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ifsonever - ifsonever LP

If you ever wondered what ambient music of the 21st century could sound like, then you should explore the musical spheres of "ifsonever". This colorful debut-album draws a blueprint of an urban ambient club record of a parallel universe. A collage of beautifully improvised pieces, strictly recorded in "one takes". A gripping fusion that brings together the warm analog textures of classic vintage synthesizers and electronic urban ambiences.

Trying to appreciate the recent times of silence and deceleration, Daniel Helmer aka ifsonever has quickly developed a tonal language as a solo artist. With a non-compromising approach he would visit his studio, a cozy garden shed, to record one new track a day in strictly analog fashion as "one takes". His aim for this project was to capture the innocence and instinctive creative energy of the present moment. These 9 timeless pieces invite the listener to explore hypnotic and meditative atmospheres such as on the opener "transpose" or on "jonesy dreams of birds", as well as gloomy and almost mystical sounding tracks such as "total global" or "an unexpected error has occurred". ifsonever is a wonderful amalgamation of organic, laid-back sounds and electronic, club oriented elements.

Recorded at a time when social contact was forbidden and culture was at a standstill, many professional musicians felt challenged not to feel useless when performances and sessions in public were cancelled, while the need for expression, participation and communication persisted. What happens when you've read all your books, when you're tired of looking at screens, and when you're digitally saturated? Then the unbearable lightness of being will begin. Daniel Helmer decided to let his creativity flow into a picture depicting that moment in time. He gave himself the opportunity to reflect this period through the creation of music. Not always an easy thing to do when the only social interactions would be cats passing by or the sound of children playing nearby. However that can be exactly the perfect tranquil surrounding to ground oneself in the here and now and draw inspiration from the inside. This self titled album reflects a peaceful journey from start to finish.

Two old friends have been invited to contribute overdubs in hindsight. MillianX is a film composer and noise artist, a colleague from the viennese filmacademy. Both worked together on the film score for the science fiction movie "Rubikon" while the album was in its final stages. So a collaboration was an obvious choice. The creamy arpeggiated synthline created for "jonesy dreams of birds"' was extended by Millianx with some field recordings and a big cloudy synthwave that dips into a vast sea of noise.

Guido Spannocchi is a london based jazz musician. Both knew each other for several years but never had the chance to work together. When Daniel Helmer wrote "an unknown error has occured" he imagined a saxophone layer to accompany the existing synthline. But when the two musicians finally got together to record in the legendary jazz club "Porgy & Bess", Guido just let his creativity flow and jammed freely to the track with a totally unique jazz vibe.

Between film, music & sound Daniel Helmer is continuously searching for a spot to call his own. Expanding boundaries, pursuing the unheard and breaking genre definitions are byproducts of his curiosity and his drive to avoid repetition. Daniel Helmer resides in Vienna where he studied at the local film academy. He became one of the founding members of the techno-punk band "Gudrun von Laxenburg" with album releases on the legendary Skint label, collaborated with Sam Irl on "International Major Label" as the production duo "Mantra Mantra" and released an album as "Yogtze" on Gerd Janson's imprint "Running Back Incantations", together with Feater. At the moment he is focusing on his work as a film composer and is currently working on two feature films in Austria.

"ifsonever" offers a timeless ambience to help you slow down, reflect and enjoy the beauty of nothingness. It might help us to learn and accept a state of being unutilized without feeling futile and benefit from this rare silence.

The cover artwork is a collaboration between Jazz & Milk graphic designer Tim Schmitt and photographer Frank Hulsbömer. A scan of the artist's head, hand and foot was 3D printed, photographed and transformed into an otherworldly scenery that visualizes the musical atmosphere.

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17,02

Последний логин: 3 г. назад
Presto - Basement Beats

Presto

Basement Beats

7"-VinylMUKAT085
Mukatsuku
31.10.2022

Presto from San Diego has consistently stayed true to his soul and jazz-inflected formula of ethereal beats over the years. Presto's first record, the self-pressed EP "Breakin' Concrete", came in 2000 and featured the underground cut "Relax Your Mind," which DJ Mark Farina grabbed for his mix CD "Mushroom Jazz 3" (2001). More interest in the record resulted in the launch of his record label, Concrete Grooves and subsequent releases for Bastard Jazz, Miclife Japan and Names You Can Trust.

Presto resurfaced recently from the beat lab with a new unreleased 10-track instrumental album - "Basement Beats". This album was recorded in 2020 while living in New York. He wanted to give listeners a view into his daily commute in pre-pandemic NYC from the early 5am walks to Union Square to his daily E Train commute to Times Square. Two tracks from this album are presented here for Mukatsuku Records in a limited edition pressing of 400 only copies . "Official" stands out as a gritty drum loop which provides a bed for a melodic sample that sings as a soulful synth melody is played on the chorus by his daughter. "Floating" provides a smooth backdrop with programmed drums as Presto plays the wah-infused Rhodes piano along with Avatar on the bass guitar, giving a nod to their previous live fusion group Wayward Saints. The new release brings a dose of the old school as it travels into the future while comfortable in the present….

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7,35

Последний логин: 2 г. назад
Joe Lynn Turner - Belly Of The Beast

After selling millions of records, playing to countless fans, and fronting
some of the most influential rock bands in history, award-winning
songwriter and vocal dynamo Joe Lynn Turner speaks his mind as loudly
as possible on his eleventh full-length offering and Mascot Label Group
debut, 'Belly of the Beast'
This new solo album has is the heaviest music Joe Lynn Turner has ever
recorded. Joining forces with iconic producer Peter Tägtgren Hypocrisy, PAIN,
Lindemann, the New Jersey- born powerhouse conjures up the kind of heavy
metal that not only makes you throw your fist in the air, but also makes you think.
He states "It’s Good versus Evil. We’ve all got an Angel on one shoulder and a
Devil on the other. We’re in the Belly of the Beast, trapped in the System, and
there’s no way out of it."

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24,58
Darkthrone - Astral Fortress

Darkthrone

Astral Fortress

12inchVILELP959
Peaceville
31.10.2022

A NEW, STELLAR & ECLECTIC JOURNEY OF OLD METAL IN THE
DARKTHRONE ODYSSEY
From their formation back in 1986, to becoming one of Norway's finest musical
exports (with a number of highly revered black metal masterpieces released in
the early 90's helping to solidify their legacy), Darkthrone has continued to evolve
& challenge in equal measure, throughout their illustrious recording career
spanning over three decades. And now, the ever- productive duo of Nocturno &
Fenriz continue their own metallic saga with a new selection of fine, vintage
sounding headbanging classics in the making. 'Astral Fortress' is itself a swift
follow- up to 2021's 'Eternal Hails' opus, because of Darkthrone's consistent &
ongoing writing process, which has been in force for some years now. For
Darkthrone does not sleep - it only waits.
Carried on the brisk wind of eager rock, with foundations in black, thrash, doom &
heavy metal, 'Astral Fortress' is the latest album of stellar, eclectic old metal in the
Darkthrone odyssey. With a seemingly endless dungeon full of heavy metal
influences channelled through Darkthrone's dynamic riff-machine, plus also with
many increasing inspirations taken from their own past catalogue, Darkthrone
has truly become its own beast within the metal world. Even though sprinkled
with atmospheric touches such as synthesizers & mellotron on 'Astral Fortress' to
great effect, the Darkthrone sound remains stripped down to the core; always
primitive & organic.
'Astral Fortress' was recorded at Chaka Khan Studios in Oslo, the same location
used for the 'Eternal Hails' album, with Ole Øvstedal & Silje Høgevold.

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27,69
Eyelids - Or LP

Eyelids

Or LP

12inchLPJBR155C
Jealous Butcher / Jackpot
31.10.2022

With or, the band's second full-length LP, Eyelids has created their most
emotional record yet
Produced by Peter Buck of R.E.M. and mixed by Thom Monahan (Peter, Bjorn and
John, Devandra Banhart, Fruit Bats), or is liberally sprinkled with the hooks,
melodies, and charming wordplay that make a certain kind of rock & roll fan fall
madly in love with an LP. It's all evident in the opening song, € Slow It Goes € €" is
that a play on Vonnegut or Nick Lowe? Somehow both feel appropriate €" the kind
of classic easily slotted between Superchunk and the Raspberries on a mixtape,
locked and loaded with a perfectly winsome expression of angst: € She says, € If I
can keep from sighing, why can't you?' € From there, the sequence dives deeper
and deeper into Slusarenko and Moen's love of underground pop: listen to those
sparkling € Starry Eyes € -worthy guitars on € Falling Eyes, € the psychedelic swirl
of € My Caved In Mind, € and the Dream Syndicate mysticism of € Tell Me You
Know. € Pressed on Limited Edition Sea Green Color vinyl.

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26,26
Emmet Cohen - Uptown in Orbit LP 2x12"

Emmet Cohen's time has come, since his debut Mack Avenue release,
'Future Stride', Cohen has toured the world consistently " bringing the joy
of music to people in need during a global pandemic" all while hosting
weekly livestream concerts from his home in Harlem, NY
These livestreams provided a sense of community and a home to the displaced
musicians of New York, reminiscent of the 1920s rent parties. On 'Uptown in
Orbit', his sophomore release for Mack Avenue, Cohen brings the tradition of jazz
to the forefront while providing the modern twist needed for the current times.
Featured on this release is trumpeter/educator Sean Jones, saxophonist Patrick
Bartley, bassist Russell Hall and drummer Kyle Poole.

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48,70
Ella Fitzgerald - Ella Wishes You A Swinging Christmas

'Ella Wishes You a Swinging Christmas' reissued on limited edition solid white
180g vinyl, comes with its own unique sticker. "This is a delightful Christmas jazz
issue featuring Ella Fitzgerald in prime form. Fitzgerald clearly had a fun time
recording such songs. These concise performances (all under four minutes) are
charming, making this one of the better Christmas jazz sets." - ***** Scott Yanow,
AllMusic

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21,81
Andreas Vollenweider - SlowFlow / Dancer

After Quiet Places (2020) Andreas Vollenweider has grouped his music
on his new album according to atmosphere and character: Slow Flow is a collection of pieces with a relaxed, flowing feel, while "Dancer" is full of movement and rhythm All 11 songs on "Slow Flow" and "Dancer" were created between 2010 and 2021 in collaboration with British producer Andy Wright (Eurythmics, Simply Red, Jeff Beck, Simple Minds, among many others). The two were supported in their
creative process by Vollenweider's talented circle of friends, who laid the foundation for the songs: Walter Keiser (drums), Andi Pupato (percussion), Daniel Kueffer (bass clarinet), Oliver Keller (guitars) and the young Swiss rapper and beat boxer Steff La Cheffe, a.k.a. Stefanie Peter. The music of "Dancer" also reflects Vollenweider's connection with Africa. The South African vocal harmony band Africapella and singer Ayanda Nhlangothi embody this connection. The London Session Orchestra, consisting of musicians from the Royal Symphonic
Orchestra under the direction of James McWilliam, filled out the sound.
Renowned British producer and arranger Peter Vettese is responsible for most of the orchestration. The recordings took place at Andreas' Lakeside Studios in Switzerland, as well as at SABC Studios in Johannesburg, South Africa, and finally at the legendary Abbey Road Studios in London. Andy Wright's long-time sound engineer Gavin Goldberg has set new sonic standards for Vollenweider's music
with his work, and is able to delight even the most discerning audiophiles with a punchy yet transparent, dynamic soundscape.

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22,90
The Leaf Library - Library Music Volume One LP 2x12"

Library Music: Volume One is a sixteen track double LP collecting the North London drone pop band’s 7” singles, one-offs and compilation tracks spanning the first 14 years of the group’s existence. It includes synth pop, indie fuzz and moody motorik workouts, alongside pastoral folk sketches, dubby electronics and the occasional drone experiment. More immediate than their stretched out and slow-burning recent album tracks, the music here is taken from limited vinyl releases, album bonus tracks and music for compilations on labels as diverse as Bezirk Tapes, Second Language, Modern Aviation, and Concrete Tapes as well as the band’s current home, Where It’s At Is Where You Are. The compilation is a happily cohesive document of an inventive band that rarely stand still for long. The band says, “We wanted to gather all our early, scattered work before we move on to our next album, to remind ourselves (and others) of some of the poppier and less characteristic things we’ve done. We’ve always felt a lot more relaxed and freer making one off things for people – it’s a chance to try things that might otherwise be daunting on a full record”. Always a prolific group this is by no means an exhaustive collection, the title giving a clue to how much more they have left to share. “We have been introduced to loads of bands that we love initially through non-album compilations – Broadcast, The Chills, Stereolab, Piano Magic, Flying Saucer Attack amongst others – we wanted to add our own to that (admittedly slightly daunting) lineage.” The Leaf Library are formed around the core group of singer Kate Gibson, former Saloon and Singing Adams guitarist Matt Ashton, guitarist SJ Nelson, drummer Lewis Young and bass player Gareth Jones. They have released three studio albums (Daylight Versions, About Minerals and The World Is A Bell) as well a number of electronic and experimental albums and EPs, remix compilations and long form tracks. They have also released five Monument CDRs; an on-going series of experimental solo and side projects on their Objects Forever imprint. The band have collaborated with musicians as diverse as Alasdair MacLean of The Clientele, singer Ed Dowie, noise group Far Rainbow and string collective Iskra Strings, and have provided music for a number of exhibitions, films and performances. A collaborative album with Japanese artist Teruyuki Kurihara is due in late 2022 on the Mille Plateaux label. Tracklisting: 01 Agnes In The Square 02 Goodbye Four Walls 03 City In Reverse 04 Walking Backwards 05 Soundings 06 Diagram Loop 07 The Greater Good 08 Losing Places (ISAN Remix) 09 A Stone In Water 10 Architect Of The Moon 11 Tired Ghost 12 The Still Point 13 Wave Of Translation 14 Badminton House 15 Tranquility Bass 16 A Gap In The Trees

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31,51
Mason Jennings - Use Your Voice

My Morning Jacket, Wilco, Jack Johnson. Originally released in 2004, Mason Jennings 4th full length is an understated masterpiece of sensitive songwriting, minimalist production, and wonderful folk grooves. It's heartfelt and intimate, but Jennings never succumbs to earnestness or folk rock cliches. He captures the essence of vintage, pre-electric Dylan with poetic and timeless ballads about love and loss. This is one of Mason’s most popular releases, available for the first time ever on vinyl. Mason’s career has spanned over 25 years and 15 albums. Mason Jennings has close to 60,000 followers and over 180,000 monthly listeners on Spotify. First time available on vinyl. Track listing: 1 Crown 2 The Light, Pt. 2 3 Empire Builder 4 Fourteen Pictures 5 Lemon Grove Avenue 6 KeepinIt Real 7 Ballad of Paul and Sheila 8 Southern Cross 9 Drinking as Religion 10 Ulysses

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24,33
Crunt - Crunt LP

Crunt

Crunt LP

12inchIMP077
Improved Sequence
30.10.2022

LP colour is Transparent Blue. Stu Spasm (Lubricated Goat) + Russell Simins (Jon Spencer Blues Explosion) + Kate Bjelland (Babes In Toyland). One off garage-sleaze rock masterpiece. Remastered. Crunt began in 1993 as a kind of indie rock supergroup and had their 1994 debut album touted by Pearl Jam's Eddie Vedder. Crunt's members included guitarist/vocalist Stuart Gray (aka Stu Spasm) and bassist/vocalist Kat Bjelland. Gray was well-known in Australia by the start of Crunt for his past involvement in the bands Salamander Jim and the horn/guitar punk rock of Lubricated Goat, which included drummer Martin Bland who went on to play in the Monkeywrench. As for Bjelland, she was the frontwoman/guitarist for the Minnesota-based Babes in Toyland. Crunt was rounded out by drummer Russell Simins, who was the full-time sticksman for New York City's Jon Spencer Blues Explosion. Each of Crunt's members were temporarily residing in Seattle when Gray conjured up the idea of starting a new group. After writing almost a dozen songs, the trio entered Seattle's Ranch studio in February of 1993 with Simins and Gray acting as the producers, and their friend John Dunleavy -- known for his work with the Supersuckers -- filling the role of engineer. A year passed before the group's self-titled album was released on February 15, 1994, on Austin, TX label Trance Syndicate, owned by Butthole Surfers' drummer King Coffey. The record was the imprint's first release from a non-Texas group. The debut of the full-length album coincided with the "Swine"/"Sexy" single on Australia's Insipid label, which was known for releasing singles by other bands such as the Cows, Urge Overkill, and the Jesus Lizard. Prior to the releases, there had been talk that the band was not going to just be a side project, but a full-time band in the same tradition as Babes in Toyland and the Blues Explosion. The trio had even planned a full-scale tour. By January of 1995, however, Crunt came to an end.

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22,90
Qwazaar & Batsauce - Bat Meets Blaine (10th Anniversary Edition) LP

FULL PLATE presents: the 10th Anniversary edition of the debut full-length from Qwazaar & Batsauce - pressed on wax for the 1st time ever! Originally released in 2011 on Chicago's Galapagos4 label, 'Bat Meets Blaine' features Onry Ozzborn of Dark Time Sunshine, KP of The Pacifics, Denizen Kane of Typical Cats, Offwhyte, DJ Bizkid & Lady Daisey. Initially available on CD only, this dueling 'Red Meets Black' colored vinyl edition is the proper treatment to celebrate a decade of an indie underground classic.
It was around 2010 when Qwazaar, hailing from Chicago’s celebrated rap supergroup, Typical Cats connected with the up & coming beatmaker, Batsauce - who was making noise in a rap group called The Smile Rays helmed by Paten Locke, and producing for icons such as George Clinton. The two auteurs met in Europe on tour and formed an instant chemistry, rapidly amassing a formidable catalog of music - a pair of mad scientists, working feverishly in Bat's Berlin abode. What culminated from those sessions was a collection of EPs (Style Be the King, Stress Chasers) and the capstone LP, Bat Meets Blaine - the prelude to their 2021 release, Stoned Giant.


TRACKLIST: 1. A Choice 2. I Know 3. What Love 4. Chop Em Down 5. Eye to the Sky 6. Never Weaker feat. ONRY of Dark Time Sunshine, Offwhyte & DJ Bizkid 7. Surrealism feat. Lady Daisey 8. Power 9. If it Seems Wrong 10. I'm Gone 11. A Feeling feat. KP of The Pacifics & Denizen Kane of Typical Cats 12. The Dream 13. Til it's Done 14. Thank You

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31,51
The Nightingales - The Last Laugh

Revisiting a press release for the Nightingales' last album, Four Against Fate, we recalled hesitant anticipation for the forthcoming King Rocker, a film documentary of Robert Lloyd and Nightingales, made by Michael Cumming and Stewart Lee. After forty years of activity, Robert and the band had seen hyped recordings go lost, scant commercial success. Royalties? Ha. Yet response to King Rocker was immediately positive. Fab reviews galore, a long process regaining master rights which led to a series of expanded reissues with Fire. A tour postponed three times finally took place, to fully-packed houses. It was a very good year. The band felt a degree of anxiety prior to the sessions, which took place at Valencia's Elefante Studios. With bassist Andi Schmid isolated during Covid, the band had yet begun working out individual rough sketches, typically battered into songs over a period of months. They went into a new studio blind, with a new producer, Jorge Bernabe, without rehearsals . . . and produced a top-to-bottom masterpiece. Thirty seconds in, "Sunlit Uplands", is already a classic showcasing Fliss Kitson's increased songwriting power and the core dichotomy of the groups's best songs: perverse as fuck, catchy as fuck. I � CCTV is highlighted by a fab Jim Smith astral-garage guitar riff . . . and that's a one-two punch few albums ever equal, let alone carry over to the affectionate "Frances Sokolov", Robert's ode to mentor Vi Subversa, the playground riff that underlines "Spread Yourself Out" and then "Bloody Breath", the best encapsulation of all the band's genius in developing a kind of "pop" that no other combo has ever cracked. Other highlights include the lopsided mysterious beauty of "Magical Left Foot", the courtly raver of "I Need The Money At The Time" with a wonderful motorik groove driven by bassist Andi Schmid, and the album closer, "My Sweet Friend", a rockabilly lullaby which sounds like a magical outtake from Robert's one and only solo album It's a corker, it's a marvel, it's the best Nightingales record to date. Try and deny it. Tracks: 1 Sunlight Uplands (Turn That Frown Upside Down) 2 I � CCTV 3 Frances Sokolov 4 Spread Yourself Out 5 Bloody Breath 6 Mind Of Stone 7 I Needed The Money At The Time 8 The Very Nature 9 Magical Left Foot 10 Mark Meets No Mark 11 My Sweet Friend

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22,97
Architects - The Classic Symptoms Of A Broken Spirit

ARCHITECTS have delivered their 10th studio album; an arena-ready
opus entitled, the classic symptoms of a broken spirit , the follow up to
their 2021 breakout album For Those That Wish To Exist, which hit #1 on
the UK sales chart.Finding yourself with a UK Number One album and
selling out arenas is enough for some to repeat a winning formula
Architects however, are forever moving forward. "It was definitely validating and
felt really cool for like a day," recalls drummer, producer and songwriter Dan
Searle of hitting the top spot with For Those That Wish To Exist."For a lot of the
bucket list things you reach in any career, there's a momentary gratification then
you're like, 'What next?' You just move on. By the time the album came out, my
head was already in the mindset of 'broken spirit'. That was where I was at."
Searle notes how it was their albums Lost Forever/ Lost Together, All Our Gods
Have Abandoned Us, and Holy Hell that really "cemented what the band was
about" and "took them to a new level" as a rock powerhouse and leaders of the
UK's metalcore scene – making it all the more "daunting" to reinvent themselves
on the records that would follow. "I wanted to make this album with a different
aesthetic. We were enjoying working with the synths and doing stuff that we
hadn't done before."
As a band who never stop writing, the kernels of the songs that make up the
classic symptoms of a broken spirit were already in progress before the ink had
time to dry on the artwork of their last record. Architects were on a creative roll,
and the record was born of that creative freedom. Produced by Dan Searle and
guitarist Josh Middleton, with additional production from frontman Sam Carter at
Decon's Middle Farm Studios and their own Brighton Electric Studios before being
mixed by Zakk Cervini, the band were buoyed by finally being back in a room
together after their last album was made mostly remotely due to COVID
restrictions. The result was something altogether more "free, play - ful and
spontaneous," Searle explains.
Carter agrees: "This one feels more live, more exciting and more fun – it has that
energy. We wanted it to be a lot more industrial and electronic. That was the main
mission. They can sit side-by-side: Mr. Electronic and Mr. Organic."

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26,35
Los Straitjackets - Jet Set (10th Anniversary)

Jet Set is a collection of 15 carefully crafted guitar-driven songs that
prove to be the most diverse and inventive of Los Straitjackets' oeuvre
The album was recorded at The Pow Wow Fun Room studios in Los Angeles with
producer and friend Janne Haavisto (of Laika and the Cosmonauts) and includes
a few guest appearances by The Basic Cable Horns (from the Conan show) and
Finnish actress and musician Irina Bjorklund. Jet Set delivers the high-energy rock
and roll instrumental music fans have come to expect from Los Straitjackets.
This 10th anniversary edition of Los Straitjackets' long-out-of-print 2012 classic is
pressed on sky blue vinyl

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30,67
Black Lips - Apocalypse Love

Black Lips

Apocalypse Love

12inchFIRELP666
Fire Records
30.10.2022

Classic Black vinyl, Lyric insert + DL card. The Black Lips return with their 10th studio effort ‘Apocalypse Love’, scorched with their trademark menace, it cryogenically mutates all recognised musical bases; it spins yarns about vintage Soviet synths, Benzedrine stupors, coup de’ tats, stolen valor and certified destruction, all set against a black setting sun. Since the turn of the decade the band have transformed from austere country pioneers, into a set of Lynchian surrealists, hellbent on recalibrating the history of rock ‘n’ roll. Singer and saxophonist Zumi Rosow muses, “It’s a weird dance record, one that reflects the moment that the world’s in right now…” ‘Apocalypse Love’ is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies. Stand-out number ‘Among The Dunes’ is an amorphous platform-heeled anthem, a signature sax-fuelled stomper filled with trippy swagger. While opener ‘No Rave’ proffers a hypnotic locked groove, with Cole Alexander’s trademark snarl delivered over a sulphurous wall of distorted hedonism, a dystopian anthem for an apocalyptic manifesto. Meanwhile, the twisted exotica of ‘Whips Of Holly’ with its silver screen façade is like the soundtrack to a classic Theda Bara vamp-fest. As the band venture into their third decade, ‘Apocalypse Love’ is proof that The Black Lips show no sign of slowing down… “A wonderful new chapter… The world may be on fire, but at least we have Black Lips.” The Line Of Best Fit // “Simply masters in their field” NME // Track List A1 No Rave A2 Love Has Won A3 Stolen Valor A4 Lost Angel A5 Whips of Holly A6 Apocalypse Love A7 Operation Angela. B1 Crying on A Plane B2 Sharing My Cream B3 Among The Dunes B4 Tongue Tied B5 Antiaris Toxicaria B6 The Concubine

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24,79
Adults - For Everything, Always

Combining elements of indie-pop, punk, emo and just a little bit of 2009 vintage math-rock for good measure, adults are four pals trying to find their way in a disintegrating world. for everything, always reflects on how we look after ourselves, one another and people in our community; it’s a riotous collision reminiscent of Johnny Foreigner, The Beths or Trust Fund, bursting with crunching guitars, speedy drums and yelping dual vocals. The first single all we’ve got // all we need is a song about individual torments: “having a breakdown on the Megabus to Bristol", and about collective support: “mutual aid, building strong networks of community resistance to the hostile environment, to food insecurity, to the homophobia and transphobia by the state and about trying to look after one another”. the secret song to end side one deals with loss, guilt, rejection and anxiety, exploring the travails of a messy breakup and the masculine urge to bury everything deep down despite the fact that that only hurts people more. tfl has a lot to answer for is a “reflection of drinking way too much in yr mid 20s, staying up too late, burning yrself out and how it impacts on yr relationships and mental health”. Recorded and produced by Rich Mandell (Happy Accidents, ME REX) over a couple of weekends in the summer of 2021, for everything, always is the constantly naive, but optimistic, outlook: always striving for a better future in the face of modern society’s bullshit. lts are a noisy pop band desperately clinging on to the ghosts of 2009. Their songs are a silly, joyful, and occasionally sad, look back at the tail end of their 20s, a way to grapple with breakups, parties, alcohol and loneliness, and looking hopefully into the future. They’ve released singles with Art Is Hard and For The Sakes Of Tapes, and self released an EP (The Weekend Was Always Almost Over), which was subsequently released on vinyl by Caballito records. adults are based in south London. Faster, messier and sillier than they have any right to be, adults are hopeful and joyous, fighting through the existential angst of youth to try and find their place in a world on the brink, as grown ups, as adults. Like the octopus on the artwork says: “we're all we've got, we're all we need”. // “a cacophony of clattering drums and belt-it-out choruses Los Campesinos! or Martha would be proud of evidence that adults seem to have stumbled into something rather marvellous” For The Rabbits // “There’s an ample buoyancy from the vocal work, and the guitars are crunchy, though I like how they’re a bit tempered here; think of Martha having to play at your local library…hooks, but just a little more subdued. There’s just something about this that radiates joy” Austin Town Hall // Tracklist: A1) I Had A Little Snooze & Now I Will Probably Never Arrive At Yr House A2) Janine (JG Forever) A3) All We’ve Got // All We Need A4) Tfl Has A Lot To Answer For A5) 2 Sqs A6) The Secret Song To End Side One B1) Things We Achieve B2) The Nod B3) The Pitch And Yaw Of The 6.12 To Brighton (Plain Wrong) B4) Between Buildings B5) Killing & Dying & Something More Positive B6) The High Watermark (Thoughts Of U) B7) Wasn’t Like That

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21,22
The Daggermen - Dagger In My Mind LP

