St. Theodore is back! Pure EBM, Electro and Acid trax! Supported by: Helena Hauff, Ancient Methods, Terence Fixmer, Phase Fatale, Mick Wills and Extrawelt!
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The Revenant ep is destined to be in your gig bag for the foreseeable future.
Never content to rest on the success of their previous releases, techno's working class heroes Tunnel, Submerge, and Lee Holman are hitting dark, hypnotic, and heavy with this 12" release for Naples-based, Etichetta Nera. A Revenant has returned in tripartite form with a whisper on its lips..."Bang."
Already Supported by : Dave Clarke, Gary Beck, Paco Osuna, Aremum, Dez, Luca Agnelli, Sejon, Angel Molina, Andrew Duke, Marc Troit, Quail, Unbalance, Surit (NX1), Roberto Figus, Joseph McGeechan, Cassegrain, Plural, Submerge, Synus 0006, Dr. Motte, Richie Hawtin, Steve Lawler, Kwartz, TheZone.it, Coefficient
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For the second release of the parisian label, nifo gave the keys of the spaceship to Bassam who composed a very balanced EP where house music lovers of all kinds will be pleased. Face A reveals two tracks produced in solo : a lovely trip called Wicked Journey and a tastefull track with acid lines, Cosmic Loukoum. On face B you'll find a banger featuring Kizoku and a very well produced breakbeat remix by Gab Jr.
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Vinyl Only, dedicated to my family, my supporters and all the music lovers. The fifth chapter come directly from burbi’s studios made by Lapucci as M47714. Fresh retrò futuristic sounds, melancholic melodies join rays of happiness, straight and break beats join 80’ spacey synths to begin the jorney thru the mediatic forms of communication that invaded our life. Beware of medias, trust your ears.
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After the organic and natural-sounding debut, Denis Rodd was inspired by Greek mythology and modern cinematography for his second EP. In the opening track, the label founder of Cochlea Music grasping the Tim Burton's fantasy fairy tale Charlie and the Chocolate Factory and replaces the chocolate with acid and the beat works nicely.
The energetic density increases, in the track 'Slow' the drum machines and plug-in sounds push the vocals forward, which in any case aren't slow at all. Or is it the exact opposite Tribal magic emanates the 40s and 50s Blues in the vocal samples, a touch of African ancestral culture, jazz trumpets - the minor scales are hypnotically similar to the techno scales.
In the title track Minotaur, Denis Rodd finally transforms the bull-headed monster from the ancient legend into a hybrid with a fidgety techno skull, and body and soul made from warm Deep House. Bittersweet, melancholic and yet joyful is the captivity in Minotauros' labyrinth of BPM, melodic murmurs, small surprises and contrasting sound events.
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JAY LUMEN, one of the most quickly developing producers and known for his dynamic, pulsating grooves and pleasant vocalic tunes is back again on 100% Pure. After having caused mayhem with his eleven earlier releases, he has proven to be labelled as one of the most famous and internationally appreciated artists of the electronic dance scene.
Jay first became inspired by his love of classical music but has been scorching the international dance scene with his unique fusion of different genres for many years. Be it techno, house or tech house, Jay always creates something special with a distinct sound, containing all the Jay Lumen trademarks: originality, dance ability and energy.
Now our hero is back to save the day with Elysium EP', with Street Stuff ((D.T.T.H)' bringing some old-school house sounds back to the dance floor, and the signature Lumen' style rolling Techno groove Elysium'.
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With the 3-track EP Mantra JOIX opens a new dimension in his electronic music. For the first time he uses his own voice on a larger scale, giving it a machine-like sound that transforms and heightens the meaning of his German words.
The lead track "Mantra" refers to the techno movement in Germany in the 90s, which JOIX lived and breathed as a teenager. Those mystical experiences †staying awake all night in rooms full of light and sound †came close to the trance states attained by chanting Mantras. This is the main idea and the emotional inspiration behind this pulsating A-side track.
A touch of nostalgia also comes through "Wächter der Nacht". This tune channels the mysterious night, the search for ecstasy and self-dissolution in music clubs protected by the "guards of night".
Finally, "Klimax" is a dance-floor-banger that distinguishes itself by whipping up immense energy, and its space-filling melody and enormous hall cascades.
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After our successful year of showcases in the UK and Europe, to steadily building a catalogue of amazing music. We have decided to take things to the next step in our journey.
