• As of 1st October, Sony Music has acquired Third Man Records for the Jack White/Raconteurs/The Dead Weather and The White Stripes catalogue! This is an incredible deal which pulls together the entire catalogue on to one label globally for the first time. The debut release from this deal will be ‘The White Stripes Greatest Hits’
• This is the first-ever official anthology of recordings from Jack and Meg White's iconic indie rock duo.
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The unstoppable Bread and Butter Recordings returns immediately after the Edition 002 with Direkt,Vern,Rowlanz and Sublee with an unique masterpiece..This time the VA include Miroloja,Triptil and Piktor.Limited edition,strictly only on vinyl!!
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We are happy to present you this golden repress! DJ & producer I Hate Models takes care of the A-side with the irresistible "Requiem Of Desolation", a blessing dancefloor mash up of untouchable acid trance flights and old school sonorities. Very different from what we used to hear from this infamous and long time techno activist. This is what we call "Modern Rave".
On the flipside, ROD mastermind Umwelt unleashes bass and acidic tones on killing "Requiem Of Haunted Warehouse'. Haunting horrific melodies enhanced by hammering kicks turn the track into a monster dancefloor track.
Warning: Rave Anthem!
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Master craftsman James Welburn’s new LP, Sleeper in the Void, marks the 50th Miasmah release.The six years after his monumental debut have bred six tracks Welburn brings to fruition with the help of past co-conspirators from the Norwegian underground scene - Tomas Järmyr (Motorpsycho, Zu, Barchan), Hilde Marie Holsen (Hubro Records), and vocal artist Juliana Venter (W/V, Phil Winter).
On Sleeper in the Void, Welburn expands the domain of his sound, unveiling surprises until the very end of the album’s 36 minute playtime. While the character of the record is unmistakably his own, the tracks veer into many different territories, including a banging foray to the dancefloor.
The LP begins slowly with Raze, where Järmyr’s ritualistic cymbals introduce layers of Welburn’s signature sculpted bass drones and noise, building into a heart-wrenching epic of a track. This is perhaps the closest we ever get to Hold - Welburn’s previous LP. Falling from Time immediately surprises with it’s subdued mechanical techno beat, stark and cold as a glacier. Welburn’s texture-work is the star of the show, creating curious nooks and crannies of drone adorned with eerie melodies straight out of oblivion. This sense of wonder shines through to the album’s title track as well, where Welburn and Järmyr build another patient, echoing, and deeply cinematic piece, the drum patterns slowly shifting around a metallic hum that evokes the vision of church bells, ringing out under tonnes of seawater.
Sleeper in the Void feels like a story in two parts, rising lethargically, but with gargantuan power. The second begins with the momentous In and out of Blue, where Juliana Venter’s disembodied, spectral dirge takes center stage among the furious drums and bassy riffs, reaching a full crescendo with seconds to go. Parallel marks a release - Hilde Marie Holsen’s nostalgic soundscapes, pristine as glass, meeting the distant thunder of Welburn’s strings on the horizon. And finally, Fast Moon ends the record in a most surprising way - a tribal industrialized banger, complete with vile distorted beats and every other spice in demand on a blackened dancefloor.
Welburn’s Sleeper in the Void is a generous shapeshifter. Every inch of its soundwave breathes emotion and imagery - an invitation to take a dive and linger.
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GEMiNii Records is proud to present „The First Triumvirate“ EP with two amazing artists, Root & Bauch.
Both talented producers have already made space in the underground music scene.
Bauch in recent years increasing his reputation in the microhouse scene by having great feedback with Ricardo Villalobos, Cesar Lazar, Arpiar & more.
While the newcomer Root is making headway with releases of labels such Body Parts, Aforisme, Danzha and The Aviary.
The First Triumvirate launches a track like "Vesica Piscis" between deep ambient jazz sounds with a bassline of big atmospheres.
In the name "Aioasca", Root gives us a progressive dream with celestial pads that leads the listener to close your eyes and enjoy the journey.
Finally "3019" a 100% Microhouse work, almost futurjazz with 4/4 hybrid times and unique in the Bauch´s touch.
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Resketch Records’ first release strikes with 4 very talented artists and tracks made for music enthusiasts.
On side A1 the Berlin based Ema Remedi delivers a cycling minimalistic groove, hypnotizing!
A2 is what its name say, a timeframe with funky melodic sounds and rhythmic percussions, made by the label owner himself, Cajetanus.
