All Vinyl New Releases - News

Mr.K has smashed it in 2018 with solid releases on Wheel & Deal, White Peach and Deep Dark and Dangerous. He has consistently toured the UK, Europe and USA through out the year and featured highly on all Wheel & Deal events including our Boat party at Outlook festival Croatia and Sold out 9th Birthday in London.

We are proud to welcome him back for his third release on Wheel & Deal Records. Itch EP has been a staple in many of the Dubstepper's playlists including N-Type, Coki, Causa, Sepia, Kromestar, Khan & Neek, Compa, Sukh Knight, Squarewave, Distance, Darkside, Hatcha, Samba, Cimm, Vivek, Youngsta, Ternion Sound, Saule, Sicaria Sound, Distinct Motive... to name a few.

If you're not familiar with his music it carries elements of Roots Dub and Dread vibes, reminiscent of days gone by but with a fresh and exciting take on Dubstep. This is Sound system music at its finest!

I'VE SEEN, Oku Onuora's new album is slated to be released February 22, 2019 on the Swiss based Fruits Records label. The album was produced by Dr. T and Fruits Records.

Oku Onuora, Dub Poet extraordinaire is known for his hard hitting socio-political commentaries fussed with potent musical accompaniment is at it again. This new album alternates between a cappella poems and poems fussed with powerful riddims performed in the purest Jamaican tradition by the musicians of The 18th Parallel, to which is added Doctor's T modern electronic touch.

In 2013 after withdrawal for over a decade from the poetry/music scene, Oku signaled that his re-emergency was in full effect with the release of A MOVEMENT; featuring Monthly Alexander, Sly and Robbie, Audrey Hall, Jawara. This was followed up by the vinyl single release YESTERDAY, TODAY, TOMORROW in 2015. Then there was a reissue of the seminal REFLECTION IN RED in 2016 and in 2018 came the reissue of the compilation album I A TELL DUBWIZE... & OTHERWISE.

February 22, 2019 is the launch date for the Word/music missile I'VE SEEN. Be prepared for a word, music fallout that has never before been heard. This album will delight both specialists and genre enthusiasts.

Rounding up five years of Heist also means we're releasing our fifth version of the Round Up. Last year's edition was full of highlights with Fouk remixing Nachtbraker's anthem 'Hamdi' and Alma Negra going all tribal on Nebraska's 'Big plate chicken'. This year, we've seen a lot of new faces on the label, which has brought us a fresh set of combinations and a couple of really nice revisions of the tracks that made our year.

First up is Detroit Swindle's take on Heist's latest signing Hugo Mari. They chose to remix 'Change ur ways', beefing up the dreamy original. They focus on a simple but effective grainy groove and added a twist on the bass to give a more 'warehouse' feel to it and play around with the lovely detuned keys and vocal chops of the original to great effect.

Alma Negra show you just how loose their limbs are with a Rhodes filled version of Kassian's Acid surprise 'Bad Habit', while the full B side is dedicated to Pitto's personal take on Adryiano's classic house track 'Me and you and her'. His version takes the track into a new territory that lies somewhere between balearic and dreamhouse. Whatever it is, it's got a lovely vibe where the vocal is complemented by airy pads and a touch of acid.

Kassian on their turn, have done a great job on taking Pitto's 'Treat me like a fool' into 4x4 house territory. They've opted for a sub heavy club track where reverbed hits and the vocal take turns over a solid house groove. Next up on the C-side is Adryiano. He's picked Detroit Swindle's moody-but-heavy album track 'Cut u loose' and does what he does best: a steady and nicely distorted filtered house groove that packs quite a punch. The final track of this compilation really is a great pair of artists: Hugo Mari and Alma Negra. Hugo takes the tropical warmth of 'This is the place' and adds a subtle punch with a smart percussion loop and some added pressure on the low end.

So there you go. Another year, another Roundup. We hope you'll enjoy listening to these re-interpretations as much as we do. Yours

Sincerely,
Maarten & Lars.

