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Diogo Silva, Nuno Fulgêncio and Rui Martins collectively go by the name Bardino. With their sound consisting of an inventive mix of
electronica, rock, jazz, the Porto-based trio are pushing their sound into unchartered waters. A feeling that will be reinforced after
experiencing their new album, ‘Memória da Pedra Mãe’.
Their enthralling music draws upon the imagery of the beautiful and rugged scenery of their home country. ‘Centelha’ , their previous
album (released by Saliva Diva in 2020) was recorded in Chaves,
in the very remote region of Trás-os-Montes. Their 207 EP of the same name was created in the rustic heart of Serra das Meadas. In this
latest offering, the mention of "Pedra Mãe" (Mother Stone), refers to a rare geological phenomenon popularly known as "breeder stones"
found in isolated, deserted, and inhospitable places. On the inspiration of the new album, they explain that they want to refer to "the
importance of collective memory in the cohesion and identity of communities and the process of creating new memories, a process that
is both natural and conflicting, since it mirrors a tension between past, present and future".
The album was recorded in the summer of 2023 at Arda Recorders in Porto and produced by João Brandão and Rui Martins. In this
new material, Bardino's resources expand: Nuno Fulgêncio's drums, Diogo Silva's bass and Rui Martins' veritable arsenal of keyboards
(acoustic and electric piano, various synthesisers) are augmented by the alto and tenor saxophones of Brian Blaker (who stands out in
"Memória" and "Black Mica"), the guitar of Leonardo Outeiro (who features on "Punctum No 2") and, already indicating their affiliation
with the Porto label Jazzego, Hugo Oliveira, who records as Minus & MRDolly (and is a guest on "Pedra Mãe") and Sérgio Alves, aka
AZAR AZAR (who plays piano and Moog on "Tília"). Bardino's entry into the increasingly unavoidable Jazzego catalogue also reinforces
their obvious links to a new wave of projects that have been experimenting with different tangents to the notion of "jazz", taking this
music as part of a wider set of coordinates.
Over the course of eight tracks, and clearly benefiting from the distinct imprint of the recognised quality work of João Brandão, one of
Portugal's current best producers, Bardino presents dense, deeply cinematic music of the highest definition, in which the different
instruments translate a broad emotional and visual landscape, with solos of enormous elegance arranged over grooves that induce the
idea of movement. All the musical coordinates mentioned earlier are present, but perhaps in this new material you can feel a greater
fluidity, certainly the result of honing the vision of the central trio through a vast experience collected on stages all over the country. And
there are even echoes of a decidedly Portuguese songbook, as is so clearly felt in "O Semeador", something new in the range of aesthetic
references embraced by Bardino. This is, in fact, music that thrives on a benign tension between past, present and future, in the sense
that it embraces traditions and history, seeks a new framework in this diverse now and dares to project itself forward. Because the future
is the best of all locations.

Demon Music are happy to present – Electribe 101 - ‘Electribal Memories’, this stunning half-speed master vinyl edition cut from the original tapes by Barry Grint at Air Studios. Formed when Hamburg-born / London-based, sometimes S’ Express member Billie Ray Martin hooked up with four musician / producers from Birmingham, Electribe 101 instantly hit upon a sound heavily influenced by the de rigueur deep house sounds of Chicago and Detroit but with a distinctive European twist. With Billie Ray up front, with a voice like ice on fire and looking as if she’d stepped forward in time from a circa-1966 Mary Quant catwalk, the band were instantly snapped up by Mercury Records, and taken under the wing of Pet Shop Boys manager Tom Watkins. The band released five singles in the UK, and all featured on their debut album ‘Electribal Memories’ – ‘Tell Me When The Fever Ended’, ‘Talking With Myself’, ‘You’re Walking’, ‘Lipstick On My Lover’ and an incredible cover of Odyssey’s deep soul classic ‘Inside Out’. When the album arrived in 1990, it was an instant hit with critics – immaculately produced, poised, luxurious and soulful, it was difficult to believe it was a debut record at all. After ‘Electribal Memories’, Electribe 101 called it a day. Since then, the album’s reputation has grown in stature and many of its’ singles’ attendant remixes have become sought-after rarities. The cultural earthquake prompted by the late-1980s arrival on these shores of house, acid and rave prompted many a legendary club night and a generation of superstar DJ / producers. While there were a myriad of great club tracks produced in that heady period between 1988-1991, classic albums from the scene were rather more of a rarity. One towering exception was the debut by Electribe 101…

Underground hero and label boss DJ Steaw makes his Nu Groove debut with ‘Seascape EP’, a four-track odyssey of deep, soulful house. With over 12 years of experience, the revered DJ and producer is known for his arresting sets appearing on famed stages including Berlin's Tresor, London's fabric, Amsterdam's Shelter and all over his home nation of France.

