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Brace yourself! A new Caterinca is coming. Vinyl only. Limited to 300 copies. No repress.

Played by Mihai Pol, Cally, Macarie and others.

Frank & Tony drop their new Dream Vibration EP some 5 years after their last outing as a duo with the much-celebrated Odes EP. Having teased the full release with two upfront tracks - Time Out Of Mind and Timmy Regisford’s masterful instrumental rework of Stretch Out Like The World, we now get to enjoy the full package.
Title track Dream Vibration kicks off with a lazy breakbeat, floating, barely-there chord washes and eventually and slowly reveals a thick, low kick and deep sub to drive things along. Frank & Tony’s original version of Stretch Out Like The World features Eliana Glass on vocals - a melancholic but tough track that exudes a classic in the making. Timmy Regisford’s vocal mix amps up the percussion to create a hypnotic club jam idea for an early morning Shelter dancefloor.

Nathan Micay is pleased to present the next re-issue on Eternal Schvitz: Mouvement Perpetuel - Sexuel Mouvement, three incredible dance cuts written by Jerome ‘Pacman’ Elia. Originally released on Obsession Music in 1997, the A-side went on to become a cult favourite after appearing on Sasha & Digweed’s North Exposure Expeditions mix in 1999. Since then, copies of the original 12-inch record have sold for astronomical sums. Now, over 20 years later, this gem is lovingly restored and available to a new generation of DJ’s and music lovers.

As always, Schvitz gives back. From any profits raised, 60% of the cut to the artists and ensuring their credits are front and centre. The remaining 40% of profits will go to aequa, a Berlin-based collective with a focus on empowerment of women, trans and non- binary folks through gatherings for interpersonal exchange. Schvitz is Love. Schvitz is Communal.

Mindcut returns with a heavy 4 tracker. Distorted kicks mixed with percussive industrial sounds which will burn every dance floor. Prepare for a hot combination with Jokasti & Nek, Ike Dusk & Axel Sohns, Another Alias and Nemmett

2015 brought the trilogy of the dancer to Ressort. Now the labels core artists each remix their tracks in circles.
While all of them aim for the dancefloor, Ressorts core artists could not sound more diverse. Ekserd and Border One aim for the raw, the groovy and the pure while Array Access and Glos lose themselves more and more in sound design and dreaminess. Since the many aspects of art and music form a cycle of ying and yang, each artist
shows the other an interpretation of what he might have missed before.
Be it a complete stomper or a light absorbing epos, a deep and groovy House and Techno hybrid or a journey into the depths of space Every artist made one of the well known tracks released on previous EP's his own. It s a very colourful package that bares every moment the label tried to cover in it's series before.

four strong movers for the crowd!!!

Reflective Records, the label with the holograms, started in 1993 by Jonah Sharp aka Spacetime Continuum reopens its catalog with the “Every Moment” 12” EP, the debut release by Cahl Sel . This homegrown San Francisco artist has been playing live in California with a minimal hardware rig for the past few years and these four tracks reflect his beat-driven but melody-led sound.
This release features the last of the original hologram die-cut center stock from the 1990s.

der meister des guten geschmacks ist zurück!!!

Snap Your Neck Back by Gasoline is an album released in 2005 on a digipack CD by Pamplemousse Productions / La Fondation. First reissue at Beatsqueeze Records in 12inch yellow vinyl. Limited edition!

It’s time to dream away with the first realese of the label , turn off the lights !

