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Crazy hardcore... consterning about how Scum bags we are.... FAT for a new generation

Marbled Red Vinyl

New Granulart Limited release from label boss Valentin Corujo aka Kessell (Exium, Polegroup), as on previous Limited serie, pressed on clear & solid red mixed vinyl.

Kaizen, Japanese for continuous improvement, we cannot become what we want to be by remaining what we are, everything can and should be improved.

Early feedbacks from Reeko, Shifted, Marcel Dettmann, James Ruskin, Jonas Kopp, Slam, Dimi Angelis, Jeroen Search, Leiras, Arnaud Le Texier, Pulse One, Alderaan, Par Grindvik, Angel Molina, Peter Van Hoesen, Lewis Fautzi, Pfirter, Quail, Mental Resonance, Marcel Heese, Xhei, Hd Substance, Error Etica, Etapp Kyle, The Noisemaker, Eric Fetcher, Tripeo, Kike Pravda, Stephanie Sykes, Kwartz, Truncate, Sleeparchive, Blawan, Substance aka Dj Pete, Allen, W.I.R.E., NX1, Kr!z, Aiken, Samuli Kemppi, Gareth Wild, P.E.A.R.L., Pacou, Developer, Inigo Kennedy, Luke Slater, Alexander Kowalsky, Eric Cloutier, Francois X, DVS1

TRANSMISSION REISSUE CLASSIC INSTRUMENTAL COMPILATION
FROM THE LEGENDARY PORCUPINE TREE

'Voyage 34', an instrumental composition from 1992/93, is a journey split into 4 phases that rocks for over an hour, this was P.T.'s entry into the ambient trance genre popularised by artists such as the Orb. Combining trance rhythms alongside more typical Porcupine Tree textures & guitar solos, 'Voyage 34' was a big hit in the ambient/ chill out club scene of the early 1990's (when it was originally issued across two 12" singles). Following the now sold-out first box set
of Porcupine Tree's 'Delerium Years' & the near sold-out second box set, Kscope are re-releasing the band's records from the era, including 'Voyage 34', as a series of LP's presented in gatefold packaging.

This double LP version features the tracks remastered by Steven Wilson in 2016 with more naturalistic dynamics & EQ - remasters previously only available in 'The Delerium Years 1991 – 1993' box set.

The artwork was completely redesigned for the original re-release & contains new images from long- term collaborator of Porcupine Tree frontman & founding member Steven Wilson, Lasse Hoile.

In Wilson's own words, "The whole point about 'Voyage 34' was an exercise in genre. In that sense it stands apart from the rest of the catalogue...back in the early Nineties, there was an explosion in ambient music, a fusion of electronic music & techno music with the philosophy of people like Brian Eno & Tangerine Dream. "

Time Cow & Ossia take 2 tracks from Jabu’s 2020 album ‘Sweet Company’ into unfamiliar (and dance floor friendly) territory. Side A sees ‘Us Alone’ gets transformed by Time Cow from slo-mo tearjerker into syrupy disco wrecker, managing to somehow touch on reference points everywhere from east LA lowrider anthems through 00s garage and all propelled fwd by an eyeball shaking low end pressure. On the flip Ossia takes snatches of the original ‘Slow Down’ and flashes them in around a 4/4 and a synth melody, fragments of Daniela’s vocal floating like a half remembered conversation. Later Rakhi’s strings come in but in a more unsettling way than the original, eventually dissolving to a kind of Majora’s Mask (in dub) conclusion. All terrain / all weathers - club / bbq / afterparty / late night introspection sessions.

Thomas P. Heckmann's 30th Anniversary Special Edition ! LTD Splatter Repress !

Out of a mood and while repairing one of his 303 basslines, Heckmann just recorded two Acid-House tracks on the fly and live in his studio !! The result is now presented on Vinyl AFUXTRA release !!!

Lonefront puts out his first EP on wax with Kajunga Records. Two raw and hypnotic techno tracks channeled from deep.

