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'Eagles & Butterflies has taken storm in electronic wonderland' - Boiler Room Arpeggiator was originally titled '14 minutes of Arps' and its exactly that. Its one of the simplest tracks I'v ever made with probably only 8 layers that your weaves in and out the whole way through, really love the subtleness of this track where at the same time it is also a beast! Oyeme is maybe the E&B sound people are familiar with, big marimba melodies, fat sub and rolling hats with a big break, love this one Prophet was originally just an experiment when i purchased a prophet 6, its a little crazy and pretty full on, love the funky bass in the one from the SH 101. All the parts for this where recorded in a few takes live and two whole track was made in 2 hours!
U.K.-born, L.A.-based producer/DJ, Chris Barratt - aka - Eagles & Butterflies breaks all boundaries across the electronic music spectrum. His productions flow seamlessly through Downtempo, Techno, House and beyond, with releases on Innervisions, Bedrock, Exit Strategy, Sapiens and his own imprint Art Imitating Life. From remixing Underworld, RY X, Agoria, Moby, Andhim and Ludovico Einaudi, Eagles & Butterflies is the newest toast of the underground. His live sets have electrified stages around the world at events such as Circoloco, Awakenings, Mosaic By Maceo, Coachella, Junction 2, Lightning In A Bottle, Sacred Ground, Secret Garden Party, Tomorrowland and many more. With support from dance music heavyweights such as Dixon, Ame, DJ Tennis, John Digweed, Maceo Plex, E&B was also named one of Mixmag's Breakthrough Acts this year, was featured numerous times in DJ Magazine and was plucked for a guest mix on Pete Tong's BBC Radio show. Upcoming releases on Agoria's fresh imprint Sapiens, Art Imitating Life 003, features on Nic Fanculli's debut LP, a collab with John Digweed and a remix for RY X, the Eagle has most certainly landed.

We are very excited to welcome ROCCO & ESQUIVEL to COSMICA's roster this year.The duo formed by Rodrigo Desentis (México) and Eduardo Esquivel (Uruguay) provide an uptempo gem strictly designed for the dance floor. Esquivel is a well know name in the Latin American electronic music scene, since he started his residency at the mythical club EXTASIS in Montevideo. After 25 years of career and extensively touring through Uruguay, Brasil and Argentina, Eduardo has settled in México city with residencies in the acclaimed BLANCO COLIMA and CASA DISCO.DUBMASTERS was our first choice for a Remix candidate, and we could not be more stoked with the outcome. The spacey pads and reverberating drums of the intro, already announce the departure to a cosmic destination well know by all familiar with their previous releases on our label. The tight bassline provides the classic 'Electro' background for the wanky guitar chops to flourish into a flock of migrating melodies that fly in all directions in the sky above.EDDIE C, the Canadian / Berlin resident 'SLO-MO DISCO MAESTRO', closes the EP and puts the cherry on top, adding a latin feel good climate to the package. The summer vibes can be felt all over this track, with a driving percussive beat and a climaxing vocal breakdown that will have you begging for more PALTA CON CREMA!COSMICA MUSIC is a vinyl only record label from Patagonia, Argentina, and our releases are being supported by seasoned selectors such as DJ Rocca, Daniele Baldelli, LTJ Experience, Ali OOFT!, Salvatore Stallone, John Paynter, DJ Garth, Jeno, Hugh Herrera, Mark E Quark, Eddie C, Tim Sweeney, and Prins Thomas to name a few.

New Yorks' Matuss returns with the eighth release on her Absence Seizure imprint this September, comprising three originals from the Ukrainian born artist.

Julia Matuss, better known as simply Matuss has been steadily carving out a name for herself over the past decade, initially finding her feet as a prominent DJ in the Ukrainian scene she grew up in before a move to New York saw thing progress and the launch of her Absence Seizure imprint shortly followed. Now eight releases deep the imprint has piqued the interested of DJ's such as D'Julz, DJ Deep, Derek Plaslaiko, TWR72 and Beaner.

Taking the lead on the package is 'Fairy Dust' setting the scene via warbling Rhodes chords, raw dub sweeps and a pulsating low-end drive before a spaced out, sinuous resonant synth lead ebbs and flows throughout the focal point of the composition.

'Baelfire' follows and strips things back to raw percussive feel, employing thunderous claps, a weighty kicks and sweeping filtered sample as the foundation before the latter half of the record works in a frenzied acid-tinged hook. 'Faramant' then closes the package with an amalgamation of organic percussion, natural bass licks and glitchy percussive chimes which all subtly evolve and retract throughout.

This second half of 2017 Quintessentials will offer a lot of south american music. Like from our long time friend and regular guest Soul of Hex! Hailing from Tijuana, Soul Of Hex (also know as Sebastien Vorhaus) has a rich, nuanced and grainy style with an authenticity that's closer in sound to vintage Detroit or New York pastures, despite his Mexican heritage. Busy DJing, producing and running his own label Vicario LTD, Soul of Hex is a driving force in the Mexican scene. His new Helipop EP offers different styles like a downbeat intro, a deep bassy rough house cut (Helipop) plus 2 back to oldschool rave/warehouse tunes not afraid using some uplifting pianos, catchy vocals and deep basslines. House music all night long!

