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Brilliant remixes by Orphx (CLR, Token, Sonic Groove), NX1 (Odd Even, Wolfskuil, Planet Rouge), Xhei
(Micro.Fon, Afu) and Aleja Sanchez (Illegal Alien). Limited pressing on yellow & green marbled vinyl.

Starting off on this first release, Berlin based duo The Willers Brothers, deliver two very strong originals on the A-side. On the B-flipside, Nick Beringer and Mike Sharon put their craft on the remixes to complete an allround debut package.

Cedar Sound Workshop, Bradford James and Monchan; who respectively have been in the music industry well over 30 years, cultivated the duo in 2017. A side features a CSW Remix of Chicago House maker Jordan Fields track entitled "The Art of Dancing". Original track has a classic Acid bass line on minimum machine rhythms. CSW transforms it to their deep house fantasia. B side features two funky driven disco edits from New York City's Son of Lee.

The long awaited Couple Affair series returns to Steyoyoke in full glory. In this series, Soul Button, Clawz SG, BLANCAh, Nick Devon and JOBE tie in their craftsman skills to unveil this fascinating four track vinyl release.

'Implicit Bias' by Soul Button and Clawz SG opens the series with this masterful track. Deep bass lines meld with an infectious beat, while delicate melodies encourage wandering thoughts. Next, JOBE teams up with Soul Button paving way for the second track titled, 'Umar'. Gradually heating up, it invites on a journey through an abundance of progressive beats and synths, infused with melodic flares. Third track, 'Rasante" by BLANCAh and Nick Devon, captivates the listener with scenes of alien realms and peculiar but thoughtful orchestra of sounds. Closing the series is a collaboration between Clawz SG and BLANCAh titled, 'Ravens'. Its pulsating rhythm edged in by mystical calls and synth echoes, will leave you hypnotized.

Couple Affair Vol. 04 offers nothing less but quality, intellectual ethereal techno tracks that promise to shake up the dance floor and leave you breathless.

Classic THE FIST is the acoustic punch against the professional indifference and for more ecstatic nonsense. So, while the techno scene is drowning behind their computer screens in the middle of 50 decibel and shitty 80/30 deals, Classic THE FIST pushes the cat out of the bag with a big bash. TAKE CONTROL AGAIN. Go back to the things that really matter. Don't take everything too seriously. Full focus on music. Take risks. No more moaning. Do it yourself. Take a stand. Yes or no Improvisation rules! Perfection wastes action. Show your balls. Smoke, drink, everything. What do you really want No risk, no fist!

TGP 012 is Claudio PRC's third long player. A deep techno journey composed by 7 tracks out on 2X12',
, mastered by Marcus Henriksson at Studio Cosmos.

012 is a new step into Claudio PRC's sound journey, an immersive tale that follows his previous LP's, Inner
State and Volumi Dinamici, in which the sound research and the compositional form are distinctive elements
of the production. With its characteristic tension and minimal approach it oscillates through deep, pulsating
and atmospheric techno, rising slowly in the surface, to warmer and brighter places, like flowing water.

endlich wieder ein lebenszeichen !!!

This is the second edition of the compilation series of the Tijuana based club Wherehouse. Curated by Soul Of Hex, gathers sounds of his friends, Roman Rauch (Philpot), Moony Me (Uncanny Valley), and a collaboration between NY*AK & Mark Hand (Technicolour). Starting off the record, ''Mindeasy'', is a slap bass jam funk (played by Soul Of Hex himself) melodic arpeggios, and tr 707 percussive works. On the second track of the A side, it follows with ''Eu4ia'', a MPC groover, composed of rhodes and uplifting sophisticated beats. On the other side we have ''Daydreamin'', which is a R&B influenced track, feel good created by the venezuelan born, Eduardo Arreaza aka Moony Me. ''Can't You See'' is a slow groover, full tremolo rhodes played by Mark Hand and beats by the magician, NY*AK. The concept is simple, this is hand crafted computer music, as shown in the artwork, made for the eternity.

Incl. remixes by Barnt, Axel Boman

Keeping the concept of a tight knit family of artists, up next on Sol Asylum is the follow up EP for the Dilated Pupils titled Introducing Remi. This collective of likeminded artists from the Netherlands return to the label with a solid four-track EP that shows their range and diversity as producers.

Moving full speed ahead we start off with 'Remi at 21.16' a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. The track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion.

Next we take it to the next level with 'Do' its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room.

As we move into fall with 'October Times' a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time.

Finally we finishing things off with the esoteric vibes of 'Suque' this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of Sol Asylum.

L.E.T. Music`s first Release is delivered by turkish Producer Dogukan Ires. In " Missed Concert " he takes you on a journey in his own world, filled with minimalistic percussions, cords and jazz influenced melodies.

