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10th Anniversary Re issue of this Classic
Dj Mehdi is back with a second single from his album « Lucky Boy ». To make things easy we choose to put out the track « Lucky Boy » as new single. An exclusive track, 2 remixes and one club edit is the perfect package we propose you, lucky you ! « Lucky Girl » is the follow up of « Lucky Boy », Fafi on the mic, could have been Gwen, but she was busy, and Fafi rocked it anyway. Two of the hottest french producers delivered the remixes.OUTLINES, the parisian duo signed on Jazzanova's label Sonar Kollektiv droped a slice of 50's boogie. SURKIN from Institubes label proposed us a trip between Baltimore and Chicago in 4 minutes ! THOMAS BANGALTERwas crazy about « Signatune ». We ask the chief to make a club friendly edit, HOW LUCKY YOU ARE!

For our second release, we have a 4-track VA from another batch of great artists. Mares & J.Pe Bruna - Genetika - Maag - Adrian Alessandro

Vinyl Only - Limited

Our first 12inch craft from Etzu Mahkayah and Phillip Cooke. Vinyl Only as usual.

Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh

Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown, is the tenth studio album from the producer team, and the fourth under the name Extrawelt. Its largely devoted to another side of their creations.

Something's different. Well, Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, I can't help but notice again: something's very different. Feet are bouncing, mind is traveling and my fingers speed across the keyboard like they're on fire. I'm trying to imagine what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers.
Listening to Extrawelt on crappy speakers is anyway never a good idea, as it really deserves the backing of the loudest and best possible sound system.

With this, I leave the audio confines of my low-fi laptop world and get in the car. Cranking up the stereo, I cruise around aimlessly — lost in appreciation of the music from within the bubble of my metal highway-pod on wheels. I've got the urge to speed up — which is surprising considering I'm a usually a very sensible driver. The bass and the beats blow up in my face. Something uncluttered. Something broken. Something grimy. Something sideways. Something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. I don't plan on getting all emotional, but something about this twelve track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, I keep coming back to these sounds. Again and again these sounds. On one hand you feel that you know them, on the other hand you don't know them at all. Is that a synthesiser or a voice Is it rotating or just linear reinvented Whatever the answer, my mind goes astray. Whether this is exotic or native doesn't matter: all I know is that it's great. Meanwhile I've reached track seven and now I realise what's been different all along — it isn't techno! Somehow, they've accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, you can find a couple of similar tracks on a few of their previous releases, but here you've got a whole album fullof it. I gotta listen to track seven again. As a music writer I'm asking myself: what genre of music is this actually Neo-Electro Alternative Electronica Emo-EDM Ah, whatever — these guys don't like to be put into boxes anyway. It's simply Extrawelt.

As I talk to Arne and Wayan later on, I discover that the tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. Come 2018 though, the time felt right to dedicate an entire album to this side of their musical spectrum. This also explains how Unknownappeared so quickly after their most recent LP 'Fear Of An Extra Planet'. As the guys mention 'We just felt these tracks a lot when we made them, and never cared really if anyone would be interested in it'.

We're definitely interested!

Yours sincerely,
Cocoon

Football Player 002, continues.

I dedicate this vinyl to my favorite club FC Shakhtar, this year we are celebrating 85 years' anniversary! Let's save history in wax, limited copies. Vinyl only.

Vinyl Only, deluxe printed sleeve,

Rhadoo will release his first record in three years this November! Spanning four tracks spread across two discs, Semantics will come out through Berlin-based label Nervmusic Records. It's the Romanian producer's first EP since 2015's Zanzibar on Amphia. Overall, this will be his fifth release since 2006, not counting 2013's mix for fabric. A founding member of the (a:rpia:r) label and collective, Rhadoo is one of Romania's key artists, having helped shape the country's distinctive minimal sound. There are no clips for Semantics currently available online

New double record is coming from St.Petersburg born, Berlin based - Andrew Tripmastaz with a cover from Igor Skaletsky.

London based House label Inermu brings the twelfth in their Vinyl Only series in the form of this 4 track VA. Including tracks from Parsec, Alex Belluscio, Tolstoi & JHNS.

Warehouse Records/Cologne presents Pappenheimer from Germany, he is known for his versatility, playing the entire pallet of electronic music. His Legendary "Abfahrt" events , has taking Germany on by storm. PARTYSAN granted him the award for best newcomer of the year 2013.

