limited edition Vinyl features 5 varied remixes, perfect for any scenario.

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15,93
Various - Midnight In Tokyo Vol.2

Various

Midnight In Tokyo Vol.2

2x12inchSTUDIOMULE6LP
Studio Mule
07.02.2025

2025 Repress

Midnight In Tokyo 2, the second installment to the compilation series that rounds up hidden gems by Japanese artists that's perfect for listening at night in Tokyo, is here. This time the collection brings together some tasty electric jazz fusion from the '80s , compiled by Dubby, the man behind the online record store Ondas.

The compilation begins with "Hikobae," a dark and slow cosmic jazz by saxophonist Genji Sawai, followed by "Danza Lucumi," an odd Caribbean-style jam by Today's Latin Project, a band fronted by Tadaaki Misago of Tokyo Cuban Boys, with arrangements by Yasuaki Shimizu. "On The Coast" is a soulful and mellow vocal track arranged by Ryuichi Sakamoto, from guitarist Shigeru Suzuki's album White Heat, and fusion boogie cut "In The Hot City" is by Mr. Theodore, which was a one-off project by a mysterious artist.

The melancholic soul jazz number "So Long America" is the title track from the album Yasunori Soryo released in '82, following a stint in America with the band Brown Rice. "Twisty" is a tropical reggae tune from the album Samba Kathy, an underrated classic by Jugando which was released on Trash, a sublabel of one of Japan's finest jazz labels, Trio. "Samarkand" is an electric Latin jazz jam that sounds like something Miles Davis and Santana could have played on, performed by a Latin funk band from Fussa. "Imagery" is a primal African fusion track by Katsutoshi Morizono, a member of the prog rock band Yoninbayashi.

"Windmill" is the most acoustic sounding tune on this compilation, a breezy Brazilian affair with a Hermeto Pascoal feel. "Mystery Of Asian Port" is by the band Parachute, which consisted of Japa-nese fusion giants like Akira Inoue, Tatsuo Hayashi and Masaki Matsubara. The cosmic jazz record sounds like something Daniele Baldelli would play in his sets. "Bay Sky Provincetown 1977" is a classic Japanese fusion tune by guitarist Yuji Toriyama.

The set also features the mellow but danceable "Heatwave" by keyboardist Keiichi Oku, featuring a female vocalist (which some have identified as Rie Ida), and last but not least, closing out the 13 track compilation is "Day Dream At The Bob's Beach," a wonderful urban fusion with a beautiful vibraphone melody, from the Japanese fusion classic album that was a one-off project by studio musicians

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23,11
Various - DIG003 Various

***** AUGMENTED REALITY COVER *****

For the third release on Dust In Grooves, Olivia Mendez curates a compilation EP that honours the boundary pushing spirit of the vinyl-only imprint and presents a collection of mind bending tracks by emerging and established techno producers. The first VA instalment on DIG showcases adventurous, challenging, and dynamic cuts while maintaining the groovy and raw signature sound of the label. Bridging the analog format with a forward thinking design is the animated cover created by visual artist Deniz Bicer, she is also known as Ojelibalon.

LKY - Bitter
Bitter by Manchester based producer LKY is a direct immersion in the atmospheric depths conveyed within a minimalistic tool track. With trippy loops and changing beats, this opener leaves a bitter taste of the sweaty, trance-infused 90s.

Deluka - R.A.W
R.A.W glistens with a mind-bending sound design, produced by the No Signal Records founder Deluka. He delivers a visceral, hypnotising track with quirky highs and stomping, rhythmic lows, captivating the attention all throughout the end.

Metapattern - Tamakotuma
On the B side, the relentlessly driving and layered Tamakotuma by Metapattern, beams with melting synths, intense rhythm and skewed melodies. After joining the Mord and HAYES families, Metapattern contributes a dynamic track with evolving retro-futuristic design, journeying across dimensions.

Dotdat - Take me to Detroit
An homage to the roots of timeless sound and community, Take me to Detroit by Dot Dat is a soothing dance-floor energy tamer, filled with melodic arpeggios and spacious drums. After his release on Truncate records, Dot Dat closes out the DIG VA with a slower-paced track, laced with classic synths.

Words by Lora Mateeva

Animation - Deniz Bicer
Master - Nihad Tule
Graphist - Ferdinand Prat

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14,08
Various - In The Mood...Little John's Romantic Label 1986-1990 LP

Little John is one of the most loved and prolific 80s dancehall artists. He started as a child artist in 1979 and by the mid 1980s had recorded for every major producer. In 1984 at age 14 he already knew the ropes of the business and started to produce 45s on his own Romantic label, which he continued sporadically releasing tunes on up until 1993. For us this is one of the coolest looking labels of the latter 1980s, and has a handful of hard to find killer 45s, mostly obscure and mostly slept on. So naturally we needed to corral these for another all killer no filler compilation. True to his own roots, Little John’s label mostly features fresh youthman artists, though a handful of veterans, like Frankie Paul and Early B who are both featured here, also recorded for him. The ten songs on this comp are our favorites from the label, featuring a selection of killer rhythms spanning the heavy mid 80s style, the proper late 80s digital style, and the more uptempo early 90s style. Hardcore DKR heads take note - this features three cuts on that most hallowed 1987 digi rhythm.

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27,52
Bash Man - Bash to Basics EP

Bash Man

Bash to Basics EP

12inchSTEPBACK007
Stepback Records
05.02.2025

Bash Mans ‘Bash to Basics’ EP marks a major milestone for Scotlands Underground Techno scene.