12 track vinyl LP and 18 track CD including bonus single and demo recordings. The Daggermen all went to Rede Secondary School in Medway, Kent. It was a school for those that failed their 11 plus, or who passed it but decided to go there anyway (as Jon pretends). Being in some of the same classes we became friends and found we liked the same music; The Who, The Small Faces, The Kinks, The Beatles and The Jimi Hendrix Experience. We started going to Carnaby Street, wearing Beatle boots and generally being a bit Moddy. Dave’s older brother, James Taylor, played organ in The Prisoners and we’d listen to cassette tapes of them along with other local band, The Milkshakes as we bounced on the trampoline during P.E. After watching both bands play live in local venues such as the M.I.C. club in Chatham we formed The Daggermen, working out who was going to play which instrument as we stood next to the now demolished school sports hall. No one can quite remember who thought of the name, The Daggermen (it was me) or how comes Jon was playing bass on a guitar in the band at the very start and then Terry took over when we started gigging (it was because he had a real bass guitar and a car). But the next thing was that we were supporting The Prisoners both in Medway and places such as the 100 Club in Oxford Street. Then, one sunny day at around the age of 17, I bumped into Billy Childish walking across a field. I formally introduced myself and told him that he should definitely come and see our band that night because we were “fucking brilliant”. He did turn up and bought us a tray of whiskies whilst we were on stage, a sure sign that he had liked it. This led to him and Russ Wilkins, bass player in The Milkshakes alongside Billy, asking us if we wanted to record an E.P. for Russ’s label, Empire Records. This was our first ever recording called Introducing The Daggermen which was made in a brick arch under Rochester bridge that we rented for £2 a week to rehearse in and lovingly referred to as ‘The Hole’. We got ourselves a “manager” (our mate, Vic Templar) and started playing up and down England, drinking as much as possible in the van on the way to each gig, often paralytic by the time we went on stage. Our musical style was a sort of mixture of punk and mod and we played covers such as ‘Heatwave’ (The Who’s version) and ‘Get Ready’ by the Temptations, along with Dave and Terry’s originals. Then came a change of line up when Jon resumed his position as bass player and Terry left for America. We started wearing military jackets thanks to Jimi Hendrix and made our first long player, Dagger In My Mind (I got the title off an episode of Star Trek, although I remembered it wrong and it should have been ‘Dagger Of The Mind’). The album was produced by James Taylor and Allan Crockford of The Prisoners at Woolly Studios on the Isle of Sheppey in 1986. This line-up played together for a couple of years up and down the country (also with a few gigs in France) before we called it a day and sailed off into the future in bands such as The James Taylor Quartet, The Kravin’ “A”s, The Solarflares and Billy Childish and The Buff Medways. As energetic youths we had a lot of fun and I am very proud to have been part of The Daggermen. We hope you enjoy these recordings, now all gathered together for the first time. Sincerely yours, Wolf Howard, Cafe Mozart, Chatham CD TRACKLISTING 1 – It’s You I See 2 – What Do I Do For You 3 – There’s No Escaping 4 – I’ve Been Hurt 5 – I Have Lost Heart 6 – You Were Meant To Be 7 – Every Moment 8 – Dagger In My Mind 9 – That Girl 10 – D’you Think Of Me 11 – I Feel The Regret 12 – I’ve Been Searching 13 – Now It’s You I Need 14 – Ivor 15 – One More Letter 16 – I Wish You Were Mine 17 – Bundle 18 – No Reason LP TRACKLISTING 1 – It’s You I See 2 – What Do I Do For You 3 – There’s No Escaping 4 – I’ve Been Hurt 5 – I Have Lost Heart 6 – You Were Meant To Be 7 – Every Moment 8 – Dagger In My Mind 9 – That Girl 10 – D’you Think Of Me 11 – I Feel The Regret 12 – I’ve Been Searching

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20,38
Trees - On the Shore

Trees

On the Shore

12inchEARTHLP035B
Earth Recordings
30.10.2022

Following the recently released and highly praised Trees 50th Anniversary box set on Earth Recordings, Trees reissue their second album as a standalone release. “A beautiful hybrid, Trees found a unique space between intimate folk and freewheeling psychedelia. Musically ambitious yet brilliantly balanced, they have left an enduring legacy for those lucky enough to be in on the secret” Edd Gibson, Friendly Fires. It’s now over fifty years since Trees’ formation, a band who helped define ‘Acid Folk’, creating a sub-category in the lexicon of record dealers and music critics alike. Released just months after their debut second album, ‘On The Shore’ sees a shift from the first record into something darker and more ambivalent with an arcane Englishness. The product of an era characterised by clunky polemic, arcadian sentimentality or English fuzzy-felt surrealism, the album, like all classic records, is so much greater than the sum of its parts. Opening with ‘Soldiers Three’, learned from Dave Swarbrick, the album includes another traditional tune and one of the definitive moments in English folk rock ‘Polly On The Shore’ alongside ’Sally Free and Easy’ and ‘Streets of Derry’. // “The music’s arcane power remains intact” Mojo // “A fantastic band” Record Collector. // “Spectacular” Uncut. // “Sublime” Shindig. // “Timeless” Prog. // “It’s these two original albums that stand as pinnacles of form” The Wire. // Track listing: A1. Soldiers Three A2. Murdoch A3. Streets Of Derry A4. Sally Free And Easy B1. Fool B2. Adam's Toon B3. Geordie B4. While The Iron Is Hot B5. Little Sadie B6. Polly On The Shore

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24,58
Kim Salmon And The Surrealists - Grand Unifying Theory

As a teen Kim Salmon blew his mind on the fusion of Miles Davis' Bitches Brew, the stellar freakout of Sun Ra's 'Space is the Place' and the generally unhinged groove of Can's Ege Bamyasi. They showed him an alternative to just 'playin the blooze'. Then Punk Rock came along! The earlier inspirations, however, where not idealistically opposed to the free expression espoused by the punk movement. Some of the freeform freakout fusion can be heard in Kim's seminal band the Scientists on tracks like Nitro, Revhead and Human Jukebox, in fact most of what the band played throughout the nineteen eighties. As that band and decade came to a close Kim resolved to give free reign to that avant garde, jazz, in fact, downright weird streak, on his 'solo' venture The Surrealists. Their debut 'Hit Me with the Surreal Feel' is soaked in it all! Alas, as the nineties progressed, so did this band into a highly respected but conventional indie rock band. It did much successful touring around Europe, the USA and Australia on its own and with the likes of, U2, The Bad Seeds, Jon Spencer and the Cramps. It's best known and best selling album was 1993's Sin Factory. With the 2006 reunion of the Surrealists, for the Spanish Azkena Festival, Kim was re-acquainted with the free jazz/noise/ fusion bug and resolved to get the band back together for at least long enough to work through what it started back in the late 1980s. Recorded throughout 2008 and 2009 over a series of live sessions, 'Grand Unifying Theory' has the band given some framework compositions by Kim. The band - Kim, Stu Thomas and Phil Collings - then takes these ideas to the outer limits of punk/jazz/ thrash freakout!. The results are taken by Kim and producer Mike Stranges and assembled into the most far out music Kim Salmon has been responsible for to date! 'Grand Unifying Theory' with its polyrhythmic beats, its atonal keys, its heavy funk/punk grooves, its spaced out use of equipment buzz and Dictaphone.

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20,13
George Clinton - The P-Funk Power

Abandoning doo-wop for hard funk through Funkadelic and related act Parliament, George Clinton became the cosmic funk warrior extolling sex, drugs, and funk ‘n’ roll, using bubbling bass, rock-star guitars, full horn sections and powerful choruses to venture into funk’s deep space. The P-Funk Power cherry-pics some fine live concert moments from Clinton and his P-Funk All Stars, the highlights including a riveting rendition of ‘Let’s Take It To The Stage,’ and super-extended takes of crowd-pleasers ‘Cosmic Slop’ and ‘Atomic Dog,’ culminating in the excessive funk space trip of ‘Funkentelechy (Where’d You Get That Funk From),’ the man and his band on peak form from start to finish. All killer, no filler!

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21,81
DJ X-Rated - Backstory

DJ X-Rated is back with a new album – Backstory! Full of feel-good funk & Hip Hop swagger with dusty, gritty vintage production, Backstory is everything you need right now.
Think funky, flowing vocals, warm heavy drums, funky melodies, and fat basslines. The style is progressive instrumental Hip Hop like DJ Shadow, Jurassic Five & 90’s Boom Bap! What makes “Backstory” different is the unique production style of DJ X-Rated. Set across 15 tracks, Backstory is a journey deep into the soul of DJ X-Rated & his incredible collective group of artists.

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25,84
Girls In Synthesis - The Rest Is Distraction
также имеющийся в продаже

Grey Vinyl[24,79 €]


Experimental post-punk outfit GIRLS IN SYNTHESIS are set to release the eagerly anticipated follow-up to 2020’s incendiary debut, ‘Now Here’s An Echo From Your Future’. Entitled ‘The Rest Is Distraction’ and available this coming October 14th via the band’s own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, GIRLS IN SYNTHESIS are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio’s double a-sided debut single ‘The Mound’/’Disappear’ came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, ‘The Rest Is Distraction’ is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band’s debut, ‘The Rest Is Distraction’ takes its cues from ‘Join Hands’ era Siouxsie & The Banshees, Brainiac and Crass’ ‘Christ The Album’, among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emerge from the UK DIY underground in recent years. Listeners will find ‘The Rest Is Distraction’ a challenging, yet ultimately cathartic listen. Prepare yourselves for a sonic cleansing, Girls In Synthesis style. Side A 1- It’s All Beginning To Change 2- Watch With Mother 3- Total Control 4- Swallowed Pill 5- Screaming
6- My Husband Side B 1- Cottage Industry 2- Not As I Do 3- Lacking Bite 4- Your Prayers Have Changed 5- To A Fault

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24,79
Girls In Synthesis - The Rest Is Distraction
также имеющийся в продаже

Black Vinyl[24,79 €]


Experimental post-punk outfit GIRLS IN SYNTHESIS are set to release the eagerly anticipated follow-up to 2020’s incendiary debut, ‘Now Here’s An Echo From Your Future’. Entitled ‘The Rest Is Distraction’ and available this coming October 14th via the band’s own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year. Formed in 2016, GIRLS IN SYNTHESIS are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio’s double a-sided debut single ‘The Mound’/’Disappear’ came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure. Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, ‘The Rest Is Distraction’ is far darker in content than its predecessor. Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics. Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards. The album was mixed by long-term collaborator Max Walker and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band’s debut, ‘The Rest Is Distraction’ takes its cues from ‘Join Hands’ era Siouxsie & The Banshees, Brainiac and Crass’ ‘Christ The Album’, among others. From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emerge from the UK DIY underground in recent years. Listeners will find ‘The Rest Is Distraction’ a challenging, yet ultimately cathartic listen. Prepare yourselves for a sonic cleansing, Girls In Synthesis style. Side A 1- It’s All Beginning To Change 2- Watch With Mother 3- Total Control 4- Swallowed Pill 5- Screaming
6- My Husband Side B 1- Cottage Industry 2- Not As I Do 3- Lacking Bite 4- Your Prayers Have Changed 5- To A Fault

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24,79
Winter - What Kind of Blue Are You?

Winter’s glittery, holographic image takes on a darker shade in the grooves of their 4th album, What Kind of Blue Are You? The record sees Samira Winter return to the kind of hooky shoegaze of her early recordings. A darker, more world-weary perspective informs the honest and emotionally unguarded lyrics. Sonically, What Kind of Blue... is Winter’s greatest achievement yet. Texturally,, bellowing fuzz and wirey guitars evoke a new sonic territory. Tracks like “Atonement” (ft. Hatchie), “Good” (ft. Sasami) and “Fool” claw, scrape and wriggle their way into your ear. Produced by Joo Joo Ashworth (Sasami, Automatic, Dummy). Recently completed a US and Europe tour as part of Hatchie’s band. 4 pre-release singles and a video for “Atonement”. Featured guest peformances from Sasami Ashworth and Hatchie. Recent collaborations with Pachyman, Mile High Club, and Jorge Elbrecht. “Utterly charming kaleidoscopic dreampop... her perfect palette of sounds draws you in but she’s got the tunes to keep you around” Brooklyn Vegan // Tour Dates Europe & Australia (Supporting Hatchie). Sept 25th Bristol @ Louisiana, Sept 26th Manchester @ YES, Sept 27th London @ Village Underground. // Track Listing: Side A 01. Wish I Knew 02. Atonement 03. Good 04. Sunday 05. Crimson Enclosure Side B 06. Write It Out 07. Lose You 08. Fool 09. Mr. On-My-Mind 10. Kind Of Blue

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24,79
Chorusgirl - Collapso Calypso

Collapso Calypso is the long-awaited third album from dreampop artist Chorusgirl. Initially planned for release in 2020, but the pandemic and a nervous breakdown brought everything to a screeching halt. It took Silvi Wersing - aka Chorusgirl - the rest of 2020 and 2021 to rebuild her life and reconsider everything, including her music and the band. She decided to relocate from London to her small hometown in Germany, to become a carer for her increasingly ill father and to take Chorusgirl back to its roots as a solo project, just like in 2014. She revisited old demos and wrote a few more songs, and steadily worked to complete the album as an anchor at a time of turmoil. With the album charting her progress back to health, she decided to call it Collapso Calypso, a riff on taking her despair for a dance. The album includes a multitude of references from music and film and features Silvi's trademark self-reflective lyrics on the themes of coming through a crisis, grief, resilience, and ultimately letting go, or the inability thereof, all set to the sounds of 60s girl groups and her favourite bands from the 80s. The release follows on from 2018 album Shimmer and Spin (Reckless Yes) and the self-titled 2015 debut (Fortuna Pop). “Chorusgirl pertain to a certain kind of cold, detached dreaminess you’d associate with a label like 4AD in its prime: their overall sound being seemingly informed by Lush’s successful hybrid of classic pop, fiery punk and shimmering soundscapes. … Yet, rather than reliving a sound there’s a sense here that Chorusgirl are more intent on reinventing it. Look no further than their debut self-titled LP for conviction.” (8/10) Line of Best Fit “Chorusgirl’s sound is distinctly London (although, more the London of the 80s than of now) but it’s also the sound of escaping London. (…) It’s the feeling of sleeping with the bedroom window open for the first time in months and waking up with a fresh wafting across your face.” Noisey “Chorusgirl explore universal themes with the catchiest of tunes, thundering rhythms, a wry sense of self and fascinating multi-meaning lyrics.” (8/10) Louder Than War “There’s no slack on the album – from the starting gate to the finish line, Chorusgirl bristle with static and nerves.” … Chorusgirl are simple, until they’re not. You might recognise the distant spirits, the razor chords, the surfy snarls. But where other bands coast on borrowed sound, Wersing bends it to her own life, creating a space that resonates with insight and empathy. Ever felt separate from the human race? Be comforted, for here is your kind.” (7/10) Drowned In Sound This is a record with teeth… one of the most impressive first albums of a year rich in strong debuts.” (5/5) NARC Magazine “Sparkling with bright rhythms and jangling pop…with hints of something shadier, bittersweet and more potent.” London In Stereo “Lovingly smudged guitars” (7/10) Loud & Quiet

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22,90
Cypress Hill - Break It Up/Real Estate/Stoned Is The Way Of The Walk

When Cypress Hill came with their debut self-titled album 30 years ago, they made an immediate spark that captivated the Hip Hop audience, critics, and then the world. Led by B-Real with his nasal, singsong delivery, and Sen Dog to play the perfect hypeman, Cypress’ debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them, the production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned-out beats. Cuts like "How I Could Just Kill a Man", "Pigs", "Stoned is the Way of the Walk" and "Hand on the Pump" made Cypress Hill an instant classic. Since its release, the album has won acclaim as one of Rolling Stone's Essential Recordings of the 90s and Top 100 Best Rap Albums by The Source Magazine.

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13,40
Chantal Acda and Eric Thielemans - Koyaanisqatsi: A New Score

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire. Eric Thielemans propose a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80’s cinematographic masterpiece. Slow deep electric waves, lonely synths in sonic desert landscapes, rhythmic pulses, transporting drums and bells, and deeply longing sounds and voices make up the audible fundamentals of this imagined, neo shamanic, ritualistic music to accompany the Earth as it keeps on supporting our post human frenetics even today. This release contains a selection of the musical material scored for a live performance together with the screening of the movie. The live performance premiered on Film Festival Gent and Vooruit in the fall of 2022. Tracklisting LP SIDE A 1 Koyaanisqatsi Part I / 23'36 SIDE B 2 Koyaanisqatsi Part II / 13'00 3 Koyaanisqatsi Part III / 10'48

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24,79
Connie Constance - ‘Miss Power’

Watford born indie rock goddess Connie Constance announces
her new album, ‘Miss Power’, a bold collection of songs imbued
with high voltage drums, snarling guitar riffs, and anthemic feminist
rage.
 On ‘Miss Power’, Connie takes us on a joyride through dramatic,
passionate and empowering scenes with hooks aplenty and lyrics
that excitedly unpick heartbreak, Connie’s strained relationship
with her father and her struggles with mental health.
 Connie’s titular and much acclaimed first single from her new
album, ‘Miss Power’ earned itself a spot on the BBC Radio 1 C list,
as well as being named Hottest Record by Radio 1’s Clara Amfo,
with plays from Jack Saunders, Ricky, Melvin and Charlie and Vick
and Jordan.
 The album announcement comes alongside the release of a new
single, ‘Till the World’s Awake’, a life affirming indie dance track
that twinkles with bright, layered guitars atop driving basslines and
powerful drums. Connie Constance’s dynamic yet delicate vocals
swell to a thrilling, cathartic chorus: “When we are young and
when we get older / I want to feel like loving, feel like loving you.”
Connie’s venture into the world as her authentic self is palpable.
 “A strikingly effective combination of disparate strains of British
pop: the quasi spoken verses bristle with the barked beauty of
Paul Weller; the cathartic chorus reaches Florence worthy heights”
- The Guardian
 “Brand new music from the brilliant Connie Constance. She’s real
fun, I rinsed ‘Kids Like Us’ on this show, and I love this one. Just
instantly catchy and empowering. empowering.” - Clara Amfo
 “She is one of the most exciting artists around at the moment. I
saw her live and just knew she was going to be special” - Arielle
Free
 “This indie pop banger ‘Miss Power’ is an instant confidence
booster” - The Fader

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28,15
Archers of Loaf - Reason in Decline

As sculpted shards of guitar tumbling, tolling, squalling shower the jittery bounce of a piano on opener “Human,” it’s obvious that Reason in Decline, Archers of Loaf’s first album in 24 years, will be more than a nostalgic, low-impact reboot. When they emerged from North Carolina’s ’90s indie-punk incubator, the Archers’ hurtling, sly, gloriously dissonant roar was a mythologized touchstone of slacker-era refusal. But this, the distilled shudder of “Human” (as in “It’s hard to be human / When only death can set you free”), is an entirely different noise. In fact, it’s a startling revelation. In short, this is not your father’s Archers of Loaf, even if you’re a father now who was a fan then. (If that’s the case, congrats on surviving the Plague and getting to hear this fearlessly poignant record, you alt-geezer!) Otherwise, thank your youthful fucking lucky stars, kids! Enjoy Reason in Decline with fresh ears and do as the Archers have been doing: Stay humble, stay informed, express yourself creatively, and try not to lose your goddamned mind while the polar ice caps melt.

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24,58
Dawn Richard and Spencer Zahn - Pigments

Dawn RichardandSpencer Zahn

Pigments

12inchMRG784LPC1
Merge Records
30.10.2022

LP is on baby blue vinyl in a jacket w/ spot gloss + printed inner sleeve + LP3 album download. On October 21, 2022, Merge Records will release Pigments, the debut collaboration between New Orleans electro-revival dynamo Dawn Richard and multi-instrumentalist, producer, and composer Spencer Zahn. Pigments is a project about the power of self-expression through living art, through motion. It’s also a love letter to New Orleans, Louisiana. Not strictly classical, jazz or ambient electronica but rather a body of “movements,” Pigments is an expressive soundscape that is an immersive passage through the city as seen through the eyes of a young Black girl with dreams to paint her future with the pigments given to her. Richard explains: “Spencer wanted to create one long piece of music that would ebb and flow around my lyrics and emotions, which tell a story of growing to love my own skin. I wanted my voice to be moss surrounding the roots of Spencer’s compositions, never forcing the moment to fill every space but rather reveling in the openness of thought and breath.” Zahn agrees, saying, “I wanted to work with all these different textures, tones, and colors to have a new sound to frame Dawn’s voice and lyrics. To hear a lone clarinet as the breath fades and a cello continues its melody to cue Dawn’s vocal entrance is unlike any other record she has made. These are things that excite me as a composer but more as a listener. I hope that other listeners feel the same.” Coming on the heels of Dawn Richard’s critically acclaimed Merge debut Second Line, Pigments will introduce listeners to a different facet of Richard’s outrageous talent and bring Zahn’s thoughtful creativity to a new audience

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26,01
Kill Your Boyfriend - Voodoo LP

Treviso, Italy-based two piece Kill Your Boyfriend will release their fourth album 'Voodoo' on October 14th via Sister 9 Recordings (Europe), Little Cloud Records (North America) and Shyrec (Itay). A frantic and hypnothising bacchanalia of Psych & Industrial tinged soundwaves, the new album is a collection of reverb laden necromantic charms, summoning the souls and bones of the greats in the Rock & Roll pantheon of the 1950s. The duo delivers such glittery dark enchantment via 7 hoodoo hymns, travelling with a crumbling, ghostly and magically whizzing Rocket 88, in the company of Marie Laveau and madame Lalaurie. It's a relentless whirl of Voodoo-Psych, Industrial-Billy, Electro-GrisGris, which you can dance to. The new LP follows 'Killadelica', where Kill Your Boyfriend had refined their debut signature sound, bridging the gap between the semi-obscure but hauntingly fascinating tradition of Veneto's Post-Punk (Death In Venice, Evabraun, Pyramids, etc.) and contemporary Psych-Nouveau. With 'Voodoo', Matteo Scarpa and Antonio Angeli, explore new genres and expand the sonic borders, without losing their original intent. They replace the synth bass with a bass-guitar, adding more fluidity and weight to a renewed and punchier rhythmic section. Electronic and acoustic percussion are fuller and heavier, and the band's new stomp-machine is a hyper-convulsive version of the saturated Rock & Roll and R&B drumming, from the cheap garage studios of 1950s indie labels. Sida A is the most Rock & Roll of the two, and it is inspired by Michael Ventura's essay "Hear that Long Snake Moan", which brought forward the idea that "the Voodoo rite of possession by the god became the standard of American performance in Rock’n’Roll" where the performers "let themselves be possessed not by any god they could name but by the spirit they felt in the music”. Each song invokes one or a set of the lost souls of the Rock & Roll era, with 'The Day The Music Died' referring to the infamous 3rd of February 1959. Side B descends deeper into the magic swamps of Creole magic, with music taking on a much more liturgical function, conjuring shamanic possessions via extra layers of tribal percussion. The band says of side B: "we see it as a one long ritualistic descent into a psychedelic underworld made of echoing voices, claustrophobic spaces populated by lost souls, enchanters and witchdoctors."

TRACKLIST 1. The King 2. The Man In Black 3. Mr Mojo 4. Buster 5. The Day The Music Died 6. Papa Legba 7. Vodoo

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24,33
Scarcity - Aveilut

Scarcity

Aveilut

12inchFR127LP
Flenser Records
30.10.2022

Experimental black metal from Brooklyn featuring the conductor of the Glenn Branca Ensemble. For fans of Krallice, Mizmor, Liturgy. Also featuring member of Pyrrhon, Weeping Sores, Glorious Depravity, and Seputus. There’s a real sense of loss on Brooklyn experimental black metalists Scarcity’s debut album Aveilut, an inescapable presence of the realities of death. Multi-instrumentalist Brendon Randall-Myers (conductor of the Glenn Branca Ensemble since Branca’s passing) wrote Aveilut while processing the sudden deaths of two people close to him, tracked it while caught in Beijing’s first lockdown of 2020, and finished it while surrounded by the overwhelming plague visuals of New York’s early COVID peak. Back in Brooklyn, vocalist Doug Moore (of Pyrrhon, Weeping Sores, Glorious Depravity, and Seputus) soon found himself in the midst of an equally bleak lockdown experience—living next to a funeral home when New York City was America’s COVID epicenter. From conception through development, tangible death surrounded Aveilut. The result of such a profound closeness with death is this grief-stricken release, which takes its name from the Hebrew word for mourning. 72-note octaves, alternate tunings, psychoacoustic phenomena and macro-phrases embody the hugeness of loss, the inexplicable space of death’s void that Randall-Myers faced both on a personal and existential scale. Together with Moore’s gripping vocal delivery and stark lyrics, the album takes the form of a hyperobject, an entity with such vastness and reach that it’s difficult for the human mind to comprehend. Consisting of one 45-minute composition, the music is black metal roughly in the vein of Jute Gyte, Krallice, Mare Cognitum, and Enhare—with hefty doses of post-Branca microtonal guitar abuse, and a cinematic scope that draws on Randall-Myers’ work with orchestras. Aveilut’s mathematical abstraction and lyrical focus on the greatness of the void breed raw emotion, attempting to represent a catastrophe, the vastness and inevitability of things outside one’s control, as well as a direct expression of grief, a kind of requiem. Though born of Randall-Myers and Moore’s intense intimacy with absence, Aveilut is an attempt to present a harrowing universal representation of death’s true form. Tracklist: 1 I 2 II 3 III 4 IV 5 V

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31,51
Jodi - Karaoke EP

Jodi

Karaoke EP

12inchSR016LP
Sooper Records
30.10.2022

First Time Pressing on Heavyweight 160 Gram Black Vinyl LP at 45rpm. Merchandising Sticker. Jodi is the solo project of Chicago based singer-songwriter Nick Levine. A co-founding and former member of the band Pinegrove, Levine first launched their solo project Jodi in 2017 with the release of the Karaoke EP as one of the first releases on Chicago indie label Sooper Records. The project would prove formative, going on to garner millions of streams online and launching Levine’s solo career as Jodi in earnest. Back in 2017, the following was said about the project: “Jodi has left us broken, bereft but in awe of a talent that can take a couple of seconds and make it your whole world.” – THE LINE OF BEST FIT // “Jodi nudges the listener into attention rather than pushing them into a forced experience: songs that feel nostalgic and hopeful – a comforting blanket of reassurance that’s sincere in its utterances of uncertainty and regret but ultimately optimistic for the future.” – GOLD FLAKE PAINT // Now, for the 5-year anniversary of the EP that started it all for Jodi, the project is being pressed and released for the first time on Vinyl. After the success of Karaoke, Levine went on to release their debut LP Blue Heron on Sooper Records in 2021, an album that received accolades from FADER, UPROXX, STEREOGUM (Album of The Week), THEM, COUNTRY QUEER, PASTE MAGAZINE, FLOOD MAGAZINE and Others. Tracks: Side A: 1. Remember 2. Coffee 3. Passerine Side B: 4. On The Sly 5. Scratchoff 6. Visitors

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22,90
Pale Angels - Plastic Legacy pt. II

Hear angel trumpets and devil trombones on the first instalment of the long awaited ‘Plastic Legacy pt II’ from transcontinental punk trash band Pale Angels. The album boasts soaring melodies and tortured guitar tones anchored by a fuzz bass guitar that sings uniquely yet thumps rhythmically. ‘Plastic Legacy pt II’ sees Pale Angels’ Jamie Morrison and Michael Santostefano joined by Jerome Westerkamp (songwriter for Cincinnati, Ohio’s Vacation) on drums. Returning after 6 years to longtime friend and producer Benjamin Greenberg (uniform, Christfucker, danny elfman) to create a masterpiece of gut-wrenching sincerity and sensitivity. Track listing: Killer; Casper; 21 Days; Must Be Love; Halloween; Thorn; Little Lover; Rahway

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20,97
Chris Crack - Growthfully Developed

Chris Crack is back with a brand new album called Growthfully Developed. Fans and critics alike are already calling it the Westside Chicago native’s best album in the last few years. Pitchfork said “Crack’s latest album is a delicate balance of fresh and familiar from one of the funniest and most thoughtful rappers working today.” With song titles like “Pussy Better When You Eat It First” and “Shitting With The Door Open,” it’s no wonder why he’s said to have the best song titles in the game. Whether it’s heavy hitting 808’s, soul loops or head nodding boom bap Chris laces up the variety of beats with style and finesse. Praised by media outlets such as Billboard and Rolling Stone as well as by iconic hip hop artists such as Earl Sweatshirt and Madlib. Like the album title suggests, Chris has fully grown and developed to reach this point in his career and critics will believe that Growthfully Developed be looked back upon as a pivotal album in his prolific career. The 18 track effort is set to drop on vinyl this fall via Chong Wizard Records in partnership with Fat Beats. TRACKLIST: 1. I The Buck They Couldn’t Break 2. Chicago Don’t Make Industry Plants 3. Therapy Don’t Work, Try Drugs 4. Jordan Never Did That Move 5. Pussy Better When You Eat it First 6. Whoa Dair 7. Celebrate Everything Until Further Notice 8. Uknowwhereihadderat 9. Ate Ball in My Sock 10. Illuminati Phone Numbers 11. Shitting with the Door Open 12. Nine 2 Fives Make You Fake 13. Beer Just Bread in a Can 14. A Blunt Forced This Trauma 15. That Hate Us Because We’re Magic 16. Air Mattresses and Machine Guns 17. Weed is an Expensive Habit 18 . No Shortcut to Enlightenment

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32,73
Cartridge - Banada LP

Cartridge

Banada LP

12inchKZN009
Kaizen
30.10.2022

After a 2 year hiatus, Madam X's KAIZEN imprint comes back full force, with an upgraded aesthetic and brand new wave of leftfield, off-kilter club music. KZN009 sees one of Manchester's most exciting up & coming producers, Cartridge, mark his debut with a fierce 2 tracker, loaded with soundsystem pressure and gully 130 artillery in the Banada EP. Melodic Grime, moody Dubstep, and sub-heavy textures sprinkle this wobby release, designed for dark rooms, splintered basements and heavy soundsystems. With an impressive back catalogue on Deep Dark & Dangerous, Albion Collective & one half of Regents alongside Manchester kingpin Strategy (Broke'n'£nglish), Cartridge is no stranger to the UK's burgeoning bass music scene.