Simple as it is , Hostox with his smooth blend of classic piano vibes, accompanied by Lizz with a peculiar remix .

deadly precise & optimised effective DJ tool Techno

Auf dem Planeten Dub haben Dubblestandart mit mittlerweile zehn Alben bereits einen eigenen Krater hinterlassen. Gegründet Ende der Achtziger unter dem Eindruck von Lee Perrys einzigartigen Black Ark-Produktionen und Adrian Sherwoods radikalen Mixmanövern auf On-U-Sound, hat die bewährte und begehrte Backing Band (Ari Up, Lee "Scratch" Perry, Dillinger, Lilian Allen, Top Cat), um Paul Zasky den jamaikanischen Produktionstechniken ihr eigenes, europäisches Gesicht gegeben: bassbasiert, New Wave-infomiert, mixtechnisch auf dem neusten Stand und versiert im Seiltanz zwischen digitalem Wumms und analoger Wärme, wortlos vermittelnd zwischen Patois und Schmäh. Mit dem elften Album krönen sie ihre Karriere mit einer Serie Aufsehen erregender Kollaborationen (u.a. Lee "Scratch" Perry, Ari Up und Regiemeister David Lynch!) und einer in dieser Saison in Sachen Dichte, Fülle, Tiefe und Schwere ihresgleichen sucht. Aufgenommen wurde in Kingston, der Bronx und im heimatlichen Studio in Wien.

If you add to the two new productions by Swiss Nicolas Duvoisin remixes by Romanians Barac and Vern, you get an EP not to be missed. When the original mixes of Black Market and Blue Ocean are throbbing and languorous minimal pieces, Barac's remix of "Black Market" is more snappy, hypnotic and techy and Vern's is more destructured and hovering. In any case, whether you like rominimal, deeptech or any other style in between, you can't miss this little gem!



PLAYED BY:
Raresh - Barac - Joris Voorn - Guy Gerber - DJ Vibe - DJ T - Guy J - Agoria - Archie Hamilton - Fabe - Guy J - Marco Carola - Eddie Richards - Pornbugs - Robbie Akbal - Christian Burkhardt - Jamie Jones - James Zabiela - Carl Craig - Jamie Jones - Carl Craig - Carlos Sanchez - Lawrence - Cesar Merveille - Sasha - Smash TV - Nicolas Masseyeff - Dachshund - Mandarin - Mihai Popoviciu - Johnny D - Brizman - VLF - Chris Fortier - Dubphone - Audio Space - Mathew Harrington - and many more ...

Ogni is a music project by Saktu, Tobi Neumann and Dave Vega.
The Trio is making music in Berlin’s Apollo Studio, they are all on the road as DJs since decades and are running Ogni-Parties at Berlin’s legendary clubs ‘Club Der Visionaere’ and ‘Hoppetosse’.
After few releases on labels like ‘Mobilee Records’ and ‘Oblack Label’ the guys decided to launch their own imprint ‘Ogni Tapes’.
First release comes with two original tracks Destiny and Vesta and 2 remixes by the house masters Tripmastaz & Dorian Paic.

Saktu is back on his own imprint with three powerful minimal house cutz. vinyl only.

Here we go again! The second release on MARICAS Records is hot and ready to handle, fresh off the kitchens of two of the maestros of the moment, Saorsie and Roza Terenzi. Saoirse fires up the ignition with Dama Latina, an upfront housey number. Her tight, infectious groove bounces along incessantly, punctuated by an orchestra of bleeps and bloops, horns and sirens like one big sexy traffic jam. She keeps our fire burning low and slow with You Can Come. It’s underwater-funk with a lazy, heavily syncopated bassline overlaid with shimmering washy melodies and vocal on repeat, all dripping wet with reverb. We’re deep down in Chuggsville and it’s hot as hell.

On the flip side, Roza flips us out. Kandy Floss sends all kinds of creepy frequencies bouncing around the inside of our skulls. It's not long before a throbbing bassline creeps up on us in the dark and takes us on a ride, like a train through a haunted house of eerie sounds and voices. We cling to the steady groove because all other sounds are moving around us, like ghosts and ghouls erratically weaving in and out of each other over our heads.

We continue our spooky ride with Triple D must be something good because we’ve had three of them and we’re really feeling it. Helek K’s spoken words echo around us like a spiritual guide leading us through our trip, her moaning like a haunting lullaby. Driving bass all the way here, lifted by flickering percussion but darkened by the deep squelch of wobbly bass tone. Much psychedelic doof energy on this side of the disk.