Edinburgh, Scotland - Stepback Records proudly announce the highly anticipated release of ‘Bash to Basics ‘ EP the debut 12” vinyl from Glasgows own BASH MAN, aka Jamie Morrison. Dropping on Jan 31st 2025, the records captures the essence of raw, unfiltered techno and embodies Bash Mans unwavering dedication to the underground music scene.

With previous digital releases on labels like Scott-Fear Es Posh End Music, and Tom Carruthers Non Stop Rhythm and Data Sync labels, Bash Man has already carved out a name in the dance music world. However, this 12’ release promises to be a transformative highlight, cementing his reputations a force to be reckoned with in the techno community.

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14,08
Mangiadischi - MD006

Here it is, the sixth chapter in the sonic journey of Mr. Mangiadischi.

Continuing the dance-floor assault, MD006 delivers four tracks, each with a unique story but all with the same aim: to make you move to the rhythm.

• A1 - Mamma
A Balearic groovy deep house nostalgic tribute to the most important person we have in our life. This track blends warm melodies with heartfelt emotions, making it the perfect homage.

• A2 - Genug Vans
Intergalactic soul/post-disco space-tech. A cosmic voyage through pulsating rhythms and celestial sounds, designed to take you on a dancefloor odyssey.

• B1 - Fenel
A very modern interpretation of this '76 Algerian artist's funk/pop/world/country mesmerizing masterpiece. This track merges elements of funk, pop, world, and country in a blend that transcends genres and eras.

• B2
A disco/funk/pop-rap in its most modern and groovy version. Infectious beats and catchy hooks make this track a surefire hit for any set.

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12,19
5UNIVERSOS - MANTRA EP

After the success of the previous three chapters, Cristian Cosignani, also known as 5UNIVERSOS, presents a compelling fourth volume, a richly layered album infused with rhythmic elements that are perfect for the dance floor. With a distinctive blend of sophisticated house and minimalist dub, the Mantra EP is crafted to immerse the listener in the elevated vibrations of its four tracks, each serving as a meticulously designed groove instrument.

The journey begins with "Mantra," featuring a sequence of syncopated bass lines and deep vocals laid over a strict, minimalist drum pattern. "Thastha" follows with a funky bass progression, complemented by a sensual female chorus and a retro drumbeat, evoking a sunrise at sea.

On the B-side, "Greet" delivers a dry, rhythmic punch with a bassline that aims to make listeners smile with their eyes closed, as the filter opens and closes.

The EP concludes with "Tolerance," which introduces a Balearic string arrangement, adding a deeply spiritual and introspective layer to the overall experience.

This album is undeniably a pure expression of rhythm and the club atmosphere - an essential addition to any collection.

Chileans Are Playing

Master by Claudio Solis

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10,50
Konstantin Sibold - Lost In Space

Konstantin Sibold makes his debut on Adam Beyer’s revered imprint with compulsively danceable, highenergy, abrasively dark yet, in Sibold’s expert hands, somehow upbeat three-tracker ‘Lost In Space’. Previously releasing on Afterlife, Running Back, Aufnahme + Wiedergabe and Innervisions, the German producer eschews any genre straitjacket with his underground roots and mix of very diverse sub-genres. As a DJ, Sibold plays iconic venues worldwide inc.

Panorama Bar, Fabric, Tomorrowland, Awakenings and is famed for his marathon B2B sessions with artist inc. Solomun, Kobosil, Kerri Chandler, Kevin De Vries, and his remixes of such differing luminaries as Vintage Culture, Rebuke, Adriatique, Lana Del Rey, Laibach, Royksopp & many more. For the title track, Konstantin collabs with rising 20-years-young Brazilian talent KAF3R who aims to bring ‘sentimental and memorable experiences’ to all, creating a maelstrom of yin & yang. ‘Lost In Space’: This Peaktime Mainstage Melodic Techno monster efficiently resets the dance floor and turns it upside down at the same time.

A spacey robot vocal riff predicts a massive synth orchestrated shutdown. Konstantin Sibold debuted this beast at Tomorrowland Winter Mainstage. Heavily supported by Kolsch, Vintage Culture, ANNA, Kevin De Vries, Innellea and many more. ‘The Arrival’: This catchy stadium singalong hymn unites the dance floor with its Hands-Up hook, gated vocals and rolling baseline. Feels like a retro futuristic classic you already seem to know from a distant euphoric memory. ‘Dark Matter’: A hypnotic, recurring melody transcends between light and darkness. Referring to Konstantin Sibold’s old melodic techno hits such as 'Mutter', but with the addition of a trippy, alarming vocal fragment.

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14,24
Marco Faraone & Deetron - The Answer LP

World-renowned DJs and producers Marco Faraone and Deetron finally release their highly anticipated single,
“The Answer”, from the iconic party Pyramid, happening weekly at Ibiza superclub, Amnesia. “The Answer” is an
exquisite fusion of two techno powerhouses that is already making waves on dance floors worldwide.
Including an amazing remix from the man himself Paul Woolford, who delivers a hot dub remix for this first release of We Are Pyramid.

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11,98
VARIOUS - RIMINI MOODS EP

Various

RIMINI MOODS EP

12inchMNMS001
Monomoods
31.01.2025

Introducing Rimini Moods, the debut release from Bordeaux’s Monomoods label, crafted for lovers of Nu Disco, Indie Dance & Italo Disco.

With standout tracks from Doctr, Brian Ring, Astore, and Hysteric, ensure maximum satisfaction on the dancefloor !

