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Ryan Aitchison otherwise known as Mella Dee teams up with Craig McNamara (Last Magpie) under their Craig & Ryan alias - previously seen on one of house music's hottest imprints - Warehouse Music as Jeff & Ryan - here they delve into the dungeon and come up with a selection of disco-edit-wonky-house and rave cuts designed for all people on all dancefloors.

Spray, founded in 2020, is a Berlin based record label providing the freshest old and new trance infused house, breaks, acid and downtempo sounds. The label focuses on reissuing slept-on ‘90s gems and aims to provide a platform for new artists. The first release brings in an outstanding reissue from one of LA’s finest artists from the ‘90s ‘Dimension 23’ including a remix from Spray favourite, Or:la - the perfect sonic combination between old and new and a testament to what the label aims to project.

Lush Electronica from Otus on SLUMP004.

Tale of Tales is a sampler release from the Lagaffe Tales family pool. In this third vinyl release and our second Tale you will find tracks by the local Felix Leifur, the Swedish Sune, the German duo Coeo and Moony Me. This tale is a celebration of our ventures as a label and seals the memories we have with each artist.

On behalf of re:discovery records, it is with great excitement that we announce the release of 'Ambient7 - Excepts from 1995-2000' compilation. Ambient7 was a threesome out of Japan that included Chica Asamoto, Masayuki Momo and Shuichi Ikebuchi. Chica Asamoto, an accomplished saxophone player while Masayuki Momo and Shuichi Ikebuchi are both talented synthesizer players and producers in their own right. Together, they released 3 full albums during a 6 year span from 1995-2000. Ambient7's sound was a blend of chill-out styles including ambient, techno, balearic house and everything inbetween. A unique and heartfelt far east version of chill-out music going on at the time like what you would have heard on Waveform Records, Silent, Quango and many beloved other labels. While it was hard to pick out just one EP's worth of tracks from 3 full length cd's, we felt these that were chosen is a great collection and examples to fit the vinyl
medium. Also, this record could be equally appreciated in the hands of chill-out aficionado's, music collectors or brave and ecclectic DJ's. Those 3 customer bases are always on our minds to make happy here at re:discovery records. The track 'Escape' covers most of the A-side. A soft ambient techno track with a touch of dub that is sure to sit along the greats of the genre and the time. Surrounding 'Escape', are two short but worthy examples of the Ambient7 sound. First, is the unique tribal attention getter that is 'Prologue' then ending with the beautiful Balearic saxophone serenade that is 'Epilogue'. The b-side might throw you for a loop after hearing the first side. 'Deep Sea' comes in just under 11 minutes that has to be heard to understand what is harder to explain. The balancing of mood is particularly interesting. How something can be so hauntingly relaxing yet can evolve into something so ominous and mysterious had to make this EP collection. We won't say much more. Check it out and make up your own mind. Turn up the volume, close your eyes and enjoy the trip! Lastly, is the Balearic ambient house lullaby that is 'Orange Sunshine. Some who have heard this track call it a reason to buy the record alone for not even hearing the other tracks on this EP. A standout and a perfect set opener or closer, this is sure to be the re:discovery track for the summer for 2022.

re:discovery records wants to thank the Ambient7 members: Chica Asamoto, Masayuki Momo & Shuichi Ikebuchi for being great to work with and allowing us to highlight some of their amazing music. It is our hope that these will influence them to make future music together after a 20 year absence and that others will seek out the rest of their works from this period. It is also our hope that these bring you as much happiness as they have brought us and that this release gives them new life to a new audience and a special fond memory to those that knew them. Dare to Dream!

Ambient7 - Excepts From 1995-2000

Repress

Die Berghain-Residents Ben Klock und Marcel Dettmann knüpfen mit ihrer ersten Studiokollaboration seit zehn Jahren - Phantom Studies - anlässlich der hundertsten O-TON 12" EP-Veröffentlichung an die Ostgut Ton-Labelgründung 2005 an.

