Search:litt

Over the years, Washington has recorded sporadically as a solo singer and extensively as a studio drummer and, has laid tracks for various artists. Simultaneously, Washington was a full-time drummer (sometimes singer) in several different bands, such as: The Avengers, The Titans, and Happiness Unlimited. With Happiness Unlimited he migrated to the USA to work with Stevie Wonder. The other Bands he played with are Calabash and Bands that backed Artists such as Leroy Sibbles, Shinehead, Junior Reid, Gregory Isaacs, Sister Carol and the Meditations.

The first legendary Pink fairies album: a real must for all psychedelia and garage fans. Contains 'Do It', 'Heavenly Man' and the manifest-track of the band: 'Uncle Harry's Last Freakout", 10 long minutes of anarchist rock, rich of feedback and acid guitars.

This really was 'proto-punk'!

The packaging is just like the original one, with an external artwork on plastic sleeve.

PUPPY formed in 2015 when school friends Jock Norton (vocals, guitar) and Billy Howard (drums) met bass player Will Michael while working in a London bar. Later that same year, the band released their eponymous debut EP, that quickly earned comparisons to acts like The Smashing Pumpkins and Dinosaur Jr. A second EP quickly followed in 2016, and “Vol ii” saw the band take their first major steps into the live sphere, with UK festival appearances at Download and 2000 Trees. The Goat, Puppy's debut album, was released in January 2019, while the band were midway through an epic European tour with Monster Magnet. In support of the album, the band recorded a live set at BBC’s iconic Maida Vale studios (their second), and racked up festival appearances everywhere from Glastonbury to Bloodstock Open Air. That year also saw PUPPY travel to the US for the first time, selling out a headline show in Brooklyn’s iconic St Vitus Bar for Revolver Magazine. Without missing a beat, the band saw out the year by releasing a surprise EP, ‘iii’, and is now ready to open a new chapter.

A Notwist concert is a Notwist concert is a Notwist concert. The band around the core trio of Cico Beck and the Acher brothers Markus and Micha usually takes its studio recordings as a mere starting point for their live performances, considering them to be possibilities that need to be explored further. This is especially true for »Vertigo Days - Live from Alien Research Center,« a live record made under unusual circumstances. The band members rearranged songs from their ambitious 2021 album »Vertigo Days« in their studio in Weilheim to record and film a special performance. The songs took on a new life, becoming more psychedelic and intense when rearranged into a spontaneous, Krautrock-esque collage.

»Vertigo Days« was meant to transcend the conventional notion of a band as well as the creative and geographic boundaries inscribed into that concept. And even though life had other plans, this is precisely what the album did when it was released to both commercial success and critical acclaim in early 2021. Contributions by Tenniscoats singer Saya, Angel Bat Dawid, Ben LaMar Gay, Juana Molina, among others, as well as new member Theresa Loibl on bass clarinet, harmonium, and keyboard, expanded the band’s sonic palette, stylistic range, and even lyrical focus through the addition of different instruments, artistic approaches, and languages.

All of that was missing when the band retreated to their studio—dubbed Alien Research Center in response to, and in spite of, a nearby church called Christian Outreach Center—to further explore the possibilities of the source material. The band members considered this a challenge rather than an insurmountable problem and not only accepted, but fully embraced it. Trying to work as little as possible with the computers and samples—Saya’s voice on »Ship« being a notable exception—the band rearranged six tracks from »Vertigo Days« and a piece from the »One of Those Days« film soundtrack in order to allow themselves to improvise more freely, especially thanks to Loibl, who takes on a key role during these 45 minutes.

The intro sets the tone for what’s to come, contrasting loose jazz drumming with curious synthesizer rhythms in an abstract rendition of the first sounds that greeted the listeners on »Vertigo Days«. While the next four tracks—»Into Love / Stars«, »Exit Strategy To Myself«, »Where You Find Me« and »Ship«—follow the chronology of the album, they use the originals as a blank slate for further experimentation. The first track morphs into a feverish long-form jam that draws on the underlying groove to shift the dynamics from and leave behind the song structure of the studio version. It’s an exemplary piece in a recording that sees each individual musician leaving their mark on the overall sound, all while being perfectly attuned to what everyone else is doing around them. This continues up until the record’s triumphant finale, a whirring rendition of »Loose Ends.«

»Vertigo Days - Live from Alien Research Center« is at once a snapshot of a certain moment in the band’s history and the quintessential Notwist live record: a unique performance that both explores the untapped potential of the »Vertigo Days« studio recordings while also serving as an inspiration for upcoming live shows.

