In 1985 an unknown "American" band hailing from Big Sur in California dropped a package at the doors of the Play It Again headquarters in Brussels.
Four 12"s and an LP later they had to reveal they were only half American and hailed from Brussels.
Their fifth single: "Poison!" hit gold. A firm staple in the New Beat dancings. Weathermen weren't a New Beat band, they weren't even an EBM band. Though their label branded 'em as such on the groundbreaking "This Is Electronic Body Music" sampler
Weathermen were tongue in cheeck, they were humour on the next level.
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Hot on the heels of the Jaxx Madicine remix of Kyoto Jazz Sextet on Local Talk, Tommy 'Tubojazz' Garofalo - goes on a solo adventure once again.
His previous EP "Unbreakable" had equal parts of soul, jazz and funk blended together with a house twist.
The follow-up "Night Colors EP" shows both that and a deeper electronic side.
Opening track 'Two' is a clever number with its changes & sonic wizardry throughout.
Turbojazz makes the perfect blend between house and techno dipped into one big pot of deep Detroit vibes.
Next up is 'The Joint', a track that wears the distinct Turbojazz trademark throughout with its playful keys and sequenced drum programming at full tilt.
Support from Annie Mac, Danny Howard, Ben Remember, Bob Sinclar, Claptone, Dosem, Groove Armada, Hannah Wants, Huxley, Kry Wolf, Low Steppa, Man Without A Clue, Mat.Joe, Martin Ikin, Riva Starr, S-Man, The Magician, Tuff London, Vangelis Kostoxenakis
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Echocord's Colour sub-label returns early June with a four- track EP from Eindhoven's Albert Van Abbe in the shape of 'Klangbilder'. Dutch Techno artist Albert Van Abbe has nearly two decades of experience under his belt in various forms of musical and visual expression, releasing on his own Vanabbe imprint, Figure Jams, Semantica and No Comment, as well as playing live and DJing at hot spots across the globe such as Berghain, Tresor, DGTL and Awakenings festival. 'Klangbilder 1' leads with a robust rhythmic drive, employing bumpy toms, shuffled hats and lumpy kicks at its core as vacillating synths, tension building drones and menacing pizzicato strings develop throughout. 'Klangbilder 2' takes things deeper next, retaining the dusty drums sound of the previous cut whilst stirring in airy ethereal pads and choppy, resonant stab sequences. 'Klangbilder 3' kicks off the B-Side with modulating synth whirrs, emotive organ tones and a muted drum tones throughout before 'Klangbilder 4' closes the package, taking things beatless and cinematic via emotive synth leads, droning subs and expansive echoes.
(Keith Carnal, Black Asteroid remixes) First release from Charlotte De Witte on Amsterdam based Mary Go Wild Black. Voices Of The Ancient is a dark technobanger submerged in sinister whispers, while the vocals in Lost take you on another dark hypnotic trip. Keith Carnal and Black Asteroid delivered a completely different, but both massive and highly energetic remix of the title track. After gaining massive support for her Weltschmerz EP (Turbo Recordings), Trip EP (OFF Recordings) and her most recent Our Journey EP on Sleaze records, Belgium's most exciting new talent Charlotte de Witte now delivers the first release for brand new Amsterdam based label MARY GO WILD BLACK.Located on the Zeedijk in the Amsterdam Red Light District, the Mary Go Wild book and record store made its name with its basement raves during the Amsterdam Dance Event and a string of exclusive dance book releases. Now, the new label MARY GO WILD BLACK will bring you dark hypnotic techno. The Voices Of The Ancient EP features 2 original mixes by Charlot te de Witte and a remix by both Keith Carnal and Black Asteroid. Voices Of The Ancient is a dark techno banger submerged in sinister whispers, while the vocals in Lost take you on another dark hypnotic trip. Keith Carnal and Black Asteroid delivered a completely different, but both massive and highly energetic remix of the title track.This strong EP shows Charlotte de Witte is here to stay and proves without a doubt she's one of our future techno queens.
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Beijing-based techno producer HWA (aka ELVIS.T) is releasing his first 12" EP "Granular Line" on Ran Groove, the sub-label of Bejing's Ran Music. This EP has 2 Deep Pulsating Techno tracks included as well as one Droning Ambient track produced using his customized modular synth system. As one of the leading figures in China's techno music scene, HWA's left-field experimental sound design, delicate poly rhythmic beat groove, dark and twisted massive soundscapes and the full hardware workflow, have earned him a reputation across China's dance music scene. Granular Line is the crystallization of HWA's persistent efforts on using the modular synth to produce techno music, it is the new envelope of his techno sound aesthetic.
