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Joining forces for the first time are label founder Len Faki and Juxta Position, a rather fresh yet already integral member of Figure. How effectively the prolific producers worked them machines with combined strength shows in every fibre of this four-tracker. The record's sides feature two alternate mixes of each track: Superstition tempts with is sultry vocal, driven by an irresistible acidic groove, fusing Juxta Position's preference for rough and analogue sounds with the tight programming Len Faki has become renowned for. Paying tribute to UK's gritty brand of warehouse-techno, A2 introduces a more swinging and all-out version of the track. A lot more tender than its counterpart, Gathering Clouds slowly builds from jagged synths and droning basses, brewing up a vivid tempest of anticipation. Verging carefully on the moment of emotional release, we are left to imagine the theatrical scenery cooked up in this delicious blend of the two artists' singular skills.

SNTS Is An Underground Techno Label, Commitment To The Vinyl Format As The Main Pillar And Overall Bring The Electronic In The Anonymity.

Played & Supported by: Oscar Mulero, Sigha,Tommy Four Seven, Jonas Kopp , Giorgio Gigli, Sleeparchive , Nihad Tule , Kr!z (Token), Inigo Kennedy, Jeroen Search , Juho Kusti , Arnaud Le Texier , Angel Molina , Dj Deep , NX1 , Cio D'or , Tadeo , Edit Select , Bas Mooy , Electric Indigo , Ness, Deepbass , Par Grindvik , Go Hiyama , Adriana Lopez , J. Tijn , Ryuji Takeuchi , Max_M , Thomas Hessler and many more.

Kosmophono presents his fourth vinyl only release.
After their previews vinyl on Bodyparts and Dreams Are Not Inside, the duo BeleeJean (David Delgado & Maik Yells) are delivering two minimalistic cuts with a mind-blowing remix by Verrina & Ventura.

Heavily supported the whole summer by Shonky.

"Hepta" is the greek word for the number seven. Significant, full of knowledge and symbolism; these metaphoric fields are associated since the beginning of Ownlife. It is also the title of the new release on the platform. This time, as it happens regularly since its creation, signed by the ideologist, Leiras.
Another four tracks that anticipate some of the sounds that will appear in future deliveries, entering into unexplored lands until this date.
The record opens with an homonym track. Synths with pure voltage nuances around layered kicks that characterizes this perfect cut for long mixes. "Nubian Legacy" combines the oneiric landscapes with the ambient and techno in an unprecedented way for Ownlife.
On the "B side", we can find the atemporal functionality of "Neopagan" to the cold and physical techno of "Hepta End" whose final part leaves open the continuation of this chapter.

This is our Fourth Vinyl Release Featuring Dimitri Monev & Glico along with a Third_Child & Zavor remix.

300 releases Let's let that sink in for a moment. 300 chapters in the on-going tale of Ovum. Chapters written for the dancefloor from the heart over the course of 25 years by some of the greatest names to ever touch the controls; King Britt to DJ Sneak, Levon Vincent to Loco Dice and so many luminaries in between. Including Josh Wink. The man in the nucleus. The man who takes the honour of the 300th release with a song that resonates with his deepest core energies and sonic ideology. His 'Aries In Mars'
"When playing this new track for the family at home. My partner stopped what she was doing and started dancing. Afterwards she waxed her feelings from the song saying how strong she felt from it and commented about how it seemed based on my astrological sign of my ruling planet Mars being in my Aries, and how the track had strong, powerful, fiery and fierce fast paced animalistic passion. So I said 'Wow. Okay.' I went into the studio the next day and added the vocal, switching the two as it had a better rhythmic flow."
That flow needs to be heard to be understood; 'Aries In Mars' is a wily, bouncing eight minute Ovum opus that twists and turns and ricochets with physical acid charm, rolling beats and breakbeat vapour trails. It fizzes with every element of Wink's signature but is delivered with a refreshed perspective and sense of vitality. Naturally it comes with the all essential drum and vox versions for that full creative mixing spirit that Ovum has always encouraged. For those moments when all your selector stars have aligned.
Your sun, your moon, you're very welcome. The story continues

