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Polytechnic Recordings - sublabel of Disctechno Music - presents a split EP of jacking house and psychedelic rhythms from Detroit’s DJ Slush and Dretraxx. Label co-founder DJ Slush follows up his Model Collapse EP with 2 jacking, sleazy, 80's-tinged house tracks with garbled vocal samples on A1 and B2. Dretraxx - head of Detroit’s acid-forward Body Worx party - delivers dubbed out modular grooves and on A2. On B1, Interdimensional Transmissions’ BMG remixes Dretraxx for the No Way Back Mix, with some freaky heart-pumping analog techno. Recommended for fans of Midwest rhythms.

DeepLabs opens 2026 with an exciting new release, “Förvandling,” from Tarik Hensen—the collaborative project of two exceptional producers, Martinou & Ben Kaczor.
This release completes a full-circle journey: rooted in Detroit techno, traveling through Malmö, and landing in Basel, where these influences converge into a singular, immersive statement.
Longtime admirer of both artists’ solo works, Luke Hess joins the project with his own interpretation of Förvandling, bringing his distinct Detroit-informed perspective to the release.
Förvandling is the Swedish word for “transformation,” describing the metamorphosis of a caterpillar into a butterfly.
The title reflects the evolution of techno itself—how it shifts and reshapes across cities, communities, and eras while retaining its core spirit.
Varp refers to the vertical warp threads in woven fabric—essential structural lines that hold everything together.
The track mirrors this concept: hypnotic percussion and immersive ambience interlace with melodic tones, unified through Tarik’s live dub mixing approach, creating a rich, fluid tapestry of sound.
Malm translates to raw ore, the unrefined material that, when forged with alloys, becomes durable metal.
True to its name, the track channels a deep, raw warehouse energy—refined into a functional gem through harmonious stabs, textured layers, and driving momentum.
Closing the EP, Luke Hess’s remix of Förvandling draws from elements across the original works while incorporating new audio stems from the DeepLabs studio.
The result is a seamless transformation of Tarik Hensen’s aesthetic into Luke’s unmistakable Detroit sound—an adventurous, atmospheric journey crafted for extended DJ sets and immersive dancefloor moments.
Tarik Hensen and Luke Hess invite you to weave these tracks into your curated selections and allow them to transform the dancefloor in unexpected ways.

This release is an act of breaking out of conventional categories for Seismic records. Established boundaries of genres are completely dissolved into an unpredictable flow of sonic associations. It’s an unexpected collaboration, yet it makes perfect sense from the first kick. Two artists from seemingly opposite ends of the musical universe come together to create a project which fearlessly embarks on the synthesis of hypnotic trance-techno and utter sonic chaos. This project is anything but predictable.

The duality is noticeable from the very first moment. One side brings relentless movement forward in the project: a raw, hypnotic pulse based on rhythm and precision, locking the listener in the present moment and not letting go. Unpredictable textures and psychedelic ornaments are constantly weaving through the rhythmic framework.

A dedicated listener may recognize that the whole EP carries the legacy of David Lynch’s work. The sense of peculiar uneasiness and indecipherability, overridden by the desire to find out what comes next, are exactly what the artists manage to capture and what is so characteristic of Lynch himself. At one point, the EP even reveals a moment as if a red curtain parts in the depths of the track and the listener momentarily catches echoes from the town where owls are not what they seem. Hidden within is a playful nod to the iconic Twin Peaks soundtrack.

- 2026 repress -

Planet Rhythm proudly kicks off its brand new ORIGINALS series with a heavyweight reissue of classic DJ Misjah cuts - essential gems that shaped the hard-edged techno sound of the mid-90s. Remastered with care and pressed on high-quality vinyl, these tracks capture the raw energy and relentless groove that made DJ Misjah a household name in underground techno circles. An unmissable chance for collectors and fans of authentic underground techno to own a piece of techno history, fully restored and ready to devastate dancefloors once again.

We’re very happy to share this one with you and humbly present our first release on Sentiment by head honcho Asphalt DJ. Four stripped-down, tension-building club tracks built to go deep and in the body. Sentiment is a label born from admiration for those who came long before us, who were driven by curiosity and experimented with early machinery. We want to create a home for music that carries that same spirit. A home founded on the bricks of house and techno and built together with artists who inspire us. Feel free to join building. Much Love

Xylitol, aka producer and DJ Catherine Backhouse, shifts up the refinement and musical breadth for her second album Blumenfantasie, the follow-up to her Planet Mu debut Anemones.
With Blumenfantasie, Xylitol wanted “to make space and for the music to float and propel at once”, finding routes through the pointillistic figures, cascading synths and the meditative stillness of kosmische musik and bolder breakbeat programming. She reaches this delicate balance through careful subtraction, hoping “to convey a sense of intimacy and sadness but without sentimentality” which she manages with a feel and sound that's raw and intuitive.

Blumenfantasie rolls through detailed jungle workouts that flutter and bleep, through beatless ambience, taking a rare dip below 160 bpm for the elegiac Mirjana, the album’s most explicit nod to Krautrock with a drum break chopped up from Amon Duul II’s anthemic ‘Archangel’s Thunderbird’, through to Halo, a bare bones grime rhythm that calls to mind the missing link between industrial pioneers Nurse With Wound and Wiley's Eskibeat.

Catherine cast her net to draw in experimental audiovisual duo Sculpture and Reading based post-rock band The Leaf Library as collaborators, pulling the former’s whirling eddies of musique concrète into a slice of sublime aquatic jungle, and the latter’s radiophonic folksong into a dark and disorientating breakbeat workout equally indebted to Source Direct as to Broadcast.
Blumenfantasie moves with a confident, self-effacing fluidity which has been informed by DJ Bunnyhausen’s more regular DJ gigs. She speculates ‘if this album feels more cohesive than its predecessor it's likely because I've been DJing a lot more, with Worthing Techno Militia, with central and eastern european electronica collective Slav to the Rhythm, as well as being part of Italo Disco crew Flex. Moving between these zones seemed to open up hidden pathways between the disparate musical trajectories they represent.'
While Anemones contrasted the rough and the delicate, its successor is an album built for the head, hips and heart, with painterly sounds and a sense of intimacy that encourages deep listening while keeping its eyes on the strobelight and its feet on the dancefloor.

The 10,000 strong party drew together DJs, fans, listeners, singers, live acts and MCs together to showcase every shade and style encompassing a 174 heartbeat. As the Finsbury Park fun continues and round two promising even bigger stage takeovers and a myriad of artist weaponry, we present an equally bursting drum & bass double disc, the 'Hospitality In The Park 2017' LP. In the same vein as our all- day summer special, this huge 70 track mash- up spans across a full 360' perspective of the genre; representing the established, up and coming, soulful, obscure, liquid, innovative, dark, techy, neuro, jungle style and everything in between.

