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A repress offer using exactly the same stampers as our first run!

The masters were sourced from original reel to reel tape, we carefully remastered this classic release while retaining all the character of the original. Mastering is by Bob Macc @ Subvert Central Mastering. You can be assured the tracks sound fantastic but do not suffer from the Loudness Wars while still holding their own when mixed with modern productions.

In 2009 Synus and Maks launched a new electronic music label called Panel Trax Records. Panel Trax is a Hungary, Budapest based label.

But it has grown international due to its producers and its trax which are being played all around the globe.

We are opened to oldschool and new things as well and we don’t want to follow the actual trends. We just focus on the atmosphere and sounding.

Collaboration between Live At Robert Johnson & Public Possession, both selecting some key label artists to remix “Gingko” a track taken from “Aksel & Aino”s debut Album “Lullabies for Insomniacs”. Including Mixes by Gerd Janson, Lauer, DJ City & Nice Girl ranging from Big Room Balearic Pop to tripped out Techno and classic house.

2 artists, 2 tracks, 2 remixers. I am very proud to present this DUAL release from artists A_GIM and Alex Mine who both deliver some hard hitting peak time stompers for the dance-floors around the globe. And I am equally proud to have the 2 remixers I admire Yan Cook and Moteka onboard for the more underground remixes of the tracks. I honestly love all versions. The involved artists really delievered some special treats for Noir Music and I am so happy with the end results for this release. People who have attended my gigs the past 5-6 months have heard these tracks out loud. Now its time to unleash the goodness to the world. Dual is here.

After releasing his first Album Liber Novus' on Form Music, followed by 'Liber Secretus' and 'Liber Tertius' on his Praedikat imprint, Christian Hornbostel now presents 'Liber Prodigiorum' (Book of Prodigies). Hornbostel's previous releases have garnered support from major players like John Digweed or Richie Hatwin and are regularly popping up on Joris Voorn's Spectrum. Liber Prodigiorum confirms the full diversity of Hornbostel’s various strands and his interesting look on techno makes it a worthwhile listen, especially if you're fond of the progressive sweeping club floors.

Duke about this EP: Ironically one of my very first records was a disco sample in 1990 taken from Queen Samantha. I don’t know exactly what inspired me, but likely coming from the Hip Hop world where everything was looped and sampled brought me to doing the same for house and therefore the disco, funk etc samples for the house stuff. The first techdisco EP was done in 1995. I think there may have been a handful of other house records out that sampled disco tracks at the time. Harvey Mason’s Groovin you comes to mind. Sneak also had done a few, but maybe Pal Joey was one of the originals too that used loops, particularly Dance by Earth People. Joey also came from the Hip Hop world so we likely were inspired by the same style of loops.
The main concept was the idea of fusion. I was heavily into fusion jazz in the early 90s and that is really what spawned the techdisco and techfunk series. A mix between genres that hadn’t really been done before. Not saying I was the first, but I did my best to create a new and distich style.
I did everything myself when it comes to the techdisco series. In 1996 I traveled a lot DJing, in the states but mostly in Europe. I didn’t have time for a resicency at that time like I had prior to me being full time DJ/producer/label owner. I did do some remixes back then, but maybe not as many as I would have thought. Perhaps because people looked at me as having my own label and doing my own thing.

A collection of ten tracks by a mysterious artist, characterized by melancholy, nostalgia, and introspection.

Ecstatic and refined aesthetics encompass the whole playtime, providing an enticing reverberation of self-consciousness and revelatory effects.

Themes such as nature, cosmos, and mysticism are well-represented in this album. From beatless to 4/4 with organic drum patterns, the outcome is always warm and pleasant.
A wonderful narration ranging between laid back meditative moments to more uplifting parts that keep the listener in an energetic lucid dreaming state.

The sensitivity of the artist emerges through exceptionally programmed soundscapes that transport the listener into a lush exploration of self.

Overall, the full length provides a dreamy, mind-altering and timeless experience that will hardly be forgotten.

Cassette only edition limited to 60 copies.

What is techno if not a powerful conduit for energy? The movement of a sequence, the surge of an effects rush, the respondent reaction in every individual dancer and the moving mass of the crowd as a whole. Whether the frequencies transmit directly into the brain through the intimacy of a headphone reverie, reverberate through the architecture of a space or fill the formless void of the open air, techno’s potency to initiate and stimulate energetic events is profound. This is something Pfirter understands intimately, having spent more than 15 years exploring ways of manipulating the energy on a dancefloor.

