Suche:johnny l

Johnny Clarke tells it like it is, the story of Marcus Garvey. “Dem never loved Poor Marcus

Even as a little boy, Johnny Cash has a feeling he was going to be famous one day. It wasn’t the kind of premonition he could go about telling people. They’d have thought dreams of fame and riches pretty far removed from the Cash’s barely-productive 40-acre cotton farm in Arkansas. Especially since Johnny had no idea how he was going to make his mark.

Johnny left the farm to go into the Air Force — and in his travels he acquired first, a wife — and secondly, a guitar. Assigned to Germany and forced to leave his wife behind, Johnny found a faithful companion in his guitar. The boys in his barracks seem to like his “pickin’ and singin'” and gradually the plan for a career began to take shape. He would be a singer — a country singer.

When he got back from service, Johnny was not so modest about his plans for the future. He let his Memphis friends know he was going to be a singer — a good singer, a famous singer — a singer who would revolutionize country music. No matter how long it took — he was determined!

As it happened, Lady Luck inclined her face toward Johnny almost immediately. His releases on the Sun label were instantly acclaimed, and in 1956, one year after Johnny Cash launched his recording career, he was named the most promising country and western artist of the year in four separate polls.

After the success of “I Walk the Line” as a simultaneous C & W and popular hit, it was indicated the course Johnny’s career should take. Though always identifying himself as a singer for the country fans — a favorite entertainer on the Grand Ole Opry — Johnny Cash with “Ballad of a Teen-Age Queen” came to be a top selling artist in the pop recording field.

Almost reluctantly, Johnny evolved a pop-county style in arrangement and instrumentation, evident in such hits as “Guess Things Happen That Way” and “The Ways of a Woman in Love” to supply the demand for Cash records by fans of both types of music. It is ironic that Johnny Cash caused more of a revolution in pop music than in country music, as was his aim, by being one of the first C & W artists exposed on national “general entertainment” TV shows; and the first C & W artist to capture the LP market with one great release (Sun 1220).

Johnny Cash — in his voice, looks and demeanor — carries a certain aura of “specialness.” He is a very dramatic figure — tall, muscular, with blue-black hair. He looks the part of a folk singer — a 20th century wandering minstrel. And his fatalistic style, both in composing and singing, has a quality of monotone, but of “emotional monotone” that defies analysis, but which is genuinely powerful.

Johnny Cash is one of those persons endowed with an exceptional talent which has to express itself. And being expressed, his talent has been uniquely recognized and applauded by many loyal fans, who will enjoy this reminiscent album of the songs which to date are landmarks in the career of the one and only Johnny Cash.

From the very successful Jamaican Recordings 7'' Singles Club, here is the 23rd release
An under promoted Johnny Clarke classic advising against the rude boy badness that hit Kingston,Jamaica in the 1970's backed with its original King Tubby version

To be far ahead of your time sometimes means that you have to wait a while for the right moment to be understood. The visionary approach of multi-instrumentalist Johnny Lamas led him to experiment with a world of hybrid jazz-funk, ambient and electronic sounds while keeping the rhythms of Venezuelan traditional music alive. From 1993 to today, small recognition has grown into true admiration for this so specific sound and his "Danza Cósmica" masterpiece.

TrueClass Records are pleased to present as their second release a complete restoration of this gem, beautifully remastered and redesigned, making it available now for the first time in fine audio quality on vinyl and digital formats.

Vibes player Johnny Lytle was one of the heroes of the early acid jazz club circuit, with his cuts 'Selim' and 'The Man' being anthems of the scene.

The Ohio-born player’s first album as a leader was on the Jazzland label in 1962 with “Nice And Easy”. His second, three years later, on Riverside, "The Village Caller", made him a star in the jazz world. When Riverside encountered difficulties, co-owner Orrin Keepnews collaborated with Lytle on two albums which came out on the Detroit label, Tuba.

The first of these, "The Loop", featured his regular trio partners, organist Milt Harris and drummer “Peppy” Hinnant. This line-up was augmented on some tracks by former Miles Davis pianist Wynton Kelly and bassist George Duvivier. A 7” version of the title track actually spent five weeks in the Billboard Hot 100 in January 1966. As for the album, as well as the acid jazz cut 'The Man', it features a stunning version of Duke Pearson's 'Cristo Redentor' and the dancefloor-friendly 'Possum Grease' and 'Hot Sauce'. The band also stretch out on extended track ‘The Shyster’.

“The Loop” is a classic album and Ace’s pressing is the first time it has been legally reissued on vinyl.

Ltd Edition!

Das verschollene Album der frühen 60er-Jahre-Combo aus Ohio liefert eine einzigartige Mischung aus Post-Elvis, Pre-British-Invasion und unverfälschtem Rock´n´Roll!

Das amerikanische Label Wick Records/Daptone Records veröffentlicht mit Johnny's Uncalled Four 'The Lost Album' ein sehr rares und gesuchtes Rock´n´Roll Album aus den frühen 60s. John(ny) Golden gilt darüber hinaus seit den späten 60er Jahren als einer der gefragtesten Mastering-Engineers überhaupt und hat bereits mit Künstlern wie The Fifth Dimension, Bill Withers, Earth Wind & Fire, Iggy Pop, Sonny Rollins und Brian Eno zusammengearbeitet. 1982, als er bei K-Disc in Hollywood als Tontechniker arbeitete, wurde John mit dem Mastering der TV Party-Single der Punk-Koryphäen Black Flag beauftragt, was zu Arbeiten für Sub Pop, K Records, Touch & Go und den gesamten SST-Katalog bis 1991 führte. Auch Daptone/Wick Records zählen zu Johnny Goldens treuen Kunden und releasten bereits 2020 eine 7inch von Johnny's Uncalled Four und gipfelt jetzt in der Veröffentlichung dieses lange verschollenen Albums.


Format: Ltd Indie Exclusive Translucent Purple Color Vinyl

Ltd Edition!

Das verschollene Album der frühen 60er-Jahre-Combo aus Ohio liefert eine einzigartige Mischung aus Post-Elvis, Pre-British-Invasion und unverfälschtem Rock´n´Roll!

Das amerikanische Label Wick Records/Daptone Records veröffentlicht mit Johnny's Uncalled Four 'The Lost Album' ein sehr rares und gesuchtes Rock´n´Roll Album aus den frühen 60s. John(ny) Golden gilt darüber hinaus seit den späten 60er Jahren als einer der gefragtesten Mastering-Engineers überhaupt und hat bereits mit Künstlern wie The Fifth Dimension, Bill Withers, Earth Wind & Fire, Iggy Pop, Sonny Rollins und Brian Eno zusammengearbeitet. 1982, als er bei K-Disc in Hollywood als Tontechniker arbeitete, wurde John mit dem Mastering der TV Party-Single der Punk-Koryphäen Black Flag beauftragt, was zu Arbeiten für Sub Pop, K Records, Touch & Go und den gesamten SST-Katalog bis 1991 führte. Auch Daptone/Wick Records zählen zu Johnny Goldens treuen Kunden und releasten bereits 2020 eine 7inch von Johnny's Uncalled Four und gipfelt jetzt in der Veröffentlichung dieses lange verschollenen Albums.