Johnny Johnny presents JJW001: Proxy EP
This has been a long time in the making as we wanted to make sure that this EP was perfect. And to say we are proud of it doesn't even come close.
This record showcases two artists who we have had our eyes on for over a year now, and its truly our pleasure to be showcasing them on on 110grams of pure listening pleasure!
A Side: Two Tail brings home the bacon with two absolutely stunning tracks.
First up we have Moth Plant' which is its packed with gritty bass and grooves to shake your hooves. Its a track that puffs its chest out, and for good reason.
Second track on A1 is called Somewhere Over There' and its rinsed with warm pulsating chords and haunting pads, broken rhythms and subtle flavours that round these two tracks perfectly with all that Two Tail Flavour.
B Side: Modat is his name and doof doof is his game. Debuting his first ever release with us at JJ. And we already can't wait to see what else he's got coming.
First track is called Thats Good', and ITS good, really good infact. Its a straight up late night club groover. Peppered with blips and bloops and a catch vocal sliding over the top, this ones sure to get your toes tapping.
And last but not least Modat delivers something very different to round of this record. Say What' is something new, something we haven't heard before. We really wanted this record when we heard it, and knew it was perfect for our first release on wax. This breakbeat track really does boast some lovely sounds. Inviting pads, and floating synthetic fillers throughout accompanied by massive sounding beats. Its just lovely.
We hope you enjoy this release. And as always thank you so much for support us.
Love JJ x
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Cologne duo Andhim look to kick off 2012 in the same blistering fashion as they did last year, with an exclusive new ep for Terminal M. The duo's "Like A Wirsing" was the catalyst for a successful twelve months and a run of releases and remixes that lead to Andhim on the way to the top of the tech-house peak.
RELIKT welcomes our modular focused family member Maag to the imprint with an amazing three-track release,
backed by a remix from our label owner Yves Bonjour.
restricted copies 200 only.
no repress.
vinyl only.
no digital promo.
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After the first classy, deep and aetherial 12" back in May 2019, B2 Recordings is back with it's second release, and here we see the labelowner Bengoa move things forward with a three-track EP of all original material following a five-year hiatus. Title-cut 'Forest Law' takes the lead with robust, organic percussion at its core while wandering subs, airy, circling synth lines and vocal chants ebb and flow throughout the groove to create a rolling, hypnotic groove. 'A Little More' opens the flip-side next, embracing a dub leaning feel with choppy stab echoes, crunchy drums and bumpy bass hits before 'Corponation' rounds out the release, laying focus on expansive voice murmurs, airy atmospherics and an acid tinged bass hook alongside loosely shuffling, jazz tinged drums.
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Livio & Roby flip the switch on Uvar's latest enstallment. "Moons" EP starts off with "Cascada de EV", a moody limelight cut for the early evenings. "The Game" skips along cheerfully with a groovy little bassline and quirky melodies. It all ends with the title holder "Moons" and it's little brother, "Reductie" with spaced out dub spirals, vibrant harmonies and saturated acid grooves for peaktime effect. Vinyl only with original artwork.
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Number 3 and sometimes they say that third parts are never good but we can promisse that this What We Like Vol.03 is one that you will like if you are a lover of underground house sound with some deep vibes. New aka for one of our main artists O Rem is coming a vinyl only alias that you will see now in many releases , for the second cut another alias of Rodrido DP , Rigzz More house more groove , third one to our resident artist Frink and last cut to a newcomers Los Reynoso fromTijuana that are doing very good stuff so this 4 cuts are what we like and what we have for this 2018
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Desroi cuts his unrivaled skill to combine power and pace into four new tracks again. "Vermillion Border" draws from a dazed palette of concise and forceful sounds and thus raises the bar on his lasting run of EPs.
Tightly oscillating and resoundingly austere, the EP has its moments of stormy brutality that punctuates the mesmeric synth cycles to inspiriting elation. "Bright Blood" and "Gauze Covers Flaw" appear tethered at the base by cavernous low end and heady drum machine programming which drives the work.
Closing track "Empty Eye" might present Desroi's most funky work to date, rounding the EP off with a single warping synth motif shifting through sonic spheres.