Italian born and Berlin based Topper transforms " Missed Concert" into what he is known for best, a powerful minimalistic fast forward groove.

In "Farilya", Dogukan shows his very own production skills, in taking you deep in to this bass and piano flavoured, melody driven track.

Swiss Producer Markus Kenel took this vibe and turned "Farilya" in a dancefloor oriented peak time bomb, but not without loosing the depth of it.

We are very pleased to present you our first release of L.E.T. Music.

LA's rep as a hometown to heaviness is backed up by a lotta props: Richter Scale-wrecking earthquakes, Vin Diesel racing an army camo hummer down Sunset Blvd on a daily basis, Buzz Osbourne loitering at pretty much every flea market within walking distance of a greasy spoon, etc. Oh, and the sick & twisted Sunn amp-manglings emanating from the respective lairs of Goliath Bird Eater and Sasqrotch. Duh. GBE is the half-decade-strong gauntlet through which Eagle Rock-based Teen Choice Award-winner Bobb Bruno gives voice to his solitary metal ruminations, and oftentimes riffs germinate in his brain/fingers for YEARS before being finally committed to 8-track tape. After a string of shaky drummers but SLAYING tapes/CDRs, he solidified shit enough to lock this timeless psych-crusher in the can. "Blood Silk Road" slow-rides a one-note rock monolith into the void before post office local (and Wilco wild card) Nels Cline steps in to wail an absurdly eyeball-shredding guitar solo that crescendos the song into a black light hurricane of repetitious death. Kill me now please. Highland Park's Sasqrotch cruise in a scummier mindset, rolling together depraved sax attacks, freakish costumes, and even the occasional bouzouki curveball intro into their mythically hirsute spliff before torching it in a blaze of drums and drop-tuned oblivion. Their B offering, "Menstrual Cyclone," is a fairly archetypal document of the road-tested freeform ripper they were jamming live for most of the latter half of '07. Suck it down. Black vinyl 10 inches in printed jackets, plus a hand-numbered insert, with artwork by French electronic enigma Kikifruit. Edition of 400.

Infinite Fields is an electronic music duo from Paris. Both artists are inspired by a wide range of musical genres and their friendship has resulted in this collaborative EP on Quanta Records.
Fraction of Time presents a raw and hybrid techno. The uncompromising WFS' is in line with the original social concern of the Detroit techno pioneers and should have an instant impact on any clubber anywhere. The B-side contains two tracks, Zygomatiques' and Slow Suicide', with elaborate melodies and funk influences. The use of analog synthesizers brings a radiant aspect to these tracks.

A wild Electro / Trash Techno ep with full of heart and emotional feelings. It's wild when it comes to the rhythm section, Classic Electro but also real punshing 4/4 beat. Emotional when it comes to the melodies - so so sweet!!!

limited, vinyl only, no repress!

Dutch live-act and DJ duo Artefakt return to Delsin Records with an intricately produced three track release entitled 'Falling Into The Light'. Artefakt began releasing music together in 2012 and now boast a discography spanning Field Records, Konstrukt and Deep Sound Channel, not to mention regular appearances on Delsin where their debut album entitled 'Kinship' dropped in 2017. Returning to Delsin, the pair's next outing once again demonstrates their ever-evolving sound and is an exciting precursor for the launch of their own label later this year. Rolling drums open the release in 'The Blue Hour' as murky synths join hazy atmospherics, making way for 'Weltformel' with its racing syncopated percussion and ethereal pads that ebb and flow throughout the mix. Finally, 'Falling Into The Light' combines springy kicks with crystalline melodies, metallic elements and rattling effects to conclude a mesmerising release.

2 track EP produced by Benales. Follow up of Elements EP released back in 2016 Raw, straight techno tools inspired by the likes of Robert Hood, Jeff Mills, Surgeon. BIO: Born in Normandy (France), and now based in Paris, Benales has been honing his craft since the end of the 90s. An avid record collector and enthusiast of Techno and House - his DJ sets and tracks combine the raw, dark and deep elements of these musical forms with a firm nod in the direction of Detroit. He already played at Concrete, La Machine du Moulin Rouge, Rex Club, Batofar, 101.