HWA was born and grew up in Taipei and kicked off his DJ career in 1998 and soon started to produce his own music. He relocated to Beijing in 2006 and immediately became a part of China's electronic music scene, which had just emerged a few years before and was on its fast-rising phase. HWA is considered a brute force in the promotion of techno music and culture in the country, he was the early co-founder of Beijing's Lantern club, the most influential techno club in China's capital, he was also the co-owner of Acupuncture Records, which is the only techno label in China back in the 00's. In the past decade, he has played in the finest clubs and festivals in Europe, such as Tresor in Berlin and ADE festival in Amsterdam, as well as the top clubs in Toyko, Seoul, and Taipei, where Asian's best dance music scene exists. In 2016, he appeared in China's first ever Boiler Room event with his modular synth system, created the climax of that night and his live set was considered one of the best moments of Boiler Room China.
HWA has deeply embraced modular synthesis in recent years and it has become the centerpiece of his music production workflow and live performances. He attempts to explore randomized beat sequences and experimental sound design furthermore. He's one of the initial members of The Modular Commune, a Beijing artist community focused on the use of modular synths, which has gained a lot of attention across the globe. Through his music work and live sets, HWA's unique athletics and understanding of techno music made by machines, has become a unique label of his.
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Widely acclaimed DJ and producer Kölsch has delivered the release of his brand-new single 'The Lights', a collaborative production made alongside dance heavyweight Sasha. Set for release on Kölsch's IPSO label, the track - a cleverly crafted progressive embodiment of both artist's signature styles - follows the imprint's previous records 'Dogma' and Tiga collaboration 'HAL'. Already supported by Pete Tong on BBC Radio 1's rave lounge, 'The Lights' solidifies IPSO's reputation as one of dance music's leading labels, with the Dane expanding the brand to Miami, Watergate Berlin, and Amsterdam Dance Event last year. Kölsch also recently performed two sold out IPSO shows to 8,000 people in Antwerp, playing two extended 10 hour sets on consecutive nights at Belgian venue Waagnatie. Roping in the talents of 'Last Night On Earth' label founder Sasha, the DJ and producer's imprint recently celebrated the landmark of 100 releases with a special debut compilation. Releasing records on Kompakt, Late Night Tales, and Watergate, Sasha also mixed last year's fabric 99 compilation and recently launched his La Fleur collaboration 'Förbindelse' on LNOE. Proving his skills outside of the studio as well as in it, the dynamic DJ - who has amassed a reputation as a true figurehead of the Ibiza scene, performing at the likes of DC-10 and Privilege - will perform upcoming sets at Motion Bristol, Vujyaday Festival, a forthcoming US tour, and a 3-date Easter schedule around the UK with John Digweed. Well known for his genre-defining cuts, Kölsch has sold millions of records all over the world under his many different monikers, including seminal LP '1977' and his widely acclaimed albums '1983' & '1989', with the latter including the anthem 'Grey'. Labelled as 'The king when it comes to piano and house music' by Annie Mac, Kölsch looks set for another busy summer this year with performances lined up at the likes of Printworks London, DGTL Amsterdam, Awakenings Festival, Sonus and Creamfields.
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Back with its tenth iteration in near half a decade of intense activity, the Rotterdam-via-Berlin based outlet is set to enter a new aesthetic cycle, sloughing its old skin for a brighter, all the more edgy one. Not content with counting some of the finest names in today's techno landscape on board in the persons of Oscar Mulero, Psyk, Sterac and Dimi Angelis, 'RYCL010 - Amsterdam/Madrid' is the occasion for Reclaim Your City to take a new breath and explore deeper the intrinsic values and key-words that make for the label's characteristic motive: music, energy, action, city, quality, art, underground, activism, rebellion, global community.
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When Smallpeople went touring Australia for the third time in 2016, we played a gig in Brisbane and had an amazing time hanging with James Hilan, a young gun from the local scene-
a heavy vinyl collector and bad-ass DJ. He took us to the Wheel of Brisbane for our first Vape experience ever and after some good laughs we became friends. When James sent over
some of his deep yet pumping tracks a few years later we were blown away and when we played them out at our monthly residency at Golden Pudel in Hamburg we decided to gave
them a home on on Fuck Reality – so here we go! Typography and full cover artwork as always by Stefan Marx.