As BPMF started making techno again, he surveyed his techno friends asking them what it was about his music they found the most annoying. The answers TR-606 hi-hats and portamento.
He proceeded to focus on these aspects of his music and today the results are here: "Abide the Glide Volume 4" wherein BPMF is pushing all the right buttons to get the DJ thinking about the sounds their pumpin. Jamie Morris provides an excellent DJ freindly remix of "Even Straighter", taking BPMF's idea and going even straighter.Old Man Raver Pants" proves that a 50 year old man can still party, so long as he's wearing his raver pants and while there's been alot of talk about alternative facts, "Alt-Slacks" is a dub inspired jam that seems like it's narrative might fall apart at anytime.Schmer label head BPMF has been making electronic music since 1984. As Free World released cassettes, was entered by WFCS into CMJ's Best Unsigned Bands competition and in 1985 earned the duo a spot on an Epic Records compilation. In 1986 they released "Amagi", an eclectic collection of experimental electronica inspired by underground new wave and industrial music of the 80s.BPMF and Taylor Deupree formed Decameron and released two cassettes on Havoc Music. Some tracks would appear on early techno CD compilations under pseudonyms. Havoc Music's own compilation "Techno Criminal Sub Cultures" is where BPMF first appeared in 1991.
With Dietrich Schoenemann and Taylor Deupree, BPMF assembled classic early 80s analog gear and as Prototype 909 they released "Acid Technology" on Instinct records; performed their first live show, met Abe Duque who invited all of his techno friends to the legendary Limelight Club in NYC. BPMF brought records and gear jammed live with them. The Rancho Relaxo All-Stars would release three albums and tour Europe together even destroying the original Ultraschall in Munich, quite literally tearing the place down. With John Selway, BPMF channeled early electro and new wave sounds forming Synapse and creating Serotonin Records to bring the funk back and help give birth to the electro revival scene.Prototype 909 recorded four albums and played 70+ shows. Synapse was the first American electro group to play live in Moscow. BPMF released tracks on Serotonin, Schmer, Instinct, Analog/EMF, Tension/Rancho Relaxo Records. His approach to electronic music is hands on and experimental, so more than having a "sound" his music reflects his values: spontaneity and a sense of urgency.

Label is very proud to put out the VOLUME 2 with these two Attias versions unreleased before in a 12' format and officially licenced directly from the artists. Already played by a few international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.On the A side we have an early UK vocal house tune produced by the She PROJECT outfit and that came out only on an album in 1991. Never released on a 12 inch before 'Mainsqueeze ' edit by Alex is longer than the original and more 'dancefloor' orientated with extended parts and an amazing mastering to feel comfortable to play out and loud. on the B side you will find an incredible instrumental soulful deep house track from 1991 produced by T Tauri New York duo. Extended from the original tapes and mixed with unreleased versions , Stéphane Attias version is a 9min 21 extended dancefloor journey into the deepness of New York early house music sounds . These two great soulful track will definitely find place in any dj box because its really really Good!

Having reached double digits on its release roster, Amsterdam-based techno label Format presents its 11th release. And it s a three-piece ensemble by label honcho Juan Sanchez himself

FR011 delivers three techno bombs that perfectly reflect the Format sound. Things kick off with Despite the... , which combines deep grooves to staccato bass pulses designed for peak-time moments. Spanish DJ/producer Aiken delivers a superb remix that is propelled by a nasty industrial groove and coated in dark atmospheres. Closing the release is the sinister In The Dark , which is as deep as it is trippy...

FORMAT second 2017 release is another prime example of the label s coveted sound.

The first time I heard of Mattes Schwarz, someone called him 'Stecken-Mattes'. Stecken was a defining, if almost secret, Cologne dance music venue of the 2000s and early 2010s, a minuscule basement without curfew and seemingly any other restrictions, where the up to twelve hour long DJ-sets felt like a tightly knit circle of friends just playing records to each other: The selectors from the night before and the one after reliably sitting right in front of the just over one meter long stretch of the bar that formed its booth, never missing out on a chance to see their mates play, heads nodding and hands clapping through the smoke-filled air, until someone started to sing along, and eventually everyone got up for a few hours of moves on the 15 square meter dancefloor, on a grey Wednesday or Saturday morning at 7 or just as well 10 am.
Mattes Schwarz started DJing in 1982 at age twelve, inspired by, as many West-German kids, the GI-DJs of the roller skating rinks around US army bases. While he got heavily involved in Cologne's BMX scene of the 90s, he never really stopped, and during the main years of being known as Stecken-Mattes and playing there each Friday night, he coincidently lived in Magazine record's homebase, North- Eastern Cologne's old harbour.
One day after Stecken's closure had sent restructuring ripples through the city - I imagine him getting up in the morning and taking a deep breath - he decided to send Magazine a few tracks.
'I Don't Know' is Mattes Schwarz' first release.

Another amazing exercise by Thee J Johanz! In R U There In R U There he's exploring the capabilities of the Russian/DDR Vermona synth for a massive brutal lead on a rocking 808 beat, with driving italoesque arpeggio's from the Jupiter 6. Having it's special moment in an unanswered synthesized ring tone, enhancing the haunting suspense. In K Clap West he lets the Moog modular sing like Kanye West, supported by the ancient Roland CR 8000 drummachine. Sleazy analogue goodness, slapping asses with the nasty clap. Sex with machines. More Cowbell! is just what the title promises. An orgy of live tuned cowbells, recorded in one take with his beloved modded CR 8000, it's a perfect atonal mixtool to add some uplifting madness and excitement. Sleeve art by David Homan and Thee J Johanz himself.

Early support from DJ Hell, Prins Thomas, Simeon Mobile Disco, Audio Soul Project, Severino Panzetta, Tensnake and more...

Anthony Nicholson Chicago deep house maestro delivers here two amazing soulful deep house tracks for the Attias brothers label Visions.Visions open mind and wide vision returns here with their 15th release continuing their journey into the world of electronic dance music On the A side Anthony and William Kurk have produced an amazing soulful vocal track mixing lush pads Rhodes and beautiful vocals sustained by a solid house beat. This is a sublime journey into a soft and beautiful Chicago deep house jam that we fell in love instantanely with and wanted to share itwith the music lovers and vinyl collectors.The B side is a jazz funk number that rolls deep into Rhodes chords, moog leads and funky basseline for an 8min 20 long amazing dancefloor instrumental bomb.

With one track per side and with the great mastering and the loud cut , these two Chicago slices of goodness will find place in any dj bag for sure.