Shadowy UK based producer Bleaching Agent (AKA Al Mathews) will release his new EP 'Mulkul' this May on newly minted London label Reposition Records. The four-track release also features a remix by D-56M (AKA Nick Dunton of 65d Mavericks), who also runs Poverty Is Violence and Surface Records.Bleaching Agent's latest 12" follows releases on some of underground music's most interesting labels, including Mira, Opal Tapes and Komisch. Matthews is well known for his collaborative projects too - from his deranged, progressive Blacknecks duo with Truss, to the prolific techno output of Forward Strategy Group. He also maintains a DJ residency at Body Horror, a Manchester based gore-themed queer techno/industrial/transgressive performance art night.
Mulkul' is the second release on Reposition Records, and follows the debut release by Belgian producer T-Scale. Formed by London based DJs and artists Medallion Man - who also runs Loose Lips and 199Radio and El Prevost, who runs label No Speakers and has released under Third Ear Recordings - the label explores varying strains of raw, left-field dance music. Mulkul' offers a more stripped down and slower version of the sound Bleaching Agent has evolved - albeit one that is still rooted in atonality and the unnatural industrial sound he specialises in, this time developed into something more disciplined. Delving into minimalism within a raw industrial sound, the tracks are built with tight, melodic grooves locked inside the vacuum of a dense hardware-heavy sound.Albeni' is a pounding warehouse stomp, punching through with a repetitive vocal sample, snarling synths and a hard bassline. The D-56M remix of 'Free Fere Fer Fe' offers crusading space-age techno chiming with sinister synths and a blistering bassline, creating an almost cinematic ambience. The dystopian terrain is shot through with melody and nuance - visceral, oppressive soundscapes frequently segueing into more moodier, subtler moments.

Cut straight for the rave.

When Neon was originally released on Datapunk in 2006, it was a landslide. Being championed by Sven Väth for ages (and being one of the tracks that were the soundtrack to his notorious vocal performance at Time Warp that very year) - it was the track that ultimately cemented Gregor´s status as one of the main representatives for a new breed of Techno producers by inventing a trademark sound that shaped the path to the future. With the original recording being carefully remastered in Ljubljiana by Gregor Zemljic with greatest precision, this new version brings that trademark sound to life once again - or has it ever been away really

On the flipside we have a remix by another notorious heavyweight: Butch! His version, originally sketched not so long after the original came out, takes the melodies of the original track to the housier floors. When Butch sent his version to Gregor a little bit over a year ago it actually established the idea of a re-release.

We believe there probably couldn´t be a better track than Neon to underline the name of our newly founded label: GTO - Gregor Tresher Originals

Matt tdk brings on this EP ( UMX 008 ) some full range Modular Analog raging Electro that will make your brain hang out . Take a peak listen and get it cause this one needs to be in your collection.

He Might Have Lived A Century And A Half Ago, But Antonín
Leopold Dvorák Resonates On. In 2014, The Deutsche Symphonie-Orchester Recorded Parts Of His Ninth Symphony And Released Them Into The Wild For The Masses To Cut Up, Stretch Out, And Have Their Way With. This Is The Result Of One Such Experiment.
Ludwig Zibell And Martin Schmitz Translate Dvorák's Operatic
Dramatism Into A Techno Moodiness That Sees The Coming
Together Of Two Unlikely Worlds. Alex Ketzer's 5 Am Reduction Is A Dubbed-out Remix Of The Remix That Plays Out And Dwells Upon Some Of The Moments You Might Miss Listening To It In The Orchestra.
Finally These Strange, Otherworldly Meditations Upon Music From
Another Time See A Vinyl Release.

1996 Analogue techno that will still rock dance floors today. Crazy warehouse find... original sealed copies!

4LP (full 3LP original classic version + 4th LP Bonus) Acid Test reissues the highly sought after 'Acid Acid' 3 LP from Tin Man, now titled 'Acid Acid Acid' and includes a 4th disc of unreleased material recorded from the period, and has been remastered by Stefan Betke.

After releasing in labels such as Offworldcolonies, Undveld brings to Order&Devotion an obscure journey through far landscapes. The beginning of the trip starts with two cuts starred by hypnotic beats, tense pads and abstract synths. Following this, on the B side you'll find a strong remix by label's honcho Kwartz, adding heavy industrialized elements to the Lithuanian artist work. The journey ends with an ambient excerpt.

1LP (+poster + download card)

After a year of the creation of our label, we are very proud to present our new Various Artists composed of 4 great artists. On the A side Dimitri Monev provenent of East Europe (BG) creator of the event The NXT GEN, 2nd is Jerome.C (BE) supported by Tini & Fernando Costani, on the B Side Zano.p & Giusy S (CH) General manager of Act-Fact Records and BassNsmile and to finished Rawness (IT) creator of Dub label management.

2x12"

Helsinki based HPTY Recordings run by TREVOR DEEP JR. celebrates and honors Finnish dance music and some of its champions operating close to the main source by releasing an anniversary double vinyl package of underground rhythms cross the genres!

In recent years, Adam Beyer has been propelled into the limelight with his pristine productions, astounding DJ sets and his fun, energetic Drumcode events. Now a figurehead in the techno world, Beyer is constantly building the Drumcode platform brick-by-brick to maintain quality and drive emerging new talent into the world of Techno.