B1 is produced by the well known guys from UK, Acanalar. Sleep Patterns is a loopy house tune with some stripped back grooves, made for clever dancers.
Daniel Gorziza completes the release with a warm drifting pad sound, a strong underlaying beat for keeping the track forward with purpose.
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We’re Going Deep’ is a new label run by an old head- Paul Wise, better known as Placid to many who inhabit the realms of underground House and Techno.
Born out of a lifelong affair with the many shades of deep electronic rhythms coupled with a thirst for collecting records since 1988, the label mission is all about releasing new music for the dance floor, front room or even just your headphones.
Rather than staying too hung up on the past, Paul’s reputation for digging deep into Acid, Electro, Techno, Deep House and even the odd slice of downtempo precedes him, as he readies the second instalment on his imprint. Picking up where WGD 001 left off, he’s both humbled and pleased to be able to invite 4 more exceptional artists to show off their finest waveforms.
Volume 2 starts the dance with a sterling contribution from Dublin’s very own machine maestro Cignol, “Night Time Traverse”. Proving once again why his flair for combining tight metronomic drums, wistful melody, blissed out strings with a twist of 303 is second to none: unmistakably tight, unmistakably good. Followed by some heavy head nodding action courtesy of new kid on the block, Armec, he’s already scored 2 fantastic releases under his belt. Fully repping the next generation of mancunian machine enthusiasts, he delves deep into the seedy underworld of deepest and darkest electro with ice cold aplomb on “Celestial Mechanics”.
Hit the flipside and you’ll find Acid aficionado Jared Wilson (who should be no stranger to most) leading the charge as he whips up a storm with a tweaked 303 takeover, led by a mesmerising chord that runs throughout – he works his magic once again in fine style. Last but not least, the dulcet tones of Bristol’s very own best kept secret Gilbert lands another sumptuously deep slab of techno with “Signs of Hope”. Leading with a pleasantly addictive bassline, this beautifully structured whistful symphony oozes warmth and tranquillity as he takes a trip to the light fantastic.
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>>>>Cryovac Recordings is a loose collective of collaborators bound by a strong personal view of the techno sound. The outfit assembled to create this installment of Cryovac are diverse in approach and unified in spirit. They are the maintainers of their style, and leaders of their movements. Cryovac is based in Detroit and is a platform brought to life by the efforts of a vinyl community of craftsmen and artists. Cryovac endures to shine light on a path less traveled .
>>>> The E.P. starts with Jason Garcia’s “down like”a crispy 4/4 slide back rocker groove intermittently intersected by urgent synth, earsplitting climaxes, and compulsive samples that form rhythm. Body Mechanic follows up with a couple swigs of old school tec- funk surrounded by a dreaming synth lost in the memories of the fat boys. Flip to the backside where Garcia & Kretsch deliver “LA80s” a theme that is story told with dramatic synth, driving kick and bass, and triumphant rises and falls tying and dying together. Isaac Prieto’s “Searching” takes us out with a smooth minimal animal that shifts an easy melody and turns sleekly through a gauntlet of hi-hat , clap, and twisted sharp detunes.
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No Exit Records is pleased to present Hektor's debut release, 'Rituals'. Four tracks of lush electronica, Hektor gives us a highly textural, romantic record where field recordings, analogue synths, drum machines and samples are woven together to dramatic effect. With this palette of sounds in hand, the classically trained artist takes us on deft and unexpected journey, exploring unconventional arrangements in a wholly immersive listening experience. Exciting sounds from the newcomer.
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Emilio Acevedo, the man behind Lasser Drakar is a proper Electronic / Indie veteran. Being involved in several projects since the late 80´s. Founder of the band TITAN with which he has put out four albums in which they have collaborated with figures like Gary Newman and Egyptian Lover. With his duos “Sonido Lasser Drakar” and “Maria Daniela Y Su Sonido Lasser” he approached dance music in his own high energy pop way always with a touch of humor. “Back in 2006, when I had recently opened my first little bar in Playa del Carmen “Corvette Ninja”, Emilio came to town to perform live with Maria Daniela to La Santanera, where I was a resident DJ. Besides his performance there, he agreed to do a solo DJ set at my little place, I was super flashed by the music he was playing which included some amazing covers and references . When he finished playing I had to ask what all that was… he told me most of it was un edited material he had produced basically just to DJ… I was even more flashed… Ten years passed and we met again in Playa del Carmen having dinner before a show where he was playing with his band and I was Djing… I asked him about that music I was so flashed about a decade ago and he told me he still had it, most of it just in those CD´s he used to play, still unreleased… I asked him if he could send it to me to play it and so he did during the next weeks… Every time I would open a file I would be amazed and every time I would play those tracks, the reactions were amazing and often people on my side would ask me what the hell was that… So at some point I had to ask… “Would you like to release this on our Label??” Lucky me, he was up for it and here we are now in 2019 releasing his first solo material under the Lasser Drakar name, the tracks he produced between 2001 and 2004 which in my opinion happen to be more modern than lots of the things you find these days.”
