Search:elec

After some time fostering the birth of Melbourne/Naarm’s Solace Bar & Club, circuit|breaker returns with the last offering in our initial run of three Various Artists releases: CBRK003. As always, our focus is razor sharp on cultivating connection, between our home and the global artistic domain. With our third release, we bring you five of the boldest talents, both emerging and established, that are sure to set the standard for forward-thinking electronic music.

Positive Reaction is a vinyl-focused electronic music label founded by HMEHDI. Rooted between Tunisia and Berlin and looking outward to the global scene, the label aims to build a cultural bridge between North Africa and the rest of the world by spotlighting both local and international talents.
Drawing heavy inspiration from the raw energy of ’90s electronic music, Positive Reaction blends genres such as electro, breakbeat, techno, and especially trance — vibrant, nostalgic, and emotional.
Positive Reaction is more than a label — it is a timeless journey.

Uncover our 5th release.

This new VA brings together four artists who explore the expressive potential of sound design and instrumentation. From Olivier Romero’s powerful wavey rhytms to Luise’s sequences and minimal percussion, each track unfolds with meticulous attention to detail. Maik Yells adds depth through layered pads and haunting harmonies, while OneKnock fuses rhythms and deep substructures into a hypnotic journey. This release is a deep dive into refined electronic craftsmanship essential for those who appreciate sound as texture and storytelling.

Lo U is back with four fresh tunes, blending UK garage, breakbeats, and deep electronic textures. The journey begins with 'Transitus', a fusion of UK garage rhythms and a heavy neurofunk bassline. Closing the A-side, 'The Green Planet' delivers a classic 2-step groove with a twisted breakdown. On the B-side, we find a newly refined version of the label's classic 'Platus Karma'. The record ends with 'Eresia', a live-recorded, studio-mixed tune exploring vast electronic landscapes and broken beats.

Greetings, the producer known for blending captivating electronic sounds with heartfelt storytelling, steps into the spotlight with his debut album, Dance Music For Elsewhere. Featuring original vocals and analog textures, the album is an electrifying journey through love, life, and beyond.

Donald’s House transforms Greetings’ track My Paradise into a dreamy Australiana dub mix, with rolling basslines and echoing M1 keys that transport you straight to the bush. Meanwhile, Romain FX delivers a monumental seven-minute reimagining of the album’s lead single, End of the Night, featuring Naarm-based vocalist Indigo King. This remix captures the essence of dancefloor romance, taking listeners on a journey through the night. This vinyl-only release marks Volume 1 of the Dance Music For Elsewhere remixer series. With limited pressings available, don’t miss your chance to escape into your own paradise.

This Biscuit is built for the bold. Brimming with attitude, four trippy, hard-hitting productions. No filler here - every track a peak time head-turner.

Opening the A-side, we have France’s BOOH, co-founder of BOOOoo! Records. Seamlessly blending rich EBM, techno and electro influences, Hidden Between Two Ferns is an ever-evolving weapon, pulsating with intrigue and intensity.

A2 brings some straight-up electro business from Argentina’s Micro.Tron. Rhythm focused with a dark essence, Microclima Robot hits hard and commands attention.

At B1, the devastatingly epic Then I Dropped It, masterfully delivered by longtime label friend JJ Fortune. Signature sounds from this hugely talented artist.

Closing out this powerful piece of plastic, Vloon steps up with a growling, menacing electro weapon - raw and unrelenting.

As always, this is a strictly plastic affair. No digi release, not ever.

“To Model Phenomena” is a scientific concept that describes a computer’s ability to emulate, regardless of whether the emulated phenomenon exists outside its circuits or is purely imaginary.

Modeling communication platforms enables us to interact with each other or with computers. Modeling behavior patterns, nuclear fusion, or, as in the case of scientists from the Human Brain Project, a virtual human brain, allows us to simulate cognitive processes such as perception, memory, and decision-making, providing insight into the nature of human thought.

In this record, the phenomena modeled are those moments when the mind leaps into the void, confronting new paradigms. For instance, when science, art, or mass media introduces new information, propelling us into a transformed reality.

From this starting point, European musician Shifting Heigo maps a path between realities, evolving his narrative as his music unfolds. This work draws inspiration from Curtis Roads (vice chair of Media Arts and Technology at the UCSB) and his studies on granular synthesis and time scales, where each track on To Model Phenomena evokes a sense of movement, where nothing begins or ends in quite the same way.

A musician with strong ties to new technologies, Shifting Heigo has collaborated with the University of Málaga (Spain) in its PH Degree Program in video game design, composing interactive music, while also singing as part of the tenor section in the Qatar Concert Choir, affiliated with the Qatar Philharmonic Orchestra.

Currently based in Abu Dhabi, he is now part of a circle of electronic musicians surrounding the New York University Abu Dhabi, an institution that supports electronic and experimental music across the Middle East.

To Model Phenomena is the result of his search for a unique voice as a musician, where ternary rhythms, noise, and silence shape the narrative. This is a discourse from a musician’s perspective on the changes that science, technology, art, and the rapid flow of information demand of us. A direct gaze into the fear of change.

The legendary hit ' Astrosyn (Your House Is My House)' from The Montini Experience returns with a stunning Thomas Schumacher remix.

Introducing DJ SO: The Digital Dancehall Alias of Ben Hauke

Celebrated producer and RINSE FM radio host Ben Hauke releases his latest project under the alias DJ SO, delving into the vibrant world of digital dancehall. This new moniker sees Hauke embracing the rhythms and textures of a genre close to his heart, marking an innovative step forward in his already illustrious career.

The debut release from DJ SO comes in the form of a limited edition 7" vinyl, a nod to the golden era of dancehall's physical format. The artwork pays homage to the iconic aesthetics of the legendary label Shocking Vibes, capturing the spirit and visual language of classic dancehall culture.

The 3-track release promises to electrify dancefloors and delight vinyl collectors alike.