“Additive spectra” uses the basics masterfully to draw in the mind and body and transport the spirit to ancient spaces. A deep kick and bass drive through the whole track while the high end remains sparse with a subtly shifting pulse and restrained hi hats keeping the tension alive.

On the B side, “South of Forever” is an even more stripped back, slow burner. Nonstop kick and trance inducing percussion anchor the listener in while resonations and reverberations are twisted and mangled to create a strange evolving space out of darkness.

Lonefront is an artist out of MN by way of the bay area. He produces raw explorative techno tracks and performs live using modular hardware. His stripped back productions shift between the speculative future of progress and the drone of decay. Get in tune with carcasses of factories, a chorus of tongues spouting silent mantras, a silent stream of error-riddled program scripts: the flux and snap of trauma incants the noise beyond language that compels movement, and sets you free.

Coming in fast with release number 5, Liverpool based Aerofunk makes his debut on Subee with 4 cuts of straight fire. The Intergalactic Friends EP is filled with astronomical groove and packs more punch than a unidentified object leaving the atmosphere - tracks A1 & B2 are high on the G force scale and sure to get any dance floor flying whereas A2 & B1 take the pace down just enough to show Aerofunk's soulful side at cruising altitude.

Brooding synth-driven madness from a multi-faceted Italian ... Autoerosynth is a new Matthias alter ego dedicated to the realm of synth, a journey for all synth lovers.

This time the release of the underground series will be special. The music for this split EP was written by two artists - Shyam, founder and owner of Simple Things Records and Quazee, a talented musician and part of Simple Things Family. Their tracks have been already released on the label, both on vinyl and in the digital version. The music for Totem EP is very “volumetric”. Atmospheric in its depth, even with some notes of hardness.
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Dedicated to all pets that left us and now on the Rainbow Bridge. Sure they’re having a cool party there!"

In 2002, New York producer Ursula 1000 released his groundbreaking, genre-busting album Kinda' Kinky, meshing groovy retro sampladelic licks with modern breaks and beats. For its 20th anniversary this year, Ursula revisits the 60's swinging London mod shaking title track with his own 2022 redux. UK breakbeat master A.Skillz remixes the flipside into a relentless, giggling funky disco monster! The cover design is by world renowned space-age bachelor pad artist Shag.

Traveling to space, through music.

Vinyl only, limited copies, no digital promotion.

Proud to present our third release PIROS003

In this case we encounter ourselves with a 3 tracker ep, where eclectic and electric sounds meet glitchy and funnny moods.
Original mix is in charge of two emerging talents such us Balbo (Ch) & Cazaux (Ar) where complex synths and rhytmic modulations are at the order of the day.
Two remixes fills this release, with more minimal outputs from the talented Alan Castro and Federico Molinari, two guys that does not need further introduction.

We are leaving an imprint and it is our choice what kind of interference is it. The choice is an art of desires and precaution. The one who dances among fire and clouds will know the way out.

As a moth of light we felt strongly gravitated to the “New Light” by Dinkis. Intensity fits closest to this composition; it is the deepest, hitherto most personal work, packed in an emotional five-part journey.

The paths... between particles shrink, often drifting apart; but they are on an endless search for the new, the one point of attachment, which with all its nuances forms its very own finite world. Don't hold back, go ahead. According to this pattern, Dinkis sounds travel to “New Light”. The unknown traveller crosses the sonic spaces in quest of variety and continuity.

A dark contrast that oscillates back and forth through slow, powerful beats and an octave bouncing bassline. We virtually breathe the restraint, the fear of emptiness of “L'Astronauta”. So close to the target, the guides emerge as bright, floating points on the horizon; as the “Butterfly Poet” over a synthetic flow of sine waves. The present chapter of this composing journey provides a passionate realization.

