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Brockhoff - Easy Peeler LP
  • Easy Peeler
  • The Carpet Song
  • Willows
  • Sunny Day (Deadline)
  • Blue Star
  • Front Row
  • Nothing Can Be Fixed In This Place
  • Dirty Dream
  • Japanese Garden#
  • I've Stopped Getting Chills For A While Now
  • Cruel
  • Sleep It Off
  • It Never Happened
  • Hot Wheels

Germany's most exciting new indie voice BROCKHOFF opens a bold new chapter and announces her debut album Easy Peeler, out June 5th 2026 via PIAS Recordings. “Easy Peeler” is the ambitious culmination of BROCKHOFF’s musical coming-of-age journey. It's an album that bridges grunge-laced indie rock and early-2000s pop textures, wrapped in a deeply authentic songwriting voice. It’s a reminder that even when life feels uncomfortable, there’s beauty in being an easy peeler. For Fans of: Modern indie acts Phoebe Bridgers, Snail Mail, Soccer Mommy as well as 90s bands such as Weezer or The Cardigans Tracklist: 01. Easy Peeler 02. The Carpet Song 03. Willows 04. Sunny Day (Deadline) 05. Blue Star 06. Front Row 07. Nothing Can Be Fixed In This Place 08. Dirty Dream 09. Japanese Garden# 10. I've Stopped Getting Chills For A While Now 11. Cruel 12. Sleep It Off 13. It Never Happened 14. Hot Wheels

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24,79
Marion Brown - Awofofora

First time reissue of JP / US free jazz rarity.

The 1970s were Marion Brown’s most searching decade, a period during which he sought to move beyond the free jazz of the previous era and find more personal approaches to structuring improvisation and composition. After leaving New York for Europe in 1967, Brown began reshaping his music into what he described as “a more deliberate kind of music that had more structure to it,” pacing it so that moods and modes could develop over time. Albums such as In Sommerhausen, Afternoon of a Georgia Faun, Geechee Recollections, and Sweet Earth Flying trace this evolution: rhythmic structures moved to the foreground, harmony receded, and composition became a matter of orchestrating interlocking rhythmic parts as one would polyphonic lines.

Released in 1976, Awofofora is an overlooked but crucial entry in that sequence. At the time, its use of funk and reggae beats, electric guitars, and grooves drawn from contemporary Black popular music led some to misread it as a jazz-rock detour. In retrospect, it is entirely consistent with Brown’s methodology. As he admired in the Art Ensemble of Chicago, the stimulus comes from within the community. Here Brown filters Afro-Caribbean rhythms and funk through his own sensibility, abstracting their structural qualities rather than adopting surface style.

“La Placita,” making its first recorded appearance, layers distinct rhythmic phrases in a manner reminiscent of African drum ensembles, over which Brown and trumpeter Ambrose Jackson spin extended improvisations. The standard “Flamingo” is reshaped through diasporic rhythm and lyrical soloing, while “Pepi’s Tempo” and “Mangoes” harness crisp funk and reggae grooves to generate what Brown called a “manifestation of community” through collective improvisation. Even the overdubbed solo feature “And Then They Danced” reflects his structural thinking, ingeniously re-voicing a duet composition for two alto saxophones performed by one player.

This was the only recording by a short-lived band that briefly polarized audiences during festival appearances in 1976. Yet Brown consistently sought unity across change: different sounds, same principles — rhythm as structure, melody as architecture, collective improvisation, and above all, the primacy of tone. Awofofora stands not as a departure, but as a vivid synthesis of the elements he had been refining since the late 1960s, its grooves and golden alto lines conveying a sound drawn, in his words, “from life and from the world of experience.”

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28,15
Chris Stussy - Lost, Found & Forgotten... (3x12")

After years of shaping dancefloors worldwide and carefully curating the sonic and visual identity of Up The Stuss, Dutch favourite Chris Stussy presents his most expansive and personal statement to date with his debut album, ‘Lost, Found & Forgotten...’. Landing on 3rd April, the album unfolds across three interconnected chapters - ‘Lost’, ‘Found’, and ‘Forgotten’ - each revealing a different side of his creative world across 19 tracks while remaining tethered to a singular wider vision.