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The lake might be freezing in this cold winter, but the carp go with the icy flow bringing some hot material on KOI003 that comes from Ukrainian rising talent Peshka. Oriental EP sees the young Ukrainian producer go full-on-force with two captivating originals that meander between twisted drum arrangements and hefty basslines, leaving the necessary space for intriguing and melodic sounds to rise freely. On the remix duties, the label welcomes Romanian spearhead Arapu who delivers a massive "hands-up heads-down" reinterpretation of "Orient", turning the original into a basement destroyer.
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For their second release, Mantra Collective take this opportunity to showcase two rising Australian based artists, Venda and Mike Watts who combine their sound for Agave, an introspective cut with an undeniable groove. Metallic resonances swirl throughout the spectrum, purposefully fused with distant spatial intricacies. Energy shifts and flows throughout the track providing heightened moments of tension and release.
Mike Watts brings a complimentary approach with his meditative solo work Ridjimiraril. Pulsating low end creates a foundation from which melodic ideas, natural sounds and stark moments of abstracted sonic interest can dance throughout the stereo field.
On remix duties, OdD flip Agave with their undeniably unique approach. The arrangement develops and evolves, harnessing melodic sections of the original while modulating sounds and concepts are translated with expert guidance and finesse.
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'Those Series' born from the unconditional love for the dance floor, the purpose of the label is to transport you with the right mix of forgotten notes and new generation sounds, the label show you the result of more than ten years of productions by these unknown artists. The release is based on two original tracks suitable for different moments of the set with the participation of Arapu, currently one of the most loved artists of the romanian music scene.
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Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing.
The new concept label will focus primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. Several weeks after the vinyl is out, there will be a digital release that reveals who was behind the tracks. The roster will range from new and emerging producers to more established artists looking to explore new sounds.
The label's first release, presents three gorgeous slabs of UK schooled techno steeped in psychedelic textures and sub-low pressure. With online personas often eclipsing the focus on music itself, here lies a return to form.
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Cervidae Recordings CRV004 "Mountains Vol. 3" comes with four original tracks produced by Thomas A.S. in collaboration with Martin Aquino, Iori Wakasa, Vincent Casanova and Enzo Leep. A sky full of deep vibes and minimalistic sounds.
Vinyl Only - Limited
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2020 saw the Bogota based club launch their eponymous imprint with a far reaching compilation, dropping tracks from a host of artists that perfectly represent the Kaputt sound as they further cement their position as a beacon of the Colombian underground. Now they are back with ten new and exclusive cuts which transcends the club and explores the human impact on the planet, and how nature came back to reclaim their land.
Born in quarantine when nature sounded much louder than usual, VozTerra a local non-profit organization invited people to listen to nature in 'Sounds from your window'. People in Colombia and around the world took the opportunity of the isolation to listen and record ths sounds of nature. The material, together with soundscapes previously recorded in the Van der Hammen Reserve and in the La Conejera Wetland, in Bogotá, were given to DJs from the electronic music scene to create musical pieces which are now part of the 'Reserva/Voz Terra' compilation.
The alliance of Kaputt.wav, VozTerra and the Museum for the United Nations - UN Live, is the compilation of unconventional actions that musicians and people from all over the world took to express their interest in caring for nature with the hope of inspiring people to take action to care for biodiversity and mitigate climate change.
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Transition Part 2 continues Arthur Robert’s reduced style, opening with a sleek tunnel-vision thumper, but then deviates for a playful breakbeat space exploration in collaboration with like-minded modular nerd Naty Seres. Eventually closing out the B-side of his strong 8-track package, Robert first boils the energy down to essential deep minimalist trip first, then ramps up the levels one last time for an exquisite example in rumbling dub-techno. Both parts of the Transition EPs firmly establish Arthur Robert further as an expert craftsman, merging the sonic textures of psychedelic jams with the forceful rhythms and intricate melodies of purist techno.