When SW. AKA, Stefan Wust, first established SUED in 2011, their compelling, cosmic and anonymous material struck a rare chord, emanating far beyond the freeform Berlin underground in which it was written. Unknowingly, Los Angelean Oliver Bristow had
established a parallel musical universe, founding the hyper-specific label Acid Test, inviting pioneering artists such as Donato Dozzy, Tin Man and Pepe Bradock to indulge in glorious interpretations of 303 control. Without compromise, these were records that quietly
reinvigorated electronic music.
Some years later, a new label, SWOB, unites Wust and Bristow in a very different landscape. And while it would be easy to transform the purity and integrity of this special alchemy into something like nostalgia, yearning for an alternative culture before
influencers and against algorithms, SWOB endeavours to find inspiration in arguably tougher truths.
“By the mid-90s, the techno scene had already reached a breaking point”, recalls Wust.
“Today, the scene is so highly professionalized that it barely resembles what was once called the "underground. But "underground" was never more than the simple reality that music circulated on cassettes among friends or that dubplates were played at illegal
parties... The consequence of today’s professionalization is the death of the original movement.”
Still, no one can kill an idea. Here, inspired by the “Outside Tekno” or “Outkast Techno” that emerged to subvert even back in the day, SWOB are proud to introduce the tekkNOthing trilogy, a new project from SW. beginning on cassette and culminating later
on vinyl. Some years in development, tekkNOthing first began to take shape during the 2020 global pandemic, when ‘the underground’ quickly began to mean something radically different once again.
“I noticed how everything was accelerating while simultaneously spinning in circles – existing in a kind of creative limbo on a global scale”, recalls Wust. “And that’s where true freedom lies: for artists – in any sense – to consciously engage with this necessity. In
other words, irrationality or nonsense can eventually generate meaning.” While hardly capitulating to the contemporary hammering of techno’s most recent developments, tekkNOthing’s first chapter quickly establishes a frenetic pace; tracks like ‘nuclearFALLoutX’ and ‘paslolESmess’ interlock and unfold at a tempo removed from that typically associated with SW. while ‘euroBSS’ and ‘viscousHEAT’ successfully experiment with a more guttural palette, veering far into a rejuvenating and previously uncharted leftfield.
A resolutely human endeavour, the music of SW. is nonetheless written and recorded in the looming shadow of AI, whose free-form adoption of pop culture, hip-hop and techno reminds Wust of “when photography emerged in the 19th century... painting was no
longer bound to naturalism. Similarly, music today is no longer bound to fixed standards – through AI, it can become truly free.”
If not in competition, than taking inspiration from this landscape of new opportunity, tekkNOthing diversifies further with eight unpredictable tracks across part II, taking in stuttering machine-funk on ‘crAMPDUNK’, a freeform organ jam via ‘sonicENdo’ and the
inexplicable piston-percussive, post-punk exotica heard on ‘poorTENOOR#a#01’ DJs with dual cassette decks skills might even find function in the more overtly floor-focused ‘DU ¨NEhowSE#1takeÄ’ or ‘lookLOOK’.
The times may have changed, but the promise remains simple; more music, more freedom.

An EP that’s killer from start to finish - no filler, just relentless energy. Spanning from hypnotic techno to slamming electro, with atmospheric and ethereal undertones throughout, these tracks echo the enigmatic nature of the artist. Created in the depths of the ether, they’re grounded and brought back to earth through hard hitting basslines, crisp percussion, and vocals laced with a slight northern English edge.

Oath’s latest release takes flight with Elfenberg’s signature proggy, euphoric sound. Known for his expertly crafted, otherworldly grooves, Elfenberg seamlessly blends trance-laden progressive house and techno, delivering dancefloor-ready yet deeply immersive experiences.

His new EP, *Ritmo Paradiso*, showcases his signature style while exploring fresh sonic landscapes. The title track pulses with deep bass, evolving percussion, and acid-tinged melodies. *Vasastan* shifts into IDM territory, layering swirling synths over a hypnotic rhythm. *Styggforsen* builds on acid-driven grooves with delicate pads and intricate keys, creating an endless sense of immersion. Closing track *Thank You For Your Patience* ups the tempo, featuring rolling basslines and dynamic breaks for an electrifying finish.

As always, Elfenberg crafts a journey of rhythm and melody, and Oath is thrilled to share this latest chapter.

This release blends Acid, Electro, Minimal and Dub, pressed on 180-gram vinyl in a limited edition of 100 copies. Includes a hypnotic remix by Franco Cinelli.

Crömic lands a genre-blurring, ultra energetic two tracker on Memento Records, showcasing his unique talent in blending field recordings with classic Electronica, carrying the listener into several sonic dimensions at once and experimenting with multifaceted soundscapes and deep melodies.

“For Me” opens with an intro of manic high-pitched vocals that lead into a pumping dark Techno monster, interspersed with loopy vocal snippets and old school Detroit-style synths.

“Like A Spring” features another robotic vocal intro and morphs into a relentless Electro number with more crazy vocal loops and a Eurodance-like catchy singing. Breakbeat percussions enter the track unexpectedly and kick the vibe up a notch, while a melodic break toward the end spices up the mood and rounds off a masterful composition that fuses together more than 30 years of dance floor madness.

Private View is distinctly Blancmange while also expanding into new sonic terrain. There’s a deft marriage of futuristic electronic sounds, Neil Arthur’s unmistakable vocal hooks, and songs veer from buoyant and joyful to dark and brooding. Private View will be released on London Records almost exactly 40 years to the day since the label released Blancmange’s debut album Happy Families. This neat full circle of Blancmange re-signing to the same label that ignited things all those years ago is also reflected in the album itself, being the perfect crystallisation of four decades of creativity.

On Private View Neil returns with key collaborator Benge (Wrangler, John Foxx, John Grant), and David Rhodes (Kate Bush, Peter Gabriel, Scott Walker) also returns as the guitarist, having previously performed with the band as early as 1982’s Happy Families (as well as several other Blancmange albums).

Private View is a record that manages to capture an artist who is potently in the moment when it comes to creating new work, while also being able to draw on 40 years’ worth of knowledge, experience, and built-in intuition. “I'm really lucky to be able make the music completely on my own terms,” Arthur says. “Being able to just continue being creative...that's when I'm happiest.” As he said before: “within myself there are no limits.”

Blancmange is also reflected in the ongoing influence the music has on younger generations of artists and fans over the years. Contemporary electronic producers like Honey Dijon and Roman Flügel have paid tribute with remixes, Moby once called Blancmange “probably the most underrated electronic act of all time.”; while John Grant continues to profess his love for Arthur’s music, old and new, and has invited Blancmange to perform as part of Grace Jones’ Meltdown festival.

Neba Solo, whose real name is Souleymane Traoré, is a true living legend of Malian music. His voice and balafon playing are unique, instantly recognizable, and deeply cherished throughout Mali.

He gained international recognition with his iconic track CAN 2002, composed for the famous African Cup of Nations. This success opened doors to global stages, leading to tours in the United States, Asia, and Europe. Prestigious labels such as Cobalt and Secousse supported this exceptional period in the artistic journey of this musical genius.

For many years, Neba Solo has closely collaborated with Yaya Diarra, the sound engineer of the legendary Bogolan studio in Bamako. Diarra played a key role in preserving and recording the works of the balafon master from Sikasso. He was also the one who invited Dom Peter to work on a bold and resolutely modern project: an album with more electronic sounds, enriched with drum machines, offering a new artistic direction to Neba Solo’s compositions.