Format: Ltd Indie Exclusive Translucent Purple Color Vinyl

Der 3. April 2022 war ein sehr trauriger Tag in der Welt des Punk, der Mode und darüber hinaus. Eine Ikone ist viel zu früh von uns gegangen, aber sie wird aufgrund ihres Vermächtnisses nie vergessen werden. Der Name "Jordan Mooney" war der Stoff, aus dem Legenden gemacht sind! Sie ist "dabei gewesen, hatte es gesehen, hatte es getan", in einer ganzen Reihe von unterschiedlichen Bereichen, vom Balletttanz bis zum Live-Auftritt von Ziggy und dem Treffen mit dem großen Mann; vom Punk sein und aussehen, bevor es Punk überhaupt gab; vom Miterleben der Gründung der Sex Pistols direkt vor ihren Augen zusammen mit Malcolm und Vivienne; von der Schauspielerei in zukunftsweisenden Filmen; vom Scherzen mit Andy Warhol; vom Management von Adam & The Ants und der kurzen Heirat mit einem von ihnen; und von der späteren Karriere als Tierkrankenschwester. Jordan hat in ihren knappen 66 Jahren viel erreicht, aber was auch immer sie anpackte, sie tat es mit vollem Einsatz. Jordan war sich selbst und anderen treu und genoss das Vertrauen all derer, die das Vergnügen hatten, sie zu kennen und zu treffen. Am Sonntag, dem 29. Mai 2022, versammelten sich Hunderte von Menschen in Brighton zum "Official Jordan Mooney Charity Memorial Concert", um das Leben dieser wirklich bemerkenswerten Frau zu feiern. Einige waren aus Japan, Deutschland und anderen Ländern angereist, nur um an diesem besonderen Tag teilzunehmen. An diesem Tag waren alte und neue Freunde unter einem Dach versammelt, um den perfekten Abschied zu feiern. Jordan kannte Captain "Cheers me dears!" Sensible seit etwa fünf Jahrzehnten, und während der letzten heiligen Monate ihres Lebens hatte sie einen Johnny-Moped-Song als Ohrwurm im Kopf, den sie und ich uns gegenseitig freudig vorsangen: "Darling, let's have another baby; Let's make one soon on our second honeymoon...". Es war nur logisch, dass Captain Sensible in Erinnerung an Jordan noch einmal mit seinen alten Kumpels, Johnny Moped, aufsatteln würde. Ein Teil der Veranstaltung wurde aufgezeichnet, und so, meine Damen und Herren, präsentieren wir Ihnen voller Stolz diese Wohltätigkeitsaufnahme! Viel Spaß! (Jordans Partner - Nick Linazasoro)

Johnny The Boy - aus einer simplen Idee entstanden, und im Laufe der letzten Jahre zu einer vollwertigen Einheit entwickelt - machen Musik, die weh tut. Bewaffnet mit einer kratzigen, aber ausgefeilten Mischung aus eiskaltem Black Metal, vernichtendem Sludge und sehnigem, knochentrockenem Rock'n'Roll hat das Trio seine musikalische Identität gefunden: perfekt unvollkommen und bereit zum Ausweiden. Johnny The Boy wurde um den kreativen Kern von Sängerin Belinda Kordic, Gitarrist Justin Greaves (beide Mitglieder von Crippled Black Phoenix) und Bassist Matt Crawford (CBP-Alumnus und Live-Bassist) gegründet und begann sein Dasein als instinktiver Griff nach etwas Dunklerem und Gemeinerem.

Johnny The Boy - aus einer simplen Idee entstanden, und im Laufe der letzten Jahre zu einer vollwertigen Einheit entwickelt - machen Musik, die weh tut. Bewaffnet mit einer kratzigen, aber ausgefeilten Mischung aus eiskaltem Black Metal, vernichtendem Sludge und sehnigem, knochentrockenem Rock'n'Roll hat das Trio seine musikalische Identität gefunden: perfekt unvollkommen und bereit zum Ausweiden. Johnny The Boy wurde um den kreativen Kern von Sängerin Belinda Kordic, Gitarrist Justin Greaves (beide Mitglieder von Crippled Black Phoenix) und Bassist Matt Crawford (CBP-Alumnus und Live-Bassist) gegründet und begann sein Dasein als instinktiver Griff nach etwas Dunklerem und Gemeinerem.

Johnny Cash, eine der schönsten Legenden des Rock'n'Roll. Eine Stimme, ernst, tief, für alle erkennbar. Ein Gesicht, mit einem harten, dunklen, manchmal tragischen Ausdruck. Diese einzigartige Silhouette des 'Man in Black', ganz in Schwarz, vom Stetson bis zu den Stiefeln. Es ist schließlich eine Legende, die um ihn rankte, deren Entwicklung er manchmal förderte und manchmal bekämpfte. Dieser illustrierte Bildband enthält 16 Klassiker seiner Frühphase auf Vinyl.

Caitlin Rose releases a special limited 7" Vinyl for Record Store Day 2023. The 500 unit Limited 'Cherry Red' Coloured 7" release features two exclusive tracks recorded during the sessions for Caitlin’s new critically acclaimed album 'CAZIMI'. New Track 'Johnny Velvet' and the demo version of 'Carried Away (Demo)’ will be available for fans for the first time as exclusive to this 7" release.

Under-recognized trumpeter Johnny Coles recorded only one album for Blue Note but 1963’s Little Johnny C is a little-known treasure of the catalog featuring Coles at the helm of a dynamic sextet with tenor saxophonist Joe Henderson, alto saxophonist Leo Wright, pianist Duke Pearson, bassist Bob Cranshaw, and drummers Walter Perkins & Pete La Roca.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

JOHNNY CLARKE’S ROOTS CLASSIC... DECLARING... DON’T TROUBLE THE DREADS.....
PLUS A GREAT KING TUBBY DUB CUT.

2023 Repress

Roots Reggae-Klassiker aus dem Jahre 1982 im Original Artwork neu aufgelegt. Die Henry 'Junjo' Lawes Produktion entstand seinerzeit im Channel One Studio mit den Roots Radics in Top-Besetzung und wurde von Scientist im King Tubby's Studio abgemischt. Johnny Osbourne gehört zu den ganz Großen der jamaikanischen Künstler, und "Never Stop Fighting" ist einer der Höhepunkte seiner Karriere. Die Songs "Love Is Universal", "Give A Little Love", "In Your Eyes", "Never Stop Fighting" und "Over 31 Under 21" sind zeitlos und bilden die Basis für das Dub-Reggae-Kultalbum "Scientist Wins The World Cup". Ebenfalls erhätlich: Johnny Osbourne "Reggae Legends" 4CD Box-Set (Artikel-Nr. GRE2080 Barcode 601811208021) inklusive der CD zu dieser LP.