On the A side, we have Banada, a melodic eastern-flavoured instrumental, with elements of Grime and Dubstep carrying the tune to its arpeggiated crescendo.

A singing voice and raspy melody build the tension before a heavily distorted switch up catches you off guard, leading you further down a Dubstep rabbit hole, and into a world of shady and sinister drops, sitting perfectly alongside the label's strictly hoods-up, heads-down tip.

Teaming up with KAIZEN heavyweight and local scene hero Biome on the B-Side, Ricky Rosé has proved a firm favourite for those peak-time, no-holds-barred, bass-in-your-face, power hour moments. Relentless in its metallic bassline and thumping 808 drums, this explosive club tool comes with a solid side-serving of gunfingers and screwfaces.

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14,24

Последний логин: 2 г. назад
Tau & The Drones Of Praise - Misneach

The kaleidoscopic third album from Sean Mulrooney and his Ireland
meets Berlin ensemble Ecstatic folk- psych that full embraces the natural world and living ancestry, through joyful experimentation and deeply rooted sonics.

An inspired soundscape that echoes eclectic and eccentric atmospheres:
traditional Irish folk, outsider pop, global sacred music and drone rock.

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22,90
Shutups - I Can't Eat Nearly As Much As I Want To Vomit

From their masterfully titled, anthemic Shit Opus, to their growling,
distorted guitar, Shutups could be effectively described as a group of
anti-establishment California indie punks with a vested interest in
encouraging capitalism's implosion
Leaving it there would also be a disservice to the deliberation, complexity, and
artistry in their music. The groups' new album holds true to the distinctive niches
they carved out to begin with, from bedroom pandemic production to postisolation DIY maximalism. I can't eat nearly as much as I want to vomit presents a
very human expression of reality in spite of what is, overwhelmingly, a bad time--
serving us a sort of seething, technicolor alternative sound that's both intimate,
furious, and inarguably cool. Pressed on Green color vinyl.

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26,85
Melby - Looks like a map

Melby

Looks like a map

12inchLPRMLR023C
Rama Lama Records
30.10.2022

On a first, careless, listen, Stockholm four-piece Melby might seem like a
charming, fun little jangle-pop band - Pay a little more attention however,
and you'll find their waters run a lot deeper than that
The band have all the flash and sparkle of your favourite indie band, but add an
ability to touch moods and feelings with a meaning beyond most of their peers.
Their guitars, drums and synths rattle, roll and flicker around each other, all held
together by the soul-shiver in Wiezell's vocals, to make immaculate little guitarpop gems, equally dusted with sadness and sugar.Finding comfort in a sea of
uncertainty might be a good way to describe Looks Like A Map, the bands second
album. The record captures Melby at a moment where they're growing as people
and as a band, expanding the reach of their sonic horizons, and taking in deeper
and heavier themes, trying to find a home in an often-alienating world. The music
they made around that has a little touch of sorcery around it, sometimes soft as
smoke, sometimes woozy and dream-blurred, sometimes crashing and explosive.
But even through all that evolution, the heart and the soul have remained the
same, and Looks Like A Map still has that Melby-feeling, of a band who put all of
themselves into everything they make and their own blend of indie, psych, pop,
rock and folk. It's a new high for the band that have toured Scandinavia, Germany
and the UK and have played festivals such as Eurosonic, Reeperbahn and
By:Larm, and one that hints at even bigger things to come.

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28,15
Strange Ranger - No Light in Heaven

Throughout the last decade, Strange Ranger have been crafting seamless
indie music that feels both already classic and precisely of its time
From Daymoon's strains of the Microphones by way of the Pacific Northwest-era
indie scene to the dark elation and Cure-reminiscent stylings of Remembering the
Rockets' they've become one of the rare standouts of a crop of bands that have
managed to grow up with us. More than just a stopgap along that progression,
the new mixtape entitled No Light In Heaven holds some of the band's most
experimental and ambitious work yet. Stitched together through a series of
sessions at both a house in rural NY and Strange Ranger's home studios in both
Philadelphia and NYC (where Eiger and Woodman moved in 2021, the mixtape
possesses something both abstract and astute; the product of a band in
transition and a group of people making something effortlessly transcendental
out of their new surroundings. Heralded as unpredictable and expansive, a
thrilling document of a band with an ever- changing muse,with songs that are
packed with hooks and an abundance of feeling (Stereogum). This outpouring of
evocative emotion makes the band's more traditional song structures read like a
new breed of pop music in its purest form. From Needing You 's effervescent
euphoria to string- laden album close It's You, the record seamlessly fuses
together a multitude of genres, where the industrial punch of In Hell sits
alongside the chopped up vocals and melodic keys of Get Right Up to the Mic.
"No Light in Heaven" marks the beginning of a bold new era for the band & the
groups first release with Fire Talk.

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30,67
Jason Anderson - First Light

New Hampshire born, New Brunswick based, singer-songwriter Jason
Anderson has spent the last five years making Canada home, landing first
in Toronto before settling in Fredericton - The idea of home the places we
come from, the places we return to is a powerful theme throughout his
epic new record First Light
First Light is a compelling, cathartic listen, as Anderson's poetic lyrics and
anthemic melodies make for an inspired fit with producer Thomas Wincek.
Drawing on his All Tiny Creatues project as well as his work with Justin Vernon's
Volcano Choir, Wincek has created a huge sonic backdrop here. Anderson's
expansive narratives and sing-along hooks weave through explosive rockers like
Caps Ridge Line and Still Life, pastoral mood pieces like Looking Glass and
Streetlamps , and haunting ballads like the pensive "Tower in the Fog and
gorgeous closer Halloween. The whole thing feels a bit like indie- folk stadium
rock, as if The Weakerthans were fronted by fellow Canadian Bryan Adams. As
Anderson puts it, € What started as a text exchange between me and Tom about
Joni Mitchell in the 80s turned into something strange and awesome. What's
perhaps most awesome about the project is hearing a bedroom singer-songwriter
pushing themselves in such a fun and unexpected way. First Light is a really
special record.

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22,90
UWUW - S/T

Uwuw

S/T

12inchLPWABB130
WE ARE BUSY BODIES
30.10.2022

UWUW, is: Jay Anderson (Badge Epoque Ensemble, Biblical, Lammping) -
drums Ian Blurton (Ian Blurton's Future Now / Change of Heart / C'mon)
guitar and production Jason Haberman - Bass (Yaehsun / Dan Mangan )
Bass Guest Vocals by: Drew Smith and Marker Starling
After many years of playing in mutually respected bands, Jay Anderson and Ian
Blurton came together through a run of shows, backing mutual friend and singer/
songwriter, Kate Boothman as her drummer, and guitarist, respectively.
Anderson's and Blurton's connection were instant, and a plan was set to start
making music together. As ideas began to take shape, Anderson suggested
bringing in Jason Haberman, a talented bassist, who Anderson had seen play
with Toronto indie- folk band, The Wooden Sky. The trio hunkered down for two
days in Blurton's Pro Gold Studios, jamming out ideas. With the intersection of the
many different bands and genres each brought to the table, songs came together
quickly, with Blurton editing and sculpting, as they went along. Realizing they
didn't want an instrumental record, they layered on bright horns and smooth
vocals, lifting the songs from instrumental jams, to the undefinable yet distinctive
sound that is, UWUW. Saxophonist, Jay Hey, was brought in to provide horn
arrangements, along with Tom Richardson on trombone and Patrick McGroarty
on trumpet, all three contributing on every song.
Giving the songs a voice, literally, are two of Toronto's most distinctive
songwriters: Drew Smith (Bunny, The Bicycles), providing his trademark, 60s
harmony pop and lyrical prowess to Staircase and Landlord ; and Marker Starling;
adding his distinct, easy- glide, story- telling charm to Box Office Poison, and
Scattered Ashes.

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15,92
PETER BRODERICK - PIANO WORKS VOL: 1

Ireland based American songsmith Peter Broderick announces the release of Piano Works Vol. 1 (Floating in Tucker’s Basement) — a new comprehensive album of solo piano recordings out November 25. Shining a light on the artist’s ongoing piano-based compositions, this release offers an opportunity to celebrate his more intimate work. A comprehensive collection of Peter Broderick’s piano work to date, these recordings were originally captured in Berlin to accompany the 2017 sheet music book Piano Works Vol. 1. The book contains 20 pieces for solo piano and a download code to access new recordings of all 20 pieces. Up until now, the only way to hear these recordings was to purchase the sheet music book. This release sees the original recordings receiving further treatment and processing by Tucker Martine in the customised echo chamber of his studio in Portland, Oregon—the region where Broderick grew up. The clean and unaffected original recordings were intended for educational purposes, so for this release Erased Tapes founder Robert Raths suggested to ‘throw the recordings into the well’, for a more dynamic and conscious listening experience. “We gave these recordings a bit of a makeover. We sent all the tracks over to legendary engineer/producer Tucker Martine, who processed all 20 of them with unique tape and reverb treatments, utilising the echo chamber of his Portland studio, Flora Recording & Playback,” explains Broderick. Now these recordings are set to be released on doublevinyl, double CD and all digital platforms.

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27,10
Disarstar - ROLEX FÜR ALLE

Disarstar

ROLEX FÜR ALLE

12inch19658753251
Four Music
28.10.2022

DISARSTAR meldet sich zurück. Sein neues, sechstes Album "ROLEX FÜR ALLE" erscheint am 14.Oktober und ist die logische Fortsetzung nach dem Erfolg seines Albums "Deutscher Oktober" (2021) und der gemeinsamen "Microdose"-EP mit dem Produzenten-Team Jugglerz (2022). Die Geschichten von Dreck und Gentrifizierung, Armut und dem Gefühl des Nicht-gewollt-Seins sind noch lange nicht auserzählt. Für DISARSTAR bedeutet das: dranbleiben, nicht weggucken, nicht müde werden für ein besseres, gerechteres Deutschland zu streiten. Etwas hat sich aber doch verändert auf "ROLEX FÜR ALLE": nämlich die Prämisse, dass intelligente politische Musik nicht anstrengend sein muss. "ROLEX FÜR ALLE" macht die ganz großen Fragen auf - und trotzdem irre Spaß. "Rolex für alle ist ja nicht Rolex für keinen!", sagt DISARSTAR.Das

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24,92
The Shaolin Afronauts - The Fundamental Nature of Being, Part Four

After an extended hiatus punctuated by rare live performances, The Shaolin Afronauts returned on September 16th this year with The Fundamental Nature of Being, an epic five LP box-set release that expands the sonic vision of the ensemble to towering new heights of burning afro-funk alongside esoteric and ethereal new sonic excursions.

The Fundamental Nature of Being's expanded musical journey further explores the wide spectrum of the band's musical identity – with each of the five parts designed as both standalone records, while also offering a singular listening journey across the band's expansive musical world. This fourth part in the collection continues to explore the ensemble's influences in the world of free jazz & spirtual jazz, and also more esoteric incidental music territory.

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21,81
Ghost Funk Orchestra - A New Kind Of Love

For Fans Of Temples, Allah-Las, Unknown Mortal Orchestra, Khruangbin, David Axelrod. Each song on Ghost Funk Orchestra's 3rd album, A New Kind of Love, due to be released on Colemine Records … 2022, resonates like the soundtrack to a scene from an imaginary movie. The music could score a romantic drama, an action thriller, or a modern twist on a classic film noir. The spare, cascading vocals accentuate the lush instrumental orchestrations composed, performed, arranged and produced by multi-instrumentalist Seth Applebaum, whose latest brainchild was conceived and conceptualized during The Great Pause of 2020, a time of tension, bewilderment and isolation. Evoking the grooviness of an era which preceded his arrival on earth, Applebaum draws upon sonic devices of mid-century exotica and the succinct but dense arranging style of the leaders of the pop orchestras which dominated the hit parades of the 60s and early 70s. He blends impressions of this bygone era with an expression of his actual experiences as a young filmmaker coming of age in the 21st century, citing influences such as Sharon Jones & The Dap Kings and Antibalas. A New Kind of Love encompasses a reverence for the past without attempting to recreate it. In the tradition of the "production forward" discographies of such record makers as David Axelrod and the Mizell Brothers, it's easy to visualize Applebaum as a "mad doctor" figure, hunkered down in a studio channeling this musical representation of his inner world into the 12 compositions which make up A New Kind of Love. His writing stretches his psyche to explore a terrain in which to capture emotional notes of love going well, love gone sour, manifesting love songs based in ghostly affairs. While the studio is obviously a wondrous happy place of experimentation and creativity for Applebaum, he's a band guy too (having actually fronted punk outfit The Mad Doctors). Applebaum has the wherewithal to bring his dreamy material to the 10 piece all star Ghost Funk Orchestra, leading them to breathe life into this sophisticated body of work which heralds the celebration of a new era for the group. Ghost Funk Orchestra will be touring in concert this summer and fall to celebrate the release of A New Kind of Love, an album which is sure to stand the test of time. Also Available From Ghost Funk Orch: Night Walker/Death Waltz LP/CD, Opaque Red LP, An Ode To Escapism LP/CD, A Song For Paul LP / CD 1. Introduction 2. Your Man's No Good 3. Scatter 4. Prism 5. Quiet Places 6. A New Kind Of Love (pt. 1) 7. Why? 8. Blockhead 9. A Song For Pearl 10. Bluebell 11. Rooted 12. A New Kind Of Love (pt. 2)

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29,37
Leif Ove Andsnes - Dvorák: Poetic Tone Pictures, Op.85 2x12"

"Ich muss sagen, dass ich dies für den großen vergessenen Zyklus der Klaviermusik des 19. Jahrhunderts halte. Vielleicht sind das große Worte, aber ich empfinde das so", sagt der Pianist Leif Ove Andsnes über seine neueste Veröffentlichung bei Sony Classical. Auf diesem Album präsentiert er die umfangreichste Klaviersammlung des großen romantischen Komponisten Antonín Dvorák - die zu Unrecht vernachlässigten Poetischen Tonbilder. Dem norwegischen Pianisten zufolge zeigen diese unentdeckten Perlen eine ganz andere Seite des für seine Sinfonien und Streichquartette bekannten Komponisten. Ich liebe diese Musik und niemand scheint sie zu spielen", sagt Andsnes, der sich 2017 mit der Veröffentlichung "Sibelius" auch für die selten gespielten Klavierwerke von Jean Sibelius einsetzte. Die 13 Postkarten für Klavier, aus denen sich Dvoráks poetische Tonbilder zusammensetzen, wurden im Frühjahr 1889 geschrieben und signalisieren eine Stilverschiebung von einem Komponisten, der sich von formalen Konstruktionen weg zu einer freieren, inspirierten Ästhetik bewegt. Zu diesen bezaubernden Stücken gehören Beschwörungen von Magie und Geheimnissen ("Das alte Schloss"), ländliche Tänze ("Furiant" und "Bauernballade"), nostalgische Stimmungsstücke ("Dämmerungsweg") und tragische Reminiszenzen ("Am Grab eines Helden"). Die Werke reichen von tiefgründig bis verspielt, von heiter bis wütend - "ich spüre in ihnen eine sehr starke, wunderbare Erzählung", sagt Leif Ove Andsnes, der fest daran glaubt, dass Dvorák die Stücke dieses "außergewöhnlichen" Sets als einen Zyklus konzipiert hat, der zusammen gespielt werden soll.Sur son nouvel album, Leif Ove Andsnes présente la plus importante collection pour piano du grand compositeur romantique Antonín Dvorák - les Poetic Tone Pictures, injustement négligés. Selon le pianiste norvégien, ces joyaux méconnus montrent une toute autre facette du compositeur connu pour ses symphonies et ses quatuors à cordes. « J'adore cette musique et personne ne semble la jouer », déclare Andsnes. Les 13 cartes postales pour piano qui composent l'oeuvre Poetic Tone Pictures de Dvorák ont été composées au printemps 1889, et signalent le changement de style d'un compositeur s'éloignant des constructions formelles vers une esthétique plus libre et inspirée. Parmi ces charmantes pièces, on trouve des évocations de magie et de mystère (In the Old Castle), des danses rustiques (Furiant et Peasants' Ballad), des pièces d'ambiance nostalgiques (Twillight Way) et des réminiscences tragiques (At the Hero's Grave). Les oeuvres vont de la profondeur à l'espièglerie, de la légèreté à la fureur - « Je sens en elles un récit très fort et merveilleux », dit Leif Ove Andsnes, qui croit fermement que Dvorák a conçu les pièces de cet ensemble « exceptionnel » comme un seul cycle à jouer d'un coup. L'un des pianistes les plus éminents du monde, Andsnes a eu l'idée de jouer de la musique tchèque lorsqu'un nouveau professeur est arrivé de Prague à son conservatoire de Bergen, en Norvège. Alors âgé de 12 ans, son énorme fascination pour les Tableaux de tons poétiques l'a conduit à présenter une partie du répertoire lors d'un concours pour jeunes pianistes. Des années plus tard, alors que la pandémie de Covid-19 frappait le monde, Andsnes a profité de ce temps d'arrêt pour se plonger plus profondément dans les tableaux de tons poétiques et communier avec leurs histoires. Il a trouvé des oeuvres d'un charme infaillible et de nombreux exemples de Dvorák déployant une largeur de couleur orchestrale à partir du piano - en plus de son utilisation excitante de rythmes croisés et de syncopes, à la manière des danses folkloriques tchèques.

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30,21
Ben Zucker - Was wir haben, ist für immer (Das Beste aus 5 Jahren) LP (2x12")

Was andere in einer jahrzehntelangen Karriere langsam erarbeiten, schafft der Sänger und Songwriter Ben
Zucker in nur 5 Jahren: Seit seinem Debütalbum „Na und?!“ im Jahr 2017 erreicht er gleich mehrfach die
Nummer 1 in den offiziellen deutschen Albumcharts, verzeichnet bis dato bereits über 750.000 verkaufte
Tonträger, generiert mehr als 480 Millionen Streams und verkauft mit seinen gefeierten Konzerten Arenen
im ganzen Land aus.
Zum 5-jährigen Jubiläum seines beispiellosen Erfolgskurses veröffentlicht der Ausnahmesänger mit der
Reibeisenstimme nun das Album „Was wir haben, ist für immer“, das die größten Hits seiner bisherigen
Veröffentlichungen in neuen Versionen zusammenfasst und durch 5 ganz neue Songs ergänzt. Ein Album,
das absolute Energie, Lebensfreude und einen Hit nach dem anderen garantiert!
„Wir haben in den letzten Jahren gemeinsam so viele Höhen und Tiefen erlebt. Bei so vielen Konzerten
zusammen abgefeiert. Gelacht, geweint und einfach nur abgerissen. Dafür möchte ich mich bei all meinen
Fans bedanken und ich freue mich schon jetzt so extrem auf die nächsten 5 gemeinsamen Jahre!“, verspricht Ben Zucker.
Das Album „Was wir haben, ist für immer (Das Beste aus 5 Jahren)“ erscheint am 28.10.22. Zusätzlich zur CD wird es auch ein Fotobuch zum Album geben, das persönliche Einblicke in die letzten 5 Jahre
Ben Zucker gewährt und die bisherigen gemeinsamen Erinnerungen für alle Fans zusammenfasst.

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40,55
Jonas Kaufmann & Ludovic Tézier - Insieme - Opera Duets 2x12"

2 x 180 g black LPs

"Insieme" ("Zusammen") heißt das erste Duett-Album von Jonas Kaufmann und seinem Freund, dem französischen Star-Bariton Ludovic Tézier. Die berühmten Duette aus Opern von Verdi, Puccini und Ponchielli wurden mit dem Orchestra dell'Accademia Nazionale di Santa Cecilia unter der exzellenten Leitung von Antonio Pappano aufgenommen. "Insieme" erscheint als Doppel-Vinyl (180g) am 11. November bei Sony Classical.Auf der Bühne sind sie oft Rivalen, im wahren Leben verbindet Jonas Kaufmann und Ludovic Tézier eine enge Freundschaft. Nach zahlreichen gemeinsamen umjubelten Live-Auftritten erscheint das erste Duett-Album der beiden Ausnahmesänger: "Insieme", Italienisch für "Zusammen" ist der Titel. Mit dem hervorragenden Orchestra dell'Accademia Nazionale di Santa Cecilia unter Antonio Pappano präsentieren sie Duette, die sie zusammen auf der Bühne gesungen haben, und Stücke, die sie extra für dieses Album einstudiert haben.Seit ihrem gemeinsamen "Werther", 2010 in Paris, sind sie immer wieder Bühnenpartner in verschiedenen Produktionen; und wie bei ihrem Duett-Album spielen die Werke Verdis dabei eine zentrale Rolle. Als sie 2013 an der Bayerischen Staatsoper zum ersten Mal die Rivalen in "La forza del destino" verkörperten, war sofort zu spüren: da haben sich zwei gefunden, die sich gegenseitig anfeuern. 2017 standen sie in Paris in der französischen Urfassung von Verdis "Don Carlos" auf der Bühne; da ist es nur logisch, dass das berühmte Duett von Carlos und Rodrigue auf ihrem Duett-Album in dieser Fassung erklingt. Hier sind sie einmal nicht die ewigen Widersacher, sondern echte Verbündete, in einer der schönsten Männerfreundschaften der Oper. Außerdem sind die beiden hier zum ersten Mal zusammen in "Otello" zu hören. Bei Kaufmanns Debüt als Otello, 2017 am Royal Opera House in London, sollte eigentlich Tézier an seiner Seite als Iago debütieren, doch leider musste er absagen. Und so kam es, dass die Aufnahmesitzungen während des Lockdowns 2021 zum ersten gemeinsamen "Otello" der beiden wurden, noch bevor Tézier seinen ersten Bühnen-Iago an der Wiener Staatsoper "nachholte". Dass mit Antonio Pappano am Pult seines Orchestra dell'Accademia Nazionale di Santa Cecilia einer der profiliertesten Operndirigenten unserer Zeit mit seinem exzellenten Orchester an Bord ist, ist ein weiterer Glücksfall für diese Einspielung.Beide Sänger sind hier erstmals in den großen Duetten aus Verdis "Les vêpres siciliennes" zu erleben, in der selten gespielten französischen Fassung. Auch das Duett aus Ponchiellis Verismo-Meisterwerk "La Gioconda" ist ein echtes Doppel-Debüt, dem bald auch eine gemeinsame Aufführung der kompletten Oper folgen soll. Puccinis "La bohème" hingegen haben beide bereits auf der Bühne gesungen, jedoch noch nicht gemeinsam; hier sind sie zum ersten Mal gemeinsam mit dem Duett aus dem 4. Bild zu hören.

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30,88
Iris - Wrath LP

Iris

Wrath LP

12inchMIND383
Prophecy Productions
28.10.2022

IRIS sind tot, lang lebe IRIS! Obwohl die beiden Protagonisten Andrew Sega und Reagan Jones seit Ende des letztes Jahres offiziell getrennte Wege eingeschlagen haben, müssen ihre zahlreiche Anhänger keineswegs die Köpfe hängen lassen.

Mit Einverständnis der Band, legen Dependent das längst vergriffene dritte Album "Wrath" in zwei speziellen Ausgaben neu auf. Dieses Highlight aus dem Werk von IRIS wird mit neuem Mastering erstmals als limitiertes 12" Vinyl mit verbessertem, hochaufgelöstem Cover-Artwork erscheinen. Außerdem kommt "Wrath" als limitiertes Doppel-CD Artbook heraus, welches neben dem remasterten Album eine exklusive 10-Track Bonus-CD, Live-Fotos und Liner-Notes von J. Ned Kirby (STROMKERN) und Dependent-Chef Stefan Herwig enthält.
J. Ned Kirby, der IRIS mehrmals live auf Tour unterstützt hat, erklärt die Gründe für die Wiederveröffentlich von "Wrath": "Jedes Album von Iris stellt für sich genommen ein Hauptseminar ein Sachen Songwriting und Produktion dar", schreibt der Amerikaner. "Mit seinen zehn unvergleichlichen Arrangements für zehn perfekte Songs erreicht 'Wrath' aber das Niveau einer Meisterklasse. Von der explosiven Eröffnung durch 'Land of Fire' bis zur hoffnungsvollen Coda von 'Delivered One' klingt so eine Band, die aus allen Rohren feuert. Auf 'Wrath' ist kein Element fehl am Platz, kein Akkord zu abgegriffen und kein Song auch nur eine Sekunde zu lang - oder kurz gesagt: Dieses Album ist fantastisch!"

Auf 'Wrath' fusionierten IRIS erstmals ihr prägnantes Sounddesign mit immer prominenter hörbaren Gitarren zu großartigen Songs. Dies ergab zusammen mit Reagan Jones markantem Gesang einen Shoegaze-Effekt, der IRIS weit aus der Masse beliebiger Synthpop-Acts herausgehoben hat. Mit der aufwändigen Neuveröffentlichung von "Wrath" zollen Dependent einem exzellenten Album Tribut, dass selbst nach 15 Jahren nichts von seiner ursprünglichen Faszination eingebüßt hat.

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27,61

Последний логин: 3 г. назад
Calvin Harris - Funk Wav Bounces Vol.2

Der Superstar unter den DJ-Produzenten veröffentlicht sein neues Album "Funk Wav Bounces Vol. 2". Die erste Single "Potion" mit Popstar Dua Lipa und dem Rapper Young Thug hat bereits über 70 Millionen Streams erreicht. Die Liste der Featurings ist beeindruckend: Pharrell Williams, 21Savage, Snoop Dogg, Justin Timberlake, Halsey, Charlie Puth, Busta Rhymes, Swae Lee, Pusha T, Jorja Smith, Tinashe, Lil Durk und viele andere. Le DJ producteur superstar au monde présente son nouvel album « Funk Wav Bounces Vol. 2 ». Le premier extrait « Potion » en featuring avec la popstar Dua Lipa et le rappeur Young Thug cartonne déjà et cumule plus de 70 millions de streams. Pour ce second volume, on retrouve une liste de featurings impressionnants, puisque se croiseront Pharrell Williams, 21Savage, Snoop Dogg, Justin Timberlake, Halsey, Charlie Puth, Busta Rhymes, Swae Lee, Pusha T, Jorja Smith, Tinashe, ou encore Lil Durk.