As an electronic tastemaker spanning multiple genres and influences, DJ Steaw has launched House Puff Records, Steaward and Rutilance Records, the latter of which he co-founded with crate digger Gunnter. Having already received support from tastemaker Chris Stussy, this four-track package is a perfect fit for the cult NYC label. Opening with the powerful stabs of ‘Take It There’, ‘Seascape EP’ explores the producer’s signature, bass-heavy sound as well as the myriad of influences from further afield. The title track ‘Seascape’ contrasts breathy pads with bright, dynamic percussion, as ‘Close To You’ and ‘Exotica’ further demonstrate a recognisable, nostalgic aesthetic that is both club-ready and dreamlike in quality.

Hailing from Kaliningrad x Berlin, new vinyl only label Garderobe, heralded by Malish, launches the first EP release. Limited to 250x copies

Keeping things edgy, deep, and minimal this 3 track release from Bilalov colors darker shades of house and techno for dancers and party people who are seemingly never ready to go home.

Also included in this release is a remix from prolific minimalist dj and producer Alci who delivers a superb remix that keeps the groove within respectable norms of avant-garde minimal for the audiophiles and chin strokers alike.

A genuine gem for any dj’s record bag or crate diggers collection. Honest, pure, and full of integrity this first release sets the tone for things to come and is sure to hit all the right spots during different hours of the party!

An original instrumental music project led by composer and Oud player Aly Eissa. Featuring his diverse musical influences, Eissa’s compositions create versatile and twisted meditative atmospheres throughout the musical experience.

Aly Eissa is a composer and Oud player based in Cairo, Egypt. He was mentored by legendary composer Abdo Dagher and Oud virtuoso Hazem Shahin. Eissa’s style is deeply-rooted in the Egyptian classical and folk traditions, and influenced by various western genres. Since 2012, Eissa has been regularly performing his compositions with an ensemble for live audiences in Cairo, offering a meditative musical experience with a twist.

One of Eissa’s musical approaches is the experimenting approach through a unique trio formation including the Belgian synthesizer player Jonas Cambien and the Egyptian percussion player Ayman Mabrouk. In this trio, Eissa is trying to explore a different sound and space in the originally composed Arabic music.

Balearia records brings up a particular sound yet again with another stunning selection of balearic deep eclectic gems. Includes a classic Jovonn remix, an incantations and ecstatic trip to the heavens that will leave dancefloors in raptures…

Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.

The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!
Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.
A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear!

Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.

Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.

"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.

The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.

The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.

Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.

Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.

For release number 5 on vinyl-only label and blog, Bare Bones Wax enlist a couple of new artists to their roster. Valencia based Camiel Daamen offers up two original tracks, while Berlin based Johannes Ortlieb offers up a remix of both compositions. Over his active 24 years, Camiel has released on various labels such as In-house , Viva and Origins alongside many others. Last year also saw the start of his own Freeborn Records which included the release of his own Beatport top 10 smash “Ready For Love”. Johannes has releases on mainstays such as Al Bradley’s 3AM label and Fluid.

Up first on the A1 is the title track “Quintaesencia”, Camiel blends deep beats with swing fuelled hats and Garage licks alongside an uplifting vocal to create a dancefloor monster. On the A2 Johannes takes a modern Deep House feel interlacing the subbase and vocals with cracking affect. Over on the flip “Make Music” opts for a more techy feel with driving beats and a spoken vocal giving a nice pumping feel. Johannes second remix of “Make Music” finishes off the EP taking the track in a tougher Deep House direction that could have come straight from New York.

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.

The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, Carl Craig, Truncate, Drumcell, Chris Liebing, Radio Slave and Luke Slater who have all given the original music in their own unique style.

With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.

Emotional Damage EP, is the result of a collaboration between Alyhas & Occibel. Friends and now colleagues, they have decided to work together on a house, funk and electro EP. It's made up of 3 eclectic tracks: House, Funk and Electro-House. For his part, Tiago Walter took up the challenge of remixing the track Emotional Damage, bringing his own deeper touch to the mix, which takes the idea of this eclectic EP even further.

Fortunea Records finishes off 2023 with another vivid release by Peletronic. The Hazy Jane EP features 3 new original deep house and electro tracks by the winsome Austrian. The record begins with ‚The Highest Chance‘.