Fans of the Escapers know the love of Rock Steady and Reggae Music. This time they pay homage to a Johnny Taylor sung Stax classic and transform it into a Lover’s Rock thriller. A bass heavy Roots rhythm combined with Colton’s haunting lead guitar create a perfect platform. Johnny Ruiz to express his love. Hey baby “Ain’t That Lovin You”? Definitely, and for “More Reasons Than One”

More of a double A-Side release, the b-side has The Escapers calling on The Heavyweight Dub Champion himself...the mighty Scientist to reinterpret their biggest single “Stay”! Overton “Scientist” Brown gives this tune a classic style “version” with all the echo and distortion any reggae fan would want. A real privilege to work with one of the true legends of dub music!

Up next on Pleasure Club we have some re-imaginings of Johnny Hunter’s lockdown summer jam U.K.AIM. For this we enlisted the skills of nu UK garage don ZeroFG, who turned in not one but two of his trademark low end workouts. We are also honoured to welcome one of the founding fathers of UK tech house, Mr Len Lewis, to the label who delivers a heads down late night take on the original.

The spirit of U.K.AIM lives on…

Johnny Cash (* 26. Februar 1932) ist eine Legende der Musikgeschichte. Sein Tod am 12. September 2003 war ein Schock für viele Fans, obwohl er wenig überraschend kam. Seine hemmungslose Drogensucht und sein exzessiver Lebensstil in den Fünfzigern und Sechzigern, die erst durch die Liaison mit June Carter ein Ende fanden, waren allgemein bekannt. Dabei war Cash in erster Linie der größte und einflussreichste US-amerikanische Country-Sänger, und ein begnadeter Songschreiber dazu. Cashs Markenzeichen war neben seiner markanten Bassbariton-Stimme und seinen kritischen und unkonventionellen Texten der "Boom-Chicka-Boom"-Sound seiner Begleitband Tennessee Three, der an einen rollenden Zug erinnerte. Cashs musikalisches Spektrum reichte von Country, Gospel, Rockabilly, Blues, Folk und Pop bis hin zu dem von Rick Rubin ab Mitte der Neunziger kongenial in Szene gesetzten Alternative Country. Legendär sind seine Konzerte in den Gefängnissen Folsom und San Quentin Ende der Sechziger. Cash schrieb etwa 500 Songs, nahm rund 2500 Titel auf, verkaufte mehr als 50 Millionen Tonträger und wurde mit 13 Grammy Awards ausgezeichnet. Zudem trat Cash in einigen Filmen und Fernsehserien als Schauspieler auf.

If one single song is indelibly associated with Johnny Cash, it has to be I Walk The Line - the song that landed him his first American hit in October 1956. But for many, Cash is defined by a single line from Folsom Prison Blues. “I shot a man in Reno, just to watch him die…”
confirmed Cash as a hard-living, fast-shooting guy (Don’t Take Your Guns To Town; Bonanza!) and also saw him identifying with prisoners and prison life. The ‘Man in Black’ had become a friend of Presidents and pop idols; a man whom stars like Bono and Bob Dylan deferred to; a legend courted by fans such as Quentin Tarantino and Johnny Depp.

And though a lot has been written about Johnny Cash since he died in 2003, questions remain about how this man came to dominate the world of popular music - but here, in your hands, are sixteen reasons why…

After the Heartbreakers split, Thunders recorded his first solo album, So Alone, in 1978. Featuring musicians such as Chrissie Hynde (Pretenders), Phil Lynott (Thin Lizzy), Steve Jones and Paul Cook (Sex Pistols) and Peter Perrett (The Only Ones), So Alone is a true Rock classic, an electric mix of Rock, Punk and Soul that showcases Johnny Thunders at his very best.

Johnny Cash – The Man in Black und mit Sicherheit die größte
Country-Legende aller Zeiten. Er hat zahllose Hits geschrieben
– und diese “Greatest Hits”-Vinyl Compilation präsentiert
eine ganze Menge von diesen: I Walk The Line, Home Of The
Blues, Don’t Take Your Guns To Town, Walkin’ the blues,
Frankie & Johnny, und viele mehr.

Limited Edition 180g orange coloured vinyl pressing of Johnny Cash's
iconic LP 'Sings I Walk The Line' Released in 1964, Johnny Cash's own
retrospective of his early career on the Sun record label has become,
arguably, his most iconic album release
It was a bold move at the time, as he'd already enjoyed a run of chart- topping
albums and become one of country music's most prolific and celebrated
recording artists. Yet, 'I Walk The Line' went on to become one of his greatest
selling albums. This special limited edition on coloured vinyl includes four bones
tracks; 'Rock Island Man', I Got Stripes, 'Seasons Of My Heart', and 'You Dreamer'.

Before Southside Johnny and the Asbury Jukes even had an album on the shelves, they were being played on the radio in Cleveland. That’s how far back the New Jersey band’s relationship goes with the city. As the “Jukes” part of their name would suggest, Southside Johnny and his group were spiritually a band from another time. They had a big sound (and a full horn section, courtesy of The Miami Horns) that conjured a vision of a large band, jammed together on the bandstand. Which was hardly far from the truth on a number of nights. Mixing carefully chosen blues and soul covers with their own originals (and some choice songwriting contributions from Bruce Springsteen), they had a live show that was even more potent than w hat had been laid to tape in the studio. This 1977 performance at the Cleveland Agora was the group’s second outing at the legendary venue in less than a year. Live in Cleveland ‘77, the recorded evidence of that night, presented here for the first time by Cleveland International Records, shows exactly why they would become frequent visitors and really, honorary Clevelanders. Songs like “I Don’t Want to Go Home,” Springsteen’s “The Fever,” “Havin’ a Party” and “Without Love” were already well-loved favorites with the local audience, thanks to frequent airplay on WMMS long before they even had an album. Cleveland got a special bonus round that other cities would have killed for. Ronnie Spector had joined the group in the studio as they recorded that debut and came to Cleveland to share the stage with the Jukes, sharing her soon-to-be-legendary take on Billy Joel’s “Say Goodbye to Hollywood” with the Agora crowd. As she did with so many songs, Spector made it her own. Southside Johnny and the Jukes continue to thrill audiences with their live performances worldwide to this day. Now, thanks to the release of Live in Cleveland ‘77, you can be in the audience to hear a bit of the early magic as they were on their way to the top.

