All Vinyl New Releases - News

Nicewon rounds out 2021, with the 'Nextwons EP' from Jeff Swiff. Four new cuts, long-side a tuff stomper of a remix, from 'Ugly Frankie'. Thiswon's really got something for everyone on it.. Enjoy the sounds on NCWN07!

No description needed, only music!

Terminal M is back with a new Bangers compilation! Four rocking tracks completely different in their style but definitely something for the peaktime sets.

Balthazar & JackRock give us some 90ies feeling combined with their unique style of techno.

Kaspar & Akki provide some slamming big room techno with warm and melodic sounds.

Beck And Rius like it fast but funky and surpise us with a hypnotic melodic twist!

Bruce Zalcer combines a nice way warm basslines with a darker atmosphere. I hope you enjoy!

(Monika Kruse)

House hero Miguel Campbell releases he debut single on the ever-consistent Hot Creations imprint. ‘Baby I Got it’ - a mouth-watering mix of sexy disco-tinged house cuts with a dose of murky business from Richie Ahmed in the remix.

Kicking off the EP, title track ‘Baby I Got It’ is a teasing disco-house work-out full of funky bass, and shimmering, cosmic streaks. Miguel’s retro bounce, richly weaved instrumentals and down-low b-line make ‘Baby I Got It’ a compelling introduction to Miguel’s future facing disco strut.

Next up, ‘Something Special’ flaunts a sultry R’n’B vocal infused with a garagey housevibe. Set against a glitterball backdrop, the velvet ripple of “Something special sexy wonderful” coursing through the tide of funk-laden disco grooves just oozes soul and sex appeal.

On remix duty, Richy Ahmed brings a dark and dirty edge to ‘Baby I Got It’. Drivenby a chugging, druggy groove and warped distorted melody, this is moody tech built for the after hours. A Hot Natured resident, and part of the British House renaissance, Richy is cutting through the hype and proving himself to be a truly gifted party-starter behind the decks and in the studio.

Amsterdam based imprint PIV strikes again by bringing forward a long awaited new limited release. Stepping up from his studio in Berlin, it's the iconic French producer Okain who takes the opportunity to showcase his quality craftsmanship on 2 lovely original cuts with support on the remixes by UK's Brawther and the imprints very own Chris Stussy. The A side comprises of the cultured groover Tinker and the polished frequencies of Foursquare, perfectly suited for any nighttime endeavors. On the backside it's the Tinker Re-funk of Brawther thats adds another engaging layer while Chris Stussy's treatment of Foursquare shows his reputation as a dub specialist.

One of the most promising techno producers around right now - Vil presents his '50 Shades Of Grain EP' for the Self Reflektion imprint. The 'Groove Dealer' from Portugal, member of the HAYES collective and known for his recent work on Klockworks (together with Cravo) and Be As One delivers a selection of sexy, groovy yet pounding tracks for our label. Highly essential!

Superb 135/140 BPM techno shooter.
Thin and sweet, creative sounds and ambiances.
Something fresh and different.

Notice the supber Numéro Bleu tune carrying a crazy travel in Los Angeles 2034...

A special 5 year Anniversary project by Modularz Label
head Developer. The project was recorded in his Berlin studio over the final months of 2015 using Synthesizers - Oberhiem two voice & Moog Sub 32 along with an Analog sequencer, effects and a computer. This is straight up techno.

Repress

Last year Robert Hood revisited his Floorplan pseudonym, the more disco-tinged, soulful, house aspect of his talents, taking the Floorplan concept to various DJ dates around the globe and releasing the 'Sanctified EP' on M-Plant.

Repress of this peaktime techno destroyer from 2004!

Italian Electrobeat and 80s-trash-pop group Batch Sound check in with the German retro-Electro label Ground Control.

With 'The Chase Is On', the trio, formed by Chief Pink, MOK and Damokles, deliver a catchy Electrofunk gem with funky 808 drum programming, a driving bassline, vintage synth melodies, scratches and Vocoder raps.

While being a fully original production, the song perfectly channels the vibe of 1980s Electro classics such as Unknown DJ's 'Beatronic', Harold Faltermeyer's 'Axel F' or the works of Hashim and The Egyptian Lover.

Die italienische Electrobeat und 80er-Trash-Pop Gruppe Batch Sound checken ein beim deutschen retro-Electro label Ground Control.