At its core, ‘Lost, Found & Forgotten...’ is an exploration of creative freedom. Visually and conceptually guided by the image of a kite, the album reflects movement, perspective, and balance. Floating freely yet always anchored, the kite mirrors Chris’s approach to music: unrestricted in emotion and imagination, but grounded in groove, craftsmanship, and intention. It’s a symbol that naturally extends the Up The Stuss identity; pointing skyward, embracing openness, and encouraging curiosity.

“This album has been a long time in the making, and I’m excited to finally share it with you. The process behind it - exchanging ideas with other artists and creating music outside of my comfort zone - has been an incredible experience. It gave me a true sense of freedom, allowing me to not think about boundaries or expectations. I’ve never been more proud of a project than this one. It’s deeply personal, and it represents my sound as a whole. I hope you listen with an open mind and find something in it that resonates with you.” - Chris Stussy.

The ‘Lost’ chapter opens the album by giving new life to music once left behind. These are tracks written across different moments in Chris’s journey, ideas that never quite found a home until now. Rather than relics of the past, they emerge re-discovered, refined, and fully realised. ‘

Found’ represents inspiration in motion. Sparked by collaboration, digging, and shared creative exchange, this chapter captures the moment when ideas connect, and colour floods the sky.

The album closes with ‘Forgotten’ - a nod to the deeper cuts, the B-sides, and the moments that reward patience. This chapter is for the heads and diggers; tracks that may not demand immediate attention but reveal their value over time.

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35,50
Toddsonic33 - The Love EP

Toddsonic33 lands on Frequencies Rhythm Life with The Love EP, a refined continuation of his journey through punchy drum machines and soulful disco samples, all shaped by his distinctive and forward-thinking production style.
Five expertly crafted tracks, features a special contribution from Code 90 on A1, each rooted in the unmistakable spirit of Chicago house while pushing the sound in fresh, contemporary directions. Packed with groove, warmth, and energy, The Love EP is built for the dancefloor—an essential weapon for DJs and house music lovers alike:

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13,24
The Hellacopters - Cream Of The Crap! Collected Non-Album Works Volume 3 (LP 2x12")
 
24

Neu-Auflage auif schwarzem Vinyl im Gatefold

Die schwedischen High-Energy-Rocker The Hellacopters haben kürzlich ihr 30-jähriges Jubiläum gefeiert und nach der Veröffentlichung ihres neuen, vielgelobten Albums »Overdriver« am 31. Januar 2025, das zum zweiten Mal in der Bandgeschichte Platz 1 der schwedischen Charts erreichte 1 der schwedischen Charts erreichte – ist es nun an der Zeit, ihrer treuen Fangemeinde etwas wirklich Nostalgisches zu bieten.

»Cream Of The Crap! Collected Non-Album Works • Volume 3« ist der lang erwartete Nachfolger einer Reihe von Raritäten-Sammlungen, die 2002 begann und Material aus einer Vielzahl von Singles, EPs und Compilations vereint. Die 24 Titel dieses Sets wurden ursprünglich zwischen 1995 und 2004 veröffentlicht, die meisten davon nur auf Vinyl, und umfassen Originale wie »Disappointment Blues«, »Freeway To Hell«, »Doggone Your Bad-Luck Soul« und »Long Gone Losers« sowie Coverversionen von Songs von Motörhead, Wilson Pickett, Mc5, Smokey Robinson, Alice Cooper, The Ramones, The Nomads, Adam West – dessen Sänger Jake Starr die Liner Notes für diese Veröffentlichung verfasst hat – und vielen, vielen anderen.

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31,05
Edwin Starr - Real Humdinger / Scott's On Swingers (7")

#andifyouknowyourhistory#detroit#raresoul

We are talking Holy Grail territory…

Edwin Starr and JJ Barnes were two of the main stars at Ric-Tic, the legendary 1960s Detroit Soul label that ended up being purchased by Motown to take out the competition.