Before Southside Johnny and the Asbury Jukes even had an album on the shelves, they were being played on the radio in Cleveland. That’s how far back the New Jersey band’s relationship goes with the city. As the “Jukes” part of their name would suggest, Southside Johnny and his group were spiritually a band from another time. They had a big sound (and a full horn section, courtesy of The Miami Horns) that conjured a vision of a large band, jammed together on the bandstand. Which was hardly far from the truth on a number of nights. Mixing carefully chosen blues and soul covers with their own originals (and some choice songwriting contributions from Bruce Springsteen), they had a live show that was even more potent than what had been laid to tape in the studio. This 1977 performance at the Cleveland Agora was the group’s second outing at the legendary venue in less than a year. Live in Cleveland ‘77, the recorded evidence of that night, presented here for the first time by Cleveland International Records, shows exactly why they would become frequent visitors and really, honorary Clevelanders. Songs like “I Don’t Want to Go Home,” Springsteen’s “The Fever,” “Havin’ a Party” and “Without Love” were already well-loved favorites with the local audience, thanks to frequent airplay on WMMS long before they even had an album. Cleveland got a special bonus round that other cities would have killed for. Ronnie Spector had joined the group in the studio as they recorded that debut and came to Cleveland to share the stage with the Jukes, sharing her soon-to-be-legendary take on Billy Joel’s “Say Goodbye to Hollywood” with the Agora crowd. As she did with so many songs, Spector made it her own. Southside Johnny and the Jukes continue to thrill audiences with their live performances worldwide to this day. Now, thanks to the release of Live in Cleveland ‘77, you can be in the audience to hear a bit of the early magic as they were on their way to the top.

Official re-issue and re-mastered 7-Inch single for much sampled singer Johnny Osbourne. "Ice Cream Love" (based on the 'He Prayed' riddim) is the 1980 tune produced by Henry "Junjo" Lawes and recorded at Channel One studio with the Roots Radics Band. "Extra Time One" is the dub version mixed by Overton "Scientist" Brown at King Tubby's studio.

Reissued on vinyl for the first time here, this legendary Johnny Clarke recordings - originally released in 1982 on UK label Arts & Crafts - is something you wouldn't miss. Completely written by the Jamaican singer himself - backed here by Roots Radics (the Channel One studio session group) - and arranged by Clarke and Stafford Douglas (alias Mafia Tone). »Can't Get Enough« witnesses the peak of his career with his first British production. The beginning of a period that would bring Clarke to London and see him churn out a string of hits with Douglas's production, before returning to work with Bunny Lee and Mad Professor, King Tubby, Errol Thompson, Prince Jammy. Roots reggae at its best here.

Live Blue Vinyl LP from the master of rocking Rhythm and Blues
Recorded at The Opera House, Newcastle on 26th November 2002. Features a
track by track synopsis written by Southside Johnny of the songs by Steven van
Zandt, Tom Waits, amongst others plus their own self penned compositions .
Promotion across social media platforms
Advertising in Shindig and Record Collector

Jeff Beck and Johnny Depp tapped into the frustration of living through the pandemic in 2020 with their well-timed cover of John Lennon’s “Isolation.” The Grammy winning guitarist and Hollywood Vampires co-founder are back with their first album together, appropriately titled, JEFF BECK AND JOHNNY DEPP. On the new record, Beck’s first studio effort in six years, the artists coax unexpected performances from one another on 11 covers and two originals that touch on everything from Celtic and Motown to John Lennon, the Beach Boys and The Velvet Underground.

The result is a wild roller coaster ride through different genres where hairpin juxtapositions deliver some of the album’s biggest thrills. A remarkable example comes early on when the industrial stomp of Killing Joke’s “Death And Resurrection Show” gives way to the intense heartache of Dennis Wilson’s “Time.” Each performance stands on its own, but the sharp contrast created by sequencing them together heightens the emotional impact of both songs.

The duo recorded most of the album in Beck’s studio over three years while Depp lived on and off in the guitarist’s English cottage. Robert Adam Stevenson co-produced several tracks on the album and engineered many of the sessions remotely from Depp’s studio in Los Angeles. When the basic tracks were finished, they were fleshed out by musicians who’ve played with Beck through the years, including drummer Vinnie Colaiuta and bassist Rhonda Smith.

The album title will be “18.” The cover illustration (attached) was done by Jeff’s wife, Sandra and pictures them when they were both 18. Here’s Jeff’s comment on the title from the PR: Beck explains the album title: “When Johnny and I started playing together, it really ignited our youthful spirit and creativity. We would joke about how we felt 18 again, so that just became the album title too.”

In a collaboration you might never have expected but somehow makes perfect sense, original Brit blues mastermind Jeff Beck teams up with a little known American by the name of Johnny Depp to render some of the latter's songs alongside some finely selected covers. From The Beach Boys to John Lennon, The Velvet Underground to Killing Joke and more besides, this is the sound of two lifelong music lovers letting it all hang out and playing with the impassioned energy and innocence of youth. More than just a throwaway side project for a global superstar, this is a deeply discerning project which frames Depp's music in a whole new light.

Features fan favorites like "Mojo Boogie," "Evil On My Mind" and "Shake Your
Moneymaker." On three tracks, Johnny reunites with the rhythm section from his
first three albums, drummer Uncle John "Red" Turner and bassist Tommy
Shannon (later in Stevie Ray Vaughan's Double Trouble). Two more feature
special guest Mac "Dr. John" Rebennack on piano. All tracks remastered.
'3rd Degree' has sold over 95,000 units in the U.S.

The "Million Dollar Quartet" is a recording of a celebrated impromptu
session that brought rock & roll icons Elvis Presley, Johnny Cash, Jerry
Lee Lewis, and Carl Perkins together for the first and only time
2LP set in gatefold sleeve edition - 180g coloured vinyl (disc 1 red, disc 2 yellow).
On December 4, 1956, these four young musicians gathered at Sun Records in
Memphis for what would be one of the greatest jam sessions ever. This essential
double LP edition (gatefold open cover) presents that legendary event in its
entirety, while maintaining the original recording sequence.
Rock & roll was born of gospel, country, doo-wop, blues, pop, and cowboy songs,
all of which can be heard here. Included here are several popular numbers from
that period, such as "Rip It Up," "Don't Forbid Me," and "Out of Sight, Out of Mind,"
plus some of Elvis' own songs ("Don't Be Cruel," "Love Me Tender," and
"Paralyzed"), and covers of Chuck Berry's "Brown-Eyed Handsome Man" and "Too
Much Monkey Business," as well as traditional tunes, and some classic country
and bluegrass songs penned by Hank Snow, Faron Young, Gene Autry and Bill
Monroe.
The joyous spontaneity and the fly- on- the- wall feel of the occasion make for
fascinating listening. This set represents a memorable slice of American culture
and allows listeners to experience a historic moment of the original rock & roll
era.

Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions.

This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle ‎– Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records.

Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy fat beats laid down by the excellent rhythm section complementing Johnny Walkers cool horn stylings.

Reminiscent of the albums of that early Jazz Dance era by Tom Browne and Rahmlee but with less of a commercial edge and wholly instrumental this is Funky Jazz that has not dated and sounds like it was fresh out of the studio in 2022.

Funk all the way on "Dipping" and "Dirkie" while "Arrival" is one for the Jazz Dancers.

Live Blue Vinyl LP from the master of rocking Rhythm and Blues.
Recorded at The Opera House, Newcastle on 26th November 2002.
Features a track by track synopsis written by Southside Johnny of the songs by Steven van Zandt, Tom Waits, amongst others plus their own self- penned compositions .