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A — A true top-five peak record at The Garage, this Thelma Houston burner from 1977 was “a highlight whenever Larry played it,” Danny Krivit recalls... “and he played it a lot!” Danny’s edit is a homage to Larry and Frankie Knuckles – in particular, a reel to reel edit that Frankie did back in the day and shared with Krivit. “Reels were problematic, & when I tried to get it again from him, unfortunately he had lost it too.” The song (a clear attempt by Motown to capitalize on the previous year’s monster hit “Don’t Leave Me This Way”). What sets “I’m Here Again” apart though, is the incredible second half, not surprisingly also the main focus of Mr. K’s edit, along with a new straight to the point intro. Over a vicious groove reminiscent of the Originals’ “Down To Love Town” breakdown (Michael Sutton wrote and produced both “Love Town” and “I’m Here Again”) Houston delivers soul-stirring ad libs as the band crackles with electricity behind her, the piano chasing a descending string riff so eagerly it almost trips over itself. Pure dancefloor peak energy!
B — This band was a departure from the usual Motown session guys, and was comprised of a group called the Young Senators from Washington, DC. Who later formed the nucleus of Chuck Brown and the Soul Searchers. Motown was finalizing its move from Detroit to Los Angeles, and this 1972 Eddie Kendricks session was among the last to be recorded at the famed “Snake Pit” aka Studio A in Detroit. According to Young Senators percussionist Jimi Dougans, “Girl” was recorded at three o’clock in the morning, which perhaps accounts for some of the heavy vibe and distinctly different sound than the typical Motown pop style the label was known for. In a time before 12-inch singles, this was one of those first "made for a club" proto-disco records that could hold its power and even shine on a big system. In fact, Larry Levan used it to test the sound at the Garage. When he got “Girl” sounding good, Danny says, “he knew the system was really pumping and anything else he played would sound good too.” The original album cut “was typical of a lot of records, where producers fade out right when the record is climaxing,” Danny says. “On a dance floor where people absolutely love the record... they’ll just look at the DJ like, ‘Why’d you fade it out?’” Taking matters into his own hands, Mr. K edit again aims at the climactic back half of the song, engineering a nearly 7-minute climatic dance floor filler.
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We aren't slowing down here at P.U.N.C.H.I.S. and would like to introduce to you, friends, our 6th vinyl-only release.
It's a very special collaboration between romanian musician Adrian Naidin and Warsaw-based producer Fedotov bringing us a total winner. Hypnotic vocal and instruments are perfectly aligned with the techy groove to make it an unforgettable bomb. Original is perfectly paired with two rocking remixes by the italian techno veteran Giuseppe Cennamo who needs no introduction in the underground society and Moscow-based upcoming star Legit Trip. Both remixes are packed with super groovy minimal flavors and layers to serve you and your crowd well on the dancefloor, so please enjoy this great EP and thank you for supporting the artists and our label!
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Cheers to our fourth relase…it is entirely produced by Hayato Hayashi, a very talented Japanese guy.
The EP is completely “out of the box”, a real mixture of tough and overbearing Techno and Minimalism.
An experience to let the spirit travel,filled with both mystical and anxious pauses .
It sounds like a description of an experimental EP, however, these four tracks will actually drive the dance floor crazy.
What are you waiting for?
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Coppé and Metamann bring us a perfect mix of the sounds from across the world.
The Godmother of Japanese Techno sings in the deep dub
house tracks of Metamann making a trip from the future to the actual world.
The journey of Meitrik label begins in 1998, from Chile,
with 20 years of working and references only in CD's limited editions and always eclectic selections, now they make this first jump to the vinyl record format
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Mickey Nox kicks off the first Vinyl release for 2021 on GFR with his latest EP - 'The Situation That Wrecked Him'. It has three new original tracks that take on a a frustrating path, that pound round the sounds spectrum. Pushing his limits and consciously running away from the generic production comforts, it shapes the current state of his sound. We also have a psycho remix from the man, 'Manni Dee'. A straight up hammer remix, to the point and in your face. #fuckinghammers only!
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Rindler Horizon is a hypothetical zone over the light speed, where time and space take a different meaning than we know. It will be impossible to have a physical exchange of information between our position and any position beyond this line.