The first Drumcode bricks that were laid were done so on a solid foundation of raw techno tracks produced by Beyer himself. A select few of these vintage tracks have now been remastered and repressed to create a unique vinyl boxset that highlights the talent that is Adam Beyer. Comprising of 21 original tracks that helped put Drumcode on the map, this special boxset of classic tracks includes 'Compressed', 'Tasty Bits', 'Nutcrusch' and more. The tracks encompass a heavier techno sound of dirty, gritty analogue machines that let Beyer express himself through music and have so forth, seen him become the king of Swedish techno.


5 x 12 Inches each In Picture Sleeves all contained n a Boxset case.

To Follow A Long Awaited Single From The Legendary D'arcangelo Brothers, Happy Skull Has Turned To A Friend Of The Family And Former Bristol Scene Stalwart, Bass Clef.

The Long-serving Producer First Rose To Prominence Via A Series Of Inspired, Genre-mangling Albums And Singles On Blank Tapes, He Has Since Gone On To Deliver Hard-to-pigeonhole Material On Fellow Bristol Labels Punch Drunk And Idle Hands, As Well As Pan And The Trilogy Tapes Amongst Others.

Those Versed In His Bulging Back Catalogue Will Notice Familiar Stylistic Traits Throughout - Think An Endearing Looseness Built On Hardware Manipulation And A Playfulness Rarely Seen In Modern Dance Music. For His Happy Skull Debut He Takes On Acid House, To Great Effect. This Is Most Evident On Flipside "acid Hearse", A Constantly-rising Roller Built Around A Nagging, Tb-303 Style Riff And A Swinging, Off-kilter Drum Machine Rhythm.

Echoes Of Acid Can Also Be Heard In The Sparser A-side, "charnel House", Where Sharp, Psychedelic Lead Lines And Mind-bending Electronic Motifs Weave In An Out Of A Crunchy Rhythm Track To Create A Track That Is As Fun As It Is Weighty.

After their psychedelic tour to Alice's Wonderland on their adventurous second album, CRuNCH 22, the Tel Aviv based Rhodes, turntables & drums power-trio, is back with "LUSH FLUSH", a fiercer than ever EP of raw, in-your-face grooves.

Opening track "Cairo" places a persistent Egyptian orchestra sample on top of a Led Zepplin-styled heavy beat; "Osaka" sounds like an early 2000s indie-pop with vocals sampled from a japanese folk song; "Baba" fuses Middle Eastern leads with broken beats; "Minderbinder" is a quirky afrobeat and "Young & Happy" is an odd metered pseudo-house track. While this list might seem as eclectic as you can get, the band's unique instrumentation and live playing style manages to make it sound completely coherent.

On the flip side of this 12" vinyl are three remixes by some of Israel's finest producers: Markey Funk's space-rock version of Cairo; Mule Driver's techno edit of Baba; and Obas Nenor's house remix of Young & Happy take these tunes deep into the dancefloor, making the "LUSH FLUSH" EP an important tool in any DJ's arsenal.

Mr.G comes up with another addition to his Phoenix G catalog. This time long time friend Ben Sims does a splendid remix on the A side. Furthermore, Mr G drops a banging 12'' like always.

This new EP from Möd3rn announcing the forthcoming Album for April 2017.

Möd3rn is a global project from Roman Poncet aka Traumer, Electric Rescue and Maxime Dangles who wanted to give a side project from their own solo career. It's a band, producing, playing live but it's also a label created only for the trio productions. For that one the famous trio propose 3 huges bombs Mö19, Mö20 and Mö21, 3 huge techno killer using rough skins with raw edit. Speech less and listen to that we can call Pure Techno but also 3 electronica experience atmosphere who's announcing a nice album to come.

For the 11th release 7777 presents the Ghost Miners Remixes. For these remixes I offered each producer samples from different songs from the 2 Ghost Miners records. Instead of doing straight forward remixes of a single song, I put forth the proposal for each artist to make their own version of a Ghost Miners song from scratch or using any samples they feel like. Contributors include 3 of my favorite producers. 2 in demand artists, FIT Siegel and Andreas Gehm and one new comer, Brian Thrash. Andreas Gehm's version is a standard acid Gehm gem. Calling in the chords from the originals mixed with standard Gehm acid brilliance. In FIT Siegel's version you'll find the perfect pure underground dance sound. Featuring Ray-7 on hand drums FIT constructs a remix that combines elements of classic Detroit and Chicago sound while keeping the attitude and acid aesthetic of the original material. On the B side Brian Thrash, controlling his analogue arsenal, takes you on an epic acid journey traversing through the underground and space. Thank you for your time. - Jared Wilson