Repress

"Katermukke 150", eine Collection von insgesamt 4x4 brandneuen Tracks, die sich ins Gehirn brennen!
Einmalige Sounds von Magit Cacoon, Dirty Doering, Niconé, Midas 104, Marcus Meinhardt, Kid Simius, Paji,
Einmusik, Pilocka Krach und, und, und...
Wie eh und je präsentiert sich Katermukke bunt und soundtechnisch offen, nie eingefahren und festgelegt
auf einen bestimmten Style.
"Mit dem 150. Release sagen wir DANKE und sind häppy die Arme einmal mehr in der Höhe zu sehen. So
viele tolle Releases mit mehr als 100 Acts lassen uns die guten Zeiten feiern und den Rest vergessen.
Katermukke bleibt in Deinem Herzen was es immer war - ein besonderer Berliner Spielplatz für elektronische
Musik."
Dr. Marcus Meinhardt ist berühmt für seinen Metropol-Sound und sein ewiges Grinsen. Zusammen mit
Khainz aus der Schweiz liefert er den ersten Track"Minimonsta" auf der A-Seite der 150.3. # 1 Techno, #
1Tech House, # 1 Minimal & Overall # 7 - sind nur einige Beatport Charts Platzierungen von Khainz.
Der Dresdner Kumpel DJ Gunjah ist derjenige, der immer dort ist, wo man ihn nicht erwartet. Er bespielt die
großen Bühnen und weiß, wie man auch in der Hitze der kleinen Schauplätze den Dancefloor zum kochen
bringt, z.B. mit seinem neuen Track "House of Lords."
Der Mann der Stunde ist Niconé, der zusammen mit Aves Volare den extrem driftenden Track "Don't Stay'
zusammensetzt. Niconé hat seine Fan Base auf der ganzen Welt, ist Teil der Bar 25-Gemeinde, Kopf von
Dantze Records und einer, der immer bis zum Ende tanzt.
Kein Neuling, aber immer noch ein Geheimtipp: unser Paji! Der talentierte Produzent ist bekannt für warme
Rhythmen und Instrumental Stücke. Man kann sicher sein, dass der Sommer das ganze Jahr dauert,
während man seine Musik hört. "Atacama" wird dich durch die dunklen Tage führen und dich in den langen
Nächten lächeln lassen.

Sebastian Mullaert is well known for his work as one half of the highly respected Swedish duo Minilogue, responsible for killer releases for the likes of Cocoon, Crosstown Rebels and Wagon Repair, alongside breathtaking live shows as a solo outfit as well as their joint live act with Matthew Jonson.
Working from the idilic setting of the mystical Swedish forest, Sebastian Mullaert has has been making serious waves on his solo artist journey, lending his signature hypnotic sound to labels like Mule Musiq, Drumcode, Minus, Kontra-Musik and Ovum. His one of a kind spellbinding live show is illuminating the world's finest stages such as Panorama Bar - Berlin, Concrete - Paris, Fabric - London, Labyrinth Festival - Japan, Black Market - NYC to name a few and can be witnessed on his recent Boiler Room and XLR8R sessions.
At nearly 13 tantric minutes long, 'Windmaker' bubbles and teases with freestyle keys with an almost Middle Eastern flavour, as Mullaert plays snake charmer to his machines, coaxing out deft melodies, airy cymbals and on point beats and percussion. It's a track to completely get lost in, crafted with fine sonics and a gloss that only an artist like Mullaert can achieve with ease. The enigmatic Ukranian producer, Vakula, is drafted in to give a re-interpretation of 'Windmaker', edgy phased stabs puncture the minimal techno beat, bouncing and reverberating off the kick drum to create a glorious wall of dubby sound that compliments the original mix a treat. Vakula has always impressed with his creative and original music for labels like Firecracker, Dekmantel and his own Leleka imprint, so it's a privilege to have him remix on Hypercolour.