Johnny Clarke ruled the Dancehall in the mid 1970’s, using the cleaver 'Flyers Rhythms' that gave some of his tunes an edge with the Sound Systems. But his voice was always.
bigger than this and his versatility to sing a wide range of vocal styles, has seen him cut through the decades as one of Reggae’s best voices.

Johnny Clarke (b.1955.Jamaica) cut his musical teeth at the age of seventeen, recording his first song ‘God made the sea and sun’ for Producer Clancy Eccles. A low-key release but one that led to Johnny catching Producer Rupie Edwards eye, when he appeared at a talent contest at Bull Bay. Impressed by his voice both live and on disc, Rupie cut a few tunes with Johnny, ’Don’t Go Julie’ and ‘Everyday Wondering’ the latter of which had success not only in Jamaica, but also in the UK reggae market. The back bones of ‘Everyday Wandering’ now voiced by Rupie himself would lead onto an even bigger hit in the 70’s with the classic ‘Irie Feelings’.

Johnny Clarke’s decision to move on around this time coincided with producer Bunny ‘Striker’ Lee looking for a new singer to compete in the ever-moving Dancehall arena. Johnnie’s break came in a strange way, having provided backing vocals initially to a Bunny Lee produced cut, Earl Zero’s ‘None Shall Escape the Judgment’. The very same session the drummer on the track, Carlton ‘Santa’ Davis, when asked by Bunny to come up with some new sound and while working the High - Hat cymbals, hitting it when open, then when shut (based on the Philadelphia Disco Sound known as the Phili - Sound) gave what the reggae world would call a ‘Flyers Sound’. On transferring the tune to four tracks to mix down at King Tubby’s studio, Earl Zero’s vocal was mistakenly left off. Johnny Clarke being present at King Tubby’s and knowing the track already inside out, then sang the lead vocal. The track became a smash Sound System favourite and the rest as they say is history.

Johnny Clarke became one of Bunny’s main vocalists during the heyday that was the 1970’s. It’s from this vast cannon that we have selected some of the singer’s finest cuts. His soulful voice worked the musical field from Dread to Rockers to Lovers Rock.A great gift that on playing this album we hope you’ll agree carries through with the tests of time.

High ranking anthem from 1982 with the Roots Radics in full effect and backed by world cup winning Scientist dub. Sampled countless times in drum and bass, this is the first time legit seven inch pressing for this original ruling version. Both tracks produced by Henry "Junjo" Lawes, recorded at Channel One and mixed by Scientist at King Tubby’s studio. Limited one-time press only, 7-inch-single with Jah Guidance label prints in a grey/white sleeve with Johnny Osbourne and "Junjo" images. European pressing.

Johnny was born in 1934 in Memphis, the city where Rock’n'Roll began. A career in boxing
seemed most likely tfor the Burnette brothers before meeting Burlison, who’d graduated from
High School two years before Elvis Presley. Burlison had backed Blues giant Howlin’ Wolf on
radio appearances and worked at Crown Electrics with Dorsey, with Elvis later becoming a
workmate. They had also taken to rehearsing in the basement of one of the apartment blocks
in Lauderdale Court. With the apartment above rented by the Presley family, who had not long
arrived from Tupelo. Legend has it that, Elvis would slip downstairs and sit quietly in a corner,
listening to them rehearse. And it was after seeing Elvis on television in January 1956, that
sent the Rock'n’Roll Trio to New York where their appearances on Ted Mack’s Amateur Hour
saw them sign to the Coral Label. The three-time talent show winners immediately set about
recording a repertoire based equally on R&B and Country & Western material. The Rockabilly
they cut for Coral, some 25 tracks, was later described by genre expert Bill Millar as 'unrivalled
for unsubtle power and wild intensity’. Joe Turner’s Honey Hush, and the self-penned Tear It
Up have been constantly recycled by acts. The originals are included in this LP along with
other material such as Rock Therapy, Lonesome Train and Touch me

Quarto Valley Records proudly announces the release of 'Brother Johnny', a
tribute to the legendary blues guitarist created by his brother Edgar Winter.
The album is a powerful sonic journey, traveling the course of Johnny's musical
life, impeccably directed, as only his brother Edgar could. Joining Edgar on the
inclusive project is an impressive array of renowned musicians who knew, or were
inspired by Johnny, including: Joe Bonamassa, Doyle Bramhall II, John McFee,
Robben Ford, Billy Gibbons, David Grissom, Taylor Hawkins, Warren Haynes, Steve
Lukather, Michael McDonald, Keb Mo, Doug Rappoport, Bobby Rush, Kenny
Wayne Shepherd, Ringo Starr, Derek Trucks, Waddy Wachtel, Joe Walsh, Phil X
and Gregg Bissonette. The guitar- driven album celebrates the expansive styles
Johnny was known for. The 17 tracks were carefully curated by Edgar and
producer Ross Hogarth to represent Johnny's evolution as an artist, honoring his
great legacy while also incorporating a personal tribute from brother to brother,
and for which Edgar penned two new songs.
Print coverage:
the Telegraph, The Daily Mirror and The Scottish Daily Express
Mojo feature and Review, Classic Rock Magazine, Record Collector, Blues In
Britian, HRH Magazine, RNR, Vintage Guitar, Rock Candy, Fireworks
Review in Blues Matters confirmed, Guitar Techniques
Online coverage: Velvet Thunder, Pennyblack Music, Spiral Earth
Radio:BBC Radio Solent, BBC West Midlands, Total Rock Radio, Forest FM, Castle
Sound Radio, 242 Radio, Brooklands Radio, Hard Rock Hell, Mystery Train,
Graham Lavendar Blues Show
Podcasts: Blues In The Night, The Blues Podcast

LIMITED EDITION CLEAR VINYL

The multi-talented Johnny “Guitar” Watson was known for his guitar skills and was one of the hottest blues artists during the 1950s. His 1977 funk album A Real Mother For Ya produced the same titled international hit song and features “Nothing Left To Be Desired” and “Lover Jones”. Also included is the 2020 Ben Liebrand Oldskool mix as a bonus track, which was not available on the original album. During his career, Johnny “Guitar” Watson influenced Jimi Hendrix amongst others and earned a Grammy nomination for best contemporary blues album. Sadly Johnny “Guitar” Watson passed away while touring Japan in 1996.

Johnny Clarke ruled the dancehall in the mid '70s, using the clever "Flyers Rhythms" that gave some of his tunes an edge with the sound systems. But his voice was always bigger than this and his versatility to sing a wide range of vocal styles has seen him cut through the decades as one of reggae's best voices. Produced by Bunny Lee, mixed at King Tubby's studio, an absolute reggae/roots classic.