Of course, energy is not just about volume and aggression. Tonality, spatial processing and composition can have just as profound an effect as the thump of the kick drum. On his new album Altered States, Pfirter proves that point by zeroing in on the cerebral, psychedelic elements of his craft across 10 incisive tracks. The Argentine producer consciously approached his second album (following 2019’s The Empty Space) with a minimal mindset, using a very focused set of drum machines and synths to achieve a consistency across the record. Captured over a short burst of creativity, it’s the sound of an artist pushing a limited array of tools as far as possible. Despite this concise palette, it’s not an album that repeats itself, but rather an extended trip that flows from one detailed, textured immersion to the next.

The dense, febrile waves of hard-oscillating ripples in ‘A Future In Chaos’ and the sparkling, off-key chimes adorning ‘Yearn’ all speak to Pfirter’s gift for extravagant, surrealist expression within his tracks. ‘Altered States’, by way of contrast, succeeds in its absolute immediacy – a piledriving statement of bleep-driven intent. ‘Boiler’ and ‘Convergence’ land somewhere in between, coiling around kinked rhythmic incantations which still push forwards with precision while offering a different angle from which to approach the dancefloor. Cementing the idea of the whole album as a listening experience, Altered States is bookended by ‘Venus’ and ‘Dissolution’, two minimal exercises in drone-oriented mood setting.

Pfirter understands the role of his music, and his own instincts as a performing artist. It’s crafted to be captivating for DJs as much as the attentive listener. Spanning linear rhythms and broken beats, moments of calm and writhing intensity, Altered States offers a multitude of energetic possibilities in the mix or as a standalone piece of music. Ultimately, it’s a masterful return from a leading light of the contemporary techno scene.

This is MindTrip!

Jason Warlock turned down an MBE from the Queen last year, which was awarded cos of his service to the rave. A torch holder of the continuum since '95 here he dons his current Hooverian Blur moniker reappearing on Sneaker with 2 Bleep-Tek twisted Originals - Square Jazz & Sirens and an Old Gold (Monopolypella mix) which is backed by a Low End Activist refix.

RNT co-head JKriv does it up royal here with a bit of old and a bit of new. On the A side The Queen On Her Throne is one of J's seminal reworks in all of its 8 min glory, and although names have been changed to protect the innocent, a bomb by any other name is still a bomb! On the flip, a lesser known West African 70's jam is worked up into a raucous jazzy afro-house stomper in King Mashie. Plus there's a the stripped down beats-n-synth-apella of Queen's Beats, perfect for mixing with the OG or played on its own!

* In 2018 Brazilian producer L-Side released his highly anticipated album 'Carnal Mind'. Taking his influence from Hip Hop artists, L-Side made his mark with his meticulous mix of upfront and aggressive sounds merged with funk and soul styles, forging a flawlessly fresh take on drum and bass.
* Three years on since the release of the album L-Side has continued to grow and has captured the attention of the whole scene! Recents releases 'Zaga Dan' & 'Steppa Dub' gained huge support from a wide selection of D&B DJs as well as radio support from Annie Mac, DJ Target, Giles Peterson, Rene LaVice and many more. With remixes of his own for Hospital Records, Spearhead and more out now or en route, L-Side decided to take a look back at this project and has linked up with some of his favourite producers from to deliver a huge 4 track EP 'Carnal Mind Remxied'.
* All four remixes have been receiving great support both before and during lockdown with Break, Dogger & Mindstate and label mates Alibi all putting their signature spin on some of the highlights from the album. The line up of remixers is made even more special by the inclusion of D&B legend Spirit's take on Spellbound - a project completely shortly before he sadly passed away in 2018.
* With new music from L-Side waiting in the wings for release later this year, now seemed like the perfect time to finally unleash this remix project to the world, as well as shine a light back on his debut album for those who are new to the L-Side sound!

Milagros del Ritmo is the third release of Harmonie Exotic, a label focused on reissues and compilations of obscure tracks.

The producer Jose Manuel, already known for his releases on Optimo Records, Music for Dreams and other labels, has selected ten rare tracks from 1988 to 1991. Starting as a DJ, Jose Manuel has developed over the years a passion for vinyl collection. This passion has also turned into work by creating the above mentioned label with the aim of bringing back the art of the past.