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18,45

Последний логин: 3 г. назад
GHOST FUNK ORCHESTRA - A NEW KIND OF LOVE LP

Auf dem dritten Album von Ghost Funk Orchestra klingt jeder Song wie der Soundtrack zu einer Szene aus einem imaginären Film. Die Musik könnte einem romantischen Drama, einem Action-Thriller oder einer modernen Variante eines klassischen Film Noir entstammen. Der sparsame, kaskadenartige Gesang unterstreicht die üppige instrumentale Orchestrierung, komponiert, gespielt, arrangiert und produziert von Multi-Instrumentalist Seth Applebaum. Er nutzt die klanglichen Mittel der Exotica aus der Mitte des vergangenen Jahrhunderts und die der prägnanten Pop-Orchester, die die Hitparaden der 60er und frühen 70er Jahre dominierten. Er vermischt Eindrücke aus dieser vergangenen Ära mit dem Ausdruck seiner aktuellen Erfahrungen als junger Filmemacher im 21. Jahrhundert, wobei er Einflüsse wie Sharon Jones & The Dap Kings und Antibalas aufgreift. A New Kind of Love referenziert die Vergangenheit, ohne zu versuchen, sie nachzubilden. Das 10-köpfige Ghost Funk Orchestra erweckt sein Material zum Leben und läutet mit diesem anspruchsvollen Werk die neue Ära der Band ein.

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23,91
VARIOUS - BUZZSAW JOINT CUT 08 LP

Limitierte Auflage - nur 500 Exemplare - alle auf violettem Vinyl. Buzzsaw Joint ist eine monatlich stattfindende Londoner Clubnacht, die die Fans mit einer hochoktanigen Mischung aus Rhythm & Blues und Rock & Roll Trash betankt. Buzzsaw Chef Fritz hat zudem eine Mixcloud Seite ins Leben gerufen, mit Mixen zum Thema von Sammlern und Jägern rund um den Globus. Da war es nur folgerichtig, dass das ganze auch auf Vinyl und CD stattfindet. Mit Stag-O-Lee fand sich schnell jemand, der das für eine gute Idee hielt. Mehr Volumen/Cuts to follow. Get your ears around the wild"n"weird sounds of the extraordinary and inimitable Buzzsaw Joint! Für den 8. Cut der Buzzsaw Joint Serie wühlen Johnny Alpha und Carl Combover in ihren reich bestückten 7"-Kisten. Beide sind Meister in Sachen sleazy, greasy und fuzzy. Carl ist Chef der Go Go Cage Nacht in Liverpool und Johnny legt in und um Wigan (legendärer Ort - Wigan Casino!) auf. Beide sind auch weltweit gefragt und unterwegs. Für Cut 8 wählten sie Tracks, die sich nicht auf anderen, ähnlich gelagerten, Compilations finden. Ein weiteres Highlight in dieser starken Serie.

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21,22
The Shaolin Afronauts - The Fundamental Nature of Being, Part Five
 
4
также имеющийся в продаже

Part 1[21,81 €]

Part 3[21,81 €]

Part 4[21,81 €]


After an extended hiatus punctuated by rare live performances, The Shaolin Afronauts returned on September 16th this year with The Fundamental Nature of Being, an epic five LP box-set release that expands the sonic vision of the ensemble to towering new heights of burning afro-funk alongside esoteric and ethereal new sonic excursions.

The Fundamental Nature of Being's expanded musical journey further explores the wide spectrum of the band's musical identity – with each of the five parts designed as both standalone records, while also offering a singular listening journey across the band's expansive musical world. This fourth part in the collection continues to explore the ensemble's influences in the world of free jazz & spirtual jazz, and also more esoteric incidental music territory.

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21,81
Mister Jones, Tito Tentaculo - Augen Zu Und Durch

"Augen Zu Und Durch" heißt es auf dem neuen Album von Mister Jones und Tito Tentaculo. Illustre Geschichten, voll vernebelter Erinnerungen und episodischer Straßenträume. Wenn die Würfel fallen drehen die beiden dann doch erstmal eine Runde um den Block und suchen gemeinsam mit Escape ihre Goldene Mitte. Bevor es schließlich in die Zeitmaschine zu Sekt Oder Selters geht, heißt es am Ende dann zwar doch wieder Back To The Streets. Aber das war bei den beiden ja zu erwarten.

Auf den souligen bis roughen Produktionen von Tito Tentaculo findet Jones den perfekten Nährboden für sein verschachteltes Storytelling genau wie für seine Alltagsbetrachtungen aus der Eingeborenenperspektive auf die Großstadt.

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16,77

Последний логин: 3 г. назад
The Damned - A Night Of A Thousand Vampires LP 2x12"

Am 28. Oktober 2019 haben The Damned die Bühne des renommierten London Palladium Theaters für eine Nacht in eine Vampir-Gruft verwandelt. Mit Songs aus über 40 Jahren Bandgeschichte und einer musikalisch als auch theatralisch geschichtsträchtigen Show, haben sie ein für die Fans und die Band gleichermaßen besonderes Erlebnis geschaffen, bei welchem Feuerschlucker, Trapezkünstler und ein Publikum in voller Vampirkleidung zu sehen sind.

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36,93
Wally - Alles halb so wild LP

Wally ist schon ne coole Sau…macht Musik, die an Zeiten erinnert wo Rio Reiser, Westernhagen, Reichel, Extrabreit und co noch als deutscher Rock definiert wurden und liegt damit trotzdem im Hier und Jetzt genau richtig! Man könnte auch bitternötig sagen, denn Wally schafft es mit großer, ungehobelter Klappe, alltäglichen Stories und verdammt viel Rhythm, Rock, Folk Country und Blues ein Stückchen Musik einzufangen, dass auf Gepflogenheiten, Klischees und alles bevormundende "Helikopter-Vorsicht" scheisst. Für den Ausnahmemusiker, der auch bei Bonsai Kitten neue Impulse setzte und sich eigentlich in fast jedem "handmade"-Genre wohlfühlt ist das "Alles halb so wild"! Wally lässt einfach alles raus was ihm auf der Seele liegt. Ganz unskandalös oder auf irgendwelche Märkte schielend! Dabei hat er gerade erst mit seinee Vorab-Single Auskoppelung "Der böse Wolf" auf dem "Artists for Peace"-Charity Sampler für die Ukraine (Platz 3&6 der Charts) ein Riesenpublikum erreicht.Aber Nachplappern war eh nie sein Ding! Man kann auch anecken ohne groß zu Trommeln! Das ist mehr Punk (auch wenn er keinen spielt) als so mancher Iro darstellen möchte…erinnert mehr an the "The Boss" oder Brian Fallon/ Gaslight Anthem, als an die ganzen heutigen Deutschrock-Bands die an die Erfolge einer Frankfurter Band anklonen möchten und "pseudorebellisch" sind. Wally rockt einfach mit Texten aus dem Leben und kleinen Alltagsgeschichten, die durch seine Musik und Leidenschaft zu etwas ganz Großem werden!
Etwas authentischeres im deutschen Rockbereich kannst du aktuell lange suchen!

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18,28
OLD FIRE - VOIDS LP (2x12")

Old Fire

VOIDS LP (2x12")

2x12inchWVLP230
Western Vinyl
28.10.2022

OLD FIRE - das Projekt des in Abilene, Texas, ansässigen Komponisten und Produzenten John Mark Lapham - kündigt sein zweites Album "Voids" für den Herbst an. Für das Album, das größtenteils aus Kollaborationen besteht, hat Lapham eine beeindruckende Liste von Sängern und Sängerinnen rekrutiert. Neben Gastauftritten von Julia Holter, Adam Torres und Emily Cross ist auch die lebende Songwriter-Legende Bill Callahan auf drei Songs zu hören. Einer davon ist die ergreifende, düstere Lead-Single "Don't You Go ft. Bill Callahan". Es handelt sich hierbei um eine Coverversion des britischen Singer/Songwriters John Martyn, bei der auch Thomas Bartlett alias Doveman am Klavier, Semay Wu am Cello und Robin Allender an den Tasten/Gitarren zu hören sind. Ein wunderbares Stück, über das Stereogum treffend schreibt: "If you've ever wondered what Bill Callahan singing a Radiohead dirge might sound like, it would probably sound a lot like this."

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27,69
The Shaolin Afronauts - The Fundamental Nature of Being, Part Three

­The mysterious afro-­soul of The Shaolin Afronauts first echoed across the dance floors of Australia in early 2008, captivating audiences with a highly evolved and unique approach to avant-garde soul music matched with an improvisational pedigree that immediately set them apart from their peers. In the almost fifteen years since the ensemble's debut they have released three albums on Freestyle Records and toured across Australia and around the world.

After an extended hiatus punctuated by rare live performances, The Shaolin Afronauts return with The Fundamental Nature of Being, an epic five album release that expands the sonic vision of the ensemble to towering new heights of burning afro-funk alongside esoteric and ethereal new sonic excursions. This expanded musical journey further explores the wide spectrum of the band's musical identity – with each of the five parts designed as both standalone records, while also offering a singular listening journey across the band's expansive musical world. This third part in the collection starts to explore influences from spiritual & free jazz sounds while still retaining the band's rich pan-african groove pallette.

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21,81
Hoaxed - Two Shadows

Hoaxed

Two Shadows

12inchRR75151
Relapse Records
28.10.2022

HOAXED unveil their captivating and catchy debut full-length, Two Shadows! Comprised of vocalist/guitarist Kat Keo and drummer Kim Coffel, HOAXED's superlative blend of styles—heavy melodic rock with captivating hooks, gothic undertones, undeniable metal, and tinges of americana - pave the way for a singular expression that’s entirely their own. Two Shadows is as unique as it is memorable and catchy. The record thrusts, retreats, and beguiles across its melody-powered and hook-driven expanse, with earworms “The Call,” “Guilty Ones,” and “The Knowing” serving as the album’s crucial lighthouses. Formed in Portland, Oregon, in 2020, HOAXED's initial songwriting plan casts a wide net. The breach opened up considerably as Coffel and Keo explored the outer edges of their musical influences and artistic aspirations. After fruitful songwriting sessions, the twosome self-released their eponymous four- song EP in February 2021. Signaled by the whirring, diaphanous spell of video single "Candle Master", HOAXED caught the attention of Relapse Records, who signed the outfit in 2021. As a live act, the pair has already hit the ground running, rocking the stage with Unto Others, Blackwater Holylight, and Amorphis, and hailed as an “absolute riot on stage.” (Metal Insider) Shortform: HOAXED unveil their captivating and catchy debut full-length, Two Shadows! Comprised of vocalist/guitarist Kat Keo and drummer Kim Coffel, HOAXED’s superlative blend of styles— heavy melodic rock with captivating hooks, gothic undertones, undeniable metal, and tinges of americana —paves the way for a singular expression that’s entirely their own. FFO: (Early) Ghost, Black Sabbath, Tribulation, My Dying Bride, Unto Others, Blood Ceremony, Katatonia

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22,65
Soreption - Jord

Soreption

Jord

12inchULR338LP
Unique Leader Records
28.10.2022

Formed in 2005 in Sundsvall, Sweden, Technical Metal Masters SOREPTION are known for their razor-sharp technical riffs, schizophrenic time signatures topped with catchy chugging grooves and intense vocals. From this they have created their signature sound, not yet replicated by any other modern band, with a strong following to back. The band’s debut full-length Deterioration Of Minds brought major attention to the band as a formidable force in the genre. Deterioration Of Minds was released by Ninetone Records in 2010 and was rereleased by Unique Leader Records in 2014, and their follow-up punishing album “Engineering the Void” was released February 2014 also on Unique Leader Records to critical acclaim. 2015 saw SOREPTION take their technical prowess to the masses, with tours supporting extreme metal machine Cryptopsy, tech-death masters Origin, and the legendary death metal giant Cannibal Corpse. Following the on-road success, the industry and fans sat up and took notice, resulting in the band signing with Sumerian Records in 2018 releasing their next full-length “Monument of the End in the late summer of that same year. The album highlighted the growth of the outfit and continued razor-sharp precision that SOREPTION has become known for. Prior to the release of “Monument of the End” the band earned a spot on the 2018 edition of The Summer Slaughter Tour and followed it up with a support slot for Revocation on “The Outer Ones Global Invasion Part II” European Tour, solidifying them again as a live force to be reckoned with. When the world was shuttered from a worldwide pandemic, SOREPTION saw this as an opportunity to shift gears, refocus their tech machine and set out to create an album that is the natural continuation of ‘Monument of the End’, both musically and concept-wise. 2022 sees the return of SOREPTION to Unique Leader Records with the highly anticipated new album “Jord”, mixed and mastered by Buster Odeholm and featuring artwork by Caelan Stokkerman who handled artistic duties on their previous releases.

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21,81
The Gloom In The Corner - Trinity LP 2x12"

As three souls plunge down from the heavens, death and destruction can be felt hanging in the air like a foul stench. Red clouds swirl around a black sun that never sets and an erratic clock ticks off-tempo, moving faster and slower before rewinding and starting anew.

“Let me paint you a picture…” vocalist Mikey Arthur sings, welcoming listeners with a dramatic opening scene. It takes a skillful guide to navigate the darkest depths of hell. And, as The Gloom In The Corner depict in their second full-length album Trinity, death is merely the beginning of the series of chilling adventures

Purposefully aligning their song count with unlucky number thirteen – a reoccurring symbol in the ever-unfolding Gloom Cinematic Universe or GCU – it comes as little surprise to longtime fans that each of the Australian quartet’s enticing tracks intertwine to form an interlocking tale; this time centered around the appropriately labeled unholy trinity.

Comprised of previously deceased characters Rachel Barker, Ethan Hardy, and Clara Carne, the group’s bloody battle is woven throughout the album as the anti-heroes determinedly claw their way back to Earth from the Rabbit Hole dimension, slashing, shooting, and extinguishing anyone who dares to oppose their quest. Yet, for the Girl of Glass, Ronin, and Queen of Misanthropy, there is clearly more to the story than what can be contained within a single package.

Projecting a wide and complex web of lore, plot twists, and tongue and cheek humor, frontman Mikey Arthur, guitarist Matt Stevens, bassist Paul Musolino, and drummer Nic Haberle, have been producing highly detailed concept releases since their formation. And, consistently filling in more missing pieces of the puzzle with every body of work, the band equate each new record to a fresh season of The Umbrella Academy dropping on the streaming service of your choice. Because, just as a great TV series captivates viewers with its music and storytelling, the quartet’s work provides a complete experience designed to allow fans to check in with their favorite characters, all the while enjoying a cinematic new soundtrack.

For those just joining the GCU, as well as those looking for a quick refresh, 2016 debut album Fear Me introduced listeners to main protagonists Julian “Jay” Hardy, a Section 13 agent consumed by anger over his girlfriend Rachel’s death, and Jay’s gloom (later known as Sherlock Adaliah Bones), a demonic entity who at times takes over Jay’s body as a host vessel. 2017 EP Homecoming tells the tale of Jay’s brother Ethan, a war veteran suffering from PTSD, who upon discovering his brother’s struggle, kills himself as part of a Dante-style rescue mission to bring Rachel back to life. In 2019 EP Flesh and Bones, we’re introduced to Clara Carne, a past witness to one of Jay and Sherlock’s crimes, who instead of taking revenge, began a twisted love story with Sherlock, only to be murdered by his forced hand. And 2020’s Ultima Pluvia EP where we finally learn of Sherlock’s past as an ancient warlord under the tyrannical King Baphicho, and see Sherlock and Jay’s deaths ushered in by Section 13 opponent and New Order leader Elias DeGraver and his gloom Atticus Encey.

After 2016’s Fear Me, the band admit that their original intention was to jump straight into the events of Trinity before pivoting to create Homecoming, Flesh and Bones, and Ultima Pluvia. However, upon reflection, primary storywriter Mikey Arthur believes that pushing the timeline back actually provided greater opportunity for the group to properly flesh out the songs and plotlines for their sophomore studio record.

Indeed, while Trinity re-introduces the three central “heroes” of this new arc, it’s important to understand that while familiar, the characters are not carbon copies of who they were earlier in the story. And neither is the band who brought them to life.

Fully embracing the weird and whacky has never been a struggle for The Gloom In The Corner. Rather, it’s together with this attitude that the group come away with special moments such as the fascinating old and new dynamic between neighboring tracks “Red Clouds” – a song whose initial version predates the formation of The Gloom In The Corner as an official band – and “Gravity” in which a demo intended for future material was adjusted to fit the sonic drop.

Mirroring this evolution in the band’s musical approach, a sense of growth can also be seen projected in the characters and story that the quartet chronicle across the thirteen tracks.

Classifying their individual sound as an intricate form of “cinema or theater-core” due to the depth and breadth of their musical approach, features, samples, symphonic elements, and conceptual nature, The Gloom In The Corner continue to prove that they’re more than just a simple concept band.

In fact, similar to character theme music in movies and video games, the group seamlessly play off their diverse sonic story in a variety of ways. Continuing to breathe new life into older staples from their catalog, the quartet reworked their infamous “Oxymøron” breakdown from Fear Me into an impactful moment in Trinity’s “Nor Hell A Fury” and sprinkled audio easter eggs of this sort all throughout their new music for fans to discover.

Listeners are also brought further into the world of the GCU with the help of what The Gloom In The Corner call their “casting process.” Like picking actors for a musical, the band meticulously selected eleven different vocal features and several additional voice actors to bring the album and characters to life. Described as a 50/50 split between notable talents such as Ryo Kinoshita (Crystal Lake), Joe Badolato (Fit For An Autopsy), and Lauren Babic (Red Handed Denial), as well as talented friends and family like Elijah Witt (Cane Hill) and Mikey’s sister Amelia Duffield, each featured artist brought their own touch and realistic spark to the characters they portrayed.

For in the end, as much as Trinity and it’s cast live within the confines of their own supernatural worlds, themes such as falling out of love (Gatekeeper), battling depression (Obliteration Imminent), and standing behind women’s empowerment (Nor Hell A Fury), are ones that many can relate to or understand. And, while most individuals may avoid drowning their woes by way of transforming into full-on egotistical murderers like the Queen and King of Misanthropy and the gang, The Gloom In The Corner have illustrated that time and time again, life’s a little more fun when you can crack a smile. Taking a page from the trinity’s playbook: try to avoid the end of the world. But if you can’t…at least spend it with a killer soundtrack.

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53,36
Eji Oyewole - Charity Begins At Home (Edits)

Repressed !

We are proud to present a set of edits of this long-lost classic from the golden age of African music, from a figure who is still beginning to get his props internationally, Eji Oyewole.

Born to a royal lineage in Ibadan, Prince Eji Oyewole has had a career as a flautist, saxophonist and sometime bandleader spanning well over half a century. He trained both in Nigeria and then at Trinity the prestigious music school in London, and his life as an itinerant musician also saw him living for extensive periods in Geneva, Hamburg and in Lyon.

While for many years Fela Kuti (with whom Eji played) and King Sunny Adé commanded international attention to the exclusion of most other Nigerian musicians, as if there was only room for one Nigerian superstar at a time on the world stage, on the domestic scene things were very different. Eji was part of the huge craze for ‘highlife’, a generic term that in fact subsumed many different styles, united in their fusion of traditional west African forms with jazz influences and electric instruments, and in the bands’ working practices as entertainers at the nation’s numerous hotel / nightclubs. As this cracking album, recorded for EMI Nigeria at the tail end of the ‘70s and now remastered, reveals, Eji’s version of highlife was even more distinctive than most, eschewing the usual emphasis on guitars for a brasher, horn- laden sound, seemingly influenced as much by American funk as it was jazz, and of course with the heavy percussive undertow central to most African music.

This gave Eji a chance to shine, and there are some scorching solos as well as tight ensemble playing across the four lengthy (to ears accustomed to the three-minute pop song) songs. Eji also played piano on the session. The material has an element of social commentary (Oil Boom and Unity In Africa) and should help feed the seemingly insatiable appetites of the many who have been turned onto African music by the enterprising efforts of devoted collectors, labels and fellow fans.

Surely one of the few musicians who has played with Fela, Miles Davis and Bob Marley, Eji Oyewole still plays regularly in Lagos, recently had an album of new material out with his current band The Afrobars, and has been a member of Faaji Agba, a super-group that has toured internationally and been dubbed ‘the Nigerian Buena-Vista Social Club’.

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31,89

Последний логин: 10 г. назад
Tone Scientist - Basic Moves 16 2x12"

Far over on the west coast of the USA we find a room full of drum
machines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.
An avid student of jazz fusion, hip hop, house, techno and others, he
was galvanised to build his own studio after hearing jungle and drum & bass on a trip to London in 1995. His musical course thus intersected with the collectives then pushing new dancefloor sonics rooted in the rich tradition of Black music – like Nuyorican Soul over on the east coast, and the new broken beats of IG Culture, Dego and Bugz In The Attic in London. Then, in the early 2000s, Iz put out a handful of EPs under different aliases, including ‘Lion Dub’ on the Guidance sublabel Subtitled, but soon stepped back from the public stage. That’s not to say he stopped making or playing music, though. Far from it. Fast forward two decades and our very own Walrus, chilly but happy in the depths of a Toronto winter, happened across ‘Lion Dub’ in the legendary Play The Record store. Intrigued, he tracked Iz down and discovered he had been active all this time. A short email exchange later and this 2xLP of archive material was born.

These six tracks explain fully why Iz calls his studio the ‘Time Machine’: vintage equipment and instruments converse with up-to-date software; classic sounds and textures twist into fresh configurations; and Iz’s own creativity and musicality sings to us from a location beyond the trappings of time or genre.

All music written, produced and mixed by Israel Gravning aka Tone
Scientist in Seattle/Washington between 2005 - 2008 except for “Things

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20,04

Последний логин: 3 г. назад
Keiji Haino / Jim O'Rourke / Oren Ambarchi - Caught in the dilemma of being made to choose” This makes the modesty which should never been closed

The renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan Buddhism.

The remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.

After an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar/bass/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together. 2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.

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28,53
Freddie Gibbs & Madlib - Pinata: The 1984 Version LP

Repressed on Neon Pink and Black Vinyl ! This single LP edition of Piñata has been lacquered at half speed master by Metropolis Mastering in London for the highest fidelity and is housed in an 80s themed cover variant exclusively for Record Store Day 2021. Piñata, the acclaimed effort from Freddie Gibbs and Madlib is a perennial best seller. For RSD 2021 Gibbs and Madlib replace Crockett and Tubbs for a follow up to the blaxploitation inspired “Pinata: The 1974 Version”, with the 80s fueled “Pinata: The 1984 Version.” Though we promise, no mullets or ugly Ferraris.

Released in 2014. Continues to be a best seller. Never issued with this varriant cover.

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35,25
VARIOUS - INTACT AND SMILING - THE WEIRD & WONDERFUL WORLD OF TAP LP (2x12")

20 years of Tapete Records - Our first release, if memory serves, was in 2002. Damn, time flies so fast when you"re having fun. The world has changed a lot in the last 20 years but one detail has remained the same: We"re still putting out great music. That"s a bit reassuring, isn"t it? So we thought in our Tapete Building at Stahltwiete 10 in Hamburg-Altona: Let"s look back and start a series of good, old-fashioned, fantastic label compilations in the style of "Shadow Facory", "Tamla Motown Is Hot! Hot! Hot!" or "Wanna Buy A Bridge?"...something like that. And so here is "Intact & Smiling - The Weird & Wonderful World Of Tapete Records Vol.1". It wasn"t that easy to choose 28 out of about 5000 released songs, but what"s easy? Therefore a series. "Intact & Smiling Vol. 1" concentrates on the poppy side of Tapete Records, the basic tone is upbeat and uplifting. Can"t hurt these days. The title comes from the John Howard & The Night Mail song which says: "Intact and smiling, an independent soul, nobody"s slave". What could be more fitting? We would like to thank all the great artists who have released music with us over the last two decades, especially the bands and artists who have so kindly and unbureaucratically made available their great songs for this compilation. And of course a big thank you to you who listen to, buy and stream (well, yes) Tapete Records albums and songs. So close your eyes, open your ears, open your hearts, open up a bottle and step into The Weird & Wonderful World Of Tapete Records Vol. 1.

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27,69
Aoife Nessa Frances - Land Of No Junction

On the eponymously titled final song of her debut album Land of No Junction, Irish songwriter Aoife Nessa Frances (pronounced Ee-fa) sings “Take me to the land of no junction/Before it fades away/Where the roads can never cross/But go their own way.” It is this search that lies at the heart of the album, recalling journeys towards an ever shifting centre - a centre that cannot hold - where maps are constantly being rewritten.

The evocative phrase is the result of a fortuitous misunderstanding. Reminiscing about childhood visits to Wales, Aoife’s musical collaborator and co-producer Cian Nugent, mentioned a train station called Llandudno Junction, which she misheard. “Land of No Junction later became a place in itself. A liminal space - a dark vast landscape to visit in dreams… A place of waiting where I could sit with uncertainty and accept it. Rejecting the distinct and welcoming the uncertain and the unknown.” Reveals Frances.

The songs traverse and inhabit this indeterminate landscape: the beginnings of love, moments of loss, discovery, fragility and strength, all intermingle and interact. Land of No Junction is shot through with a sense of mystery - an ambiguity and disorientation that illuminates with smokey luminescence. Yet, through the haze, everything comes down to what, where and who you are. Frances has built a universe full of intimacy and depth, with lyrics written through a process of free thought writing. It lends the record fluidity, each song in dialogue with the next not only through language, but the way each musical choice complements or threads into another.

Navigated by the richness of Aoife’s voice, along with the layers gently built through her collaborators’ instruments (strings, drums, guitars, keys, percussion), gives a feeling of filling up space into every corner and crack. A remarkable coherent sonic world: buoyant and aqueous, with dark undercurrents. The crossroads as a place where someone can be stuck, static in the face of the future, becomes instead an amorphous realm, where the remnants of the past and what is unknown meld together and come to an understanding. Where nostalgia and newness ebb and flow in equal measure.

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15,50
Jase - Zure01

Jase

Zure01

12inchZURE01
Zurescen Records
28.10.2022

Vinyl only

Zurescen Records... A new UK based label with a focus on purely vinyl and bringing some high quality releases. To start things off Jase delivers Zure01 which consists of 2 full sides of stripped back minimal tools. On the A side 'The Shapers', a straight up dreamy journey with a tight bass and shuffling hats with plenty of energy for the dancefloor. B side 'Ectopic' is a serious tool to drop anytime, with its cheeky bass, mad modulations and twisted vocals. A record worth bagging!!

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11,72

Последний логин: 3 г. назад
VARIOUS - ARTE JAZZ LP 2x12"
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20,97

Последний логин: 3 г. назад
Communards - Red (35th Anniversary Edition)

The Communards’ sophomore album ‘Red’ consolidated the genius of the musical partnership between Bronski Beat singer Jimmy Somerville and pianist Richard Coles. Fusing synths and hi-NRG production with lush string and horn arrangements, The Communards straddled pop and the political, the album’s themes set against the political unrest and moral panic of late 80s Britain. A global smash upon its release, this remastered and expanded 35Th Anniversary Edition features an extensive array of B-sides, live tracks, demo versions and remixes, including classic mixes by legendary 80s club doyens Shep Pettibone, Clivilles & Cole (better known as C&C Music Factory) and a euphoric new 2022 remix of ‘Never Can Say Goodbye’ by UK outfit The 2 Bears (Hot Chip’s Joe Goddard and DJ Raf Rundell). Available on Deluxe Double CD , Collector White & Red Double Vinyl , Black Vinyl. All editions remastered , with new sleeve notes.