A dazzling composition featuring vocals by M-Jane. Cold engaging pads and simple rhythmic structures are the main elements in this track. In combination with this prose, that can be construed and contextualise for eternity, it absolutely stands out from the mass of modern-day deep house productions. The A-side continues with the title-track. It is a groove-laden, old school house tune that will toss up the audience into new heights with its soulful rhodes, supple bassline and the comprehensive brisk arrangement.

A great tool that definitely will find its way in the recordbags and USBsticks of a house dj. On the B-side Peletronic greets you in his ‚Utopia‘ where impactful electro beats shape the landscape of a prospective scenario. And last but not least a remix of the first track is also included. Slovakian dj and producer Paradiso Rhythm retells M-Jane’s story in a 90s warehouse décor. All in all a warm, deep and beautiful journey to the brim.

GET A LIFE 001" is an exclusive vinyl-only music label specializing in carefully curated edit tracks spanning various genres, including Hip Hop, Pop, House Classics, and Soul.

The debut release, 'GET A LIFE 001,' introduces listeners to a unique blend of House Music with subtle influences from minimal and 90's house beats.

This fresh and innovative edits label, masterminded by the artist Hessa, offers a dynamic and dancefloor-focused experience, featuring deep tracks that invite you to explore their origins.

With 'GET A LIFE 001,' music enthusiasts can immerse themselves in the art of musical transformation and rediscover familiar tunes in a new and exciting light.

So, take a moment to indulge your ears and embark on a sonic journey with this Vinyl-Only Gem.

Hilit Kolet debuts on Rekids with ‘Hot Mess’, including remixes from the legendary Mike Dunn.

Following her remix of Terry Farley & Wade Teo’s ‘Why We Dance’, Hilit steps up to the Rekids plate with her debut EP for Radio Slave’s label with her single ‘Hot Mess’. A relentlessly driving drum machine werqout, ‘Hot Mess’ sees her masterfully mixing compulsive, marching rhythms with a fiercely impassioned spoken word vocal.

With added raw jackin’ energy in the ‘Even Hotter Mix’, this has the kind of late night runway energy that demands the
Sound Factory be rebuilt. On the B-side, Chicago house legend Mike Dunn’s remix of ‘Hot Mess’ is a deep groove that adds a wriggling earworm bassline, while still embracing the enchanting vocal of the original.

Hilit Kolet has been an integral part of London’s house scene ever since she started slinging vinyl at Soho’s legendary Black Market Records. Her distinctive, energetic DJ style then established her behind the decks everywhere, from high fashion shows to some of the most celebrated underground clubs in London. 2023 saw Hilit going global with shows from Ibiza to Shanghai via Printworks, Warehouse Project and Ministry of Sound.

Her summer single on the Faith imprint ‘POV Siren’ has been embraced by DJs as diverse as Robert Hood and Paul Woolford, and her edit of Laurent Garnier’s ‘Crispy Bacon’ was rinsed by many from Carl Cox to Patrick Topping, before seeing an official release by Garnier himself. ‘Hot Mess’ sets Hilit Kolet up as a serious name to watch out for in 2024.

A 5-track VA 12-inch record, featuring music from Olsvangèr, MYKI, Mo.huv, Tingz, Asphalt DJ and Gzardin.
“Ten” expands the label’s rave-dance nostalgic approach to wider realms of ecstatic electronic soundscapes.
The

A1 features Olsvangèr with a galloping-yet deep and groove-heavy house gem, followed by Asphalt DJ & Gzardin on A2 with a pure ravey belter!


A3 Belongs to MYKI with a deep and hypnotic house cut.
B1 Is by Tingz & Mo.huv, a dirty galloping breaky track, bass-heavy, with some ghetto vocals and distorted darbukas.
B2 by DJ Headshot on a downtempo after hours trippy twist.


It's been 40 years since Michal Turtle released his seminal, ground-breaking album "Music From The Living Room" into the world and promptly disappeared back into the aether.

An extremely obscure cult classic known only to deep diggers and aficionados of the finest order, it wasn't until Music From Memory reissued some of the tracks from it via retrospective compilations of Turtle's unreleased music almost 30 years later that his name become more widely known and a new generation were able to discover the artist's unique and pioneering style of experimental electronic music production, the majority of it very much ahead of its time, and to this day, still timeless.

Invisible Inc contacted Turtle in the summer of 2023 about releasing something else by him and it was during this exchange of emails that ideas were expressed about releasing not simply a straightforward reissue of "Music From The Living Room" to mark its 40th anniversary (the album has never been reissued in full) but rather a re-imagined/re-constructed take on the album bringing contemporary techniques, styles and newly recorded vocal and instrument parts into the mix and breathing new life into these wonderful compositions.