Tom Tykwer discussed the composers’ work on The Matrix Resurrections. “There’s a powerful and distinct musical legacy here. In my opinion, The Matrix Trilogy is one of the great scores of all time. And what’s particularly fantastic about it is that it was also, to my knowledge, one of the first film scores that so implemented electronic music and connected it with progressive late-modern orchestral music. It started a movement, which we are paying tribute to with this music. And yet, this film is playful and emotional with complex development, open in every direction. Johnny and I felt our challenge for the music was to pay tribute to The Matrix lineage and also support this cinematic endeavor of expanding that legacy to explore new directions. That needs to be represented in the music and that is what we are trying to investigate musically.”
Johnny Klimek elaborated, “We spent several months working on material for The Matrix Resurrections, building the main themes, crafting alternative arrangements and electronic variants. We had a lot of fun mixing electronics with classical orchestra. The technology has come so far since I started scoring film.”

The Matrix Resurrections - Original Motion Picture Soundtrack Includes all 24 tracks composed for the film by Johnny Klimek and Tom Tykwer, mastered for vinyl and pressed on 2x 180 Gram Black vinyl, with original artwork by Mondo's creative director Mo Shafeek

The infusion of electronic music into the score ultimately expanded into the inclusion of 11 remixes on the album, and it was an amalgam of inspirations which brought that idea to fruition. Both composers have worked extensively with electronic music, including their work on the celebrated, techno-infused Run Lola Run soundtrack.

The ‘Fever Dreams Pt 3’ EP features four brand new songs from Johnny Marr’s anticipated first double LP - ‘The Speed Of Love’, ‘Night and Day’, ‘Counter-Clock World’ and ‘Rubicon’. Timed well to follow on from Johnny’s live run with Blondie, the EP will be released on limited edition gold vinyl on May 20th, with 2.5k units available worldwide.

Early previews of ‘Fever Dreams Pts 1-4’ have been met with widespread acclaim, with Uncut stating that the double album is "The most ambitious album of his career".

Singles including ‘Sensory Street’ has been a mainstay on the BBC Radio 6 Music A-List, the album’s electro-soul opener ‘Spirit, Power and Soul’ was also playlisted by 6 Music and BBC Radio 2, described as “his strongest solo composition yet” by the Evening Standard, “an exercise in progressive creative ambition” by DIY, “invigorating” by Uncut, with “defiance in its DNA” by CLASH and simply “banging” by The Telegraph.

Earlier EP ‘Fever Dreams Pt 2’ has seen Johnny heralded as “a master songwriter” by The i Newspaper and, “a project unlike anything he's done before" by Music Week.

2022 will see Johnny Marr return to the live stage, joining Blondie as a special guest on their ‘Against The Odds’ headline tour through April and May, including London’s O2 Arena, before heading out on The Killers’ headline US arena tour, beginning in August through to October.

Impossibly rare and extremely obscure 45 that almost never turns up. A monstrous modern soul dancer with a funky edge on the a-side and a great boogie banger on the flip side now available to soul and funk fans around the globe at the price of a pizza for one. This version comes out of a fortunate demo on a 1/4” reel tape which is the only recording that survived a car crash Mr. Horton was involved in many years back. Johnny kindly allowed us to license this beautiful piece of music and we are very proud to bring to your decks such a testament to the Alabama sound of the seventies.

Wenn eine internationale Wochenzeitung einen Musiker als »weißen Papst der schwarzen Kunst« betitelt, klingt das verdächtig nach Altersmilde eines Bluesers in den besten Jahren, der die guten schon hinter sich hat. Von wegen! Bei Johnny Winter schlugen die Beurteilungen während seiner Tournee 2011 den Tonfall der frühen Jahre an, als das Blatt "Rolling Stone" den hageren Mississippi-Barden als »schielenden Albino mit langem, fließenden Haar« beschrieb, »der so ziemlich die flüssigste Gitarre spielt, die man jemals gehört hat«.

Ob gewollt oder nicht: man ließ Winter damit ein wenig an dem Rocker-Lorbeer schnuppern, der für den jungen Clapton und Jimi Hendrix reserviert war. Doch Winter lässt hören, dass er nur den Blues wollte, kratzbürstig, um Howlin' Wolfs oder Muddy Waters’ geigenden Höhlengroove zu beschwören, und doch fingerfertig genug an den Saiten, um mit verblüffend geschmeidigem Spiel Tongirlanden herbeizuzaubern, die haarscharf zwischen zwei Taktstriche passen.

Ziemlich cool bleibt Winter, wenn man persönliche Leidenskurven aus seiner Musik herauszulesen versucht: »Wenn ich Blues spiele, geht es mir gut«, diktierte er jüngst einem Journalisten ins Oktavheft. Dass dies auch vor über 40 Jahren schon so war, beweist das Debüt-Album auf beiden Seiten.

Aufnahme: 1969
Produktion: Johnny Winter

Rough Signal Records featured Johnny Clarke who is living legendary artist from Jamaica. This is the keyword in this release that is “UNITY”. We are describing reality some people disconnect from community and now we need it more “UNITY” in this world what we made it for. The riddim feels like 80s one drop roots and with sorrow mood of Johnny Clarke lyrics . And also we featured Colourman of youth promotion as the deejay cut. On the B side has wickedest dub mix and riddim by Dub Kazman.

This beloved 1963 Impulse! LP is a career highlight for both Johnny Hartman and John Coltrane. Hartman was apparently Coltrane's suggestion for the recording date, and his deep, dark voice meshes perfectly here with Coltrane's tenor. The material is well-chosen, including definitive readings of 'My One and Only Love' and 'Lush Life.' McCoy Tyner fills out the chords, augmenting the harmonies and keeping the tone of these ballads respectful but not overly sentimental. All the players get to the deep structure of the songs and are not afraid to play in the most essential and elegant manner.

Back in stock! Ghanaian Afro-Rock From Producer/Composer JJ Whitefield, Inspired By His Karl Hector & The Malcouns And Whitefield Brothers Projects JJ Whitefield, who in the early ‘90s revived the gritty, analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has been working with Now-Again Records for over decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the Original Raw Soul anthology. He first started exploring African rhythms with the Whitefield Brothers in the late ‘90s, continuing in the ‘00s with Karl Hector & The Malcouns. He’s been instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor’s son Henry and percussionist/Singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana’s hypnotic grooves, but also the full frontal fuzz guitar assault heard on the legion of 70s Zambian Zamrock albums reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist Tomi Simatupang (Whitefield Brothers). This is what was oft-called “Afro Rock” at the core, with the possibilities to stretch out into swinging highlife, sweet soul or psychedelia . The results, point at a new direction for the music inspired by the Great Continent. One that takes a direction once mocked as derivative and asserts its importance on the globe’s current musical stage.

This 3 track EP is from out of Ibiza Records archive vault's Archive Vol 1. Each of these tracks represents 'The Original Jungle Sound' from back in the 90s.

Produced by Johnny Dubs and co-producer Paul Ibiza

This 3 track EP comes from out of Ibiza Records archive vault hint why it is called archive Vol 2. Each of these tracks represents 'The Original Jungle Sound' from back in the 90s.