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24,16
Obsidious - Iconic LP

Obsidious

Iconic LP

12inchSOM 657LP
Season Of Mist
28.10.2022
также имеющийся в продаже

Cool Blue Vinyl[34,83 €]


OBISIOUS sind mit ihrem Debütalbum "Iconic" führend in der modernen Evolution des progressiven und technischen Metals. Die Band, bestehend aus Linus Klausenitzer (Bass), Rafael Trujillo (Gitarre), Sebastian Lanser (Schlagzeug) und Sänger Javi Perera (Gesang), hat ihre Wurzeln in Obscura, Alkaloid, Eternity's End und Juggernaut. Obsidious sind jedoch eine ganz andere Kreatur. Iconic ist technisch, aber nicht aufdringlich. Das Album atmet Intensität, baut sie aber mit sanftem Geschick weiter aus. Bei Obsidious gibt es immer eine Hook. Iconic baut auf einem prestigeträchtigen Fundament auf, aber seine Vision ist nicht auf seine Grundsätze beschränkt.
RIYLs: OBSCURA, ALKALOID, OPHIDIAN I, ORIGIN

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32,14
Obsidious - Iconic LP

Obsidious

Iconic LP

12inchSOM657LPCM
Season Of Mist
28.10.2022
также имеющийся в продаже

Black Vinyl[32,14 €]


OBISIOUS sind mit ihrem Debütalbum "Iconic" führend in der modernen Evolution des progressiven und technischen Metals. Die Band, bestehend aus Linus Klausenitzer (Bass), Rafael Trujillo (Gitarre), Sebastian Lanser (Schlagzeug) und Sänger Javi Perera (Gesang), hat ihre Wurzeln in Obscura, Alkaloid, Eternity's End und Juggernaut. Obsidious sind jedoch eine ganz andere Kreatur. Iconic ist technisch, aber nicht aufdringlich. Das Album atmet Intensität, baut sie aber mit sanftem Geschick weiter aus. Bei Obsidious gibt es immer eine Hook. Iconic baut auf einem prestigeträchtigen Fundament auf, aber seine Vision ist nicht auf seine Grundsätze beschränkt.
RIYLs: OBSCURA, ALKALOID, OPHIDIAN I, ORIGIN

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34,83
Jasmine Myra - Horizons LP

Jasmine Myra

Horizons LP

12inchGONDLP052BLK
Gondwana Records
28.10.2022

Gondwana Records announces Horizons the debut album from Jasmine Myra, produced by Matthew Halsall, it's an elevating debut record of understated beauty

Jasmine Myra is a Leeds-based saxophonist, composer and band leader Her original instrumental music has a euphoric and uplifting sound, influenced by artists as diverse as Kenny Wheeler, Bonobo and Olafur Arnalds and like Mammal Hands and Hania Rani her music has a special, emotive quality that draws the listener into her world. Matthew Halsall first heard Myra's music in 2019 shortly before the pandemic hit, signing her to Gondwana Records and producing her beautiful debut album, Horizons.

"I was immediately drawn to Jasmine's music. I could hear jazz, electronica in her music but with a deep, honest, emotional quality. I was really impressed with her skills as a composer and bandleader, that she is open and intelligent enough to bring all those influences together, to make something fresh and original. We were also delighted to work with a young artist from the North of England. London is often seen as the place to be, but cities like Manchester and Leeds are full of creative musicians too, and that sense of local community is at the heart of our values as a label."

Myra came-up through the bustling, creative Leeds music scene and her music draws on the sense of community that permeates life in the city and which is notable for a strong DIY ethos in its musical community. She attended Leeds Conservatoire and played with the Leeds based Abstract Orchestra, a jazz big-band, led by tutor Rob Mitchell that explores the synergy between jazz and hip-hop found in the recordings of Madlib, MF Doom of J Dilla. Indeed, Myra cites MF Doom and Soweto Kinch as early influences on her own music. It was in her last year at the conservatoire that Myra started to consider leading her own group and started to really think about what her own music might sound like and her first band featured guitarist Ben Haskins and drummer George Hall who both feature on Horizons and her band draws heavily on the Leeds community featuring rising stars such as pianist Jasper Green and harpist Alice Roberts.

Myra also mentions local legend, Dave Walker, who owns an instrument repair shop called 'All Brass and Woodwind' which is right next to the music college. She worked there while studying and he introduced her to a lot of local musicians. Walker also has his own line of saxophones (played by Shabaka Hutchins, Pete Wareham and Nubya Garcia), and gifted Myra the saxophone she plays on Horizons. It was Walker who encouraged Myra to apply for Jazz North Introduces, a scheme that supports emerging jazz artists in the North of England and Myra credits her winning a place, in 2018,with helping her grow in confidence.

" It gave me the opportunity to start gigging outside of Leeds, which I was very keen to do. I was quite surprised by people's reaction to the project and the support I was being shown, which helped me gain a lot of confidence. It became clear to me very quickly that being a solo artist was what I wanted to do and it was also apparent to me that mine was one of the only female-led instrumental bands on the Leeds scene, which encouraged me even more, as I wanted my project to inspire younger female musicians".

Horizons was produced by Matthew Halsall and mixed by Portico Quartet collaborator Greg Freeman, and much of the music was written during lockdown. It was a hard time for a lot of people, and initially Myra struggled mentally, deprived of shows and the connections of making music with her band and friends, but she also realised what she wanted as an artist and the result is heard on Horizons.

"I realised that my aim was to start writing music that made people feel happy and uplifted. Writing is one of my biggest passions, but I also love performing. Playing live and seeing the audience connect with my music and have a positive experience brings me so much joy".

This sense of elevation is at the heart of Horizons, together with the feeling of a journey, of reaching new ground. Prologue and Horizons were originally composed as one piece as they encapsulate Myra's own personal development as she worked on the album - taking the listener on a journey, especially Prologue; and then Horizons is that moment of release when you've reached the end goal. 1000 Miles takes inspiration from the music of Shabaka and the Ancestors. Whereas Words Left Unspoken was written after Myra's grandmother unexpectedly passed away in June, and due to Covid restrictions she was unable to visit her before she passed and say how much she loved her. Morningtide is a nod to Kenny Wheeler, particularly the track Opening from Sweet Time Suite on Music for Large and Small Ensembles but Myra also puts her own spin on it as she also does with Promise, another track influenced by Wheeler. Awakening has a calm and euphoric quality and represents that sense of problems lifting, or of reaching the other side, and New Beginnings finishes the album with a positive vibe and a sense of moving forward from darkness

This then is Horizons. A soulful, emotional and up-lifting debut from a major new voice. A snapshot of a young artist at the beginning of her journey - drawing on jazz and electronica influences to create something fresh and new. But also a celebration of her home town Leeds, and a record built on a sense of support and community before looking out to wider Horizons.

Jamie Cullum on BBC Radio 2 "...That's Jasmine Myra and 'New Beginnings', wonderful to hear new music from a new artists i've not heard before, a great new artist!"

Tom Ravenscroft on BBC 6 Music "Leeds-based saxophonist, composer and band leader Jasmine Myra. 'New Beginnings' on Gondwana Records. Compositions drawing influence by Kenny Wheeler, Bonobo, Ólafur Arnalds. Produced by Matthew Halsall"

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27,52

Последний логин: 3 г. назад
Chrissy - Dreams EP

Chrissy

Dreams EP

12inchSNFKC015
Shall Not Fade
28.10.2022

Party-starter Chrissy joins the Shall Not Fade family with a 4-track serotonin hit which draws on influences from his San Franciscan heritage, as well as those closer to home in the UK.

'You Don't Have To Worry' encompasses this fusion, with anthemic piano chords and uplifting vocals that enliven a swung breaks instrumental. 'Assure Us There's A Heaven' and 'If I Could' also come with plenty of swing, borrowing tropes from UK Funky to show house at its most danceable, whilst 'All These Dreams' is a modern take on old school vocal house.

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10,88

Последний логин: 3 г. назад
DRS - Del-Rok-Ski LP (2x12")

Drs

Del-Rok-Ski LP (2x12")

2x12inchSHA225
Shogun Audio
28.10.2022

The purest reflection of DRS as a musician to date, his self-titled 'Del-Rok-Ski' album sees one of the most heavyweight lyricists in the game delve deep into the intricacies of himself to deliver an honest, inward, and characteristically beautiful work of art. His fifth album in the space of three transformative years, the Manchester-based artist has found a home for his latest album on Shogun Audio, traversing an eclectic and beguiling selection of sonic soundscapes across twelve of the purest tracks that you'll hear this year.

Whilst incorporating the powerful messaging and undeniable lyrical expertise that DRS has demonstrated for over a decade, 'Del-Rok-Ski' offers something that none of the previous albums has been able to. Marking two years sober, this latest offering investigates previously unexplored territories for DRS. "I feel like music has never been me", says the vocalist, who truly feels that this album, which evolves from moods of darkness and loss to those of lightness and hope, is an unadulterated reflection of himself to its core.

Teaming up with a selection of hugely talented collaborators, including the likes of Calibre, LSB, Dub Phizix, Duskee, Disrupta, Monrroe, and many more, 'Del-Rok-Ski' sees DRS serve up a heartfelt, intimate, and personal lyrical journey that is arguably his best work to date.

Through the heartwrenching, high-energy feels of 'Can't Explain (Faded) ft. Document One', summer anthems such as 'Waiting To Go ft. Disrupta & Duskee' and 'Heavens Not Cheap ft. Drumantle', certified dancefloor destroyers like 'Comme Ci' and 'They Ain't Listening', which are both produced by T95, and many other gems embedded in this album, DRS further cements his reputation as one of the most unique, talented, and iconic lyricists to ever grace the drum and bass scene.

"I feel like I've never been so cleared-headed during my whole career of making music. 'Del-Rok-Ski' is me.
DRS

To celebrate the forthcoming release of 'Del-Rok-Ski', DRS is now embarking on 'The Man Who Fell To Earth Tour', which sees him tour the U.K and work with 8 Gold Rings, Dom Lawson, and Dogger to curate a deeply personal Live Show that'll see appearances from numerous special guests up and down the country.

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20,13

Последний логин: 3 мес. назад
Restless Spirit - Blood of the Old Gods LP

RESTLESS SPIRITs zweites Album, "Blood of the Old Gods", wurde vom bekannten US-Metal-Blog Invisible Oranges als "eine turboaufgeladene, allumfassende Extrapolation von Sabbath-Doom mit einem fiesen Charakter und einem absoluten Monopol auf rechtschaffene Riffs in allen Tempi, Formen und Größen" gelobt. Das US-Trio wagte auf diesem Album das Experiment, eine zusammenhängende Erzählung über die 39 Minuten alles zertrümmernde Schwere zu legen. Mit dem passenden Artwork des berühmten Pulp-Malers Frank Frazetta verwebt "Blood of the Old Gods" erhabene Klanglandschaften und eindringliche Momente zu einem bleibenden Eindruck. RESTLESS SPIRIT wurden erst im Jahr 2018 gegründet, doch das Trio aus Long Island, New York hat bereits zwei Alben und vier EPs auf dem Buckel. Obwohl sie Einflüsse von BLACK SABBATH über TYPE O NEGATIVE bis hin zu THE SWORD nennen, bahnte sich die Band ihren eigenen Weg durch den Untergrund der US Metal Szene. Mit wüsten Riffs, die sich in den Ohren wurmen, fühlen sich RESTLESS SPIRIT sowohl im Stoner Metal, aber auch in Doom und Sludge wohl. Dabei tauscht das Trio die strenge Gitarren-Fuzz-Diät gegen einen sehr abwechslungsreichen, melodischen Ansatz ein. Die Band konnte mit "Blood of the Old Gods" mittlerweile mehrmals auf Tour gehen und wird im Winter 2022/23 erneut auf den Bühnen stehen. RESTLESS SPIRIT arbeiten derzeit bereits hart an ihrem dritten Album, das im Jahr 2023 weltweit über Magnetic Eye Records erscheinen soll.

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33,15
Leo Anibaldi - Classics

Leo Anibaldi

Classics

12inchVARGMAL001
Vargmal Records
28.10.2022

Vargmal Records is an independent record label and multidisciplinary platform founded by Gent Gjonbalaj. Operating from Prishtina, Kosovo, the imprint publishes hypnotic compositions of various forms, exploring the realms of electronic music and beyond. The label's debut release marks the birth of an initiative started several years ago, reflecting on a process of growth, research and refinement.

Conceived as a foundation record, the 'Classics' EP demonstrates Vargmal's concept and overall spirit. The Italian pioneer Leo Anibaldi inaugurates the label featuring two cuts on the A-side, originally produced in the early 1990s--'Muta 5' and an as yet unheard version of 'Endurance 4'--replete with Anibaldi's signature sound programming and high-octane output. On the flip, the torch is passed to another Italian master, Donato Dozzy, who takes them to another level with his peculiar and precise remix treatment. Where Anibaldi paves the way for a possible future, Dozzy applies a modern touch to the same fundamental approach--a balancing act that shows a spectrum within the conceptual framework from two different points in the continuum, transcending any individual style or place in time.

Selected by their ability to extract the full potentiality of the sound, the tracks on this release reflect a minimalist approach that is inherently resourceful and discerning, whilst maximizing effect and impact. The efficiency of the sound can be heard in the stripped-back elements, practical arrangement and execution of the creative idea. 'Muta 5' opens the EP, a throbbing mass of pressure cooker action, continuously building tension with rippling percussion lines and syncopated beats. Ahead of its time in 1993, 'Muta 5' has a raw, driving energy and commanding authority. Dozzy reworks it into a tighter, linear forma--whilst retaining the angst of the original, he applies new synth motifs and notches the speed down for extra poise. 'Endurance 4' (Version II) is a tribal workout with hallmarks of the classic Italian deep techno sound. With arching drones, chugging rhythms and dramatic narratives, 'Endurance 4' presents an idiosyncratic style and emotive character which later became the model for this sound. Dozzy's hypnotic faculty shines through on the remix, a polished re-run that elaborates on the ominous melodic theme, and lifts the sound majestically to a gliding altitude--marking the end of this record and the beginning of Vargmal's journey.

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11,30

Последний логин: 23 мес. назад
Leo Anibaldi - Classics

Leo Anibaldi

Classics

12inchVARGMAL001LTD
Vargmal Records
28.10.2022

crystal clear vinyl / limited

Vargmal Records is an independent record label and multidisciplinary platform founded by Gent Gjonbalaj. Operating from Prishtina, Kosovo, the imprint publishes hypnotic compositions of various forms, exploring the realms of electronic music and beyond. The label's debut release marks the birth of an initiative started several years ago, reflecting on a process of growth, research and refinement.

Conceived as a foundation record, the 'Classics' EP demonstrates Vargmal's concept and overall spirit. The Italian pioneer Leo Anibaldi inaugurates the label featuring two cuts on the A-side, originally produced in the early 1990s--'Muta 5' and an as yet unheard version of 'Endurance 4'--replete with Anibaldi's signature sound programming and high-octane output. On the flip, the torch is passed to another Italian master, Donato Dozzy, who takes them to another level with his peculiar and precise remix treatment. Where Anibaldi paves the way for a possible future, Dozzy applies a modern touch to the same fundamental approach--a balancing act that shows a spectrum within the conceptual framework from two different points in the continuum, transcending any individual style or place in time.

Selected by their ability to extract the full potentiality of the sound, the tracks on this release reflect a minimalist approach that is inherently resourceful and discerning, whilst maximizing effect and impact. The efficiency of the sound can be heard in the stripped-back elements, practical arrangement and execution of the creative idea. 'Muta 5' opens the EP, a throbbing mass of pressure cooker action, continuously building tension with rippling percussion lines and syncopated beats. Ahead of its time in 1993, 'Muta 5' has a raw, driving energy and commanding authority. Dozzy reworks it into a tighter, linear forma--whilst retaining the angst of the original, he applies new synth motifs and notches the speed down for extra poise. 'Endurance 4' (Version II) is a tribal workout with hallmarks of the classic Italian deep techno sound. With arching drones, chugging rhythms and dramatic narratives, 'Endurance 4' presents an idiosyncratic style and emotive character which later became the model for this sound. Dozzy's hypnotic faculty shines through on the remix, a polished re-run that elaborates on the ominous melodic theme, and lifts the sound majestically to a gliding altitude--marking the end of this record and the beginning of Vargmal's journey.

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12,40

Последний логин: 6 мес. назад
PANTHERA - SYNTHESIZER HITS EP
 
4
также имеющийся в продаже

volume 2[13,03 €]


Panthera is a mysterious figure, and that’s how they plan to keep it. Arriving at the Bordello in a veil of secrecy, the four tracks of Synthesizer Hits do the talking for this unknown artist; and you better believe this music has something to say. The gloriously uplifting “Eurodrink” opens. Beaming bars border on pure elation and sullen sorrow, a tight drum keeping time in this space opera soundtrack. That same line of joy and sadness is maintained in the considered and reflective “20000” with its distant words and epic synthwork. “Bra” melts the pulsating energy of disco with complex percussions while a future vision melody descends. The close comes in the form of “Il Vizietto.” A daring work of astral electronics that takes its cue from the masters of silver screen and beyond. A stunning debut from an artist who music lovers will want to know.

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12,14

Последний логин: 23 мес. назад
ASC - A Storm In Space

Asc

A Storm In Space

12inchSPTL004
Spatial
28.10.2022

blue marbled vinyl

Blissful atmospherics wash behind heavy amens on Spacewalk, tightly constructed old school style breaks thump along with subtle effects create a vibe that will take you to a world beyond ours.

A distinctive crisp unorthodox beat pattern opens Oceans and sets the tone for this beautiful composition of smooth pads and earthy bass-lines, a dreamy treat which builds the vibe as the track progresses.

Messages from Space opens with a mellow, eerie intro that washes in before the Spectrum breaks - heavy on the ride cymbals - take centre stage in this lunar-inspired composition.

Energetic rapid-fire break work punctuates Quiet Storm with drum funk vibes that sound immense at this BPM - playfully filtered, surrounded by delicate atmospherics and an understated vocal sample - a treat for the breaks fans.

Words by Chris Hayes (Spatial / Red Mist)

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12,40

Последний логин: 12 мес. назад
Massive Wagons - Triggered! LP

Massive Wagons

Triggered! LP

12inch1056676ECR
Edel Records
28.10.2022
также имеющийся в продаже

Black Vinyl[28,15 €]


Diese exklusive Vinyl-Farbe ist absichtlich gewählt, geht der Sound des neuen Albums doch weit mehr in Richtung komplexeren Hard Rock und 70’er Heavy Blues. Über die neuen Songs sagt ihr Sänger/Komponist und Bandgründer Barry Mills: “Es sind einige sehr wütende, leidenschaftliche Songs dabei. Ich denke, wir haben wirklich unser bisher bestes Album gemacht. Ich weiß, das ist ein Klischee, aber ich glaube, dass dieses Album für sich alleine steht, als ein einzigartig klingendes Wagons-Album.”

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28,99
Quadro Nuevo - December LP

Quadro Nuevo

December LP

12inch1043461GLY
Edel Records
28.10.2022

‘December‘ widmet sich der winterlichen Stimmung und der Sehnsucht nach Frieden. 13 Melodien religiösen oder spirituellen Ursprungs, die sich von schillernden Jazzharmonien nähren, von ungeraden, meditativen oder funkigen Rhythmen bis hin zu Klezmer-inspirierten Improvisationen.

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23,74
The Warriors/The Pogos - Split LP

Gegensätze ziehen sich im Leben ja bekanntlich an und sorgen für reichlich Abwechslung und Spannung genau so ist es auch hier. Auf der einen Seite die alten Haudegen ''The Warriors'' die in altbewährter Manier klassischen englischen 80`s Oi! abliefern.

Musikalisch geht es hier, geprägt durch Saxby´s rauhem Gesang auch ernster und genretypisch hauptsächlich im Mid-Tempo zur Sache. Als krassen Gegensatz dazu knallen dann auf der B-Seite ''The Pogos'' aus Philadelphia (U.S.A.) mit erfrischendem Punkrock & Punk`n`Roll Einlagen aus den Boxen. Hier geht es deutlich melodiöser und lebensfreudiger zu, Songs wie ''Fuck The Shit Up'', ''10 Beers In", ''We came to drink'' verbreiten gleich Party Feeling und laden zum mitsingen ein. Die Jungs brauchen sich hier auf keinen Fall verstecken und sind der eigentliche Geheimtipp auf dieser Split-LP. Wer sowohl auf klassischen Oi! und auf Punkrock steht kommt hier voll auf seine Kosten.

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19,12
Various - BOUND FOR HELL: ON THE SUNSET STRIP LP (2x12")

2xLP + Book (Black) Heavy metal? Glam? Hard rock? Make your own fuckin' call, you poser. We're not gonna do it for you. Bound for Hell is early `80s L.A. rock as it actually was: a California cataclysm of drunk and horny headbangers, dressed in sharp, shiny, leather androgyny and fire, kicking crowds in the teeth to clear the way to that one big shot. This 2LP set delivers 21 tracks by 21 artists in an ephemera-stuffed gatefold, plus 144-page hardbound book detailing the Sunset Strip's most razor-sharp heathens. Drumsticks burned. Hands were severed. Faces bled. Heavy was HELL for a half decade and it was a long, long way down.

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84,03
Various - BOUND FOR HELL: ON THE SUNSET STRIP LP (2x12")

2xLP + Book (Black) Heavy metal? Glam? Hard rock? Make your own fuckin' call, you poser. We're not gonna do it for you. Bound for Hell is early `80s L.A. rock as it actually was: a California cataclysm of drunk and horny headbangers, dressed in sharp, shiny, leather androgyny and fire, kicking crowds in the teeth to clear the way to that one big shot. This 2LP set delivers 21 tracks by 21 artists in an ephemera-stuffed gatefold, plus 144-page hardbound book detailing the Sunset Strip's most razor-sharp heathens. Drumsticks burned. Hands were severed. Faces bled. Heavy was HELL for a half decade and it was a long, long way down.

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88,24
TOM HOLKENBORG AKA JUNKIE XL - GODZILLA VS KONG (O.S.T.) LP (2x12")

- The complete score by Tom Holkonborg aka Junkie XL - 180g Double LP Multicolor Vinyl: Blue and Pink & Orange and Black - 12x12 Art Print - Heavyweight Gatefold Packaging with Matte Finish // Description: Waxwork Records is excited to present GODZILLA VS KONG Original Motion Picture Soundtrack by Tom Holkenborg aka Junkie XL (Army of the Dead, MAD MAX Fury Road)! Godzilla vs Kong marks the fourth in Legendary Pictures' titan universe. Godzilla & King Kong are back and they've led us to the center of our hollow Earth. In this movie, directed by Adam Wingard, tech mogul "Apex" and a band of conspiracy theorists, tech moguls, and scientists try to harness the power of the center of the earth to defeat a suddenly violent Godzilla and return King Kong to his original home. Junkie XL delivers a score that convinces you that this coalition of outcasts from across the world has to be correct. Huge orchestral arrangements perfectly match the intensity level of the multi-level coverup that hides the truth about the hollow earth theory. The composer complements awesome battles with sweet flashes of humanity from the two monsters, leaving hearts both racing and breaking for the creatures. Waxwork Records is thrilled to present the official double LP score with 180 gram "Godzilla" & "King Kong" colored vinyl, deluxe packaging, heavyweight gatefold jackets with matte coating, 12x12 art print, and more!

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67,23
M.O.P. - To The Death LP (2x12")

M.o.p.

To The Death LP (2x12")

2x12inchSELE8511LP
SELECT RECORDS
28.10.2022

The legendary Brownsville duo of Lil Fame and Billy Danze followed up their first group single "How About Some Hardcore" with their first full-length studio album, To The Death, in the Spring of 1994, and they haven’t let up the pressure since. While some solo offerings came earlier - most notably Fame’s appearance on The Hill That’s Real compilation- the classic aggressive energy the two emcees exhibit while trading rhymes back and forth is what street-rap fans have come to know and love from the group. If you are not into the that smash-ya-face-in style, then simply put, the Mash Out Posse is not for you. The album was produced entirely by DR Period, except for track "Guns N' Roses" (produced by Silver D), and it solidified what has become a successful 30 year career for M.O.P. Fame and Danze haven’t waivered from their grimy, crimey, high-energy boom bap style to this day, and the songs on this album established that fact early on. Tracks like "Rugged Neva Smoove", “Blue Steel”, “Guns N’ Roses”, and the robbery-story driven "Heistmasters" are early indicators of the ruckus they would later bring on anthems like “Stick To Ya Gunz” and “Ante Up”.

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38,61
Watain - Sworn to the Dark LP (2x12")

In einer Szene mit unzähligen Kopien und seelenlosen Versuchen, die Majestät des alten schwedischen Black/Death Metal-Erbes zu beschwören, stehen WATAIN allein und feierlich da. Sie schauen aus den Schatten, in echter, siegreicher Aufrichtigkeit. Die heiß ersehnte zweite Veröffentlichung "Casus Luciferi" dieser satanischen Schweden ist endlich wieder erhältlich!

Ursprünglich in einer sehr begrenzten Stückzahl exklusiv für den Underground veröffentlicht, haben die Originale große Summen bei Internet-Auktionen erzielt. Jetzt neu gemastert mit einem Bonustrack und komplett neuem Artwork, gehört diese Neuauflage in jeden gut sortierten Plattenschrank!

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39,03
ABRAXAS - MONTE CARLO LP

Abraxas

MONTE CARLO LP

12inchSSQLPC1201
Suicide Squeeze
28.10.2022

Hinter dem Psych-Soul-Duo ABRAXAS stecken die beiden Indie-Musiker Carolina Faruolo (früher LOS BITCHOS) und Danny Lee Blackwell (NIGHT BEATS). Gemeinsam veröffentlichen sie im Oktober ihr Debüt "Monte Carlo" beim US-Label Suicide Squeeze. Beide Musiker waren bereits seit Jahren miteinander befreundet und bewunderten gegenseitig ihre musikalischen Projekte, doch da Faruolo im Vereinigten Königreich und Blackwell in Texas lebt, waren ihre Interaktionen begrenzt. Bis zum Jahr 2020, ab da spielte geografische Nähe keine Rolle mehr. In dieser Zeit der Isolation und Ungewissheit erfanden Faruolo und Blackwell unter dem Projektnamen ABRAXAS ihre eigene private Flucht in die Welt der lateinamerikanischen Rhythmen. Die in Uruguay geborene Faruolo wuchs mit den tropischen Beats des Cumbia und dem psychedelischen Geschmack klassischer Chicha-Künstler auf. Blackwells Arbeit beinhaltet die Verschmelzung von Outlaw-Soul und R&B mit einem einfallsreichen DIY-Geist.

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22,48
Various - Legrand (re)imagined LP

Various

Legrand (re)imagined LP

12inch0028948575947
Decca Records
28.10.2022

2022 wäre Michel Legrand 90 Jahre alt geworden. Komponist, Dirigent, Pianist, Sänger, Regisseur:
Michel überwand die Grenzen zwischen Jazz, Symphonie, Singspiel und Popmusik. Als Musiklegende und
dreimaliger Oscar-Preisträger hinterließ Legrand ein produktives Werk mit Themen, die sich seit mehreren
Jahrzehnten im kollektiven Gedächtnis festgesetzt haben. Jetzt wird ihm von den weltbesten Komponisten
und Pianisten mit einer eleganten und zeitgenössischen Hommage für sein Lebenswerk gedankt.

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26,43
Hermann Prey, Fritz Wunderlich - Eine Weihnachtsmusik LP

Feiern Sie klassische Weihnachten mit der Deutschen Grammophon und dieser stilvollen Schallplatte, gepresst auf 180gr Vinyl bei Pallas. Die Vinyl erscheint im originalen Artwork. Aufgenommen im Sommer
1966 wurde dieses Weihnachtsalbum leider die letzte Studioaufnahme von Fritz Wunderlich, der im September 1966 viel zu früh verstorben ist.
Nach ihrer Veröffentlichung im November 1966 wurde diese Schallplatte ein Weihnachtsklassiker für viele
seiner Fans. Traditionelle Weihnachtslieder wie „Maria durch ein Dornwald ging“, „Es ist ein Ros‘ entsprungen“ oder „Still, Still, Still“ sind verknüpft mit geschmackvollen Werken von Albinoni oder Telemann. Zwischen den musikalischen Stücken liest Will Quadflieg die Weihnachtsgeschichte aus dem Lukas-Evangelium.