After releasing their critically acclaimed debut LP “NOW” just last September, The people at Malka Tuti felt it was the time to continue pushing the name SHARI VARI to new realms & territories... A Remix Pack was born. For the remix pack, Malka Tuti chose a few close friends of the family to give new life and new interpre- tations to the now “instant classic” songs by the Hamburg duo.... The Ep begins with Fantastic Twins’s mid tempo, Coil inspired, break-beat groove, slowly building up in emotion with warm pads and 90’s vibe acid lines to- wards an epic catharsis. Benedikt Frey takes it from there, remixing a personal favourite - New York City, turning it into a dark trip- hop inspired journey, cleaning those distinct vocals, echoing Beth Gibbons’s smokey high tones.... On the B-side we find Black Merlin’s 11 minute trippy mid tempo dance floor banger. Cuts and slices from the original vocals of the song Dance Alone, laid carefully on top of a repetitive modular bass line, and sprinkled on top - those out-worldly sounds and FX that makes the track simply HUGE. Last but not least, Düsseldorf’s very own Lucas Croon’s Dub Version, released digitally last year, final- ly sees its day on wax. 90’s Break beat beats, gated vocals and everything else that takes to make a dance floor hit the roof.

The unique sounds of Ray Phiri's Stimela are showcased on this gem of a 12” EP from 1986. It was originally released only in South Africa on Gallo / CBS Records, although a 12" featuring the track 'I Hate Telling A Lie' was previously released on Plum Records in 1983. It has now become a sought-after item due to its addictive and original-sounding Balearic disco / cosmic boogie-esque nature.

Stimela were a popular and successful Mbaquanga / fusion outfit led by the guitarist, vocalist, songwriter, producer and arranger Ray Phiri; who was previously a member of the legendary band The Cannibals. The musicians would go on to gain global fame after featuring on Paul Simon's iconic 'Graceland' album and the mega tour that followed.

Kicking off the EP is a magical track that floored us from the first moment we heard it and one that has since become a Mr Bongo firm favourite. ‘I Hate Telling A Lie’ is a slow, infectious building groove that sits somewhere between lowdown jazz-funk, soul, reggae and gospel with shades of new wave pop and Balearic. It’s a truly stunning track that is hard to pigeonhole and all the better for it.

Another highlight from the EP is the monster instrumental, synth-boogie sound of 'I Love You'; championed by DJs such as Jeremy Spellacey (Crown Ruler). This hypnotic groove bubbles to perfection and is a slo-mo chugger extraordinaire.

We hope you dig it as much as we do.

_asstnt & Roll Dann collaborate to deliver the inaugural release on their Opera 2000 imprint entitled "Back From The Morgue".

Roll Dann has been in contact with music from a very young age and picked up inspiration from the destructive techno sound that invaded Spain between 2005 and 2010. With releases on the likes AINE, PoleGroup, Modularz and Clergy the young producer is quickly leaving his imprint on the techno world which hasn't gone unnoticed seeing him being signed to Slam's Soma imprint in 2019. "Back From The Morgue" sees him team up with _asstnt on their new Madrid based techno project, Opera 2000 for his first full EP following their track together on a compilation celebrating five years of Involve Records. _asstnt's sound comes from the heart of a passionate artist conveying romanticism, truth and dedication within his music and philosophy.

"Back From The Morgue" kicks things off with blistering drums scattered around growling modulations and twisted vocals keeping the atmosphere weird yet wonderful before "The Hill of Hanged" continues with resonating kicks fused with undulating, grime-influenced strings and sinister elements throughout. On the flip, "Coalescence" maintains the effervescent moods through storming grooves, dramatic soundscapes and powerful oscillations while "Dirty Mistress" features heavy, syncopated percussion peppered with distortion and dystopian leaning oscillations to bring this beautifully dramatic EP to a close.
Order OPR001 now
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For the label’s next release, the team at Leng Records has decided to offer-up something a little bit different: a 12” compilation of little-known and hard-to-find Balearic gems selected by friend of the label Paul Beckett.