Suddenly, the stream of thought stops and await for new impulses begins, until gradually, very slowly inspirations just dropping away. This is exactly how it feels when the “Rain In The Desert” sets in and everything starts to live. “Fuoco Nello Stomaco” or as long as the inner fire burns, no sudden drought on any level can cause a general stop.

Ambitions, dreams and creativity never stand still, are in motion; jump from sound to sound. It's this continuous excitement that Dinkis creates in this surprisingly real-feeling EP.

Vinyl Only - Limited

Title track “Green Carrot” delivers nifty percussion arrangements while gloomy pads and synths are working together to glue all the elements into one piece.

A2 track “Different Spaces” gives you robust kick drums and an acid themed bassline. Obscure vocals and shiny leitmotifs are conducting the percussive elements along 6 minutes of dance-driven groove.

The B side starts with Abstracted Possibilites, a smart construction filled with twisted synths and intriguing vocals. The snares and hi-hats are making the omnipresent narrator throughout 7 minutes of pure storytelling.

Omega Break, as the title suggests, concludes the release by entering the breakbeat realm. Its percussions and pads bring instant joy.

Early support by Raresh.

Perspective 004 comes in hot from LVCA aka Luca Cazal with 4 machine-driven dancefloor focused bombs."

Second release of Mokotron on Electro Records after Tatau O Te Po for the Ezzential Electro project. Pure electro music from New Zealand!.

Reordering musical elements, patterns, and machines, Permutation is a duo of music producers from Barcelona who bridge inuences from electro and techno to 90s IDM and ambient electronica. Their second release presents three tracks developing a nuanced sonic palette of syncopated electro rhythms and intricate percussion immersed in a
dreamy contemplative atmosphere.

100 copies only

Apron Records has been instrumental in shaping the current landscape of contemporary electronic music coming out of the U.K. since 2014. After almost a decade of pushing their unique vision has made the Apron Records imprint one of the most in-demand labels in most independent record stores. Now more than 45 releases deep in their journey, Apron Records have teamed up with Patta Soundsystem to work on their first various artists release and to celebrate this monumental milestone, both camps have collaborated to create a clothing capsule to accompany this release. After working with the artist formerly known as Funkineven on ‘The Wave’ late last year, it was only right to showcase the diverse talents behind this movement.

Sharing a drawing board with Patta for the first time with Apron Records, together they have created a Trucker Cap and a Graphic T-Shirt that echo the racing theme of the whole project. Better Together is the slogan that runs throughout the entire collaboration, stressing how unity makes us stronger as individuals. Artwork for the record has been provided by Amsterdam based artist Jim Klok. His unique Acetone printing technique has now been immortalised on this LP, juxtaposing vintage cars with checkered racing flags to create a dynamic cover that would be right at home in a picture frame as well as a record bin.

System Olympia’s ‘Passi Mai’ is a beautiful 80’s inspired driving riddim layered with her own vocals that wouldn’t be out of place in an arcade or a sticky nightclub floor. Followed up by ‘Leven’ by Brassfoot, we get a wobbler from the NTS regular. Layed with Jamaican vocal samples and audacious arpeggiated bleeps, Leven is a soulful approach to techno tropes that have been bouncing around Brassfoot’s head. Shamos’ 737363 is a cryptic masterpiece. With dreamy pads as a backdrop for shuffling drum beats, euphoric sweeps and dynamically designed synthesis, this closes off the themes explored in the first half of the record.

Side B kicks off with J M S Khosah’s contribution to the record titled ‘Lessons’ which is a dancefloor filler, adorned with glamorous percussion, vocal samples and syncopated stabs ontop of a driving 4x4 kick pattern. Kicking things into 6th gear is a club-ready production from London's most soulful selector Shy One. Groovy basslines and a 2-step riddim make ‘Candy Floss’ an ode to the grimey and the glittery sides of London nightlife. This project champions one of the people that have been pivotal in the success of the label, Steven Julien whose track E46 is an emotional journey through his synth-laden East London studio. Bookending the project are two compositions from Compton’s-own AshTreJinkins. Showcasing his abilities to approach the project from both an ambient and a pure beat-making perspective in order to hold the whole project together.