Vort's debut EP on E-Beamz straddles finely between the Electro/Jungle spectrum. 50 Yen is a atmospheric electro track that could be direct from a 1980s SciFi film, whilst Silverlight leans more on the melodic side of breakbeat electro. Rainfall is pure euphoric jungle rave (all about the second drop) and Tulip is a lushful electro/jungle mix that perfectly concludes the diverse textures from the EP

Following on from 'Dimensional Space' on Echospace (Detroit), dub techno legend CV313, aka Stephen Hitchell offers up his second album, 'Glass City Sessions' on Minimood, featuring five profoundly immersive tracks that come as a double vinyl release only. CV313's signature dub techno sound has been a blueprint for the genre and is created on vintage hardware, all sounds, static, tones and paranormal occurrences are left in to render it as atmospheric as it is.

The five expansive recordings that make up the abum are actually based on live recordings from a DEMF aftershow night back in 2000 in Detroit. The music is a bit creepy and so was the experience of this live show' says Stephen Hitchell, It was an old dingy warehouse about 10 miles out of downtown Detroit, right next to the now abandoned Eloise asylum, but there are many stories of it still being haunted'. Indeed, that theme of haunted locations around Detroit echoes through the five tracks and makes them a truly cinematic experience.

Opening things up on the first record is the brilliantly dark 'Belle Isle Symphonics,' twelve frosty minutes of hunched-over drums and rattling metal sounds that place you in the centre of a large abandoned building. 'Masonic Mystic' is much sparser and more eerie, with watery chords and warm static suspending you in an unsettling calm atmosphere, but one that always feel like something strange is around the corner.

On the second record the superb 'Stars Above Elmwood' lifts the shadowy mood somewhat with more airy dub techno drums and pensive chords rippling out in all directions. It's warm, expansive, and utterly absorbing for more than 13 minutes. 'Two Way Inn' continues the trip in fine style with gentle chords and barely there drums, comforting white noise and distant pads all sinking you into a state of meditation before the masterful 'Eloise's Theme' arrives, an ambient-ish masterpiece with horizontal chords gently moving up and down the scales to trap you in a soothing state, but always with an undercurrent of foreboding.

This new album by CV313 is deep story telling dub techno of the highest order.

it's the first Vinyl release of Illegal Alien Records. this release is a Collaboration between DJ Emerson & Angel Costa and includes massive remixes from Bas Mooy, Paul Birken and Ricardo Garduno & Submerge, this is definitely a very solid vinyl, a perfect start for Illegal Alien Records.

For their second birthday RAW CULTURE is proud to introduce its little sister: GHETTO CULTURE! Ghetto Culture is a series of releases inspired by ghetto house sound, techniques and feelings yet reinterpreted in a modern way. This first release is signed by GHETTO 25, the punk connexion between two mysterious french artist with only purpose of making unintelligent tracks for unintelligent people. Footwork, hard twerk and champions league are their only goals for next seasons. The EP includes a remix delivered directly from Chicago's ambassador of ghetto sound: PAUL JOHNSON! This series of releases will include a little fanzine with an exclusive interview with the master PJ, some exclusive artwork from the french duo and some other gems.

- Destination: Education', eine leicht düstere Rhythmus-Studie mit Vocals von Gui's Ehefrau Luciana (die auch das klassische - Beautiful Life' vom Debüt-Album - Chromophobia' sang), erhält nun einen dezidierten Schubs ins Rampenlicht: die Clubgurus Terranova und Tale Of Us justieren den Track neu und versehen ihn mit größtmöglicher Tanzbarkeit.

After the runaway success of Field Of Dreams' first record, the boys decided it was time to get another one out there.

However, this time they wanted to showcase the talent of Istanbul's KaaN, a man they had previously remixed, a remix which was a big favourite of a certain Mr Andrew Weatherall. KaaN's latest track is another authentic slice of Turkish dance music with incessant eastern drum rhythms and melodies that make you feel like you're right in the middle of Istanbul's Grand Bazaar.