Plucked from the dusty corners of his collection, the five tracks on show are quietly colourful, tactile and musically rich excursions that effortlessly blur the boundaries between genres and sound terrific blasting from speakers on a humid Mediterranean or Adriatic afternoon.

First up is Ray & John’s languid, subtly disco-tinged ‘Day By Day (Instrumental)’, which originally featured on the flipside of the Italian duo’s sole single from 1984. Rich in rubbery bass guitar, sequenced synth-bass, sharp disco guitar licks, Fairlight stabs, dreamy chords and occasional chanted vocals, it sounds like Please-era Pet Shop Boys reclining at a Rimini pool party after copious amounts of happy pills.

It’s followed by Angel’o’s ‘Angelo’, a turn-of-the-80s gem picked from the band’s long-forgotten album, Dream Machine. Marked out by warming electric piano motifs, squelchy synth-bass and hazy lead vocals, the track successfully mixes krautrock and space rock sounds with the then fresh sound of synth-pop.

Next up is All Trouvee’s ‘Darling’, a thoroughly overlooked 1987 single whose minimalistic sleeve artwork lists each of the now-classic – and then cutting edge – synthesizers used to make the sun-soaked blend of mid-80s synth disco, AOR pop and sunset-ready jazz-funk piano solos.

Equally as impactful is Angel’s ‘Tomorrow Night’, a classic – if little-known – chunk of glossy, laidback synth-pop from 1980 that sounds like something you’d hear on AM radio stations in the early hours of the morning. Its’ sound – all delay-laden Linn drums, synth-horns, Nile Rodgers style guitar licks and echoing lead lines – was actually far sighted for the time but would become more familiar to listeners as synth-pop boomed in the mid 1980s. Those who buy the digital version of the EP will also have access to a longer, club-style mix as well as the short version featured on the 12”.

Rounding off a fine package is ‘Feeling Action’ by Eggs Time, a deliciously warm and woozy chunk of fretless bass-sporting Italian pop/West Coast jazz-rock fusion plucked from a real since of buried treasure: an Italian compilation called – for reasons that aren’t clear – Moby Dick. There’s certainly a tinge of both yacht rock and blue-eyed soul about the track’s gorgeous blend of FM synth sounds, eyes-closed jazz guitar solos, unfussy beats and sweet female lead vocals. It provides a fittingly horizontal finish to a collection packed to the rafters with long-overlooked, sun-baked treats.

From minimal to techno, Akatana signs the first release on Berkail records, a strong Ep with solid basseline!!

With a solid remix of Patrice Leiris
Artwork :La Faisanderie Paul Laburre
300 ex

Unison Wax 01 as a whole is an exercise in classy, reduced house for the summer generation. A-side 'Seize' crashes into force, with unapologetic bass that seems to be breaking at the seams. Perfect for building or taking it down, it's simple, four-four quality as dusty hats scatter and float around the top. Then the keys hit, sizzling and singeing at the edges like they've been left on the grill too long, before the whole thing melts into the break. It's hot summer garage house for late evening breakdowns. Flip it over and the vinyl takes on a distinctive darker flavour. 'Groundhog' plays smooth, reduced house elements against a driving, deep bassline that rumbles and pushes you on. Around that coils softly pulsating synths that swell in and away from you before the tooly, smooth finish reduces to a close. 'Special Treatment' is smoother though. Dusty shakers, jacking claps, druggy synths and a rolling, questioning bassline shows a deeper, darker shade of Berlin house before it casually pumps its way to the close.