JJ Barnes REAL HUMDINGER Ric-Tic 45 is a standout gem from the Motor City’s Soul heyday years and an all time Northern Soul classic. Edwin’s Ric-Tic 45s and subsequent gems for Motown made him such a Northern Soul icon that he moved to live in England.

What Anglophile Edwin never revealed is that he actually recorded the first version of REAL HUMDINGER for Ric-Tic. It never got released and its’ very existence was unknown. After painstaking detective work WEST GRAND found about the recording and have now managed to licence it from Universal Music / Motown for its debut worldwide release News of the discovery has created huge interest amongst Soul fans globally, As a bonus the flip side is another “wow find” that had been stuck, also unknown and unloved, in the tape vaults for nearly 60 years. It is a preciously unused alternative take on SCOTT’S ON SWINGERS.

The track is in effect an extended jingle for Detroit back in the day star radio DJ Scott Regan based on Edwin’s smash S.O.S (Stop Her On Sight). The released take came out on a limited edition RIC-Tic giveaway single that now commands a £400 price tag.

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14,50

Ültimo hace: 10 Meses
Soul Jazz Records Presents - STUDIO ONE ROOTS (2x12")
  • 1: The Cyclones With Count Ossie – Meditation
  • 2: Cornell Campbell – Natty Don't Go
  • 3: Freddie Mcgregor – Africa Here I Come
  • 4: Bunnie & Skitter – Lumumbo
  • 5: Willie Williams – Addis A Baba
  • 6: L Crosdale – Set Me Free
  • 7: Leroy Wallace – Far Beyond
  • 8: Lennie Hibbert – More Creation
  • 9: Alton Ellis – Blackish White
  • 10: Winston Jarrett – Fear Not
  • 11: Devon Russell – Drum Song
  • 12: The Gaylads – Africa
  • 13: Black Brothers – School Children
  • 14: Linton Cooper – You'll Get Your Pay
  • 15: Sound Dimension – Congo Rock
  • 16: Zoot Simms – African Challenge

Soul Jazz Records celebrate 25 years of working in partnership with Studio One with brand new editions of FIVE of their bestselling CLASSIC Studio One collections all released on limitededition one-off pressing coloured double vinyl. Also available in new limited-edition card wallet CD editions. The new edition featured albums are Studio One Funk, Studio One Dub, Studio One Ska, Studio One Roots and Studio One Classics. Studio One Roots set the standard for Soul Jazz Records’ long-standing series and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae. This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining in-house groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. The album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s ‘Blackish White’, a surreal and powerful Afro-centric dream, Count Ossie’s Rastafarian drummers’ genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams aweinspiring versioning of the Skatalites' seminal Rastafari anthem ‘Addis Ababa’ and many, many more. Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves. “There isn't a weak number across these 16 tracks, from the Gaylads’ ode to ‘Africa’ and Devon Russell's version of the heavyweight ‘Drum Song’ rhythm, to stunning instrumentals such as Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on ‘Meditation’, Lenny Hibbert’s sparkling vibe work over Mittoo's ‘Ghetto Organ’ and The Sound Dimension’s ‘Congo Rock.” Pitchfork “The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection.” All Music

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30,67
Claudio Abbado, Frederica von Stade, Wiener Philharmoniker - Mahler: Symphonie Nr. 4 (Original Source Series #11)

Claudio Abbados Aufnahme von Mahlers Vierter Symphonie mit den Wiener Philharmonikern, die 1977 im
Wiener Musikverein entstand, besticht durch ihren warmen, transparenten Klang und ihre Liebe zum Detail.
Der charakteristische Klang des Orchesters und Frederica von Stades einfühlsame Solostimme im letzten
Satz verleihen dem Werk eine besondere Leichtigkeit. Abbados teilweise ungewöhnliche Tempi eröffnen
neue Ausdrucksräume und verleihen der Interpretation eine besondere Tiefe, die diese Aufnahme einzigartig
und hochgeschätzt macht.
Zum ersten Mal wurde diese Aufnahme neu gemastert und von den originalen 1-Zoll-8-Spur-Bändern
geschnitten.
Die audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre
in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und
Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich
weniger Nebengeräusche, Verzerrungen und Komprimierungen ermöglichen ein audiophiles Hörerlebnis wie
nie zuvor.
Auf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die
Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles der Aufnahmeprotokolle und Bandkartons.