The Field of Dreams boys add a hypnotic 303 to the proceedings and away we go.
Finally, as a bonus track, they have added their amazing remix of Adab I Raki - an ALFOS favourite and worth the price of this 12" on its own!

German producer, DJ and label-owner Phonk D, who has risen fast to stardom in 2018, is back once again on NDYD Records with his sequel-release Disco Goodies Pt.2, an outstanding four-tracker that should instantly do the trick to boost his career even further.
From Talking Vintage, an quite energetic floor-filler with a feel-good sound thanks to the percussions that will last in your memory for some time, to Gettin Down, a homage to the French 70s on the southern shores of the Cote dAzur, the charismatic producer keeps the level at the very top of the game. The b-side complements the funky ride with the pumping disco-sensation Can Do It while Disco Africana, with its lovely afro disco-touch rounds up the picture of the 30th release on the emerging German label from the city of Frankfurt.

CYBERSPEAK, Milan multidisciplinary collective appears on the internet as a language of objectivity and truth, as the computer is, challenging the existing order in electronic music.
'V1' is the first physical episode coming from duo TRAIN TO ELTANIN showing their skills with 5 tracks that embody the musical accelerations of the label.
Hi-Speed Electrofunk with some energetic stop and go that makes it a sure killer dancefloor weapon, atmospherical and evocative club sounds, classicism jazzy school driven by computer sequencers, jungle assaults and broken electronics. The message is clear: Keep on Programming!

Early Support From: Sloth Boogie, Loods, Optimo, Xxxy,
Sour Edits Is Back For 2019 With Our First Various Artists Compilation Featuring Four Up And Coming Artists Three Of Whom Are New To The Label.
We Welcome Back Marcin Krupa To Label With link In Bio' The Astropical Boss Delivering Another One Of His Now Signature Jazzy Pumpers One To Get Everyone Grooving
Aussie Upstart Kayroy Knocks Things Down A Notch With put It In' Swirling Synths And Diva Vocals Come Together To Make A Proper Bouncey Chugger
Steel City Dance Disc's Salary Boy's on The Other Foot' Is Chock-a-block With Heart Tugging Strings And Vocals Building To A Huge Dancefloor Bomb, You Can See Why He's One Of The Most Talked About Young Producers In The Scene.
Longtime Friend Of The Label And All Around Good One Ruadh Comes In Hard With hot Drums' A Percussive Curveball For Any Set, This Is Their First Release But Expect Many More To Come In The Near Future.

Ukrainian Techno artist Yan Cook is swiftly turning into one of Planet Rhythm's usual suspects. The follow up to this years XX LP comes in the form of a 12'' package called ''Loophole EP'' 4 deep and dark Techno cuts that represent the Yan Cook sound to the fullest. Expect swells, cleverly placed Arps that are all part of his rhythm driven signature sound.

This may be the first release on Alternate Facts but if you look deeper you'll find the culprits have been lurking amongst London's underground for a while now. Dexter Kane and Thoma Bulwer have been solo-navigating the circuit for some time, however the past year has seen them converge to throw a string of successful clandestine events across the capital under the same name.The fact that the pair are both producers and sound engineers in their own right shines through on this well crafted 4 tracker. 300 copies - vinyl only.

LSD is a project of Luke Slater (Planetary Assault System, LB Dub Corp), Steve Bicknell (Kim Bilir, S.B. Project, The Evader) and David Sumner (Function, VEX, Sandwell District)

Luke Slater, Steve Bicknell und David Sumner (Function) sind LSD. Ihre Debüt-12' Process erscheint im November auf Ostgut Ton, flankiert von Shows bei ADE und Berghain.

LSD ist eine andauernde musikalische Kollaboration zwischen den langjährigen Innovatoren elektronischer Musik, Luke Slater, Steve Bicknell und David Sumner. Als LSD konzentrieren sie sich auf die psychedelischen Aspekte von Techno und betonen gleichzeitig ihre sich jeweils überschneidenden Stile und rhythmische Sensibilität.