DJ Harrison is Richmond VA-based producer and multi-instrumentalist Devonne Harris.

The son of a radio DJ who introduced him to the world of record collecting, Harris grew up with music, progressing from violin, to high school drum-line, to the Jazz Studies program at Virginia Commonwealth University. He also continued working with other instruments and developed an interest in sampling. His development as a producer - at first, without a computer or sampler - came first learning to replay samples on the drums, piano, bass or guitar.

DJ Harrison finds himself inspired by local musicians in the Richmond scene that's as diverse and nonexclusive as they come. Among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. He lives and works in Jellowstone, a house turned recording compound occupied by his band mates in Butcher Brown, a 'garage punk jazz funk' group.

My Favorite Robot welcome the collaborative outfit of Rodion & Local Suicide for their next EP, which comes boosted by
remixes from Los Mekanikos, Moscoman and Fairmont, as well as artwork that is made up 3D prints of the act.
Rodion is an Italian classical piano player and acclaimed producer whose albums and EPs for the likes of Gomma, Nein
& Nang have helped to reshape modern disco. Also one half of Alien Alien and boss of the Roccodisco label, he is a real
studio visionary who for ten years has mixed up classical, trance and psychedelic sounds. He makes everything from
chamber music to computer game soundtracks, has remixed Giorgio Moroder and counts the likes of Tim Sweeney, Erol
Alkan and DJ Hell as fans. Berlin-based duo/couple Brax Moody and Vamparela aka Local Suicide have been
collaborating together since 2007, either as a DJ duo, in bands, or as remixers and producers. They have played all over
the world and are in favour with the likes of XLR8R, Thump and Mixmag for their fusions of slow techno, post disco and
acid.
These original analog tracks were recorded between 2014 and 2016 in Rodion s vintage studio in Berlin. They came about
when they all met following one of his gigs just after he moved there, and after being in touch online for a while. During
one of the nights, Rodion brought friend, producer and singer Ali Bey (part of the Belgrade DJ collective Beyond House
and a famous record digger) to contribute.
Impressive opener Abu Dhabi includes samples from field recordings from all over the world. The most prominent is the
recording from an airport in Bangkok where Brax Moody and Vamparela were waiting to catch their plane to Saigon
and it ended up being the main vocal hook. The alluring track is a wonky feeling number with gurgling synth lines and
gentle releases of white noise lulling you into the groove. A searching synth line and distant siren add urgency and the
whole thing feels urban and futuristic.
Comprised of Mexico City producers Max Jones and Eddie Mercury, Los Mekanikos combine raw hypno-rhythm tracks
with pumping grooves that pay homage to Chicago, Detroit and Berlin. Their special remix is another late night and
unhinged number that encourages you to freak out amongst the panning and paranoid synth patterns and robotic grooves.
Then comes the brilliant True Love Floats with Ali Beys singing and Vamparela s vocoded vocals. The interplay between
the two is tense and alien and makes for a perfectly inhuman groove with popping bell sounds, undulating pads and spooky
deep space ambiance.
Remixing this one is Berlin via Tel Aviv artist of the moment and Disco Halal label head Moscoman, whose raw machine
grooves have impressed on labels like ESP Institute, Correspondant and I'm a Cliche. His slow and purposeful version is
deep and psychedelic with disorientating vocals and blistered synths wallowing in a menacing urban landscape. Buy it
digitally and you will also get a fine remix from label regular and Canadian Fairmont. He runs the Beachcoma label, has
worked with cult outlet Border Community over the years and mixes up dark disco and goth into his own fresh sounds. His
remix here is more direct and driven, with powerful drums and well sculpted synths making it another great rework.
This is a unique sounding package featuring plenty of heavyweight names and marks another cultured outing from the
always considered My Favourite Robot label.

Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough 'Knee-Deep in the North Sea', and 2010 John Leckie produced 'Isla', to the self titled record 'Portico Quartet' in 2012. Now rebooted as Portico Quartet after a brief spell as the three-piece Portico, the group are set to release their fourth studio album Art In The Age Of Automation this August on Manchester's forward thinking indy jazz and electronica label Gondwana Records. It's an eagerly anticipated return, with the band teasing both a return to their mesmeric signature sound and fresh new sonic departures in their new music. So much so that their four-night run at Archspace E8 (June 22-25) sold out in less than an hour as fans from around the world scrambled for tickets to hear the return of Portico Quartet. Support from Gilles Peterson, Jamie Cullum and similar minded DJs around the world. Airplay from TSF France. Features in Jazzism, Jazzthing, Jazzwise and beyond. Reviews in the Guardian, Mojo, Uncut and more. Full servcing to the Gondwana Records international DJ and radio mailing list.

Copenhagen's Echocord Colour returns this August with Stephen Brown's 'Power Factor' EP, featuring three originals from the UK Techno stalwart.
Scottish producer Stephen Brown is a name synonymous with Techno across the globe having been releasing material since the mid nineties on imprints such as Derrick May's Transmat, Subject Detroit, Skudge Records, Ben Sims' Theory and Holland's Djax Up Beats amongst many more.
Here we see Brown join the roster of Echocord's sub-label Colour, slotting him in alongside the likes of Mike Dehnert, Nick Ho¨ppner, Luke Hess and Deadbeat in the back- catalogue.
Up first on the release is 'Sandtext', a stripped-back dubbed out opening cut fuelled by a robust kick and minute percussive hits running alongside a sturdy sub bass drive and spiralling dub stabs before 'Wet' takes things even deeper via muted kicks, shuffling shakers and delayed synth chords. 'Back Stroke' then rounds out the release with an amalgamation of airy reverberated stab hits, rumbling low end pulsations and a thunderous kick drum to once again create an understated, hypnotic composition.

