Mutuo means feeling the same emotion, or doing the same between two or more people reciprocally. This is what inspires us to combine the wisdom of experienced artists with fresh energies from emerging ones, representing the Latin-American underground sound.
On our first release we featured young talent Lautaro Scavuzzo with Conexión EP.
Side A features "Conexión" and "Reset", 2 tracks with minimalist overtones that cut through deep, random and jazzy environments.
On the B side, an exquisite delivery by master Alan Castro. In "Conexión remix" he demonstrates his sophisticated style full of complex textures and creative compositions.
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Twenty’s plenty (apparently), it’s also the number we use to welcome our first artist from the US of A into the fold, Detroit USA to be exact. Francois Dillinger has been doing his thing on labels This Ain’t Bristol, Natural Sciences and Anabatic Records plus others, fusing deep melodic Techno with 909 laden broken beat Electro.
With this his inaugural release for us, he brings a fusion of these trademark sounds as the lead track Infinite eases you in with sparse punchy drums and brooding bass line before spooky Arabic style horns beckon us in further. It’s a hybrid between Electro and Techno with a drop ominous enough to make even Freddie Krugger think twice about staying in the club! It’s a track that’ll be heard on the floors of Berlin, Ibiza or even a few Miami Booty Bass pool parties (see enclosed DJ Feedbacks)!
Up next is man of the moment Dragosh (Desolat / Moonharbour / Modvlar Label Boss) who keeps the original vibe while flipping the core elements into a glitchy House groove, adding some funked up Hammond chords to really stamp his style onto the remix.
Third to the plate is Rejekt favourite Marc Ashken (Safari Electronique / Lazerslut) with a hypnotic synth groove, with offbeat whistles and sirens floating over a stick heavy drum groove to create something slightly special (well we think so)!
And finally! Another instant Ibiza classic as Francois again fuses his Electro bass and synth laden sound this time into more of a Melodic Techno vibe, this is Shameless and once again according to the DJ Feedbacks, this will be keeping people locked to the floor at clubs like DC10, The Berghain, Fabric et al..
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With "red" from krüger + meyer released on "35 Grad records" the first disc out of a rainbow comes up. This arc will be gradually completed from now on and, with its different colors, always includes different musical facets.
The current "red" edition includes the remixers "Beatamines", "Dompe" and "Rachel Raw" in collaboration with "Boho". The original and the work of the remixers deliver fine techno for the floor and next to it.
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2019 was a year full of celebrations for Nicolas Duvoisin. Not only did his label Fantastic Friends turn 10, he also celebrated his 20 years of career as a DJ/Producer and, last but not least, he experienced the joys of becoming a father for the first time. It was clearly this powerful emotional context that pushed Nicolas Duvoisin to work on a more substantial project, exploring wider horizons and stepping out of his comfort zone.
“Mon Premier” is definitely a testament to the artist’s maturity and courage, displaying more sensitivity and intimacy than what the usual club night behind the decks generally allows. Nicolas took the freedom to let his inspiration bring him into unknown territories, working without a particular framework, style or label in mind and starting from scratch for each track of the album. The challenge was also to experiment with new writing approaches and techniques, in order to lose some of the methods and habits many artists get trapped into at certain points in their careers.
The result is an eclectic collection of sounds, moving through dub, ambient, minimal and house, patiently put together in Nicolas’ studio near Lausanne, away from the frenzy of the dancefloor. Dive into Nicolas Duvoisin’s ever-expanding universe and enjoy the ride.
Feedback:
Ame : thanks will play it
Damian Lazarus : Dub One for me
Luciano : quality job
Stacey Pullen : SOLID TRACKS, THANKS!
Timo Maas : Beautiful Rmx by Luciano
Carl Craig : Check Point
Danny Tenaglia : thanks
Robert Owens : Cool tracks
Fish Go Deep : Good deep sound going on throughout the album.
Jorge Savoretti : some nice material in here, liking funk the ride
Archie Hamilton : Nice! Thanks
Nic Fanciulli : Great
Fabe : nice sounding album
Guy Gerber: nice album
Guillaume & the Coutu Dumonts : i like the track with the voice called nipia
Dandy Jack : ride the funk for me
Claude Von Stroke : Stomp my favorite
DJ T : thank you for the music!