Collaborators old and new were brought into the studio and the songs re-created from the ground up. Familiar songs like "Are You Psychic?" and "Village Voice" get overhauled and echo remnants of their original counterparts but simultaneously sound like completely new tracks. The always mesmerising "Phantoms of Dreamland" is represented through a live recording at Café Oto featuring original album vocalist Lucianne Lasalle and regular collaborator HOVE on electronics. The remaining tracks, however, will be completely new to the ears of most people, never having been reissued or heard in these new forms ever before.

Regardless, whether in some way familiar or not, these hypnotic and repetitive pieces of beautiful sound art, all very different in style from one another, have an entirely new identity that even diehard devotees of the originals will fall in love with.

“Holy shit. This record is amazing. 'Are You Psychic?' is really something” dj_2button Dummy Hand / Weirdos Inc.

“What a record!” Cosmo Vitelli I'm A Cliché

“Amazing release. Probably your best release yet! Does everything an amazing record should and more...” Alexis Le-Tan Oddity Radio / Full Circle / Offen Music

Hanagasumi Records presents the fifth release, this time you will hear multi-genre electronic music in compilation format from wonderful artists who have their own unique and inimitable musical vision. Many of the artists previously released on labels such as Udacha, Rough House Rosie, Kimochi, Runout, Resonance, Faktura.

On the cover you see the numbered minerals of one large gem, the mineral number is also the track number. Minerals come together to create something beautiful, just like the tracks on this album.

The compilation opens with the instrumental track "Kamerton" by Shine Grooves, which combines classical piano playing with atmospheric synth sounds. The second track "Gods Gave" by Seal Bient & Jon'Smu is filled with mystery and melodic sequences that gently fall on electro rhythms. Continuing the journey, we come to the third track - "Caleidoscope" from the legendary band Bipolardepth, very fragile and thin sound matter, reminiscent of crystals, is connected with an ambient mood. The fourth track "The Sun Changed To Rain" is the work of two musicians - Michel and Shine Grooves, the composition is filled with house percussions and magical synth parts, but has a relaxing effect. The last track on side A is "Smelles" by Psor, you will hear house rhythms, lots of delay and vocals - first class dub! The second side is opened by the melodic IDM track "Muy Fragil" by Jon'Smu, atmospheric melodies are combined with broken rhythms and futuristic percussion. The second track "Fabrika" from the live improvisational band Ryabina is filled with crystal clear sounds, electro rhythm and cosmic chimes. The third track "Kwas" by Ronin combines a very slow and deep house groove that runs very smoothly through synth sequences. The fourth track "Lionwave" from the mysterious musician Phoboz, is an incredibly beautiful dub techno that slowly leads to hypnosis. The album closes with the ambient track "Runout 08.03" by X343 - a loop-shaped synth sequence that can run endlessly in your head.

Repress

Embark on our new adventure with Luca Olivotto as he leads the sixth release on Small Great Things. This limited vinyl and digital EP marks the inception of a new release series featuring exclusive Small Great Things artists.

Showcasing four finely tuned tracks that seamlessly blend classic house vibes with contemporary beats, creating an irresistible dance floor experience.

On the A1 side, 'After the Beep' initiates the journey with a classic house groove and the sultry serenade of a smooth saxophone.

The title track, 'Love Transmission' on A2, takes the spotlight more on its infectious groovy bassline and captivating vocals.

Flipping over to the B side, 'Take Me' delves into deeper realms, offering a timeless track that resonates with raw emotion.

Closing the release on the B2 side, 'Redsape' delivers a classic house tune tailor-made for the dance floor.

Olivotto's expertise shines through, creating an atmosphere that is both nostalgic and cutting-edge, ensuring a brilliant journey on this 6th release.

Luca Olivotto's 'Love Transmission' EP is a testament to the evolving soundscape of Small Great Things. This collection promises to captivate enthusiasts and DJs alike.

Sonic Transmutations is an extended compilation album celebrating over three decades of Clone Records. Marking the 31 years - which is coincidentally the national Dutch telephone code - the 8x12 inch box set draws together veteran talent and emerging iconoclasts, transmitting a frequency rooted the imprint's signature blend of essential dance music while journeying off into territories unknown. In a constant state of unfolding, morphing across phases of matter, Sonic Transmutations purveys an elemental energy that stands in testament to Clone's enduring legacy and explorations of sounds and structures.

