We proudly welcome the highly talented DJ and producer Cally from Romania to our Malonian family. We´re about to drop his stunning "Kaldaer EP" in December 2017. Although there are still 5 months left until the next Sunwaves, the 3 tracks directly spread the perfect Mamaia Vibe.
Supported by: Raresh, Petre Inspirescu, Rhadoo, Praslea, Dan Andrei, Sedee, Fabe
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This vinyl includes a free downloadcode were customers get the
whole digital release for free via Facebook !!
Fluffernutter, Jelly Cream, Bubble Gum or Bubble Tea, Cherry
Chapsticks, Candy Drops, Marshmellows or Fluffy Pops, Gummy Bears or Jelly Beans, McFlurry or Cookie Cream, Smoothie Blend, Vanilla Fudge, Berry Splash or Popcorn Butter Boom Boom Boom.. After Alec Troniq's glorious 2012 strikes like "Pimpernuckel" and "Rueffel EP" and prosperous remixes e.g. for Leesa or Kanzler & Wischnewski, he roughs up the club season with yet another super-creative bunch of dance floor tracks. With "Fluffernutter" our pastry chef created a scuzzy mix of sweeties. "And Everyone Can Sing" is a slow and muddy pounding
house smacker. "Xanthippe" is a cheering singsong tune for a little less conversation but a little more action on the parquets. This "Fluffernutter EP" unmistakably pushes to movement.
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* Portuguese-born producer Elite Athlete shines on his debut offering two heavy cuts for fledgling Australian label Cult Trip.
* Recorded in Hamburg during a one year sabbatical, the Californian Rites EP shares influences from around the world
with harrowing African drum samples contributing to the tribel slammer that is Pagan Conjurer, to the Berlin styled minimal bass lines that hold together the deep-burning title track, Californian Rites.
* Backed with remixes from Unknown to the Unknown's Palace and Forbidden Planet's Dan White making this record club ready and a must for any floor.
Here we go with the new Ondulé Recordings release cooked by Joss Moog & Around7. For their second collaboration on the label they bring us punch and deepness with 4 killer tracks. On side A Oasis' & Gogospel' come with crazy bass lines & heavy beats for your late nights. You'll get into sweater atmosphere on side B with Green Grass' & Hold On': deep Rhodes & hypnotic melodies to get in the mood.
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Here we go with the ninth edition of the "Parquet Most Wanted" EP series, featuring four massive productions by Hidden Empire, Third Son, Solee, Jos & Eli, Boss Axis, Darin Epsilon & Philip Chedid. These tracks already received huge DJ support by many international tastemakers and were played all around the globe. Don´t miss this master class collection of deep melodic house & techno!
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Anna Reusch returns to the bouq.-family with her third release and two peaktime lifesavers for the summer. A big thanks goes to M.In, Basti Grub and Future Proof for their great remixes.
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Jonathan Kaspar is back on Objektivity for a worthy return to the New York based label. The producer, from Cologne, delivers his 'Toona' EP as the 52nd release on the imprint. Khaya on the b side is already one of the biggest tracks this year and definitely an Ibiza record to remember in 2017.
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With a stellar year in the life of La Fleur coming to an end, the Berlin-based artist is set to close 2013 on a high, with the return to her own beloved imprint Power Plant. After landing a coveted residency with acclaimed Berlin club Watergate, and producing a chart-topping EP as her debut for the club's inhouse label, the Feline EP brings La Fleur back to her roots: unique house music that leaves an imprint on you long after you hear it. A-side track 'Kattflickan' establishes the theme, drawing on the Swedish term for 'cat girl' as its inspiration. It cuts a sleek figure, and is a slower, groovier, quirkier iteration of La Fleur's signature house sound. 'Kattflickan' revealing more detail with every change, and providing a colorful journey through the spectrum of La Fleur's sound. On the B-side, the chiming bell melody of 'Feline' carries it from the outset, and is the genesis of its mysterious and ethereal mood. Punchy drums and layered, meshed chords and its hazy chorus of rising vocal harmonies make it fit for any set. As delicate as it is completely assured, 'Feline' is another irresistible example of La Fleur's balance of dancefloor appeal and melodic richness.
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This is the first release ever for Matt Tanner, a great guy and upcoming dj/producer from London. Martin Eyerer & Rainer Weichhold immediately fell in love with his ideas and sound design and only had to asked former Bushwacka Just Be to submit a remix. Which he did with a fantastic groove driven counterweight interpretation.
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After previously exhibiting his remixing dexterity on two other occasions, Myles Sergé returns to - made of CONCRETE' to showcase his production chops in a four track EP revealing three originals and one rework.
Firmly rooted in his hometown of Grand Rapids, a city along the legendary Detroit-Chicago axis, Sergé stays true to the musical hallmarks that made history in the scene, sketching up a contemporary soundscape with haunting old school influences. The EP unfolds as a real treasure trove, with each track digging deeper into the realms of dubbed out electronica, while masterfully blurring the lines between house and techno.
Centered around an electric resounding motif, - Rules of Engagement' kicks in with a triangulating synth kept afloat with subtle elements and variations, anchored in a complementing yet discrete bassline.
- Everything In Darkness Comes To Light- revolves around a funky chord progression, making for an unusual house exploration filled with whimpered vocals and eerie rustles.
Aubrey steps in on the remix, offering up a cavernous take on - Rules Of Engagement' by inserting major distortion in the initial synth lead. An array of glitches paired with metallic synths wind up a dynamic countermelody that ultimately takes over the entire groove.