Dom Peter and Yaya Diarra immersed themselves in the studio to conceive and produce this album, titled TUMA DUMA. The result is a perfect alchemy, where electronic rhythms blend seamlessly with traditional percussion, redefining the richness of Malian musical heritage.

These nine tracks explore classic themes of the Mandingue repertoire while showcasing Neba Solo’s unique way of narrating both everyday life and universal stories

For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also

After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.

Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.

While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between dance music’s past, present and future. It’s a vision, in his words, of what dance music can become.

For proof, check the five impeccable cuts on part one. There’s the tactile, Wally Badarou-inspired wonder ‘Hot Ice’, the mind-soothing chords, lilting synth-strings and samba-soaked percussion of ‘Woman of Color’, the warming deep house jazziness of ‘Jazz Funk’ and the restless, far-sighted brilliance of ‘Sexstrology’, where relaxed electric piano solos dance atop an infectious, locked-in dancefloor groove.

Best of all though is Leroy Burgess collaboration ‘Let Me See You Shining’ – an inspired musical meeting of minds that cannily fuses Trent’s signature deep house sound with the soulful, vocal-driven brilliance of the New Yorker’s iconic boogie-era work. Even by the two artists’ dizzyingly high standards, it’s a very special song.

2025 marks the 10th anniversary of world-famous DJ Pete Tong, conductor Jules Buckley, and The Heritage and The Essential Orchestra coming together to create orchestral versions of some of the greatest electronic dance songs as you’ve never heard them before. Alongside his Royal Albert Hall shows in May Pete has curated a special 2LP neon coloured vinyl, featuring hits from all four albums such as ‘Pjanoo’, ‘Lola’s Theme’ ‘Killer’, ‘Insomnia’, ‘9PM (Till I Come)’, ‘Your Love’ & many more. The releases also feature new Mark Ralph 2025 edits of fan favourites ‘Finally’, ‘Man With A Red Face’, ‘Yeke Yeke’ & ‘Cafe Del Mar’ which all previously featured on medleys and a new 2025 single. This limited edition release features brand new artwork and notes from Pete.

Flabaire, a seasoned French DJ and producer, has been a mainstay in the electronic music scene for years. As the head of the renowned D.KO Records for a decade and a multi-instrumentalist with the ability to play classics from The Band and Fleetwood Mac, Flabaire's artistry knows no bounds. We're thrilled to welcome him back to our label (his talent previously shone on the « Skylax House Explosion » compilation, curated by DJ Sprinkles and Hardrock Striker). With this latest release, we genuinely believe Flabaire has reached a new height of maturity in his production, delivering what we consider some of the finest deep house we've heard in years. This EP is steeped in the timeless essence of deep house, aligning with the legacy of Black Jazz Consortium (aka Fred P), the late, great Mike Huckaby, and the silky elegance of Soul Capsule. Every track feels meticulously crafted within the same creative framework, creating a cohesive listening experience that's as suited to at-home sessions as it is to the dancefloor. This isn't music designed for quick attention or fleeting trends—it's a powerful moment of deep house reclaiming its voice in a landscape crowded with Instagram “DJs” and shallow hype. The EP opens with A1.Echoes, an evocative track that draws listeners into its lush, immersive soundscape, immediately setting the tone for the record. A2.Eventually continues the journey, layered with smooth textures and a subtle groove that feels both intimate and expansive. On the flip side, B1.Lip Them explores deeper, jazz-infused rhythms, each note purposefully placed, creating a rich, hypnotic atmosphere. Finally, B2.La Haye rounds out the release, offering a dreamy, ambient house vibe that seems to float effortlessly—a testament to Flabaire's refined touch and sophisticated style. Each track flows seamlessly into the next, much like the movement of a jazz record, with even the titles evoking a Pink Floyd-esque sense of introspection. This is ambient house at its finest: real club music made for dancing, socializing, and deep listening. Beyond a simple EP, this record is a statement—a testament to the artistry and authenticity of true deep house.

Diesco & Vince Void's Always Delivering EP arrives as a reverent tribute to the golden age of early 90s house, drawing inspiration from progressive, euro house, and other foundational genres of the era. A perfect balance of nostalgia and forward motion, the record reflects on the transformative soundscapes that once shaped the dancefloor, while embracing the present and future of electronic music.

El Tigre opens with a hypnotic rhythm, oscillating between balearic warmth and tribal beats. The sensual Spanish vocals weave seamlessly with the track's immersive groove, inviting listeners to lose themselves in a shadowy jungle of sound.

Untitled C takes things to a higher, more electrified level—bleepy acid lines, fat organ riffs, and punchy drums create an undeniable dancefloor energy. It’s pure euphoria, distilled into every beat.
8-Bit draws on the video game soundtracks that were an indirect inspiration for both artists during their youth. A fusion of breaky rhythms, groovy basslines, and uplifting piano chords gives the track an energetic feel.

Closing the EP, Jobby brings the energy to a soaring crescendo, combining euro house with a melancholic synth riff that takes you back to the emotions of early rave culture. It’s a perfect track to close, in a perfect way, a really intimate night.

With Always Delivering, 24 Seven Records signals the start of something fresh yet rooted in the past. It’s a celebration of where we've been, where we are, and where we're headed—true to the spirit of dance music.

VIL Records continues exploring 2000's sound with new unreleased stuff from duo AUT ZEBEL (A.Vadala' & E.Fatovich) , digging in the archives of unreleased tracks from early 2000's , with executive production from Gianluca Marcelli (Digging Deeper Music , VIL Records , Sounds Better) finally bring to life this new project with old roots , the experienced producers at their top in electro house / tech - house / progressive house sound , give us back to early 2000's scene. Limited copies as always don't sleep!

It was less than a year ago that Italy-born but Denmark-based musical artist Alex Puddu released his latest album Deliria, an enticing blend of erotic disco, soulful grooves and electronica inspired by Italian pop music of the late 70s / early 80s, which went on to enjoy extended radio play across the globe including on BBC 6, NTS, KCRW, and national Spanish station Radio 3, to name a few.

But it wasn’t long thereafter that indefatigable groove purveyor Puddu travelled back to Rome for a new musical adventure, heading straight to The Sound Work Shop, the recording studio of legendary Italian composer Piero Umiliani, where he recorded the 10 new tracks that are included in his latest musical opus, Professione Reporter, another funky and soulful adult-oriented disco-pop album entirely sung by himself in Italian.