Included are over 25 brand new exclusives from reputable drum & bass titans Danny Byrd, S.P.Y, Makoto and Keeno, there are VIPs from Metrik and Nu:Logic, remixes from Hugh Hardie, Total science, Camo & Krooked and Calibre, and a 'Bullet Proof' banger from Krakota. Across two mixed CDs we've drawn for this year's surefire summer weapons with Fred V & Grafix, The Prototypes, 1991, High Contrast, The Upbeats, Breakage in the mix. With this year's Incubator stage pulling artists that are rising through the ranks, up and comers' Whiney, Unglued, GLXY and Kyrist bring exciting new offerings to the compilation.

Both fans and artists came together from all over the globe last year and we expect no less in 2017. Equally, this compilation gives an international perspective covering all corners of the globe from Japan's Mountain, the USA's Flite and Ownglow, the Netherlands Black Sun Empire and New Zealand's Shapeshifter. Drum & bass is stronger than ever and it's here to stay. See you at the park!

Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s. In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. The compilation also features all-new illustrations from Alan Oldham, the Detroit-rooted visual artist who gave Djax-Up-Beats a distinctive visual identity from very early on, and design by Lost Communication. Each volume of the series also features liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. Volume 1 - The Acid Trip focuses on an area the label is best known for - acid house and techno. After the pioneering breakthroughs Chicago-based producers made with the Roland TB-303 in the late 1980s, acid music creation was starting to become more widespread when Djax-Up started in late 1990. The rebellious, rave-ready sound was an instant draw for label founder Miss Djax, and so her label ended up reflecting the development of acid as it spread from the Chicago roots across the world. Volume 1 - The Acid Trip looks at the diverse approaches to acid taken by artists on Djax-Up. Tracks on the compilation include an early outing from Ludovic 'St Germain' Navarre and Bjorn Torske's Ismistik alias, as well as Dutch pioneers such as Edge Of Motion, Spasms, Random XS and Acid Junkies, and Chicago heavyweights Mike Dearborn and Gene Hunt. With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

Osaka's renowned record shop and club, Compufunk Records, proudly announces the relaunch of its label. A.I. Soul released in 2010, featured remixes by Mark Flash (Underground Resistance) and DJ 3000 (Motech). Now the updated Version 2.0 by DJ Compufunk includes four original tracks, pressed on vinyl. The release represents an evolution of DJ Compufunk's signature sound, blending jungle and Detroit techno influences with deep electronic grooves and emotional sequencing. Compufunk Records continues to push forward its vision of evolving Osaka's electronic dance music scene and connecting global audiences through the spirit of sound.

Glasgow, Scotland duo Thomas + James deliver their silky-smooth dub laced sounds for Federsen’s Alt Dub with the four-track ‘Realtime’ EP.

Thomas + James are a Glasgow-based DJ and production duo whose sound reflects a deep immersion in electronic music. Raised in the city’s west end and shaped by early exposure to techno pioneers like Luke Slater, Slam and Jeff Mills alongside the atmospheric legacy of ’90s drum & bass, their productions lean into a dub infused, forward-looking aesthetic.

Drawing equally from house traditions via influences such as St Germainand Laurent Garnier, the pair blur the lines between dub techno, deep house, acid and minimal.

Their new EP onFedersen’s Alt Dub captures that hybrid vision with a maturity that belies their years, being born in 2006,marking them out as a quietly compelling new voice from Glasgow’s next generation.

Leading the release is the original title-track ‘Realtime’, setting the tone with a sturdy yet pared-back rhythm section, oscillating synth flutters, bouncy sub-bass and hazy textures that subtly shift across the arrangement.

Label boss Federsen steps in next with his interpretation, reducing the track to its deepest foundations and recasting it as a delicately drifting soundscape of evolving spatial echoes, weighty low-end pressure and restrained, muted drums.

On the flip, Thomas + James return with ‘Armonia’, an ethereal, dub-leaning deep house cut propelled by billowing pads, delayed vocal chants, fluid dub chords and a heavily swung, minimalist groove.

The EP closes with ‘X-Intense’, further highlighting the duo’s groove-driven signature sound as reverberant, airy stabs weave through breathy vocals and shuffled percussion to bring the release to a hypnotic conclusion.

Hip Hop’s golden era constituent, Queens’ native, the godfather of Mafioso rap, legendary and influential emcee, Kool G Rap, broke out in the late 80s and early 90s as one half of the duo with DJ Polo. Together, Kool G Rap and DJ Polo released three undisputed classic albums; beginning with their debut album, Road To The Riches (1989), Wanted: Dead or Alive (1990) and Live and Let Die (1992).

Simultaneously, G Rap and DJ Polo gained notoriety as members of the Juice Crew, whose noteworthy membership includes DJ Marley Marl, Big Daddy Kane, Masta Ace and Roxanne Shante At the height of hip-hop’s golden age, The Juice Crew was the definition of innovative and not only influenced the culture as a whole (style, lyricism, creativity), but also impressed the importance of style, substance and technique upon the next wave of street ambassadors.

After a successful run with DJ Polo and the Juice Crew, G Rap embarked on a solo-career, with his solo debut, 4, 5, 6, (1995), which was preceded by Roots of Evil (1998) and The Giancana Story (2002). Since then, we’ve only been intermittingly blessed by bodies of work from the Kool Genius Of Rap; Half a Klip (2008), Riches, Royalty, Respect (2011), Return Of The Don (2017) and Son Of G Rap with 38 Spesh (2018).

Now, the recent National Hip-Hop Museum inductee returns with his first solo-album in

five-years with Last Of A Dying Breed, entirely produced by Domingo, which features collaborations with AZ, NEMS, Vado, 38 Spesh, Royal Flush and Big Daddy Kane; with production supplied by Domingo. Kool G Rap’s "Last Of A Dying Breed" is now available on limited edition vinyl, digipack CD and cassette.

Renowned producer, dj, artist and author Justin Robertson fresh from the success of his Five Green Moons project joins forces with composer and Stone Club co-founder Matthew Shaw on their tribute to mythical band MineralTail. An 11 track cosmic trip through krautrock, weird ambience and loose-limbed grooves that accompanies the story contained in Justin's new novel of the same name. Expect hypnotic electronics and ritualistic rhythms, swirling melodies and glorious riffs.