Mit den Phantom Studies beschwören Dettmann / Klock den Geist ihrer ersten gemeinsamen Veröffentlichungen Dawning (2006) und Scenario (2007). Die neue doppel 12" EP ist ihr erstes gemeinsames Release in zehn Jahren, mit dem 40-minütigen Release bauen Marcel Dettmann und Ben Klock ihre tiefe persönliche Verbindung und das gemeinsame musikalische Repertoire aus, betonen funktionalen Techno ebenso wie hypnotische, melodische und beseelte Musik, frei von Konventionen. Die sieben neuen Stücke reflektieren diese Attribute, richten sich an die Bedürfnisse und Erwartungen von sowohl DJs als auch anderen Musikliebhabern, beide nicht außer Acht lassend.


english version

Berghain residents Ben Klock and Marcel Dettmann link back to Ostgut Ton's label launch in 2006 with their first studio collaboration in ten years and the extended Phantom Studies, on occasion of the one hundredth O-TON 12" EP release.

With Phantom Studies Dettmann / Klock channel their first joined releases Dawning (2006) and Scenario (2007) from over a decade ago with their first co-production in ten years. On this extended, 40-minute 2x12" EP Marcel Dettmann and Ben Klock parlay their deep personal alliance and musical repertoire through emphasis on new functional Techno as much as hypnotic, melodic and soulful music by thinking outside the box. The seven new, original tracks reflect these attributions by communicating to the needs and expectations of both DJs and home audio listeners, but not neglecting one over the other.

Following her 2021 debut, ‘Save My Day’, remixed by DJ Python, PYTKO returns to Phantasy with ‘Silent’, experimental and introspective electronic songwriting this time radically reworked by beloved pop-experimentalist, Bullion.

On ‘Silent’, PYTKO invites listeners to lean in closer than before. Seemingly untangling the frustrations of a faltering love affair, it’s vulnerable lyrics arrive buried beneath a sophisticated arrangement that, with bit-crushed electronics and rumbling bass notes, seems to decay with haunting effect. In contrast, the austere ‘Orchids & Limes’ mines an equally original sound, a striking sort of cyber-balearica sculpted around PYTKO’s intricate guitar work, conjuring an even darker sense of romance.

In radical contrast, Bullion proves a perfect fold to PYTKO’s vision with his positively high-spirited flip of ‘Silent’. The man behind DEEK Recordings and cult hits such as Blue Pedro keeps PYTKO’s perspective front-and-centre, while performing an alchemy of magic and melancholy that results in one the most memorable remixes in Phantasy’s fifteen-year history.

NIMMA010, the anniversary release, comes from V.i.c.a.r.i., no stranger to the scene. Each side has its own mood but both sides are equal in quality.

'Honey Butter' calls out to friends from far and wide in order to make their Pelican Disco dreams come true. The 5-tracker ranges from jovial jazz & disco delights to downright machine stomp.

Sowaka, recorded in 1984, displayed an innovative sound that went beyond genre – mixing dub, world, jazz, electro, hip-hop and avant-garde. A perfect match of some of the most experimental artists of that time resulting in an extremely sought after and singular piece of music of the golden Japanese era. A talented crossover.
In 1984, working with Bill Laswell, Michael Beinhorn and Midori Takada would be unlike working with anyone else Genji Sawai had before, pulling him out of the J-jazz experimental scene he was based on. Rather than work off written music, they’d build songs like cooks. Genji might supply the ingredients, perhaps the tonal choices – sax, FM synths, drum machines, and Bill would task himself to do the “cooking”, creating the overall image of the song. It’s the use of imagery to have a conversation with each other, musically, that just felt so different to Genji.
Unlike the other musicians who contributed to Sowaka, musicians of impressive, rarefied technique like Midori Takada, Shuichi “Ponta” Murakami, and Kazuhiko Shibayama, notation or sheet music wasn’t a part of Genji’s vocabulary with Bill. With him, drawings were how songs were built from the ether. Whatever image a demo conjured up – that’s where the song had to go.
You hear it on songs like “Hikobae” that predicted the chopped and screwed sound that would revolutionize hip-hop years later. On this track what started with a mental picture, of some kind of tree shoot, metastasizes a vision full of no-wave sax skronk dosed with pointillistic dub affectations. Although, Sowaka wasn’t tied inherently to it’s original meaning – the final utterance from the Buddhist Heart Sūtra – it’s philosophical meaning wasn’t too divorced from the true meaning (or at least, his truest meaning) Genji placed on it here: getting things done. Simply put, all his high-minded ideas wouldn’t have come to fruition unless all involved put some serious work into getting the project over the finish line. In five cracking days the album was put on tape and was then jettisoned off to NYC for Bill to put its final touches.