Die persönlichen Beziehungen der drei lassen sich über Kontinente und Entwicklungen innerhalb von Dance Music zurückverfolgen. Steve lud Luke erstmals Anfang der 90er Jahre zu seiner legendären LOST-Partyreihe in London ein, was zu gegenseitigen Remixes auf zukunftsweisende Techno-Labels wie Cosmic Records und Nova Mute führte. Rund eine Dekade später - im Jahr 2000 - befreundete sich der gebürtige New Yorker Dave mit Steve, nachdem er ihn eingeladen hatte, im Club Limelight in Manhattan zu spielen. Im Laufe der Zeit kam es zwischen Dave und Luke zu zahlreichen Begegnungen, aber erst im Jahr 2009 festigte sich ihre Beziehung und führte schließlich zu einer Koproduktion Daves von Lukes frühem L.B. Dub Corp-Material (- Roller', 2013).

Die gemeinsame Saat für LSD wurde im Juli 2015 im Moulin Rouge, Paris während eines gemeinsamen Gigs anlässlich Functions Berghain 07-Mixes gepflanzt. Dort tauschte das Trio Gedanken zu einer Kollaboration aus, die die Grenze zwischen DJing und Live-Performance verwischen würde, während jeder von ihnen separate Stücke und Spuren manipuliert und das Ganze unvorhersehbar (de)konstruiert. Ursprünglich gedacht als einmaliger Auftritt anlässlich eines Berghain-Closing-Sets am 17. Juli 2016 beschlossen die drei später, seinen Entwurf lysergischer Maschinenmusik mit der ersten 3-Track 12' weiterzuentwickeln.

- Process 1' fackelt nicht lange: übersteuerte, vielschichtige Kicks und Hi-Hats setzen unvermittelt ein; eine kräftige, malmende Synth-Figur windet sich um entfernt klingende Sirenen, bevor der Rhythmus Stück für Stück dekonstruiert wird. - Process 2' nimmt ähnlich schnell Fahrt auf undentfaltet eine Sogkraft aus schrillen Drones und Alarmsignalen über das gesamte Klangspektrum hinweg. Synkopierte Hi-Hats und Synthfilter öffnen und schließen sich, bevor schließlich die volle Weitung erreicht ist. In - Process 3' wird eine musikalisch breitere Landschaft mit Bleeps gefüllt, bevor sich LSD schließlich klanglich gedämpfteren Gebieten zuwenden. Dort greifen Synthesizer-Arpeggios das Tempo wieder auf, bevor das Stück in einem langgezogenen Ausklang mündet.

Als Ganzes betont Process halluzinogene und gestaltwandelnde Klangelemente, ohne sich auf das weiter gefasste Konzept des Trips zu konzentrieren. Stattdessen liefern Luke, Steve und Dave ihre Interpretation stroboskopischer Intensität auf dem Gipfel psychedelischer Erlebnisse - durchsetzt mit Momenten hypnotischer und atonaler Melodien, so treibend wie bezaubernd.

There's no stopping Ludovic Llorca!
After having several successful releases out on labels like We Play House, Shadeleaf and House Of Disco, Art Of Tones returns to our beloved LT family with a second 12" 'The Rainbow Song' is the follow up to The Same Thing EP released back in 2013.

If you've come across Art Of Tones before you know what's in store for you. The Rainbow Song got all the signatures of a great Art Of Tones track. It's uplifting, got a tight groove, a strong vocal hook and well crafted jazz-like rhodes chords, it's damn catchy!

For remix duties we find one of Paris' finest purveyors of high quality underground electronic music, S3A aka Max Fader. Max showcases his deep seated love for disco and house and has created a version that celebrates both, while aiming straight for your hips.
With just a few added elements he takes the track in a different but no less powerful direction.