Mit 'The Chase Is On' liefert das Trio, bestehend aus Chief Pink, MOK und Damokles, einen lupenreinen Electrofunk Hit mit funky 808 Beats, einer treibenden Bassline, Vintage-Synth-Melodien, Scratches und Vocoder-Raps.

Während der es eine komplett originale Produktion ist, transportiert der song gekonnt die Vibes von 1980er Electro-Klassikern wie Unknown DJ's 'Beatronic', Harold Faltermeyer's 'Axel F' oder der Musik von Hashim und The Egyptian Lover.

Arms up in the air and loose from the hips up on the floor - the dance leg twitches. The pipe organs are playing, the drums are pumping - in the shine of the disco ball JACKFRUIT Recordings presents you the new house number of DOMPE: French Collection. 4/4 time with chromatic tone sequence full of dance power - perfectly arranged from warm-up to prime time. A whole timetable full of house in top form. Fancy. Funky. French.

Our 100th release is one to celebrate. What better way than to give upcoming talent Edlan the spotlight. He'll probably release 100 records in the next 20 years, so it seemed appropriate.

Deep space Electro! Serbian Electro astronaut Kalson returns to his German base Dominance Electricity. The title track Solarni Sistem, featuring Direct Control, is a broken beat Electro opus with precise sound design, that starts minimalistic und organically builds up to epic spacy Electrofunk. The beatless Synthapella bonus version highlights the beautiful synth work. Next stop is the Taurus constellation, to which Kalson drives the listener with a hypnotizingly slow-paced, melodic beat. Somewhere between dark Synthwave and classic Berlin School, Kalson and H! round up the release with an ambient rendition of a theme from the 1994 Amiga video game Universe ...floating into deep space eternity.

Chapter 7 of TELUM has arrived and once again it's a big one from the label.

Worldwide support from Raresh, Petre Inspirescu, Cap, Cristi Cons, Arapu, Priku, Gescu, Lizz, Cosmjn, Barac and more suggests we have another TELUM weapon on our hands.

Get it whilst you can.

Melbourne based Escape Artist has blessed us with a euphoria bursting EP for the 30th release on our main label series! For the past few years we have absolutely loved his genre fusing releases on labels such as Salt Mines and Kalahari Oyster Cult which wonderfully slip between Breakbeat, Techno, House and Jungle. For the “Energy Breakthrough” EP, the focus is primed straight for the lasers, with three blissfully exhilarating and ecstasy inducing original tracks, alongside a remix from one of our favourite up and coming producers, Adam Pits.

The EP begins with the title track which combines old school house piano stabs at the start that evolve into a soothing pad progression and a super saw breakdown that takes you straight to Amnesia circa 1998. Opting for a more broken drum beat, the track floats effortlessly like a night time motorway drive. For the remix, Adam Pits lifts it into the stratosphere, repurposing the bassline and slapping a thunderous 4x4 rhythm underneath. Invoking Sasha and Digweed at their absolute peak, the track fuses the classic sound of Progressive House and Trance with futuristic levels of energy. “Reach for the lasers” doesn't quite do it justice.

On the B1 is “The Dream We Share” that marries together chopped up funk breaks, plucky synth
melodies and uplifting 303 Acid squiggles with jubilant chords for an elated sonic journey. Rounding the release out is the stripped back and introspective “Breathing Room” that is a beautifully peaceful experience after the dance floor focus of the previous cuts. The refreshing aura of the track that harks to the golden age of 90s Chill-Out and Ambient Techno concludes the release in the best way possible.

The pandemic has affected people in all sorts of different ways, but for FJAAK, life in lockdown led to one key realization: nothing in life is permanent, and what you do have can disappear at any moment, no matter how solid it may appear. That idea is at the core of the Berlin duo?s new EP, Your Time Is Ov3r, a four-track effort that sits somewhere between a rallying cry and a desperate primal scream. It?s not a coincidence that the record?s jagged, electro-flavored title track contains an ominous vocal refrain (?Hypnotize me?), born out of a time when FJAAK were looking for something, anything to make the days go by more quickly. Still, there?s more to Your Time Is Ov3r than emotional strife. The tracks here have been primed for the dancefloor, and are easily some of FJAAK?s sharpest productions to date. Unbridled EP opener ?Identity? fuses elements of ?90s rave techno with modern electro, the whole thing powered by the song?s menacingly crunchy bassline. ?Chunks? drops the hammer even harder, its heavy kick and low-end growl rumbling along like a vintage muscle car. And for those seeking something a bit more chaotic, the blaring sirens and frenzied breakbeats of 'Falcon Punch' come off like the club equivalent of a nuclear sub attack. Throughout Your Time Is Ov3r, FJAAK tiptoe right on the edge of completely losing control, and while their skilled hands prevent things from ever veering off the road and into a ditch, the music?s inherent sense of instability is undeniably exhilarating.