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22,90
Arild Andersen Quartet - Affirmation LP

Kontrabass-Doyen Arild Andersen nimmt seit mehr als fünfzig Jahren bei ECM auf und stellt sich gerne
neuen Herausforderungen. Die erste Aufnahme mit diesem jüngst formierten Quartett – zu dem auch
die aufstrebenden Norweger Marius Neset und Helge Lien (jeweils selbst Bandleader) gehören – ist fast
vollständig improvisiert. Die Musiker gehen dieses Wagnis gemeinsam ein und entwickeln Formen im
Moment: ein Lehrstück in spontaner Gruppenkreativität. Affirmation wurde im November 2021 im Osloer
Rainbow Studio aufgenommen.

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19,12
The beAthovens - Happy To Be Happy LP

1961 schenkte Rolf Zuckowskis Vater ihm eine Gitarre. Als Mitglied der Schulband „The beAthovens“ des
Albrecht-Thaer-Gymnasiums in Hamburg, das er besuchte, war Rolf Sänger und Gitarrist; dort sammelte er
1964 erste Erfahrungen in der Musik. Das einzige Album der Band, „Happy to be happy“, mit ersten von
Rolf geschriebenen Songs im damals typischen Beat-Sound, bedeutete 1967 den Anfang seiner Musikerkarriere. Anlässlich Rolf Zuckowskis diesjährigem 75. Geburtstag wird diese Rarität nach 55 Jahren erstmals
wieder auf Vinyl veröffentlicht! Titel wie das von Rolf ganz im Stile der frühen Beatles geschriebene und
gesungene ”Little Darling” oder das seinerzeit besonders beim weiblichen Publikum beliebte „Paradise“
sind eine tolle Entdeckung nicht nur für Oldie-Fans!

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29,37
Birthmark - Lamentations EP

Lamentations is the debut EP by foundational cold light member Birthmark.

Part late night confessional part post rave revelations part call to arms, Birthmark dissects the nuance of of modern life & the grey area in his inimitable style, never afraid to delve into topics that many brush under the carpet.

Sonically taking as many cues from from 90's british techno, dub, j-pop & david lynch soundtracks as the grimey raps he grew up on, he conjures a pallate that fully embraces the duality of living in a place where you never quite seem to fit in.

Honestly i cannot say enough good things about this record, the initial demo's were whaat pushed me to start Cold Light, it feels like it has always been a part of my life.

“… Its not up to others to decide what kind of human being you are, you have to find the confidence to show people - this is who I am”

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14,92

Последний логин: 3 г. назад
Fanta 4 - Unpluƽed II LP (3x12")

Fanta 4

Unpluƽed II LP (3x12")

3x12inch1084251RMP
Edel Records
28.10.2022

Es sah aus wie beim ersten Mal und doch war nichts wie damals: 10 Jahre ist es bereits her, seit sich Die Fantastischen
Vier mit ihrem MTV Unpluƽed 2 (der Unpluƽed-Erstling ist
sage und schreibe 22 Jahre alt) mühelos selbst getoppt und
in der Balver Höhle einen Rebound hingelegt haben, der sich
gewaschen hatte. Die Fortsetzung, die ohne Umwege auf die
#1 der Album-Charts schoss, beeindruckte Kritiker, Fans und
Presse mit enormer musikalischer Bandbreite und erstaunlicher Instrumentenvielfalt. 24 Musiker ergänzten die ohnehin
schon gut eingespielte Kern-Band der Fantastischen Vier.
Der Jump-Around-Smasher „Populär“ zum Beispiel wird zur
kubanischen Salsa, die Bandhymne „Was wollen wir noch
mehr“ eröffnet mit furiosem Flamenco-Solo und das gitarrenlastige „Ernten was wir säen“ ersteht als Classic-RockKammermusik-Fusion wieder auf. Beim 140bpm-Rap „Smudo
in Zukunft“ wird der bandeigene Gospelchor vom gesamten
Höhlenpublikum in Robe unterstützt und das bei den Fantas
ohnehin schon extensive Unterhaltungsspektrum auch wieder humorvoll und kompetent ausgebaut. Das Meisterwerk
feiert im Oktober diesen Jahres sein 10-jähriges Jubiläum. Zu
diesem Anlass wird das MTV Unpluƽed 2 in einer neuen,
spektakulären 3D Dolby Atmos Sound-Mischung exklusiv bei
Apple Music und auf Blu-ray erscheinen. Vinyl-Liebhaber
kommen mit dem Jubiläums-Box-Set auf maximalen Hörgenuss, denn außer der Deluxe Doppel-CD mit 28-seitigem
Booklet und Blu-ray mit Dolby Atmos enthält die Box auch
eine ganz besondere, unveröffentlichte, analoge AAA-Aufnahme: eben der Digital-Produktion wurde das MTV Unpluƽed 2 damals separat live auf zwei Studer 2-Zoll AnalogBandmaschinen komplett analog aufgenommen. Dieser analoge Schatz wurde nun knapp 10 Jahre später aus den Archiven gehoben und schließlich analog gemischt und analog
gemastert. So wurde die analoge Kette nicht unterbrochen
und die aufwändigen Orchester-Arrangements in wunderbar
analoger Aufnahmequalität auf Platte gepresst. Die Jubilä-
ums-Neuaufl age übererfüllt also digital wie analog was die
legendäre MTV Unpluƽed-Reihe verspricht: Ein Sound-Erlebnis in allen Dimensionen.

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40,34
Moiré - Circuits Remixes

Moiré

Circuits Remixes

12inchAVE66-17
Avenue 66
28.10.2022

Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."

Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.

The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.

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11,39

Последний логин: 3 г. назад
Asylums - Signs of Life

Asylums have been quietly building an impressive back catalogue of albums since the release of their debut ‘Killer Brain Waves’ in 2016. With three full studio albums and a stand-alone single behind them, Asylums are back on October 14th with their fourth album ‘Signs Of Life’ - their first since the release of 2020’s Steve Albini recorded 3rd album ‘Genetic Cabaret’.

Recorded at the legendary Rockfield Studios with genre-bending ‘Manic Street Preachers’ producer Dave Eringa in the driving seat, ‘Signs Of Life’ is a record that evolves the Asylums' sound once again while still staying true to their musical and lyrical DNA.


Asylums ‘Signs Of Life’ draws inspiration from a spectrum of human emotions and examines how they intersected with technology during the accelerated change of the last few years. As well as dialling their manic rock sound up to 10 this record also draws from the likes of R.E.M., The Magnetic Fields and The Beatles who all arguably made some of their best work during a live hiatus.

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26,26
Faye Webster - ‘Car Therapy Sessions’
также имеющийся в продаже

Black Vinyl[23,49 €]


Faye Webster announces ‘Car Therapy Sessions’, an
EP of new and re-imagined songs by Webster
recorded at Spacebomb Studios with a 24 piece
orchestra. The orchestra was headed by Trey Pollard,
who was responsible for both conducting and
arranging, and Drew Vandenburg produced and mixed
the EP.
‘Car Therapy Sessions’ is available on Walnut Brown
vinyl.
“I have a vivid memory of walking around London in
2018 listening to a mix of ‘Jonny’, which I had just
written. I remember thinking ‘I want to perform this
song with an orchestra’. I truly have had my heart set
on it since then, always talking about it and figuring out
how or when to make it happen,” says Webster.
On the EP, Webster reimagines three songs from her
critically acclaimed 2021 release, ‘I Know I’m Funny
haha’, and 2019’s ‘Atlanta Millionaire’s Club’. The
songs ‘Kind Of’, ‘Sometimes’ and ‘Cheers’ take on a
cinematic and glimmering new sheen.
In addition to the title track, she also shares a
sprawling and emotional work - ‘Suite: Jonny’ - which
combines fan-favourites ‘Jonny’ and ‘Jonny (Reprise)’.
The two songs originally appeared on the ‘Atlanta
Millionaire’s Club’ tracklist, two different views on the
same narrative. Here they are presented together.
It’s remarkable how beautifully Webster’s work can
take on this orchestral treatment. Like Cole Porter, or
Judy Garland, her delicate and emotional delivery
packs a gut punch when dramatized by the EP’s
robust arrangements.

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22,65
Honey Harper - ‘Honey Harper & The Infinite Sky’

Produced by Fussell and co-founder Alana Pagnutti and
mixed by Joel Ford (Ford & Lopatin, Yes/And), ‘Honey
Harper & The Infinite Sky’ features the premiere of The
Infinite Sky, a stacked backing band consisting of longtime
bassist and contributing writer Mick Mayer, pianist John
Carroll Kirby (Solange, Steve Lacy), Spoon keyboardist
Alex Fischel, guitarist Jackson MacIntosh (Drugdealer,
Jessica Pratt), pedal-steel player Connor Gallaher (Black
Lips, Calexico), and TOPS drummer Riley Fleck.
Within the first few moments of the self-titled new album,
Honey Harper and The Infinite Sky deliver a dashed-off
statement on the trappings of country music. Despite the
high level of conceptualization that went into its creation,
the record embodies an irresistibly loose and grooveheavy sound that hits with an immediate impact. While
previous album, ‘Starmaker’, was touted as “country music
for people who don’t like country music,” ‘Honey Harper &
The Infinite Sky’ is “country music for everyone.”

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37,77
Marius Neset - ‘Happy’ LP

Marius Neset

‘Happy’ LP

12inchACTLP9054-1
Act Music
28.10.2022

It is no exaggeration to say that Norwegian tenor
saxophonist Marius Neset plays in his own league.
In addition, he is one of the most fascinating and
versatile composers in jazz and far beyond -
which, among other things, currently takes him as
far as London’s Royal Albert Hall.
Downbeat states, “Marius Neset is not the future,
but the present of European jazz.”
‘Happy’ features Neset with a new, top-class
quintet. The album is divided into two parts - in the
first half, playful, intricate, energetic songs
dominate. And in the second part, Neset and band
take the listeners into a calmer suite. What all
pieces have in common is that you can hear the
musicians’ pure joy of playing in every note.
LP on 180g virgin vinyl with digital download code.

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24,33
SLIFT - Levitation Sessions LP 2x12"

“This set was recorded and filmed at the CEMES laboratory, in Toulouse, south of France. The place is called "La Boule", and the structures you see behind us are the top of an old particle microscope. The sound turns infinitely in this sphere of aluminum. We wanted to confront our songs with this environment full of endless echoes and noises. Thank you very much to our crew, LEVITATION, and all the good people at CEMES, it was an intense sonic and physical experience for us, we hope you'll enjoy watching it. Can't wait to play for ya'll in real life, but until this day arrives... We salute you, from the deep space and the night !” - SLIFT

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27,69
Reuben - Pilot Angel

Reuben

Pilot Angel

12inchBSM326V
Big Scary Monsters
28.10.2022

In the summer of 2000, school friends Mark Lawton, Jon Pearce and Jamie Lenman won a battle-of-the-bands competition and used the prize money to record the five tracks that would become their first professional release, entitled Pilot. Then called Angel, before the EP was released on local label Badmusic they changed their name to Reuben and were over the moon when the record received notices in Kerrang and even a spin from Steve Lamacq on Radio One. “We were just a school band, but we definitely had grand plans,” says Lenman, now a successful solo artist in his own right. “We changed our name because we knew we’d have to do it at some point, and we didn’t want the EP to get forgotten.” Despite selling out several modest runs on CD, Pilot was never issued on vinyl, and so to celebrate the 21st anniversary of its release, the five original tracks have been re-mastered and pressed onto wax. But more than this – after a chance discovery of five extra tracks on a DAT tape in a loft, Pilot has been bumped up to album status with the inclusion of a second side. “I always thought we’d only recorded those five tracks before Mark left – I’d completely forgotten about the recordings from the end of the same year,” says Lenman. “They were just demos of new material, they were never meant to be packaged together with the tracks from Pilot – in fact, you can already hear how the sound was starting to change in just six months. But they do make a nice set, and I guess if that original line up of the band had made a full album before Racecar, this is maybe what it might have sounded like.” The album inlay itself boasts a hoard of unseen photos from both recording sessions, unearthed after two decades, as well as the original EP inlay and the unused cover art credited to Angel instead of Reuben – hence Pilot Angel.

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20,97
Devin Townsend - Lightwork LP 2x12" + CD

After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level,and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. Its about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg). Available as Ltd Deluxe Orange 3LP+2CD+Blu-ray, Ltd Deluxe 2CD+Blu-ray Artbook & Ltd 2CD Digipak – all including the companion album ‘Nightwork’. Also available as standalone Gatefold 2LP+CD, Standard CD Jewelcase & Digital Album.

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30,21
Devin Townsend - Lightwork LP 3x12" + 2xCD + Bluray

After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level,and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. Its about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg). Available as Ltd Deluxe Orange 3LP+2CD+Blu-ray, Ltd Deluxe 2CD+Blu-ray Artbook & Ltd 2CD Digipak – all including the companion album ‘Nightwork’. Also available as standalone Gatefold 2LP+CD, Standard CD Jewelcase & Digital Album.

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113,40
Slaughter the Giant - Depravity

The killer debut by Belgium’s best kept secret: Slaughter the Giant. Intense melodic Death Metal for those who slaughter the soul! Slaughter The Giant ready to release their debut album “Depravity” in October 2022. A melodic intense Death Metal attack not hear before from Belgian soil. Slaughter The Giant was formed in 2018 and released their 5-track debut EP “Asylum of the Damned” in 2019 and it received good reviews worldwide. The year 2022 marks a new post-Covid start with the release of their first full-length album entitled “Depravity”, on Hammerheart Records. Slaughter the Giant performs intense melodic Death Metal that will appeal to fans of The Black Dahlia Murder and At The Gates. Hammerheart Records heard the album and was convinced of its quality and a deal was made. “Depravity” is a giant leap when compared to their EP, and acts on a whole different level. The brutality and melodic side have been pushed to new boundaries, while not losing the “good song” idea as a first must. The influences are still heard, but are now just that; influences. In the track “Co-ed Butcher” we find a kind of Obscura-esque approch that clashes into Flesh God Apocalypse alike symphony sounds, and album highlight “The Undead” is not a single and video without a reason, featuring excellent solo work on the guitar. The over all level is high and consistent throughout the album, and makes one replay after finishing.

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29,37
Severe Torture - Feasting On Blood

Debut album re-issue on vinyl! Severe Torture’s die-hard classic! Severe Torture is the most brutal and sick band from the Netherlands, plain & simple. This album is all about fast passed drumming, catchy, technical fast picking riffs and deep vocals. This is brutal death metal at its very best, and is evenly balanced, full of god-hating, and gut-ripping. There is even melody, but nothing like the melody used in melodic Death Metal. It is enough to send any typical run-of-the-mill trendfaggot running for cover and praying for safety, which will not come, for his eardrums shall be split and liquified, and his brains thrashed to trash.

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31,05
Fit For A King - The Hell We Create LP

Trauma and tragedy transfer from one generation to the next. As difficult as it may be, we still possess the power to break the cycle and start anew. Fit For A King ponder the pain of these cycles and the possibility to end them on their seventh full-length offering, The Hell We Create Solid State. The Texas quintet—Ryan Kirby [vocals], Bobby Lynge [guitar], Daniel Gailey [guitar], Ryan “Tuck” O’Leary [bass], and Trey Celaya [drums]—explore this ebb and flow with a deft, yet delicate balance of sharp metallic intensity and soaring melodic energy. Drawing on real-life experiences, the band members collectively rallied around Ryan and his family as they endured seemingly unending turbulence… “The album is a reflection of the events that happened throughout the pandemic,” recalls Ryan. “In short, my wife and I adopted children and had to homeschool them. She almost died from a stroke. The Hell We Create is by far the deepest and most personal record we’ve ever written.” “Falling Through the Sky" represents the mental struggles I had dealt with during the pandemic, and how little my upbringing prepared me to deal with it. Between adopting two children, my wife having constant health issues, and me losing almost 70% of my income, I was an absolute wreck. I thought my religious upbringing and faith would be enough to help me when adversity struck, but when the tidal wave came, I struggled immensely. So many think just having faith is enough to pull you through anything life throws at you, but the reality is, it makes a lot of us complacent in our personal growth.

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27,69
Jim Lauderdale - Game Changer

At any given time, you’re likely to find Jim Lauderdale making music, whether he’s laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he’s not actively crafting new music, he’s certainly thinking about it. “It's a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I'm a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 34 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. But forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft. Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the release with Jay Weaver and pulling from songs he’d written over the last several years. “There's a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair—because that's part of life as well,” he says. “In the country song world especially, that's always been part of it. That’s real life.” Lauderdale would know: He’s been a vital part of the country music ecosystem since 1991, when he released his debut album and began penning songs for an impressively long roster of country music greats. “When I was a teenager wanting to be a bluegrass banjo player, I never would have imagined that I would get to work with people like Ralph Stanley and Robert Hunter and George Jones and Elvis Costello and John Oates,” he muses. “Getting to work with them inspires me greatly to this day, and I know it always will.” From rollicking guitar riffs on “That Kind of Life (That Kind of Day)” to the slow, sweet harmonies of “I’ll Keep My Heart Open For You,” Game Changer shows off Lauderdale’s ingenuity as a singer, songwriter, and producer—while reestablishing him as one of Americana’s most steadfast champions..”

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19,29
Simple Plan - Harder Than It Looks

From their new millennium rise to MTV superstardom through pop-punk’s modern resurgence that has introduced their iconic, multi-platinum sound to new audiences around the world, SIMPLE PLAN have been an indelible part of pop culture for more than two decades because they’ve never lost sight of what got them there in the first place: their fans.It’s this same sense of mutual respect that’s fully on display on “The Antidote,” the first single from their sixth studio album, HARDER THAN IT LOOKS., their first new music since 2016’s Taking One For The Team, and the most authentically Simple Plan album since 2004’s Still Not Getting Any. Free agents for the first time in their storied career, the band kept their circle tight during the recording process, enlisting longtime songwriting partners like We The Kings’ Travis Clark and producers Brian Howes and Jason Van Poederooyen (who worked on the band’s 2011’s album Get Your Heart On!) and Zakk Cervini (blink-182, Good Charlotte). From the skyscraping choruses of “Congratulations” and “Ruin My Life” (ft. Sum 41’s Deryck Whibley) to the unflinching poignancy of the album-closing “Two,” which instantly ranks alongside “Perfect” and “Untitled (How Could This Happen To Me?)” as one of the band’s best closers ever, HARDER THAN IT LOOKS certainly respects Simple Plan’s storied career – and the same spirit that helped the band sell 10 million albums worldwide – without being overtly reverent. The album-opening “Wake Me Up (When This Nightmare’s Over)” is a cathartic rush of familiarity and freshness – not to mention a bit lyrically prescient, as the COVID-19 pandemic hit shortly after the band wrapped the album. (“We certainly didn’t set out to write a pandemic album,” Bouvier says with a laugh. “It’s funny how some of the songs might seem like that, though.”) There are even spiritual successors to early material, like the glass-half-full skate-punk-leaning “Best Day Of My Life,” quite a 180 for a band who put a song called “The Worst Day Ever” on their genre-defining, Platinum-selling 2002 debut No Pads, No Helmets...Just Balls. But you won’t find an ounce of fat on the 10-song album, no obvious plays to recapture the radio waves they claimed in the early aughts with smash hits like “I’d Do Anything,” “I’m Just A Kid” and “Addicted.”

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21,81
The Revues - Mi Corazón Esta Llorando
 
1
также имеющийся в продаже

Limited Natural White Vinyl[10,04 €]

Limited Natural w/ Black Swirl Vinyl[7,94 €]


For Fans Of... Sunny and the Sunliners, Rene Y Rene, Ray Camacho. The second offering by The Revues continues to explore the intersections between Tejano music, Latin Soul, and funk. This updated take on Rene y Rene’s coveted version of “Mi Corazón Esta Llorando” is tough but with a touch of sweetness. On the flip side we get the instrumental version only with the vocal melody being swapped out for tenor and alto saxes, heightening the Tejano influence and flavor. Also Available From The Revues: Take Me For A Little While 7”. Tracks: 1. Mi Corazón Esta Llorando 2. Mi Corazón Esta Llorando

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7,94
Various - Tangos From Buenos Aires

Various

Tangos From Buenos Aires

12inch5054197180729
Warner UK
28.10.2022

Daniel Barenboim will turn 80 on November 15th. Warner Classics are celebrating the great musician, who has had tremendous success since the ‘60s both at the piano or conducting, with an album made in the mid-90s that is close to his heart and Argentinian origins, though aside of the classical repertoire. Tangos Among Friends - Mi Buenos Aires Querido (named after a tango by Carlos Gardel) proves again all the talent and swing Daniel Barenboim has, and has been a huge success since released by Teldec on CD in 1996.

“I spent the first nine years of my life in Argentina and only in Argentina. The rest of the world was far away. Everything Argentinian was close to my heart. The concepts of cosmopolitan existence or international thinking were not yet awakened. The air that I breathed was Buenos Aires, the language that I spoke was Spanish porteño and the rhythm to which I danced (figuratively speaking…) was the tango! My idol was Carlos Gardel. Nearly half a century later I came back not only to Argentina, not only to my childhood but especially to my Buenos Aires querido and many other wonderful melodies that make up this sentimental record.”
Daniel Barenboim – from album booklet


In an interview made in the 90s, Daniel Barenboim added: “In Argentina during the late 1940s there was no chasm between classical music and the tango, in the way there was a chasm between classical music and jazz. The tango is a basic part of Argentine popular culture; when you went to a restaurant or a party, that was the music you would hear. (…) Already as a child I was crazy about the tango. I still am.”

“The young Daniel found himself drawn to the bittersweet tales of passion, tragedy and nostalgia sung by Gardel, the tango singer and songwriter who exerted a major influence in popularizing the tango throughout the Western hemisphere and Europe. (…) Over the following decades Barenboim would regale friends at home or at parties with piano arrangements of tangos he heard in his youth. (…) Barenboim never thought of sharing his passion for tangos with the public until last year when he had returned to Buenos Aires for concerts with his Berlin Staatskapelle orchestra. At a reception he found himself talking tangos with a young Argentine. Learning of Barenboim’s interest in performing them, he offered to drum up a few local musicians with whom Barenboim could play tangos at home. That’s how he met Mederos and Console. “The first day we just played for fun,” Barenboim says. “Then we decided to make a recording. So we rehearsed for two days and made the record in one afternoon.” (…) Once he, Mederos and Console set out to record their tango program, Barenboim was surprised at how much of the characteristic tango rubato – a subtle alteration of rhythmic weight and accent – he still had at his fingertips, more than four decades after leaving Buenos Aires. That said, he insists on sharing credit for the success of the disc with his Argentine colleagues. “What they gave me was a pure sense of the tango, especially in the melodic freedom over a very strict rhythmic foundation. Performing tangos, you are constantly anticipating the downbeat or coming after it; this is part of the tradition. What I gave them was the necessity to rethink certain aspects – say, the volume and transparency of sound – so that playing tangos didn’t sound routine.”
– The Chicago Tribune, Oct. 1996

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31,05
Therion - Leviathan

Therion

Leviathan

12inch4065629623043
Nuclear Blast
28.10.2022
также имеющийся в продаже

I[38,53 €]

Black Vinyl[24,50 €]

Black & Orange Pinwheel Vinyl[24,50 €]

Yellow vinyl[26,01 €]

Pink/White Swirl Vinyl[26,01 €]


THERION have always been a band that have challenged themselves to explore new paths, while remaining true to their musical core values. For their 17th studio album, mastermind Christofer Johnsson and his collaborator Thomas Vikström have created something that has been previously unthinkable to the guitarist and the singer. "We have done the only thing that was left of all the different angles to explore", explains Christofer. "We have decided to give the people what they kept asking for. 'Leviathan' is the first album that we have deliberately packed with THERION hit songs."

True to the Swede's words, the album opens with the catchy and swift tune 'The Leaf Of The Oak Of Far' featuring female and male antiphonal singing as well as a choir that seems to have evolved straight out of THERION's breakthrough full-length "Theli" (1996). This is immediately followed by the obvious highlight 'Tuonela', in which Christofer cleverly underscores this hit-track's Finnish vibe by employing NIGHTWISH’s "metal voice" Marko Hietala. Next up in this parade of future fan-favourites is the title track 'Leviathan' that offers classic THERION material with operatic female vocals and a massive choir.

Christofer Johnsson's passion for classic voices, choirs, and orchestral elements as well as his penchant for epic melodies in combination with rock and metal shines clearly through the following sing-along ballad 'Die Wellen Der Zeit', which indicates another nod to German romantic composer Richard Wagner. "Ever since 'Theli', Wagner has been and will always be at the core of THERION", emphasises Christofer. "When we started to combine metal and opera, it was something new and original. Today, symphonic metal has long been a firmly established genre." When THERION came into being in 1988 by changing name from the already existing band BLITZKRIEG, which was founded a year earlier, Christofer had rather taken inspiration from SLAYER's "Reign In Blood" among other classic metal albums.

At the beginning, the Swedes were firmly rooted in death metal, a genre which they helped to define, as witnessed by their debut album "Of Darkness...." (1991). Yet even back then, there were hints of "something else" lurking beneath the rough surface. The use of female vocals is another core ingredient of THERION today, which developed gradually. CELTIC FROST had basically introduced the female element to extreme metal on "To Mega Therion" in 1985. THERION began with both a female and male vocalist emulating a church like choir already in their sophomore full-length 'Beyond Sanctorum' (1992). With Symphony "Masses: Ho Drakon Ho Megas" (1993) and "Lepaca Kliffoth" (1995), Christofer continued to developed his trademark sound by gradually drifting towards cleaner vocals and more keyboards.

With "Theli", the Swedes had firmly established a reputation of pushing the boundaries of metal in the 90s –among such acts as their compatriots TIAMAT, THE GATHERING, and MOONSPELL that were often referred to as "gothic metal" at the time. THERION continued to break new ground leaving inspiration for others to follow in their wake: On "A'arab Zaraq -Lucid Dreaming" (1997), Christofer further explored the use of Near Eastern music in metal which he had already begun in 1992, while "Secret Of The Runes" (2001) dared to have Swedish lyrics in some songs.

While critics were left confused and fans challenged, THERION were often ahead of their times and vindicated in hindsight. Even the band's 25th anniversary excursion "Les Fleurs Du Mal" has by now overcome the initial shock the album caused and is only beaten in terms of streaming by the classic "Vovin" (1998). When Christofer faced the question of where to go next after the dramatic "Beloved Antichrist" (2018) had finally fulfilled his musical mission, his answer is "Leviathan" named after a giant sea monster from Judeo-Christian myth that has roots in Babylonic lore: THERION have created a giant hit album –and for the first time in the history of the Swedes, their fans are not asked to explore something new, but simply to lean back and enjoy the best from their band!

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27,69
Nothing More - Spirits

Nothing More

Spirits

Cassette84607001124
MEMBRAN-Stoned Records
28.10.2022
также имеющийся в продаже

84607001121[33,24 €]

84607001129[33,24 €]


Tape

NOTHING MORE kehren mit ihrem langerwarteten siebten Studioalbum SPIRITS zurück, das am 14. Oktober erscheinen wird. SPIRITS enthält 13 Songs, die musikalisch zu den bis dato fokussiertesten, abenteuerlichsten und intensivsten Werken der Band zählen, wobei introspektive, philosophische Texte mit ungeschminkten, wuchtigen Hymnen vereint werden. Hierzu zählen die bereits erschienenen Auskopplungen "TURN IT UP LIKE", sowie die neue Single "TIRED OF WINNING", die sich aktuell in den Top 10 der Billboard Active Rock Charts befindet. Seit ihrem Debüt im Jahr 2003 haben NOTHING MORE mit den beiden #1-Singles "This is the Time (Ballast)" und "Go To War" Rock-Radio-Chartgeschichte geschrieben und haben mittlerweile bereits sieben Active Rock Radio Top-10-Singles in ihrem Repertoire. "SPIRITS" ist ein weiterer Beweis für ihre Kompetenz im Rock-Genre und darüber hinaus. Es dokumentiert die stürmische Zeit, die die Welt in den letzten zwei Jahren erlebt hat und fängt Themen wie Verzweiflung durch Isolation, die Spirale von Drogenmissbrauch, den Schmerz zerbrochener Beziehungen und das Überleben in der Selbstständigkeit ein, während es die Mission von NOTHING MORE zusammenfasst: Reflektieren, Provozieren, Inspirieren.