Cesar Merveille : Great work
Chris Fortier : Great music
Riva Starr : Thanks for the music
Gene Farris : thanks for the music
Nicolas Masseyeff : Excellent release ! Full Support !
Mirko Loko : love this album
Julian Perez : really nice vibe in this album !
Quenum : beautifuls tracks and great album
Johnny D : i like funk the ride
Sascha Dive : super nice album
Dario D'attis : amazing orignals and remixes
Loquace : i love all tracks nice job !
Terrence Terry : super nice album, good minimal tracks
Julien Chaptal : quality work here
Tripmastaz : like this album a lot
Lauhaus : Good Job, i like stomp
Dachshund : very nice album
Mousa (scs) : great job all productions are nice
Aminata (modernity event) : all tracks are excellents
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To its round anniversary Dizzy Tunes presents a limited Vinyl-Only 2-track release by the Cologne producer Stefan Gubatz.
Besides his engagement with the well known Acid House Act Snuff Crew, Gubatz releases jam sessions under the name Dirtbox Jams at irregular intervals. The concept demands to only use music hardware such as synthesizers, drum computers and sequencers.
The title track “Warning” is an electro monster pervaded by heavy hitting TR-808 and TB-303, which builds up an uncanny tension over its entire playing time of 10 minutes and culminates in an extatic acid excess.
On the other hand, “Saturday Night Jam” on Side B comes along more calmly but also unfolds its charming effect over a full 10 minutes. Here, Gubatz reflects on Detroit Techno virtues and reverts to the legendary sound of the TR-909 and the Juno 106. Of course, the TB-303 is not to be missed either.
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It's widely know that Gorge loves to work with different partners in his studio. Since his countless collaborations with Markus Homm and Nick Curly it was now the first time he sat down together with Marc Lenz for these 3 tracks.
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Dj Ibon is back with a new EP, this time on his new label Kengu. Moving Alone is Ibon's second EP, containing three fast and emotional tracks for peak time dancefloors, riding your bike or working out. All tracks are produced in the BunkerBauer studios in Copenhagen.
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Invite's choice continues with a coherent and versatile 4-track EP showcasing hypnotising techno.
Drafted has the honour of opening up the EP and does that with 'Isolator'- a 4-to-the-floor track dominated by the low-end. Nima Khak then takes over on the A-side with 'The Work Out', a stripped down and tension building track with droning percussive elements which suck you in right away. Qindek's input is found when flipping over the record and continues the hypnotic previous tracks whilst depending on an ever-evolving synth-sequence, yet this track makes a more aggressive impression due to the straight forward and present kick and percussion sequences. Pascual closes the 7th output of Invites Choice with a powerful and overwhelming track which conveys a lot of energy. The long stretched, slowly filtered effects and dominating shakers make for a repetitive closing of this EP. The four different artist on this EP take us on a tour through minimalistic modern-day techno's versatile approach on stripped-down techno and stand firm combined!
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After a successful first release on his own label imprint, Kmyle decided to drive the point home with this second opus named "Catharsis EP". A concentrated energy of 3 powerful tracks who give us a hypnotic dancefloor trip and one remix from the imposing veteran Drumcell, which brings us back to the roots of techno with its own dark groove vision, made for the wet and warm atmosphere of long rave nights.
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Our favorite Russian punks, Locked Club mark their return to Tram Planet with the "Atom Hell" EP, a 4-track assault that continues on their destructive path. With the title track opener "Atom Hell" a pulsing distorted bassline saturates as the fluttering melody drives on for maximum effect. Electronic Body Music is in full-form here; whether it be the pumping wildcard "Skreamer," the hand-drum heavy "Memphis Mumbai" for the more adventurous-minded, or the Memphis rap-infused "What" - all make for destructive weapons for both club and body.
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Following his conceptual "Subversive Territory" album on his own imprint, New Flesh mastermind returns to the dancefloor with "Nightmare At 20.000 Feet", a monster of an EP certified to damage any woofers.