Isolée's long and celebrated discography has taken him from seminal microhouse compositions, through lush, deep and dubby productions, to the melodically rich sound design of 2013 mindblowing Allowance. Any of this would be a tough act to follow, but the seasoned Hamburg talent takes it in his stride once again, looking firmly towards the future while paying tribute to all chapters of the past with the brand new two-tracker, Floripa EP. The title track Floripa' begins to take its form around a thick and dub-drenched bassline that moves and morphs with fluidity, as tiny percussive elements orbit around an instant-classic synth melody that appeals directly to the heartstrings. The track's midsection showcases airy, spatial sound wizardry, with shimmering cosmic riffs on the core melodic phrase that cement its anthemic status, the latter third then subtly shifts gears again, amplifying the bottom end, and rooting it into a deep, urgent groove. B-side Favouride' begins to unfold with metallic percussive accents and spectral, voice-like synths that immediately establish the track's deep blue mood. A minor-key bass chord and windswept pads maintain the atmosphere throughout the track's mid-tempo, slow-burn progression. Smooth and sleekly produced, yet introspective and complex, the multi layers of rhythm and melody combine here for extra emotional impact.

Green / Red Splatter Vinyl

Limited as always with no repress

The big classic !
Repress from Route Master 29 and Route Master 45 !

Cut from Lawrie, fammily story :)

Clear Vinyl

TempoCore is a new sublabel to Tempo Records and TempoCore will focus on all tings Jungle. First release by the talented Tim Reaper & Kloke. Mesmerizing deep Jungle music that reflects on the past, present and future. Limited crystal clear vinyl 12" with special designed "Kraft" outer and beautifull coloured innersleeve and all tracks mastered by Stuart Hawkes, Metropolis mastering.

2x12" Crystal Clear Vinyl

People, listen to the signals: when the club life is reawakening, DJ Hell returns with the album House Music Box (Past, Present, No Future).
In contrast to its predecessor album Zukunftsmusik (2017), with his new work Hell looks back to the glorious early days of House and Techno in Chicago, Detroit and New York City.
Obvious references are the heroes that vibrated the dancefloor from the late 80s, i.e. luminaries like Ron Hardy, Frankie Knuckles and Lil’ Louis from the Chicago house scene, or the legendary radio shows of The Electrifying Mojo from Detroit. Not to be forgotten are, of course, the NYC House of Larry Levan or the Nu Groove records from the early 90s – all of them served as musical godfathers for Hell’s House Music Box.

Back to the roots. In line with this, Hell’s opus number six emerged as a classic album: House Music Box simply comprises eight gripping new bangers from the groove manufacturer that is the super gigolo Hell. The record is not only a concept album about the beginnings of electronic DJ and club music, but also a danceable history lesson. Exemplifying that is already the superb first single: ‘Out of Control’ is a mightily stomping dancefloor monster where a killer bassline and an infectious synth riff meet. A vocal sample rightly demands ‘Don’t stop!’, because the magic that Hell created with his controllers leaves one in pure ecstasy of happiness.

The songs ‘Freakshow’ and ‘House Music’ are a musical bow for the innovative originators of house in the windy city. On ‘Freakshow’, the vocoder vocals ‘Ron Hardy is the true creator of house music’ recall the prematurely deceased DJ who was best known for his eclectic sets and radical edits. Hardy used to deejay in what was the successor of the Warehouse, the legendary ‘Music Box’ club, eponymous for the new album. On ‘House Music’, nomen est omen naturally applies: over the flawless house from the quality brand of Hell, he loops various samples, fragments of sentences such as ‘Acid comes from house music’, ‘Techno comes from house’, ‘Foundation of house music is’, or ‘Chicago house music’. Through their persistent repetition plus grooving beats, a hypnotic effect soon arrives, so that the music – thanks to the magic production of Hell – starts to speak.