As with the studio album, the artwork for »Vertigo Days - Live from Alien Research Center« features photographs by Japanese artist Lieko Shiga, taken in the '00s.

Now coming out on vinyl BBE is pleased to announce the 12” release of The Lyman Woodard Organisation - 'Creative Musicians', featuring remixes by Waajeed and Henrik Schwarz. Originally released as a digital EP from the album 'Strata Records – The Sound of Detroit – Reimagined by Jazzanova', 'Creative Musicians' and its remixes now come to you on deep grooved vinyl. The vocalist for these sessions is Sean Haefeli, who originally hails from Indianapolis, and brings a relaxed urgency to his contributions, sounding like a young Gil Scott-Heron. Leveraging his 20 plus year friendship with legendary Detroit DJ/Producer extraordinaire, Waajeed, Amir enlists him for a special four-to-the-floor mix that not only keeps that organic vibe but also adds a unique contemporary Detroit flavour! Henrik Schwarz needs little introduction to fans of eclectic electronic sounds. For over thirty years, his amazing body of work has packed dancefloors worldwide. Henrik takes ‘Creative Musicians’ in a slightly different direction, retaining many of Jazzanova’s original elements while adding his signature sound to the mix, providing another dance floor scorcher! And just to give you proper context, we have included the cult-classic, much-loved original version of ‘Creative Musicians’ by the Lyman Woodard Organization. ‘Strata Records - The Sound of Detroit - Reimagined by Jazzanova’ is no ‘covers’ album, rather a brand-new celebration of the iconic imprint, as Jazzanova’s take on Lyman Woodard Organization’s musical manifesto ‘Creative Musicians’ makes clear from its Afrobeat-inspired horn arrangements, drum track, and syncopated tempo.

Idlewild South is the second studio album by American southern rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on September 23, 1970 in the United States by Atco Records and Capricorn Records. Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs.

“Baile en el Infierno” & “Villa Incepciòn” are the new singles from Bogota-based cumbia band Conjunto Media Luna. Directed by accordionist and producer Ivan Medellin, Conjunto Media Luna makes a sound shift towards fresher and more street sounds influenced by the Sonideros from Monterrey, and the Chicano movement of the Low Rider Kumbias from California. However, Conjunto Media Luna still sticks to their roots by homaging the original format of the traditional Cumbia Sabanera from the Montes de Maria region of Colombia and including accordion licks that remind of Andres Landero’s style.
Edition of 500 copies, coming in a plastic sleeve including artwork printed cardboard.
Pressed on high quality Black vinyl wax (40 gr.).

Magenta Vinyl

“Baile en el Infierno” & “Villa Incepciòn” are the new singles from Bogota-based cumbia band Conjunto Media Luna. Directed by accordionist and producer Ivan Medellin, Conjunto Media Luna makes a sound shift towards fresher and more street sounds influenced by the Sonideros from Monterrey, and the Chicano movement of the Low Rider Kumbias from California. However, Conjunto Media Luna still sticks to their roots by homaging the original format of the traditional Cumbia Sabanera from the Montes de Maria region of Colombia and including accordion licks that remind of Andres Landero’s style.
Edition of 500 copies, coming in a plastic sleeve including artwork printed cardboard.
Pressed on high quality Black vinyl wax (40 gr.).

Mit der Disco-Hymne 'Terra Firma' schlug die einzigartige Band erstmals auf der Bildfläche auf. Das Jahr 2019 krönten sie mit einer ausverkauften US-Tour und bestätigten gleichzeitig ihre Europatour für das Frühjahr 2020. Das Album ist geprägt von einem Gemeinschaftsgefühl. Aber nicht nur darum geht es. Das Album beschäftigt sich auch damit, wie unser modernes Leben ständig zwischen der Online-und der Offline-Welt zu pendeln scheint; von der Welt in unseren Smartphones zu der, die wir jeden Tag mit unseren physiologischen Sinnen erleben. Was unterscheidet unsere emotionalen Erfahrungen wie Freundschaft, Liebe und Gemeinschaft online von denen, die wir im wahren Leben machen? "Manchmal" erklärt Frontmann Ned, "kann sich der Wechsel zwischen den zwei Welten anfühlen wie ein Wechsel von Schwarz/Weiß zu Farbe. Dieses Phänomen wollten wir auf dem Album ausloten." Die Entstehungs- und Erfolgsgeschichte von 'Dream in Colour' gibt einem wirklich ein gutes Gefühl und nicht nur das: Sie bringt das Phänomen Franc Moody auf den Punkt.