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14,24
DOTT - One Foot Forward

DOTT

One Foot Forward

12inchMR008
More Rice
31.01.2025

More Rice Co-Founder DOTT returns with his first solo EP on More Rice since MR002.

One the A-side Semitone Revolution brings a groovy repetitive bassline with an unpredictable transparent rhythm with a combination of different sounds and a quirky sequence that makes it a dancefloor track for many occasions. One Foot Forward, not a typical Tech-House track that uses detailed sounds and interesting swing. The original track is accompanied by a remix from groove addict Sweely, adding that Sweely touch, making it playable at almost any time.

On the flip side, About Quality Time, DOTT shows off his signature bassline with his interpretation of House music with his groovy rhythm, a track that truly combines after hours and peak time. About Quality Time comes equipped with a remix from Mr_Barcode or Jay Tripwire, putting a super trippy spin on the original track.Sleep deprivation is the secret sauce to his sound.

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13,40
Jimi Jules - IVLP10 LP 2x12"

Jimi Jules

IVLP10 LP 2x12"

2x12inchIVLP10C
Innervisions
31.01.2025

Ring the alarm - multi-instrumentalist Jimi Jules scheduled for the album „+“ in 2022, executive produced by Innervisions label boss Dixon. The album features the most sought after and requested tracks of the last month including „My City's On Fire“, revolutionary „Der Aufstand“, dancefloor romance „Burning“ and „Clinomania“ featuring Joy Tyson, and fabulous Lily Allen / Elton John drummer Nathan Curran. The artwork concept is developed and designed by iconic graphic artist Trevor Jackson, whose multi-disciplinary works formed the graphical identities of design, music, fashion, and art by the likes of Soulwax, HFD / Comme des Garcons or Apple Music. Jimi Jules’ second album signifies his return to future-focussed album concepts. A welcomed novelty and venture. Exploring themes such as free thoughts and togetherness after a period of interpersonal absence. Better Together Forever.

A unique character in the electronic music scene, Jimi Jules is a multi-instrumentalist and school-trained musician with much more to offer than the standard four-to-floor sound. Jimi plays nearly everything from drums to trumpet and sings almost all the vocals himself. The talent probably lies in his roots, as many of his family members are known for their playing in jazz bands and classical ensembles. Most recently awarded a silver disk marking 200,000 copies of the 2020 track “Pushin On” in the UK, Jimi Jules also commenced a new collaborative partnership with Berlin-based booking agency, Temporary Secretary, earlier this year.

As the new era is underway for Innervisions, Jimi Jules “+” takes center stage of the label’s fundamental core - artist first, label second. For Jimi Jules especially, this new project represents the beginning of a whole new platform and innovative space for collaborations and symbiosis of mixed media.

2025 Repress on clear orange Vinyl!

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31,64
Harry Romero - Nice To Meet You

Harry Romero

Nice To Meet You

12inchREKIDS256
Rekids
29.01.2025

Legendary House don Harry Romero joins Rekids for the first time with the ‘Nice To Meet You’ EP comprising two massive tracks with classic NY House DNA with the sort of modern twist Romero’s become synonymous with throughout his two-decade-plus career. The Bambossa Records founder now lands on Radio Slave’s flagship label following an impressive 2024, which featured releases on Faith, Nu-Groove, and Defected.

After his appearance on Rekids’ podcast series in August, House hero Harry Romero starts the label’s 2025 with the ‘Nice To Meet You’ EP. First up is the title track, a uniquely hypnotic cut with a bold kazoo melody and raw, club-ready low-end that shines on the breakdowns and high-impact drops. ‘Danny’s Groove’ is next, a track with real Romero energy, its rhythm carefully layered with an organic drum shuffle at the centre, an ear-catching whistle melody in the back, and plenty of synth hits in between - the ‘Nice To Meet You’ EP is a masterclass in building and releasing energy on the dancefloor.

Radio Slave’s Rekids imprint was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Hilit Kolet, William Kiss, Bushwacka, Mathias Kaden, Katerina, Sean Johnston, and many more.

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13,40
Lola Palmer, Alci - STEP FORWARD EP

Lola Palmer,Alci

STEP FORWARD EP

12inchGETTRAUM014
Gettraum
28.01.2025

Considered by many as one of Europes finest selectors, Lola Palmer makes her first appearance on get-traum with a blend of what the ukrainian artist cherishes the most: groovy, acid & deep sonorities that will keep your feet on the dancefloor for hours. Alci, swiss based producer & sunwaves regular delivers a reduced, yet very efficient version of "Step Forward", wrapping up the EP in style.

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11,72
Gipsy Power Band - La Quinqui / Llora

'La Quinqui' / 'Llora' is Gipsy Power Band's debut single, where they merge flamenco rumba, rock and funk astonishingly, evoking a unique era of Spanish music.

Formed in Madrid in 2022, Gipsy Power Band was originally conceived to pay live tribute to the music of the Spanish exploitation film genre known as "cine quinqui", performing tracks from those movies and many other foundational songs: hits, some flops and hidden gems released in Spain from the mid-70s to the early 80s. Rock, funk, disco and flamenco rumba productions by Los Chichos, Las Grecas, Los Chunguitos and Los Chorbos, among others.

After two years setting the Madrid stages on fire and making the public dance to this vintage repertoire, the time has come to move to the next level. The band has evolved and now they are releasing their first own songs: a dramatic love story told from two points of view worthy of a period "cine quinqui" movie, the spirit of which inspires the compositions.