On ‘Electrifying Mojo’, on the other hand, Hell honours the visionary and enigmatic Charles Johnson a.k.a. The Electrifying Mojo, whose radio show (airing from 1977 until the mid 80s) had a substantial influence on the development of techno in Detroit. As he frequently played Kraftwerk, for instance, the publicly shy Electrifying Mojo emerged as a key facilitator of future electronic music in the spirit of the Detroit-Dusseldorf axis.

Almost self-evidently, Kraftwerk - the grey eminence of German electronic music – shaped the background of Hell’s new record too, via the usage of vocoder vocals as a rhythmic element or the bass frequencies as the carrying foundation for each track. Clearly recognizable is the influence of Kraftwerk’s 1986 work Electric Café (now: Techno Pop) on the groovy track ‘Tonstrom’. Fans of the ‘industrial folk music’ will hardly be surprised, as this was Kraftwerk’s working title for the record. Along with sound poetic vocals, Hell tickles a cool funk from the warm machine sounds over nimble bass lines, as on House Music Box he uses – not only for this track – the same analogue synths from the seventies as Kraftwerk once did.

The oeuvre of DJ Hell is famously characterised by his artistic desire to have a different approach to each album, while at the same time constants provide inner cohesiveness and cross references. One example would be the theme of automobiles, as an influence of Kraftwerk’s ‘Autobahn’: just think of songs like ‘Hellracer’ or ‘Car Car Car’. The car motive is again present on House Music Box, with the ambitious track ‘GPS’. Conceptually speaking it is a highlight of the record: over sparse Roland drum machine beats, we can hear the female computer voice of a navigation device devising the fastest route to ‘destination Berlin nightlife’. This almost has a double meaning, as once inside the club, the music will guide the dancers.

No DJ Hell album, without cover versions. Or, should we better call his idiosyncratic electronic editions of established hits new originals – referring to a term that Laibach coined. This definitely holds true for ‘The Revolution Will Not Be Televised’: his update of Gil Scott Heron’s soul classic turned into a veritable 4-on-the-floor version. The slogan, which originally came from the Black Power movement, carved out a remarkable career, not only thanks to several new versions, but equally alienated as an advertising slogan for bar chains. The fact that Hell takes up this track in the days of YouTube, Instagram and Facebook illustrates us today that the idea of a political revolution is long gone. For that reason, all he keeps from the wordy original is its headline while the impulsive beats prove all more, that at least the revolution of the dancefloor is nowhere near over.

Past, Present, No Future – even if Hell’s deep bow to the trailblazers and pioneers of electronic club music was already completed when the corona pandemic broke out, the subtitle of House Music Box proved apt even so in the light of the circumstance that especially the club scene is seriously affected from the coercive measures of the crisis. It was therefore quite prophetic that on ‘Jimi Hendrix’ you can hear pieces of the last interview that the guitarist gave shortly before his controversial death. „I can’t build anything right now, you know, because of the things that are happing right now. I just have to lay back and think about it all.” House Music Box is, in many ways, the right record at the right time. Because as DJ Hell speaks about his album: ‘House Music for me has always been a spiritual experience, a higher, different form of communication, so to speak’. So, let’s listen carefully what he reports about his musical excursions in the Past, Present and Future of House.

Repress

Following the vision of an artistic universe which fluctuates between hypnotic rhythms, dark and mind-blowing emotions, constantly looking to reach the driving mental & melodic aspect into Techno Music, Kas:st are a French-born, Barcelona based-duo which rapidly conquering the world lately. The phenomenal duo makes its debut to MATERIA with the awe-inspiring and spectacularly mystical ''The Light At The End Of The Tunnel EP'' which features 3 original tracks and two remixes by the miraculous producers Vril and 747! Dive in their techno world and through dancing steps you'll definitely find and reach the light at the end of the tunnel!

Repress

Clear Vinyl

A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

Running Back introduce a very important Mastermix /Mastercompilation 2LP GATEFOLD+ 24Pg BOOKLET) project centering around FRONT,

a legendary piece of german club culture and their music.