Excellent Dancefloor Techno Roller, Fat Kicker With Soem Oldschoolish Detroit Sounds At Some Point./.. Massive !

mental dark techno EP, with a pinch of electro and a trancey final... A bloody good vibe. Mature tunes. Very rare for a first record : the birth of a new legend

Massive industrial warmachine.. Dancefloor Killer ! Record comes in a printed sleeve.

Wellknown Artist Rinox With The First Release On His Own Imprint. Straight Techno For Peaktime In Dark Basements!

Hand Stamped 12" Vinyl

With the Audiothentica 007, the DJ and producer Sascha Lebemann from Frankfurt is returning to the sound production scene after a few years. After the Audiothentica 001, he is responsible for the seventh Release on his own label. On the latest AT Records, he was releasing the Output from Acts like Martin Woerner, Franksen, Dominik Musiolik, Broombeck or Frank Leicher. As a longtime resident DJ of the most important and high-quality event series in Frankfurt, Lebemann is constantly setting new standards, also as a signpost for the next generations.

With LIVING, he is releasing an EP away from the current techno hype. In Advance, the four tracks have already been created within the last six years. Minimal Techno works, with a slight tech-housy influence. Extremely groovy. His personal tributes to his experience.

LIVING - The title track promises a hymn-like feeling. Summery grooves, percussions and synths push the track to the limit of the euphoria.

Arrival - This production can be compared with a landing of extraterrestrials. An extremely powerful tune, which should convince everyone from the second break at the latest. More Groove goes barely.

Los Elefantes Ibicencos - The Ibizan elephants. Having lived for two years in Ibiza, and still loving the island far away from commercialization, the Lebemann processes his feelings for the magical island in one track. Beading Claps and Snares, Spilled Percs - Los Elefantes Ibizencos grooved into the listener's ear.

Lost in Sao Paulo - When the young Lebemann was still on tour with one of the most important electro musicians of our time - in Brazil, more precisely in the 25 million city Sao Paulo. Here you can lose yourself quickly. In this track, however, you will be more likely to find yourself. Warm basses stimulate the synapses of the listener. Lost in Sao Paulo has the same Anthem-Character as the title track Living.

Audiothentica wishes you lots of fun with the latest output, looking forward to every feedback and, of course, about any kind of support.

Panic Sounds Records is an emerging Berlin-based label ran by Italian producer Lorenzo Panico. Focused on all aspects of house and techno, the label promises a wide remit of different sounds, many of which come to the fore on their debut release, SixFingers' quite brilliant X EP.

Getting us underway is the sounds of Modern Cassette', a minimal effort that chugs along at a steady pace before some elegant keys breathe new life into the equation. Simple yet devilishly effective, it'll tickle any dancefloor it's allowed to let loose on.

Next up is Pleasure MPC zone'. An ode to the ubiquitous MPC sampler, this one is a rollicking journey that's notable for its tight percussion and deep motifs. A harmonious balance between two very different sounds, it combines both with an assured effectiveness that's nothing if not admirable. Much more multilayered than what's come before, it's certainly the most distinct track on display here.

The B side gets going with 'Vivi the Soul', a bleepy techno workout that's crammed with suspense throughout. We're then left with culminating effort Jazz Reverse', a track that does exactly what it says on the tin. A trippy, hazy effort that's full of melancholic wares, it signs off with the sort of distinction that's evident throughout.

Stanislav Tolkachev is releasing a new double-LP through Krill Music called It Will Be Too Late Then.

The Ukrainian techno artist says he made the album by assembling tracks recorded over a three-year period, and he notes somewhat cryptically, "I think this record represents a phase."

As with most of Tolkachev's releases, the album will feature his own visual art on the cover. Krill Music, a Berlin-based label originally founded six years ago in Buenos Aires, is having it pressed in Argentina to support "the growth of the Latin American vinyl industry."