Tezz: Techno DJ from Cologne with his own Nachtaktive Streaming Show and Parties.

Aiken's recent contribution to Psyk's Non Series gets remixed by talented UK producers Blawan, Volte-Face and James Ruskin. Blawan's remix of 'Genetics' sets the tone with energetic rhythms and trippy sound textures, Volte-Face delivers a progressive and hypnotic version of 'Hybrid' and James Ruskin ends the release with his own intense yet funky interpretation of 'Dominance'.

Francesco De Luca, Dj and producer based in Berlin launches his label under his new alias "Deluka" with Echoes EP. The three tracks of the record are emblazoned with his signature, pairing of light and deep sounds with atmospheric textures and hypnotism.
The second track is a remix from the talented producer from Spain "Orbe" that gave a very high grade of modern character but maintained the freshness from the original track but mixed up with new and sophisticated elements.

First reference of this label that dedicates its space to the techno music, includes three original tracks from Dr Cyanide, O. Lopez beat and Structural form with an exquisite remix of the well-known producer Kessell, a prominent member of Pole Group and 50% Exium, best duo in the World Techno scene.

finally repressed !
starkes follow-up zum äußerst erfolgreichen Erstling !!!!

repressed !

Konstantin Sibold's long-awaited techno-trance-smash hit "Mutter". Already in heavy-rotation with the biggest ones in the Brobdingnag DJ league. 10 minutes and 29 seconds of rave rabies with and without beats. Dedicated to Konstantin Sibold's mother and Frankfurt's seminal techno club Omen. Sounds of yesterday made for today.

The EP starts with 'The Road to Transformation' - a groovy, well-structured track that will keep people rooted to the dance floor. The track exudes energy that will win any club over as it tirelessly engrains into the minds of clubbers with hypnotizing drums and a haunting vocal, this is a track that perfectly fits the Drumcode sound and ethos. On the flip side, 'Sonic Language' offers something a little different. Its fluid sound and effortless groove give this track a unique and interesting take on techno. The chord stabs give it a distinctive impression that helps to add funk to a bass loaded groove.

INCL. MIKE PARKER REMIX

PTTRN follow up strong releases on labels like MindTrip and Float with a first high energy offering for Token. The record also marks Mike Parker's first outing on the label with a stunning remix in his inimitable style.

A natural fit for Token, the Belgian duo serve up a neat package of rolling contemporary Techno - driven but dynamic and broad in terms of tone. The production is decidedly refined and riffs on the classic posits of the genre, making the very most of very little.

Opener Disappear 1 sets the scene: immediate, metallic material for the dance-floor and Disappear 2 doesn't let the energy dip - a slice of pure peak time Techno executed with considerable deftness. Closing out the A side, Disappear 3 opens things up, a marginally more airy take on the same dense, rhythmic work. On the B side Disappear 4 goes deeper and more hypnotic but doesn't lose the energy that defines the record before segueing into Parker's remix - a powerful dose of the classic sound that has made the artist one of the true mainstays of the genre.

Vinyl Only // 180g Vinyl

Following his beautiful ‘Detroit Sunrise’ EP on the label last year, the inimitable Sascha Dive returns to Bondage Music once again for another deep frequency encounter.

The safe word is bass as Sascha picks up where he left us with two ‘Dub Chronicles’ tracks on the previous release. Now comes the third; a lavish, unhurried exploration ‘Dub Chronicles 3’ lights the fire with hazy, hypnotic charm and a spoken word well known to those familiar with the foundations.

What follows is a trip that grows in intensity and emotions. ‘Cornerstone’ is a beautiful 11pm track; fleet of foot in the kick department and arms aloft in the vibe department. Total elevation. ‘Ancient Tribal Drums’, meanwhile, takes us much deeper into the night. That rolling conga line will tie you up just the way Bondage likes it while the dubby echoes provide sense-tingling relief… Before the finale takes us to even dreamier heights. Living up to its name, ‘It’s A Groove’ brings the elements of the whole EP together; the dubby hypnosis, the warm, driving beats and that unique sense that you’re not quite tied into any reality while Sascha plays. The chronicles continue…