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48,70
Ultha - A Light So Dim (2x12")
  • A1: The Unseen World
  • A2: Love As We're Falling Down
  • A3: Her Still Singing Limbs
  • B1: What's Yours Is Yours To Carry
  • B2: Hex Upon Our Heads
  • B3: Sister Faith & Sister Chance
  • C1: Cherry Knots (The Sun Shines Through You)
  • C2: Pink Lights Soiling To Copper
  • D1: The Quiet Current
  • D2: To Part The Abelia Springs

Exactly four years and one day after ''All That Has Never Been True'' Ultha releases their fifth full-length studio album entitled ''A LIGHT SO DIM''.
It features 10 original new songs at a combined length of 74 minutes, with guest appearances by Pieter Uyttenhoven & Annelies van Dinter (TAKH), Pardis Latifi (DAEVAR), Danni Kann and the ''Chor Der Damen Ohne Namen'', a 40-women choir from Cologne.
Recorded, engineered and mastered at GOBLIN SOUND STUDIOS (Cologne) by ANDY ROSCZYK, who also contributed guitars and keys to various tracks. Artwork was done by TOBIAS HAHN, featuring photography by MAX HECKMANN.
After the conclusion of the trilogy consisting of Converging Sins, The Inextricable Wandering & All That Has Never Been True, the question was: where do you go when you've lost everything? You either accept defeat and die - or you start fighting. This is an album about hope in the darkest of times. It's a call to arms for the inner self, to find a rope of light in a world of mist. ''A Light So Dim'' is another concept album, with a narrative spinning from beginning to end. The unnamed narrator wakes up and tries to make sense of a world gone absolutely mad, where truth is nothing more than an empty shell of its once great self.
''IT'S THE STRUGGLE FOR AMBITION IN AN OCEAN OF DEFEAT. LIKE A FOREST FOR A GARDEN IN A WORLD YOU'LL NEVER SEE''.
This is for all of you!
Viva reason, viva love.

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33,82
raison d'etre - Metamorphyses LP
  • Metamorphyses Phase I
  • Metamorphyses Phase Ii
  • Metamorphyses Phase Iii
  • Metamorphyses Phase Iv
  • Metamorphyses Phase I (Sketch)
  • Metamorphyses Phase V
  • Metamorphyses Phase Iv (Sketch)
  • Metamorphyses Phase Vi
  • Metamorphyses Phase Iii (Live Alkmaar)
También disponible

Limited Double Black Vinyl[36,09 €]


A transcendental journey through the shadows of consciousness - remastered and expanded for the deepest listening experience yet With Metamorphyses , Swedish dark ambient pioneer Peter Andersson (RAISON D'ETRE) invites us into a labyrinth of sound and soul, where drone, ritualism, and neoclassical minimalism converge into something vast, immersive, and transformative. Originally released in the mid-2000s, this defining work now returns in a gloriously expanded edition - and for the first time ever, pressed onto double vinyl.

This 2025 edition, meticulously remastered to K14- level standards by Andersson himself, features not only the core studio album (Disc I, recorded winter 2005-2006), but also two full discs of evocative live performances from across Europe, including Gent, Sofia, Salzburg, Alkmaar, Budapest, and a stunning set recorded in the Sophienkirche of Wuppertal during the Phobos II Dark Ambient Festival (2010) - a performance that plays like a liturgy for forgotten gods. The sound is monumental yet subtle: subterranean drones coil beneath spectral chants, decaying harmonics ripple through ancient cathedrals of reverb, and slowshifting textures create a space where the listener floats between the sacred and the surreal. There are echoes here of Lustmord's somber gravity, Thomas Koner 's icy isolationism, and the ritualistic depth of Inade or Desiderii Marginis, but it's RAISON D'ETRE's singular spiritual voice that rises from the abyss. The artwork by Kati Astraeir perfectly captures the album's meditative darkness - fluid forms, organic decay, and transcendent abstraction - while the layout, also designed by Andersson, reinforces the ritualistic purity of the listening experience.