'Critics agree that the greatest album ever recorded is the self-titled debut by the MineralTail. Recorded after the extinction of humanity by the combination of a Megalithic stone and two dogs, the record remains peerless in its ingenuity, passion and inventiveness. An album that consistently remains at the top of all rankings and charts. Though all such accolades are meaningless, nonetheless its enduring appeal is obvious. Here, at last is the first reliable account of how that record was made. The recording techniques, the creative disputes, the true source of the sound. It is a story of sublime inspiration, skulduggery, time travel, beauty and conflict. But most importantly it is the story of music itself. Because held within the grooves of the MineralTail's breathtaking debut is the voice of God's most dazzling accident. Music.'

DJ Support: Nic Fanciulli, Joe T Vannelli, Danny Tenaglia, Richie Hawtin, Nick Curly, Shiba San, Adam Beyer, Marco Bailey, Boris, Jamie Jones, Markus Schulz, Tom Novy, John Digweed, James Zabiela, Tiesto, Claude VonStroke, Roger Sanchez, Blond:ish, Adriatique, Paul van Dyk, Joris Voorn, Deer Jade, Vintage Culture & Paco Osuna

Few labels can claim true legendary status in dance music - where trends fade as quickly as they emerge and icons are made and broken overnight. Yoshitoshi stands as one of those rare exceptions.

The label makes its return with a statement of intent: a definitive new remix package of Alcatraz’s era-defining “Giv Me Luv”, a dancefloor classic that hasn’t seen fresh interpretations in over a decade. While the original has remained a staple for those who know, it’s now primed for a new generation of club enthusiasts.

“Giv Me Luv” represents everything Yoshitoshi has been standing for: raw energy, unforgettable hooks, and that indefinable magic that makes a track timeless. Bringing it back with new remixes after all these years demanded artists who could match its legacy.

Enter Sébastien Léger, the French maestro whose thirty-year journey has seen him perform everywhere from Coachella to the Great Pyramids of Giza. His interpretation delivers the sophisticated, hypnotic drive that has made him one of electronic music’s most respected tastemakers and the founder of the acclaimed Lost Miracle imprint.

Alongside him, progressive titan Jerome Isma-Ae, whose unique fusion of trance, techno and house has dominated Beatport charts and earned him breakthrough recognition from Armin van Buuren, unleashes his signature sharp, breathtaking power on the classic.

The vinyl also includes the original mix on the B-side, completing a package that marks Yoshitoshi’s triumphant return to form.

Finally, the long-awaited repress of this tech-house banger by French producer Bobby Parker from ’03. A real classic from DJ Francesco Del Garda. The B-side comes from another sick release on the label, this time with Mogcha. It’s a straight-up electro-house heater, perfect to get that dancefloor hyped. Antinote’s also planning to reissue some of the Monster Funky catalog in the next monthes. Stay tuned!

2026 Repress

Chlar delivers his debut record for SHDW & Obscure Shapes' Mutual Rytm imprint.

Emerging as artist of note for both now and the future, Chlar continues to craft and shape his sound as he curates his own high-octane approach to techno. Combining dynamic performances taking in three and four deck mixes with his own up front productions and his talents as a former mastering engineer, the Swiss talent has become a respected name amongst his peers. After releases on Lobster Theremin and his own Bipolar Disorder imprint, the Berlin-based DJ, producer and label boss heads to SHDW & Obscure Shape's blooming label Mutual Rytm to deliver six precise and powerful cuts across his 'Optimized Groove' EP.

"As the names states, 'Optimized grooves' is a collection of tracks designed to match specific parts of the event/night. From 'Night Genesis' at the origin of the night through to tracks like 'Maximum Performance', a peak time bomb, and 'Spirit Enhancer' - an uplifting and warm production elevating individuals to higher labels after hours of spiritual connection'" - Chlar

Opener 'Early Morning Acceleration' sets the tone early and dives into a looping ride through slinking hats and bustling arrangements - combining classic influences with forward thinking touches to reveal a dynamic slice of techno. Next, 'Maximum Performance' fuses swelling low-ends, sharp percussion and vibrant leads, while 'Love Blaster' delivers an all out fiesta armed with rolling drums, sharp whistles and rich chords. On the flip, B1 'Night Genesis' sees hypnotic loopy vocals balanced by tough kicks and luminous synths, before 'Spirit Enhancer' showcases a soulful trip as resonant electronics work around the track's tunnelling groove. The digital EP comes with a bonus exclusive production in 'Synaptic Discussion', a euphoric and impactful closer which brings things to a close firmly in the peak time hours.

Chlar 'Optimized Grooves' drops via Mutual Rytm on 9th September 2022.

2026 Repress / Blue Vinyl

After releasing five sell out various artists EP’s featuring 25 artists, positivesource is excited to present a new chapter for the label with a diverse and anthemic EP from Berlin based producer Regent.
No stranger to the label, Regent contributed to src005 last year with his smooth techno roller ‘Off Agenda’ alongside music from Neri J, Alpha Tracks, Vil & Cravo. His tracks have featured heavily in DJ sets by label founders Blue Hour and Philippa Pacho over the years, naturally the idea to present the first artist EP on positivesource with Regent comes as no surprise. The record starts on a hypnotic tip with ‘Occult’, grooving along with an infectious bass-line swung beats and blissed out atmospherics before stepping up the energy levels on ‘Khmera’, a relentless chord driven percussive anthem with nostalgic vocals rising to new heights. On the flip the title track ‘Aphid Riot’ is bold and vibrant leaning heavily into UK flavours using sliced up vocals, breakbeats and a classic ‘Reece’ bass-line. Completing the record is a ‘broken’ version of ‘Aphid Riot’ highlighting an ethereal tonal melody with a deeper and more introspective take on the original. It’s a new sound exploration from the producer, emonstrating his versatility and perhaps a rare moment in his discography

"Tapping into a shared affinity for early trance – as in short for transcendental – Function and Nastia Reigel come together on Dekmantel with ‘Devocion’. Bridging the past and the future, this partnership draws deeply on brooding, melancholic early-90s sounds and supercharges it with the immensity of modern techno.

The project began when Nastia Reigel shared a series of discoveries with David ‘Function’ Sumner – records rooted in the rave-leaning edge of the era, spanning labels like R&S, FAX and EXperimental. He responded that this was precisely the music he had been absorbing while coming up in the thick of New York’s club and rave scenes and beginning his journey into DJing. The excited exchange of deep digs around this niche of dance music history naturally led to a conversation about collaborating on music in this vein, and Devocion is the result.