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11,56
J. D. (Puma) Lewis - Shake It - Make It Loose (LP)

The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.

Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.

The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.

Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.

Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.

This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."

Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.

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23,49
Echo Minott Meets Dub Shepherds - Mango Tree Showcase

Dub Shepherds met Echo Minott in 2016 through the Dub Master Clash project, a dub evening concept that saw several dub producers “battle it out”. A solid friendship was born between the Jamaican and the young Clermont-Ferrand producers.

From these reverb and echo clashes came a 12” maxi, ‘This World is inna Mess’, etching in wax the first collaboration between Dub Shepherds and Echo Minott.

In 2023, Dr Charty and I Fi travel to Jamaica with a bag full of riddims produced at the Bat Records studio, and are greeted on the spot by Echo Minott. Get the picture? We’ll spare you the photos of the trip here, and just select the fruit of this musical journey : five tracks and five dubs between roots and 80’s rub a dub that make up the Mango Tree showcase. Enjoy Music Lovers!

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22,65
Setenta - Apollo Solar Drive LP

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

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20,80
Various - Cymatics Records 001

Cymatics Records makes his debut on wax and brings a Various Artists for it’s first release, putting together some of the renowned names on the scene nowadays to bring you some quality music

.

On the A1 is Cosenza, Argentinian guy with releases on some huge labels like Locus, Key Records, Hoarder, Talman Records and many more. Presenting ‘Obsession’ he brings a very groovy sound, with a fat and wide bass joined with nice drums.

For the A2 the guest is Mateo Dufour, also Argentinian, a name that is getting more popularity in Europe and rest of the world. With productions in labels such as No Art, Djebali, Politics of Dancing, etc, Mateo knows how to turn the dancefloor on fire! Enjoy Grey Swamp a very housey beats with some beautiful keys, as Mateo is a master on that assign.

On the other side for the B1 is O’Gio, Uruguayan guy, head of this project, his name started hitting the scene lately with productions for Limousine Dream (Nug-Net), Binary Sound and Howl Records. Gio’s productions always try to bring fresh sounds, with nice hooks, thick basses and fine drums.

Last but not Least for B2 we have Cessy, Australian himself, owner of a unique sound which that has led to European Tastemakers getting him to release on such labels as No art and Archie’s Hamilton own label too, becoming one usual name on European nightclubs.

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12,19
Various - Inside Out 002

Various

Inside Out 002

12inchINSIDEOUT002
Inside Out
23.01.2025

Following Anna Kohlin & Basement Space’s bold split EP on her recently formed Inside Out imprint, the Stockholm native brings a smörgåsbord of delectable treats from fellow Swedes - Basement Space & Måns Glaeser, Eric OS, Baby Rollén and Anna Kohlin herself. 002 is packed with quirky dancefloor tones that span from Anna’s own inimitable techy-house sounds, through to the experimental melodics of Basement Space. Baby Rollén brings a dusty balearic track with moving pads and Eric OS dishes up a punchy club workout!

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11,35
La Sonora Mazuren - Magnetismo Anima LP

La Sonora Mazuren is the latest addition to the already rich indie-tropical scene out of Bogotá, Colombia. Deeply rooted in the popular sounds and rhythms of South America, the group draws from cumbia, chicha, guaracha, champeta and other styles mostly from Ecuador, Colombia and Peru.

Far from being folklorists or revivalists, La Sonora Mazuren combines synthesizers and electric guitars with accordion and percussion to create a futuristic style indebted to early pioneers such as Polibio Mayorga or Bogota’s own Eblis Alvarez, of Meridian Brothers fame, who also produced their debut album.

The result is a psychedelic feast reminiscent of the golden years of Tropicalia.

Their first album, Bailando con Extraños, got them many accolades in Europe, in France in particular where the band toured in the fall of 23 and again in the summer of 24.

Their follow up album, Magnetismo Animal, was mostly tracked in rural Normandy, during one of their European tours, and completed in Bogotá. Barbès Records (Roots of Chicha, Chicha Libre, Chico Trujillo) will be releasing it in the fall.

Franz Mesmer and his theory of animal magnetism provide the running theme for their new album. A collection of songs linked by the idea of a shared trance-inducing energy, channeled through rhythms and sound experiments. Musical inspiration for the album come from Colombian gaita, vallenato and cumbia, Peruvian huayno and chicha, Ecuadorian Sanjuanitos - a panoply of Afro-Andean traditions filtered through a futuristic vision of dance music that melds percussion-heavy polyrhythms and psychedelic sounds.

Band members are all active on the new tropical Bogotá scene. Keyboardist and accordionist Ivan Medellin and bassist Nicolas Eckardt are members of cult band Romperayo. Percussionists and singers Giovanna Mogollón and Diana

Sanmiguel are also 2/3 of popular trio LA PERLA.