Yellow Vinyl

Boody tunes... Defenitly ritch in sounds and structures... With a crazy dynamik made in Marseille ! And visual by master Enki the killer... full of splendid musical and dancefloor tricks ! Fuel you mix !

Following the success of their sold out inaugural release, Out of Sorts present their second vinyl release, Farr’s Wide Eye. 



With Farr’s Bassline Interferometry becoming synonymous with the success of the first release, it only felt right to invite him back for his first full vinyl release, joined by Canadian artist, Ciel, on remix duties. For Wide Eye, the Vienna-based artist sets out on three new dancefloor excursions, each featuring his customary delicate melodies and complex percussion, whilst scouring different corners of the club music continuum. 


The release starts with title-track Wide Eye, a deep piece of post-grime club bass which weaves a moody atmosphere between spacious vocals and rattling percussion, wrapped around a menacing acid line which cuts through the space to create a claustrophobic finish.

Reticle is a full-throttle club workout where warped bass, gunshots, rewinds, and rave-tinged vocals are all on the table, nestled amongst relentless percussion which bounces between razor sharp two-step, speed garage and dubstep sequencing. A tool for full dancefloor destruction.

Give Me Shelter takes a step away from the weightier side of things, showcasing how easily Farr’s customary rhythmic programming and sound design can be applied to a myriad of different genres. A delicate melody and deliciously colourful bassline are joined by a hypnotic vocal sample and intricate synth work to create a slice of peak-time euphoria.



Ciel has become known for her musical storytelling, and she rounds off the release in usual style with the Give Me Shelter ‘Safe Harbour’ mix. A cheeky irresistible lead melody and Balearic style percussion coalesce with airy synths to leave a sweet taste in the mouth.

Repress

"Work out your own salvation, with fear and trembling"

Two years since the debut record on Secession, Volster returns with the new EP on his self owned imprint. This personal record marks an artist's evolution sonically while still retaining that signature textured sound he's capable of delivering. The remix is classic Setaoc Mass, no-nonsense sharp techno cut ready to shake the club floors as soon as they are ready to open again.

The four-tracker release will land this spring on both vinyl and digital medium with some digital bonus remixes from talented and should be on everyone's watchlist artists, Alarico and Assumption.

repressed !

Originally designed as a friend-to-friend, unofficial comp to be played on your car system by the parking lot of some local minimarket with the woofers set to eleven, mullet in the wind and cans of energy drinks pouring, J-ZBEL's longed-for debut LP 'Dog's Fart Is So Bad The Cat Throws Up' (we'll leave you judge as to whether we're talking Schrödinger vs Pavlov theories here) is due for imminent landing in all good record stores, as foretold by a Mayan prophecy from circa 2000 BC.
Delving in iconoclastic themes and pop culture at its most sketchy and accidentally inspiring, the enigmatic Lyon-based trio enters the melee all horsepowers roaring and laser-guns blazing - delivering twelve cuts that span the broadest sonic spectrum as they fracture their way across changing sonic reliefs, from trancey
adrenaline rushes to 303-driven dance epics, through hyperfuturistic hardcore turns and further knee-buckling, breaksy manoeuvres.
Fruit of their trademark hybrid live and studio approach, some of the album's tracks were originally and exclusively conceived for live use, whilst another part has been produced in the studio from start to finish. The Easternmost-sounding jacking tune and album highlight 'Sebulba' feat. (faux-)Bristolian from a different mother Simo Cell was actually recorded last year during the latter's residency at Trempolino, in Nantes.
Layered with a richly hued palette of elements, J-ZBEL’s debut long-player melds choice samples of video-game soundtracks (check the Metal Gear alert noise and Mortal Kombat samples on 'Bertrand Au Mont D'Or' and 'Mortel Kombat'), playful polyrhythmic touches ('Le Riddim du Bardouin'), no-nonsense Goa trance inspiration ('Tunnel Vision'), but also liquid DnB and organically-grown junglisms ('Pardon Mouloud', 'Excremangue', 'Diablo Verde Part II') and - to top it all off in the most spectacular manner - the stadium-sized gabber madness of 'The J-ZBEL Anthem', sure to leave wisps of vapour in its wake.