Produced by Johnny Dubs and co-producer Paul Ibiza

Johnny Marr started his career with The Smiths, beginning an amazing history as one of the most influential songwriters and guitarists in British independent music. His subsequent creative journey has seen him at the heart of The The, Electronic, Modest Mouse and The Cribs, as well as working with such names as The Pretenders, Talking Heads, The Avalanches, and the musician and composer Hans Zimmer - with whom he recently recorded the score and soundtrack for the forthcoming James Bond film, No Time To Die, including the title track created with Billie Eilish.

In the wake of his time leading The Healers, Marr’s solo career has given rise to three UK Top Ten albums - The Messenger (2013), Playland (2014) and 2018’s Call The Comet, and he will be returning in February with his most expansive work to date, Fever Dreams Pts 1-4. It was created during the long, uncertain period that followed the arrival of the UK’s first lockdown, when his focus was pushed into both his interior life, and evoking the emotional states of others. “It’s an inspired record, and I couldn’t wait to get in and record every day,” he says. “But I had to go inwards.”

The upcoming album reflects his multi-faceted past, but takes his music somewhere startlingly new. “There’s a set of influences and a very broad sound that I’ve been developing - really since getting out of The Smiths,” he says. “And I hear it in this record. There are so many strands of music in it. I think it’s the most ambitious solo record I’ve done.”

"At the dawn of the 1970s, Johnny Hallyday's new album: VIE brought music, ranging from classical to progressive rock, including folk and pop. Alongside this album, we find the 45rpm of the year as well as alternative versions taken from the recording sessions. This version of the Hallyday 70 box set in a 3 LP set. Limited to 70 in the UK
And to finish a treasure exhumed from the archives: an unpublished song - LE SPÉCIALISTE. This song has been waiting for us for more than 50 years. Reviews and Ads in London Macadam, R2 "

At the dawn of the 1970s, Johnny Hallyday's new album: VIE brought music, ranging from classical to progressive rock, including folk and pop. Alongside this album, we find the 45rpm of the year as well as alternative versions taken from the recording sessions. This version of the Hallyday 70 box set in a 3LP Book, 4 CD box and Exclusive DVD set. Limited to 70 in the UK. And to finish a treasure exhumed from the archives: an unpublished song - LE SPÉCIALISTE. This song has been waiting for us for more than 50 years. Reviews and Ads in London Macadam, R2.

Every Day You're Wondering / Ten Dread Commandments

His third studio album in as many years, ‘La La La’ arrives as the follow-up to 2020's album 'Cheap Medication' and 2019's debut 'Next Episode Starts In 15 Seconds’ in what is the next instalment of Johnny's annual series of releases. The new album continues a prolific spell of activity for the songwriter that has also seen him release two compilations of outtakes and rarities (Low Fidelity Vol. 1 & 2); work in collaboration with his partner Billie Piper and playwright Lucy Prebble (Succession) to score the entire soundtrack for the critically acclaimed Sky Atlantic series ‘I Hate Suzie’ and write the original motion picture soundtrack to Billie Piper's film 'Rare Beasts

Radiation Roots continues its exploration of Jah Thomas' Midnight Rock label with the releases of this sought after and rare early dancehall album. Recorded at the legendary Channel One Studio, Osbourne and Palmer are two sublime vocalists and they are backed here by The Roots Radics, with Scientist on the mix.

Due for release on December 17th, the ‘Fever Dreams Pt 2’ EP will preview four brand new tracks that make up the second quarter of Marr’s forthcoming double album, ‘Fever Dreams Pts 1-4’. Sensory Street, Tenement Time, Lightning People and Hideaway Girl. The ‘Fever Dreams Pt 2’ EP is released digitally and on very limited edition 12” transparent violet vinyl, exclusively through his webstore and UK RSD Stores – limited to 750 copies.
Early previews of ‘Fever Dreams Pts 1-4’ (due February 25th 2022) have been met with widespread acclaim. ‘Spirit, Power and Soul’ was playlisted by BBC Radio 6 Music and BBC Radio 2, described as “his strongest solo composition yet” by the Evening Standard, “an exercise in progressive creative ambition” by DIY, “invigorating” by Uncut, with “defiance in its DNA” by CLASH and simply “banging” by The Telegraph.

Led with the singles ‘Sensory Street’ and ‘Tenement Time’, the second EP is set for another outstanding launch, with ‘Sensory Street’ confirmed for a premiere with Steve Lamacq on BBC 6Music. ‘Sensory Street’ follows on electro soul album opener ‘Spirit, Power and Soul’s anthemic strand, a startling track with strident electronics, whilst ‘Tenement Time’ marks the end of the double album’s first half. A rousing, reflective creation fusing sonic power with an emotional potency. Both highlight ‘Fever Dreams Pts 1-4’s sheer sonic scale.

"CHRISTMAS SPECIAL EDITION OF JOHNNY HALLYDAY'S 2 SYMPHONIC ALBUMS COMBINED
INCLUDES INSTRUMENTAL VERSIONS OF DIÉGO AND LE PENITENCIER, 4LP Coloured VINYLS • 32 PAGES BOOK • LIMITED EDITION An exceptional Christmas special edition accompanied by many photos The whole story of the realization of this event project With the exclusive testimonials of YVAN CASSAR: arranger and musical director and of FRANÇOIS DARMIGNY photographer of the two albums. Reviews and Ads in R2 and London Macadam "

"CHRISTMAS SPECIAL EDITION OF JOHNNY HALLYDAY'S 2 SYMPHONIC ALBUMS COMBINED
INCLUDES INSTRUMENTAL VERSIONS OF DIÉGO AND LE PENITENCIER, 4LP Coloured VINYLS • 32 PAGES BOOK • LIMITED EDITION An exceptional Christmas special edition accompanied by many photos The whole story of the realization of this event project With the exclusive testimonials of YVAN CASSAR: arranger and musical director and of FRANÇOIS DARMIGNY photographer of the two albums. Reviews and Ads in R2 and London Macadam "

La Musique Que J’aime is Johnny Hallyday's profession of artistic faith. Accompanied by Greg Zlap, Freddy Koella, Denis Benarrosh and Laurent Verney, Yvan Cassar - Johnny in an acoustic blues version full of feeling and respect Johnny like you've never heard before . Limited to 100 in the UK.Reviews and Ads – R2 and London Macadam

Bear's Sonic Journals: Johnny Cash, At the Carousel Ballroom, April 24, 1968 — Johnny Cash

EXPANSION introduce a brand new series of 10” CLASSICS back to back with the
coolest CONTEMPORARY takes of the same track. First off is the 70s masterpiece by
the MIZELL BROTHERS, as originally recorded by the master of the Hammond organ,
JOHNNY HAMMOND in 1975 on FANTASY REORDS – a jazz funk, timeless ‘rare
groove’ previously only a single as a 7” edit but glorified here in it’s full 6 minutes. The
new version is by QUASIMODE, the hippest new jazz quartet from Japan, signed to
BLUE NOTE RECORDS. They have taken the jazz world by storm and have recorded a
version of “Los Conquistadores Chocolates” worthy of comparison to the original and
on vinyl here for the first time.