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Coming soon from Petra Digital/Vinyl Recordings is the 'Chimes' EP from Turkish producer Hemi. No slouch, Hemi is a multi-disciplinarian who has worked as a promoter and a film maker, in addition to DJing and producing. Having previously released music under the monikers Paradisko (a collaboration with Hakan Özkan) and Pineapple Pop, he has decided to start using his own name for his music. His latest, the three tracker 'Chimes', is to be released on Petra Digital who are already off to a fantastic start in 2018 with the release of Georgi Barrel's 'Rhyme Goes On' and Doruk Guralp's 'Caspian'.
'Chimes' brings together 'Chimes', a Hemi original, and two remixes. The original mix gets us started, a bouncing, synthy house track. There is a prodding synth figure with more atmospheric layer underneath moving through the chords. Filled out by the layered beat, another big synth carves out the songs melody from the fabric of the track. A truly stunning track, the different figures are sustained when they need to be and dropped when appropriate.
The remixes come next, one from Kiwi and one from Mijo. The Kiwi remix is an early-in-the-night, out-on-the-floor track. You could be anywhere in the world listening to this, but you'd definitely be partying and you'd definitely be dancing. The Mijo remix is the hardest of the three, getting straight away into a driving beat. Following an extended break about a minute in, the track kicks back in full force. For a guide on how to approach the one track three different ways, look no further than 'Chimes'.
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Following the watershed madness of his ‘Yield’ tape for V I S, Meandyou. co-founder Herron unbuckles in rude and fractious form for Peder Mannerfelt Produktion, alongside the bossman’s
own remix.
Where Herron’s music was mostly 4-squared and greyscale until recently, it’s now rambunctiously off-kilter and swirled with iridescent electronics that appeal much more to our heads at least.
‘Billy’s Walk Home’ epitomises this new energy in a swarm of swanging electro and fizzing automated FX, while ‘Throwing Mud’ sounds like classic T++ swilled with gravel, and ‘Losing Spirit’
parries with chewy acid electro recalling Gescom, and ‘United Walls’ sidesteps into stranger eldritch folk melody and crunching vintage AFXisms. Bravo, lad. Peder Mannerfelt is also on hand
to resculpt ‘United Walls’ with a bolshier techno pressure.
Strong stuff!
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Jus Nowhere (Cahoot, Silence In Metropolis) Based in Washington, US is a Modern Music Producer eager to show his take on Club music with three tracks of deep pulsating sound, syncopation and a fair share of galactic house music.
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Niles Cooper has got something for your mind, your body and your soul. The Danish producer knows how to produce Old School classics to bring us back to the 90's.
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Here we go with the "Eine Stadt frisst ihre Helden" e.p., four rough and raw techno machines down from the evil subsea dungeons by the label head himself aka Syntax Error. Every track
tells a story out of the snorky life from Christian in Snorkcity Giessen! "El expreso de cerveza", do a beer pub tour in Giessen and you definitely know that this means. "Mad insomnia causing insects" contains samples which are provided by Mad Matze from his South America holiday, real monster quadrills noice! If this is not freaking you out, the "Freak Wave" will do, breaking over your head that crashes you on the deepest underground as possible. If this is not enough, enjoy some "Döret Talk" from the backstage! More dört that you can expect! This e.p. absolutely says "eat my shorts and go fuck yourself! To be or not to be
snorky! That´s the question!
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vinyl only label project from berlin !blue marbled vinyl with handmade stamps and free sticker, inspired by jules verne`s "20.000 leagues under the sea"... deap-sea monsters and fear of the dark side ! only available on vinyl - no digital release ! no facebook, no twitter, no soundcloud, ...only music
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great co-production between arthur baker & dave clarke !!! huge one !!!
When Jackmaster opened his Mixmag covermount mix with Arthur Baker & Dave Clarke's collaboration from 2001 it shone a new light on this Southern Fried classic. It demanded a re-release and two new remixers were entasked. First up Man Power, whose recent releases on Futureboogie and DFA are turning heads, and also rising star Cody Currie whose output on Pusic & Razor 'n' Tape make him an ideal fit
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After the first release, Variete continues with an ep from Drea, including a remix by Viktor Udvari and Khristian K.
On the A side, Swiss based artist Drea delivers an eleven minute journey into dreamy melodies and bouncing drums named forward, that definitely will make you move your body.
On the B side, the Hungarian artists Viktor Udvari and Khristian K teamed up and created a wonderful grooving more dancefloor oriented interpretation of The A side.
Besides the remix on the B side, Drea rounds up the release with a floating forward going track called the Seed wich showed it's dancefloor capability more then once.