12" with printed sleeve, Artwork by Albrecht Gaebel

DJ bwin follow up Leibniz's inaugural release for the newly-founded hundert imprint with a three-track EP. »Trinity« draws on feverish breakbeats, hardcore influences and about 2,3 gigatonnes of bass. Having released a split EP with DJ OK on Ireland's First Second Label, »Trinity« sees the production duo venture into the realm of the ancient and the mystical, the inexplicable and the possibly made-up. Conceived as a triangle with one foot deep in the past and the other one in a future yet to explore, »Trinity« points all gunfingaz to the startling revelation that, hey, we're all living in a computer simulation anyhow. Informed by the ancient knowledge of the Dubstep elders and Jungle's relentless search for a grain of truth amongst the lies fed to us by the Lo-Fi House empire, DJ bwin bring together the unholy trinity of paranoid hoover chords, melancholic textures and piercing synth notes for an EP that henceforth shall be known as »banging atmospheric Hardcore Continuum derivatives for late-night hours«. This is not a pyramid scheme - or is it

Ian Tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of « Outlander Wax Theory » and « Drnchd » bands, he signed his first vinyl on the American label Love What You Feel in 2014. Played by Fred P, this Ep oscillates between a dub House in lace and a deep and colorful deep house. It has been found on the first compilation of Simple Music Experience with a dreamlike journey called "Blue" or on Label Vastechoses, the latest project built with his friends Sevyce and Lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on This platform with evocative name.In short, music is for Ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

* Over the past six years, Dimensions has become a leading name in the underground, with its festival, International Series, DJ Directory and Dimensions Soundsystem. Now, Dimensions extends its influence with the start of its label - Dimensions Recordings. The label launches with a 12-track compilation across three separate discs. 'An Introduction' makes a huge statement in setting out the label's intent and breadth. With artists established and new stepping up to present 12 exclusive tracks.

* An Introduction Part 2 turns the heat up with more dance floor leaning contributions from four American artists. From long established names such as Lady Blacktronika to relative newcomer Byron The Aquarius, each artist delivers a different but equally powerful piece. Marcos Cabral's 'Prochainement' is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst Byron The Aquarius drops his signature dose of funk into 'Full Moon'. One of the standout breakthrough artists of last year, the Atlanta producer has been part of the Dimensions team for some time. Queen of Beatdown, Lady Blacktronika steps up with a timeless, tripped-out house classic for her contribution 'Can We Still Be Friends', her vocal oozing melancholy. Rounding up is DJ Aakmael with 'Transit'; a raw, flexing cut that we've come to expect via his massively impressive output and his own superb imprint, UnXpozd Entertainment.

Dark Entries present the sophomore album from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Derrick May were key early influences. Techno, noise, ambient and tape processing are all part of his uncanny sound palette. His debut album 'Meditations/Industry' was released on cassette in 2013 and edited for a vinyl release in January 2016 followed by two 12' singles 'Warehouse Invocation' and '7 of 9' the same year.

'The Shape Of Things To Come' is a 70 minute journey spread across two pieces of vinyl. It's comprised of seven tracks recorded directly to tape with no overdubs, made at Converse's home studio. At the time of recording, Bill was sending this material to Josh Vance (Josua Dorje Ngodup) for feedback. Most of the time Josh would respond in the form of artwork, and then Bill would create another track inspired by this feedback chain. Converse has dedicated this series of tracks to him. The songs on this album reveal a sublime influence from Detroit techno, early Chicago house, and Acid. For this album Converse slightly bumped up the tempos geared for dancefloor energy. Built around vintage synthesizer lines and gritty drum machine percussion, the tracks evoke how things have changed and how they have come to be.'

All songs were mastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a gatefold jacket with a painted photograph portrait by Dietmar Busse and layout design by Eloise Leigh. The gatefold conceals an otherworldly collage made by Josua Dorje Ngodup. Each copy includes a postcard featuring artwork from Bill's sister with notes.

»island people« is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, and musician and DJ graeme reedie. on their first self- titled record, they present their collaborative work that evolved over the past three years.
being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the three band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quiet naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: 'during the whole creation of the album, we never realized our actions were quickly leading us into forming »island people«, we were too busy having fun, making music and sharing ideas.'
the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, »island people« is a pure listening record in the best tradition of ambient.

With his new release the polish Transatlantyk sails into - as yet uncharted - waters of the 'lol- fi' breakbeat house scene to bring you the debut of DJ Stoner Dad.

Not much is known about the man behind the nickname, except that he is a DJ, a dad and that he likes getting his hits from the bong on during the infamously long Warsaw afterparties.
The "Raw Romantics EP" showcases his own take on the deeply saturated, smokey and breakbeat-infused house genre.

'Fake Strings' is a certified banger alluring the dancefloor with a great combo of rolling bass, squashed kicks and hats, grimy, atmospheric pads and a bits of spoken word thrown in.
'Magic Phunk' brings THAT break again and for a good measure. Drums are floating over an ocean worth of blazing pads, liquid synths, acid riffs, pillowy, yet dirty chords and whatever else DJ Stoner Dad could lay his hands on at the time.

'IV' is a full frontal ambient jam, with little bits of wandering drums coming into the picture at the very end.
Finally 'V' brings cinematic influences over slightly uneasy slow groove.

We are thrilled to have Emanuel again on Granulart. Four tracks made by Pulse One from Buenos Aires and an intense rework made by Orphx complete the new release.

Early feedbacks from Inigo Kennedy, Dj Pete aka Substance, P.E.A.R.L., Bas Mooy, Pacou, Samuli Kemppi, Jeroen Search, Tripeo, Developer, Kr!z, Ame, Jonas Kopp, Etapp Kyle, Kwartz, Shlomo, Oscar Mulero, Donor, Stephanie Sykes...