It has been over 2 years since Kellon (Spillway) ceased trading. He makes his return as Viewfinder, with a new label and a new approach. ‘The Second Phase’ is the first release on Rescan Records – it features 4 club-ready tunes, littered with analogue synths.

The Men collection is back with a new double vinyl dedicated to the greatest voices of the Blues including the man who inspired Elvis Presley, BB King.

Initially planned as a trilogy, given the success of this project, the series of 12” EPs featuring reinterpretations of tracks from the album “People Need People” - the brilliant work by Nicola Conte and Gianluca Petrella released in 2021 - closes with this fourth chapter, with the excellent contribution of Fred P. and his Interpretations.
Artist, DJ, Producer, Remixer and A/V Designer - born in New York and now living in Berlin - Fred P. has encompassed what it truly means to be an artist in the 21st century. With a discography growing exponentially year after year, he continues to push forward in his sound and his mind.
These two new interpretations of his constitute a little jewel in which Fred P. offers us a skilful blend where afro, jazz and house music create a cosmic spiritual journey at times nocturnal, suitable for the most sophisticated dance floors - in both cases with different rhythmic patterns, broken-afro for “African Spirits” and cosmic-house for “Tribes”, Fred creates here an open space, deep and simply at the centre of the music!

Tasteful double album with outstanding female singers. When it comes to vocal art alone, the jazz world is firmly in the hands of women. Just think of Billie Holiday, Ella Fitzgerald or Nina Simone. But singers of younger days, such as Sarah Vaughan or Diana Krall, are no less impressive with their enchanting voices. Reason enough for the French label Wagram to unite the most renowned female singers of the last decades on a double album.

REISSUE

Out Front is the greatest realisation of trumpeter Booker Little"s scope as a musician and composer. It is also one of only five sessions led by Little as a band leader before his premature death at the age of 23 in 1961. Arguably, the seven original compositions here might be more widely known today had his life not been so tragically cut short. Little is mostly known for his work with Max Roach, who he began playing with as early as 1955. The sextet on these dates include the great Max Roach on drums, Eric Dolphy on reeds, and Julian Priester on drums. This brand new reissue is available on CD and LP (180g), and has been remastered from the original Candid master tapes by Bernie Grundman

In the late '70s Wild Fire was one of the more popular groups in Trinidad. Formed by Oliver “Stompy” Chapman back in 1962 the group was originally named the Sparks. By the disco era Wild Fire were the house band at night clubs like Disco Tracks and the Upper Level. The group was very influenced by disco, especially the famous British group, Hot Chocolate known for the classic disco hit ”You Sexy Thing.” Hot Chocolate’s chief songwriter, Tony Wilson was originally a Trinidadian native and also great friends with Oliver Chapman. The opening track on this compilation is "Try Making Love", a floor-filling track written by Tony Wilson in 1977 and recorded at Coral Sound Studio in Port of Spain. It was there that Oliver Chapman laid down the unforgettable bass line, solidifying its status as a surefire hit. The infectious tune held steady at the number one slot for six weeks in Trinidad and eventually climbed to the top of the charts in Barbados. Recorded at KH Studios, “Living On A String” with its unique disco synth sound by keyboard player Calvin Duncan was about the hard living of one trying to survive as a musician and hoping to one day partake in the material strappings of fame. “The Rebels” was more about the political struggle for the young in the country at the time. There was a lot of corruption in the government and a lot of young people out of work. The song called to stand up and rebel against the regime. And years later in 1990 it did happen when the Muslim group Jamaat al Muslimeen stormed the Red House (Trinidad’s Parliament House) and took cabinet members hostage. Wild Fire would go on to tour the Caribbean extensively including stops in Barbados, Antigua, St. Thomas and Guadeloupe. The group had a massive local hit with their track “Say A Little Prayer.” The group would disband in 1985 and Oliver Chapman would move to America. Wild Fire - Dance Hits is a collection of Wild Fire's more dance friendly material.