Professione Reporter tells the story of a photo reporter who travels the world following and stalking rich recently-widowed women whose husbands died in mysterious circumstances. Attracted by their charm and wealth, our protagonist transforms himself into a gigolo, becoming a dedicated lover-boy to these rich sugar mamas and a slave to the sweet life, going so far as to become an accomplice in their criminal plans to ensure the inheritance of their dead husbands.

Once again Alex Puddu has hit the mark with a collection of polished and ear-friendly grooves that tell the alluring story of a private eye embroiled in a web of love affairs, wealth and deceit, evoking images of satin sheets, champagne and dim lights set against the backdrop of one of the most hedonistic decades so far.

Released in 1975, Teddy Lasry's Action Printing is a fascinating album where jazz-fusion, synthesizers and sonic experimentation intertwine to create immersive, cinematic music. A former member of Magma, Teddy Lasry's audacious syncopated rhythms and futuristic melodies evoke both film music and avant-garde electronics. Long under the radar, this visionary album has now been reissued on vinyl, offering a new chance to plunge into its captivating, hypnotic universe.

Limited to 200 copies worldwide exclusive at The Pusher Distribution!

Teddy Lasry "Escalade": first vinyl edition since 1976

Released in 1976, Teddy Lasry's Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.

Limited to 200 copies worldwide exclusive at The Pusher Distribution!

Miles Away Records are proud to introduce a brand-new, never before released piece of music.

In September 2024, Rob J Madin reached out to us with a collection of instrumental covers he had created. Immediately drawn in, we loved both the musical approach to these covers and the fact he tastefully selected these tracks to cover. Following up, we asked Rob, an accomplished musician, if he had any original compositions in a similar style.

The result is "MONSTRO", six instrumental slabs of jazz-funk heat! Produced primarily in Rob's attic studio in Sheffield. Rob showcases his talents on guitar, bass, keys, and percussion, with each track built around iconic drum samples. Listeners can expect spacey synths, silky electric pianos, and irresistible hooks. Think BADBADNOTGOOD meets Mildlife with a side plate of Herbie Hancock.

From the kick-your-door-down energy of "Callisto Disco" to the slow-burning allure of "Heartbreaker" and optimistic sunny day feel of "Cherryade" to the fully grown earworm synth lines of "Bouquet Garni". In addition to four original songs, the collection features two cover versions from that initial SoundCloud link: Michael Miglio's "Never Gonna Let You Go" and Rupa's "Ayee Morshume Be-Reham Duniya." Both are rare early-80s gems, wonderfully reimagined by Rob.

"MONSTRO" will be officially released on May 16th, 2025 on digital and physical formats. The 12" EP comes with printed inner sleeves and is pressed at 45rpm for maximum audio depth.

Bordello A Parigi welcome the prolific Kirill Junolainen into the fold. He debuts under his Konerytmi alias with four tracks that join the dots of disco, italo, synth pop and wave.

The title piece, “Super Ekstaasi”, is an analogue rollercoaster of emotive lyrics and sparkling synthlines shot through with distant melancholy. The frosty “Klassikkoelokuva” follows. Contrasting its predecessor, this glacial work of electro cuts crystalline chords with crisp claps and bending basslines. Temperatures rise on the flip. Slow and sci-fi inspired, the thoughtful “Hirvijarvi” explores the cosmos through searching synthlines and probing percussion. The gamut of Konerytmic is on display with the finale being no exception. “Uusiaalto” is both brittle and bold. Refracted computer chirps are draped in soaring strings, pinpricks of drum piercing the stern samples that break the delicacy of the track’s composition. Super Ekstaasi through and through.

Isle of Jura teams up with French digger Switch Groove on the next compilation titled ‘Archipelago – Cosmic Fusion Gems from France (1978-1988)’.

Switch Groove explains the concept “When I seriously began to search for and collect records, I was mostly interested in sounds from african-american, afro-latin and UK contemporary scenes. Sounds from distant territories, faraway from my native Massif Central, a highland region in the middle of France. The grass is always greener, I guess however, as I was digging in fleamarkets in the early sunday morning light, as well as spending regular sessions in second hands record shops, I began to discover hidden treasures, underground gems and side-projects of an unknown French musical repertoire.

French music is often reduced to its most famous musical forms, characters and signatures : French songwriting and voices, 60s yéyé, prog rock concept albums and soundtrack explorations, 80’s indie rock scene or more recently electronic French touch. All these sounds have a common feature : a geographical link, forged on mainland French territory, following the contour of the so-called Hexagone, the border that shapes the grounds for an homogeneous cultural expression. But beyond this showcase lie more complex, hybrid and global French productions. From French Caribbean Antilles to Parisian suburbs - especially during the ‘Sono Mondiale’ era -, in French areas outside urban cultural centers, musicians have created fusion and cosmic musical expressions. As the mid-seventies meant a greater freedom to make and record music, a wider use of electronic instruments like synthesizers and drum machines helped to deliver some magical projects you could only find lost in the middle of cheap records during a sunny record digging session. I selected these tracks, in an attempt to shape an ARCHIPELAGO that highlights significative contributions of African diasporas and ultramarine territories into French musical borders. It is the map of a land I have gradually drawn, thanks to deep listening of amazing cosmic and fusion tunes. I hope you enjoy the journey.”

Darcoform proudly presents DARCWAX002, a carefully curated four-track vinyl that encapsulates the essence of storytelling within the minimal house and breakbeat realms. Featuring four distinct artists, this release offers a sonic journey through layered textures, deep grooves, and masterful production.

Side A

Vid – Soundscapes

A pioneer of the minimal house genre, Vid delivers a profoundly immersive experience with Soundscapes. The track unfolds like a narrative, weaving intricate rhythms with atmospheric depth, taking the listener on a contemplative yet dynamic journey.

Cim Pian – Visions of Neverland

Cim Pian introduces us to a dreamlike world with Visions of Neverland. The track blends subtle melodic elements with a tight, groovy framework, evoking a sense of wonder and nostalgia that feels both grounded and otherworldly.

Side B

Mtps – Book Of Truth

Mtps crafts a delicate balance of groove and introspection in Book Of Truth. With its textured layers and driving rhythm, the track resonates as a personal yet universal story, making it a standout in any minimal selector's collection.

Durosai – Str8 Chillin

Closing the release is Durosai with Str8 Chillin, a minimal breakbeat track infused with electro influences. Its sharp percussion, intricate breaks, and playful basslines create a laid-back yet punchy vibe, perfect for injecting energy into any set.

DARCWAX002 is a testament to Darcoform’s commitment to showcasing unique voices in the underground music scene. Stay tuned for its release—this is a record not to be missed.

Graphician: Cimpian Mark from FaceToShape Studio
Mastering Engineer: Robin Virag from RV Audio

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for this release, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music.

Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.