Together with London based, Nite Fleit, the Electro rising star from Australia, founder of Atomic Alert, the unexpected duo serves up a four hands EP fuelled with off-kilter body music and thundering electro-techno pressure. Prepare for an uncompromising journey into bass as this testimony, displayed in four acts, will dive you into high NRG yet futuristic fusions!
So far one of the best releases from the NF camp.
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Subjoi has a long history with Shall Not Fade, an early addition to the Lost Palms series which now hits its 48th release. The Adelaide-based producer had two stunning EPs on the label in 2020, displaying his signature blends of eclectic dance music styles.
Compared to last year's Bias, Steadfast EP is a more understated affair, leaving space for Subjoi's production skill to shine. The title track pairs piano melodies and subtle breakbeat for an emotive sound easing into "Count It Off", where slow pads give way to a beat that takes influence from UK garage and jungle. By coupling this high-energy style with sombre chords, Subjoi makes a uniquely melancholy club track.
Yearning vocals and synth stabs build complexity in "Rapids", a forward late night number. The closing track keeps the
haunting atmosphere of the rest of the records, fading out as subtly as it began with an organic sound palette contrasting the stuttering 2-step beat.
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The arrangements are compiled by a selected group of producers focusing mainly on rhythms made for building. We wanted to merge the idea along side true innovators of modern architecture and the thought process it took for reinvention during those times.
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Yan Cook continues his streak of high quality releases. After his EP's on Arts and Planet Rhythm, he's back on his own imprint with yet another string of effective techno tracks.
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It´s all about fusion. good fusion, you know! can you hear the bandsmen marching to the dancelfoor~ they´re coming !! limited 1-sided pressing in white vinyl !! this is a old sven väth track, remixed by matthias kaden!!!
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Previous releases on aufnahme+wiedergabe, Fleisch Records, Minimal Wave Records imprint Cititrax and n-PLEX have been frequently played by acclaimed DJs (Phase Fatale, Randomer, VTSS, Amelie Lens, Regis, Helena Hauff, SPFDJ, Veronica Vasicka, Silent Servant to name a few).
Schwefelgelb is a Techno duo from Berlin, known for their raw but precise and cutting productions. Their reputation for a strikingly energetic live show brought them into clubs and festivals around the globe.
After launching their own label n-PLEX and releasing two original EPs on it, NPLX003 marks a re-release of their most successful record "Dahinter Das Gesicht" ("Behind It The Face"), which was released on aufnahme+wiedergabe in 2017 primarily. After 1500 sold out copies it still remains highly demanded as one of the most influential records for actual EBM-Industrial-influenced Techno. This re-issue comes in a special edition of remastered track versions and also includes an edit of its most notorious track "Es Zieht Mich" as addition to the four original tracks.
c B1 Es Zieht Mich GP2 edit
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YUNG DUMB Records and Model Future present Wade Galaxy. A collaboration between Toronto-based AZARI, Butr, and vocalist Jeremy Glenn. The trifecta comes forward with an EP that will bring you through a modular soundscape of love, lust, and distrust inside the hypercube. The A-Side is a hazy fusion of R&B and slowed electro, accompanied by Jeremy Glenn's ethereal vocals. The B-Side provides a room shaking cerebral 2-step remix of 'Phaze' by James Bangura of Black Rave Culture via Washington, DC
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It’s time for a new Reinhard Voigt EP on Kompakt? It doesn’t feel like it was that long ago since we last heard from him but then again, time is running! His latest release on Kompakt "Was wir spüren" (KOM 402) was released in May 2019. From there we encountered Reinhard's musical work mainly in the form of various digital reissues or in union with his brother Wolfgang together as Voigt & Voigt. Then in August of 2021, a glimmer of musical life from Reinhard reached his loyal fans in the form of a continuation of his RV ultra-minimalist concept series as "RV 05 / RV 06" via our KX imprint.