Hidden Worlds are everywhere around us. Some may emerge,
materialize in waveforms.... and let you look a little deeper. 3
Ambient and Dub influenced Deep House and Electronica
tracks. Mastering and Cut at Dubplates & Mastering, Berlin.

Waxwork Records is proud to present the Us Original Motion Picture Soundtrack featuring a score by composer Michael Abels. Us, released in March 2019, is an original nightmare written, directed and produced by Academy Awardr-winning visionary Jordan Peele (Get Out). Set in present day Santa Cruz on the iconic Northern California coastline, the film, starring Oscarr winner Lupita Nyong'o and Black Panther's Winston Duke, pits an ordinary American family against a terrifying and uncanny opponent: doppelgängers of themselves. A blockbuster that earned raves from critics and audiences alike, Us earned more than $250 million at the worldwide box office to become one the highest grossing R-rated horror films of all time, buoyed by an unexpected and innovative soundtrack and by a groundbreaking, terrifying original score by Abels. Us marks the second collaboration between composer Abels and Peele, who first worked together on Peele's 2017 Oscar-winning horror film, Get Out. For the Us score, Abels explored themes of duality and discord. "Sonically, what defines 'scary' is the unfamiliar," Abels says. "It is the things that we can't place, and that we don't expect, that take us to that place of fear. We wanted to really strike terror into the audience." Central to the score was the opening track, an anthem for the doppelgängers, known in the film as The Tethered. Abels hit on the idea of using choral elements. "Jordan really loves the sounds of voices, and the human voice is an incredibly expressive instrument that anyone can relate to," Abels says. "The anthem sounds a little like a march of people preparing for battle, like an uprising maybe, but the sounds are not in a recognizable language. In other parts of the film there are vocal effects, just these strange sounds. They're designed to really freak people out." Abels featured a 30 person choir, a third of them children, in the "Anthem," and implemented Eastern European instruments, violins, percussion and a virtual instrument called a Propanium drum. "It makes this trashy metal sound, but you can also play melodies on it," Abels said. "The Propanium drum has a sound that's both otherworldly but not electronic or like science fiction. It's a sound you can't quite put your finger on, which is why it works well in this film." Also included on the soundtrack is the 1995 hip-hop hit "I Got 5 On It" by Luniz and the stand-out track "I Like That" by Janelle Monáe. Abels also helped with a new arrangement of the Luniz hit, which is featured on the soundtrack as the 'Tethered Mix from Us'.



































[xi] 35 I GOT 5 ON IT (FEAT. MICHAEL MARSHALL) [TETHERED MIX FROM US] - LUNIZ

Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

Doomsday Outlaw return with their third studio album Damaged Goods, set for release on 3rd February 2023 via Republic of Music.

As Doomsday Outlaw began work on this album, they knew they wanted to step up to the next level and deliver on the promise of their previous albums, keeping the heaviness and the soulful vocals, and turbo-charging it all with some retro rock feelgood vibes.

Channelling Skynyrd, Aerosmith and The Faces through their signature heavy blues stomp, the band worked to expand their signature sound.

Working with Chris D’Adda at Vale Studios (Temples, Deaf Havana) and Dave Draper (The Wildhearts), to put them through their paces, the band have pulled together their best work yet.

Lyrically, the album is a very personal insight into vocalist Phil Poole’s life and motivations. Speaking about Damaged Goods, vocalist Phil Poole said: "This album is a continuation of the stories of my life – played out for all to see, filled with heartbreak and redemption. My own version of therapy, Damaged Goods is the latest chapter in my life."

Bassist Indy added: “It’s been a hard slog these last couple of years with Covid cutting short our European adventures, and generally waiting for live music to see the light at the end of the pandemic tunnel, but these new tunes have kept us going. The excellent response we’ve had to playing the songs live has been great to see, and we can’t wait to get everything out there for people to hear.”

Doomsday Outlaw return with their third studio album Damaged Goods, set for release on 3rd February 2023 via Republic of Music.

As Doomsday Outlaw began work on this album, they knew they wanted to step up to the next level and deliver on the promise of their previous albums, keeping the heaviness and the soulful vocals, and turbo-charging it all with some retro rock feelgood vibes.

Channelling Skynyrd, Aerosmith and The Faces through their signature heavy blues stomp, the band worked to expand their signature sound.