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35,50
raison d'etre - Metamorphyses LP

A transcendental journey through the shadows of consciousness - remastered and expanded for the deepest listening experience yet With Metamorphyses , Swedish dark ambient pioneer Peter Andersson (RAISON D'ETRE) invites us into a labyrinth of sound and soul, where drone, ritualism, and neoclassical minimalism converge into something vast, immersive, and transformative. Originally released in the mid-2000s, this defining work now returns in a gloriously expanded edition - and for the first time ever, pressed onto double vinyl.

This 2025 edition, meticulously remastered to K14- level standards by Andersson himself, features not only the core studio album (Disc I, recorded winter 2005-2006), but also two full discs of evocative live performances from across Europe, including Gent, Sofia, Salzburg, Alkmaar, Budapest, and a stunning set recorded in the Sophienkirche of Wuppertal during the Phobos II Dark Ambient Festival (2010) - a performance that plays like a liturgy for forgotten gods. The sound is monumental yet subtle: subterranean drones coil beneath spectral chants, decaying harmonics ripple through ancient cathedrals of reverb, and slowshifting textures create a space where the listener floats between the sacred and the surreal. There are echoes here of Lustmord's somber gravity, Thomas Koner 's icy isolationism, and the ritualistic depth of Inade or Desiderii Marginis, but it's RAISON D'ETRE's singular spiritual voice that rises from the abyss. The artwork by Kati Astraeir perfectly captures the album's meditative darkness - fluid forms, organic decay, and transcendent abstraction - while the layout, also designed by Andersson, reinforces the ritualistic purity of the listening experience.

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debe ser publicado en 05.06.2026

36,09
zzzahara - liminal spaces

zzzahara

liminal spaces

12inchLEX164LP
LEX RECORDS
05.06.2026

zzzahara (They/Them) is the solo moniker of Eyedress/Simps/US Velvet
guitarist Zahara Jaime
Plenty of people come to Los Angeles looking to make their California dreams a
reality. But zzzahara has always been here, turning reality into a dream.
Attwood: "A feverish indie rock song drowning in intimate emotion and frenetic
energy, zzzahara's "they don't know" is a vulnerable and raw outpouring from the
heart."
Dummy: "An infectious indie rock number overflowing with emotion and frantic
energy, zzzahara's 'they don't know' is a clear statement of intent from a solo
artist coming into their own."
Paste: "…this single feels like something special."
Guardian: "Cantering through the gloaming with a blend of coldwave and early
Cure, the Los Angeles guitarist and songwriter banishes summer, to cheers from
neo-goths everywhere."

Envíar a partir de05.06.2026

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18,07
More Eaze, Pardo & Glass - Paris Paris, Texas Texas LP

OOH-sounds family members more eaze, pardo & glass join forces on a celestial album linking ambient neo-folk, fractured electronics and romantic escapism.

Referencing to Wim Wenders' 1984 road-movie drama masterpiece, 'paris paris, texas texas' is a strikingly cinematic tapestry of americana, resampled guitars, glistening electronics, subtle field recordings and processed vocals.

The beginnings of this project date back to the summer of 2022 when pardo and glass started recording some improvisations in a small studio with the aim of making an experimental guitar record. Over time, the drafts developed into mesmerizing slabs of guitar textures, simultaneously immense and intimate. No material was better suited for more eaze to add to the recordings her transversal and sensitive approach, linking the past and the present.