(Oscar Mulero, Johannes Heil, Tripeo remix) Spanish techno master Oscar Mulero takes over the A-side, keeps the heat of the original and adds extra tension to offer a stand out rendition of 'Obsession'. On the flip side Johannes Heil transforms the beatless, synth-heavy beauty 'M.U.M.' into an euphoric, driving techno track, right before Tripeo proves ones again his strong command on the dancefloor with a solid, twisted version of 'Avadon Part 1'.Up next on Wolfskuil Records and as the title suggests we find some of Shlømo's finest cuts on the Dutch imprint reworked by Oscar Mulero, Johannes Heil and Tripeo.Spanish techno master Oscar Mulero takes over the A-side, keeps the heat of the original and adds extra tension to offer a stand out rendition of 'Obsession', while in 'Vanished Breath' he goes deep and delivers fine electronica and a sophisticated, experimental remix where broken beats and haunting synths seamlessly blend to create ghostly atmospheres. On the flip side Johannes Heil transforms the beatless, synth-heavy beauty 'M.U.M.' into an euphoric, driving techno track, right before Tripeo proves ones again his strong command on the dancefloor with a solid, twisted version of 'Avadon Part 1'.

After four technically and aesthetically impressive salvos of eclectic electronics, the 5-year anniversary compilation from Stroboscopic Artefacts reaches its terminus with this new release. Worrying about whether or not the series 'goes out with a bang' seems unnecessary, since the series has always felt pleasingly unconventional, and thus not too concerned with the conventional act of providing listeners with a grand finale. Simply put, this high-quality 'retrospective' series has been more about challenging the S.A. constellation of artists to forge new paths than it has been about nostalgically revisiting the past, and so it's better to approach this last installment as a statement on the past informing the future. Donato Dozzy, Lucy, and the Sendai duo are the parties responsible for bringing us the final report of the series. Those already familiar with these artists' past works for S.A. will understand immediately that these artists are not all cut from the same cloth, and those who didn't know that will soon find out. As with the previous 'anniversary' records, the intent here is to synthesize significantly different sounds into a uniform or seamless listening experience, to the point where the record seems more like a genuine collaboration between the artists than a mere 'sampler' record offering eclecticism for its own sake. Donato Dozzy's entry here is very much in keeping with the spirit of his S.A. release Terzo Giorno. It is as propulsive as any of the best techno music of past decades, exhibiting a marked indifference to the inessential and a knack for smashing together percussive atoms of a thick and bombastic quality. To do so without punishing speakers completely into submission or turning everything into a fatiguing mess is more difficult than it sounds, but Dozzy is certainly up to the task here.

Compiled by cratediggers Loud E & The Wild, Discophilia Beligica' is a collection of next-door-disco and local spacemusic from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk. Most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe and back again.

The London (UK) based event/label is proud to present its first vinyl release "Vallende Ster" showcasing some exclusive underground sounds from around the world, The 4-track VA features an array of distinguished artists, with Macarie (Cadenza), Robert Apetrei (VSA), Ted Amber (Botanic Minds) & Lulla (Cedesciu Wax).

Vinyl Only!
You were wating for the summer gem? You are welcome!

New Dollkraut 4-tracker on The Hague's mighty Viewlexx. This is galactic sleaze at it's finest! ''Zijn jullie klaar..?!''

A blossoming creative relationship has been bubbling between young talent CERPINTXT and Stevie R ever since she appeared on his label Inside Out in late 2017.
Kindred spirits with a shared appreciation for the leftfield fringes,
experimentation and deep dark grooves, here they continue their collaborative work on Chapter 24 with the first release from Stevie R's forthcoming album. A new chapter beckons...

'Madilo' ignites the fire, a bright, relentless house affair laced with a dreamy vocal chop and an underslung bassline that bites beneath the surface like a shoal of piranhas. Twisted but restrained and peppered with infectious percussion, it sets the
scene for the Greco-Egyptian collaboration in London perfectly. 'Red Lemon' is a much darker jam that's built around a granular staccato riff that changes in texture and weight as more loopy layers are introduced. The word hypnotic is bandied
around too much these days, but this truly is a mesmerising moment.

Meanwhile in the parallel universe of remixes, Chapter 24 have gone to town, recruiting two significant and influential heavyweights on the revision duties.
Counterchange bossman Ed Davenport returns from his Inland guise for a thumping twist of 'Red Lemon' that's equal parts pneumatic and aquatic, while Man Power breaks down the original groove to its bare-naked acid line and rebuilds it with a
crushing analog hook, off-beat timpani and a host of subtle trippy textures.