Tolkachev, who previously appeared on Krill Music with a track on a sampler 12-inch nearly two years ago, just put out a new EP on Mord. Rivet's Pohjola outlet repressed his 2011 ten-inch Why Are You So Frightened. He also recently shared a stream of an electro tune that's apparently coming out Umwelt's New Flesh label next year.

Earlier this summer Monaberry misters Super Flu sailed into the summer with their stately 'Ark'. Big and groovy enough to contain 200 of every animal, they eventually crashed it after a summer of their sweetest technoid soirees. Now safely back on dry land, the duo lure us back into the clubland winter months with two more provocative slices of dancefloor theatre.

'Selee' sets the scene with strong mystic twinges and twangs and a dynamic arrangement that peaks and troughs on its own momentum. Cathedral like in height and scope, rain forest like in its density and intensity, if this doesn't grab your dancefloor by the short and curlies, you're playing to the wrong crowd.

Speaking of wrongs, 'Bongbeat' is here to abstain you from any you feel you might have committed this summer. A strident piece of stompcraft laced with fluent acid sinews and a raw gutsy call to arms preach, if you don't feel cleansed after dropping this warehouse shattering jam then you need to consult a physician.

Stone cold Super Flu remedies at their finest. Let the darker months commence!

EWax reaches it's 10th release and first for 2019 featuring original tracks from Italian based collaboration Alex Ground & Jamahr and a remix from the very talented Jorge Savoretti

We are proud to welcome the Greek Live duo act 'Jokasti & Nek' to the GFR Family. Their latest Cerebral EP displays their vision of techno's future. All 3 tracks are stacked with quality raw techno horsepower. Cerebral opens up with melodic high pitched synth lines chasing their signature driving kick drum ring leading sound followed by the intense Half broken beat remix which is pure pressure

From Endlec. The B1 track Lullaby is a modern acid masterpiece stripped back with a unique vocal which crushes the dancefloor. Closing the record is 'Operator' which powers on with Eratic toms and a firm kickdrum, which delivers pure techno at its finest. Hold on tight and turn it up as this EP brings the Fucking Hammers to GFR once again.

Moon Harbour welcome UK based, Greek born artist Tennan for their latest EP. Next to his three originals label regular Detlef serves up a fine remix.

Although a newcomer, Tennan has long been soaking up underground dance music as a dancer, DJ and student of music technology in Leeds. He has a slick sound that has landed him on Viva Music, 20/20 Vision and Repopulate Mars, and now he makes another huge stride forward with his fresh offerings here.

The excellent 'Everyday' kicks things off in infectious and party-starting fashion with restless drums and loose percussion all getting you on your toes. Enveloping sub bass rolls down low and the addition of a vocal loop and curious synth sound really finish things in style.

Detlef appeared here last in 2013 with his Daxx EP, and now shows off the evolution of his sound with a killer remix. His take on 'Everyday' flips the cut into something more incendiary, with huge hi hat loops layered in and an even more freaky and dehumanised vocal adding a weird aspect to the razor sharp tech house groove.

Tennan then comes on strong once more with 'NahDah', a track built on woodpecker kicks that rattle your ribs. Funky little bass riffs get you shaking your behind and clever filters make for playful passages of tension and release. It's essential dancing music of the highest order, as is closer 'Malouca', the prickly and spiky cut with metallic percussive sounds, whirring machines and squelchy acid synths all zipping about like a cat on a hot tin roof.

There is a real sense of humour and cheekiness to this EP that makes it yet another standout effort from Moon Harbour as they snap up an explosive new talent.

Well Rounded kick off 2019 with the return of 2 artists who previously released on the label.
FOAMPLATE featured on our first ever release with 'Fuzz'. SIBLA joined the party with 'Trial' on WRDubs 03.

Both of these new contributions show further evolutions of particular aspects of their unique styles.

Hot on the heels of his acclaimed album "Traveller", finnish duo Morphology delivers four new electro/nix killer cuts for your pleasure. Conceptualized as a reminder of all the bright and dark places that have trodden in recent months, 'Collective Memory EP' fully illustrates the analog brilliance and multifocal dancefloor dazzling that his reputation always delivers. The perfect future funk soundtrack for exploration.