Milagros del Ritmo starts with the sexy voice of Debbie McKayle in "Necesito tu Amor". Her vocal mood reminds us "Sueño Latino " . The compilation continues with "Abadan" by Mondo Bagdad, who combined Arabic sounds with New Beat. Also in "Zena" (Dub) there are middle east and the first Chicago house influences. The next track "Mescla Del House", released in very late 80's, sees the Spanish vocal with the drum Roland TR-808. Then the compilation moves from Synth-pop with "Radio Arabesque" to the belearic downtempo with "Waves" by Ambionix and to EBM sounds with "Yoshua" by Danton's Voice .

In short, a brilliant selection of ten obscure, but at the same time floor killer tracks. Highly recommended!

Missing returns on his Sub System Recordings label with some 80's inspired vibes. For this outing he has teamed up with Skeleton Army (John from Foul Play) and the pair have gone in proper! To take things down the heavier jungle route, Tim Reaper was called in to strip it down and build it back up in the way only he knows how.

„Ich folge dem goldenen Strom.“ So singt es Rosa Anschütz im Titelstück ihres neuen Albums, mit kalter, klarer, entschlossener Stimme. Darunter sirren erst goldene Störgeräusche, dann setzen mächtige Elektrobeats ein, und im Refrain künden Trompetenfanfaren vom Sieg über die Elemente. „Goldener Strom“ ist zweite Album der 24-jährigen Künstlerin, die in Wien und Berlin lebt – ein erstaunliches Werk. Man kann dazu tanzen, man kann es aber auch wie ein Konzeptalbum hören; es ist ebenso voller Beats wie voller Gedanken. Rosa Anschütz spielt Klavier, Trompete und Querflöte, zu Beginn ihrer Karriere hat sie viel mit Modularsynthesizern gearbeitet. Ihr musikalisches Erweckungserlebnis war das Atonal Festival in Berlin, später hat sie auch viel im Berghain getanzt, und der Berghain-DJ Max Kobosil remixte ihren Song „Rigid“. Ihren enorm wandlungsreichen Gesang – der vom flehenden Hauchen bis zur kalten New-Wave-Sprechstimme reicht – unterlegt Rosa Anschütz denn auch mit einem entschlossen voranmarschierenden Four-to-the-Floor-Techno; doch finden sich unter diesem immer wieder polyrhythmische Abweichungen. Es scheppert und zittert, tiefe Bässe wühlen im Boden, während hoch droben schillernde Klangschleier wehen. Rosa Anschütz schließt an die Traditionen von Dark Wave und Postpunk an, aber furcht tiefe Kerben in deren Klangbild und romantische Glätte. „Goldener Strom“ ist ein großartiges Pop-Album, voller Melodien, Sentenzen und Beats, die sich sofort im Ohr verhaken. Zugleich ist es ein Manifest künstlerischer Souveränität – kostbar und klug in unseren Zeiten der stromlinienförmigen Kunst.

The masterclass collection of deep melodic house & techno sound is going into the 21st round! "Parquet Most Wanted Vol. 21", featuring worldwide supported & breathtaking productions by SOLEE, JAMES HARCOURT, RAUSCHHAUS and NORS KODE. These tracks are already played by A-List DJs like Kölsch, Innellea, Dave Seaman, Fideles, Dosem, John Digweed, D-Nox, Magdalena, Eelke Kleijn, Bebetta, Markus Kavka and many more.

Hart & Tief turns 3. As the most fascinating yet tremendous of creatures, H&T relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with what's next. Everlasting artists Dave DK & Stimming are the chosen ones to break through the clouds and reach the dimension beyond what's predictable.

SoulPhiction, Mike Dehnert, Robag Wruhme and Dj Koze delivered the first 2 releases, showing what not to expect from the Hart & Tief state of beat: comforting sounds for predictable minds. Let's turn it upside down: deep emotional trips for like-minded clubbers and artists. Non-conformist dancefloors and exacting passionate crowds.

Hamburg-based, Stimming and Dave DK have built their experience through uncountable tracks and performances. Turning the lights off and playing it loud is what they are best known for. On this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: Frankfurt Main and Saida222.

Stimming has built in a sneaky percussion with an enormous engaging touch. Buoyed up by a textured bass, Frankfurt Main reaches the center of what an in-depth track aims to be.

Saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by Dave DK in his previous and acclaimed works.

Both tracks are pushing a refreshing and windy vision that, far beyond from being "just obscure", gets us closer to a wise enlightening experience.

After carefully searching the digital archives ones more,
Limited White Label kick's off the new year with a solid new
four-tracker EP spanning from Disco to Jazz-heavy House
tracks. De¦nite dance§oor material meets laid back tunes for
the afternoon – there is something for everyone.