* Spearhead Records kick off 2022 as they mean to go on with the 4th instalment of their Moodswings compilation series.
* 12 brand new tracks and remixes created specifically for this project from some of the finest producers around right now.
* Bladerunner puts his touch on Emba & BCee’s Galaxy feat. Philippa Hanna.
* Sweetpea continues to impress with the aptly named Jungle Juice.
* Spearhead regulars Nymfo & Villem team up for the first time to bring us ‘Lazy Bones’.
* With a little something for everyone, Moodswings touches on exactly what it says on the tin, from the Swing & Bass vibe of Mista Trick to the Jungle rhythms of Sweetpea and just pure liquid goodness of Redeyes.

Finest Hour welcomes St. Joseph to the family with a timeless four tracker. A record for all the slow house lovers.

Celebrating its first year, the label is releasing the second volume of its compilation Habemus Paname and introducing its two latest signatures - Tour-Maubourg and TAOS - with nine tracks between jazz, deep-house, breakbeat and disco.

clear vinyl

We have some very exciting news to share with you. Greyscale is launching a new series for its label and its named the Exposure Series! We are happy to say that many of these Exposure releases will be released on vinyl as well.

To debut this new endeavour we have a four track compilation called "Radiant Energy". Marco Cassanelli is the first artist and his track 'Camden Town' has a pure classic dub techno sound to it. Long delayed chords lull you into a peaceful mid-set trance while the beat is sure to move your body. Sibling's 'Valhalla' rises from the depths with a fantastic bassline and metallic spheres drenched in echo. A heady and busy track that really makes you take notice.

On the second side is 'Evolution' by Federsen and it has a more traditional dub approach. The groove is addictive here. Sounds dip and swell in a master class of subliminalism. Genning's 'Q.3' closes out the first Exposure Series EP with a more modern approach. Pure floorfiller here! This track covers you with a nostalgic euphoric feel while maintaining that deep underground sound.

We are excited for you to take this new journey with us! Welcome to the Exposure series!

When Amadeezy sent me this track Bass Boss it was like a missing link. I had been digging ATL and southern electro heavy, even tho there was not much out there in a current context, bangers from ppl like Kilo Ali, Raheem the Dream, and A-town Players were in heavy rotation, as well as southern rap and gospel music. This ep encapsulates all those things together."

-Dustin Evans

For this striking 7th EP, we are lucky to have Mr. Ho back for another massive delivery. This time complete with fully versatile house music.

A1 “Burrow” storms out the gate with an acid attack. The spooky bassline, punchy drums, and acidic atmosphere makes this the complete peak time bomb.

Then the EP smoothly roles into the A2, “TCB2”. A loopy, repetitive drum pattern that is guaranteed to feature for many on repeat mode.

For B1’s “Shoplift” Mr. Ho brings out the melody. This is a feel-good tune featuring an old school jungle-like drum pattern that makes this a great summer outdoor weapon.

Finally, Mr. Ho’s Klasse Wreck partner in crime Luca Lozano provides a silkier twist on “Shoplift” for a vinyl only remix.

This EP provides a whole spectrum of tools for house heads. Groovy, melodic, banging, or loopy, Mr. Ho has got them all covered.