DJ Support: Tim Sweeney, Idjut Boys, Unabombers, PBR Streetgang, Hot Toddy, DJ Dribbler, Leo Zero, Roller Boys, Craig Smith

Rayko is back with this third volume of the highly acclaimed 'Vadillo Vice' series on his long standing and well regarded label Rare Wiri.

Again its a quality collection of timeless discofied productions with the dancefloor in mind but with a firm nod to the leftfield corner of the room, with all three tracks quite frankly having some real 'WTF?' moments in there..

'More I Like It' is a killer euphoric groover with epic Italo/Cosmic touches that build and build.

'Napole' provides the end of night moment, carrying emotional and heartfelt vocals with a sexy Italian twist.

‘Towers’ and ‘Cosmic Boy’ are just two outstanding examples demonstrating the deep love he feels for the underground dance culture of the late 70s and early 80s, from Rock and Sci Fi Electronics to Funk and New Wave, Cosmic Italo and obscure NY Disco…

A timeless classic reborn on Perimeter Records!

Perimeter Records proudly presents the return of "Another World", the legendary trance anthem by Cyborg, originally composed in 1993 by Bruno Quartier. Known for his iconic work as part of BBE ("Seven Days & One Week") and At The Villa People ("Open Your Eyes"), Quartier’s influence on the trance scene is undeniable.

This special release features two essential versions:

• Michael Forzza’s remix, which reimagines the original through his unique rhythmic energy, adding a fresh dynamic while preserving its deep emotional intensity.
• The fully remastered 1993 original, restoring the power and hypnotic essence of this trance masterpiece.
Michael Forzza, the mastermind behind the underground hit "Kahana" in collaboration with Dimitri Andreas, first released on Ghoststyle in 2005 and recently reissued on Systematic (Marc Romboy’s label), delivers a vision that bridges past and future.
With this release, Perimeter Records revives a classic, ensuring its legacy continues on dancefloors worldwide. A must-have for techno and trance lovers!
Français

Un classique intemporel renaît sur Perimeter Records!

Perimeter Records est fier de présenter le grand retour de "Another World", l’hymne trance légendaire de Cyborg, composé en 1993 par Bruno Quartier. Figure incontournable de la scène électronique, il est notamment connu pour son travail au sein de BBE ("Seven Days & One Week") et At The Villa People ("Open Your Eyes"), des morceaux qui ont marqué l’histoire de la trance.
Cette réédition propose deux versions essentielles:

• Le remix de Michael Forzza, qui insuffle une nouvelle dynamique au morceau en lui apportant une rythmique puissante et une tension subtile, tout en conservant son intensité émotionnelle unique.
• L’original de 1993, entièrement remasterisé, offrant une redécouverte captivante de ce chef-d’œuvre hypnotique.

Michael Forzza, connu pour son hit underground "Kahana", sorti sur Ghoststyle en 2005 et récemment réédité sur Systematic (le label de Marc Romboy), propose ici une relecture qui lie passé et futur.
Avec cette sortie, Perimeter Records fait revivre un classique et perpétue son héritage sur les dancefloors du monde entier. Un indispensable pour les passionnés de techno et de trance!

Long in the making, Compton's own AshtreJinkins debuts on L.I.E.S. with the seven track Left 2 Rot lp. The seasoned producer delivers an amalgamation of reimagined electronic styles going from stripped back

Terrance Dixon-esce minimal techno psychedelia to classic 2013 L.I.E.S. hybrid cuts sitting in the hazy grey area between gnarled house and techno. An ode to the City of Lost Angels from where he hails, this record is a perfect backdrop for the dystopian ruins the city has become over the last years. Stark, gut wrenching cuts that will leave you for dead as the title suggests.

Following on from the celebrated first instalment, the second part of The Male Body Will Be Next compiles an entourage of daring sonic experiments, composed in response to bell hooks’ landmark book The Will to Change. Prompting artists and musicians to envision cross-gender solidarity, Osàre! Editions founder Elena Colombi presents an enrapturing, narrative album, conceptualised around collective transformation.

Resonating with hooks’ challenge to men to reclaim the sensitivity that patriarchy denies them, the name of the record arises from a photograph by Peter de Potter and Rebecca Salvadori’s film of the same title. In these depictions, naked flesh is exposed, made vulnerable and trembles with emotion as the fragility of masculine bodies are examined through the queer and female oppositional gaze. Transforming this visual language into musical expression, The Male Body Will Be Next swirls with punk vitriol, electrified noise, acid, electro and free-wheeling encounters charged by love, lust and limerence.

Gently plunking chords signal Pose Diva’s reimagining of lover’s rock before Sissy Fuss smashes in with a heavy-weight instrumental version of their erotic anthem ‘No Restraint’.
Made up of Turkish musician Etkin Çekin and Belarussian songstress Galina Ozeran, God is God delivers a gentle lullaby, while Low End Activist flirts with dark and brooding bass, shattering penetrating frequencies into luminous fragments. Riffing off the 2020 documentary about female early electronica pioneers, Loma Doom crafts a slowly oscillating drone zenith, the ultimate climax. In line with the conceptual underpinning, there are plenty of collaborations – Daytripper’s Riva and Sitar player Tommy Khosla, Lebanonese experimentalist N R and Swiss-French producer John Silvestre (AKA Typhon), as well as Colombi herself and trans author/activist Juno Roche. Within these partnerships, new modalities come alive as mediums, practices and perspectives are ignited and pushed in otherworldly, metamorphic directions.

Esente Records proudly presents its latest vinyl release signed by BRYZ, a refined journey into electronic minimalism. This four-track collection opens with Slippery, a fluid exploration of rhythm and texture. Self Definition dives deep into self-reflective tones, capturing the essence of personal expression. She’s Infinite Bliss brings an ethereal, almost transcendental quality, while Eternal Sheevy leaves a timeless impression that lingers beyond the final beat. Each track embodies the minimal yet profound sound Esente Records champions—crafted for vinyl and designed to resonate on every level

Blissfull sounds.. moving freely between drum machines & synths to more organic instrumentation with rich arrangements never losing sight of a light ethereal feel. Check!

Sjunne Ferger was a swedish jazz and blues drummer, shifting more towards jazz after working with Don Cherry. From his ‘FAT’ Studio near the central Swedish town of Örebro, Sjunne Ferger crafted a small but radical legacy of genre bending music. With an open minded ‘anything goes’ attitude born from his jazz roots, compiled here are songs charting a transition from fusion beginnings via his debut 7″ with group ‘Exit’ through to a more blissful synthetic sound palette. Hypnotic ambient pieces written for short film swirl amongst the electronic & electrified- unreleased versions of ‘Destiny’ and ‘Candlelight’ hint at his sound to come, while the album culminates in the highlights ‘Night Rituale’ and ‘Childrens Mind’ -Intoxicating mixes of Sjunne’s influences & inspiration, they unknowingly hint at Mkwaju Ensemble and other key Japanese contemporaries, and bear witness to the Swede’s deep Eastern philosophical outlook. Retaining his own unique sound throughout, ‘Childrens Mind’ is a primer for Sjunne Ferger’s ‘Mindgames’ LP reissued on Strangelove later in 2021.