° +

Under pseudonym "Jean Eon,' Johnny Quinn Alston is the artist behind the project _ - / _ EON, a performance endeavor born out of an intense personal and familial experience in 2011.

_ - / _ EON is a portrait of the various manifestations of energy throughout the wide span of time and space we inhabit, from human experience to multidimensional mystery, as well as a peek into the many emanations that eternal power can create.

Jean Eon is merely a human form attempting to channel what bits of existential mystery he can interpret into sensual experiential form. He aspires to be as comfortable as possible with existence as a flawed, but striving, human being, and is not to be confused with the immortal and cosmically balanced EON itself.

_ - / _ EON is larger than Jean, and the EON is also you, we, and everything in between. We are all already avatars of the EON, and this project makes an attempt to shape truths of the great æther from which we are carved and will presumably* return to, however bittersweet or glorious that eternal promise may be.

+ °

* do we ever really die

+ °

The music released under NEW YORK TRAX 08 results from physical expression as . _ - / _ . EON focuses on channeling physiognomy over dictation. The EP explores pre-existing textural combinations discovered and rescued from stone as opposed to built step by step.

The initial inspiration for this EP arose from driving past randomly unfolding rural scenes. A majority of . _ - / _ . EON's resulting work similarly gravitates towards a series of landscapes discovering each other rather than 'arrangements' played on repeat.

In the back of your head, you know those blinking aircraft warning lights on towers, but how mysterious and ominous they look before you discover what they really are On the surface, this project represents the sound of being struck by the sight of something for the first time, and the ominous, transfixing, thrill of not knowing what it is.

Limited Edition. Triple Transparent Vinyl 180g Incl. Poster & Download Code. Box Will Be Opened For Shipping To Avoid Seam-split. Hinweis: Box Ist Verschweißt, Wird Aber Für Den Versand Geöffnet

On October 19th Kompakt presents a new LP and audiovisual venture by Danish producer Kasper Bjørke and close cohorts. Epic and in length but always captivating, 'The Fifty Eleven Project' is an entirely ambient concept album, that interprets and evokes the emotional rollercoaster Kasper experienced, from his cancer diagnosis and throughout the five years of regular check-ups. The week of album release marks his second anniversary of getting the all-clear.

The base of the album was composed on vintage analogue synthesizers, reverbs, echo and sequencers - using the computer solely as a recording device - by Kasper and synth wizard Claus Norreen, in the latter's Copenhagen studio.

The violins, violas and cellos are composed and played by the Italian composer Davide Rossi, who has also worked with Ennio Morricone, Jon Hopkins, Ro¨yksopp, The Verve and Goldfrapp.

The piano parts are composed and played by Danish musician Jakob Littauer (of Kompakt labelmates Jatoma) on an old upright piano in a studio, and on a Steinway Grand Piano in the concert hall at the Royal Danish Music Conservatorium. From Max Richter's 'SLEEP', Hannah Peel's 'Mary Casio: Journey To Cassiopeia', to much of Brian Eno's 'Music For Installations', 'The Fifty Eleven Project' continues in a rich vein of work by contemporary composers which explores a situation/condition, and is made with functionality and healing in mind.

The visual side of 'The Fifty Eleven Project' is made in collaboration with the culture laboratory Prxjects and acclaimed LA based artist/filmmaker/photographer Justin Tyler Close, who has created art films for each of the album's 11 tracks - plus one music video, including clips from all 11 films. The 11 films will be assimilated into a video exhibition at Klub in Copenhagen from 12th - 21st October. The ambition is that the installation will tour Europe and the US in 2019. Furnished in an exquisite fabric box, this 180 gram 3LP clear vinyl box is presented by cover art created by world-renowned artist Landon Metz, further cementing the release's multidisciplinary links to the art world.

Am 19. Oktober präsentiert Kompakt das neue Album und audiovisuelle Abenteuer von Kasper Bjørke und Freunden. - The Fifty Eleven Project' ist ein komplett ambientes Konzeptalbum, das die emotionale Achterbahn, die Kasper nach seiner Krebsdiagnose und während fünf Jahre regelmäßiger Untersuchungen erlebt hat, interpretiert und offenlegt. Die Woche der Veröffentlichung des Albums markiert den zweiten Jahrestag seit der Entwarnung.