No ballads here.



These two brothers started with a group called “The Rock N’ Roll Trio” and one listen to those tracks lead into one direction - authentic, powerful, and dynamic rock n’ roll. And successfully, I may add.



Essentially, there was no need to change their entertaining formula when composing for Ricky Nelson and most of Ricky’s rockers came directly from the Burnette Brothers. So they continued their success for Ricky, to much critical acclaim and considerable esteem with some of Billboard’s significant achievements and milestones.



James Burton cut his teeth on the guitar solos he would create from these Burnette rockers, with the guitar break on “Believe What You Say” to be arguably one of the finest. James Burton credits the Nelson family for his success to this day.



There were a total of 19 songs that Ricky recorded by the Burnette Brothers; 8 of which Johnny had written/co-written until his early passing in August, 1964 at the age of 30 years old. His brother Dorsey died in August, 1979 at the age of 46 years old but not before writing/co-writing the remaining 11 tracks that Ricky recorded.



A few special notes here are worth mentioning:



“Hey Daddy” cut by Billy Burnette (at age 7) is the son of Dorsey. Billy fondly recalls cutting his first record with Ricky Nelson and his band, with Ricky singing harmony along with Billy. He was absolutely thrilled.

“Tired Of Toein’ The Line” written by Rocky Burnette (at age 27) is the son of Johnny. Released in 1980, song hit big overseas and number 1 in Australia. Ricky had recorded it at the same time but didn’t release it, respectful of Rocky’s potential success. Rocky still remembers Ricky’s consideration and kindness to this day.

“Lucky Boy” was written by Johnny & Dorsey Burnette and Ricky recorded it during his final Curb Sessions in September, 1985 as a tribute to the Burnette family - as well as it being a great rocker!

John Dawson Winter III, better known as Johnny Winter, was an American singer and guitarist. He was best known for his energetic blues rock albums, combined with equally energetic live performances throughout the late 1960s and 1970s. As such, it’s no surprise that he released many live albums. Captured Live! is his second live album, released in 1976 to positive reviews. It features mainly cover songs, including songs by John Lennon, Bobby Womack, Bob Dylan and more. This allows for the focus to shift towards Winter’s impeccable guitar playing skills, backed up by his band.

This LP edition contains an insert with photos and credits.

On this deluxe edition vinyl you will find unreleased Johnny Cash recordings recorded at the House Of Cash Studios, Hendersonville, TN in 1974.
Released for the first time !!!

Jean Philippe Smet went to a different type school: while education came second, he spent most of his time in music halls. He began studio recording at 17 and was still there almost 60 years later, at 74. You can fool people for a long time and an audience for a brief moment, but no one could have fooled such a diverse fanbase for 57 years. There are only few examples, in France or anywhere else, of such longevity in the music industry.

Not only did Johnny Hallyday attract a horde of admirers around him, but he also never stopped growing his fans who stayed with him for 57 years. Staying at the top for five decades is only possible for an artist who combines sincerity with talent.

It is that combination of gifts and personality, along with the exceptional composers and writers surrounding him, that can explain why three years after his death, people are still looking for the slightest opportunity to get together and celebrate their idol.

There’sone word that unites everyone who loves Johnny Hallyday with the ones who don't; and this word is 'Respect'. This record is available in crystal clear with a printed inner sleeve!”

180 gram Vinyl LP Producer - Jah Thomas Toyan aka Ranking Toyan (born Byron Letts, died 1991) was a Jamaican reggae deejay active since the mid-1970s and best known for his early 1980s recordings.
Toyan began his career in 1974, deejaying on Kingston’s sound systems, such as Socialist Roots and Romantic HiFi. He recorded his debut single, “Disco Pants” in the late 1970s for producer Don Mais. He went on to work extensively with Joseph Hoo Kim and Jah Thomas, resulting in a string of hits including “Girls
Nowadays”, “Kill No Man”, “John Tom”, and “Talk of the Town”, as well as combination hits with The Mighty Diamonds (“Pretty Woman”), Badoo (“Rocking the 5000”), and Freddie McGregor (“Roots Man Skanking”).
In 1981 he joined Henry “Junjo” Lawes’ Volcano Sound system, and toured Canada. With Lawes, he recorded the album How the West Was Won, and went on to produce his own work and that of others such as Billy Boyo and Anthony Johnson. He toured the United Kingdom with the Jah Prophecy band and performed in Jamaica alongside Dennis Brown. He was murdered in Jamaica in 1991.
Mailout to relevant music press and radio. Promotion across social media platforms Advertising in Riddim, Black Echoes and Record Collector Magazine

Johnny Cash had a birth certificate marked J. R. Cash because his parents couldn’t decide what to call him. Their environment was the recurrent poverty that reigned in Thirties America, a background of depression where J. R. went to work in flooded fields, learned music and sang along with other cotton pickers, picking up jobs here and there, and finally signing up for three years in the Army.

In 1954 he went back to civilian life, married Vivian Liberto, and went through the studio doors at Sun Records, where Sam Phillips recorded his first hits. In ’57 he joined Columbia Records and a decade later married June Carter (of The Carter Family) in 1968. The following years were complicated by drugs, alcohol and constant tours, yet the pair remained together until June passed away in 2003. Johnny Cash only survived another four months.

His original country music showed empathy for those who had been rejected, and his vision of the misery around him. But he also had an especially warm baritone, and it gave Johnny Cash an immense and faithful audience. He sold 90 million albums, confirming him as one of the greatest artists in music, all genres included.

MUSICORAMA OLYMPIA 1961 DOUBLE LP Limited edition (2000 worldwide). The first three Musicorama by Johnny Hallyday recorded at the Olympia in 1961, 1962 and 1965 in double LP openable cover edition. Through the magic of the airwaves, these concerts were the dream of all teenage fans of Johnny who, glued to the transistor, vibrated when listening to the broadcast. These moments are etched forever in their memory. Reviews and Ads in London Macadam, France in London, Ici Londres and L’Echo

MUSICORAMA OLYMPIA 1962 DOUBLE LP Limited edition (2000 worldwide). The first three Musicorama by Johnny Hallyday recorded at the Olympia in 1961, 1962 and 1965 in double LP openable cover edition. Through the magic of the airwaves, these concerts were the dream of all teenage fans of Johnny who, glued to the transistor, vibrated when listening to the broadcast. These moments are etched forever in their memory. Reviews and Ads in London Macadam, France in London, Ici Londres and L’Echo

MUSICORAMA OLYMPIA 1965 DOUBLE LP Limited edition (2000 worldwide). The first three Musicorama by Johnny Hallyday recorded at the Olympia in 1961, 1962 and 1965 in double LP openable cover edition. Through the magic of the airwaves, these concerts were the dream of all teenage fans of Johnny who, glued to the transistor, vibrated when listening to the broadcast. These moments are etched forever in their memory. Reviews and Ads in London Macadam, France in London, Ici Londres and L’Echo