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10,29
RAÚL MONSALVE Y LOS FORAJIDOS - CALIPSO TIME / DEO E' MONO

Commissioned for Fela Day in Amsterdam Paradiso Noord, Raul Monsalve y Los Forajidos celebrates the legacy of the father of Afrobeat, Fela Anikolapu Kuti, with this new 10’’ vinyl on Super Sonic Jazz Records, where Nigerians rhythms travel the Atlantic ocean to meet Venezuelan Calipso , sangueos, and more.

First in Venezuela, Monsalve played with a number of bands before forming the first incarnation of his Forajidos band. A move to Paris, via London, led to opportunities to share stages with a vast array of musical giants, not least of all the legendary Nigerian saxophonist Orlando Julius, as well as the Heliocentrics, Venezuelan master percussionist Orlando Poleo and members of Fela Kuti’s legendary bands, Afrika 70 and Egypt 80.

“Calipso Time” is none other than a cover of Fela’s Koola Lobitos’ “Highlife Time. Taking the original track to the region of El Callao in Venezuela, where the population from Trinidad & Tobago and other islands in the Caribbean settled themselves at the end of the 19th century when they started to work in mineral exploitation. As a result, this region of Venezuela has a particular language, mixing English and Spanish elements, and of course the celebration of the Carnival and the birth of Venezuelan calipso .
Side B brings the Afrobeat madness of “Deo e’ Mono”, the very first track Monsalve did for the project back in the day. As Raul says “I just took the opportunity to celebrate Fela’s anniversary by recording this track as I dreamed it should sound when I was starting the project, learning Afrobeat only through records” . For this Monsalve called Chief Uduh Essiet, the original percussionist of the Egypt 80 and with the Forajidos’ Mario Orsinet on drums the rhythm section was without doubt cooking immediately. As on their last record, “Bichos” on Olindo Records, these two tracks are full of psychedelia, rough electronics, powerful vocals and tons of traditional Venezuelan percussion.

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13,24

Последний логин: 3 г. назад
dArtagnan - Felsenfest

Dartagnan

Felsenfest

12inch19658711451
MEDIA TV-Objekte
28.10.2022

Seit der Gründung im Jahr 2015 und dem sofortigen Senkrechtstart haben dArtagnan 5 Alben aufgenommen und Hunderte Konzerte und Festivals gespielt. Schon das Debütalbum heimste Gold ein und erreichte wie alle Nachfolger die Top-10 der Album-Charts. Auf ihrem fünften Album "Felsenfest" meldet sich die Band "rockig, wild und weltgewandt" zurück, denn dArtagnan sind nicht nur angekommen, sondern mit ihren geradlinigen Melodien, ihrer Spielfreude und dem unverwechselbaren Sound, Schrittmacher der Folkrockszene. So überrascht es wenig, dass oft genug mehr als die Hälfte der Single-Streams aus dem Ausland kommt. Das Doppel-Album enthält konsequenterweise neben 12 deutschsprachigen Songs 8 weitere Songs mit Folk-Klassikern und prominenten Duettpartnern wie Candice Night (Blackmores Night/USA), Luc Arbogast (France), Blackbriar (Netherlands) und den O'Reillys and the Paddyhats (Deutschland)."Felsenfest" erscheint erstmals in 5 verschiedenen Ausführungen: Neben der Doppel-CD und dem Digitalalbum gibt es die Vinyl-Edition (180gramm black vinyl), die "Holzbox-Edition" (mit Fahne, Lilien-Kette, Autogrammkarte und Instrumental-CD) sowie das limitierte 3CD-Earbook, ein etwa 30 x 30 cm großer, gebundener Bildband mit dem Doppel-Album, den Instrumentalversionen sowie einer von allen Bandmitgliedern handsignierten, großen Autogrammkarte.Das neue Album von dArtagnan: Felsenfest, verwegen und frei!

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22,14
Autumn Fair - Autumn Fair

Autumn Fair

Autumn Fair

12inchR100LP
Recital
28.10.2022

To celebrate the 10th anniversary of Recital, we present Autumn Fair: A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann.

Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists.

Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron - keyboard, Karla Borecky - upright piano, Andrew Chalk - guitar, crys cole - birds, Loren Connors - guitar, Philip Corner - grand piano, Maxwell August Croy - whistle, Sarah Davachi - electronics, Aaron Dilloway - SFX, Delphine Dora - voice, Giovanni Fontana - voice, Scott Foust - trumpet, Peter Friel - impression, Malcolm Green - camera, Judith Hamann - cello / voice, Mark Harwood - speech, Forest Juziuk - voice, Johnny Kay - tapping, Kajsa Lindgren - hydrophone, Rob Magill - guitar, Lia Mazzari - whip, Molly McCann - flute, Sean McCann - editing / voice, Nour Mobarak - voice sampler, Azikiwe Mohammed - interview, Charlie Morrow - MIDI piano, Kiera Mulhern - SFX, Zachary Paul - violin, claire rousay - SFX, Michel Samson - violin, Troy Schafer - strings, Eric Schmid - tone generator, Ben Schumacher - SFX, Tom James Scott - keyboard / SFX, Asha Sheshadri - reading, Patrick Shiroishi - winds, Sydney Spann - voice, Matthew Sullivan - instruments, Flora Sullivan-Kelly - percussion, Connor Tomaka - SFX / synth, Alex Twomey - upright piano.

I won't go into too much detail on the album itself, but after many twists and turns, the album concludes with “Recital Program,” an intense track that manically collages two-second excerpts from every Recital album to date.

I extend a sincere ‘thank you’ for all the incredible support for Recital over the past decade.

Ltd. LP Edition of 350 copies on 175gram black vinyl, gold foil printing, incl. program notes, comes with printed ticket, mechanically numbered.

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он должен быть опубликован на 28.10.2022

32,40
Vivid Oblivion - The Graphic Cabinet

Clear Vinyl

Downwards’ deep bonds with NYC catalyse the debut LP by Jim Siegel’s Vivid Oblivion, a reveberating post-industrial salvo produced by adopted Brooklynite Karl O’Connor (Regis), and co-mixed by Anthony Child (Surgeon) and Simon Shreeve, who also mastered it. It’s a super deep, highly atmospheric beast somewhere between Valentina Magaletti’s most expressive percussion work, Bark Psychosis, and classic, moody 4AD, which is coincidentally referenced via the artwork, made by Chris Bigg - legendary graphic designer and longtime assistant to Vaughan Oliver.

Invoking the density, vertiginous scale, and dark grimy nooks of NYC, ‘The Graphic Cabinet’ was realised by Jim Siegel - hardcore legend and occasional/regular drummer with everyone from Raspberry Bulbs to Damo Suzuki and Boredoms, made in close collaboration with Karl O’Connor aka Regis during 2021.

Stemming from intently deep listening sessions immersed in LPs by Viennese aktionist Hermann Nitsch and the myriad eras of Killing Joke, while also absorbing the atmospheres of classic Tarkovsky flicks, the album began life as gonzo field recordings of Siegel smashing the f*ck out of his drum kit, zither, scrap metal and gongs in an array of abandoned warehouse spaces. The recordings formed the basis of Karl’s compound productions, which add depth charge bass and sonorous metallic atmospheres to the mix, along with birdsong and gibbon hoots, plus guitar textures by Nick Forté (Raspberry Bulbs, Rorschach) for a dread-lusting jag deep in the belly of the Big Apple.

With a palpable tang of rust and blood in the air and grime under the fingernails, the seven tracks evoke a resoundingly brutalist portrait of space and place. Siegel’s nervy percussive discipline is framed in alternating barometric and light settings from cut to cut, variously snaking from the poltergeist clang and haunted resonance of ‘Converging and Dissolving’ to slamming motorik thrum in ‘Oblivion’ via imaginative descent into cyberpunk simulacra of the city as jungle-at-night in ‘Remnant Corridor’, replete with animalistic atmospheres that recall Organum.

While the raw attack and devilish swerve of the rhythms are utterly fundamental to the record, Karl’s atmospheric content and the animist mixing magick of Anthony Child and Simon Shreeve most potently give flesh to its bones. Patently evident on the stepping pulse and searching zither that keens into detuned orchestration on ‘Immediate Possession’, the zoned-out klang of ‘Stand Aside’ or in the flooded warehouse chaos of ‘Test For Traps’. The attention to spatial, textural and proprioceptive detail is tightened throughout, peaking with ‘Bargemaster’, a dense slab of tension that sounds like Jon Mueller’s Silo recordings fed through The Caretaker’s fogged machinery.

It’s one of the most impressive records on Downwards for a long while, bound to gnaw and spark the nerves of experimental rock and post-industrial’s greats, anything from The New Blockaders to Faust, Flying Saucer Attack and into iconic Blackest Ever Black releases in the modern era.

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27,69

Последний логин: 3 г. назад
The Revues - Mi Corazón Esta Llorando
 
1
также имеющийся в продаже

Black Vinyl[7,94 €]

Limited Natural White Vinyl[10,04 €]


For Fans Of... Sunny and the Sunliners, Rene Y Rene, Ray Camacho. The second offering by The Revues continues to explore the intersections between Tejano music, Latin Soul, and funk. This updated take on Rene y Rene’s coveted version of “Mi Corazón Esta Llorando” is tough but with a touch of sweetness. On the flip side we get the instrumental version only with the vocal melody being swapped out for tenor and alto saxes, heightening the Tejano influence and flavor. Also Available From The Revues: Take Me For A Little While 7”. Tracks: 1. Mi Corazón Esta Llorando 2. Mi Corazón Esta Llorando

Сделать предзаказ28.10.2022

он должен быть опубликован на 28.10.2022

7,94
The Mighty Mocambos - Scenarios LP

A unique longplayer by Germany's Funk champions The Mighty Mocambos: 'Scénarios' is a wild journey through iconic performances captured on 8-track tape, including celebrated versions of breakdance favourites like 'Axel F.' And 'Let The Music Play' as well as brand new original material composed especially for recordings in unusual settings.

Hamburg's deep funk chefs are known for their intuitive recordings that capture the energy of a live performance, and with this record they go all the way.

Just before the pandemic, the group recorded an in-store live session at legendary Hamburg record shop Groove City and taped an impromptu performance at JAM PDM! breakdance battle in Potsdam. Both were released on vinyl 45s, quickly sold out and became secret weapons for DJs. While most bands shifted their stage to the studio in 2020, producing an abundance of isolated lockdown-inspired material, the Mighty Mocambos – never shy of an antidote - took the mobile version of their recording studio on the road.

With no audience allowed at the Pitt Hopkins Music Session charity concert, the group used the occasion to compose meditative folk-soul instrumentals to be performed exclusively on stringed instruments. Sweaty funk does not work via video stream, but the format provided a welcome opportunity to create something entirely different. Even without electricity and drums, the cinematic "Four Two Three" and "Silent Heroes" are unmistakably recognizable as Mocambo themes.

When you follow Nina Simone's credo that an "artist's duty is to reflect the times", it became evident that once the world slowly started opening up again, further concerts would be captured on the group's portable Fostex R-8 tape machine. Luckily, restrictions fell on the very evening that the band hit the open air stage at the Import Export in Munich on September 11th 2021. The extended afrobeat-inspired jam on J.J. Cale's "Carry On" witnesses people celebrating and dancing together again for the first time after a year and the manic "Munich Psycholympics" unleashes all bottled-up energies that had being lying dormant.

The slightly kafka-esque "Ghost Walk" was taped during a soundcheck for a concert that was eventually called off for safety reasons, reflecting once more the uncertainty of the time. The last scénario sees the Mighty Mocambos returning to a packed indoor venue, playing "Let The Music Play" to a audience of b-boys and -girls – a testament to the sheer power of music. Featured as an encore here, an acoustic version of "Where Do We Go From Here?" (originally recorded with Lee Fields) closes the record and its restless voyage through unusual recording situations.

"Scénarios" differs drastically from other live albums as it does not seek to replicate existing material from studio albums. All songs were written or arranged especially for the live recordings in order to combine the group's DJ-friendly trademark sound with added vibes and momentum from the audience. Most of them were recorded while they were performed in public for the first time ever.

Comes in gatefold sleeve & includes download voucher.




d 04: Theme from Beverly Hills Cop (Axel F) Live

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17,61

Последний логин: 2 г. назад
Imperial Wonders - Right To Work

The Imperial Wonders are one of the finest vocal groups to come out of Cleveland Ohio. "Work of Art" has been remixed by Opolopo, Daft Funk, Pagger and Leo Zero from the original 80s multitrack tapes. Opolopo produces one of his trade marked boogie sensations that is exactly how the band had wanted it to sound in the first place, some proper 80s boogie vibe. New boys Pagger swaggers the groove with ease and panache. Daft Funk house it up some with deepness personified grooves. Leo Zero with some help from Des Morgan flips the song with a spaced out dub that rocks. One not to be missed.

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13,40

Последний логин: 22 мес. назад
Ikebe Shakedown - Ikebe Shakedown LP

Repress!

Originally released in 2011 with a limited pressing and repressed once a few years later in 2016. “Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation. ..Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk”. -Marlon Bishop, WNYC

Ikebe Shakedown, the self-titled album and Ubiquity Records debut from the Brooklyn-based band, plays with elements of Cinematic Soul, Afro-funk, Deep Disco, and Boogaloo in all the right ways. Pushing their globally-informed sound and eclectic approach to tune-writing into new territory, “Self-titling the album is a way to introduce the audience to the many facets of the band -- to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us," he adds.

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28,11

Последний логин: 3 г. назад
Theo Parrish - DJ-Kicks 3x12"

Theo Parrish

DJ-Kicks 3x12"

3x12inchK7414LP
!K7 Records
27.10.2022

Growing up in Chicago, later Detroit-based music producer, Theo Parrish is internationally well known for his own inimitable downtempo house music style. The approach Parrish took to compiling DJ-Kicks was very ambitious, inviting his Detroit peers to produce a collection of brand new material, and in turn creating the first ever all exclusive entry to the esteemed series.

"Detroit creates. But rarely imitates. Why? We hear and see many from other places do that with what we originate. No need to follow. Get it straight. In the Great Lakes there are always more under the surface than those that appear to penetrate the top layer of attention and recognition. What about them that defy tradition? Those that side step the inaccurate definitions often given from outside positions? This is that evidence. Enjoy."


First official compilation by Theo Parrish
All exclusive unreleased material
Includes new music from Theo Parrish
Triple LP sampler containing 15 full length tracks

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36,09

Последний логин: 3 г. назад
Kosa (Francis Manne/ Fr6) - Kosa and Friends 1987-1997 LP

After the legendary French Ethno-industrial band Vox Populi! vanished into obscurity in the early 1990ees, some, like bass player, Francis Manne aka Francis Laffont aka Kosa Nostra aka Kosa aka Fr6, expanded in their their new artistic adventures. Alone or with others, he followed his multi-disciplinary sonic visions that he already displayed on the label Vox Man records, that he founded with Vox Populi! member Axel Kyrou in 1982. Together they released the famed "Audiologie" compilations, an audio fanzine featuring a contemporary outlook on the experimental electronic, and improvisational avant-garde music scene of the time. Particularly the two "Alterntative Funk: la Folie Distinguée" compilations turned into today’s collectors’ items for fans of bizarre electronic music.

Now Notte Brigante brings “Kosa and Friends 1987/97“, twelve unreleased recordings that display Francis Manne’s ongoing musical creation after the break-up of Vox Populi!. Minimal Synth, post punk, field recordings, psychedelic, cold wave, and weird proto funk are welcome thoughtful listeners into an eccentric world of pop and poetry, of experiment and groove. As the visual part was always equally important as the music for him, the cover links to Manne’s graphic work, which has also often been featured on many Vox Populi!, Bain Total, or Vox Man Records. A venturesome collection that documents an unexplored universe of a visionary French avant-garde musician and his vivid peer group.

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18,87

Последний логин: 3 г. назад
Eugene Rockwell - Tipsy Club Tools EP

Amikron Records returns with Eugene Rockwell's solo edit series Tipsy Club Tools. A vinyl-only release limited to 250 copies, it features raw club cuts for house and disco enthusiasts. As "M.F.T.S." combines chopped-up loops and dubby vocals from a classic cut, "Funk With Us" gives you that uptempo four-to-the-oor double clap and ute feel. Matching handmade stamps by Parissa Charghi and
Johanna Becker - stay tipsy!

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11,30

Последний логин: 3 г. назад
Taylor Swift - Midnights LP

Taylor Swift

Midnights LP

12inch4579006
EMI UK
27.10.2022

Taylor Swift’s new studio album Midnights is available everywhere on October 21st. It’s a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face - the stories of 13 sleepless nights scattered throughout Taylor’s life.


Each Vinyl Album Includes:

- Unique marbled color vinyl disc
- 13 Songs
- Collectible album jacket with unique front and back cover art
- Unique marbled color vinyl disc
- Collectible album sleeve (each side features a different full-size photo of Taylor)
- Full-size gatefold photo
- A collectible 8-page lyric booklet with never-before-seen photos

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36,56

Последний логин: 3 г. назад
some kind of peace - piano reworks LP

Some Kind Of Peace

piano reworks LP

12inch0602438934829
Mercury KX
27.10.2022

10 atemberaubende Neuinterpretationen für Klavier von Ólafur Arnalds’ Erfolgsalbum some kind of peace
von akustischem Soloklavier bis hin zu verträumten elektronischen Klängen.
Kreative Zusammenarbeit ist der Eckpfeiler von Ólafurs Arbeit. Er beruft sich auf seine kreative Gemeinschaft und glaubt, dass Musik als ein sich bewegender, atmender Organismus weiterlebt. ”Das Herz eines
Songs lebt im Interpreten”. – Ólafur Arnalds
So lud der isländische Künstler eine vielfältige Mischung von musikalischen Freunden und Wegbegleitern aus der ganzen Welt ein seine Musik neu zu interpretieren. Sein letztes Album ”some kind of peace”
- ein Album, auf dem zwei Grammy-nominierte Tracks, ”The Bottom Line” (feat. Bonobo) und ”Loom”
(feat. Josin) zu hören sind – dient hier als Interpretationsgrundlage für zehn Künstler. So finden sich unter
anderem Piano-Bearbeitungen von Hania Rani, Lambert, Dustin O‘Halloran, JFDR, Eydís Evensen u.a. auf
dem neuen Album.

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22,65

Последний логин: 3 г. назад
NNAMDÏ - ‘Please Have A Seat’ LP

NNAMDÏ has never been able to stay in one place. The Chicago
multi-instrumentalist and songwriter set a blistering pace in 2020
with his critically acclaimed genre-fusing LP, ‘Brat’, a punk EP,
‘Black Plight’, and ‘Krazy Karl’, a full-length tribute to Looney
Tunes composer Carl Stalling. Add in his role as co-owner of label
Sooper Records, as well as recent tours with Wilco, SleaterKinney and black midi, and it’s an overwhelming schedule.
 However, his latest album, ‘Please Have A Seat’, is the result of a
much needed pause. “I realized I never take time to just sit and
take in where I’m at,” says NNAMDÏ. “It’s just nice to not be on
‘Go, Go, Go!’ mode, and re-evaluate where I wanted to go
musically.” This period of reflection allowed him to take stock of his
life and his relationships. “I wanted to be present,” he says. “Each
song came from a moment of clarity.” ‘Please Have A Seat’ serves
as an invitation to listen. It’s a request to sit down, be present, and
take in a moment. With this quiet introspection, NNAMDÏ found
inspiration in silence and nuance.
 While making the record, he decided to stretch the limits of his pop
songwriting: every track had to be hummable. Though he’s written
earworms throughout his career from playing in bands in
Chicago’s DIY community or releasing goofy raps as Nnamdi’s
Sooper Dooper Secret Side Project, here, his shapeshifting hooks
are undeniable. Each of the album’s fourteen songs, which
NNAMDÏ wrote, produced, and performed entirely himself, are
relentlessly re-playable, careening into unexpected and
disorienting places. With NNAMDÏ’s singular vision, ‘Please Have
A Seat’ is yet another leap from Chicago’s hardest working
musician. By taking a minute to sit down and catch his breath, he
re-emerged with the most ambitious, accessible, and nuanced
work of his career.
 Coloured vinyl LP format pressed on Walnut Brown vinyl.

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25,63

Последний логин: 3 г. назад
Various - just stretchin’ 003

The third just stretchin' release comes with tracks from _000, His Master's Voice and Session Restore. A compilation of tracks by three guys who know each other very well from Hanover. The sound varies from uk infused breaks to warm housey patterns. A very dynamic EP with many interesting facets.

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12,14

Последний логин: 18 мес. назад
BREAD OF KALIWILD - A Breathe Of Fresh Air LP

A Breath of Fresh Air is the triumphant, inspiring new album from Bread of Kaliwild, a longtime staple of the underground rap scene who continues to grow and shine as an emcee. And while he certainly made waves with the release of his solo debut, Daily Bread in 2019, Bread is on another level with the ten tracks on this project. It’s all part of his plan to capture the sound he loves and holds so dearly, all while pushing himself as a lyricist.

Specifically, the L.A. rap staple calls out “What Love Is” as one of his favorite lyrical moments, and it’s easy to see why when you hear it. During the third verse, he shows love to his children in a creative and heartfelt way like only he can. “What Love Is” is also one of several collaborations between Bread and living producer legend Nottz, one of the emcee’s go-to producers. The two linked for Daily Bread and kept creating magic for their tracks together on this record. Whether it’s on the politically charged “Eye 4 Eye” or on the moving Guru tribute “Nice Like That” (feat. Big Shug), Bread and Nottz are a force.

The Kaliwild rapper’s ear for production doesn’t stop there, either. His two other collaborators—beatsmiths Noah Ayala and Therealasethic—provide a wealth of warm, head-nodding instrumentals for Bread and his guests. Just listen to “Godz Return,” a funky West Coast banger produced by Ayala that also features Planet Asia. Or head to the Bay Area on “Feels So Good,” which boasts Therealasethic’s shimmering production and guest vocals from Keak da Sneak, URG7, and Gemini.

There’s so much to love about A Breath of Fresh Air, though the most remarkable aspect may just be Bread’s passion.

a 1 Let Us Begin (Intro) feat. DJ Romes

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28,95

Последний логин: 2 г. назад
Lee Fields - Sentimental Fool LP

Lee Fields is arguably the greatest soul singer alive today. In an age when the shelf life of an artist largely depends on posturing and trends, he has proven to be an unassailable force of nature. His prolific, decade-spanning career continues to reign supreme on the modern soul scene.

In early 2022, Lee reunited with Daptone Records and producer Gabriel Roth to record Sentimental Fool, a deep, blues-tinged, whollyconceived soul album. From his first line to his final plaintive lyric, the beauty, power, and raw humanity of Lee' s voice is on full display here; the culmination of an astounding career that has seemed to defy gravity, rising to only greater and greater heights.

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23,91

Последний логин: 3 г. назад
Lady Blackbird - Black Acid Soul LP (Deluxe Edition) 2x12"

Set for release on 28th October, the deluxe edition of Lady Blackbird’s debut album ‘Black Acid Soul’ comes with a staggering 11 additional songs, encompassing brand new material such as stunning single ‘Feel It Comin’ and remixes commissioned by the likes of electronic, jazz, funk luminaries Emma-Jean Thackray, Colleen 'Cosmo' Murphy and Greg Foat.

Originally released in 2021, ‘Black Acid Soul’ received enormous critical acclaim; The Sunday Times named her their Breaking Act, stating that she “brings a singing voice of extraordinary nuance and immaculate phrasing to a selection of covers/reworkings and pindrop originals” in a 4* review. The Guardian awarded the album a 5* review, remarking that Blackbird “finds her calling with an extraordinary collection of songs and performances that burn deep into you”.

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33,19

Последний логин: 3 г. назад
Fujiya & Miyagi - Slight Variations LP

We like the idea that if someone were new to us and they played this record it would convey everything that we are about.

To convey the almost 20-year career of the band is to take a deep dive into all forms of electronic music - from pop to house to disco to acid - along with nods to 1970s Germany, psychedelia, funk and art pop. And that's exactly what this record does, while also capturing the duality of a band who can craft meticulously constructed studio music as seamlessly as they can lock into unpredictable yet infectious grooves on stage.

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26,47

Последний логин: 3 г. назад
Anomalie - Galerie LP

Anomalie

Galerie LP

12inch313331
Nettwerk Records
27.10.2022

As Anomalie, the shape- shifting production project he unveiled in 2016, Dupuis has channeled his musical upbringing (his mother, a piano teacher; his father, a host on Radio- Canada), formal schooling, and stage- seasoned chops into two companion EPs — Metropole and Metropole II — the Chromeo collaboration Bend the Rules, and a series of singles lighting a pathway to his upcoming long-form debut, Galerie.
Galerie’s forward-facing approach may call to mind a timeless phrase familiar to any jazzhead: The Shape of Jazz to Come. Ornette Coleman’s 1959 opus reconfigured traditional notions of harmonic structure, its title and content serving as both a blueprint and open question for progressive music’s future. With Dupuis’ reverent but revolutionary project, that answer is no longer in the past or on the horizon; it’s here.

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21,43

Последний логин: 3 г. назад
Volta Cab - Bundesautobahn 98 EP

Volta Cab

Bundesautobahn 98 EP

12inchLUBREE001
Hypress
27.10.2022

Lubree revisits the original motif of Hypress with luminous calculation, launching a series of new releases in the near future. Thus, the first release features electro ballads dipped in gentle rawness along with disco bangers and EBM-styled acid house. The original tracks are produced by "Volta Cab" and the remixes by Rotterdam's DJ Overdose and Venezuelan-born and Barcelona-based DJ/producer Cardopusher.

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9,87

Последний логин: 2 г. назад
MATTHEW DEAR - Preacher's Sigh & Potion: Lost Album

Dieses ausgegrabene Matthew Dear Album wurde ursprünglich nach seinem gefeierten Album Asa Breed (2007) aufgenommen. Für Fans von Beck, Bill Callahan/Smog, Bibio. In erster Linie kennt man den gefragten texanischen DJ und Elektronikproduzenten Matthew Dear seit über zwanzig Jahren als Grenzgänger der Clubmusik, der nur im erweiterten Sinne als Popmusiker aktiv ist. Auf seinem 'neuen' Studioalbum überrascht der US-Musiker jetzt mit ungewöhnlichen Klängen. "Preacher's Sigh & Potion: Lost Album" wurde vor zehn Jahren aufgenommen, aber das Material nie veröffentlicht. Inspiriert vom Gitarrenspiel seines verstorbenen Vaters und klassischen Country-Folk-Favoriten wie Emmylou Harris, wendete Dear an, was er über Techno-Arrangements wusste, um einen organischen, loop-zentrierten Sound zu erforschen, der bluesig, persönlich und verspielt ist und die Geschichte von Pop und Rock, den Twang von Country, den Aufbau und das Loslassen von Techno durcheinander wirbelt.

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21,39

Последний логин: 3 г. назад
Todd Terje - It's The Arps Ep

Todd Terje

It's The Arps Ep

12inchOLS001
Olsen
26.10.2022

reissue with original artwork!

Todd Terje's 2012 EP It's the Arps rumbled the floors of warehouse parties and hedonistic sleepovers alike with lead single 'Inspector Norse' leading the vanguard of electro fun.


Please welcome: It's The Arps! Oslo's magic music maker Todd Terje has already gained a wunderkind like reputation for his gentle yet potent productions (we won't mention the 'E' word here) on labels like Full Pupp, Permanent Vacation and Running Back on top of being one of the best remixers money can buy (Shit Robot, Bryan Ferry, Dølle Jllle etc etc). What is there left for him to do Establish a label of his own! 'It's The Arps' is the starting signal for Olsen. And what a splendid one it is. Created from scratch and solely on the mythical synthesizer ARP 2600, it features four tracks (reads instant classics) that couldn't be a better follow-up to his 2011 super hit EP 'Ragysh'. Towering over the assortment is the laser crime scene called 'Inspector Norse'. Defying genres and blinkers, this is finest goose bumps dance music that makes you whistle along, laughing and crying all at the same time - but the rest isn't half bad either. The short, but sweet 'Myggsommer' gives away Terje's secret love for quirky exotika, whereas 'Swing Star Pt 1' and its brother have a (balearic) brilliance and witchery to them that is rarely found nowadays. Released on Olsen Records and housed in a beautiful sleeve courtesy of Bendik Kaltenborn. 100% Arp 2600 and 200% Todd Terje.