What you do is a fundamental question. But it's how you do something that ultimately determines the effect." — Julian Sartorius

With 'RLLRLRLLRRLRLRLRLLRLRLR', Swiss drummer and sound artist Julian Sartorius presents his third album in three years. Together with 'Ensemble This | Ensemble That' Sartorius has created a mesmerizing 39-minute percussion album that conclusively expands his artistic output. For the first time, an ensemble plays an idea conceived by Sartorius, while he assumes the role of an interactive conductor, manipulating the sounds made.

Sartorius is known for his fluid and versatile solo performances in which he continually modulates the sound of his instruments, adding objects and progressively unfolding his sound world. The idea of expanding this practice was already gestating when the 'Ensemble This | Ensemble That' invited him for a collaboration. Together with the drummers and percussionists Brian Archinal, Victor Barceló, Miguel Angel Garcia Martin and Bastian Pfefferli the concept was further explored, elaborated upon in detail, and finally realized.
'RLLRLRLLRRLRLRLRLLRLRLR' is both title and score for the ensemble's four percussionists. The pattern, consisting of 23 individual beats, is played continuously by the ensemble while Sartorius gradually makes alterations to the instruments played. The result is a piece that has a sustained rhythmic flow yet is perpetually changing. Sartorius' interventions and the precise musicality of the ensemble allows the listener to discover an expansive array of moods and intensities.

The album is structurally recursive but develops an almost mystical magnetism through an odyssey of diverse musical landscapes. Sartorius explains: "It amazes me deeply how much the sentiment can change based on a musical mood - this sense of curiosity is made audible with this album." The album recording itself is designed as an endless loop: at the end of the recording, the ensemble's sound has returned to its starting point, thereby completing an endless, self-contained cycle, with no beginning or end. In this way, Sartorius also echoes his 2021 album 'Locked Grooves'.

Julian Sartorius' precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has released numerous solo albums, creates audiovisual art works, collaborates with musicians, writers, and artists, and performs live in intimate venues and on festival stages.

Ensemble This | Ensemble That (ET|ET) have established themselves not only as interpreters of contemporary music, but also as collaborators to a wide range of artists including projects like Zimoun, Myriam Bleu, Strotter Inst., Lê Quan Ninh, Marko Ciciliani, Jürg Frey, and Michael Maierhof, amongst others.

A command across genres has distinguished Yasushi Ide’s work as a DJ and producer since emerging from the multiscene spawning big bang that was Tokyo’s highly influential club milieu of the 1980s. His productions draw variously from hip-hop, dub, house, punk, jazz dance, exotica and electronic music - and at their most expressive, synthesize sensibilities within a single track. The respect Ide’s earned is well evident in the impressive roll call of collaborators he’s accrued over the years - Masters At Work, Tom Verlaine, Don Letts, James Chance, DJ Krush, Pharaoh Sanders, U-ROY, and Bongo Herman, just to name a legendary few.



Now available for worldwide distribution from Love Injection Records in both digital and 7-inch 45 vinyl formats, the Yasushi Ide “A Place In the Sun (Kaoru Inoue Remix)” is paired with the equally gorgeous “A Place In the Sun (Dub).” On the former, Inoue’s treatment largely strips away the track’s beats, anchoring it to a subtle percussion pulse that emphasizes the composition’s irresistible melodic qualities. The latter finds Yoko Ota at the controls restoring and pushing reverb-soaked drums to the forefront of the mix, accentuating Ide’s affection for the sound system aesthetic while exercising just the right amount of spacial arrangement flourishes to inject some brawn amidst the beauty.



These serendipitously rediscovered renditions of a back catalog deep cut are just the latest examples of Yasushi Ide’s artistic reach. In addition to recording such acclaimed albums as 2020’s Cosmic Suite and its 2022 sequel (for which Love Injection has remixed a track), his work has spanned music supervision of some 200+ compilations for major labels, artist management, his Grand Gallery shop/gallery proprietorship, and books showcasing the depth of his archival sensibilities, including vintage t-shirt and ephemera curation. Perhaps most inspiring, however, is that Ide is still winning new appreciators and collaborators in unexpected ways four decades into a revered career that continues to evolve and expand.

Over the past few years, we have strengthened our ties with photographers to showcase music we stand for.

Art Curation is deeply rooted in Délicieuse’s DNA. It all started with our Youtube channel where we have been showcasing the music we love for 10 years now. Parallel to music curation, our curiosity and appeal for aesthetic imagery brought us to enhance the music with photographs, illustrations or cinematic scenes. As a result, our Youtube channel has been the laboratory of our collaborations with photographers from all horizons such as Yosigo, Victor Costa or George Natsioulis.