Eponymous Resident DJ´s Klaus Stockhausen and the later on globally known Boris Dlugosch and Running Back take a close look back at that Time, guide you through the early beginnings and absolute key moments on (House Music) Club Culture.
37 (!) legendary Tracks - many of which have not been on sale forever and a day - that mark the masterclass sound of that Era and could be an essential start or - end - point to any great collection. In Addition , the - stunning - Mixing brings back the "Front" itself and must be heard by old and , most of all, new fans , all over.

amburg's Front club was already the stuff of legend, when it was still open. When I was teenager on the outskirts of Frankfurt in the very early nineties - and before the name Klaus Stockhausen rang a bell - Boris Dlugosch was not only at the helm of said club, but also one of Germany's finest purveyors of house music. Front was his home as well as the playground for a colourful bunch of club kids from all walks of life. Its roots went back to the eighties as a gay club and it branched out to anyone who couldn't - even dance straight '. 
The rumours about this club were strong enough to get people like Playhouse's Ata on a road trip and have youngsters like me fantasizing about it. The musical menu during that time was the monster house sound from the US and the UK that rotated deepness with hysteric glamour.  
Of course, Front's sound was finely nuanced. Boris Dlugosch learned his craft from Klaus Stockhausen, who stopped his DJ career in 1992 (because - as he told me in an interview about ten years later - - every Bratwurst wanted to be a DJ all of a sudden') to pursue a career as fashion editor and stylist.  Stockhausen's thing as a resident (which actually meant to play at ONE club EVERY week during that time), was a mixture between electro, US-American R&B, British street soul, new wave and the emerging house sound. If you manage to dig up old recordings on the internet (a musical diet I lived on for a few years), there are striking similarities to the way classic US-American DJ would play, while adding a fierce uniqueness that won't let it pale in comparison. On the contrary, the sound of Front is one of the most interesting, you will ever lend your ears, too. 
So, why a Front mix and compilation 21 years after the club closed its doors On the one hand, because it's story hasn't been told yet and it's worth telling. On the other one, German clubs like Robert Johnson or Berghain - as divergent as they might are - both resemblance Front's spirit, diversity and musical open mindedness. And finally, because dancing is still fun.
Even, if putting a compilation like together this took over one year in the making, is peppered with licensing horrors and other obstacles to dreadful to share them here, we are happy to have it done. Spread over a double-CD and two compilation LPs that are mainly chronological, Klaus Stockhausen and Boris Dlugosch picked and mixed some of the club's most cherished records and sweetest moments. This is the sound of Front. And even, if I was never able to move my feet on its dance floor, I for one would be a very different DJ without it. I hope you enjoy it as much as I do. 
 
Gerd Janson

Jamming things up once more, we?re pairing Chambray with long-time Figure-affiliate Truncate for a pair of exciting floor-killers, then go out with some fresh take on techno by Biri.

No Stress is exactly the reminder needed when letting things fling in all directions with this unpredictable, spiralling power work-out. Trax 4 The Club pays hommagge to the its heritage, but shoots way beyond the treaden template. Tongue-in-cheek and swinging widely, this one hits far more carefully than expected, yet all the more satisfying when it does!

On the flip it?s Biri deploying his rigid style of layering sounds which he makes seem fluid and lively, never changing things up too soon or too late. By such his drive along the meticulously shaped arps on Snox101 stays a constant thriller, while Through The Fields becomes an ambient-leaning excursion through time and space, opening up the body and mind.

In celebration of turning 3 years old, we present you with the first of our exciting unknown artist 'Habits Stamped Wax' series.

Unknown Artist
Limited Edition (300) (No Repress)
Multi colour splattered 180g Vinyl
White Label
Hand Stamped & Signed with love
Specially designed outer sleeve artwork

There are many things we don’t understand here, maybe in time we shall...

Ready for the Open Air Season? Grab these two freshly remastered Dancefloor Weapons while it last. Vinyl Only

SOEL's debut album Ambrosia, on ORACOLO Records, lands on June 8th, featuring nine of his long-awaited tracks, extending over two, 12-inch double-vinyls. Ambrosia which will also have a digital release two weeks later, June 26.