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This time, Tadeo explore the behavior of one of the most iconic element of anicent gods 'Pazuzu'. Approaching to the idea of the wind and what it offer to the world in different cultures; Good and bad news, illness, health, fortune and misfortune. These are some reactions offered by Pazuzu to his followers.
New sounds in the Tadeo´s palette, more analog and raw that continue with different digital experiments and expressions.
Three Years After Releasing His Debut 'mute' On Code Is Law, Under Black Helmet Is Back On The Label With A Solo Ep 'juvenile Moral'. Displaying Total Artistic Freedom This Ep Takes Us On A Journey Through 4 Diverse Tracks Each Opening Up A Sonic World Of Their Own.
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Following up his pair of cryptically luminous EPs for Northern Electronics in the past years, Evigt Morker presents his debut album, Krona. With a shuffling atmosphere that's hard to pin down, the album chronically fixates on the degradation and construction of rhythmic drills with finely rendered parts and patterns. Spiralling the listener through a set of stormy soundscapes, Krona keeps placing the horizon just ahead, and just out of reach. The unease that Evigt Morker invites us into is electrically charged and threatening to crack. For all its syncopation we are relentlessly swerving through the works, afraid of teasing an arcing static shock from the blistering commotion. The album's propulsive tracks are settled against a pair of stunning ambient compositions that capture some of the tension from a distance. Technical dexterity and perfectly pitched intensity stakes out Evigt Morker's debut album as an impressive statement.
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Huge remix package of one of the Exium classic tracks, Expect Nothing, recorded in 2003 and reviewed 15 years later by Regis, Oscar Mulero and Reeko.
Special 15 Years Anniversary Edition with a new Exium's version of the original track mixed and remastered plus 6 remixes (three on vinyl + three on the digital version).
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We're happy to announce the return of Dublin-based Will Kinsella, better known as Hybrasil, with his first full EP release for Break New Soil!
Will's 2017 contribution to Gregor Tresher's Breaking New Soil series in the form of the floorfiller - Flexo was definitely a highlight, so was only a matter of time for Will to return to BNS, and so we're happy to announce the release of these four razor-sharp dancefloor weapons: Ladies and Gentlemen, this is Hybrasil's - Ascended EP! Enjoy!
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All the way from Sweden, chef Kool DJ Dust makes a special guest appearance on Take Away with a three course meal that includes plenty of spice and aroma...
Mikio Kenzo EP marks the second release from Lee Clarke's Tahanan imprint and the first vinyl release. Following on from
Sek's Drunk Yoga EP, the second instalment delivers two original tracks Mikio Kenzo and Mind Control as well as two remixes from rising deep house producer James Benedict and Forward Education's tech house master The Wheel Man.
Mikio Kenzo, a dance floor roller with a deep yet funky sound, coupled with nice looping pads full of energy. James Benedict's remix continues that trend with a similar sound you'd expect from Lost My Dog or Large Music. The Wheel Man offers a deeper sound, fit for bigger sound systems.
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After his comeback album on Morphine in 2014, Sote marks his return to rhythm by taking part in Repitch's 10inch series with a banging two tracker extracted from his more than 20 years old unreleased archive. Neuroenhancer produced in 1995 is a heavy duty techno drilling machine, pairing an oldschool Mills like groove with a throbbing mass of modular synths. On the other side In Music I Trust''s main engine is an incandescent hardcore/jungle beat, haunted by spaced out vocals in the darkness. The track was produced in 1997 with friend 'Safar' a San Francisco based DJ/Producer, shortly after Sote s initial experiments with Jungle and Drum n Bass pre his Warp EPin 2002.
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After the huge "Diggin' Disco Deep # 3" LP which released for the Record Store Day 2016, the label hits back with its second RSD title, providing its fans with essential deep-house and deep-disco vibes by Lipski, The Silver Rider, Folamour, Gari Romalis & Lello Di Franco.
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CULT-02 sees the second VA release from Cultura Records. This time around the collective has sourced tracks from Crisna, Greg Brockmann, Tommy Vicari Jnr and BRYZ to bring together a nicely balanced slab!