The OUER guys just live down the road from us in Berlin and we have been crossing paths many times these past years so it is with great joy we can finally present a full EP with their unique approach to electronic music on Dirt Crew Recordings. Since their debut on 'HEIST' in 2016 Xaver and Oliver have consistently pushed their sound and production, on their own OUER imprint they released four EP's up till now and the latest called 'E' is just a few weeks old as we speak. The A side opens with the title track 'Stingray Nebula', a bliss composition of layered arpeggios underlined by a deep sub bass, building steadily towards etheric strings setting in and descending again with a break beat ending that builds perfect grounds for the following dance floor stomper 'Undine'. That second A side track is a great mix of Deep House and Electronica and is what makes OUER's music so special, almost entering trance territories here but keeping those Chicago and Detroit references alive. When we head over to the B side we encounter some new tracks that really made us want to release this EP in the first place. The beautiful 'Thales' contains live bass and percussive instrumentation and is a crossover indie-tronica gem. Following that is the deep 'Inside' where an 'emo' piano themed House jam meets clever vocal sampling and filtered synth stabs to produce a great going groove. Closing out we have some real ambience electronica for you in 'Train Ride to Bratsk', again played mostly live and using acoustic instruments recorded in their Berlin studio the OUER guys are crossing borders again and turned out this piece of goodness. Enter the world of OUER, we hope you like it as much as we do!

One of Nosedrip's favourite Belgian releases from the early '90s reissued on STROOM. Trance / New Beat embodied as a shovel in mud

Fresh from appearing on 'Herbert's Best 7' earlier this year with the beguiling 'Handmade Desire', Sobek returns to Monaberry with his first full release for the label. And if you know his material from previous releases on the likes of MoBlack and Chapter 24, you'll already know how much attention this should command... 

'Modest Is Hottest': not just a fine life motto, but also vitalising slice of incredible dancefloor emotion. A rolling agenda based around a rising arpeggio, this surges beyond limits taking you and the crowd higher and higher on every bar, this is the epitome of evocative story telling techno. 

It's joined by two more startling and ultimately cosmic, feel-enriched trips: 'Emotional Chastity' builds around swooning chords, sparkling drum work, otherworldly flurries and textures before a bassline cut through and makes everyone in a five mile radius levitate. 'Stoned Romance', meanwhile, strips everything back to a hearty percussive shakedown that's spacious enough for the arpeggio, pads and chords and fuse, smelt and continually rise in a provocative way that Sobek is swiftly sculpting into his own signature.  

Timeless sonic science from an artist who took his name from the Egyptian crocodile god Sobek, let's hope he makes a snappy return...

Athens, Greece resident and Vanila records owner ANFS lands on Horo for an EP of jagged, industrial tinged Techno. Breakbeats are hacked and repurposed into brutal shards, with 'Kounoupi's amen march adding a slowed down, vicious take on the infamous roll. 'Salepsa' is a propulsive call to the floor, robust and emphatic, with 'Dervisis' and 'Komena' bookending the EP with rattling menace.

Borft follow up with Bergsonist "Chaos" after the split with Isabella back in 2016. Call it techno but this is experimental Power of its own kind!!!

Originally released on Rabbit City Records as a CD collection taken from the first batch of EP's on Rabbit City. Remastered and offered by Mike Wells on his own FMM imprint. Definitely one of my all time favourites from 1992, Force Mass Motions early work was very distinctive. A sound that owed a lot to how Mike Wells sourced a lot of his sounds. Listening to and taping Kiss FM and sampling it. With a home built sound card his brother made an Amiga was the centre of the studio. All the music was mixed down through an old Broadcast desk using a few clever delay line tricks that give the music a lot of depth. Very distinctive, totally original the music was caned by all the DJ's.