Rising contemporary electronica musician Holo will be releasing his new In Limbo EP via Houseum’s sub-label Ellipse Records on the 25th of February. The Australian producer burst onto the scene in 2019 after seeing his first track 'Atlas' uploaded on the Houseum YouTube channel and after releasing his debut EP of the same name, with house music heavyweight UK label Shall Not Fade’s sub-label Lost Palms. The EP featured the deep house classic ‘In My Dreams’ that earned over 2 million streams on Houseum channel.

Hugo Horwood (Holo himself) is originally from Canberra and is currently living in Melbourne, Australia. His music draws from unexpected genres, including pop, classic rock, acid and 90s hip hop, to create a sound that is truly his own.

‘Bleu’ is the first introduction into the kaleidoscopic EP that will subvert your expectations from the get-go. With a gradual start, the listener is rewarded for taking the extra time to lean back into the song and explore the multilayered tones of chilled vibes and an inescapable otherworldly realm. The first hint at the artist’s vocal talents, the single leaves the listener begging for more.

‘In Limbo’ is the epitome of holidays: luxurious soundscapes and unhurried production at each turn. Join us as we venture down a long, winding road that hugs the mountains on one side and showcases a vast aquamarine world on the other. Just above, around the bend, you know there’s a house party waiting for you that promises sunsets and good vibes but for now, the road stretches on and there isn’t a rush in the world. Why would there be, when you’ve got Holo on the speakers?

It took a long time to get 'Supersonic' sounding the way Holo wanted it to, particularly dialling in the bass sound he could hear in his head. It reminds him of Fatboy Slim's 'Right Here, Right Now' or Robert D's 'Clubbed to Death' (from that scene in The Matrix with the woman in the red dress) with its swirling bassline and relentless drums. The guitar parts at the end are inspired by the intro to Pink Floyd’s Shine On You Crazy Diamond'.

Holo once had this “Airbnb for music gear” business idea and tried to validate it by buying an original Roland TB-303 to rent out to other producers in Melbourne. He ended up stopping that project but found he was way too in love with the 303 to sell it, and he's glad he didn’t because it's been a constant source of inspiration, and it’s all over this track. He’d been mucking around with an acid line over “In Limbo” and found that the 303 line worked brilliantly with the drums and bassline by themselves, so he immediately saved a new version of the project and didn't look back!

House Of Lucy is a special project by three friends and music producers from Warsaw, Poland (TAMTEN, Ivan Bayor & FOPA) who also happen to organize a mysterious event called “Lucyna” on Half Year’s Eve (sunny New Year’s Eve in summer). It is a local thing with lineups consisting of DJ’s and bands with very different musical backgrounds. This genre bending and melting situation, together with an utterly open-minded audience, creates some of the most unexpected encounters. This is the place where dub meets new wave, post punk meets house, electro meets jazz… This is the place where House Of Lucy comes from. Following the lyrics on the opening track:

“…welcome to house of Lucy
you can do anything at house of Lucy
anything at all
the only limit is yourself…”

Dark 80-ish synths, guitar riffs, dubby basslines, aggressive percussion, haunting vocals, and some soft cozy spots seem a bit much for one record? This is House Of Lucy after all, the only limit is yourself.

Some serious sweetness from Jex Opolis on Bad Timin' the sub label of the beloved Good Timin' records. While 2018's Bad Timin' Vol. I charted a course into the art of darkness, this second volume re-imagines the imprint's focus and aims for a more colorful--and inclusive--dancefloor experience. Along with some searing club dynamics, many of those Jex touchstones we all know and love are here in full force: The playful melody, the disdain for genre, the bad puns ... On EP opener "Fought Experiment," Jex pumps the breaks during a drive on the Big Beat highway, with buzz-saw FX, turntablist scratching and a bubbling bassline along for the ride. Meanwhile, two mixes of "Soft Guidance" let the Canadian producer reflect on his late 90s "Global Underground" phase--while swapping out Oakenfold for wash-n-fold, given Jexy's newfound domesticity. Closing out the EP, "Scott Says" keeps the BPMs high and filters dubby techno through a deep house sieve, all while namechecking a little-known Edmonton techno producer. Recommended!!