This time Repeat Repeat Repeat is bringing you a Darragh Casey release which was originally released in 2010 on the Irish Antiqua Recordings. Listening to the whole material one is soon wondering why this artist hasn't released more music. Xuri EP features a nice mix of darker and lightsome sounds which is topped by a superb Kris Wadsworth remix. Darragh, it's time to get back in the studio!

limited repress

One of the UK's freshest emerging dance music labels, responsible for stalwart releases from Special Request and Nightwave, return for their 19th release.

The succinct beats of Pugilist have perked the ears of labels like Whities, 3024 and Trule to name but a few. And having previously featured on volume one of the label's new 'EleVAte' compilation series, among artists like Otik, Appleblim and Commix, he returns to the imprint for his first, full four-tracker; 'Siphon'.

The title track, Siphon, blasts through with authentic jungle chops, scattered together asymmetrically like a beautiful chaotic tapestry.

'Regrowth' is a swung garage stepper, jammed live on a 909 with earthquaking low-end frequencies that warmingly morph from underneath.

On remix duties of 'Siphon', is no other than Lobster Theremin alumni, Coco Bryce. With surreal, microprocessing of the heavyweight blows from the original, he also resamples time-stretched speech samples to devastating effect.

'Nightshade' closes out the record with its steadfast amen rinse-out and pokey 808 subs, concluding one of the most forward-thinking and new-school jungle records for the label, all the while serving as an exemplary ode to the old-school.

Repress !

Pushing ever forward, Denis Kondraschenko’s Soultape alias goes from strength to strength, as he taps a special line of his creativity for this third release. You will hear signature ethnic glitches, flowing atmosphere and melodic shades of progressive rhythms, as a holistic picture of Soultape’s sound is assembled from each release into a single concept of musical vision.

Donnerstag. In German, day of Thor, the Scandinavian god of Thunder, where the strength of this curious EP lies. This vinyl travels along a path of different textures of sound and style. Starting with Mirnha's -the label's founder-dancefloor techno to open a second door to Omar Amo's -AKA Magoo- groovy techno. The B side delights us with touches of excellent acid by Diego Cid (ARG). Both artists are members of the notorious group "Urban Groove", which has edited in solid labels such as Kumquat Records, Illegal Alien Records, Beathey Recordings, among others. The disc tops off with progressive techno in charge of Lucas Vazz (CL) -Inherencia's resident- impregnated with fine and cosmic Berliner sounds."

Dutch 303 aficionado Böhm lets his arsenal of bleeps and breaks loose on GST19. Released in collaboration with Echocentric Records and in addition to ECR005.

David Temessi is back on Neuhain, after his last solo EP in 2018 he has supported Marco Ginelli and Kamil Van Derson for his new release.

In addition to an original version of "Function", there are also remixes by Atze Ton, who recently shone with publications on DSR Digital or miniTek Records, the Hamburg-based Claas Herrmann and Domla Records label boss Dolby D.

Manuel De Lorenzi and Giacomo Silvestri release again on their own imprint with a 2 killer housy tunes.

Perfect summer vibe with a fresh vibe to make you smile and dance till very late.

You can find also an additional remix by the Berlin based Gabriele Mancino who delivers a minimal funk version with a dark and dub attitude. Play it very loud.

Another massive acidic vocoder electro banger EP from Sound Synthesis!

We are very happy to be back to business with a VA including Vlad Arapasu, Alich & Simo, Lulla and Petit Batou, well designed deep microhouse and groovy tracks to make the crowd dance from morning till night


Early supports from Raresh, Mihai Pol, Varhat...

Did you get the memo?

Still waters run deep.
We're pleased to introduce you to mysterious Clive From Accounts; number cruncher extraordinaire by day, totally f'ing awesome music producer by night.
No seriously, we're amped that we are able to release this EP by the self proclaimed "regional tiddlywinks champion" and "all-round beige sky thinker" Clive.
Who says office workers are drones? Loitering around the coffee machine surely has had no bad effect on his creative juices!

When we got an email from Clive with a demo called 'Bisou' we were blown away. Production quality was top notch and it really stood out from what came in our inbox.
So over the course of a year we asked him to fill out an EP next to his busy work schedule. The end result is a record with three very strong tracks, each with its own character.
'Keep Movin' is perfect for big dance floors and filthy sweaty clubs and 'The Trouble With Clive' has that beefy garage thing going on.
With a name like 'Bisou' you'd expect something kissy kissy, but it's a floaty warm, stabby breaks affair with nods to the classic deep sound.