Working with Chris D’Adda at Vale Studios (Temples, Deaf Havana) and Dave Draper (The Wildhearts), to put them through their paces, the band have pulled together their best work yet.

Lyrically, the album is a very personal insight into vocalist Phil Poole’s life and motivations. Speaking about Damaged Goods, vocalist Phil Poole said: "This album is a continuation of the stories of my life – played out for all to see, filled with heartbreak and redemption. My own version of therapy, Damaged Goods is the latest chapter in my life."

Bassist Indy added: “It’s been a hard slog these last couple of years with Covid cutting short our European adventures, and generally waiting for live music to see the light at the end of the pandemic tunnel, but these new tunes have kept us going. The excellent response we’ve had to playing the songs live has been great to see, and we can’t wait to get everything out there for people to hear.”

On June 30, 1986, the same day that Diamanda Galás"s The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia"s so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of AIDS in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of AIDS deaths globally would exceed 36 million. The first album in her Masque of the Red Death trilogy, The Divine Punishment is one of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Diamanda Galás"s artistry and activism. Galás uses her famous voice both as an orational instrument and as well as a physical representation of AIDS and those it afflicts.

SZNZ: Spring is the first of four in the SZNZ series of EPs by Weezer and is now available on Black and Glow In The Dark Vinyl. The EP was produced by Weezer’s frequent collaborators Jake Sinclair and Suzy Shinn, as well as new collaborator Ethan Gruska.

Each EP offers its own palette of colors, creatures, and emotions to explore. Created in real time, made in tandem with the season themselves, the EPs form an incredible collection of some of Weezer's best songs yet, which is no small feat for a band that never leaves the Zeitgeist.

Weezer is Brian Bell (backing vocals, guitar), Rivers Cuomo (vocals, guitar, piano), Scott Shriner (backing vocals, bass), and Pat Wilson (drums).

**Vinyl Only

For Dancer Only ist die legendäre Clubnacht von Bill Kealey, dem ebenso trinkfesten wie umtriebigen Sammler und Jäger aus Dublin. Quasi jedes Wochenende ist er mit seinem 7"-Vinylkoffer unterwegs und beglückt die Massen. Da er das schon ein paar Jahrzehnte macht, gehört er zur absoluten Champions League derer, die sich mit Rhythm & Blues der 50er und all seinen Spielarten beschäftigen. Dies ist seine erste Compilation und wir behaupten, dass es eine der Besten ist, die Stag-O-Lee je veröffentlicht hat.

WITH THE MEN & WOMEN COLLECTION, FIND THE GREATEST FEMALE AND MALE ARTISTS OF FUNK, SOUL, JAZZ AND BLUES IN A DOUBLE VINYL AND BLUES IN A COLLECTION OF DOUBLE VINYLS

SZNZ: Spring is the first of four in the SZNZ series of EPs by Weezer and is now available on Black and Glow In The Dark Vinyl. The EP was produced by Weezer’s frequent collaborators Jake Sinclair and Suzy Shinn, as well as new collaborator Ethan Gruska.

Each EP offers its own palette of colors, creatures, and emotions to explore. Created in real time, made in tandem with the season themselves, the EPs form an incredible collection of some of Weezer's best songs yet, which is no small feat for a band that never leaves the Zeitgeist.

Weezer is Brian Bell (backing vocals, guitar), Rivers Cuomo (vocals, guitar, piano), Scott Shriner (backing vocals, bass), and Pat Wilson (drums).

**Vinyl Only

Ray Charles is the first studio album by American pianist, vocalist, and band leader Ray Charles.3 Originally released in June 1957 on Atlantic Records, it was re-released under the title Hallelujah I Love Her So in 1962.

Born Aaron Livingston, GRAMMY Award winning Son Little unleashes his album Like Neptune never sounding stronger or more confident than now, showcasing his original vision of r&b, informed by his love for hip-hop imbued with tinges of funk, pop, and psychedelia
While Little's collaborations with The Roots and RJD2 had already helped him make a name for himself by that point in his adopted hometown of Philadelphia.
Critics on both sides of the pond were quick to recognize the unique power of Little's solo recordings, which stripped the past for parts that could be reconstituted into something wholly new and original. NPR hailed Little's "impeccably crafted songs" as "honest and unpretentious," while The Independent proclaimed him "a formidable talent," and Vice declared that he was "dissolving
the barrier between R&B and rock 'n' roll one tearjerker at a time."