Up next on One Of 4 with his 'Different Occasions' EP we have California based DJ & Producer Sam Haskin! 4 super cool and groovy cuts on this one guaranteed to liven dancefloors. Early support from Chklte, Lee Onel, Carlo Gambino, Monika Ross & Shacklo!

Baile Musik proudly presents a new vinyl release called Black Serenade by currently rising start Zlatnichi.

With four tracks, the fully equipped record comes with two original mixes Black Serenade and Get Off, together with strong remixes by Daniel Sanchez and German Luqe.

Repressed !

A brand new signing to the label, DAWL is well known in the acid realms of the breakbeat sphere but is from the hardcore generation and a regular customer of Vinyl Fanatiks. We asked him if he wanted to use his knowledge of the scene to create us a proper little rave induced banger. I think you will agree with us that he has achieved this to great success. Authentic and blissful with just the right amount of energy to keep you peeked.

4 slabs of darkness and light to take you from the day to the night. HANDS UP IN THE AIR ALL CREW

Felipe Gordon perfectly balances raw house with an edgy disco influence. His songs follow a less is more, fewer is better ethos, with each element meticulously placed, optimized for shaking booties.

"His music filled me with the urge to connect with the world," Kaitlyn Aurelia Smith says of Emile Mosseri. She first heard his work while watching the 2019 film The Last Black Man In San Francisco; just minutes in, she paused it to look up who did the score and wrote to him immediately. "I love Emile's ability to create melodies that feel magically scenic and familiar like they are reminding you of the innocence of loving life." Those talents saw recognition in 2020 with an Oscar nomination for Mosseri's original score to the film Minari. He was already a fan of Smith's and became increasingly intrigued by her impressionistic process as they started to talk. "The music feels so spiritual and alive and made from the earth," Mosseri says. "I think of her as the great conductor, summoning musical poetry from her orchestra of machines." I Could Be Your Dog / I Could Be Your Moon, their two-part collaborative album, introduces an uncanny fusion of their sonics. Constructed using synthesizer, piano, electronics, and voice, this soft-focus dream world is lush, evocative, and fleeting. It finds two composers tuning their respective styles inward as an ode to mutual inspiration, a celebration of the human spirit and its will to surrender to the currents of life. As a full album set, I Could Be Your Dog / I Could Be Your Moon moves fluidly from track to track, panning through textural vignettes. Two roughly 17-minute halves, the set evokes the bittersweet sense of something too bright or rare to last, a short-lived glimpse into a golden hour. There is a dreamy, elemental intention to this music, which Smith and Mosseri say came naturally, as they both embraced intuitive interplay throughout their creative back-and-forth. The stylistic threads of each composer are recognizable yet become more ambiguous as the album progresses, sewn into a singular vision.

The North of England is known for its musical prowess. Middlesbrough born Rees taps into that musical history while diving deep into lost disco, obscure wave and even the Middle East for his debut for Bordello. Three Eyes is a melting pot. Setting sail on bold beats and rumbling synthlines, Rees steers the listener through cascading chords, shimmering key shifts and serenading sirens to produce a truly unique dancefloor experience. Tjade, of Koi Jaye fame, is on remix duty. The winning formula of the original is adhered to with adjustments and ablutions guiding this interpretation. BPMs rise to give a fresh burst of energy. Rees’ melody is given extra muscle with those same mesmerizing vocals being a driving force for this superb remix. Dynamic and diverse dancefloor dynamite from the Paradiso label boss.

Robert S (PT) joins the Gynoid label for an acid release with the artist paying homage to the silver-box, translating his influence of classic 303 sounds into three massive acid techno bangers. Japan techno master Takaaki Itoh comes along for the acid ride with an elegant techno remix of the title track Acid Was My School.