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For the third and (for the time being) final part of our remix series
we've got the two and only TUFF CITY KIDS working their magic with their extremely smooth "Eau De Remix" for Sunrom, which goes down like Kölnisch Wasser. We've got MARBOD shaving Rhytch's head in a very big and dark beauty parlor. We've got ZILLAS ON ACID living up to their name with their "Ultramodern heartbreaker mix". We've got DJ GROUND doing his very unique DJ Ground thing with his "Kofun" Remix, which translates to "ancient grave", if you were wondering. We've got happy faces. We've got pleased ears.How about you
Our third release 'Untitled' emerges as a moody four tracker born in Matteo Luis' home studio. The title track is the driest start off there could be. It monotonously heads for the tracks climax in manner of a cyclone, a straight stomper that evolves its full strength within its last solution, surprising with an acidic and dubby face that makes you want to dive right into the dashing structure of its last minutes. 'Yucca' has those smooth chords in the back that are dramatically charged, sexy and slow. The whole tune seems nostalgic and thoughtful with its atmospheric dub elements. Something for the lovers. 'Impulse' is Matteo in full effect. Bouncy and moody at the same time, it captures the EP's dub influence perfectly. This song is a trip forcing you to seek for the harmonious redemption that finally appears within a late chord change. The track is remixed by one of our long time favourites - Benedikt Frey. His irresistible, murky style is retrievable in this work. The fully dynamic break-beat based jam finally frames the mystic vibes of the overall EP through its dark appeal. Every copy omes with a full cover artwork by Hermann Reimer.
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Throughout his vast career, the New York based Australian composer JG Thirlwell has adopted many masks as a means of infiltrating and subsequently subverting a wide range of pop cultural forms. His work under the Foetus moniker has taken on everything from big band to opera to noise-rock. Steroid Maximus embraced exotica and the world of soundtracks, while his Manorexia project continued his quest to the outer limits of contemporary composition and musique concrete. Thirlwell has also carved out a significant output in the field of the soundtrack via the large body of work created for the animated television shows Archer and The Venture Bros. In addition he has been commissioned to create compositions by such notables as Kronos Quartet, Bang On A Can, Alarm Will Sound, String Orchestra of Brooklyn and many others.
Now we have ‘Omniverse’, the second release under the moniker Xordox. Xordox is a synthesizer-based project, and on this evocative album we see the project branch into many new avenues. The science fiction element brushes up against crime noir, even veering into areas that could well fit in the video game soundtrack genre. With an audacious attitude and an arsenal of machines Thirlwell serves up a selection of thrilling retro-future mind capsules. This is music made from a life saturated in culture, both underground and mainstream, high and low. Tense sequencing and noir tinged keyboard lines invoke a powerful visual image of films and memory, of screens and speakers, of sound and space, all entering the cosmos and the subsequent galactic race. Thirlwell’s decades long exploration of sampling and sequencing, composing and ingesting a daunting amount of audio and visual artworks speaks volumes for the bold assimilations exposed here. ‘Between Dimensions’ lays out a tense theme which starts off like a score to a a crime thriller before morphing into a simulacra of Kraftwerk scoring a video game. The living ghosts of Giorgio Moroder and John Carpenter haunt ‘Oil Slick’ as it permeates wormholes, updating lifeforms with its stealth sequencing and tense momentum.
‘Omniverse' is a synthesised soundtrack journey, one which embraces past forms whilst reshaping them for the new unknown. ‘Omniverse' is a thrilling liquid ride through fear and hope, and like all the best of Thirlwell’s output, is simply one hell of an enjoyable journey to take.
Druzhba presents their 11th instalment with two killer tracks by the Peruvian duo Deaf Pillow. In addition, Vern & Peshka are on the remix duties providing their own interpretations of the originals.
These tracks have been getting some dance floor attention for quite some time and we are happy to see them finally out. Don’t waste too much time!
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TRUST returns with four cutting-edge transmissions by Versalife (aka Delsin's Conforce). Classic and experimental electro meet high-impact techno ('Recirculator') for a hefty dose of panglossian optimism. Don't miss.
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Alma Records LTD is a vinyl-only record label series. The second release welcomes Isbel & Alvaro Medina with two original tracks and Includes remixes from Mihai Pol and Rumme.
Vinyl Only - Limited
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