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23,49
Ulrich Troyer - Transit Tribe MC (TAPE)

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

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14,92
Jodey Kendrick - EDMZ1

This 12" contains the first sounds from EDM Z album, which will complete Jodey's 'Electric Dance Music' series. Very limited strictly no repress handstamped piece of Braindance. In the realms of imagination and creativity, there exists a man whose life is as diverse and eclectic as the beats he now produces. Born in the picturesque landscapes of Cornwall in 1953, Jodey Kendrick's journey began with the wind-swept cliffs as his backdrop and the crashing waves as his symphony. As a young lad, Jodey was drawn to the world of cinema. Inspired by the likes of Bruce Lee and Jackie Chan, he found solace in the art of martial arts and action-packed storytelling. With determination in his heart and a fire in his eyes, Jodey ventured into the realm of acting, honing his skills on the stages of local theaters before making his mark in the bustling streets of Hong Kong. It was in the neon-lit alleys of Hong Kong that Jodey Kendrick found his true calling. Embracing the vibrant energy of the city, he immersed himself in the world of Hong Kong action films, earning acclaim for his daring stunts and charismatic performances. With each role, he etched his name deeper into the annals of cinematic history, becoming a beloved figure in the hearts of moviegoers across the globe. But as the years passed and the reels of film kept spinning, Jodey felt the stirrings of a new passion within him. Beyond the glitz and glamour of the silver screen, there lay a world of pulsating rhythms and electronic melodies, waiting to be explored. Intrigued by the allure of electronic music, Jodey embarked on a new chapter in his life, one that would see him swap his martial arts moves for the dancefloor beats of Jungle Tekno and Drum and Bass. In the bustling metropolis of Hong Kong, Jodey found himself amidst a thriving music scene, where the streets throbbed with the rhythms of the underground. Fuelled by his love for music and driven by a desire to create, he immersed himself in the world of music production, crafting beats that reverberated through the city's concrete jungle. Today, Jodey Kendrick stands as a testament to the power of reinvention and the boundless possibilities of passion. From the silver screen to the dancefloor, his journey has been one of constant evolution and exploration. With each beat he creates, he pays homage to the winding path that brought him here, a path that weaves together the worlds of cinema and music into a tapestry of creativity and inspiration.

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14,08
Zopelar - Horizonte EP

Nomada Records welcomes proudly one of the greatests and finest south america producers; Based in SAO PAULO (BRAZIL); Pedro Zopelar has built a distinguished reputation as a producer in the electronic worldwide scene under his alterego “ZOPELAR” and parallel projects such as “MY GIRLFRIEND” “SPHYNX” and “L’HOMME STATUE”. He has released and edited music on big labels such as APRON, TARTALET RECORDS, SOUL CLAP RECORDS, MOTHER TONGHE, ROYAL OAK, SELVA DISCOS, AXE TRAXX, TECHNO HOUSE CONNOISSEURS and many others.


“HORIZONTE EP” is a five track release where We can enjoy is unique synth funk and deep disco boogie soulful house sound. The A-SIDE starts with “HORIZONTE” an uplifting house track with a flowing chord progression, lush pads and addictive bleep melodies. “LET IT LIVE” is a heavyweight deep House track which is ready to smash dancefloors with its meaningful saxophone solo. On the flip ZOPELAR opens with “PURE HEART” a melancholic and deep synth jazzy house track which is perfect for closing or starting a set at 6 AM. The B-Side Closes with “VENUS” and “SERENA FEAT. PR.A.DO” two surreal balearic summer house tracks where We can experience the musical richness and warmth from zopelar’s compositions

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12,56

Last In: 17 months ago
Suicide AFTR 7 - Soft Geometry

Suicide Aftr 7

Soft Geometry

12inchRUNAS01
Runas
15.01.2025

Suicide AFTR 7 is a musical partnership forged across two continents. This cross-Atlantic collaboration was founded in Barcelona by New York’s Neud Photo and London’s Antic.Distributed by Runas, a new label also based in Barcelona. New beat and Proto-Wave influences permeate the 12”.

Lean, mean, and evocative, "Soft Geometry" sets the stage with its blend of classic analogue textures and a sound palette that evokes the darker, more hypnotic side of electronic music. Throaty samples whisper through a synthesizer smoke, sodden bass lines throb against scaling crystalline chords.

The standout track, "Interplay", is an instant classic. Lyrics are distant, words ring, “Distant shadows," as snapping snares and warming pulses pull the listener closer drawing you deeper into its hypnotic world. Across the four offerings, a brooding dance floor looms; a
shadowy square of bodies shrouded in fog, pierced by strobe. This track will stick with you long after the music fades, a perfect blend of light and shade. It's the undeniable dancefloor moment on the EP, forever playful, forever bumpin.

"Last Word" pulses with a cold, hypnotic groove, driven by a deep 808 groove that'll get you moving. Think hypnotic rhythms, driving basslines, and a touch of electro grit. Slow, ethereal strings and shimmering synth stabs create an atmosphere of tension, punctuated
by film noir samples.

A sinister seam runs through the entire EP, coming to the surface for “Blind Spot.” Terse percussive patterns and eclipsed synthlines are stalked by vocals stripped of emotion, the mantra of “We are your enemy” encircling to a close.

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12,56
St. David & Mellow Man - Limited Edition Split EP

Club U Nite Records presents a Split EP you don’t want to miss!

Two labels. One vinyl. Maximum vibes. Club U Nite Records (Cat. No. CUNT035) and Theory Of Swing come together for a split EP that’s dripping in deep, oldschool energy. Strictly for the heads, this limited-edition wax is pure heat – and it’s not gonna last long.

On the Theory Of Swing side, Italy’s rising DJ & Producer St. David sets the tone.
"Undagroov" is a secret weapon, ready to ignite any underground set with its deep female vocals and hypnotic house piano. It’s a straight-up vibe.
Follow it up with "Get On Dance" – a filthy swing groove with jazzy keys that keeps things raw and real. St. David doesn’t miss.