So that brings us to the present. Two new tracks that preach and spin on the classic Reinhard Voigt sound. Tracks that are as relentless as they are consistent to his signature stoic, radical, minimal techno. "Cha Cha Club" creaks and stomps along so mercilessly that they leave us impatient for the reopening of a dark, foggy club room and to have the bitter taste of gin and chemicals on our palates. Bass drum in, bass drum out - sometimes that's all it takes to be happy.
With "Die Frau, die nach Deutz ging" Reinhard discloses a small tale in the title...that this is the continuation of "Der Mann, der nie nach Deutz kam", a track from “Was wir spüren”. Elements recall Reinhard Voigt's SPEICHER tracks; sovereign, modern techno, monotonous in principle, but here and there interrupted and structured by unexpected signals and sounds in such a way that the track will also work on larger dance floors.
Eine reguläre, brandneue Reinhard Voigt 12inch? Das ist nicht nur gefühlt schon eine ganze Weile her. Time ist ja bekanntlich running. Seit “Was wir spüren” (KOM 402), erschienen im Mai 2019, begegnete uns Reinhards musikalisches Schaffen vor allem in Form diverser digitaler Wiederveröffentlichungen oder im Duett mit seinem Bruder Wolfgang als Voigt & Voigt. Im August letzten Jahres erreichte die treue Fangemeinde dann wenigstens ein kleines Lebenszeichen in Form der “RV 05 / RV 06”, der Fortsetzung seiner ultra-minimalistischen Konzeptreihe auf KX.
Nun also zwei neue Tracks, die so unerbittlich wie konsequent den klassischen Reinhard Voigt-Sound predigen und weiterspinnen – stoisch, radikal, minimal. “Cha Cha Club” knarzt und stampft dabei so gnadenlos voran, dass wir die Wiedereröffnung von geschlossenen Räumen voller Nebel und Dunkelheit und mit dem bitteren Geschmack von Gin und Chemikalien an unseren Gaumen kaum erwarten können. Bassdrum rein, Bassdrum raus, mehr braucht es manchmal nicht zum glücklich sein.
Mit “Die Frau, die nach Deutz ging” erzählt uns Reinhard zumindest im Titel die Fortsetzung von “Der Mann, der nie nach Deutz kam”, einem Track von “Was wir spüren”. Hier erinnert manches an Voigts SPEICHER-Tracks, souveräner, moderner Techno, vom Grundsatz her monoton, aber hier und da von unerwarteten Signalen und Tönen so unterbrochen und strukturiert, dass er auch auf größeren Tanzflächen funktioniert.
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Shlomi Aber presents his third album 'Linear Equations'. The ten-tracker LP closes the ten years celebration of the label and follows his 2010 album 'Chicago Days, Detroit Nights' on Ovum Recordings. Through carefully crafted EPs on NonPlus, Figure, Be As One and more recently Odd Even and Drumcode Ltd, Shlomi's sound has continued to evolve and refine with his Linear Equation album. The LP opens up with 'Interior', setting the tone for an introspective journey that will take you from the dub infused techno of 'Echo Mission' and 'Fractions' to the acidic trip of 'Midnight Spooks' and 'Mod3333'. Hypnotic techno on 'Eimeon' and 'Fall Into Wonder' flirts with broken beats on 'Installer' and climax with the floating percussions and anthemic pads of 'State Of Sorrow'.
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Terranova, Wanderer zwischen Welten, Stilen und Zeiten, stehen wie kein anderes Ex-Neunziger Projekt für Kontinuität jenseits von Genretümelei, trotz oder gerade aufgrund des Schwitzkastens, in dem Fetisch und &ME den Tanzur 2012 halten. In dieser Brust schlägt vor allem eine Bassdrum, könnte man sagen, ein unbedingter Wille zur Party, und selbst - Question Mark', das episch-intime, kongenial gesungene Intro des aktuellen Albums - Hotel Amour', verbirgt unter der zarten Spitze elegischer Streicher einen schweißechten Clubhit.
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One of Bristol’s foremost electronic labels toasts 10 years with a 19-strong family gathering of adventurous, contemporary club music.