Following that path, the Chambre Noire Compilation tends to expand the synergy between music & imagery. The idea is to highlight a photographer’s work & make the compilation a gallery in itself. For this first episode we are collaborating with Yosigo, a well established photographer from Barcelona. The art direction and graphic design side is imagined in collaboration with Brazilian art director Hermes Miranda.

The compilation contains 12 exclusive tracks released digitally and physically across a double vinyl edition. The physical edition includes an A6 photo booklet aiming to highlight Yosigo’s work while exploring the compilation concept.

Musically speaking the compilation follows Délicieuse’s travels and features a blend of established & emerging artists from all over the globe featuring the likes of Tell, Domenique Dumont, Fertita, Logh, BowAsWell, Pool Boy, Scissorwork, Jesper Ryom, Marvin Horsch, Jah One, Brothers of Eternal Love, and Golf Trip oscillating between Balearic, Deep House, Electronica, Electro & Indie Pop.

Get ready for an immersive and captivating musical experience with Chambre Noire.

Following up last year’s Acrobatic Thoughts album, Panoram delves even deeper into his own musical universe with Keep Looking Where The Light Comes From. We find the producer in confident form, exploring the fuzzy fringes of beauty and chaos. The result is an album that sounds even more like himself and yet surprising at each turn.


Opening track Feathers sounds like only Panoram can, buzzy arpeggiated distortion takes flight somewhere in the direction of a distant multiverse where Animal Collective and Boards of Canada soundtracked Koyaanisqatsi. But the psychedelic drift is all Panoram’s own, conjuring a stark sense of the uncanny with the repeated phrases. The digital guitar and vocal loops of I Can Only Repeat Your Love are practically on the brink of collapsing in on themselves, to the point where the structure begins to shift like a collapsing monument. Flat Stones nods towards ASMR, as flute and woodwind tones caress the ears and a whispered voice teases out an altered state.


It’s this dreamlike mood that pervades the whole album, a maximal effect that’s wrung from minimalist compositions. The Wide House picks up the baton from Laurie Anderson to trip gently through different states of awareness, while the piano patterns of Blank Sheep float through the synth ambience like ideas entering an empty dream. There Is A Hole Here is another mutant loop that unravels as it proceeds - the rhythms turn into a pulse, and despite what the lyrics say, it does indeed mess around with your brain.


Panoram balances dance tropes, classical composition, ambient drones and a washed out, fuzzy twist on avant garde pop, and manages to transform it all into a uniform whole that fits all those puzzle pieces together. Yet such is the assuredness of Panoram’s production that it sounds effortless. At this point, the music is more like a midwife, manifesting your future self‘s enlightened consciousness with surreal effect.

Visions Recordings is delighted to have Detroit's Julion D'Angelo and Chicago's SPECTER on the same record after years of trying to work together. These two Detroit masters of the deepness have released records on some of the best labels around, including Sound Signature, Tone Log, Freedom School , Tetrode , Sistrum and more.
These two tracks are original deep zmusic to dance to, but also to dive into and listen to all the details, the complex programming, and the search for unique sounds. It's special and that's why we love it and want to keep promoting it. Real music!
We fell in love with these tracks as soon as we heard them, and we hope you will too. Visions aims to maintain a high and varied standard, and once again we try to present you with quality and profoundness. enjoy the ride.

Celebrating twenty-five years of Aficionado as a place to play away from suffocating mainstream club culture, DJs Jason Boardman and Moonboots have compiled a contemplative set of 16 tracks that holds a deep meaning to both themselves and attendees of their now legendary parties. The compilation includes two new tracks exclusive to the release: J Walk’s ‘Cool Bright Northern Morning’ and Begin’s remix of Canyons ‘Akasha’.
Reflecting on how it all started 25 years ago, Moon considers their no-plan-plan to be a makeshift plateau which evolved organically: “All we did was try to play good records one after the other without any consideration for fashion. And people wanted that”. Alternative approaches were not unknown at the time, but Aficionado, as Jason and Moon’s Sunday sessions became known, pressed the reset button with unique resolve.
Jason elaborates: “It was 1998 when we started. It was our own 'fuck you’ to the Super Club regime - almost everywhere then. The ‘anything goes’ Balearic ethos was in abeyance. It wasn’t cool at the time, but we both just wanted to keep that original spirit alive. ‘Keep it open’ had always been my approach to DJing - even from playing at Youth Clubs as a teenager. No rules or generic constrictions. Play anything that you like from any era, any style from any time. We always encouraged our guests to dig deep and play outside of their comfort zones, their usual styles”.
The lovingly crafted musical mystery tour of this compilation, considering its pleasantly hypnagogic intent, may not reflect the madness of these now distant memories. This is an older and considerably more responsible collection and this is what we need right now - a temporary respite from a world almost capsized. A mood, a meditation created by masters of their craft. Odd socks from disparate global locations making new sense side by side. An assemblage, if you like. A thread through many different kinds of thinking. A new picture pieced together from the lost pieces of many jigsaws.