Welcome to Another Picture. After two decades of releasing music and much longer time being involved with music and production Losoul introduces a series of fine yet outstanding pieces of music. Being based on classic sound production this release opens a space for a wide range of musical exposure. You know the high times - you know low life. You can't deny both ways can't really exist without each other. There is the raw energy of 'BZA' consisting of rolling beats and basslines with sounds from the acidic realm being presented to the restless dancefloors by true originators' poetry. Believe that. This is counterparted by 'Sediments', a jam from nowhere else but the deep. Down here many things you might have taken for being lost remain in the abstract vibe and the groove. It's all in there. Let's go full circle.

Paul Fox has created a new album full of flavours from around the world, tastefully mixing genres but all with a conscious reggae flavour. Working with musicians and vocalists from Africa, Serbia, UK, Italy, America and the Caribbean, the album is an interesting mix that will provoke thought and hopefully make you move your dancing feet.

To celebrate the turn of the year, Cocoon Recordings presents us with the fifth edition of the Dots And Pearls anthology, which has been offering us an exclusive glimpse into Cocoon's treasure trove of demos at irregular i ntervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye catching newcomers to create a harmonious overall package.

First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the 'Rotary Cocktail' label. Their epic floor filler 'Claret Loss' kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the 'ear circus' begins. In fact that's the name of the next track by promising debutant Florian Hollerith. 'Ohrenzirkus' amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's 'Sound of the 19th Season". Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of 'Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic 'Pyroelectric". Next, Systematic label boss Marc Romboy scores with 'Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor. First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the 'Rotary Cocktail' label. Their epic floor filler 'Claret Loss' kicks off the compilation with a refreshingly reduced yet deep Techhouse showpiece as the 'ear circus' begins. In fact that's the name of the next track by promising debutant Florian Hollerith. 'Ohrenzirkus' amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's 'Sound of the 19th Season". Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of 'Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic 'Pyroelectric". Next, Systematic label boss Marc Romboy scores with 'Sequential Error", a perpetually growing ball of energy that lights the way to the dance floor.

Granulart Recordings new serie, on limited coloured vinyl 12". The first release comes from Eric Fetcher, inspired by the sound of Detroit, is full of 909 action and hypnotic leads.

Early support by DVS1, Darko Esser - Tripeo, Paul Mac, Antigone, Svreca, Jeroen Search, Sleeparchive, Samuli Kemppi, Etapp Kyle, Arnaud Le Texier, Answer Code Request, Truncate, Raiz, Pfirter, Angel Molina, Aiken, Marcel Dettmann, Ness, BLNDR, James Ruskin, Vince Watson, Andrea, Efdemin, Ame, Inigo Kennedy, Peter Van Hoesen, Joachim Spieth...

Having been around for almost a full calendar year, the sub-label PNP has already made quite the name for itself during the past several months. Managed by producer Fede Lng, this imprint is a spin-off of his already successful parent label Axe On Wax, which is responsible for exposing the world to such artists like Kirk The Flirt, Jesse Bru, Trudge, and Mall Grab.
Although Axe On Wax specializes in a more traditional sense of house music, PNP appears to be all about the disco - a way in which Fede and his friends can release edits of their favorite tunes of old. For DJs looking to spice up their sets with unadulterated funk, look no further than their upcoming record PNP 003, which features songs by Tom Jay, Braga Circuit, Pacific Bureau, and Fede Lng himself.

Four years since his last EP release and Josh Wink is back with Balls on Ovum.
Since his acclaimed album release in 2009 with 'When A Banana Was Just A Banana', Josh Wink has been heavily touring and working on building a new studio. Last year he produced his greatest creation to date, a beautiful baby son. After taking some time out to enjoy his newly found fatherhood, he finally got into his brand new studio towards the end of 2012. The outcome was 'Balls' - a ten-minute drive of pulsing intensity bating towards a huge breakdown, unlike any of Wink's work to date...
'I am always surprised with what happens when I go into the studio after not being in there for a while. I feel heavily inspired to make music by all the great things I hear and from personal experiences that have occurred over the past year. I didn't expect to make a techno track. However, the grooves came quickly and naturally along with the hypnotic analog pulses. Originally I came up with the foundation of my grooves using a beta version of Ableton's Live 9. And after I constructed the fundamentals of the track- I hit record, tweaked and grooved the components live for 20 minutes, and then tightened up and edited the best parts into a sequence. Then I played out, got some new ideas from crowd interaction, and re-tweaked and made improvement.