Cali Lanauze's Opulence label comes correct with the first in a new series of compilations called Sensory. Volume 1 brings together a red hot selection of talents from around the world, with slick house and techno in many forms all represented.

Those contributing include the boss himself plus Chicago legend DJ Sneak, Detroit's Ryan Crosson, French house giant DJ W!ld, Germany's Andre Buljat, Italian born minimalist Cesare vs Disorder, Peruvian duo Deaf Pillow and cult Romanian Kozo.

Kozo steps up first with ‘See A Man About A Horse’, a woozy and deep cut filled with gorgeous pads. The prolific and game changing DJ W!ld then offers a more driving number, with metallic drums and smooth loops getting deep into your psyche. The boss's own ‘SixFourtyTwo’ is a dreamy and pad laced deep house classic, then DJ Sneak comes on strong with his fluttering percussion, deep rooted Chicago drums and sci-fi effects to get you in the groove.

Cesare vs Disorder – ‘Aquele Dia Na Piscina’ is a more tripped out and synthetic affair with brooding pads and crisp kick drums powering things along, before the stripped back afterparty vibe continues with the edgy and eerie ‘Change Your Mind’ from Ryan Crosson, which has cascading drums and drilling bass. Deaf Pillow keep you locked with the ghoulish voices and rugged synths of their ‘Devil's Head’, a paranoid cut with an unsettling atmosphere, and Andre Buljat's ‘Telescope’ rounds things out with the futuristic synth patterns and roaming drums of this deep techno roller.

This is an excellent eight track overview of the brilliantly broad Opulence sound and is jam packed with essential cuts.


Support by: Raresh, Archie Hamilton, Cristi Cons, Tripmastaz, Danny Tenaglia, Joseph Capriati, Stacey Pullen, Dan Ghenacia, Demuir.

It's hard to believe it's taken this long for a proper retrospective of legendary Los Angeles collective CVE. "We Represent Billions" is a crucial portrait of one of the West Coast's most low-key influential crews - a hydra-like collective of rappers, producers, designers and engineers who were key members of the Good Life Cafe's open mic scene, going on to inspire artists like Jurassic 5, Kendrick Lamar amongst many other. Initially called Chillin Villain Posse before morphing into Chillin Villain Empire in the late 1980s, they eventually centered around the core trio of Riddlore, NgaFsh and Tray-Loc. The crew were years ahead of their time, self-producing music without samples and pioneering a stream of consciousness lyrics that still sound fresh and innovative. CVE were self-sufficient and motivated from the beginning, named "Chillin Villains" because that's how they were perceived by white America. This social motivation was channeled into their groundbreaking performances at Good Life Cafe, the South Central session that evolved into Project Blowed and later on came to influence LA club night 'Low End Theory'. It was chronicled by Ava Duvernay, herself an MC in short-lived duo Figures of Speech, in her "This is the Life" documentary, where she interviewed CVE alongside Jurassic 5, Freestyle Fellowship, Abstract Rude and Busdriver. On "We Represent Billions", we're treated to a snapshot of the CVE sound from 1993-2003, their most prolific era. The retrospective collects music from the handful of albums the crew released on their own Afterlife Recordz label (mostly as limited edition CD-R's) plus many previously unreleased tracks and highlights their untethered eccentric creativity and sheer breadth of influence. Whether twisting twitchy West Coast electro on 'All Over Da Globe' or free associating over horror synths and foley sounds on 'Made in Chillz Ville' there's a sense that their music was just too future for its time. Assembled from heaving industrial samples and graced by back-and-forth tongue twisting flows, 'Thugs and Clips' is as eerie and hard-hitting as anything 2Pac's "The Don Killuminati: The 7 Day Theory" full-length. Fuzzed-out and unsettling, 'Calistylics' welds an ambient synth loop and bone-rattling percussion to Tricky-esque percussion, while the flickering closer 'Unicycle' is a cross between Dr. Dre's icy G-gunk pressure and Three 6 Mafia's pitch black lo-fi funk. In many ways, 2022 is the perfect time to rediscover this music: an urgent, creative fusion of spine-tingling pre-grime electronic minimalism and mind bending wordplay that still sounds completely idiosyncratic and utterly alien. Tracks: 1 All Over Da Globe 2 Thugs and Clips 3 C.V. Vault 4 Made in Chillz Ville 5 Bring It On 6 Calistylics 7 No Feelins 8 Let's Get It On 9 Today Was A Fucked Up Day 10 Untitled (Freestyle) 11 Unicycle