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White Visitation, who debuted on Blank Sate 006, returns with a full EP that showcases the vastness of his musical capability. The Mexico City native doesn't submit to the boundaries and limitations of genre to frame his musical identity. This ability inspires the conquering of differing styles of music without hesitation. The result is a pervasive sonic ngerprint evident in any of his creations. White Visitation begins with Maintain, a heavier-leaning track which evades abrasiveness while
remaining vigorous. The track, previously released on cassette, seems to smother a melancholic feeling desperately yearning for escape. CYEADOS is a ballad of distant war horns crying out in longing. It peaks with a barrage of brutalist ride cymbals which both pummel and soothe. Take it Again is an exercise in elegance and elation. White Visitation consummates an
atmosphere of sweetness without sacricing an ounce of depth. He balances layer upon layer until what stands is a house of cards constructed to resist the ever intrusive winds of monotony.
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Aaaron continues his journey through mystic synthesis with his 5th ep for connected , “Cosmic Soul”. It seems with each release he gathers more depth to his music and minimises his style and production to naked artwork in sound where each instrument has its space for the the listeners imagination. Abstract yet magnetic , tribal and futuristic. Sink in the shadows and rise on the waves.
1.COSMIC SOUL A rhythm section playing robotic funk against an esoteric drone meets a melancholic piano refrain and pleading vocal monotones that go dubwise. The landscape of the track rises and falls to a vocal and piano breakdown with electronic flutes piping in the distance , peppered with percussive stabs throughout as the emotive waves surge to find earth. Quite beautiful. 2.MERCY Synthetic textures reminiscent of Blade Runner 2049 form a backdrop for a skeletal drum figure, as soft Kraftwerk like notes filter in and out and a skinny sequencer drifts across the track like crosstown traffic. A vocoder pulse and dreamy synth horns hold the scene in the shade of a hot sunny day as the city flies by in stop motion. 3.ITS NOT OVER Imagine a classical symphony based on 2 or 3 chords , revolving and hypnotising by its simplicity and gradually rising in sonic temperature. Set against a drumscape of toms and unnaturally pitched and distorted snares and phasing plastic synth percussion like a drifting cloud of locusts. The vocal “Its not over between you and me” is haunting and irresistible and the song draws you in, mystified by its simplicity . Devoid of frills , cold and heartbroken yet the embers of passion still glow. Innocently executed , Aaaron at his futuristic high.
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After released a track into pattern#1 various,Toronto’s rave enfant prodige AADJA is ready to release her solo debut EP on Pushmaster Discs Family.
On the side A the canadian producer shows his perfect Acid/Techno infected sound inspired by 90’s Rave style with the track “Interaction Sphere”,in the same side a minimalistic killer tool techno remix by the dutch “don dino” Deniro (трип) On the side B “Acidphoria” is another massive techno tune with acid melodies and 909 big rhythms, to complete the side an amazing funky and minimal speed remix by the berlin based producer Hector Oaks with his alias Cadency.
150 limited copies!
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This is the first release of the new Techno label based in Ibiza called MuM, with his wellknowned nature MuM is one of the favorites partys in the Winter calendar of Eivissa/Ibiza and now lauches her homonym label.
For this beginning Ep introduces one of the most sucessfully artist of the pressent Romanian Scene, Xandru. In this Talma 22 EP give three tracks, from a clasical Piano Techno tune to a complicated textures version of the best house.
It's a stark compilation that we cannot lose.. Enjoy it ONLY IN VINYL release.
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Take equal parts 808, 909 and 303 and you might get an idea of what to expect on Adrian Forcinitis debut on Dizzy Tunes, "Swedish Royal Ass-iieed". His tempting acid tunes give you quite a challenging listen while trying to discover the secrets of the various analogue, genuine nooks and crannies involved in this remarkably fulfilling experience. If all you ever wanted was real, sturdy acid music, this record is one to which you'll come back and play repeatedly.
Mastered at SCHATZ.MASTERING.STUDIO
supported by DJ Krime, Snuff Crew, Jesper Dahlbäck
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For the 15th release on Ondulé recordings, Around7 offers us a treasure hunt through his influences and his love for sampling.
The « C KIKIMIX » EP is starting with King Britt version of « Last night a DJ saved my life » turned into a hypnotic House piece.
Then passing by « C D'LA DYNAMITE », a Madlib sample totally dynamited by the MPC's filter.
And finaly ending with « DECONNE PAS MORRICONE », a classic cut by Enio Morricone flavoured with acid bass. Well, a « must-have » for sample lovers and adventurous DJ's...
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Glad to have the legendary british player Danny Howells back on Nick Curly's & Gorge's 8bit Records. Proper house music in all its styles and variations!!