Livity Sound has evolved considerably since 2011. Originally it was established as a vessel for new tracks from Peverelist, Kowton and Asusu – three Bristol-based artists who found common ground between their distinct styles in pursuit of a reduced, heavyweight strain of soundsystem techno. A run of hand-stamped 12”s and a three-way live show followed, while the Reverse sister label provided a conduit for emergent artists to enter the fray. Early breakthroughs from Hodge, Batu, Bruce and Simo Cell pointed to the broader horizons Livity was heading towards – an expanding community of like-minded artists creating dancefloor misfits that somehow fit together.
First appearing with a compilation of remixes in 2014, Tess Redburn’s iconic artwork heralded a fresh new impetus for the label, and the music seemed to become more colourful in kind. While the founding principles of space, bass and fractured rhythms have largely abounded up to the present day, there’s been a progressively broader palette of sound employed. Technoid melodic shimmers, earthen percussion and found sounds have become as prominent as sub frequencies and cavernous dub echoes, delivered by a vivid and varied ensemble of producers.
Molten Mirrors captures the dynamic energy of Livity Sound at 10, with 19 artists from the label’s roster coming together to present an honest document of where the label is at in the present moment. No over-arching concepts, no hackneyed themes – true to Livity’s open-ended mode since 2011, it’s as much a declaration of community as a cross-section of experimental dance music in 2021. Trying to pin down the sonic styles is something of a fools errand – from the older guard to recent signings, what binds together this international, inter-generational span of artists is their lack of convention.
A case in point: Azu Tiwaline’s submerged and subdued rhythmic incantations sit between Bakongo (aka Roska)’s raw and angular drum pressure and Al Wootton’s needlepoint, swinging dub tech variations. Nothing is totally placeable, and yet everything meets that ill-defined Livity Sound ethos, which stretches back to the earliest 12”s.
Club music continues to mutate and break new ground with each passing year, and as a faithful document of one microcosm within an ever-expanding music culture, Molten Mirrors reflects the multifaceted, technicolour energy of the here and now while celebrating the possibilities of an open, unpredictable future.
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Masked Techno assassin Buried Secrets returns for his 2nd EP with Soma with the "Of Lost Things EP". Rave infused, hard hitting, face pounding techno is standard from Buried Secrets and this latest release is nothing less than that. The EP feature two stellar remixes from two of techno's most exciting acts in Obscure Shape & SHDW and Inhalt Der Nacht. Both of whom stamp their own unique style on the originals.
Title track "Of Lost Things" opens the A-side in true Buried Secrets style as euphoric synths are balanced perfectly against driving, punishing kicks and sub. Obscure Shape & SHDW turn their production prowess to "Of Lost Things" with a straightforward and direct Tool Mix of the original. Harnessing the power of the synth hook and warping it to their will. On the flip, "Affliction Of The Absent" renders more high octane techno. More minimalistic throughout, the industrial vibes are still prominent with subtlety being the key. Inhalt Der Nacht turns in a more cinematic driven affair with his remix of "Affliction Of The Absent". A slow burner that utilises epic sound design showing 432hz fantastic and generally unheard, side to his productions.
Mastered By Conor Dalton @ Glowcast Mastering.
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Roaaaar time again! Delphi is one half of Tiger & Woods and back with a well-rounded solo effort. Far from unkempt or uninspired, his six efforts are sitting pleasantly between proto-house, Italo fun, new wave instrumentals and future dance. Silicone emotions meet vocodered vector graphics, handy rhythm trax that would have been hot on the mix shows of WBMX or WBLS are taking turns with neon colored leather hymns and test drive scores. All on one piece of wax. Love the past and join the future!
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Robert Hood finally restarting his disco influenced pseudonym, Floorplan. "Living It Up" loops a disco sound while evolving with pads and synth stabs, while "Wall To Wall" takes things deeper, exploding with claps driving things in a way only the Hood can do !!!
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Sounds Familiar returns with the latest instalment of 7InchNails - its home-grown series of 45s, filled with unique jams from some of the most exciting producers around.
Following on from releases by Kaidi Tatham and Dego, up steps London-based DJ and producer K15 for two timeless and sophisticated pieces of future jazz. On the A side, ‘Demo Of Heart’ opens with a dazzling keyboard riff, recalling the sunset vibe of fusion giants like George Duke, Herbie Hancock or Azymuth’s Jose Roberto Bertrami, before breaking out into a syncopated, serpentine jam that feels just about ready to melt into the horizon.