When describing the track to Matt (Ovum label manager) I was saying that I think that you really have to have balls to play this track, as it's a little different from most of the music out there right now. The track's time couldn't be edited down any further as the story and journey wouldn't be conveyed. So, the ten minutes is DJ friendly and I'm happy that I can express my tale. The track, usual of my work, is based on aural textures and tension. The breakdowns have changed through several attempts, and are now adjusted to drive the crowds, whether in clubs or festivals.' - Josh Wink
When you're as iconic a figure as Josh Wink, it's noso easy to sum up a career in a few words—but there are a couple of terms that might serve to get a handle on the seminal electronic-music producer's lifework. One of the most apt, certainly, would be longevity. A brief scan of Wink's mammoth résumé reveals the following: Early-'80 days as an underage mobile DJ; a major role in fostering his native Philadelphia's burgeoning warehouse scene during the house-music explosion later that decade; name-making '90s club hits like 'Don't Laugh,' 'Higher State of Consciousness' and 'I'm Ready'; a label, Ovum Recordings, that's undisputedly one of the most essential dance-music imprints; and his current position, after all these years, as one of the scene's most vibrant and creative DJs and producers (witness the critical success of his 2009 long-player When A Banana Was Just A Banana).

It's one year since our child has been captured, it's one year of Rowle, It's one year of traveling. We present Michael James's new ep "Apologies for the delay" like a break point, a game changer. Both original tracks have Michael's unique style with a massive bassline packed with a heavy hit series of drums. "Apologies for the delay" and "Land of living" are set to move worldwide dancefloors. On the B Side a gem from the well known French talent: Traumer. He decided to escape a bit from standards and the result he got is absolute, a track full of some acid sounds with an unforgettable break. This ep is already supported by Apollonia, Enzo Siragusa, Archie Hamilton, Giuliano Lomonte, Alci, Diego Krause, Nick Beringer, Mariano Mateljan, Fabe and more. Don't sleep, you have to be as fast ... as an asteroid.

Mihai Popescu aka MP returns at Metereze to pursuit his electronic explorations under Niste Treaba series, chapter 2.2.

This chapter goes beyond your usual 4/4 cup of tea, panning the groove between the persistent lo-fi theme, found throughout the whole release, and MP's signature basslines.
The two record sides mirror each other to perfection: as Infusion and DE go deep into the warm feelings triggered by the housier vibes, the melodic pulses from Phy Ness and
Trem get muffled behind the bassline groove to deliver a darker image of the same somehow nostalgic theme.

Suitable for those of us that seek comfort on a late morning packed dance floor, Niste Treaba 2.2 adds another piece to MP's out of the ordinary appearance.

1x each customer!

The Berlin-based Collective Slow Life, their 8th release is from the label's Jedi, S.Moreira. Including a remix by Indi Zone.

Heavy, Effective 1990s Uk Hardcore/ Ukg Revival Cuts From Soundbwoy Killah On His Debut Sneaker Social Club 12"

One of drum & bass' shining lights and a huge personal favourite of ours at Dispatch, we are proud to welcome Spirit to the label with 'The Fourth Cycle EP'.

Few can match Spirit's quality and consistency and this EP is no exception; the perfect balance between soul and grit; iridescently delivered with tantilising progression.

Effortlessly fusing techno, trance and electro influences, with deep, driving bass, Spirit reflects drum & bass in its purest form; his music holding sublime longevity.

Instantly transporting us back into any number of nostalgic periods from this scene, Spirit presents his superb debut Dispatch EP.