Familiar genre touchstones are everywhere, from the plaintive bleeps and understated breakbeat roll of 'Eternity' through the sad-eyed arpeggios strafing on the edges of 'Reverence' and on to 'Flowstate's blue-hued acid lines and 'Orion's sky-scraping gated pads. But Reigel and Sumner deploy these strongly coded elements with poise, feeding into a richly rendered production that feels anything but old-school. The emotive streak is wielded with care, spelling out the mood without losing the steely, shadowy sensibility that tracks through their respective catalogues.

In a perfect demonstration of honouring the past while embracing the present, Devocion EP lands as a distinctive artistic statement on its own terms."

Warehouse Find!

Introducing Red D, the Belgian DJ and producer, one half of FCL (alongside San Soda), long standing club promoter (since 1992), owner of We Play House and general all round good guy. With releases on Ferrispark and Delusions Of Grandeur (with MCDE), remixes on Eskimo, regular sets at the likes of Panorama Bar and an RA Mix under his belt you could say things are falling into place nicely. On top of all this his FCL project continues to go from strength to strength with a new
EP dropping soon on Kai 'KZR' Alce's highly regarded NDATL label. When he sent over two originals for Freerange it was love at first listen as the simple, warm beats and emotive chord stabs of title track Chez oozed from the speakers. This sounded to me like house music in it's purest form, from the days when the focus was on a feeling rather than complex sounds or technological
trickery. And the proof is in the pudding with this one as you can feel the dance floor go into some kind of collective bubble of love whenever you play it. The second original follows drawing you into a false sense of security with familiar 707 beats and gentle pads before taking a left turn. Appropriately titled Into Darkness the blissful vibes of the intro begin to fall away as the
track reaches a breakdown and we're treated to the rudest of Chi-Town basslines taking us down a somewhat less wholesome path. Flipping over we're treated to two Jacob Korn remixes, one of each of the originals and if the A side is the good cop, we can trust the Uncanny Valley regular to deliver some pure badness on the flip. His Remix of Chez is clearly inspired by his studio hardware as you can hear the improvised and 'live'
sounding arrangement, the machines taking on a life of their own as things twist and turn in a spontaneous and unpredictable way. A rattling white noise pulse drives the rhythm whilst bubbling synths add some lightness to the pummeling
kick. Into Darkness gets the Korn treatment next and here he puts it right through the sonic mangler, tape saturation distorting the mix to within an inch of it's life. Jacob puts the focus on the bassline of the original, keeping things simple at
first before winding in layers of Juno chords and the bleepiest of synth lines resulting in the finest of raw, bassment house jams.

POD & Edward Richards return with their second release on Kinetic Vision, the ‘Polar Phase’ EP, following their much lauded ‘SQZR’ EP. A landmark release for the label, ‘Polar Phase’ marks the first of a series of records to come. Set at a tempo of 100 BPM, the duo mix minimalism, broken beats, world music percussion and psychedelic synths to weave a tapestry of darkness, albeit more zen than melancholy.

The opening track ‘Mind Machine’ is propelled by a broken beat and flurry of hard hitting snares. A swirl of synths abound while a tribal incantation is whispered in the dark. The title track ‘Polar Phase’ takes us on a pulsing journey of techno hypnotism, with icy synths threatening deep underwater immersion. The B side ‘Flux Growth’ elicits an obscure playfulness with its punctuated kick and slowly building chaos. Finally the Sub Basics remix of ‘ Polar Phase’ lifts the tempo and we find ourselves in a bliss of pure dancefloor hedonism.

POD & Edward Richards have crafted a rich textural sound with slow paced hypnotic grooves, creating deep absorption for both DJ and listener alike.

For Sofia Kourtesis, joy is a living practice. It"s evident in her effervescent stage presence and bombastic sets, which confidently traverse through house, electro-pop and melodic techno. The Peruvian DJ and producer has forged a vibrant and illustrious career that has taken her to all corners of the globe. Kourtesis"s debut DJ-Kicks mix is a potent blend of the beautiful, complex emotional soup that has made her connect so deeply with her fans.

Manfredi Romano, founder and A&R of Life and Death Records, has been a pivotal figure in electronic music for over two decades. This year marks an important milestone as he is invited to curate the upcoming fabric presents mix for fabric Records, a release that highlights his instinctive storytelling and the distinct musical identity he has cultivated throughout his career.

Manfredi’s journey began in Italy around the turn of the millennium, tour-managing punk bands and organizing left-field music events before completing his studies in computer science at the University of Pisa. He went on to form DAZE, Italy’s first booking agency dedicated exclusively to electronic music, laying the groundwork for what would become a globally influential presence in the scene.
In 2010, he shifted focus to his own artistic project, DJ Tennis, which quickly gained international recognition for its emotive blend of house, techno, and disco. Renowned for creating intimate atmospheres in even the largest spaces, DJ Tennis has performed at leading clubs such as Circoloco Ibiza, Fabric London, and Panorama Bar Berlin, and at major festivals including Sonar, Timewarp, Primavera Sound, and Coachella. His 2022 residency at Phonox in London further showcased his ability to shape dancefloors with nuance and depth. Since 2017, he has also co-founded and curated Rakastella, the celebrated Art Basel Miami festival created in partnership with Life and Death and Innervisions.

As a producer, DJ Tennis draws from early relationships with post-rock pioneers such as Godspeed You! Black Emperor, Tortoise, and Fugazi, channelling their influence into intricately layered electronic compositions. His work has appeared on respected labels including Kompakt, Rhythm Assault, Running Back, !K7, Cercle Records, Aus Music, and Circoloco Records, alongside frequent releases on Life and Death. His remix portfolio includes collaborations with Diplo, Boys Noize, Loco Dice, WhoMadeWho, and Acid Pauli, among many others. He has also previously contributed a DJ-Kicks mix, bringing his eclectic sensibilities to one of electronic music’s most beloved series.

After extended periods living in Miami, Berlin, and Barcelona, DJ Tennis now resides in Paris. Outside the studio and club environment, Manfredi is a passionate chef who has curated menus for charity events and collaborated with Beatport at ADE, Pioneer, and Resident Advisor. He is also an avid collector of bicycles, vintage action figures, and vinyl — his record collection now surpasses eleven thousand pieces.

With the forthcoming fabric presents DJ Tennis release, he offers a deeply personal, narrative-driven statement that reflects decades of crate-digging, boundary-pushing selections, and a lifelong devotion to sound. It marks a new chapter in his artistic evolution and stands as one of the year’s most anticipated entries in the iconic series.
The first single from DJ Tennis is a collaboration with long-time studio partner Ashee, and it immediately sets the tone for the mix: warm, seductive, rhythm-driven, and emotionally charged.