Die Basis des Albums wurde von Kasper und synth wizard Claus Norreen in seinem Kopenhagener Studio auf analogen Vintage-Synthesizern, Reverbs, Echos und Sequencern komponiert - der Computer wurde ausschließlich als Aufnahmegerät gebraucht.

Die Geigen, Bratschen und Celli wurden vom italienischen Komponisten Davide Rossi komponiert und eingespielt, der auch mit Ennio Morricone, Jon Hopkins, Röyksopp, The Verve und Goldfrapp zusammengearbeitet hat.

Die Klavierparts wurden von dem dänischen Musiker Jakob Littauer (bekannt vom Kompakt-Projekt Jatoma) auf einem alten Klavier im Studio und auf einem Steinway-Flügel im Konzertsaal des Royal Danish Music Conservatorium komponiert und eingespielt.

Von Max Richters - SLEEP', Hannah Peels - Mary Casio: Journey To Cassiopeia' bis hin zu Brian Enos - Music For Installations' - - The Fifty Eleven Project' setzt die Arbeit zeitgenössischer Komponisten fort, die sich mit einer Situation/einem Zustand auseinandersetzten und die auf Funktionalität und Heilung ausgerichtet ist.

Die visuelle Seite von - The Fifty Eleven Project' entstand in Zusammenarbeit mit dem Kulturlabor Prxjects und dem renommierten Künstler/Filmemacher/Fotografen Justin Tyler Close aus LA, der für jeden der elf Tracks des Albums Kunstfilme erstellt hat - plus ein Musikvideo mit Clips von allen elf Filmen. Die elf Filme werden vom 12. bis 21. Oktober in einer Video-Ausstellung im Klub in Kopenhagen gezeigt. Ziel ist es, dass die Installation 2019 durch Europa und die USA tourt.

Verpackt in einer exquisiten Stoffbox, die vom weltberühmten Künstler Landon Metz entworfen ist, zementiert diese 180-Gramm schwere 3xLP-Klarsicht-Vinylbox seine multidisziplinäre Verbindung zur Kunstwelt.

Helo. Slow Down. Mind The Gap. Careful. Little Steps. Everything Is Fragile. Small Pieces. Tiny Elements. Some Do Fit. Making Parts. Add. Add. Add. Layer. Build. Ninze & Okaxy With Their First Appearance On Laut & Luise, Having Constructions In Their Lightest Form. No Heavy Machinery, No Rattling Noises. Fine And Fragile, Modest But Bold, Like Silk Flying Through The Air. Completed By A Percussive Interpretation From Old Friend And Companion Chris Schwarzwalder On The B Side Aswell As Sweet Cheeks Canson On The Digital Side. Good To Have You Here, Good To Have You Back.

(Roog Unit = Luke Slater + Ø Phase.

The full dose of "Mesh" shows two producers clearly at their most focused and precise. Like their best work to date, it will get fans' active imaginations churning - and leave them wondering what thiscollaboration has in store for the near future.

Roog Unit is the new production duo fusing together the talents of Luke Slater and Ø Phase a.k.a. Ashley Burchett, the music being the result of many months of discourse and growing connection. They have already joined forces in the recent past: Ø Phase contributed a striking remix of the Planetary Assault Systems classic "Dungeon" for the radical reassessment program "Planetary Funk: 22 Light Years," and the two shared DJ duties during last year's "22 Light Years" tour.

The apt title of the debut EP for Mote Evolver, "Mesh," suggests a locked grid or set of axes on top of which all sorts of creative possibilities can be sketched out, and it provides a perfect descriptive metaphor for the interaction between these two skillful heads: like carefully interwoven strands, neither half of the duo dominates the proceedings and each individual's contribution strengthens the effect of the other's.