There's no denying Marcel Fengler's profound impact on the ever-changing techno landscape. A pioneer in his own right, Fengler's works have flooded dancefloors and set lists worldwide for decades, and that shows no sign of changing anytime soon. His latest work is an all-encompassing four-track EP titled "Unleashed", including a remix from sought-after Stuttgart duo SHDW & Obscure Shape.

Kicking off with the title track, "Unleashed" introduces the EP with high-octane rhythms, pulsating low frequency sonics and rave like harmonic layers. An unrelenting onslaught of fast paced thumping techno, built around long, sweeping notes, vocal injections and a piston-like bassline, this one was made for the height of the party. "Caution" is next to feature, presenting itself as a robust industrial number with harsh percussive drive and endless layers of cadence throughout the mix. Weighty yet groovy in a unique up-tempo way, its robotic vocal splashes make the perfect accomplice for its potent warehouse vibes.

"Cypher" pulls you into the second half of the EP with rattling rhythms and more gritty sweeping musicality. Exhibiting the depth in his production skills, Fengler loads up the mix with a kaleidoscope of percussive elements alongside thumping kicks, surging synths, and another haunting robotic vox before SHDW & Obscure Shape get their teeth into a signature remix. Taking it deeper and darker, the duo's emphasis on subtle progressions and increasing intensity throughout the mix with offbeat trickery and creative unpredictability make their remix of "Cypher" a certified peak-time bomb.

"It has been quite a journey with this EP, as I've been exceptionally discerning about the sound and the entire production process. My goal was to create a release tailored for the dance floor, with the right amount of energy for peak-time moments, while also ensuring a profound and well-structured sonic experience. After testing potential tracks in my DJ sets, I distilled what I believe captures the essence I want to share with the audience. Furthermore, I'm thrilled to have SHDW & Obscure Shape on board for a formidable remix. Their work carries echoes of the raw and forceful sonic textures from earlier times, which I hold in high regard. I'm genuinely delighted with how everything has come together, and I hope you enjoy it!" - Marcel Fengler
Order IMF012 now

Keith Farrugia aka The Maltese Magician aka Sound Synthesis has been changing the face of the electro/techno community for many years now with his deep audioscapes. Taking you on a musical journey that’s deeper than Atlantis!


With previous releases on Ralph Lawson’s 20/20 Vision, Nocta Numerica, Gated Recordings, Planet 17 and Exalt to name but a few, Keith is a producer in high demand and we are grateful that he graced AmenTec with two incredible tunes that take the listener on a journey of musical imagination.


On the flipside, Amen Brother supplies the remixers for this release. Firstly, we have Cridge & Powder, two Bristol old school dons and royalty of the hardcore and jungle scene. Cridge is a member of the Bristol band Up, Bustle & Out and label boss of Tribe Recordings. Powder is part of the old skool hardcore group Fruit & Veg, who have been repressing their music on Vinyl Fanatiks recently. The guys turn in a rolling hardcore joint.


Next up on the remix are the Moving Shadow legends that are Tone Def, straight outta Bournemouth Town. The guys ease of the BPM a little and add an addictive vocal hook to their mix, showcasing the broad spectrum of the hardcore rave community. Rog from Tone Def is also the owner and creator of the Void soundsystems!
An EP with many layers!



c b1. Electrical Synapses Cridge & Powder 'Fruit & Veg' Mix
Tone Def Remix

Aphrose reveals her sophomore album, 'Roses,' a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto's best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, 'Roses' remains firmly rooted in Aphrose's signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. 'Roses' weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the 'Aphrose sound,' reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, 'Roses,' which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose's ancestors, particularly her late Grandmother Rose. Following suit is 'YaYa,' also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album's third track, 'Heavenly Father,' offers a brief interlude featuring a recording of Aphrose's Grandmother Rose engaged in prayer, setting the tone for the subsequent track, 'In The Time Of Sorrow.' This contemplative, chill piece captures Aphrose's musings on navigating a world often shrouded in fakery, while craving authenticity. 'Honey (Don't) Come Back' seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. 'What You Don't See' strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship's sad ending.