Two exceptional originals, two respectful, innovative remixes, one massive album to look forward to. Stevie R is just warming up.

lushly layered and delicate songs from this new artist..tip!

Drumcode continues on releasing the most cutting edge and refined techno that the label is so well known for. With releases last year from heavy hitters such as Adam Beyer, Alan Fitzpatrick, Luigi Madonna, Jel Ford, dubspeeka and Mark Reeve; Drumcode will continue on in 2016 much in the same way - bringing club ready music to the techno community.
Swedish citizen, Christian Smith spent the late 80's years in Germany soaking up the early house and techno sound of Sven Vath. Now based in Sao Paulo, he has been championing his funky mix of house and soulful techno for more than a decade, playing across Asia, North & South America, and Europe, plus regular slots at festivals like UK's Creamfields, Holland's Dancevalley, Spain's Monegros and Belgium's I Love Techno.
His music released on a variety of top labels like Renaissance; Adam Beyer's Drumcode, Josh Wink's Ovum, 100% Pure, John Digweed's Bedrock, and his very own Tronic, only proves his flexibility in the studio. Similarly, on the decks, Christian's set is a cauldron of chunky grooves with loads of energy. Christian Smith is back to Drumcode with a full force, high energy EP.
'Force Majeure', consisting of three driving techno tracks, is laced with energetic crescendos, thumping kick drums and deep bass lines. The stirring samples and entrancing percussion used alongside the powerful production really showcase Smith's diversity and talent as a producer - this EP is not to be missed.

MIKE WALL:
Berlin-based Producer and Dj Mike Wall is back with two tracks supporting this new Project. In parallel with his well-known party celebrated in Suicide Circus Berlin and also his label Wall Music, Mike has released a powerful piece for the main track of the EP, and other rhythmic figure with a sense of darkness. He will make you feel the character and soul of German Techno.
BEN GARLÓ:
Launches himself with this attractive label. Base in Madrid and devoted supporter of the techno culture of his country, Ben perfectly captures his ideas in his first two tracks.

Two are surely better than one. Following Lory D and Fadi Mohem, Toronto based producer Graham Bertie aka Nautiluss also steps up for his second outing on Seilscheibenpfeiler, marking the label’s 10th overall release. Once more, Nautiluss is transforming playful and rhythmically intriguing bass music into prime dancefloor cuts, encompassing a rich array of sounds and moods ranging from upfront rave action to delicate deepness.
„Guccifer“ kicks things off with a dark, shuffling beat, creating a subtle hardcore/jungle vibe with atmospheric overtones. „Snakes And Ledgers“ is a percussion-heavy tune led by a fat and thumping bassline and completed with muffled chants by Toronto rapper Matthew Progress. Next up is „WiFi Oasis“, again fronted by a memorably melodic and reverberating bassline while the track explores airy and enigmatic IDM territory. „Moment Of Clarity“ rounds off the EP with ethereal synth pads and big breaky beats, providing an ideal closing track for every extended club night.

Live improvisational electronics with stormy outbreaks of wobbly explorations in time and space..

Philipp Quehenberger, 41 years old but still 19 inside for the curiosity and
exploring drive is one of the premier members of the Austrian electronic
avant-garde music community, a long time partner with local legends Patrick Pulsinger and Didi Kern, as well as a mainstay of the worldwide respected Viennese label Editions Mego. His sonic explorations cover a remarkably vast palette of aesthetics, from Jazz to noise, Techno, Industrial, breakbeat, electro, Ambient, and the journey is still on.

Minimalsoul is therefore extremely pleased to welcome Philipp to its roster, an important step in our mission of blending the push of great music from around the world, with a focus on Austrian artists. Because, as any
human being musically rooted in the underground knows: Sky's the limit, but never forget to stay local as well!

The general atmosphere of this release is quite gloomy and mysterious.
It starts with a sort of 'post-modern' funeral march, 'Hind sight,' and indeed it could be any of us, parading along in the ensemble of mourning parents and friends, possibly for the first time: while the strong baseline dictates the pace, the chords reproduce our dizziness.