The self-titled leadoff track on "Mesh" is a bracing bombardment of the senses, pulling out all the stops in order to get ever closer to a white-hot core of intensity. This journey to the heart of the sun moves along at a rapid pace, but also with a sense of patience, as new sound elements fade in slowly and surely. Chugging bass sequences, metallic flutters and sparkling high-register arpeggiation all make this into a piece of contained chaos that will engage veteran listeners and certainly teach novices a thing or two.

Before the listener has fully caught his or her breath, "Bugeye" follows suit and proves that the winning formula of the previous track is no one-off affair. A characteristically high-impact percussive track forms the base from which Burchett and Slater implement their plans for layering sonic architecture. Here their experience and determination truly differentiate them from the pack - where others might pile on sounds into an indistinct and fatiguing audio mush, this pair overlaps numerous different tone colors without causing any of them to lose their individual character.

The flipside, "The Chains," is a quintessential late night / early dawn number that leads listeners down subterranean corridors lined with beams of luminescent light and populated by smoke-shrouded men of mystery. On this cut, eerie shivering sonorities float in with all the classic drama of sustained Hammond organ chords; a bed of sound on top of which a cool vocal recitation encourages listeners that everything will be "all right" - although the tension between this laidback narration and the demanding straight-ahead trajectory of the music will allow listeners to make up their own minds on that score.

The full dose of "Mesh" shows two producers clearly at their most focused and precise. Like their best work to date, it will get fans' active imaginations churning - and leave them wondering what this collaboration has in store for the near future.

Blasting Techno industrial Kicker....

Dutch producer Tripeo returns to his self-titled imprint this March to release four ethereal cuts entitled 'We Have Power In Numbers'.

With a discography of over thirty releases across nearly two decades, Darko Esser aka Tripeo has truly established himself as a key figure within the techno world. His open-minded and forward-thinking approach to music allows his ideas to continually develop and transform, which reflects through his vast material on his Wolfskuil Records imprint. The label recently hosted an exciting new wave of techno artists such as Shlømo, Rumah, PTA (Ambivalent & Physical Therapy) and Cadans, who collaborated with Tripeo on a Rekids release at the end of 2018.

'We Have Power In Numbers' kicks off with sparkling, acid arpeggios, encapsulating pads and weaving modulations before 'Hoax' delivers shuffling percussion, shimmering synth lines and stabbing, bass grooves.

'Pandora's Box' follows on the flip with haunting oscillations, growling resonations and an off-beat 909 clap throwing you right in the groove until 'Pay It Forwards' finishes things off with electro-tinged flavours, tantalising pads and stirring melodies.

Electro fatal spannish sound !

Supeb sound designed techno sound. High Dynamics in a precise precious sound.

Part 4 of 5 to be released over the coming couple of months. Originally released on the Phono label in 1995/96 the 'Parts' series from Matthew Herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. This series of 12's were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. The mix of Herbert's playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. The odd few tracks aside this is the first time that these releases have ever been repressed. All newly remastered for this reissue series, the releases include stone cold club classics such as 'Deeper', 'Take Me Back', 'Resident', 'People That Make the Music' and 'See You on Monday'.

Very Very Limited!

I am very honoured to have Carl Cox and Roberto Capuano putting their hands on Alex Mine's track 'Lost'. And of course Alex did a great 2018 edit as well (Monika Kruse)

Give it up for Kling Klong's latest signing Christian Nielsen. It is a big honour for Martin Eyerer & Rainer Weichhold to have this first class producer from Copenhagen on board since they are both fans of Christian's other releases on Play it Down, Kompakt, Noir etc.

In these 4 tracks he shows his full diversity from detroitish techno to jacking house and that's why we love him.

HVMBLE is a newly-formed Berlin-based collective engaged in house music production and label work.