Tip! Detroit electro. MICRO4CE on a sonic transmission.

Iconic German producer Stimming takes flight with his new album Friedrich Friedrich is out on April 25th via Stimming Recordings A masterful blend of sonic experimentation and storytelling, Friedrich – the second chapter in Stimming’s trilogy – dives deep into life’s ordinary yet profound moments. Designed to ignite the dance floor while offering a rich, introspective home-listening journey, it showcases the producer’s unparalleled artistry. Stimming’s sound world has always been known for its high-level, cerebral architecture. The artist takes electronic music to a compositional extreme where every sound is imbued with meaning and nothing is left unthought of.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition EP (250 on black vinyl). New life and an expanded treatment of Quiroga's epic Electronic/Future Jazz/House Snaporaz (Really Swing 2020), from none other than L.U.C.A. (AR029). Archeo delights us with this luscious and limited release featuring Quiroga's sleek jazz-house UFO "Snaporaz". This edition includes an exclusive extended version, a brand-new cut from the Neapolitan groover, and a completely cosmic overhaul from the mighty L.U.C.A. Operating at the nexus of future jazz, beatific electronics and deft house, Quiroga (Walter Del Vecchio to his nearest and dearest) has carved his own irresistible niche over the past two decades, gracing countless labels with nuanced body movers and forging his impressive Really Swing imprint, the original home to this melodic masterpiece. Tucked away on Del Vecchio's 2020 EP "Chords and Desire", the sunny and sultry Snaporaz fell foul of our communal pandemic preoccupation, missing out on the widespread acclaim, appreciation and ass-shaking it so richly deserves. Archeo steps in as patron, giving this Rhodes-led jazz-house heater the full 12" treatment it was born for. On the A1, Quiroga's extends the ecstasy of "Snaporaz", stretching its original elements into a loosely grooving, dopamine-deep delight. Sunkissed keys and tender pads ride the rhythm of a bubbling bassline while the sophisticated percussion snaps, crackles and pops in the background - the perfect environment for the P&P leadline to flourish. If that wasn't enough to have you slipping straight into your party pumps, Walter makes the most of the extra runtime with a HOT hand drum freakout down the final stretch, adding the most enticing icing to an already heady cake. A comparative cooldown follows in A2 offering "Escorpião", a fusion-tinged flirtation for aperitivo everywhere. Cutting back on the kick to save space for the swing, Quiroga leads us through a sublime sequence of hooks, riffs and solos, without ever overwhelming the ears but keeping the groove alive. It's a dizzying delight from start to finish and features one of the finest keytar and cowbell interplays you're likely to hear. The B-side belongs to the frankly legendary Francesco de Bellis, a house, disco, Italo and electro hero, appearing here under his deliciously downbeat alias L.U.C.A. Imbuing Quiroga's original with the atmospheric stylings of his Edizioni Mondo oeuvre, the Roman producer delivers a radical rework, slowing the tempo by 20 bpm and translating those jazzy tones into a drifting new age dancer for the cosmic crowd. Zero gravity rhythms meet mystical melodies uptown as the house hippies get down. Lest we overlook the batshit brilliance of the drum programming, L.U.C.A. caps it off with a bonus beats version sure to delight DJs and dancers alike in its otherworldly oddness.

LTD repress !!

Superfriends is the new label of Andhim; a label that captures the pair's charm and ebullience, not only from their past releases but also serves as a stylistic trajectory to date; one that has moved from gentle eclecticism through infinite fun into a refined and contagiously unique electronic sound.

The first release Tosch EP is pristine in production and devoid of existing label noise, where powerfully subtle melodies can sit side by side with immersive dance floor heavy electronic music.

Brand new Emika EP ‘Frames’ just for RSD25.

* Comes with two remixes from the hugely adored Italian DJ Producer Adiel, and Ukrainian Electronic sound artist Hanna Svirska, who is newly signed to Emika Records.

* Brand new bass-heavy, moody pop songs, taking it back to her Bristolian roots: Emika delivers 4 tracks ‘Frames’ which documents her life in sound, lyrics and minor chords as she transitioned from Berlin after 17 years, to The Black Forest. Having unknowingly let the devil in the back-door, the EP tells the story of how self-taught spirituality and meditation brought no light, and a return to nature saved her. ‘Frames’ is about putting hard experiences into a frame, to respect and remember them. Emika put them here into some heavy songs.

* Emika included an instrumental and vocal acapella like in the good old days.

The world of item expands. Small or significant, material, immaterial, items define much of our daily life. We are in the era of itemisation.

Itemise yourself

The first item in the catalogue, hardware evangelist and live performer Otis.

Presenting sounds for the higher self: Red Flags written and produced by Otis. Built for dark rooms and soggy limbs. A devout purveyor of hardware and analogue, Otis’ revered live performances are greedy with drive and dance. Machine-led but felt in toes and gut. His live act craft can be traced through this EP garnering influence from industrial, early 2000s electro and progressive trance. Sweat as currency the common thread.

This, another item for your dance directory. Trinket thing piece music. A keepsake.

Respected Swedish drummer and composer Dennis Egberth introduces new sextet in his first album with 577 Records.


"If you love the era in which electronic elements began to enter contemporary jazz, you’ll love what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes the soul.

Experimental wizard Dennis Egberth is known for his distinguished approach to experimental music, free improv, and alternative pop, as well as his fascinating skills in blending cosmic composition and chilled ambient and electronic sounds. He presents floating melodies of irresistible bass lines and long, modal buildups that come alive with exploding lyricism. His new record highlights his compositional roots and was inspired by the evolution of electronics in this genre during the late ‘60s and ‘70s.

Egberth fused his talents with those of Fredrik Ljungkvist on tenor sax and clarinet, Niklas Barnö on trumpet, Alexander Zethson on Wurlitzer, Linus Hillborg on electronics, and double bassist Joe Williamson, forming an unforgettable sextet. Together, they’re more like a thriving ecosystem than anything else. Each member brings critical elements from their dynamic roles in the Swedish and European creative music scene and contributes them to the manifestation of a higher wave of sound unlike any other."