On the B Side, K15 brings a Latin heat to the table, with clipped and skittish percussion dancing around a set of lush chords that open into a lysergic stepper, buoyed, as the title ‘Tomorrow’s Promise’ suggests, by a sense of hope and moving on.
Extraordinary musical talent returns with a deeply textured third outing on Blu Mar Ten Music.
Having made serious waves with the release of his debut album "Coeur Calme" in 2014 and the incredible 2016 follow up album "Zawadi", Kimyan Law steers his sound in a darker, more introspective direction with the twelve heavily themed set-pieces of his new album, "Yonda".
The album title, "Yonda", homophonically flits between a location in Kimyan Law's native Congo and definitions of something situated at a distance but still visible, foreshadowing the artist's move away from his typical uplifting palette into less playful territory.
While previous work seemed to be a personal exploration of joy-tinged melancholy, "Yonda", feels much more sober and pensive, infected with external events. In conversation with Kimyan Law the artist described one piece ("Krieg") as his "portrait of war", with the music moving through phases of violence, silence, panic, redemption and peace. Ever the allegorist, Kimyan Law relates themes of conflict and war not just to obvious geopolitics but also to his own physical struggles, and even an obsessive battle with the music itself, ("Yonda" has been more than three years in the making). In 2017 the artist wrote, "I've reached a point where I couldn't sleep because it bothered me so much... I have found myself unable to make any music except for Krieg".
An accomplished drummer in his own right, Kimyan Law's intricate rhythmic sensibility is the lifeblood that runs throughout the album, incorporating ever more outlandish sources of percussion recorded from his natural surroundings and filtered through technology.
"Yonda's opener, "Jaardin", is deceptively gentle, with off-kilter rhythms and pianos providing fertile ground for Elyn's delicate singing before the whole piece careens off into what can only be described as orchestral proto-jungle territory. It soon becomes apparent that this placid introduction is misleading, with subsequent tracks fluctuating between pounding tribal beats ("Arboreal Epitone" / "Kin"), chilling orchestration ("Byo" / "Krieg") and rehabilitated jungle forms ("Seven Ant Foley"). A constant mix of light and dark, futuristic yet primitive atmosphere hangs over the album, with waves of luscious synths and deeply musical string arrangements lovingly cloaked over the razor-sharp drum work.
Unusual conceptual themes litter "Yonda"; "Dor Rhythm" is about a Dung Beetle's journey, "Lampion" is about paper lanterns, "Nova" is about plant growth while "Kilele" is a song about peace, featuring Kimyan Law's own vocals in a new language he created himself, conjuring memories of Cocteau Twin's Liz Fraser.
While "Yonda" contains moments of incontestable beauty it can often be a difficult listen, an illustration of an anxious mind yearning for peace. An obsessive and intricate musician, Kimyan Law's use of African percussion, finely honed polyrhythmic patterns and celestial sprinklings of keys melded with slabs of sub-bass power and sheer energy makes for an intoxicating listen. As ever, Kimyan Law has delivered a profoundly serious piece of work that expands the vocabulary of his genre. Despite the darkness saturating the work, a soft light still breaks through the window. It is the east, and Kimyan Law is the sun.
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Logic1000 is Sydney-born producer and DJ Samantha Poulter. After the release of her eponymous debut EP on Melbourne’s Sumac label, her music has made it into the sets of Four Tet, Caribou, Ben UFO, Floating Points, DJ Python and Anthony Naples amongst many others. Now based in London, Logic1000 has already performed in some of UK's best clubs including Printworks (w/ Carl Craig, Larry Heard, Moodyman), Phonox (w/ Mount Kimbie), Bristol’s Motion (w/ Four Tet) and Corsica Studios (w/ DJ Python).
Following the (proper) release of her eponymous EP on vinyle earlier this year, Logic1000 comes back with 2 brand new tracks available only as a very limited white label vinyl edition.
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