Roses are red, violets are blue, Jack has a groove and so
should you. Ugly Frankie comes around with rtct.008 - “Have
No Time”, a neat lil package ¦lled to the brim with off-beat
drums, funked up percussion and sleazy synths. Five tunes
for your listening pleasure brought to you on all the relevant
platforms including your record player. Roses are red, violets
are blue, Frank is the new Jack and y’all know it’s true! <3

***
To meet with confidence
the cynic years;
Battling in wars that
never can be won,
seeking the lost cause
and the brave defeat.
***

After a well received opening release from Luca Piermattei, Fresh Tunez have announced their second installment. At the controls this time they have DJ Gerald aka Himalaya Juice Culture, the “For President“ EP contains five tracks that meander through various dance floor influences, each of them providing a warm and enriched experience.

Diving in at the deep end is “M.RX7” a pacey and energetic quest, living up to the playful and animated ethos of the label, spacey synths circulate the belly of the track. The sleek and silky sounds of “Weakand” create an inviting atmosphere for the listener, as you become absorbed by the deep and emotional chords, and tight drum arrangements.

Riding a squiggling groove on the B side is “Stuva”, subtle acid tinges lace the track enabling it to heat up any given dancefloor. B2 “Yamaha” shows some real intelligent tenacity, and versatility in DJ Gerald’s sound. Melt in your mouth pads breathing life into the glitchy broken drums. A fitting end to the EP is “Hey Hey Stay One”, a two and a half minute trip of unique and blissful textures to ease you out of the release.

The System Error brand continues to shine in recent times with a slew of high quality and sought after releases under their belt, showing no signs of slowing down over the next period, with TUNEZ002 being a fantastic addition to the refined catalogue.

German talents Júlio Cruz and Momo Arigato join forces for a superb new deep house release for Istanbul based imprint Petra, with each artist taking care of two originals each.

Cologne based Júlio's tracks are close to the dance floor with a chill vibe that really makes a mark. His opener Chercher La Nuit is a bubbling house cut with a warm and fat bassline. Lush chords bring light and emotion and carry you away. Dancing Love Affair has a big heart with soulful chords and disco tinged beats getting you moving.

Leipzig's Momo Arigato's tracks represent the pure side of house music with sampled elements bringing them alive and have come on labels like Friend in Need and Bigbait before now.. Mario's Rhythm is a raw, DIY groove with rough edged kicks and blasts of bass that are smoothed out with lush chords and experimental modulated sounds. Don't Believe is a dreamy track with cloudy pads and lumpy beats that are perfectly atmospheric and authentic. This then is a killer Ep.

repressed!

Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!

The Manic Brothers 'Voices' huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerize the crowd. 'Hidden History' includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum.

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In the last years the Berlin-based duo Ausgang got attention in the worldwide techno scene through releases on their own label Ausgang Records. Nico and Roseen show on their first LP a clear vision of taste and quality, coming from the true techno culture. Eight tracks moving from electro to techno, based on radical essential elements reflecting their 90ies roots. Both share the basic idea of techno: raw and gritty sounds with pounding rhythms. Made for darkened rooms with fog and strobe lights. Nothing more, nothing less.

SUB/012 comes from the Liverpudlian wunderkind DMC. 4 mega bass heavy cuts in his unique style. The tracks slap you round the face leaving you wondering where is left and right while your head is still in the clouds with his wonderful melodies.

Fluorescent Yellow Vinyl

Cititrax release a new EP entitled Die Stimme Drängt by Schwefelgelb, a techno body music duo from Berlin. Known for their bombastic strobe-lit live performances and immaculate studio production, their sound can be described as heavy, apocalyptic electronic body music for the club. They often play their synths intentionally detuned, and find harmony in disharmonious melodies paired with strong, steady rhythms and sparse, abstract vocals. They have had the opportunity to tour all over Europe as well as America and East Asia several times now. It is no surprise that their releases sell out quickly and are often re-pressed due to their popularity in the techno scene and beyond. The Die Stimme Drängt EP is their first original EP since 2018, the year they put out their highly acclaimed ‘Aus Den Falten’ which fiercely hit the DJ circuit and left a great impression. Their music has been played by DJs like Silent Servant, The Hacker, Helena Hauff, Veronica Vasicka, Regis, Samuel Kerridge, Phase Fatale, Adam X, Front 242, Jensen Interceptor, Tommy Four Seven and more.

Schwefelgelb’s Die Stimme Drängt EP is limited to 500 copies pressed on fluorescent yellow 160 gram vinyl.