The release enjoys support from artists as tini , Barac , Nu Zau , Tulbure , Amir Javasoul and Counrad.
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Not unlike the first chapter, Workparty 2 mirrors the status quo within the Keinemusik camp.
Featuring Rampa, &ME, David Mayer and Adam Port, it covers all of the crews producing
stakeholders, starting off with Adam Port's '86'.
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Following the first two harder edged releases on Neighbourhood from Randomer & Cadans and Kamikaze Space Programme, the third release is brought to you by Metrist, with his brand of naked, polemic club music (as he terms it), this release is much more angular and abstract. Nos Ossos has a warm, trippy feel to it. Eliot Mi Fe is brilliantly bonkers, shrieking it's way into your brain, which Cadans has remixed adding his signature weight to the equation.
Supported by Ben Sims, Ben UFO
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The Slidebar Crew strikes back and is proud to present a new label
project called Mindcut. Dirty and raw is their philosophy prepare to
have your brain sliced in two by a mix of real Techno compiled onto two slabs of vinyl.
The first release comes with bunch of outstanding artists like Paul
Birken, Crystal Distortion, Brixton, Mark Hawkins, TSR, Mascon, Oliver Rosemann, Scott Robinson and Axel Sohns.
Strictly Limited to 200 Copies incl. Free MP3 Download Code.
support by perc, truss, sunil sharpe, dave tarrida, joe farr, berk
offset
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repressed !Thomas delivers his latest excerpts from the "Natural Rhythm" Series on Vinyl - and this time straight into your bag as a powerful double 12"
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Dutch Producer, Toman Makes His Debut On Fresh-faced Berlin Label We_r_house This
November With Four Minimal House Cuts.
Watergate Resident And The Creative Mind Behind The Beste Modus Label, Cinthie Decided To
Launch We_r_house With Berlin Friends' And Kicked Off The Label With Material From Herself And The
Willers Brothers Late Last Year And Most Recently A Third Release From Revivis. The Man Behind
We_r_house04 And A New Partner Of The Label, Toman Shares A Parallel Vision Focussing On
Minimalistic But Complex House Music. He's Worked With The Likes Of Cyclic Records, Inermu And
Most Recently Uk Label Pathway Traxx Before Linking Up With We_r_house.
'broodrooster' Kicks Off The Ep, Offering Up A Stripped-back, Technical Micro-house Feel Balancing
Exuberant Bass Stabs With Tender Flickers Of Melody. 'fever' Follows, An Absorbing, Lo-fi Cut
Layered With Energetic Percussion And Bouncy Undulating Elements.
Next, 'murmur Displays True Minimalism, Featuring A Simple, Deep, Rolling Bass-line Whilst
Flickering Drum Patterns And Tinges Of Background Chimes Tucked Into The Depths Of The Record.
'slapback' Then Provides Wiggly Jabs Throughout Alongside Sleek Flutters And An Infectious
Subdued Vocal Sample To Finish The Pack.
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Rube Goldberg Series returns with a four course set menu, ready for service. Welcoming significant talent to the kitchen, what’s served is not to be sniffed at: fine ingredients, punchy seasoning, delicate spicing and vibrant presentation are all evidence of a team used to working to the most exacting contemporary standards. Each dish is dense with flavour, yet refreshing at the same time, taking the diner on a gastronomic adventure.
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Second Edition of Wolframs “Automatic Dub”, the Über Hit originally released in 2018. Wolfi has put some new touches on his dub + we handed the material to Rex The Dog and Cabletoy. Rex got back w/ some high energy trance, while Cabletoy takes a whole other route getting extra balearic. Suitable for all dance floors. P.P. Tipp.
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The 5th instalment of 4Plae's Blanc range sees label head ADMNTi partner up with label family member Casey Spillman, bringing two tracks with accompanying remixes.
‘0207’ opens up the EP with bags of bounce, accompanied by skewed chord stabs and underlying layers of glitchy vocals and effects. Casey’s A-Side contribution entitled ‘Juice Appeal’ boasts flares of garage as well as a nod to the UK’s jungle scene of the 90’s through the evolution of its rolling bassline.
Meanwhile, the flip side is dedicated to the remixes, kicking off with Spillman’s take on ‘0207’ which injects a more rowdy and raw energy into the original. ADMNTi’s rework depicts a more mellow yet steppy feel to ‘Juice Appeal’.
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