Flip to the Club U Nite side, and it’s all about Mellow Man.
"Club U Nite Is In The House" is a straight-up club slammer – dirty, heavy, and designed to make the system shake.
Then, Mellow closes things out with "Favourite Song" – another brilliant throwback to the golden era of house. Early ‘90s feels, soulful vox, and infectious piano riffs that will have the floor in a frenzy.

Don’t sleep on this one – this limited vinyl is flying fast!

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12,56

Last In: 16 months ago
Norken - Our Memories Of Winter LP 2x12"

Nearly two decades after it was first released, Norken’s sleek cult classic album ‘Our Memories Of Winter’ is being reissued on vinyl via Hydrogen Dukebox on 6th December 2024.

With its unique sonic blueprint of early 2000s electronica, ‘Our Memories Of Winter’ is a record that is at once both deeply reminiscent of a particular era and place, yet remains a timeless invocation of Norken’s idiosyncratic palette of minimal, techno, house and British IDM.

This vinyl reissue presents all 12 tracks from the original release, with the inclusion of 'Df23' and 'Flirt' making this the first time that ‘Our Memories Of Winter’ is available on vinyl with the complete album tracklisting.

Norken is one of the many pseudonyms of Lee Norris, a producer who is considered by those in the know as one of the unsung heroes of UK electronica. With a slew of releases throughout the years as Man-Q-Neon, Nacht Plank, Norken, Tone Language and Metamatics, this reissue shines a light on his soulful, immersive output under the Norken name.

As Norris explains, “The release of ‘Our Memories Of Winter’ has a nostalgic, warm feeling for me. I made his album in a garden shed with a wood burner, an Atari computer and a few synths in the depths of an English winter. I still had the thought process of making emotional style techno that would warm any soul on a cold day.”

First released in 2005, ‘Our Memories Of Winter’ carries the echoes of electronic luminaries such as the Detroit ambient techno of John Beltran, through to the immersive atmospherics of Biosphere and the innovative IDM of fellow British outfits Autechre and The Black Dog. Yet as Norken, Norris retains a distinctive musical voice that has continued to deepen in stature over the years since the album’s initial release.

Opening with the brief intro cut ‘Fern 2’, the album slides into the dreamlike groove of ‘Memories’, where rich, resonant chords wrap around cool, galactic-sounding synths and a compelling bass undertow.

On ‘It Might Have Been Rain’, that signature bass texture again propels a luxuriant mid-tempo rhythm, while Norken layers in hypnotic washes of string-like synths, gentle electronic pulses and the brief murmur of a vocal, across seven-plus immersive minutes.

Vocal textures, often subtly looped and distorted, also add a distinctive depth and personality to tracks like ‘Eastern Soul’ and ‘Here’. Throughout the album, there’s a feeling of intricate microcosms unfurling, as Norken coaxes a myriad of contemplative moods and emotions from his machines.

Whether shaping the smooth, lulling ambient gauze of ‘Ty Canol’, or letting the kaleidoscopic, dancefloor-leaning drive of ‘Audic Strable’ loose like a coiled spring, ‘Our Memories Of Winter’ presents the singular voice of an artist whose innovative contribution to UK electronic music has only become heightened with the passing of time.

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33,40
El Maquinista Hypnotica - Chakra EP

Join El Maquinista Hypnotica on a sonic voyage to the bygone era of electronic dance music with his latest release, "Chakra EP". This 4-track collection encapsulates the spirit of the late 80's and early 90's, drawing inspiration from New Beat, Techno, and Acid House.

Infused with the universal energies and the golden ratio concept, each track corresponds to the seven chakras, tapping into the ancient wisdom woven into the fabric of our being.

Utilizing genuine vintage hardware, El Maquinista Hypnotica brings four unadulterated techno sounds, embracing the origins of sonic creation with these timeless and potent machines, delivering a raw energy that echoes the purity of the original techno movement.

Chakra's EP visual approach serve as a testament to the fusion of technology and art. P2T has created an immersive experience that reflects the 'trippy', otherworldly artwork of the era using Bryce 3D (version 2.0), a program that was first commercially available in 1995. This antiquated tool was brought back to life via emulation technology, creating a universe that both musically and visually symbolizes the seven chakras and realigns the human body with it's ideal golden ratio.

El Maquinista Hypnotica is not only a producer, he's a magician, who hypnotically manipulates frequencies to light up dance floors. Every song combines the cosmic with the physical in an audio journey that is an alchemical fusion of the past, present, and future.

Get ready to be enthralled and invigorated by the mystical power of El Maquinista Hypnotica and his Chakra EP.

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10,88
Unknown - Les Dance (Jean Claude Gavri Remixes)

Limited edition Red Vinyl Repress of the massive ‘Les Dance’

The original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

Needless to say JCG has taken the finest elements of the track and reworked them to bring joy to any serious dancefloor, moonlit or otherwise. Funky tribal percussion, dramatic synths and echoes add depth and modernity to the sound and vision of the original and of course that all-important instantly recognisable bass stab is stronger than ever. Flip for a stripped up, not down, dub and the result is a superb record that will be played far more than just for one day.

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15,08
UNKNOWN ARTISTS - LIGHT TOUCHES 10 (ANDREA PASSENGER EDITS) EP

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics.

While the older numbers are much sought after on Discogs, Andrea Passenger digs deeper into the best shades of disco, afro, boogie and funk to deliver the 10th release on the highly revered Light Touches Records.
On A side, “Roots” is a relentless disco tune for incendiary peak times, while “Psych Afro Roller” keeps faith to the name going into crazier territories. On the flipside, “New Dance” adds some boogie tones and quirky synth arrangements, while “Feel The Feeling” rounds things up with its moody and deeper vibe.