Aesthetic 17 comes from label regular TIJN and newcomer Daines. Its had big support from the Romanian cult of DJS and looks to be a massive EP this year.

White Vinyl

Combining spectral atmospheres with ruthlessly combative rhythms, rough textures, and harsh industrial elements, Hybral and Lesser Of create a dark techno epos of the netherworld for their joint release "Split Identities".

Ron's back at it again with three more expertly sliced cuts of primo, top shelf edit business. A moreishness that'll have you dippin back in time and time again, with hints of disco, house and funk working up the senses sprinkled with a touch of soul-infused beats.

(Ricardo Villalobos, Ada & Tolouse Low Trax Remixes)

This EP is more than your usual remix package—»Remixed« is a meeting of kindred, idiosyncratic spirits. Ricardo Villalobos, Ada, and Tolouse Low Trax each give a new spin to one track from »You're Super In Diagonal«, the latest album by Ant Orange. Their versions of »Monogome«, »Flutter«, and »Cracker« are complemented by the brand-new track by the elusive artist, »FFF«.

Villalobos keeps it short and sweet—at least by his standards. His rendition of »Monogome« translates the mutant jungle vibes of the original into an entirely different dialect while maintaining its psychedelic qualities. The chugging, nine-minute-long »Siebhouse Remix« is at once rhythmically intricate and positively disorientating. Ada proves to be as imaginative as ever with her first remix in three years. Her take on the album opener »Flutter« extracts the track’s warmth and transplants it into a laid-back downbeat track. She also incorporates the vocals from »Monogome«, but gives it a very different spin and adds a healthy dose of autotune to it in the process. Dreamy, hazy, blissful.

On the flipside, Detlef Weinrich approaches things very differently. His »Bo Bo Zy Remix« of »Cracker« offers industrial at its most inebriated, dub riddims after a bottle of hard liquor instead of a spliff. Ant Orange’s »FFF« then seems to mediate between those three very different approaches: danceable yet melancholic, challenging yet restrained, it picks up on the underlying concept of »You're Super In Diagonal«, combining IDM’s penchant for complex rhythmic structures and a directness inherent to hip-hop music since the early days of the genre up until the age of UK drill.

Tracks for astral projection. Levon creates his own tonality using his original pitch designs to take the listener to a place that did not yet exist, whilst maintaining priority dance floor focus. The Niresa tracks are using such unique musical intervals that every listener can decide where the music is taking them, and there is no wrong answer. Levon says, "These are tracks for astral planing. The beauty of creating your own tonal dialog each time you work is that you can literally take the listener somewhere new and un-discovered with each new release

no information needed

Kuldaboli, Alek Stark, Mokotron and -=UHU=- together on this heavy hitter with four bombs full of vocoders, analog beasts and 808 beats.

Manni Dee returns to Perc Trax for the release of 'A Low Level Love', his second full album following on from 'The Residue' released in 2018 by Berlin techno institution Tresor. Manni opened his Perc Trax account back in 2017 with his 'Throbs Of Discontent' 12" which featured his breakout hit 'London Isn't England' and since then he's become Perc Trax regular releasing his recent 'Everyone's Replaceable Now' 12" plus his 'Gulabi Gang' contribution to first of the 'Forever' various artists series. During this time Manni has gone from a cult UK favourite to being internationally recognised, performing all around the world.

On 'A Low Level Love' Manni expands on both his previous album and his recent run of Perc Trax releases, mixing his trademark club techno rhythms with broken beat and non-dance floor outings. 'No More Heroes' and 'You Don't Always Get What You Want' see Manni at his most melodic and introspective, whilst the storm of kick drums on 'Closer' shows a new intensity and aggression to Manni's music even when compared to the heaviest of his previous releases.

Guest slots and collaborations can often detract from the artistic vision of an album, but Manni chooses his co-conspirators well, with vocalist Sylph adding a human element to album opener 'Persist & Change' and London acid techno legend Chris Liberator providing both vocals and some of the inspiration for club hit in waiting 'London In My System'.