Three sumptuous offerings of quality grooves from the Aesthetic series, as Paris club scene fave Djebali and Argentinian DJ and producer Jorge Savorett join forces once again. This choice trio definitely veers on the side of the under rather than over stated, preferring to rely on warm rhythmic flourishes and enticing, inviting instrumentation rather than thumping firepower or gimmickry. The beats are tight and hypnotic, with perhaps just the slightest hint of a nod to the shuffling drum machine funk of early Derrick May productions like 'Nude Photo' here and the more head nodding repetition of Chicago jack house there. Aesthetically pleasing for sure.

Digging deep into the Chicago Rave vaults to re-issue the debut EP from Billy Nightmare aka 'Mystic Bill' Torres. Growing up in Miami, Bill was involved in various parts of the music industry, from working at Flamingo Record Pool, to playing guitar for the band Life In Sodom (80's Synth/Goth band). His interest in both House & Industrial music inspired him to make his move to the Windy City. Bill quickly became involved in the night scene with residencies at clubs like Shelter, Crobar, & Smart Bar. His studio work began with a remix of Kay Ladrae's 'Lack Of Love' with Vince Lawrence, followed by a string of releases, including an LP on Trax Records. He has recently relaunched two record labels and several releases and remixes out each year.

'Reality Check' was released in 1996 on Woody McBride's label Sounds. Originally the project was to be titled " Billy's Nightmare", but to avoid being jinxed for life, Torres decided to switch it to Billy Nightmare. He put the Mystic Bill alias aside, got a hair cut, changed his sound and became this new persona. 'Reality Check' consists of 4 tracks, recorded at Mirage Studios in Chicago in 1996. Two tracks on the A-side are dark thumpers and will haunt your head for days. Side B has 2 versions of the same song, lighter and funkier in mood both show the diversity Mystic Bill is capable of producing.

All songs have been remastered by George Horn at Fantasy Studios. Each EP is housed in a custom designed jacket by Eloise Leigh featuring a 90s photo of Billy Nightmare staring into TV static and includes a postcard with notes.

Repress

Rising Romanian producer Vern presents his "Liman EP" for Lokomotiv's fourth release, with LKMV004 featuring 3 original tracks, complemented by a remix from Ukrainian craftsman Silat Beksi.

"Eter" provides an emphatic introduction to the EP, building on the myriad of soundscapes that have marked Vern as a name worthy of inclusion on the list of Romania's rising stars.

"Atu" inserts an upbeat feeling to the EP, led by arps and characterised by an unrelenting groove.

"Liman", the EP's ardent title track introduces a low-slung, ravey element to the palette, with its bassline commandeering the track's direction while euphoric pads and arps instill an emotive elation.

Ukrainian minimal talisman Silat Beksi injects his own interpretation of "Liman" to round off the EP. The cut carries Beksi's signature ethereality juxtaposed by a rolling, driving low end that has already lifted heads at Sunwaves 25.

LKMV004 has already garnered early support from multiple artist's globally and continues to preach the Lokomotiv scripture from Australia to the Black Sea.

A 12” filled to the brim with talent, Schrödinger’s Box have collected three juggernauts of wave tainted electronics for the latest. Dmitry Distant teams up with Norwell for a partnership of serious intent. The pair deliver a trio of blackened tracks, opening with the ghoulish caverns of “Transient State” before the long shadows, acid stains and painful echoes of “Visionary.” The duo venture into brighter territory with the computer funk of “On A Verge of Veil”, crisp beats and bubbling melodies changing the tone. Following Beyond the War, Cute Heels returns to occupy the flip. The Colombian is immediately on it with the swirling mirrors of “Kuriyaki Horizons,” a kick drum offering solid footing in this entrancing piece. An aloof, yet alluring, disco hook takes hold for “Litua”, a low thump keeping time. The finale arrives with the clipped industrial gait of “Determinated In Order.” Marching to a military beat, this work is industrial inspired with Cute Heels keeping a close ear to the pressure release gauge.