Much may have changed over a two-decade period, but Drumcode's commitment to releasing the scene's most cutting-edge and refined techno remains resolute. 2016 saw releases from heavy hitters such as Adam Beyer, Alan Fitzpatrick, Dense & Pika, Sam Paganini and Joseph Capriati, as well as a much coveted Moby remix package. The label pushes forwards again in 2017; bringing fail-safe, club-ready music to the techno community. 2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafterscrowd at Drumcode Halloween.
He returns to Drumcode with 'Brian's Proper Dun One', marking his first appearance on the label since late 2016 when he remixed Moby's seminal 'Porcelain'. The release opens with 'Brian's Proper Dun One', a track which caused a Twitter meltdown on Alan's profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It's a no holds barred, certified main room anthem. 'Wait A Second' feat. mc r1bbz has been a staple of Adam Beyer's sets of late and has been getting a lot of air time on Drumcode Radio.
This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25.
The release closes with 'Trance, Init'; A homage to Alan's days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

GOMORRA

Gomorra is a passionate DJ and producer from Basel, Switzerland. As an 8 year old boy playing the drums he realized that music might play a bigger role in his future life. After a while, he got his hands on the first pair of turntables and started to experiment with mixing HipHop music. Experiencing a broad variety of music and nightlife culture during those formative years he developed a deeper interest for driving rhythms and repetitive patterns. Soon he got pulled into the pulsating scene that emerged nearly 30 years ago in an industrial and rough urban area at the shore of lake Michigan well known as Detroit, the Motor City. As he already made his first steps in music production while digging HipHop, the obvious development then was to exchange the MPC with Synths and Drum Machines and explore the aesthetics of Techno on a much more profound level.

OMNIBUS IDEM

Omnibus Idem - we are one. The Saga begins. We inhabit each moment to be our own good morning. Everybody else is the same in a different ghetto. What happens when all awareness overlaps to create an Ambient. After dawn in the subway. Submission. A new impression: St. Clair. Where the mechanic meets the organic. To end up alone in suffocation. Buena Noche. Omnibus Idem is process and creation.

Echocord returns late June with a new release, Joel Alter under his Jor-El alias, entitled 'Tilted Reality' and comprising three originals from the Swedish artist.
Currently based in Copenhagen, Sweden born producer and DJ Joel Alter is a name synonymous with
the contemporary Techno scene on both his home turf and across the globe, his back catalogue to date features a long player for the Uncanny Valley imprint, solo EP's for D'Julz' Bass Culture, Sweatshop and collaborative works for Kontra Musik alongside Henrik Johnsson amongst much more.
This time round though we see Alter return under his Jor-El guise under which he first started releasing material on DJ Hell's Internation Deejay Gigolo imprint. Up first is title-track 'Tilted Reality' laid out over seven minutes with a slowly unfolding dynamic feel, encompassing spiraling atmospherics, distorted rhythms and blooming stab- sequences.
'Elevation' follows and takes a more direct groove-driven approach via straight four-four percussion and hooky bass chops, whilst tension building pads and fluttering dub echoes gradually build around the foundation.
'Solitude' closes out the package deliving into deeper realms with soft ethereal dub chords, acid tinged leads and emotive strings.

'Dispersion' is an EP deep in style, talent and wonder. Embellishing the underground kudos of Berlin-based techno DJ and producer AVION, owner of the hotly tipped, and renowned imprint Crossing, Dispersion is an eclectic mix of cerebral, uncompromising and colorful techno. Title track 'Dispersion' is a gleaming display of spacious dancefloor beats; melancholic, yet industrial. 'Real' is clinical, functional techno, emulating some of The Wizard's influential magic. 'Inverse' blends together a contemporary approach to sonic aptitudes, while remaining a strictly dancefloor and body orientated, while 'Enidan' a colorful moment of ambient beauty, plays the EP out.
It is the first release on Marcel Fengler's regarded, techno imprint IMF in 2017. 'Dispersion' is an ambitious, and unique EP, from a true underground -and mysterious - talent. The EP's style embodies the bright, hypnotic and pulsing music that has characterized his releases to date on Crossing. Talking about the release, Fengler states, 'He got my attention after some pretty strong releases on his own imprint Crossing. I felt that this was something I didn't have on my label, but still reflected the idea of IMF.

When it comes to the music of Miajica, there is always a variety of influences, shameless sampling and me- lodic patterns involved that touches our hearts. His love for records is a never ending story and this makes him a fantastic DJ and selector. Miajica's passion for the extraordinary is what made us at Light of Other Days fall in love with his music when we first met him several years ago.

Miajica might mostly be known for his work with Alma Negra but he is a prolific producer of his own and had some amazing releases in recent months. He also just launched the label Fleeting Wax with Mehmet Aslan - which is already getting some great attention in the balearic scene all over the world.

Miajica's first EP on Light of Other Days «Drive Down» was created from some of his recent and most striking influences: «Breathing Again» indicates the feeling after he stopped smoking and discovered this whole new world of intense emotions and sensual experiences. «L'Ae´roport» was created in one of those lost moments when you're overtired at the airport and have to wait to board another delayed flight to your next destination while the third track «Mediterraneo» is an uplifting homage to his heritage and roots in Spain.

UK producer Allen Saei aka Aubrey is no stranger to Burek family, having already remixed Information Ghetto's "Inspiration" track for Burek in 2013 and DJ Stingray's "Communication System" track released on Barba in 2015. As is to be expected from a guy who's been spending time in the studio for better part of the last three decades, on 13th Barba release Aubrey delivers a mature and consistent space-themed club 12" titled "Space Funk". Although pretty self-referential as a whole, each track on the 12" offers a different take on the topic. "Clock Funk" and "Space Jazz" are quite direct and peak time, "Spaceship Blues" is a chunky funk workout and "Path To Nowhere" is somewhat deeper introspective piece. Common thread moving through all four cuts is an infectious groove intertwined with synth lines that would not be misplaced amongst the best examples of space-influenced techno music firmly grounded on the floor but with eyes on the future. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by local artist EmaEmaEma.