Tenor saxaphone and clarinet by Fredrik Ljungkvist.
Trumpet by Niklas Barnö.
Wurlitzer by Alex Zethson.
Electronics by Linus Hillborg.
Double bass by Joe Williamson.
Drums by Dennis Egberth.

Recorded by Niclas Lindström on December 14, 2023 at Atlantis Studio, Stockholm, Sweden.
Mixed by Anders af Klintberg.
Mastering by Kristofer Göransson.
Cover painting by MiHee Kim Magee.
Graphic design by Mark Smith.
All music by Dennis Egberth.

This record was made with support from the Swedish Arts Council.

"Grey Hoodie is the 1st official album of the young producer and DJ Pentola, born in Apulia and based in Milan. Grey Hoodie is a mixture of electronic vibes inspired by the UK sound from 90s and 2000s. Broken-Beat, UK Garage, Jungle, Deep-House are the ingredients of these 8 tracks in which you can also recognize a post-Dilla flavor, all embellished by the presence of jazz musicians like Stefano De Santis, G-Foxxx and Stefano Nardon, and the singer Aljiaa. Anyone could write a good review of this album just by listening to the snippets that compose it and realize the conceptuality of the work that aims to achieve different goals, including that of being the album made with the greatest passion possible and with the greatest spirit of aggregation. Grey Hoodie is Pentola's sonic refuge, the place where the artist feels most at ease, where he manages to bring together the harmonies of jazz with the percussions and grooves of modern electronic music with that "touch" inspired by J Dilla, leader of Detroit's underground hip-hop scene in the mid-1990s."

T H E E L E K T R O N I K Z O O
F E S T I VA L J O U R N E Y VA . E P

The new various artists compilation launches with a seismic opener from none other than Gregor Tresher, a true legend whose influence has shaped the sound of techno for decades—"Bonegrinder" is a raw, hypnotic masterstroke. Following is Marco Bailey, our iconic label founder and relentless force in the scene, delivering a bold Electro cut with "Arcane". The journey continues with deep melodic trips from Works of Intent & Voltaire and Tom Hades & Soren Aalberg, gritty Electro from Ian O’Donovan, raw techno heat from Eddie Merced, and ethereal Electronica by Alienna—each artist contributing their unique voice to this powerhouse compilation.

The voyage of Captain Barbatus D. Wreckords across The New World continues with an episode on Nexus Island, where the pirates reveal the secrets of The World Government yet again!

For the third chapter of the Barbatus series, the odyssey is musically delivered by Pontiff Ordric, a.k.a. Mayank Saraiya. It is a great pleasure, to present one of the many monikers of a talented Indo-Ukrainian artist, and fellow pirate of the Barbatus ship, who also is behind the mix/master helm of the Barbatus label.

The engineer-DJ-producer tells his tale through a blend of syncopated, electro inspired, beats and proto-trance synths that are riddled with tributes to the sound of the 80's.

Hits! Hits! Hits! Number 8 in the value-for-money series on Running Back is here, serving up a dessert spoon for almost every taste. Skatman discovers his inner crooner and shares his feelings with the world—electronic disco poetry of the highest order.
Australia’s high-velocity aristocrat, Baron von Trax, delivers a mirror ball tearjerker of the finest kind: If I Only Knew strikes the golden balance between tried-and-tested Italo tropes, classic disco elements, and their razor-sharp transformation into a zenith of happiness.
In Your Eyes by Janis Zielinski & Sowhy3 continues the journey of heartfelt thingsto-think-about with a pop dance hit from a parallel universe. To round it all off, recurring Running Back artist Morphena delivers a new wavey masterpiece, while Zoé Zoé offers an ode to tangerine-like Berlin School music— complete with a dance beat underneath.
Fancy!

Haunting electro from Molen on his Craigie Knowes debut ‘Machine Dreams’. Make your way through the mist and fog into the endless depths of the Machine Dream. Sound design build to shake foundations, perfected for home listening and club-destruction alike. Dive in and brave the depths.

The talented Chinese artist B.AI lands on Cosa Vostra with her "Blue Or Red" EP! After following her work for some time, we’re excited to finally welcome her to the label. This EP brings together four tracks that mix electro and techno with subtle acid touches and a beautiful emphasis on melody. The release also features two collaborations with Diego Santana & David Agrella. Blue Or Red... Which path will you take ?

A sonic journey across Tweak's collection tracks that offering a unique blend of rhythm and atmosphere.
"Generations" stands out with its pulsating grooves and hypnotic melodies, fusing electronic precision with an old-school soul. The "Red Rover" (Rework) injects fresh energy, layering tight beats and atmospheric synths for a tension-filled club experience. "Fathorn" dives into darker, tribal territory, driven by deep bass and mesmerizing percussion that evoke a ritualistic intensity. Meanwhile, Raw Deal’s Freedom Time remix of "Fathorn" expands on this mysticism, infusing the track with a freer, more fluid groove that heightens its immersive power.
For this record, Back To Life made a 100% recycled vinyl that reduce waste, minimize environmental impact and support the planet.

Daryl Systems: The Wall Street Investor Turned Synth Maestro_
Daryl Systems, a former Wall Street stockbroker, found his true calling in music after a successful career in finance. Born and raised in the heart of New York City, Daryl made his fortune in the high-stakes world of stocks during the booming 90s. By the mid-90s, he had amassed significant wealth, allowing him to retire early and turn his attention to his lifelong passion: music.
Daryl relocated to Sweden, a country known for its rich history of electronic music, and began amassing a vast collection of vintage synthesizers. Inspired by the analog sounds of 70s and 80s synth music, Daryl became deeply immersed in the world of electronic production, creating lush, nostalgic melodies with a modern edge. His music blends the warmth of classic synths with innovative soundscapes, capturing a sense of retro-futurism.
Daryl's work is rooted in the tradition of vintage synth music, drawing influences from early electronic pioneers, while adding his own contemporary twist. He quickly gained a reputation within the underground scene for his impeccable taste in synthesizers and his ability to weave intricate, atmospheric tracks. His unique background and sound have made him a sought-after producer within the global electronic music community.

Mr. Fantasy: The Latin Italo Lover and Synth Collector
Mr. Fantasy is a true embodiment of the Italo disco movement, with a deep love for the genre and a keen passion for synthesizers. Hailing from Latin origins, Mr. Fantasy’s music is a vibrant tribute to the golden era of 80s Italo disco, blending nostalgic melodies with rich, rhythmic layers. With a particular obsession for collecting vintage synthesizers, Mr. Fantasy's music brings the analog warmth of the past into the present, creating a captivating blend of melodic hooks and captivating synths.
He grew up listening to the Italo disco classics, developing a fascination for the genre's distinctive sound, which he now incorporates into his music. Mr. Fantasy’s tracks are filled with pulsating beats, dreamy synths, and smooth basslines, all influenced by the golden age of Italian disco and electronic music.
His passion for synthesizers is matched only by his dedication to creating the perfect track. By blending his Latin roots with the shimmering sounds of Italo disco and the energy of modern electronic dance music, Mr. Fantasy has carved a niche for himself in the underground electronic scene.