Repress!

Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music.
Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100 metre-high aluminium pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The eect is no less thrilling than crucial, as it presents an essential DJ of our times.
Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem "Intellectual Killer". Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions.
Helena Hauff and Morah, Umwelt, Machino, Galaxian and L.F.T. all contribute with five previously unreleased tracks, exclusive to the compilation. Rare titles are also featured, such as the late Curley Schoop’s “Mayhem” under the name Esoterik, “City Of Boom” by DJ Godfather & DJ Starski, Nasenbluten’s “Intellectual Killer“ and "After Dark” produced collaboratively by Andrea Parker and David Morley.

Originally released in the year 2000, the album represents a pivotal moment in the emergence of the “Birmingham Sound”; a stripped-back sub-genre of Techno, pioneered around this time in the English hub by artists such as Regis, Female, and Surgeon.

Influenced more by Industrial, Music Concrete, and EBM than from the melodic sounds of its Detroit predecessor, Regis later described the music as being made with a fractured pop sensibility which created a sound that may be faceless but by design loses none of the soul of its American counterpart.

Nowhere is this sonic changing of the guard more apparent than in opening track, Washing My Hands, which sets the stage with a vignette of field recordings: arc welders, water boilers and other sounds reminiscent of industrial workshops reframe your senses, placing your mind into a familiar yet unsettling dreamlike space. From this sound- scape emerges a high-pitched, vitreous noise heralding the jarring introduction of Let Them Bleed, the first of several trance-inducing tracks on the album such as Join Us In Paradise, and Guiltless, which layer percussive and sampled loops creating what Peter Sutton (aka Female) described as exotic hypnotics.

This remastered edition of Againstnature also features the additional track, Theme From Streetwalker, previously only available on Volume 6 of the Tresor Compilation series.

Following the soothing 'Landscapes Of The Future' compilation, featuring selected ambient works by Argentina's nest (Jonas Kopp, Gustavo Lamas, Leonel Castillo...)
GREENER RECORDS is proud to present its rst split EP, with label boss ANDRES ZACCO and brother in soul FRANCO CINELLI.

black Vinyl

New Maastricht-based label with a release from the mysterious J.S. Zeiter.

Greener Records was founded in January 2008 by Andrés Zacco. It is the place where he gives his vision about techno music. The label was created for the purpose of gathering the strong family of artists Andres Zacco shares with Lucas Mari, Franco Cinelli or here, Leonel Castillo, all of them who share the same purpose. Greener is influenced by sounds originated in Detroit and Chicago techno, creating its own powerful fusion of digital techno and trippy consistencies

The 3rd release on PROLETARIJAT is about to continue the story about Sev Dah's vision of todays values of techno.
Mental and driving but simple and yet emotional is the concept of PROLETARIJAT003, and Sev Dah did the job on the
A side with "Pledge" - the synth is hypnotising but yet forward going, a true Techno banger thats order is to transform
your reality.
"The Universal Mother" on A2 is an emotional experimental/ambient vision of unity and brotherhood.