Breakbeat Paradise Recordings is back with another big vinyl release from the amazing producer due Lack Jemmon, which consists of DJ Clairvo and Kid Panel, who are both well-established producers, DJs and label owners on their own. Together they are an explosive cocktailed of big funky grooves, filthy glitcy basslines and banging beats!

Lack Jemmon has been around for a couple of years and quickly signed up with the successful ghetto funk label Scour Records where they have dropped a few tunes and remixes. When the boys reached out to us and said they had 4 bangers they wanted to drop on vinyl we didn't hesitate to say Hell Yeah!

The self-titled EP showcases their style of heavy breaks and funky basslines perfectly across the 4 bangers that are tried and tested for complete dancefloor destruction.

You can always count on BBP for your doze of party rocking beats - and for keeping the vinyl alive...

Profusion (noun): an abundance of something rich.

The sonic partnership of K15 and Emeson originated in the days of MySpace. A future of combining their skills was inevitable, and now in 2017, it's time to unleash their debut studio album into the ether.

The solo-projects of Tottenham-raised Kieron Ifill (aka K15) date back a decade, but were truly kick-started on labels such as Kyle Hall's Wild Oats and WotNot Music, with a number of genre-crossing releases dropping ever since, including the WU15 project (along with Yussef Kamaal's Henry Wu, on Eglo Records). Additionally to his production work, he has established himself internationally as a DJ, from the Jazz Cafe to the CoOp parties.

Partner in Profusion, Emeson, has many skills to his bow - singing, songwriting, producing, promoting, DJing (under the alias Ed Nice) and acting. As a musician, his varied skill-set has seen him work with Chico Hamilton, Carla Duke, Karmasound, Uzo Madu and Chris Jerome. A frontman for soul-jazz groups LifeSize, The One and Saturn's Children, he has featured on releases for BBE and Tokyo Dawn, and appeared live on stage at the likes of Ronnie Scott's.

The debut single was supported by tastemaker blogs Wonderland, XLR8R and Stamp The Wax, has been bumped by selectors such as Lefto and Jazzie B, and played on NTS, Worldwide FM, Mi-Soul, LeMellotron, Balamii Radio, Itch FM, Invader FM, Soho Radio and various stations across Europe and the US.

This album is full to the brim with summery sun-soaked synths, drifting across the warmest of basslines and heavyweight beats. Emeson's rich vocals gracefully ride atop of K15's delectably bruk twist on neo-soul sonics and electronics, this is some seriously classy contemporary London soul music, that manages to incorporate flashes of various dance music techniques, sound-system etiquette and jazz-tinged rhythms. As future-thinking as it is subtly retrospective, it doesn't lend itself to one genre, it intentionally embodies the best of many. An array of everything that is great about British black music in 2017. The message the album conveys itself couldn't have come at a more poignant time. Where do we begin

Profusion - an abundance of something rich indeed.

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 - and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of Ibiza style chill out' tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway's club, the Milk Bar and less than three months later, and clearly impressed by what he'd heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April '93.

It's that first trip to DJ in Ibiza - a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla's house in the hills, and meeting some particularly eccentric White Isle residents - that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it's not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you'd expect from a selector of Phil Mison's standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor - the man he credits with effectively turning his DJing career around - in the undulating rhythms and new age melodies of Kamasutra's Sugar Step', the meandering synthesizer solos and Spanish language vocals of Congarilla's sublime Sacred Tree', and the lilting flamenco guitars of Gambarra', an unreleased mix from Mison's popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf's The End', recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project's ridiculously rare Jelly', a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers' Long Train Running'.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it's happily one that we can all enjoy.

Following a killer debut on Optimo Trax Michele Mininni debuts on R&S with the heavy hitting psych detonation of 'Rave Oscillations'
Hailing from Southern Italy, Mininni's influences run to kraut, post rock, new wave and electronic amongst others, a long time DJ he manages to condense his influences into beguiling productions that come as a welcome breath of originality.
Taking a heavy dose of inspiration from seminal kraut groovers Silver Apples, 'Rave Oscillations' builds from the hypnotic motorik groove and off kilter bass into a pulsing peak time anthem.
On the flip, 'Vortex Stasi' takes things into a more psychedelic direction - dubbed out piano, jittery rhythms and spiralling swathes of guitar blossom into a truly tripped out, squalling, breakneck concoction.
Mininni's kaleidoscopic musical vision is a truly unique proposition, a myriad of different styles and genres deformed under his oblique lens to create sun-drenched space music.

"Alpha percussion", recorded in 1985, is a cult groovy ambient album of acoustic percussion, pleasant to listen to and full of samples and break known very well by Djs and artists likes Danny Brown (which uses a sample in "Really Doe", a song of his latest album on Warp Records).
Giovanni Cristiani is one of the most prepared and complete Italian percussionists. Born in Rome in 1952 he graduated in percussion in young age and began playing professionally in Italy and abroad. In 1979, after years of activity at the side of the most popular jazz musicians, constitutes the Music Workshop A.D.E.L., playing drums and percussion courses. Pentaflowers (BEAT Records sub-label and publisher) asked him to make a solo percussion library music album in full artistic freedom that was pressed in limited edition for insiders; so was born "Alpha Percussion", a gem now finally accessible to all thanks to Mondo Groove label.

Welcome to Nightlife. Johannes Klingebiel's debut on RSS Disco's Mireia Records. An atmospheric journey. Melancholic, yet euphoria-inducing. Johannes' five tracks cast their shadows into the darkness, mirroring patches of light that can be found if you wander out far enough. It's simultaneously the soundtrack of sweaty dancers losing their sense of time and place and the hopeful feeling of a new day during a drive into the first light in the hazy morning hours. Johannes is a studied drummer. He released music on labels like Mule Musiq, Ancient Future Now and Feines Tier. He's also one half of Alma & Mater and travels constantly with the bands C.A.R. and Vimes. Oh and he's a great DJ as well. He probably never sleeps. That's how he manages to capture the magic of Nightlife. The vinyl comes in a screen printed sleeve with hand stamped labels and is limited to 300 pieces. Vital Sales Points: - Nightlife EP is a very good record - You might know Johannes from earlier great releases on Mule Musiq, Ancient Future Now, Feines Tier - Johannes is a good boy - songs from this EP have been featured on the last four Laut & Luise podcasts (~25 000 plays each) with lots of interest for the tracks - people on ecstasy really like it - Johannes recently put out an edit of 'Born Slippy' which is being played a lot by Dixon, John Talabot, Ame, Axel Boman etc.