The Collaboration: "Sensazione Elettronica" EP
In a highly anticipated collaboration, Daryl Systems and Mr. Fantasy have teamed up to release a new EP for the Italian record label Maledetta Discoteca. This collaboration brings together their shared love for vintage synthesizers, the Italo disco influence, and a passion for deep, atmospheric electronics.
Sensazione Elettronica features four electrifying tracks that blend retro vibes with fresh, forward-thinking production. Drawing from their unique backgrounds—Daryl's transition from the world of finance to full-time music production, and Mr. Fantasy’s deep connection to Italo disco—they have created a sound that is both nostalgic and innovative.
The EP showcases their mastery of classic synthesizers, with catchy melodies, driving basslines, and smooth, atmospheric textures that transport listeners to a world of neon-lit discos and timeless electronic rhythms. It’s an exhilarating project that marks the beginning of an exciting new chapter in both of their musical journeys.

DJ Support: Jamie Cullum (BBC Radio 2), Huey Morgan (BBC Radio 6), Gilles Peterson (BBC Radio 6), Deb Grant (New Music Fix, BBC Radio 6)

On debut album ‘While I'm Distracted’, London-based New Zealander Arjuna Oakes draws inspiration from contemporary soul and jazz, touches of global folk, electronica, modern classical, and post-rock, with dynamic arrangements and production. ‘While I'm Distracted’ is an album about fighting for your innocence and right to be a vulnerable and honest human. Arjuna’s songwriting explores themes of identity, depression, existentialism, social media, loss of innocence, and finding hope for the future through artistic expression.

'I'm obsessed with albums,' says Arjuna. 'I've made seven EPs, but needed time to tackle a full length record. I was using the EPs to learn the craft of how to make a great album, much like a director will make short films before they make a feature. I wanted to take the listener on a journey and spark their imagination. Hopefully the album expresses complex emotions, rather than having an intellectual concept. I'd rather ask questions than answer them'.

Across the album, Arjuna performs vocals, piano, keyboards, synths, production, and wrote the string arrangements. He’s joined by Harrison Scholes on bass, Jo Jenkins and Andre Smith on guitar, Sam Notman on drums, Louisa Williamson on saxophone, Nathan Haines on flute, Kate King on french horn, Leah Thomas on clarinet, Hilary Hayes and Emma Colligan on violin, Chris Van Der Zee on viola, Charley Davenport on cello, Zane Hawkins on percussion, James Macewan on trumpet, and additional production by Callum Mower.

Hard Times continues its legacy of championing house music’s finest with another landmark release that brings things full circle. This time, the label welcomes none other than Leeds legend Paul Woolford - one of the most prolific and versatile electronic artists of today - to reimagine one of house music’s most cherished anthems, Karen Pollard’s ‘Reach Out To Me.’

Originally released in 1996, ‘Reach Out To Me’ quickly became a club classic and an archetypal vocal house anthem. Now, Woolford - known for his ability to straddle both underground credibility and mainstream success with ease - boldly takes on the challenge of remixing the iconic track, delivering not one but two impressive reworks that showcase both sides of his production persona.

“‘Reach Out To Me’ has always been one of my favourite US garage records, so when the opportunity to rework it came up one hazy summer evening last year, I knew it had to be done,” says Woolford. “Both mixes have been road-tested and have caused havoc in all sorts of situations, from warehouse raves to basement afters to peak-time sessions and beyond.”

The first remix sees Woolford take the track deep and epic, building to a soaring, anthemic breakdown that pays homage to the song’s timeless energy. Meanwhile, his breakbeat-driven Special Request version adds a UKG twist, built for peak-time destruction in the hands of all selectors.

A true labour of love, these remixes breathe new life into the beloved classic while staying true to its soulful roots. Hard Times fans, house heads, and bass-driven ravers alike can now experience Woolford’s masterful reimagining of ‘Reach Out To Me.’

Marie-Pierre Rixain and David Fenech form an unexpected and captivating duo, pushing the boundaries of alternative music. Together, they embark on an unclassifiable sonic journey, blending industrial downtempo, steady kicks, cold percussion, field recordings, and electric guitar feedback. Their music, often dark, carries flashes of warmth inspired by British dub—like an imaginary collaboration between The Bug and This Heat. At times, it echoes the world of La Perversita by Hector Zazou & Co.



Their debut album, Insane Ghosts, due out in spring 2025 on the Parisian label Hublotone, was recorded in 2024 in the intimate privacy of the bedroom. Mixed by David Fenech, it also benefits from the participation of Alexandre Berly (La Mverte) on the track ‘Toi en Moi’, adding a sub and experimental touch. The mastering was handled by the legendary Noel Summerville, whose sonic signature graces iconic albums by The Clash, My Bloody Valentine, Kraftwerk, Aphex Twin, and Nick Cave and the Bad Seeds.



The album cover features a striking work by French photographer and filmmaker Antoine d’Agata (Magnum Photos). His poetic and abstract image adds another layer to Insane Ghosts, a project already shaping up to be a must-have for fans of introspective, dark and cold music. Like if Lost in Highway from David Lynch had a new soundtrack.

Zara is the first album of Parus ethno-ambient project from Belarus that combines pagan songs that are sang by ethnographer and folk singer Hanna Silivonchyk on various dialects of Belarusian language and mixture of synthesizers and field recordings that where reordered in national parks of the country by electroacoustic music composer - Anton Anishchanka. The songs where collected during ethnographic expeditions in remote territories by Belarusian ethnographers in different periods of time

"What I choose to sing from the vast amount of authentic material are songs that
somehow feel like mine for all sorts of reasons, but that I love to be inside." - Hanna Silivonchyk

"Soniejka" is a summer song from the Dnepr river region, which sings about the readiness to meet life in any of its manifestations, about acceptance and love. "Zara" is also from the Dnepr river region, depicting the main Indo-European mythological story of the heavenly love between the Moon and the Dawn and their melting.

"Ruzovyja cviaty" is a lyrical song from Dzvina river region, romantic and touching, which sings about the very beginning of love between two people. And the song "Oj luhom idu" is a spring song from the territory of modern Poland, from Podlasie region, which tells about the life of a married woman, about the fate that may befall her and how it can be experienced. All of them are about one's own feeling of the present time, one's life, about personal life
experience, but at the same time - about universal human contents and meanings that exist outside of time.