B side's "Sloga" is the more simple side of 003 but also the most powerful story that Sev is telling here.

Musical storyteller ´Solee´ takes us on the 4th Future Romance journey with two brandnew tracks called "Sternstunde" and "Exhilaration", both packed with euphoric melodies and some extra drive for the deeper dancefloors.

DJ and producer ´Shall Ocin´, wellknown for his stirring productions on labels like Ellum, Atlant, Drumcode or his own imprint Clash Lion accompanies us as a remixer for this release and turns "Exhilaration" skillful into a true peaktime belter!

Early DJ support by Adam Beyer, Adriatique, Kevin De Vries, Hunter/Game, Edu Imbernon, Fur Coat, James Zabiela, Undercatt, Magdalena, Eelke Kleijn and more...

4 jack trax including a stripped down remix from Jimmy Edgar.

Aurea Music Lab reaches its fourth release commanded by Marcos Coya, Ultrahigh, Delorean and Aleexe, delivering again four different weapons oriented to the dancefloor.

The Uruguayan producer Marcos Coya opens this EP with “Shadows”, a super groovy track full of acid and sitting trance synths that will make clubbers fly high on a ruling melody that is constantly moving.
For the ones that doesn´t know, “Scoville” is the unit for measuring spiciness, and this track by Ultrahigh is full of it. Expect heavy low frequencies dancing alongside spooky melodic synths and classic 909 drums.

On the B side, a smooth and playful trip from Delorean's “Designated Driver” ruled by different elements that come along together making every second of this track full of groove and happy melodies count.
Lastly Aleexe comes into play with “Effluence”, where you'll find some special soundscapes and extremely dynamic vibes. Pumping bassline, gated synths and swingy percussions on it are capable of moving even your grandma´s feet..

Extra Soul Perception is a collaboration and community music platform which started life between the UK, Kenya and Uganda, and continues to grow and connect independent musicians worldwide. In November 2019, eight artists from Kenya, Uganda and the UK spent a week in Nairobi together exploring new tangents in soul music, the result was their 2020 debut EP 'New Tangents In Kampala, London & Nairobi Vol. 1'.

The growing collective is made up of Faizal Mostrixx (UG), Hibotep (UG), K15 (UK), Karun (KE), Labdi (KE), Lex Amor (UK), Lynda Dawn (UK) and Maxwell Owen (UK). Now with the with the addition of Itsmdnyt (UG), XL Middleton (US), Xenia Menasseh (KE), Sola (UK) and Azu Tiwaline (TUN), the collective are preparing to release their album 'New Tangents in Kampala, London and Nairobi', released 25th March.

Three years in the making, work started on the album at a writing camp in Nairobi, and was completed remotely over the course of the worldwide lockdowns of 2020 and 2021. The album celebrates the potential of collaboration, both in a physical and digital sense.

Innovators in their own fields, each artist brings unique knowledge and musical culture to the project, collectively they represent a broad spectrum of sound. The album reflects this via an inspiring mixture of beautiful soul, glitchy beats, spoken word and bumping instrumentals. Embracing the same values of the writing camp but through virtual collaborations, seeing 'soul' as much in the spiritual sense as the musical one, expanding the sound into new territories.

The solid Spanish producer is back. He presents three tracks with his unique style that is clean and repetitive.

- vinyl only -

Part 2 from this highly in demand 10” series of 3 releases. Limited hand stamped copies..

Room 15's sub label, MM Series brings you broken beats on its debut release. The tracks have already gained strong support from artists like Kozo, Guy From Downstairs, Nu Zau, Cosmjn, Chad Andrew, Clovis, Prichindel, Viceversa, Miroloja & many others..

Limited press, Vinyl only