Brendon Moeller has essentially spent almost everyday of his life since 1994 in a home recording studio. Through research and practice he has evolved into a prolific producer with 10 full length albums under his belt and dozens of singles and remixes. He has performed live and DJ'ed at Fabric, Berghain and Cielo and then some. His love of a hybrid of hardware and digital resources for production shines through. His music has been championed by the likes of Francois K, Speedy J, Danny Howells, amongst others. An eclectic sensibility stemming from a love of many genres of music is always evident in Brendon's work. - - - SSX represents the Silent Season 10 Year Anniversary Compilation, a series of 12"s celebrating a decade of deeper electronic music. The series features artists whose music continues to inspire the Silent Season journey.

We eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, Here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. Within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours.

* Includes a DIN A2long poster inside the 12" sleeve with edition number and music download code

* Rogue Style 1 EP is an international homage to b-boy culture, where the worlds of breakbeat music and breakdance collide. Sinistarr (USA), Kiat (Singapore), Kabuki (Germany) and HomeSick (Canada) are connected in many ways, now they lay bare their hip-hop roots and give something back with a fresh take through the eyes of drum & bass and juke/footwork. Here is what they have to say:

Sinistarr: "As a teenager I grew up as a b-boy, dancing anywhere I could: schools, parks, festivals, you name it, my crew was there with cardboard and a speaker. I eventually got deeper into DJing and making music and learned to bring a sound that's not just for the crowds and the purists, but also for all the dancers!"

Kiat: "Hip Hop has taught me to keep evolving, to explore new forms in all my art. Progression is the key to evolution. -- I met Sinistarr online thru myspace and we had a musical connection which led to our first collaboration 'Black Diamonds' which is still one of my personal favourite tunes I've been fortunate to be part of it's creation. With Kabuki, i've always been a fan of his work since his 'Makai' alias on No U-Turn, despite meeting him only recently thru the label.I've always known him to be constantly progressing his ideas in his music which I respect alot."

Kabuki: "B-boy culture has always been a strong influence on how I pursued my art, mainly because of its DIY ethos and attitude of perfecting your craft. Incidentally these were also the aspects that drew me to Jungle when I first discovered it in the nineties. -- I'm happy to rub shoulders with Kiat, Sinistarr and HomeSick on this release, as I'm a fan of their music foremost, but also because we became friends through the music."

HomeSick: "I was only a child in the 90s and as a result I feel like my understanding of b-boy culture was experienced second hand thanks to 90s/early 2000s hip hop music. I appreciate the parallels I can see with footwork culture, particularly the similarities to the community mentality of break dancing. -- I know Sinistarr through booking him for our local party night in Alberta, Canada called Percolate. Our city must have left an impression on him because a year later he made the move here from Detroit. Had the pleasure of hosting him as a room mate for a little over half a year, the home was a very potent creative space during this time. Kabuki hit me up a few years ago and we very quickly got to sharing tracks and collaborating together. Mans a master of production and a super important part of the global scene."

The idea for a reminiscence of b-boy culture stem from label owner Booga:

"Why am I interested in this so much I grew up in East Germany and as the movie "Beat Street" premiered in 1985 over here I was age 13 and blown away by the energy, the music, the wit, the style - everything in this movie was better than everyday life in Leipzig. So I started saving for a cassette recorder and taped music shows from West German radio and prepared tapes for school disco gigs to the hope somebody would do the "robot" to Arthur Baker "Breaker's Revenge". Unfortunately that never worked out hahaha. But I was hooked since then and as the wall came down in 1989 I travelled to West Berlin just to buy the Beats, Breaks and Scratches 1-4 vinyl box by Simon Harris. The fascination for breakbeats never stopped and before I discovered Jungle around '94 I was down with the British cut up house thing from the likes of Marrs, Krush and Coldcut as another form of breakbeat music. The "do it yourself" spirit from hip hop culture inspired me to start a local website called breaks.org in 2000 to locally promote the drum and bass scene with emerging producers, djs and mcs for a wider audience and I threw in some interviews with Storm, Kabuki, Rob Playford, Klute and John B. That turnt into a multi author blog called itsyours.info in 2004 which still exists - that is where I had the pleasure to introduce Kiat and Ash in 2007. All these years I was listening and playing drum and bass tunes when the occasional "bboy tune" came up, some were obvious like Alex Reece "B-Boy Flavour", Lemon D "B Boyz", Commix "Change" and some were not so much self-explanatory like Digital & Spirits "Phantom Force" and the remixes by T-Power & Codeine or Fracture's Astrophonica Edit - but I felt the hidden force of breakdancing nevertheless. With the Rogue Style series I have the first class opportunity to ask established and new Defrostatica artists to present a current interpretation of b-boy culture. This is a dream coming true."

Having previously released on Z.I.P.P.O's Fides imprint, 3KZ now bring their powerful four tracker 'Not From Here' on Balans Records. 3KZ are Z.I.P.P.O and Kalean

The Dutch label Balans Records returns with it's twenty-first instalment to the series that have previously seen releases by Mike Parker, Drafted & ROD among others. This time Darko Esser's imprint presents a collaboration between Z.I.P.P.O and Kalean, under their 3KZ moniker. Having previously released on Z.I.P.P.O's Fides imprint, 3KZ now bring their powerful four tracker 'Not From Here' on Balans Records.