“I Wanna Know” is a sleek club track built around a pulsing groove and a steady, hypnotic rhythm. The low end is rounded and warm, giving the track a driving but understated momentum. Percussion is crisp and minimal, allowing the bassline and vocal elements to take center stage. The repeating, robotic earworm of a vocal hook, “I wanna know’ is the lynchpin to the track and will remain in your head long after the track has finished.

It’s the kind of record that warms up a room early in the night, sets the tone for a sunset beach set, or adds a lush, emotional peak during a more leftfield club moment.

Introducing the 4th instalment of the Pacific Coast House rebirth. We bring back another much sought-after 12” from The Coastal Commission & Jesse Outlaw. “Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One”. Long out of reach and fetching $100+ on Discogs, Atjazz’s freshly remastered editions are finally available .. “Let it Go” was never mastered & only ever cut to dub-plate. It has now been mastered & available in all it’s glory.

Coastal Commission “Bring Down the Walls” “Bring down the Walls” was a nod to Raze’s “Break for Love”, Robert Owens “Bring Down the Walls” and Ritchie Hawtin’s use of the Roland 606 throughout “Sheet One.” We gave the tune a Californian psychedelic twist with conga laden drums, a moody synth, low pulsing 303 patterns + Benjamin Zephaniahs patois call to “Move the Body Rhythmwize!” The first PCH releases had dropped Worldwide to International acclaim from DJ’s far and wide across the Globe with support in London, Paris & New York. However the local scene here in L.A that preached “Love, inclusion & Unity” was anything but that. L.A at that time was very tribal & divided up into 3 camps. If you weren’t affiliated with any of them (aka independent) then you were pretty much locked out of getting any kind of gig support or the Dj’s from those camps actually playing the music. The local feedback from Dj’s was that what we were making wasn’t “house,” but “Techno” which was absurd to me. “Bring Down the Walls” was a mantra to “move the bod”y and in doing so “bring down the walls” of separation not just in L.A but throughout society in general. Thank goodness for support from people like Terry Francis, Eddie Richards, DJ Deep & Philly Stalwart King Britt. After years of copies going for upward of $100+ on Discogs the now freshly remastered copies by At Jazz’s Martin Iveson are finally hitting the platters this Spring.

Jesse Outlaw “Let it Go” I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late 90’s. Miguel (RIP) was a mainstay in the Underground scene and had always been very supportive of my endeavors. He had had success with a huge release on Yellow Orange and was working with Jesse under the moniker “When Worlds Collide.” I signed “Brighter Days” & “Set you Free” from them and released the tracks on my Seductive imprint. They told me that they were making the tracks on a Sony Playstation “Music Now” program and I was like FFS “What.s more Underground than that!?” Later Jesse gave me some of his solo work. The track “Let it Go” was never mastered & only ever cut to Dub-plate and featured on my 1st PCH mix “Pacific Coast House Sounds.” It has now been mastered by Martin Iveson and is available in all it’s glory. The dreamy vocal “You need to let it go” beckons over the top of driving percussive Latin beats and church organ which is a great compliment to the flip side of “Bring down the Walls.” All in all two West Coast stompers now finally available remastered on PCH in Orange vinyl.

With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and its power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 15 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move the body as much as the heart.
 
From his formative years in Sheffield to co-founding Manchester’s much-fabled Electric Chair with Justin Crawford, through to helming the iconic LGBTQ institutions of Homoelectric / Homobloc, Luke has spent 40 years immersed in dance music. His latest outlet, É Soul Cultura, has grown from a label to a globe-spanning events series with Luke holding residencies and embarking on tours across the world from Japan and Australia to America and Europe. 
 
“For me, the dancefloor was never about a one-dimensional, thudding, 130 BPM beat only. It's a much more dynamic, broader vision than that. I cut my teeth in an era where a 100 BPM record had as much impact, excitement, and energy as a 134 BPM dancefloor jazz funk or techno record”, Luke mentions. É Soul Cultura Volume 3 is the perfect embodiment of that notion: “It’s about four decades in the trenches playing dance music, the late-night afters, the shebeens, the basements, warehouse parties, the eight-hour journeys in East London, through to festival sets at Houghton and We Out Here. It’s music unconstrained by genre or tempo and more about making your body move”. 

But this isn’t simply a collection of disparate dance tracks; they carry meaning and soul. “It’s less about escapism, more about reconnection. My experience of post-covid has been the coming together of all the clans in various clubs and gatherings. A reaction to a very toxic world out there, where the aggro rhythms of division have sought to divide us, and people don't meet as often. The coming back together face-to-face in clubs has encouraged a real love in the air, there's a real togetherness and collective spirit”.
 
Opening up the compilation is a track that channels that very message, the transcendental, soul-rousing Harris & Orr ‘Spread Love’. Joining the dots from there, to the low-slung deep house closer of Fatdog ‘Remember’, you’ll find electronic drum machine Nigerian funk, sitting side by side with dancefloor Cape Verdean brilliance, a post-punk cover of Fela Kuti, rubbing shoulders with cosmic electro, and an Una-championed, 8-minute, kickless DJ Harvey remix. There’s jazz funk in various guises moving from boogie synth to astral travelling, slo-mo acidic raw techno, and a ‘79 soul stepper, alongside swirling percussive Italo disco and tribal-charged house. All infused with an innate ability to bring people together.
 
As society becomes increasingly fractured, É Soul Cultura Volume 3’s message is more than movement. It’s about dance music’s power to unify people from all walks of life and break down the barriers that divide us.

Driveline Records launches its catalog with a focused four-track vinyl EP built for the dancefloor, presenting four distinct yet cohesive techno cuts driven by groove, atmosphere and functionality.

The A-side opens with Invexis - "Roots", a hypnotic builder that slowly unfolds into a funky-driven rhythm. Tight hi-hats and rolling basslines carry the track forward, culminating in a subtle yet engaging melodic progression that lifts the energy without losing tension.

Next, Pylot - "Observation" delivers a highly functional club tool based on steady loops and an aquatic sound design. Aggressive low-end and raw basslines support an atmospheric and hypnotic flow, making it a solid choice for mid-set pressure and long blends.

On the B-side, Berlin-based duo Disguised contribute "Gitty (Dub Mix)", a dub-influenced and dreamy track designed to keep the dancefloor moving while creating a floating, immersive mood. Deep grooves and spacey textures balance rhythm and emotion.