All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors!

12” limited to 300 copies (no digital).

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13,40
Ex-Terrestrial - Urth Born

Repress!

'Pacific Rhythm returns with a slight deviation from the Vancouver sound to explore transmissions from the Eastern corners of Canada. Four introspective yet club forward dance tracks from one of Canada's finest producers (and a remix from his flatmate) are the result. Have a listen, we think you'll like it!'

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9,66
Stoi - No Drugs

Stoi

No Drugs

12inchSBTL028
Subtil
13.12.2024

Subtil Records welcomes newcomer Stoi to the imprint to release his second EP, "No Drugs". This understated (yet powerful) three-track EP embodies Stoi’s signature style — minimalistic arrangements, hypnotic grooves and immersive soundscapes — blurring the lines between dancefloor energy and reflective listening.

"No Drugs (featuring Pae)" (A1), the first track of the EP, clocks at a whooping 10:45 minutes and is a genuine exercise of trance-inducing music. Here, Stoi crafts minimal pulsing beats and intricate modular rhythms, on top of a morphing, massively visceral bass, constantly roaring through the entire track — purpusely making you feel like you are in some kind of altered state of mind. On the B-side, "Ro Id (featuring Cclah)" (B1) brings fresh rhythmic complexity to the EP. Deeply melodic melodies, rich textures and subtle progressions embody a minimalistic charm that unfolds with each beat, making it the most warm and contemplative track on display. The last track of the EP, "Latibulate" (B2), sees Stoi further showcasing his allure for barebones, minimal arrangements where the groove is locked and relentless. And between the wonky bleeps, dissonant melodies and sneaky basslines, there's an undeniably eerie vibe that, through repetition, manages to catch you.

Perfectly suited for both club dancefloors or deep listening sessions, "No Drugs" by Stoi radiates the subtle power that defines minimal techno at its finest, and an essential addition to the Subtil Records catalog.

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13,66
Dinky - Hold me Tight

Dinky

Hold me Tight

12inchRCM019C
RHYTHM CULT
11.12.2024

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

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13,66
Various - Toolroom Sampler Vol. 15

2026 Repress

DJ Support: Danny Howard, Annie Mac, Mistajam,Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne,Todd Terry, Alex Preston, Full Intention, GW Harrison,DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos,Johan S, David Penn, Sam Divine, Riva Starr, Claptone,Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KCLights, Friend Within, Dombresky, Gorgon City, ChrisLake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, LowSteppa, Mat.Joe, Raumakustik, Eskuche

Coming out the traps strong, our next 4-track vinylsampler series kicks things off with Toolroom’s very own Mark Knight who continues his impressive string of collaborations with Darius Syrossian appearing alongside him for the first time on the label. Mark and Darius, along with studio maestro James Hurr,stumbled on this classic ‘Let’s All Chant’ sample and together proceeded to write a peak-time, tech house slammer around it. With relentless energy and lush vocal licks and that all-familiar 90’s sample, this one works a treat on the dancefloor.International House don Low Steppa is next for a special release with Malta’s finest, Jewel Kid. Their track ‘Big Busta’ oozes ATTITUDE! Slamming tech house drums, an insatiable groove and a tongue-in-cheek vocal that will raise many a smile on the dancefloor. Another certified club weapon for sure! CASSIMM kicks off the flipside on the vinyl with another peak-time club weapon as he returns with ‘Say Yeah’ alongside vocalist Mahalia Fontaine. The Italian born House music maestro is on fine form as always here, hot on the heels of his ‘Love Desire’ record that went stratospheric in late 2023 on Claptone’s ‘Golden Recordings’ label. With a big bassline and oodles of dance floor energy alongside Mahalia’s rasping, diva style vocal adding that classic house vibe to proceedings! Finally, we round things off with the once mysterious but now ‘unmasked’ house duo ‘Wh0’ with a rip-roaring club banger! Remixing for the likes of The Prodigy, Basement Jaxx, Calvin Harris and Meduza whilst collaborating with Armand van Helden, Nile Rodgers and David Guetta under his Jack Back alias.This track is a heads down, no-nonsense, tongue-in-cheek club weapon! Seriously powerful drums, aplayful acid line and a very cheeky vocal that will cause a stir on many a dance floor!

Countless radio plays on Radio 1 from Danny Howard,Sarah Storie, Pete TongOther notable radio plays – Kiss FM, Toolroom Radio,Sirius XM, Data Transmission Radio, Radio 1 DanceAnthems, Radio 1 Party Anthems, Rinse FM, SelectRadio, Tomorrowland Radio

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14,08
Various - Vega Records 5 Pack Unreleased V (5x12")
 
18
also available

IV[56,09 €]


ADE is just around the corner which means it’s time for the annual Vega Records 5 Pack Unreleased limited vinyl release.

Unreleased V is ready for you to play at your vinyl parties with a lineup of super talented individuals including Bebe Winans, Msaki, NV, Funki Cadets, Axel Tosca, Boddhi Satva, Tommy Bones, Johnny Dangerous, Dj Erv, Natasha Watts, Mobi Dixon, and Josh Milan. This year we hit you with 18 Unreleased tracks, special versions, dubs, and more for your dance floors and house parties. With 5 new reworks by Dj Erv to new young talent NV, to seasoned songwriter and genius talented artist Msaki, to the incomparable Bebe Winans, to Brooklyn producer Tommy Bones, to the maestro on keyboards Axel Tosca and more, this 5 pack brings you around the world within 18 tracks from Brazil to Africa to Cuba and back to New York City ! The pressing is pristine mastered by Herb “Pump” Powers and vinyl manufactured at Optimal Germany assuring you top quality excellence! This is a limited edition so get yours asap before they sell out! Available soon at a record store near you!