The B-side opens with the evocative 'Weapons,' featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. 'Chop The Cake' acts as a breather, interlude-style, easing the intensity. 'Soft Nuclear' channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. 'Good Love,' released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. 'Higher' stands as Aphrose's tribute to Prince, capturing the essence of his music within its hook and production. The album's culmination arrives with 'ZAG,' an acronym derived from Aphrose's daughter's name, commencing with the sound of her daughter's heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

'Roses' stands as Aphrose's homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. 'Roses' is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

The radio world has taken notice of Aphrose's talent, with national Radio Capital's Italy Massimo Oldani spinning her latest single "YaYa" for the entire month of July on his show "Vibe." And both singles getting to number 10 in the UK soul chart.Additionally, Aphrose has received national radio play on renowned stations such as BBC in the UK, RTVE in Spain, and Radio France FIP.

Aphrose has also made CBC's Top 100 finalist list for their Searchlight competition.

Huey Morgan played "YaYa" the second track off the album on his BBC radio six show

Kamai Music’s 26th release comes from the Electronic producer duo and live act Kon Faber.

A1: “Ambiguity” is a bouncy, groove- and percussion-heavy collaboration between established producer Iorie,
including a vocal duet.

A2: “Cheer” is an emotional, atmospheric track with a mesmerizing interplay of synth lines and jazzy melodic
licks from professional jazz saxophone player Marius Dick.

A3: “Weberwiese” is a large space with choirs and wide synth pads. The track opens up through a virtuous,
acoustic lead guitar embedded into a hypnotic and bouncy groove.

B1: South African producer Fka Mash gives a deep Afro House twist including a rich bass lead synth.

B2: Kamai’s own Jacob Groening shows a simplistic interpretation of “Cheer” and adds a new depth through a
non-metrically played lead synth.

B3: “Weberwiese” is remixed by Joep Mencke, who adds trance-like melodies and creates a melodic house
spin for the big stage.

Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.

South London Soul Band Trambeat, influenced by the floor shaking sound of 1960's Motor City. With brand new single, "Don't Hold Back"

Trambeat were formed in 2012 by guitarist Graham Potter and drummer Des" Jammy" James. Graham and Des had played together in several bands previously and already had a good musical understanding. Trambeat's manifesto; to write original songs influenced by a love of Northern Soul, Motown, Rocksteady and RnB. But also to look forward and include elements of more contemporary genres. Bass player Nipper Smith, Saxophonists Robin Ogleby and Nadia Barbosa, and organist Emer O'Hanlon were recruited to form the core band and Trambeat set about recording and gigging with various vocalists until, in 2016, Aimee Grinter became Trambeat's permanent lead singer.

Written by Graham Potter and Des James, "Don't Hold Back" is in some ways a comeback single for Trambeat. The pandemic years took their toll on many bands and Trambeat in particular, with the loss of founding member Robin Ogleby being a very hard blow. Following a tribute single in 2021 to raise money for Robin's charities, and a couple of festival gigs in the summer of 2022, theyndidn't have much appetite for writing new material, and were unsure whether to continue as a band without Robin. It was during a jam between Graham and Des in late 2022 that the bones of "Don't Hold Back" came together. The drums and rhythm guitar clicked into an infectious dance groove with echoes of vintage Motown. The band members came together in the studio with renewed enthusiasm and laid down the track in just a day. The band, who remained close,even during this hiatus, realised how great it was to be back in the studio together again. Graham's lyrics, as well as the euphoric feel of the track, reflected this new optimism within the band. "Don't Hold Back" is a celebration of life, of deep friendships and most of all, of love!

Plays on Gary Crowley's show on BBC London.

Regularly played by Button Down Radio, Heavy Soul (Cambridge), The Influential Factor show on Solid Front Radio (album of the week for TTN), Mod Radio UK (various shows), The Edward B'stard Radio Show, several stations in Germany and Edge Radio and couple of others in Australia

Troy Anderson, also known as Waverider, DFD, and Cityboy, released a limited number of twelve-inch records through 1200 Music. Following on from the success of the Cityboy release, We're Going Back presents Troy Anderson's second EP under the alias Waverider. This release comprises of four tracks of immersive and deep techno. This release also features an unreleased track, Dimode_Ice.

2024 Repress

What if Kraftwerk's "Computer World" had a more dystopian message? Then you would get this album: "Control Paradox" by T/Error. This double 12 inch vinyl is filled with Kraftworkian moments, but is more updated to our current times. Today computers, smart phones, AI and algorithms have taken over our daily lives. This release features 9 original tunes and 3 remixes by none other than: Cygnol, Lloyd Stellar and Heinrich Dressel. The track "Cheerleaders Are Eating Flesh" is a homage to the legendary maestro I-F and his cult hit: "Space Invaders Are Smoking Grass".