Closing the EP, Shadow Hrym - "Delia" explores more melancholic territory, combining tribal and funky rhythms with emotive soundscapes, offering a powerful and memorable ending to the record.

A strong debut statement that defines Driveline Records' sonic vision: DJ-oriented techno with depth, groove and atmosphere, pressed on vinyl for dedicated selectors.

Die brandneue Kollaboration zwischen Freddie Gibbs und The Alchemist, „Alfredo 2”, ist der offizielle Nachfolger der gefeierten „Alfredo”-Veröffentlichung des Duos aus dem Jahr 2020.



Der Rapper Freddie Gibbs wird für sein technisches Können und seine provokanten Texte gelobt und hat sowohl Fans des Gangsta-Rap als auch des Underground-Hip-Hop für sich gewonnen. Er reimt sowohl auf dröhnende Breakbeats als auch auf Trap-Beats und hat mit zahlreichen Rappern und Produzenten zusammengearbeitet, darunter Young Thug, Jeezy, DJ Drama und Statik Selektah. In den 2000er- und frühen 2010er-Jahren machte er sich mit einer Reihe von selbst veröffentlichten Mixtapes einen Namen. Nach seiner ersten offiziell veröffentlichten EP Str8 Killa (2010) begann er, richtige Studioalben zu veröffentlichen, darunter die gut angenommenen Kollaborationen mit Madlib Piñata (2014) und Shadow of a Doubt (2015) sowie You Only Live 2wice (2017). Nach dem kommerziellen Mixtape Freddie (2018) tat er sich für Bandana (2019) wieder mit Madlib zusammen und produzierte mit The Alchemist das Album Alfredo (2020). Letzteres wurde seine erste LP, die die Top 20 der Billboard 200 erreichte und anschließend für einen Grammy Award nominiert wurde.

2026 Repress

Philippa Pacho launches her new record label, 'phorum,' with a powerful debut release from Phil Berg. Titled 'Thrust' the EP delivers four expertly crafted dancefloor tools, offering a solid selection for any serious Techno DJ.

Totally Enormous Extinct Dinosaurs is the musical project of British producer, singer, and songwriter Orlando Higginbottom. Known for his emotionally rich electronic compositions and playful visual aesthetic, he emerged in the late 2000s with a sound that merges dancefoor energy with melodic songwriting. His work spans house, techno, synth-pop, and experimental electronic music, and he has earned recognition for both his solo releases and his collaborations with artists across the electronic and pop landscape.

Trouble balances introspective songwriting with dance-foor energy, positioning itself as more than just a collection of club-ready singles. Key tracks include "Garden" which features Luisa Gerstein on vocals and "Tapes And Money" which incorporates Funkadelic's "One Nation Under A Groove" The album was well received, with favourable reviews from several well- respected music publications including the NME who decribed TEED as "one of the UK's most exciting young producers." It was also DJ Magazine's 'album of the year'

Ben 9mm remixed by the legendary Chris Liberator... The old school Mat Moebus... for a Techno A side.
On the flip you will get 2 remixes from newskool talented Kickart and a massive Hardtek/hardfloor banger spirit !

Limited 300 copies for DJ's weaponary :)

MINT COPY - Serygraphied sleeves

Cripplefight is, without doubt, Droon's most famous song ever. A global breakcore anthem if you will. However, untill now, it has never been available on Vinyl. In the spirit of the old techno-maxi's we present the re-mastered original, and 3 dj-friendly remixes by -SHITMAT (UK, Planet mu, ..) -Ladyscaper (uk, deathchant, ..) and -Duran Duran Duran (USA, cock rock disco, ...) as "previews" we would like to give you these links to some youtube movies.

Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records



Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.



Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.



The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.



w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds

This Record Label is connected to ZEL Events and times to release music from residents and artists around our community.

Livorno based Ducato Driver, 360° dj and producer, comes out with a solo EP, to be the 2nd release on ZEL Records. “The meaning of dé” are 4 tracks travelling across Techno, Progressive, EBM, dark and trippy vibes. Enjoy the listen.

Kalipo kündigt sein fünftes Solo-Album mit Titelsong ‚Alles' auf Iptamenos Discos an!

Der in Berlin-ansässige Multinstrumentalist Jakob Häglsperger ist seit fast zwei Jahrzehnten einer der umtriebigsten deutschen Produzenten. Neben unzähligen Hits, sechs Alben mit seiner Band Frittenbude und vier von der Presse gefeierten Solo-Alben als Kalipo gründete er nebenbei 2020 - gemeinsam mit Local Suicide - die Band Dina Summer, ein weiteres Nebenprojekt welches seit dem international Wellen macht.

Mit über 30 Millionen Streams und weltweitem Radio-Airplay, verbindet sein Soloprojekt elektronische Intensität mit emotionaler Tiefe irgendwo zwischen Clubkultur und Indie-Ästhetik. Geradlinige, treibende, im Krautrock verwurzelte Beats treffen auf markante, von Electroclash, House und Techno der 2000er und 2010er Jahre inspirierte Melodien.

Mit fünf Soloalben und einem breiten Katalog von Remixen und Singles auf renommierten Labels wie Ki Records, Get Physical, Audiolith Records, Iptamenos Discos und Heimlich hat sich Kalipo einen festen Platz in der Szene erarbeitet. Seine Veröffentlichungen wurden unter anderem von Medien wie TAZ, Spiegel Online, Rolling Stone, Musikexpress, DJ Mag, Mixmag, Tsugi und Resident Advisor gelobt.

Das neue Album kommt mit einer ordentlichen Portion Darkness, schwebenden Gitarren und einem stampfenden Beat daher. Darüber singt Kalipo mal auf deutsch mal auf englisch lässig über das Loslassen von inneren Ängsten, Beziehungen und alltägliche Lasten. Ohne seine Fans zu verschrecken schafft er auch auf ‚Alles' wieder einen stimmigen Spagat zwischen Clubmusik und klassischen Songstrukturen.

Demetrio Castellucci and Massimo Pupillo present the music of Sleep Technique, a performance by Dewey Dell inspired by the Chauvet cave and its ancient cave paintings.
The music comes to life anew on record, an immersion into the depths of sonic particles, moist electroacoustic rhythms, the repeated forms of speleothems, and the electric bass that scrapes the walls, shaping them into concave or convex surfaces. A voice that moves incredibly slowly, yet is in constant motion, like the millennia-old, unceasing erosion of water.
The album’s journey follows the geography of the cave in reverse, moving from its deepest chamber back to the entrance.