Published: 21st October 2024

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57,77
QUEEN OF COINS - QUEEN OF COINS EP

Buckle up, electronic aficionados! Queen of Coins is about to drop a six-track sonic odyssey that’s your one-way ticket to Electro, Italo-Disco, and Detroit Techno nirvana. This isn’t just an album, it’s a masterclass in psychedelic dancefloor alchemy, tailor-made for DJs who crave cutting-edge sounds while paying homage to the genre’s founding fathers.

From the slow-burning hypnosis of “Head Tension” to the heart-racing throb of “16K Cal,” this release is a BPM rollercoaster that echoes the spirits of legends like Legowelt, Drexciya, and Francisco. But make no mistake – Queen of Coins isn’t just rehashing the past, the Queen is propelling these influences into the future.

“Bring it to the top” is pure condensed energy, engineered to shake every powerful soundsystem while maintaining an emotional depth that’ll hit you right in the feels. Speaking of feelings, “Damaged Souls” is the track you didn’t know you needed – a poignant electronic love letter to all those “what if” moments that haunt our dreams.

But don’t think for a second that Queen of Coins is all melancholy. “Oreo Cake” swoops in with its irresistible bouncing bassline, serving up a fat slice of low-end theory that’ll give your mind, body, and soul the workout they’ve been craving. It’s a reminder that in the realm of Queen of Coins, the future is bright, and the beat goes on.

Remember the mantra, ravers: Queen of Coins is “Music to grow with Expanding your soul Thriving in Prosperity.”

This isn’t just an album release; it’s a coronation. Long live the Queen of the electronic underground!

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14,50
Jolly Stewart - Ragga Muffin Soldier 7"

“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

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13,03
Various - Le Grand Ouest 1978-1988 (LP)

This compilation features tracks released between 1978 and 1988 in Western France.

Through this compilation, we strove to highlight a little-known regional scene, characteristic of the diverse and sometimes opposing music movements of the 80s. Through this musical journey across the Brittany, Normandy, and Pays-de-la-Loire regions, we sought to showcase a resolutely indie aesthetic, sometimes conceived in some of France’s most unusual studios, such as a bunker and a caravan.

We’ve found it difficult to make attribute an established, well-defined genre to some of the tracks featured on this compilation. They draw, each in their own way, from the rock scene that dominated the 80s in France, from countercultures, from American stars who shone on the country’s radio stations and in its record stores, and even from local folk music.

While one could hear an harmony across the tracks featured on Le Grand Ouest, channeling this manifold energy onto a record required extensive research through the Brittany, Normandy, and Pays de la Loire regions’ discographies. Over the three years since the release of Le Grand Sud-Est, we have meticulously researched the references of artists, musicians, studios, labels, and publishers from each region. We sought to trace each artist to identify and listen to all their works from that period, and, when possible, collect unreleased recordings, left as demo cassettes on the artists' dusty shelves.

The synthesis of this research, presented here under the title Le Grand Ouest, hopes to remind us of the timelessness of the indie scene in our country, through the lens of the 80s Western France’s scene. Whereas Le Grand Sud-Est exhibited the funkiest sides of the Provençale and Rhône-Alpes scene, Le Grand Ouest leans towards a more mellow, introverted music, an expression of groups of friends united by the joy of playing together.

The first 500 copies of the record come with an extensive booklet with unpublished photos, press clippings, and texts for each track.

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21,22
Severed Head - OP-5 Story

Severed Head

OP-5 Story

12inchPANO01
PanaVision
06.12.2024

Panavision was born from the shared passion for music of Akaj, Pierro, and Brassac. After years of playing as DJs, they came together in 2023 to create a space that goes beyond dance music — a platform where producers and artists can explore creativity, freedom, and in novation.

Rooted in a diverse range of genres, we are committed to discovering and nurturing talent, both from the past and present. Our mission with this label is to bring stories to life through music that is authentic and dedicated. For our first releas e, we are thrilled to present a mini - album from S evered Heads titledOp5.

This record marks the official launch of our label, which operates between Brussels and Ljubljana — two cities that embody our ambition to explore diverse creative landscapes and push the boundaries of contemporary music. This first release is a t ribute to one of the pioneering forces in electronic music. The OP Series is one of many innovative projects S evered Heads h as produced since the late1970s.

For this special release, we’ve carefu lly selected six original tracks out of fifty from the Op Series releases of the early 2000s and curated them into a thoughtful sequence to form this mini - album

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14,71
Bushman & Ashanti Selah - Souljah Step

FINALLY! What an honour it is to share this one to the masses in the style of a fresh brand series that I teamed up with Bushman to bring a new label called 'Spiritual Vibes' where we will be bringing dubs that bring the vibes, the whole vibes and nothing but the vibes! Yet to launch it all off we are starting with a special project-build we had started over 2 years ago with a tune from Bushman's 90s archives; re-vamped and re-stamped with inspiration from the original track 'Return to Jah' aka Souljah Step as played by none-other than the mighty Aba Shanti-I as a themed closing anthem at many dances. Once we had played this version to Aba he had resurrected the original dubplates cuts in order so he could start running these new cuts alongside as a remix cut!

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20,97
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