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12,23

Последний логин: 59 дн. назад
PERERA ELSEWHERE - HOME LP

"Home" is the third full-length LP by the seminal London-born, Berlin-based, Sri Lankan artist Perera Elsewhere on LA label Friends of Friends.

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21,81

Последний логин: 3 г. назад
Underground Canopy (Bluestaeb & S.Fidelity) - Sequences LP

After the release of their critically acclaimed first album « Bluestaeb & S. Fidelity Present Underground Canopy » (MENACE - 2020), Underground Canopy (UC) was able to take time, due to the unforeseen period of doubt in 2020, to craft new compositions with a fresh approach. Throughout this forced period of introspection, the Parisian band experimented with more refined musical codes and colorful sounds.

Following the new additions of Raphaël Henry on drums and Christopher Johnson on electric guitar, UC was able to record and film a live rendition of four original pieces at the end of 2020, thanks to an invitation by the Centre des Arts d’Enghien-les-Bains’s artistic program and SENSE. These music videos, each filmed in one shot by Romain Lalire, capture UC’s musical digressions away from their mainly hip-hop and groove-infused jams and into new territory.

The resulting new EP «Séquences : Live Session» celebrates cinematic aesthetics and the suspension of time. It stands as an audiovisual testimonial to the band’s continued progression. In this era marked by uncertainty but full of hope, what will come next?

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22,65

Последний логин: 3 г. назад
INSIDER PRESENTS SPACE BARONS - BLACK MAGIC EP

InsiderpresentsSpace Barons

BLACK MAGIC EP

12inchTDMV001
TO DA MOON
26.10.2022

Zillion is an institute of Belgian club life. Insider made under his new guise Space Barons 2 exclusive tracks that will be featured in the Zillion movie. The first is Black magic: the track you think you've known for years but that's actually brand, spanking new. Tested and approved, hitting with the power of an oldskool anthem coupled with the pedigree of a grand cru 2022. Second is Space & Sound: a pure and unadulterated trip into every one of your guilty pleasures. Combing 80s, 90s, and the 2000s into a futuristic roller coaster like only the Space Barons can do. Grab your hands on this super exclusive release.

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19,71

Последний логин: 3 г. назад
LARSON - INTERLACE JOY MOTIONS LP 2x12"

A true love letter to house music, Larson presents his account of the ubiquitous dance music genre diving deep into its origins. Connecting the dots with some of the genre’s most beloved innovators such as Larry Heard, Boo Williams, Ron Trent, Chez Damier or Chris Brann, the Belgian producer pays tribute by adding his own emphases. Setting a bright mood, at times aiming for the dance floor, at others comforting the listener into a casual vibe, Larson is not seeking, but spontaneously drawing attention with his graceful sounds, stripped to the bone and built on an intuitive factor.

Larson hails from Liège, the South Belgian city known for its meat balls and the mighty river La Meuse, and works as a sound editor in movie production. Recognised by those-who-know as one of the most quintessential figures of Liège’s burgeoning underground nightlife scene, the time is now for Larson to step forward. His 2x12” debut release dubbed ‘Interlace Joy Motions’ is one for the house heads, shifting between 121 and 130 BPM and showcasing the diverse sounds the producer has in store.

Opening track Our Inner Sun has smiles written all over. A simple yet effective piano loop, warm strings and a delicately running acid baseline are all Larson needs to set the standard for the beauty that is yet to come. Effortlessly entertaining for close to seven minutes, here is the essence of timeless house music at work.

Pushing up the speed up to 129 BPM, A2 brings the brand new label’s title track, Larson’s take on the many meanings the name may represent. Designed for jubilant dance floor action, Hi Scores is punchy and elegant at the same time.

On the flip side, Slack Breeze is an eleven-minutes-long breezy electro trip paying homage to Detroit music pioneer Juan Atkins and offers two mixes, nicely manufactured as one auditive whole on the vinyl record with a useful visual marker in between. Be aware of the slight tempo drop between the bold Club mix and the more laid back Sensual mix.

In a cultured and charming manner, Lethal Dance opens the second 12”. Driven by a fab bassline and soft as silk string arrangements, here is a slow burner for moments lost track of time. High Jazz Travel on C2 continues this trip to lofty spaces, speeding up the pace but holding on to Larson’s well crafted dream universe, with its mellow aura almost turning into a debonair lullaby for grown-ups.

Adding another layer to the cake is Chris ‘Funk’ Ferreira, the C12 resident DJ and ½ Senga Ferreira. Also active as the mixing engineer of this double 12”, on the D1 the Brussels based producer takes up the role as remixer with his stomping and energy building ‘Magic Force’ version of Hi Scores, contributing the single vocal sample to the EP. Things come to an end with Souvenir d’Enfance, a playful and innocent conga driven house track, cherished as a safe and sound childhood memory, forever in our hearts just as this excellent debut by Larson.

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20,80

Последний логин: 3 г. назад
JARV IS - THIS IS GOING TO HURT (OST)

JARV IS... have written & performed the original soundtrack for the critically acclaimed BBC TV series "This is Going to Hurt" based on Adam Kay"s award-winning international multi-million selling memoir of the same name. The soundtrack was recorded at Narcissus Studios, London by Drew Dungate-Smith during various sessions throughout 2021. Most of the performances are live takes featuring the entire band - often recorded whilst they watched the playback of key sequences from the series. Each episode features at least one song with lyrics by Cocker, who had access to the scripts (adapted by Adam Kay from his own book) from an early stage in the production process. JARV IS... is a band comprising Jarvis Cocker, Serafina Steer, Emma Smith, Andrew McKinney, Adam Betts & Jason Buckle. The soundtrack consists of a mixture of songs & instrumental pieces, with Cocker & Steer being the main composers. Cocker is quoted as saying "It"s our love song to the NHS".

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23,07

Последний логин: 3 г. назад
TORTOISE - TNT LP (2x12")

Tortoise

TNT LP (2x12")

2x12inchTHRILLZ50
Thrill Jockey
25.10.2022

TNT is the third full length studio album released by Tortoise in 1998 1998 : Tortoise"s third studio album TNT is released. In and out of print over the past decade we are happy to finally give everyone what they have been asking for - TNT on vinyl again! Pressed on high quality virgin vinyl, the two LPs are packaged in a deluxe old-style tip?on gatefold jacket fully replicating the original artwork and includes a download coupon for the first time! Tortoise"s third full-length release, TNT, was written and recorded during a 10-month interval in 1997. This longer-than-usual writing/production schedule was purposefully undertaken by the group in the hopes of crafting an expansive, diverse, yet thematically coherent offering. TNT builds upon the spare, instrumental framework of the group"s first, self-titled album, and the extended edits, melodic adventures, and klangfarben of the subsequent full-length release, Millions Now Living Will Never Die. Further to this, Tortoise"s interest in the possibilities offered by the remixing of tracks was realized within the actual production of TNT; individual elements, sections, or sometimes whole compositions mutate within the album"s shifting framework. These techniques were suitably realized thanks in part to the use of non-linear digital recording and editing methods, the first example of such work for the group

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33,82

Последний логин: 3 г. назад
AUTHENTICALLY PLASTIC - RAW SPACE LP

RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album. As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism. On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles. Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected.

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21,22

Последний логин: 3 г. назад
Cool Runners - Checking Out LP

More solid UK boogie & brit-funk courtesy of Freestyle Records - this time giving the 12" reissue treatment to short-lived group Cool Runners' 1982 single Checking Out, backed up with sought-after High on a Feeling.

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As Cool Runners' Paul Tattersall recalls, "this single was a follow-up to the "Play The Game (So You Think It Funny) / Hawaiian Dream" 12" which we believe got to around number 60 in the national charts, and was at the time heavily played on the radio by DJ Greg Edwards who sadly passed away earlier this year..." Recorded mixed and mastered then licensed for release to MCA, this initial single also relased in 1982 was voiced by Tony Jackson, then part of Paul Young's backing band as his career took off in the charts. Tony formed part of a string of funk groups throughout the 70s and early 80s - Sweet Dreams, Midnight, Ritz & Indigo - and later went on to be successful as lead singer in Rage.

These tracks "Checking Out" and "High on a Feeling" on the other hand features the vocal talents of Rush Winters, who would go on to record with the likes of Carmel, Yello, D.C.Lee and others. "It received little in the way of promotion by the record company at the time", Tattersall continues "so it has produced a cult following and has become rather sought-after, as few copies were actually released at that time."

After release, Cool Runners' Paul Tattersall and Chris Rodel then played with several different bands, with Chris moving onto double bass. He still plays professionally today as an accomplished jazz bass player. Paul has run a successful musical hire company in North London, with a specialism on synths and keyboards, since the eighties - and continues to this day.

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8,36

Последний логин: 10 мес. назад
Dorian Concept - What We Do For Others LP

Oliver Johnson alias Dorian Concept veröffentlicht am 28. Oktober 2022 sein neues Album, „What We Do For Others“, auf Brainfeeder. Es ist das dritte Studioalbum des österreichischen Produzenten und Synthesizer-Experten, der für seine einzigartigen, wunderschön detaillierten Klangteppiche und wilden, gar euphorisierenden Live-Keyboard-Jam-Videos bekannt ist.
„What We Do For Others“ ist ein entspanntes, ruhiges, selbstbewusstes und intimes Album, das auf herrlich lockeren Arrangements und rückgekoppelten Klanglandschaften basiert und mit Fetzen seines eigenen verfremdeten Gesangs unterlegt ist, der eher als zusätzliche Instrumentierung denn als lyrische Phrasen präsentiert wird. Alle Elemente und Schichten wurden ohne Unterbrechungen aufgenommen und absichtlich nicht bearbeitet. „Ich glaube, deshalb hat diese Platte so etwas wie einen ‚Bandsound‘.“, erklärt Johnson. „Ich spiele alle Arten von Tasteninstrumenten, singe und benutze Effektgeräte, um diese freien Kompositionen zu schaffen.“ Der in Wien lebende Johnson ist ein fester Bestandteil der experimentellen Jazz-/ Elektronik-Szene, die im Umfeld von Brainfeeders Aushängeschild Flying Lotus floriert und sich diversifiziert hat. Mit frühen Veröffentlichungen auf dem Kindred Spirits-Label Nod Navigators und Affine Records spielte Johnson bei den ersten internationalen Label-Nächten von Brainfeeder im Jahr 2009 (Off-Sónar in Barcelona und die berüchtigte Hearn Street Car Park-Session in London) und bildete eine starke familiäre Bindung mit der Brainfeeder-Crew, die auf der gemeinsamen Liebe zu freaky Elektronik-Jazz-Fusion beruht. Johnson war an der Produktion von Thundercats „The Golden Age Of Apocalypse“ beteiligt, spielte die Tasten auf Flying Lotus' bahnbrechendem Album, „Cosmogramma“, und tourte mit den Live-Bands von FlyLo und The Cinematic Orchestra. Außerdem steuerte er die Tasten auf MF DOOMs „Lunchbreak“ bei, das von FlyLo und Thundercat produziert wurde. Kürzlich arbeitete er mit Kenny Beats an dessen Debütalbum, „Louie“, zusammen, wobei er bei drei Stücken die Tasten beisteuerte, und tat sich mit einem weiteren Pionier zukunftsorientierter Elektronik - Mark Pritchard - zusammen, um Musik für Damien Jalets zeitgenössische Tanzperformance, „Kites“, an der Göteborger Oper zu komponieren. Im Jahr 2020 arbeitete Oliver mit einem der weltweit führenden Ensembles für zeitgenössische Musik zusammen, dem Klangforum Wien, und komponierte ein Stück namens „Hyperopia“, das beim TRANSART Festival in Österreich aufgeführt wurde. Johnson veröffentlichte sein Debütalbum, „Joined Ends“, 2014 auf Ninja Tune, bevor er 2018 auf Brainfeeder landete, um „The Nature Of Imitation“ zu veröffentlichen: ein Album mit schwindelerregenden Partituren, kakophonischen Breakdowns und formidablen Rhythmen, von denen Pitchfork schwärmte: „Dorian Concept schafft etwas, das Elektro-Funk-Autoren der 70er und 80er Jahre wie Kraftwerk, George Clinton und Roger Troutman angedeutet haben: Computermusik, die den Funk unverhohlen imitiert, anstatt ihn nur zu faken.“.

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24,58

Последний логин: 3 г. назад
Second Woman - S/w

Second Woman

S/w

12inchSP043LPX
Spectrum Spools
25.10.2022
 
9
также имеющийся в продаже

Black Vinyl[17,44 €]


Clear Vinyl

Future music duo Second Woman's sophomore full-length for Spectrum Spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. Shivering digital textures oscillate with and against algorithmically mapped percussion samples, smeared synthetic chords levitate in the distance, stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. Their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.
Multi-instrumentalists Josh Eustis and Turk Dietrich share a deep history going back to their days in the New Orleans ambient electronic community, as part of Telefon Tel Aviv and Belong, respectively. Even so, S/W pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

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18,11

Последний логин: 3 г. назад
Wareika - Harmonie Park 2x12"

Wareika

Harmonie Park 2x12"

2x12inchPERLON81LP
Perlon
25.10.2022

repressed !


Wareika invite us to their „Harmonie Park“, a place created by the love of improvisation. At the park, poles have shifted already! Florian Schirmacher, Jakob Seidensticker and Henrik Raabe, all full-time musicians, tuned their instruments to introduce us to this parallel universe. It.s about the various possible perceptions of one single moment. Loops and sequences, subjected to virtual tempo changes, without leaving the Bpm scale. In the park, everything is always in the flow. Jazz / Techno / Funk / House, all elements that appear / dissapear throughout the composition. Wareika manage to bring all this together effortlessly, without even thinking in those categories. The deeper you get into the park, the more you get absorbed by the dynamics of interlaced, polyrhythmic modulations. Luckily the groove acts like the park ranger, showing you around while
taking care no one gets lost in hypnotic structures waiting on the way. At the end, this pulsating soundcluster leads into the great river named bassline, leaving us quite harmonized..... !! This release comes in a special format !! We made „Harmonie Park“ available in 4 parts on 2x12“ Vinyl

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21,30

Последний логин: 9 мес. назад
Duma - Duma LP

Duma

Duma LP

12inchNNT022
Nyege Nyege Tapes
25.10.2022

Martin Khanja (aka Lord Spike Heart) and Sam Karugu emerge from Nairobi's flourishing underground metal scene as former members of the bands Lust of a Dying Breed and Seeds of Datura. Together in 2019 they formed Duma (Darkness in Kikuyu) with Sam abandoning bass for production and guitars and Lord Spike Heart providing extreme vocals to the project. Recorded at Nyege Nyege Studios in Kampala over three months in mid 2019 their self-titled debut album fuses the frenetic euphoria, unrelenting physicality and rebellious attitude of hardcore punk and trash metal with bone-crunching breakcore and raw, nihilist industrial noise through a claustrophobic vortex of visceral screams. The savant mix of brutally adrenalized drums, caustic industrial trap, shredding grindcore inspired guitars and abrupt speed changes create a darkly atmospheric menace and is lethal on tracks like the opener "Angels and Abysses" , "Omni" or "Uganda with Sam". The gruelling slow techno dirges and monolithic vocals on "Pembe 666" or "Sin Nature" add a pinch of dramatic inevitability bringing a new sense of theatricality and terrifying fate awaiting into the record's progression. A sinister sonic aggression of feral intensity with disregard for styles, Duma promises to impact the burgeoning African metal scene moving it into totally new, boundary-challenging experimental territories.

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21,22

Последний логин: 9 мес. назад
Arno E. Mathieu - Contemplation LP (2x12")

Es zirkulieren wenige LPs, die über die gesamte Albumlänge die Schönheit und Wärme des „Balearic Sound“ widerspiegeln. Man kann das auch dem Genre “Cosmic“ zuordnen. Arno E. Mathieu aus Südfrankreich schafft auf “Contemplation” das einzigartige flimmernde Licht des „Mediterranen“ einzufangen, und in einem modernen Sound die Stimmungen der Natur des Mittemeerraumes rüber zu bringen. Die Songtitel und das Cover Image ergänzen das abgerundete Stimmungsbild.

Es kommt nicht von Ungefähr, dass DJ Harvey großer Fan von Arno E Mathieu ist und viele seiner Tunes spielt. Wer auch in diesen Kosmos passt, ist Joe Claussell, der neben Franck Roger, I:Cube, Beanfield, Julien Jabre, Mark E, Simoncino, Woolfy, DJ Deep, Gigi Testa, Next Evidence, Max Essa jeder für sich einen tollen Remix abliefert. Fast jeder Track des Albums wurde geremixt.

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23,32

Последний логин: 3 г. назад
DIGABLE PLANETS - BLOWOUT COMB LP (2x12")

* Dazed and Amazed Duo Color Vinyl * Fully printed inner sleeves * Liner notes by Larry Mizell Jr. // The album is named for the combs used to maintain an Afro hairstyle, and that's significant. The group's Ishmael "Butterfly" Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style," he has said. Like with 1993's debut _Reachin' (A New Refutation of Time and Space)_, 'utilizing the natural' meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig 'Doodlebug' Irving and Mary Ann 'Ladybug Mecca' Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr's Guru, Jeru the Damaja, and Jazzy Joyce. Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics - and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

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65,50

Последний логин: 3 г. назад
Max Loderbauer - Petrichor

Max Loderbauer

Petrichor

12inchMARIONETTE20LP
Marionette
25.10.2022

Max Loderbauer’s career in music spans the last 3 decades, yet he’s still managed to keep his listeners hungry by releasing only 3 solo albums to date. Two of those releases (Transparenz, 2013 and Donnerwetter, 2020) were on Tobias Freund’s label Non Standard Productions - his long time collaborator and Templehof studio mate. In between those releases, Loderbauer graced Marionette with Greyland in 2016, revealing a previously unheard youthful and sentimental side. Now in 2022, the seasoned mind voyager is back with Petrichor, making yet another rare and treasurable solo appearance.

Petrichor distills the elements of Loderbauer’s work that are fundamental to the initiation of the label. With his Buchla, modular synth, and Haken fingerboard, Loderbauer’s improvised studio maneuvers dilate into imagined journeys from glacial peaks into the exosphere. This is Maxi at his most exhilarating state, morphing through bittersweet and optimistic soundscapes to bleak moments of throbbing unease - all while maintaining a sense of grace and elegance. Petrichor is a reflection of Loderbauer’s impactful trips to the mountains, and returning from these summits with an electrifying urge to paint this mighty perspective. The harmonies and melodies on the tracks simulate emotional peaks and valleys, with vibration and rhythm rooted in the foundation of the sound, as though it's woven into the fabric of the fauna and flora.

Legendary collaborations like Vilod (with Ricardo Villalobos), the Moritz Von Oswald Trio, Non Standard Institute, Sun Electric in the early nineties, and the newly formed Ambiq ensemble have gained this unique artist the respect of the underground and avant garde scenes alike.

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21,98

Последний логин: 3 г. назад
Mark de Clive-Lowe - Midnight Snacks Remixed

The fourth installment of MdCL’s Midnight Snacks series features remixes of snacks from vol 1 & 2, reimagined by Foursixone (Germany), Sound of Fractures (UK), Laroye (France) and Coflo (USA) – instrumental dancefloor pressure for the broken beat and soulful house heads. Curated by the Mashibeats community – community-sourced remixes and community-A&R’d – the EP kicks off with Foursixone’s broken beat reimagining of ‘Crush Velvet’: file alongside BITA and 2000Black. Sound of Fractures blends jungle bass-line pressure with a 2-step bounce on ‘Blue Hour’. On the flipside we dive into house with Laroye’s alternate mix of ‘Crush Velvet’ – a future nu-jazz house classic, and wrap up with the gospel organs and deep 4/4 grooves courtesy frequent Osunlade collaborator, Coflo.

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13,40

Последний логин: 4 мес. назад
Thotcrime - D1G1T4L_DR1FT

Thotcrime

D1G1T4L_DR1FT

12inchPROS105601
Prosthetic Records
25.10.2022
также имеющийся в продаже

I[38,53 €]

Black Vinyl[24,50 €]

Black & Orange Pinwheel Vinyl[24,50 €]

Pink/White Swirl Vinyl[26,01 €]

II[27,69 €]


Following their recent addition to the Prosthetic Records roster, multinational cybergrind quartet THOTCRIME are set to release their sophomore full length, titled D1G1T4L_DR1FT. With members hailing from Champaign-Urbana, IL, Philadelphia, PA and Nottingham, UK THOTCRIME’s prolific output to date has seen the band generate a buzz in online music communities and garner praise from Bandcamp Daily in the publication’s profile on the burgeoning cybergrind movement at large. D1G1T14L_DR1FT, the follow up to 2020s ønyøurcømputer, sees THOTCRIME continue to gleefully abandon genre convention in favour of boundless individuality and invention. Prosthetic debut LP from cybergrind curators/digital girls on your computer, THOTCRIME. D1G1T4L_DR1FT features collaborations with Pupil Slicer, Callous Daoboys, Dreamwell & Diana Gruber.

Сделать предзаказ25.10.2022

он должен быть опубликован на 25.10.2022

26,01
Thotcrime - D1G1T4L_DR1FT

Thotcrime

D1G1T4L_DR1FT

12inchPROS105604
Prosthetic Records
25.10.2022
также имеющийся в продаже

I[38,53 €]

Black Vinyl[24,50 €]

Black & Orange Pinwheel Vinyl[24,50 €]

Yellow vinyl[26,01 €]

II[27,69 €]


Following their recent addition to the Prosthetic Records roster, multinational cybergrind quartet THOTCRIME are set to release their sophomore full length, titled D1G1T4L_DR1FT. With members hailing from Champaign-Urbana, IL, Philadelphia, PA and Nottingham, UK THOTCRIME’s prolific output to date has seen the band generate a buzz in online music communities and garner praise from Bandcamp Daily in the publication’s profile on the burgeoning cybergrind movement at large. D1G1T14L_DR1FT, the follow up to 2020s ønyøurcømputer, sees THOTCRIME continue to gleefully abandon genre convention in favour of boundless individuality and invention. Prosthetic debut LP from cybergrind curators/digital girls on your computer, THOTCRIME. D1G1T4L_DR1FT features collaborations with Pupil Slicer, Callous Daoboys, Dreamwell & Diana Gruber.

Сделать предзаказ25.10.2022

он должен быть опубликован на 25.10.2022

26,01
Roy Azulay - The Reflections EP

After a long hiatus partly initiated by our re-energizing from an incredibly hectic season, always with love and rhythm; Sacred Rhythm & Cosmic Arts are back; We are so excited about what's coming in the nearest future and onward. All praises go to our associations, partner Labels, our growing connection with our family of music creators and distributors, and of course; our unwavering love and appreciation with and for all of you our supporters, for whom we would not have made it this far without. That said, we are thrilled to announce this first release to kick off our upcoming season. We proudly present The Reflections EP by Artist / DJ Roi Azulay. The Reflection EP is the third release on Sacred Rhythm by Roi Azulay. On this EP Roi chose to illuminate a deeper almost acoustic side of his multi-dimensional production outputs. There are three compositions featured on this 12 Inch- one of which is a remix produced by the one and only Ron Trent, who without fail provides us with the dopeness that we've no doubt come to expect from this dope visionary… We invite you, however to dive further into Roi's world and take a deeper listen to the entirety of the EP, all the while taking in the full essence of this music tale that Roi Azulay tells via voices on his compositions, which by the way are siblings of a forthcoming Full-length Album Coming shortly… speaking of which, Roi's Full-length LP will feature a Kuniyuki Remix on

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24,08

Последний логин: 2 г. назад
Pikacyu-makoto - Galaxilympics

As a duo they embrace both sides of the coin, drums and guitar, chaos and order, male and female, ying and yang, the angel and the devil. They are more than the sum of both counterparts though, making for a maximalist auditory experience. PIKA brings her skills of mystifying performance to the table, all free-drum bluster and vocals veering between shrine maiden and wild spirit. Kawabata's guitar-work moves from a roar to a whisper, a yell to a sob, he's working on the same canvas of extremes. The aim of their unity is to write truly celestial hymns for the outer world and odes of love for the inner cosmic context.
 
No strangers to one another, the pair have not only gigged together with their respective bands but also recorded together, when these two outfits temporarily fused in 2005 to become Acid Mothers Afrirampo (releasing an album of the same name). Two years later they distilled their collaboration, all other players being stripped away to leave the core of Pikacyu's manic drums and pop vocal, and Makoto's schizoid guitar conjurings. In 2011 they spent five weeks touring the US and their first album, 'OM Sweet Home: We Are Shining Stars From Darkside', which was released by the esteemed UK label of all things heavy and brilliant, Riot Season. Last year they spent two weeks touring through Europe whilst writing a new album suffused with the outreaching sound and message of their impulsive live performances. This new album is entitled 'Galaxilympics' and will be released by Upset The Rhythm on August 4th on LP and CD.
'Galaxilympics' is an album of contrasts, so much colour, so much shade! 'Space Sumo' kicks off the record in explosive style. Pikacyu's drums jitter, crash and stumble, but steadfastly refuse to groove. Makoto attacks his guitar, cloaking himself in reverb to produce a wall-of-sound, alternating between melody and noise. 'Funifunikonefuni' follows with it's frenzied take on pop music, bubbling with energy and PIKA's multiple vocal layers. 'I'll Forgive' is chant-like in its devotion to following the tumbling melody line of the song even to absurd and unpredictable dimensions. 'Pika Mako Hall' is a more serene affair, with whispered echoes and guitar drones swirling amongst bursts of rapid sequencer ambience. 'Castle Of Sand' picks up on this more spacious approach with slowly developing programmed electronics, before the title track erupts with gurgling synths, soaring guitar trails and PIKA's most searching vocal yet.
 
The album concludes in reflective manner with the suitably titled 'Sayonownara', a song as much in the present as it is in the act of saying farewell. It's positively elegiac with washes of cymbal and deep acres of guitar drone for the first five minutes before PIKA's drums take things up a gear and into more psychedelic out-rock terrain. This insurgence eventually peaks and the album melts away to silence. PIKACYU-MAKOTO have made an album that takes you on a trip into your very soul before emerging once more at the edge of another galaxy. 'Galaxilympics' is a triumph of opposites united, it enjoys walking out into the unknown, but it's also a portal into the very real world of two musicians who find peace and semblance through their interaction. Hymns and odes to one side, this is a giant album of future-facing song and noise, where better to find harmony enthroned

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14,24

Последний логин: 3 г. назад
Max Fresh & Deef Cosby - YUM

Slize, Max Fresh und Deef Cosby haben sich nicht abkochen lassen und zusammen mit dédé und Roboti Niro eine saftige Platte angerichtet, die vom Meisterkoch mit Michelin Stern Nadim Kabel aka Air Fork One abgeschmeckt und verfeinert wurde.
Zwei Tracks, zwei Remixe und die dazugehörigen vier Instrumentals ergeben ein Menü, das jedem geneigten Head das Wasser im Munde zusammenlaufen lässt.
"Yum" ist nicht nur ein Leckerbissen für Feinschmecker, sondern das, was Rap derzeit mal wieder braucht. Straighter Rap auf straighten Beats. Instant classic also.
Besonders die Remixe beweisen dabei, welche ungekannten Aromen ein und derselbe Track in neuem musikalischen Speckmantel entfalten kann. So ermöglichen die Köche es ihren Gästen, selbst die feinsten geschmacklichen Nuancen entdecken zu können.
Für die Labelarbeit zeigt sich "Das Label mit dem Hund" verantwortlich, welches schon bei zahlreichen andere Untergrund-Releases seinen Löffel im Topf hatte. Bon appétit!

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16,77

Последний логин: 3 г. назад
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N/ABPM
Vinyl