'Not From Here' opens the EP with its flowing grooves & eerie pads to create a beautiful techno track followed by 'Nature Of Motion' that offers an astral like immersion to the listener with its haunting melodic rhythms. On the flipside 'Circles' & 'Times' switch up the vibe in a more intense & playful mood, resulting in a finely balanced EP of atmospheric driving techno.

early supposrt
Luke Slater
'Great, thanks.'

James Ruskin
'Nature Of Motion for me, thanks!!'

Marcel Dettmann
'Thanks.'

Kristian / Ame
'Thanks.'

Rolando
'Wow killer stuff here, all tracks are dope!! Nature of Motion is my fav, great work!'

Dj Pete
'Great Italian Detroit techno.

Etapp Kyle

'Thanks.'



Sigha

'Lovely vibes, full of soul.'



Nuno dos Santos

'Beautiful release!! Love all tracks and thats pretty rare.'



Jeroen Search

'Go 3KZ go! A2 & B2 for me, very cool stuff!'



Ontal

'Thank you!'



Orde Meikle / Slam

'Thanks.'



Eric Cloutier

'Another beast of an EP from 3KZ & its always good to get a Balans promo.'



Kr!z

'Nice one, full support.'



Monika Kruse

'Great floating techno, love it!'



Arnaud Le Texier

'Not From Here & Circles for me, thanks.'



Jeff Rushin

'Cool release.'



Jeff Derringer

'I like it, good stuff!'



Mr. Jones

'Nice vibe on this EP. Like the energy and drive in Times.'



Leghau

'Great release. I really like A1, thank you.'



Robert Lamart

'Nice tracks, thanks!'



Angel Molina

'A side for me here. Great, timeless Mills-esque techno stuff, thanks.'



Mareena / Tresor

'Another winner by 3KZ, thanks guys. Holy shit, that ambient tune!!'



Phone

'Total support.'



Limo

'Love these guys, thanks.'



Joseph Capriati

'Downloading for Joseph Capriati, thanks!



Richie Hawtin

'Downloaded for Richie Hawtin.'

ll Camille, LA hip hop's female perspective.

Ill Camille has been a vital member of the LA music scene for some years. Kendrick Lamar used her vocals prominently for the 'good kid, m.A.A.d city' track 'Sing about me', she has been working with other TDE artists occasionally and spend a lot of time writing for different projects Terrance Martin was involved with.

At the same time Camille was developing her own material with her fellow peers such as MNDSGN, Iman Omari, DJ Battlecat, Like (Pac Div) Georgia Anne Muldrow & SIR who are all featured on her album 'Heirloom' just like TDE co-president Punch. 'Heirloom' productions range from smooth, g-funk esque west coast beats to live & organic soulful beats, working as the perfect backdrop for Camille's powerful, intelligent and thought thru lyrics

The album is deeply personal revolving around the issues that mater in her life from friends and family, her role as a woman and the heirloom of her and her surrounding: 'I feel like everyone are heirlooms of our mothers and fathers. An heirloom is just something that's passed down through a family. We get heirlooms in the form of game, encouragement or wise words. I know everyone has an aunt or uncle that's given them some bars about life in general. I have a village around me that have given me heirlooms in the form of conversations'.

Seasoned memory athletes will no doubt recall the Turbo's past affiliation with the former Soviet Union (Proxy, Tiga Tigayevich Khristorozhdestvensky), and recent geopolitical developments have prompted the label to once again hedge its bets. Our A&R team spent countless hours sifting through layer after layer of Russian underground music, a shocking amount of which turned out to be fake SoundCloud accounts from producers based in Florida. In fact, our best intelligence suggests that Dimitri Veimar may be the only person making music in Russia today. For the 30 minutes a day he is not trading in politically moderate Twitter-bot futures, Veimar produces dark, raw-dog electro. He has already released music with Omnidisc and Renate, so it makes little sense to us why we have to communicate with him via a mole in the Canadian embassy in Moscow, which is further complicated by the fact that the mole is also an aspiring DJ/producer whom we have to keep happy at all costs. You have no idea how much has been sacrificed in order to shield you from the realpolitik of international dance music.

Hell Yeah is proud to present a new EP from an artist that has been on their radar for a while. That artist is Napoli's Quiroga aka Walter Del Vecchio, the Italian DJ and producer who also runs his own Really Swing label and has been given props by the in the know Test Pressing blog, as well as having all his tunes dropped by
Balearic Gabba Sound System at every opportunity.

One of the finest talents to come from Italy in recent times, Quiroga cooks up hypnotic and trance including sounds from a myriad of diverse influences from opiate jazz to shuffling funk beats, from shifty landscapes to library music.

First up is Viaggio a Tulum, a perfectly loose and jumbled mix of sunny vibes, feel good chords and clipped vocals full of soul. The sort of thing that has you day dreaming of lazy afternoons and drunken BBQs, it's perfect example of Quiroga's efforts style.
Non Dire Notte—featuring Acido and ReallySwing act 291Out members Luca "Presence" Carini on electric bass and Vincenzo "Warren" Ciorra on electric guitar—is even more lazy and elongated, horizontal and blissed out. Twanging guitars off set pixelated synths, squelchy chords and Afro signifiers bring the heat and overall you cannot fail to get lost in the groove.

Prati Bagnati is a serene ambient interlude that feels like laying on your back and looking into a deep blue sky and second ambient cut Bava is more textured and intense, with shifting drones and muffled voices bringing a sense of filmic unease to the table. Overall, this is a perfect window into Quiroga's most intoxicating musical world.

Support by Alexis Le Tan, Aficionado Djs, Coyote, Ibiza Sonica, Reza Athar, Gonno, Noema, Fabrizio Mammarella, Riccio, Bill Brewster, Private Agenda, Soft rocks, Tim Love Lee...