Ranging from gentle ambient folk to winding pedal steel passages, from twinkling electronics to distorted drones, 'paris paris, texas texas' is an album that's not just "atmospheric", it conjures its own unique atmosphere from thin air. Like a snake shedding its skin, the record slowly mutates from track to track - an epiphany, a transformation, a tangible and perceptible moment. Despite its distant trans-Atlantic origins, it evokes a warmth and intimacy that is hard to deny, an emotion that has perhaps been held back for too long. A landmark release in OOH's catalogue, capturing the magic of its curation and sensibility in one sublime record.

Mastered by Giuseppe Ielasi, artwork by incepBOY, words by Adam Badi Donoval

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23,32
BON IVER - SABLE, FABLE (TAPE)

Bon Iver

SABLE, FABLE (TAPE)

CassetteJAG450CASS
JAGJAGUWAR
05.06.2026
  • Things Behind Things Behind Things
  • S P E Y S I D E
  • Awards Season
  • Short Story
  • Everything Is Peaceful Love
  • Walk Home
  • Day One (Feat. Dijon And Flock Of Dimes)
  • From
  • I'll Be There
  • If Only I Could Wait (Feat. Danielle Haim)
  • There's A Rhythmn
  • Au Revoir
También disponible

Black Vinyl[28,78 €]

BLACK & SALMON VINYL[30,04 €]


"SABLE, fABLE" ist das fünfte Album des Projekts von Justin Vernon und enthält eine Liebesgeschichte, die mit üppiger, strahlender Popmusik unterlegt ist. Während das Album mit der verletzlichen Entlastung der im vorangegangenen Herbst erschienenen "SABLE," EP beginnt, geht das Triptychon nahtlos in eine neue, neunsongige Saga über, in der aus einer Person zwei werden, Dunkelheit sich in lachsfarbene Schönheit verwandelt und Traurigkeit in unbändige Freude umschlägt. Während SABLE eine karge und einsame Abrechnung mit einem Schmerz ist, der lange die Vergangenheit bestimmte, blickt fABLE in eine lebendige Zukunft voller Licht, Sinn und Möglichkeiten. "SABLE, fABLE" wurde von Justin Vernon und Jim-E Stack produziert und hauptsächlich in Vernons April Base in Wisconsin aufgenommen, nachdem das Studio während einer Renovierung jahrelang still lag. Das Konzept für das Album entstand am 22.2.22, als Stack mit Danielle Haim dort eintraf. Mehrere Tage lang eingeschneit, vereinten sich Vernons und Haims Stimmen auf "If Only I Could Wait", einem Duett mit entscheidender Perspektive, in dem es darum geht, dass man nicht die Kraft hat, die beste Version von sich selbst außerhalb des Glühens einer neuen Liebe zu sein. Wenn SABLE der Prolog war, ein Prolog in der Dunkelheit, eine kontrollierte Verbrennung, die den Weg für neue Möglichkeiten ebnet, dann ist fABLE das Buch, das folgt. Wo SABLE, ein Werk der Einsamkeit war, ist fABLE eine ausgestreckte Hand. Strahlende, verschnörkelte Popmusik umspielt Vernons Stimme, während er sich auf eine neue und schöne Ära konzentriert. Bei jedem Lied sind seine Augen auf eine bestimmte Person gerichtet. Es ist Liebe, was bedeutet, dass in fABLE eine intensive Klarheit, Konzentration und Ehrlichkeit herrscht. Es ist das Porträt eines Mannes, der von dieser ersten Begegnung überflutet und überwältigt ist ("Everything Is Peaceful Love"). Es ist ein Tableau, das von Sex und unbändigem Verlangen geprägt ist ("Walk Home"). Ein Mann, voller Licht und Tatendrang, der eine ganze Zukunft vor sich sieht. Verliebtheit hat etwas unbestreitbar Heilendes an sich, und die intensive Klarheit, Konzentration, Ehrlichkeit und Feierlichkeit, die sie in diese Songs bringt. Doch der Schatten von SABLE liegt noch immer in der Luft, und alte Gefühle können zurückkehren, selbst wenn man sich die Mühe gemacht hat, neu anzufangen. Wie in einer Fabel vermittelt jeder Track eine Lektion, und in fABLE geht es um den selbstlosen Rhythmus, der erforderlich ist, wenn man mit einer anderen Person verstrickt ist. Der vorletzte Song - und im weiteren Sinne das ganze Album - ist ein Versprechen. Er ist bereit, diesen Rhythmus zu finden.