Demetrio Castellucci is a composer and sound designer who has been involved in theater productions, choreography, and film since 2004. Around the same time, he began performing as a DJ, favoring an omnitemporal approach geared toward dance that transcends musical genres. Since 2006, he has been a member of the dance company Dewey Dell, and since 2007, he has been active as Black Fanfare, a maximalist electroacoustic project. He has collaborated on performances by Andreco and Enrico Ticconi/Ginevra Panzetti, as well as on films by Ahmed Ben Nessib, Beatrice Pucci, and Ilaria di Carlo. After living in London and Berlin, he settled in Vilnius, where in 2018 he founded Unarcheology, a digital platform that publishes music and radio programs. He is also active as Airport Gad, an ambient project which, together with Unarcheology, launched its own “Airline Company”: concerts in a flight simulator built from cardboard, where the pilots are also the musicians.

Massimo Pupillo is best known as a founding member of the band Zu, with whom he has released 18 albums and performed over 2,000 live shows worldwide. He has maintained a highly open and multidisciplinary approach that has led him to work with some of the most acclaimed figures in the contemporary art world: South African photographer Roger Ballen, actors Malcolm McDowell and Marton Csokas, Romeo Castellucci and Chiara Guidi of Societas Raffaello Sanzio, American choreographer Meg Stuart, poet Anne Waldman, and Italian poet Gabriele Tinti, among others. He has collaborated live and in the studio with avant-garde musicians and composers such as Alvin Curran, piano duo Katia & Marielle Labèque, and classical virtuosos like Viktoria Mullova and Giovanni Sollima. He has also worked with some of the most influential names in the international rock scene, including Mike Patton, Thurston Moore, Jim O’Rourke (Sonic Youth), Guy Picciotto & Joe Lally (Fugazi), Buzz Osborne (Melvins), and Damo Suzuki (CAN).

In the field of improvised music, he has collaborated with Peter Brötzmann, Toshinori Kondo, Mats Gustafsson, Ken Vandermark, and Tony Buck, among others. Within the experimental music scene, his collaborations include Oren Ambarchi, David Tibet (Current 93), Thighpaulsandra (Coil), Stephen O’Malley (Sunn O))), Abul Mogard, Mick Harris (Scorn), Gordon Sharp (This Mortal Coil), FM Einheit (Einstürzende Neubauten), and many more. In cinema, he composed the score for Kirill Serebrennikov’s film LIMONOV, presented at Festival de Cannes in 2024.

James Ruskin's Blueprint Records continues its 30-year celebrations with a new EP by Kr!z who returns with his fourth EP for the label. Kr!z made his Blueprint debut in fine style with his "Neutrino EP" in 2022 and went on to deliver the "Revelation EP" in 2023 and "Horo EP" in 2024 so it's fitting that he's back to join in this landmark label anniversary.

Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic and energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad and James Ruskin, he gradually but steadily developed his own identity in the international techno scene.

After making a name for himself as a skilled DJ with sharp focus and a quick mixing style in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. It has since been a leading outlet for heady, purist sounds. He rapidly established the label as a fixed value with a timeless and powerful sound and took it around the world with label nights on every continent. Token remains important in defining techno today - always straightforward, sometimes weird, often catchy - all under the helm of Kr!z as avid A&R.

After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur's knowledge and experience he has cultivated in his work as a DJ, in 2019 he released his own debut EP "Mantra" on the label, earning high acclaim from both media and key DJs. Since then, he has continued to develop a strong body of work, regularly releasing on the influential Blueprint Records and SK_eleven alongside his own Token imprint, and producing aseries of notable remixes. This steady output has established him as a key figure within the techno landscape, recognized for both consistency and artistic depth.

Kr!z's latest Blueprint EP "Footprints" is released 13th March on vinyl and digitally.

Lilly Palmer ist eine Vorreiterin in der Welt der elektronischen Musik, bekannt für ihren einzigartigen Sound, der energiegeladenen Techno mit grenzen sprengenden Elementen verbindet. Mit ihrem langerwartenden Debüt Album „Bigger Than Techno“ geht sie den nächsten Schritt Richtung Techno Olymp!
Die in Deutschland geborene Lilly ist schnell zu weltweiter Bekanntheit aufgestiegen, gilt als eine der einflussreichsten und innovativsten Künstlerinnen ihrer Generation und würde jüngst vom renommierten DJ Mag auf #57 der besten DJs weltweit gewählt.

For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project's ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today's dancefloors.
A1. DJ Assault - U Can't See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
A2. Myles Sergé - Trans Milenio (Hardspace Mix) With Myles Sergé, Faki explores more hypnotic territory. He extracts the driving, repetitive elements of the original and sharpens the rhythmic angles. The result is a prime example of the Hardspace sound: a deep, almost meditative loop that gains entirely new spatial depth through subtle filter movements and a crystal-clear percussion layer.
B1. Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix) On the flip side, Faki leans into the brooding atmosphere of Jad & The. As the name suggests, this mix is crafted for the "wee hours". Faki amplifies the "grimey" textures and contrasts them with a stoic, forceful beat. The trippy, almost menacing synth elements are rearranged within the stereo field, creating an immersive pull that is impossible to escape.
B2. Deepchild - Baller (Hardspace Mix) To close out the EP, Faki brings the jacking spirit of Deepchild's "Baller" back into the ring. Through meticulous re-arrangement and quantization, he gives the track the "tightness" essential for a modern DJ set. The playful, bouncing synths remain, but are now grounded by a heavy-duty beat foundation.
H009 is a hand-picked collection that demonstrates how Len Faki unites diverse musical personalities and eras under the Hardspace umbrella. Whether it's raw ghetto vibes or hypnotic deepness, every track has been transformed with technical precision and deep respect for the original to meet the demands of global dancefloors.

Matryoshka has already built a reputation as a producer for DJ Loser's Magdalena's Apathy imprint as well as work for the Nostalgians, an under-the-radar ambient rap collective featuring Yungwebster, Mdb, tnotsobad, Nopaprr and ogpra1. Her musical roots – dubstep, trance and hard dance – tell some of the story here, but she transmogrifies those influences into haunted, Basinski-esque memories like the gaseous traces and decelerated remnants of the club.

On album opener »Lifelover«, Burial's hazed interludes spring to mind, or perhaps the 4am cityscapes of Space Afrika's now mythical »Somewhere Decent to Live«. Background ambiance simmers below Lawson's pensive FM pads, but once she establishes the mood, things take an unexpected turn with a pitch-bent bassline that might have been lifted straight from a 6LACK loosie, and a rhythmic pulse that traces the thin red line of Shinichi Atobe. If it's dub techno, it's a strand that hasn't been codified quite yet.