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Dizzy Tunes' latest drop - Ghetto Traxx puts your feet directly back to the dancefloor having it all set in wavering melodic tunes coming from a 303 combined with classy yet swinging drums produced with a 909.
All four tracks will convince your mind with ambitious, challenging sounds your body fills up with - two of them being Ghetto House Traxx, the other two Chicago House Dance Traxx.
Mastered at schatz mastering studio
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D.J. TopCat returns on Dizzy Tunes 010. His former release on Dance Mania #165 from 1996 comes re-mastered to hit the dance floors again. Mastered at schatz.mastering.studio
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Emerging Italian label Castenea Records has been on a rich vein of form of late. Spurred on by quality signings a la Pressure Point, TC80 and OdD Music, they've quickly won the hearts and minds of numerous similarly-inclined artists. Their latest is a case in point. Coming at us from Modbox aka Patrizio Restelli, it features three originals from the man in question as well as a remix from one of minimal techno's most exciting new acts, the inimitable Topper.
Kicking off the sounds of 'The Science Behind First Impression' EP is 'Halo Effect'. A heads-down, zippy track that conjures up images of a hazy Villalobos and Zip after-hours session, it's made up of but a few parts but still manages to force a distinct
impression. An auspicious beginning, it wonderfully sets the mood for Topper's reinterpretation. Imbued with slightly more colour than its predecessor, its gradually warmer remix acts as the perfect foil to the sounds of the original.
The B side gets underway soon after with 'First Impression'. A jazzy number that's indicative of the producer at his playful best, it's full to the brim with smile-inducing tones and is sure to work a treat wherever it's let out of the bag. Culminating the release is the sounds of 'Jam Confidence'. A more stringent affair that sticks to an eerie script, it sees us out the door with some panache. An EP that's sure to force an impression, that's for sure.
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Tamango Records sign uprising stars Moonlit Vision for a tasty four tracker EP. It's the very first time since the opening '13k EP' by label boss Yaya that we provide a full-originals only EP - so fasten your seatbelt for an astonishing trip into every shape of house with their brand new 'Pointed Sounds' EP.
Newcastle pals Ross and Callum wisely released only a few tracks in the last couple of years, landing on labels such as Rich Nxt's 'NxT Records' and Lauren Lo Sung's 'E1even Records'. They've also got their tracks remixed by the likes of FUSE regulars Ben Rau and Rich NxT.
Opener 'Something' it's a true house weapon where funky swinging snare drums carry the track from start to finish. Melodic pads go on and off, while catchy female vocal shots create an amazing atmosphere upon a serious shaking-groovy beat which is impossible to not move with.
A2 'Ballad Of The Bubblegum Kid' is a solid tech house tune with some splashes of UK raw and garage moods. The powerful and boosted bassline takes control of the track and perfectly fits with sharp hi-hats, delayed chant, and housy chords.
On the flip, 'Subterranean' is another quality tune with intricate rhythmical sections and gorgeous vocal samples bringing back some early house feelings. This one is about claps, snares and a blizzard of hi-hats and tiny panned percussions all wrap around each other into a kinetic jam, turning throughout to bring plenty of good vibes to the driving groove.
Closing the affairs is the deeper and more intimate 'Mindbowl' - a joyful deep house tune with dreamy chords and pads, perfect as an opening tool or late after-hours moments.
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Kiev based "vinyl only" label Nastroy present its 1st release based on a concept Modern Nostalgy. Deep & intelligent sounds from MicroHouse to Minimal Techno.
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We open 2018 with a new Various SCL004 named "The Beat Bunch EP". We have the pleasure to have on the A side,
after a very noticed ep on Sampling As An Art Records, Le Grand Détournement! "Devinette" and "Mexican Food" 2 solid tracks
with a universe between Hip Hop/ Funk samples, Rhodes & big filters, followed by "About Jazz" a funk jazz influence track
by the head of Sure Cuts, GZZ. On the B side, a new recruit! Jehan (Star Creature) delivers us a groovy moody sound with his "Cherimoya" and we close this ep with a faithful member of the Sure Cuts family, Keedo and "Don't Tell The Truth (About Our Love)" a serious House track, vocal loops, deepness background & slamming rhythmic.
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Volume 7 continues our beloved Various Artist series, welcoming fresh faces to the camp. Mikki Funk, Dub Striker, Marc Cotterell and Outstrip drop some serious dance floor business on this one.
As always it's a limited run, when it's gone, it's gone!
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