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14,71
musclecars & Toribio - Full Circle

Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.

To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!

The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.

Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.

Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.

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15,08

Ültimo hace: 5 Meses
Anderson .Paak - Malibu (10 Year Anniversary) (MC)

Ten years ago, Anderson .Paak didn't just release an album; he staged a full-scale takeover of the soul and hip-hop landscape. Released on January 15, 2016, Malibu served as the definitive arrival of an artist who had spent years grinding in the underground before a star-making turn on Dr. Dre’s Compton. While his previous work hinted at his potential, Malibu was the moment the world met the "Cheeky Andy" persona in full—a virtuosic drummer, a raspy-voiced crooner, and a sharp-witted rapper all rolled into one. The album is a sprawling, sun-drenched journey through the Southern California coast, blending 1970s funk, church-reared gospel, and gritty boom-bap into something that feels both nostalgic and entirely futuristic. With a heavyweight production lineup including 9th Wonder, Madlib, Kaytranada, and Hi-Tek, the record maintains a warm, analog texture that was a breath of fresh air in an increasingly digital era. It’s an album that breathes, full of intentional imperfections and the kind of "in-the-pocket" groove that can only come from a seasoned live performer. Beyond the infectious, dance-floor-ready energy of tracks like "Am I Wrong" and "Come Down," the album is a deeply autobiographical masterwork. .Paak uses the 65-minute runtime to unpack his life story with startling clarity, touching on his mother’s gambling addiction, his father’s incarceration, and his own brushes with homelessness with a sense of resilience that never feels heavy-handed. He weaves these heavy themes through a lens of triumph, grounded by vintage surfing documentary samples that give the project its cinematic, coastal atmosphere. It’s a celebratory record born out of struggle, anchored by his impeccable technicality on the drums and a guest list—featuring ScHoolboy Q, Rapsody, and The Game—that feels hand-picked to complement his specific brand of West Coast swagger. A decade later, Malibu stands as a modern classic and the blueprint for the soulful revivalism that would eventually lead .Paak to global superstardom and Grammy-winning heights. It remains a testament to the idea that the most profound music often comes from the most personal places, proving ten years on that the best way to move forward is to stay rooted in the groove.

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debe ser publicado en 05.06.2026

15,08
Marlon George - My Secrets Are Safe With Me

Marlon George is a British DJ and producer based in London renowned for his "slightly spacey, casually jazzy, and fully groovy house music," with support from names as illustrious as Kyle Hall and Jimpster. But really, if he's getting signed by the legendary Trelik, then that's all you need to know about his skills. He lays them bare across three tasteful cuts here, starting with the liquid dub of 'My Secrets Are Safe With Me' with its wispy shards of light piercing the water's surface and glistening against the dusty hi-hats. 'Najagen' has more drive but no less depth and warmth to it and 'Do The Rha!' is another smoky, minimal, heady dub house roller that sneaks right under your skin.

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debe ser publicado en 05.06.2026

16,18
King Most - Rhythm Flights Vol 1

King Most

Rhythm Flights Vol 1

12inchKM003
KM
05.06.2026

Editing is a specialist game that is easy to play but difficult to master. King Most is more adept than many, as he shows with a third outing here on his own KM label. This one finds him spreading his wings a little, flying away from r&b and hip-hop and migrating towards more worldly grooves with Afro and Latin undercurrents. 'Tony Trinidad' brings swirling guitar echo and coconut percussion to a crispy slow jam, then 'Hermanos Cub' pumps up the funk with blazing horns and vocals. There's lush polyrhythmic looseness and string melodies to 'Zimbabwe Thorn' and earthy disco charm to 'Bebe Cameroon' with its seductive vocal leads. Cultured cuts.