'Gut,' the most club-oriented track, with its psycho-gressive industrescalating synths, reminds a bit of Holden's 'The Sky was Pink' remix, albeit carving its own peculiarity, with value-adding baseline and menacing vocal samples: the funeral is over, and all the parentado is gone,
you're left alone with your dualistic emotions, halfway between sorrow and relief and - as the vocal says - you've 'never been here before.'

This dark and melancholic emotional uncertainty carries on with the last track of the 'triptych,' 'In,Out.' Fans of Brooklyn-based Galcher Lustwerk,
or of Coil will particularly like this one, with its overlapped chords and 'white-noised' kickdrum: in and out from the sadness, we hope for better days to come, knowing the loss will leave an everlasting mark in our hearts.

banging Acid Techno

By now it’s common knowledge that Etch is one of the brightest sparks working in the field of contemporary breakbeat mangling. The Brighton-based producer has the depth of knowledge about breaks, and the expressive affinity for how to slice and rearrange them, to rank among some of the greats. We’re talking Photek, Paradox, Source Direct levels of drum science here. Of course he’s more than just a break slicer too – look no further than last year’s Strange Days LP on Seagrave for a more widescreen angle on the Etch sound.

DJ Support
Objekt, Mike Paradinas, DJ Plead, Upsammy, Call Super, CCL, Yak, CEM, Nikki Nair, Jossy Mitsu, 8Ball, Karima F, Addison Groove, Appleblim, Franklin De Costa, Soundbwoy Killah, Double O, Gigsta, E-Unity, Filter Dread, Lil Mofo, Kikelomo, Dense & Pika, Physical Therapy, ItaloJohnson, Minor Science, Banoffee Pies, Roger 23, Andrea, Extrawelt, Ciel, Laurent Garnier, Stones Taro, Itoa, Claude Von Stroke, Al Wootton, Pugilist, Coco Bryce, Clouds, Dead Man's Chest, FFF, John Morrow (Foul Play) +more

Mani Festo takes us through the Breakbeat assault course on his inaugural Sneaker appearance. Amen!

DJ Support
Nina Kraviz, Kelly Lee Owens, Nastia, Answer Code Request, Mantra, Foul Play, Alienata, EICH, Boxia, Bored Lord, Candy Pollard, Photonz, Extrawelt, Yushh, Paige, Drumskull, Bailey Ibbs, Colin Dale, Doc Scott, Nikki Nair, Frazer Ray, FYI Chris, Banoffee Pies, Stones Taro, Jerome Hill + more

black repress !

The most sought after track in the last few months is finally arrived.

Some pirated copies circulated illegally, but this is the definitive version...tried and tested in the last few months and always ending to be the tune of the night, 'Marvinello' is the result of the collaboration between Michel Cleis and Klement Bonelli.
Born and raised in the Italian part of Switzerland, Michel Cleis needs no introduction, having released music on labels like Cadenza, Pampa, Rekids, Supplement Facts, Aus, Defected and Ovum to name a few.

His eclectic and diverse taste has lead him to collaborate with Klement Bonelli. Born and raised in France with a deep-rooted history in Art & Electronic Music, Klement started his career in 2002 with a release on the legendary US label Basement Boys, and then launched his own imprint Krome Records.
The result of their collaboration is a monster EP. 'Marvinello' is an infectious rework of Marvin Gaye's classic: The drum pattern, the percussions and the bassline are irresistible and the use of the vocals create a unique atmosphere. The balance is something so hot you can't resist ! The B Side track 'Gostek' is a heavenly mixture of house, soul, and gospel, underpinned by a percussive driving techno groove that takes you by the throat to the dancefloor.

Repress

180 grams / white vinyl

One year after his last release "Empire Of Loss", SNTS announces this new project recorded during 2018 and 2019, being his first EP using only hardware. Four hypnotic dancefloor tracks unleashed in a paranoid elation form this EP.

Jacobo Saavedra decides to launch his own only vinyl label. In this first edition, A1 by himself, two tracks with his partner Jay Nortown a.k.a. JNJS and a collaboration with the Mexican artist Mike.D.
Artwork by Lebsi.
Mastered by RV Audio.

After almost a year GOSU’s back with two split releases,
curated by Jane Fitz ! First one by DOM and Darren Allen:

DOM’s „Snake Totem“ - his first vinyl release so far - is an
absolute spaced out House weapon! „The Odd Man“ on the flip
by Darren Allen is a deeper but nevertheless grooving tune.