HVMBLE is a newly-formed Berlin-based collective engaged in house music production and label work. Merging ideas in a fresh way is the intent of our approach and sound. Exchange in a diverse community is key to our spirit. HVMBLE aims at staying versatile. HVMBLE'S debut-EP series 'Textures' features an eclectic practice where diverse elements of dance music are teamed playfully. Hypnotizing groove structures, vibrant Hi- Hats and a sublty-formed Bottom-End unite and stimulate the bodymind. Textures invites the listener/dancer to float through skillfully meshed patterns and dreamy layers, to experience promising new spaces. The sounds appearance and cover-artwork was created by visual artist Peter Aurisch. Textures is a collective creation.

Boyoom Connective will release a mini-album by the talented producer duo Okvsho. Their EP Traphouse Jazz discovers jazzy hip-hop beats, brings it together with organic sound and adds some deep going lyrics on top. If you store world music, hip-hop and jazz this EP you don't wanna miss.

First released under the moniker 'Artist Formally Known As P.P.' (Persian Prince). This E.P. is One of the Holy Grails of UK Garage, with obscure tracks like 'Omid A Man' fusing the evocative sounds of the middle east with Sound System Bass Culture.

Persian is the first Iranian Electronic Artist from the West to have done this, previously in 1992 under the Moniker Persian Prince, he released 'Desertism' a unique innovating Hardcore Jungle track that fused eastern & western cultures together, making history in that Scene.

Check out the breakbeat section in 'You Get Me', the listener is treated to something with the potential to do dance floor damage.
The rest of the E.P. stays true to the London Garage Sound Culture...

This is one for the collection. Tipp!

Known for his pioneering Smash 'Dangerous' which inspired the Grime, Dubstep & Speed Garage scenes. Here we have another E.P. of highly sought after, rare, deleted Gems, such as 'Musical Rush' & 'Favorite Song' al be it from an old crusty Dat tape recently found, these tracks were unobtainable until now.

These Gems were never officially released, but now get an outing on his imprint Existence Is Resistance Cult Record Label.
A true Underground Artist that is still inspiring the next generation, ''watch ya bass bins im tellin ya'' This is another one for your collection...

vinyl only!

A solid dome of brass and stars stretched as far as earths edges, home to the Greek god of sky Ouranos and back-drop for his mystical battle against Gea and his prophesying of the Titans.

Deep space electro tracks on the Solar One Music sublabel Between Places. After his debut on several years Komarken Electronics comes back to the Solar One Music family! He started 2007 on Luke Eargoggle's legendary Label Stilleben Records, in 2011 on SolarOneMusic and recently on Brokntoys and AC Records! Now he's back with some fine spaced out nordic electro-techno tracks. Classy!

'Some resurrect themselves after near-death experiences in politics,
while others continue to appear politically alive even when they have actually died.'

In time for the 20th anniversary of his label Hospital Productions, Dominick Fernow offers the first release of his Techno-focused moniker Vatican Shadow on Ostgut Ton, following up on his Berghain residency and joining Ostgut Booking in 2016 with his Vatican and Prurient projects.

The Cocteau Twins/This Mortal Coil-channelling, beatless widescreen opener 'They Deserve Death' and the two collateral club/dancefloor tracks 'Rubbish Of The Floodwaters' and 'Weapons Inspection' offset each other by reincarnating the tape manipulation that laid the foundation of Vatican's first
performances with analog hardware and minimalist midi-dissection. Produced in Los Angeles with Josh Eustis, Vatican Shadow's Rubbish Of The Floodwaters EP casts a full spectrum picture of where the project was born and where it headed.

Special focus was put on this EP's artwork, contributed by Berlin-based photographer Christian Vagt, taken from his Softex series. With Softex Vagt documents the military and police-run refugee camp located on the industrial diaspora near Thessaloniki. Vagt's photograph of Softex' concealing but sheer fence extends Vatican Shadow's recontextualisation of newspaper, military and religious quotes, cementing the sound storage medium of vinyl as a mixed media art object, colligating Vagt's motif from Softex with Vatican Shadow's 'media blackout/silence'.