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debe ser publicado en 05.06.2026

15,08
The Snake Corps - Flesh On Flesh

The Snake Corps

Flesh On Flesh

12inchLANR063
Lantern Rec.
05.06.2026

Reissued for the first time on vinyl, the debut album by English post-punk heroes Snake Corps, originally released in 1984 on Midnight Music. The band raised from the ashes of Sad Lovers & Giants, after their official split in 1983. Led by Tristan Garel-Funk and Nigel Pollard (who immediately left the band replaced by Jon Greville of Rudimentary Peni). Often championed by legendary John Peel, The Snake Corps deserve a major recognition for their epic sound often reminiscent of early U2 and Ultravox.

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27,52
Abstract Tribe Unique - South Central Thynk Taynk (Remastered) (2x12")
  • 01: Explanation
  • 02: Hits Like Hank
  • 03: Renaissance (While We)
  • 04: Them That’s Got
  • 05: Through These Streets
  • 06: A.t.u. Is In The House Tonight
  • 07: L.a. Styles Back
  • 08: Mass Men Baby
  • 09: No Regrets
  • 10: Front Row
  • 11: Just Like Akira
  • 12: They Ryde
  • 13: Showgun
  • 14: Why Oh Why
  • 15: L.a. Styles Back (Project Blowed Remix)”

Red "Eruption" Marble Blend" Doppel-Vinyl, inklusive 16-seitigem Booklet mit Texten und ausführlichen Liner Notes. Ursprünglich 1998 veröffentlicht, fing ,South Central Thynk Taynk" von Abstract Tribe Unique (Abstract Rude, Fat Jack, Zulu Butterfly Priest, Irie Lion King und DJ Drez) einen entscheidenden Moment in der Underground-Szene von Los Angeles ein - als junge schwarze Künstler den Hip-Hop von Grund auf neu erfanden. Mit einer Mischung aus jazzigen Beats, spiritueller Einsicht und einer äußerst unabhängigen Produktion wurde das Album zu einer Hymne auf Selbstständigkeit und kreative Rebellion. Jetzt wird dieser lange nicht mehr erhältliche Klassiker von Rhymesayers Entertainment als Deluxe-2xLP-Set mit einem Text-Booklet und einem Bonustrack neu aufgelegt und kehrt für eine neue Generation zurück. Im kulturellen Zentrum der Platte steht Project Blowed, eine legendäre Crew aus L.A., die von Abstract Rude und Aceyalone gegründet wurde und eine Reihe von Rap-Innovatoren hervorbrachte, deren Einfluss bis heute im globalen Hip-Hop zu spüren ist. Während der Mainstream-Rap den G-Funk-Boom der Westküste aufgriff, schlug die Blowed-Crew einen anderen Weg ein - geprägt von Jazz, radikaler Politik und afrozentrischem Futurismus. ,South Central Thynk Taynk" ist eine vielschichtige Zeitkapsel aus dieser revolutionären Zeit, die Ab Rudes tiefgründige Lyrik mit Fat Jacks genreübergreifendem Produktionsansatz verbindet und eine poetische Reflexion über Familie, Kampf und künstlerische Bestimmung schafft. Diese Neuauflage enthält den Titel ,L.A. Styles Back (Project Blowed Remix)" mit einer generationsübergreifenden Besetzung von Schwergewichten - Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore und NGAFSH -, die unterstreicht, wie die Underground-Szene von L.A. seit Jahrzehnten ein kreatives Epizentrum geblieben ist. ,South Central Thynk Taynk" ist mehr als ein Kultartefakt; es ist ein lebendiges Dokument der Transformation, der Gemeinschaft und der künstlerischen Kraft.















[o] 15 : L.A. Styles Back (Project Blowed Remix)” [feat. Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore, NGAFSH]

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debe ser publicado en 05.06.2026

37,40
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