»Surface Tension« uses deep, Maybach Music-coded bass womps to twist through her skittering slow rhythms and sadcore pads. But it’s Matryoshka’s harmonic instinct that stands out; if you heard the airy »otr« or »fantasize« from Yungwebster's '»II' you'll know exactly what we mean«, and she takes it even further here, weaving cinematic, languid harmonies that bridge the gap between Steve Roach and Future.

Check »Where the Dancers are Spinning« with its levitational, almost orchestral sweeps that Lawson counterbalances with thudding subs, or the brief title track, an Akira Yamaoka-style save room loop that dissipates into a dreamy, dissociated fog, for further proof. Then there's the second side's centrepiece »Parted by the Sea«, where a ratcheting Chain Reaction-style rhythm builds to a tense crescendo only to get splintered unrecognisably in the second half, its broken pieces pillowed by Lawson's billowing time-stretched chords.

Rolando’s back in the game with Syncrophone Remixes Vol.2—flipping DJ Qu’s “Undescribed3,” Detect Audio’s “Synchronize,” and Anthony Shake Shakir’s “Arise.” Three exclusive remixes, pure underground techno for real heads. Detroit spirit, cop this 12” before it disappears!

DJ Feedbacks :


Honey Dijon : DJ Qu is the one for me. Will def support!
Raresh (ar:pi:ar) : super! thanks
Truncate : Thanks!
The Advent : Smooth bgrooves on here.. 3 - Anthony 'Shake' Shakir - Arise (Rolando Remix)
Anika Kunst (Symbolism / RSPX) : Cool release. Arise rmx is beautiful. Thanks!!
Harvey Sutherland (MCDE / PPU / Voltaire Records) : DJ Qu flip for me, thanks!
Scott Grooves : The Shake is the one
Satoshi Tomiie (Abstract Architecture) : Wooow hot hot hot
Roman Fluegel (Roman Fluegel, Dial, Cocoon, Playhouse, Robert Johnson) : The Remix for Shake is the one for me.
Erol Alkan (Phantasy Sound) : Downloading Thanks!
Enrica Falqui (ERIS, Plexus 4) : I like it!
Daniel Avery (Phantasy / Fabric) : Awesome
Laurent Garnier : cool release
Elisa Bee : Only love for Rolando, thanks x
Slam (Soma) : Brilliant - thanx
San Proper (Perlon / Rush Hour / Proper's Cult) : Totally what i needed to hear, Rolando remixing Shake & Q, my heroes lined up. I will enjoy playing all 3 mixes. One Love.
Axel Boman (Studio Barnhus) : killer remixes!
Terry Farley : DJ Qu mix my fave - heads down LETS GURN
D'Julz (Bass Culture) : great work !
gilbr (Dj Gilb'R / Chateau Flight (Versatile)) : Like the Shakir remix thanks for sending
Ben Sims : Now downloading... will check asap!
Lea Lisa (Phonica Records / Folklor Club) : mental, really good one
Dj Deep (Deeply Rooted) : Super nice package! Dj Qu's Undescribed3 remix for me here! Thank you
Mike Shannon (Cynosure) : Rrrrreeeeemix!! Thx
Efdemin (Dial) : Wonderful remix package!
Inland (Inland) : Hellooo. These are great. Qu and Shake versions both killer! Thanks
Kai Alce (Real Soon) : DJ QU remix bangin
Uncertain (RSPX, WRKTRX, Suara) : remix 1 for me
Harri (Sub Club) : very nice all three will play and support
Blasha & Allatt (Meat Free) : Thank you!
Marcel Dettmann : thx
Richie Hawtin (M_Nus) : downloaded for r hawtin
Luke Solomon (Classic / Freaks / Music For Freaks) : all killer
Luke Slater : Thanks Ro!
Ame (Innervisions) : thanks
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : I like this
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Alienata (about blank) : Very nice remixes, all of them, thx!
Nat Wendell (Depth of My Soul, Courtesy of Balance, Love & Loops) : Dope remixes!
Dave Clarke (white noise radio) : Not my sound, but please keep them coming !

yellow & green mixed coloured vinyl 2026 Repress

Previous releases on aufnahme+wiedergabe, Fleisch Records, Minimal Wave Records imprint Cititrax and n-PLEX have been frequently played by acclaimed DJs (Phase Fatale, Randomer, VTSS, Amelie Lens, Regis, Helena Hauff, SPFDJ, Veronica Vasicka, Silent Servant to name a few).

Schwefelgelb is a Techno duo from Berlin, known for their raw but precise and cutting productions. Their reputation for a strikingly energetic live show brought them into clubs and festivals around the globe.

After launching their own label n-PLEX and releasing two original EPs on it, NPLX003 marks a re-release of their most successful record "Dahinter Das Gesicht" ("Behind It The Face"), which was released on aufnahme+wiedergabe in 2017 primarily. After 1500 sold out copies it still remains highly demanded as one of the most influential records for actual EBM-Industrial-influenced Techno. This re-issue comes in a special edition of remastered track versions and also includes an edit of its most notorious track "Es Zieht Mich" as addition to the four original tracks.




c B1 Es Zieht Mich GP2 edit

This is the debut release on Superflux — a label out of New York run by DJ Brisket and Tamahori. It’s a dubby, pad-driven, deep house EP from four artists who all lived in the Midwest before landing in Brooklyn.

A1 – “Slow String (original mix)” is a straight-ahead deep house groover from Daniel Chavez, who has releases on Deep Club, Muted Noise, and Sole Aspect. Floaty pads, intricate drums and smart bass programming make for a warm and chunky tune. For fans of Brawther, Alton Miller, Ron Trent

A2 – “Slow String (Adam Raphael Dub)” is a remix from Chavez’s longtime friend and collaborator, Adam Raphael. He injects a heavy dose of West Coast tech-house into the original, like a combination of Bluem, Grayhound, and Tweekin’ for a 2025 audience

B1 – “The Blue Line (fleet.dreams remix)” is from the Mansions resident who also helms his own vinyl label, Vinezza. He takes a really driving and lush focus on this remix which evokes styles of Dana Kelley, Eddie Richards and Terry Francis Jr. He secured the coveted Hardwax “tip” on his solo EP last year, and delivers that level of discerning taste and skill here.

B2 – “The Blue Line (original mix)” is the track from IT-XPO that has anchored the release since day one. A thoughtful way to start the night, or for a soft landing in the morning sun. Heavy Shinichi Atobe and DJ Sprinkles influence here.