'A Low Level Love' will be released by Perc Trax on 17th June on 2 x 12" vinyl, CD and digital. The album was mastered by Matt Colton at Metropolis, London. The front cover photography was taken by Bruna Kazinoti and design was handled by Adult Art Club.

Private Lane Records is a newborn music label and part of a wider artistic platform that wants to promote young, upcoming artists and dreamers like us.

“Dream Drivers” is the starting line of something new and exciting.
The well known french talent Noiro and austrian wonderkid DJ Void are our pilots for this journey, taking us into a world of dreamy synths and funky rhythms. A travel with such beautiful landscapes, you don’t want it to ever stop.

(Early support from James Ruskin, Cio D'Or , Kr!z, & Ben Sims) Constantly searching, not wishing an end, prefer a surprise, not everything planned, so you will always be in the new age of earth.

Shlomi Aber is taking over the 079 of his Be As One Imprint with a pounding set of techno groovers in the shape of "Liquid Pressure EP", this time backed up by outstanding remixes by long time heroes "Josh Wink" and "Psyk".
Limited copies, not to be missed.

Orange Marbled Vinyl

The Stone Techno series continues. We come to the third release of the unique project, where each artist has contributed one track exclusively created from a huge sample bank of incomparable stone and mineral sounds. Due to the first talks with Dr. Achim Reisdorf from the Ruhr Museum, we didn't have any idea that this whole series would get such a positive reputation. And especially shown on the "Orthorhombic EP", it also can be used as a door opener for talented artists like our Stone Techno Challenge winner Emil Baghino.

However, one thing after another. The four-tracker A-Side is reserved for not one but two fresh Berlin based duos: it starts with some tight-punching breaks by FJAAK and leads into the second track, a driven techno tool by Inhalt der Nacht & Tham, which definitely deserves the word "industrial".

On the B-Side the techno train stays on the rail with deep hypnotic vibes by Jamaica Suk and last but not least, a real-effective dance floor banger by Emil Baghino. Now enjoy the superb track selection on this and be ready for the fourth and currently last release of the Stone Techno Series.

Each release is limited to 300 copies (180gr marbled 12" Vinyl, Full Cover Print).

‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.

While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.

In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.

At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.”

Worlds within worlds, mirroring and yet upsetting what is outside, Another Heterotopia from Tbilisi - Fantastic planet Fan 001 with Trotsky, Generali minerali and Seqta

STRWB007 sees the return of Fraise favourites, Duowe & Picasso.

Trapped in an analogue droid-themed realm, the trio have built 4 electronic anomalies ready for those peak time parties.

Transmission sequence received, prepare to be lost in translation.

Picture Disc

Tough, Dark and energetic electro from Human Rebellion.

Limited amount of part 23 of the Herdersmat series available now. This vinyl was previously available only by purchasing the full MORDBOX003.

Casanova Bar is honored to welcome these 3 talented artists. Blanka is releasing her very first vinyl release with two Groovy and hypnotic Techno tracks.

The French young producer, Arkan is remixing the A1. Love letter. His influences are very notorious in the remaking production, getting a darker and more enveloping track.

On the other remix, the young Italian Legend , Alarico is putting his own interpretation of the new wave of Techno Music
production. Arrhythmic, groovy and fast beats for this one, Don't miss the chance to get your copy of this unique piece.

Firing up the next heat on the prolific Partisan imprint is rising Outcast Torino affiliate, Emanuele Montalto. The “Soundboy” EP sees the innovative Italian showcase a series of animated and spaced out productions containing a certain direct energy the label associates itself with. This club room approved outing from Montalto sits comfortably on the staple outfit that Partisan has become in recent years, with Anthea continuing to build her go to label for stellar underground sounds.

Belgium's Greg Naïro is making a name for himself with deep, thoughtful productions. Versatile and elusive, he doesn't restrict himself to one musical universe.For his debut Dawn rill Dusk outing, the producer showcases his pedigree through four elegant deep house originals that demand repeated plays.