Ahhh, we need you to go ahead and buy this stunner on limited edition wax. So um, yeah if you could do that, that'd be great. Oh, and next Friday is Hawaiian shirt day.

London-based Mike Misiu has had a handful of stellar yet secret releases under his belt, and now this squirrel is finally getting his nut with his RNT debut! The A side launches into a churning and chugging rendition of a Donald Byrd 70's jazz soul classic, followed by a cheekily infectious treatment of well-loved modern themes, while the flip kicks into high gear with two uptempo soulful stompers.

repress

Shlomi Aber Kick off his new "Lost Episodes" vinyl only label with an industrial and dark sounding 4 tracker EP. Limited copies on this Must Have Release.

Stand up wherever you are, because this is a very magical moment. Sports Records drops its hottest 12” yet. It's lights out and away we go!



Starting from P1, Liquid Earth gets a great start off the line with ‘Spooky Snorkel’. A banging spaced out breaks and retro house track with scratches that build and release tension, dropping into heart opening leads. Daisy Boy makes his debut in P2 with a new power unit and a breakbeat techno anthem, ‘The Feeling Of Doing It Again’. A relentless genre bending inside line that builds and builds leaving you in a trance. Second row P3 is by smooth operator, Nachtbraker. 'Marcus Howl' stays cool on a hot track with a super moody number full of acid howls that bring the dance floor back down to earth. Huerta closes out the grid in P4 with his hypnotic ‘Seekers’. Don't sleep on P4, even though it is a dubby dream.

Remix time! The ever on-point andhim look back over their last two releases on their Superfriends imprint and call up some good friends for a few cheeky version excursions: Johannes Albert, Kalupke, Neil Landstrumm and Toto Chiavetto. The results leave no stone unturned…

First come the remixes of the duo’s last single ‘Buenos Aires’. Deeper and more contemplative than the German duo’s originals, Johannes Albert adds a whole new melodic layer and classic late 80s Mr Fingers style twist to ‘Aires’ while Kalupke takes ‘Buenos’ on more of a journeyman vibe. Warm pads are dominant character and while the original’s pipes remain the mystic focus there’s a great lolloping, long-winding road feel to the drums.

Deeper into this epic trove we dive as Neil Landstrumm does what he does best and completely turns ‘Duno’ inside out. Full attention on the warped electroid bass, it’s a no messing piece of trippy techno with a hook your dancefloor will be singing for days. Finally the unstoppable Toto Chiavetta closes business with a complete curveball remix of ‘Windows 85’. Taking the jazzy, freestyle Latin instrumentation and reboosting it with heightened synth wizardry, he’s effectively turned a small local church into a towering cathedral… With more than enough space for you and every single one of your mates to dance in.

That’s what Superfriends are for, right? And this is only part one!

Limited to 100

This is the 22nd release on RIOT Radio Records, an independent techno label based in Scotland.

Moscow based Bermind AKA Ksenia Volker is a producer and DJ who’s known for her twisted, distorted and atmospheric industrial techno that often verges into the experimental realm. A tough kick, overloaded percussion and an all-encompassing ambience of agony permeate every track she creates while the DJ sets she lays down are overtly tough and powerful, showing no signs of mercy.

Continuing with our ‘Limited As Fuck’ series of 12”s, the menace that is Bermind brings her unique and insanely berserk sound to the RIOT label with full force on her first ever vinyl release.

There’s seven obliterating tracks on this incredibly scored industrial paragon including an intro and an outro with all Hell breaking loose in between. The full width of Bermind’s compositional excellence being exhibited is a startling piece of twisted production with sounds reminiscent of an Akula class hunter-killer attack submarine on the warpath in the deepest darkest recesses of the oceans during the Cold War. Full of dark ominous pandemonium from the get go, including a lethal remix by Green Fetish Records boss Mickey Nox, the sheer brutal power of this weapons grade release will having you running for fear you’re under nuclear attack, literally.

WARNING: THIS MUCH HYSTERICAL DELIRIUM WILL CAUSE YOU TO RAISE YOUR HAND ……….. AGAIN

For volume six, we have four ethereal club driven belters. Spanning bass, breaks, techno & garage. Supplied by a trio of powerhouse producers all hailing from Germany. Kid Kun takes the helm with 'Moments' & 'Noble' spaced out takes on garage and breaks. Collaborating on tracks with Van Kost & Ekko for some techno leaning anthems.