The eponymous - Walking Through Concrete' bounces in with blunt percussion stabs paired with distant claves and clangs, gradually building up the main melodic loop.
The entire release stands as evidence of Sergé's ability to carve melodies into cold and dark concrete-like ambiances, doling out solid slices of groove-infused techno.
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Poppet is the bold alter-ego of California-raised musician Molly Raney. Before Poppet's genesis in 2008, Raney spent many years training in a wide variety of musical fields from western classical to jazz to choral to Hindustani (Northern Indian classical tradition) to Gamelan (Indonesian classical ensemble music). She also has an extensive background in music theory, music history, and ethnomusicology, from both her childhood lessons and her education at the University of California in Davis. Through high school and her time at UC Davis, she studied with vocal coach Dr. Rebecca Plack of the San Francisco Conservatory-a major influence on her vocal style and elasticity. This broad musical background, plus her involvement with community freeform radio station KDVS, accounts for Poppet's own sonic diversity.
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Following on from cuts from Melon, Uffe, Ponty Mython, Thorsteinssøn, Laurence Guy and Leon Revol comes the third release from London's Monologues Records.
The split 12" sees FINA/WotNot talent Danvers serve up the bruising, old skool tribal house tinged shuffle of 'Keep Right On' and the live bass funk and jazzy chords of 'Blind Method' on the A-side. On the flip, mystery man G. Markus follows up recent outings on Sneaky Music and Soul Clap Records' edit giveaway series with the dusty soul stomp of 'Old Mutha' and rolling groove of 'Poussez-Poulet'
Support: Laurent Garnier, Terry Farley, Nail, Soul Clap, Peter Kruder, Moon Boots, Shadow Child, Shir Khan, Moodymanc, Bill Brewster, Michel De Hey, Severino, Schnee, Ranacat, Golf Clap, Piek + more
Artwork: www.michaelwalton.org
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Volupso 007 is brought to you by David Gtronic & Chad Andrew who represent the Vatos Locos Crew.
2 Original tracks, 1 as a collaboration between David Gtronic & Chad Andrew and 1 track being just David Gtronic. Mango is remixed by Bearface and Blue & White has a Romanian edge delivered by Funk E.
4 unique tracks to give you a very diverse release from the House of Volupso. Enjoy xx
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Marbled Green Vinyl
EarToGround label boss ''Gareth Wild'' comes up with a solo effort for Planet Rhythm. "Warriors In The Dance EP'' consists out of 4 dance floor cuts which all have a somewhat dark approach to them. Nevertheless, Gareth Wild shows his versatility throughout these cuts which span from Percussive to more ominous cuts. All of them contain the same feel for fat textures and dance floor appeal.
Resilience, the human capacity to flexibly assume limit situations and overcome them, has a lot to do with Joton and his new sound project for this 2017. In the current national panorama of electronic club music and facing such difficulty, artists are a kind of "modern and resilient heroes" who are constantly in personal and professional struggle to be able to continue progressing in the achievement of their ideas, sounds and dreams.
Joton faces his immediate future by showing his purest and analogical side; Returning, once again, to the primitive, to the seminal, to the roots of techno. Always in search of his truth. His maturity, and marked personality while producing, make it a real resilient, which is nothing more than a resident of the world that has made resilience a way of life, an artistic expression and technoid.
'R3silient' lists a trilogy. It will be substantiated through the publication of three vinyls that will see the light throughout this 2017. They will contain original songs by Joton and remixes of artists related to their sound. All this, of course, in three vinyls that all together will make us discover something new, a hallucinating synergy. It is, without a doubt, his most ambitious, resistant and powerful project.
The sound of Joton in this 2017 is industrial, analogical, mechanical, futuristic and sensitive. Dystopia and the club are discussed. Detroit, Berlin and Birmingham. Starting from the very marrow of techno. It is physical, blunt, modular and exciting.
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Leyla's 'Parallels & Influences EP' brings together Mondkopf, Positive Centre, Codex Empire & Yuji Kondo for an assaulting 4 tracks of power infused and industrial strength techno.
Mondkopf starts things roling with militaristic snare rolls and off-kilter analog synthesis into a climatic fervor of dystopian scene-scaping. This then is followed upu energetically by the pounding pressure and liquid 303 squelches of Positive Centre's 'Rub'. Crushed out cymbals battle against booming sub bass as a foghorn call rides high above the tempestuous patterns.
Codex Empire's 'Hessdalen' is as slick and detailed as it is ruff and raw. Huge sweeping backgrounds with intense high end percussion lick over a stomping, staggered kick pattern. Yuji Kondo (one half of the excellent Steven Porter project with Katsunori Sawa) brings things to a close with 'Whip Blow'. Bringing his signature refusal for traditional percussion sources - this peaking track pits high level technicality against deeply hypnotic and brooding rhythm.
Unknown Label rises from the need to move away from the conventional music industry and to find a place where the music speaks for itself, where artists can go beyond their limits and fully express their potential.
Our aim is to constantly better ourselves by the continuous experimentation in the deeper side of music, delivering to you something new, real and unfiltered like a diamond in the rough.
Second release from Nektar Agu (Inwave/FA>IE) with two class remixes from Jerome.C and Groovesh.
1x each customer, no repress
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As Summer peaks, we bring you the brand new series 'Watergate Remixes' where standout tracks from our discography are remixed and retouched by some of our favorite artists. Kicking off the first installment we have Matthias Meyer and Jimi Jules stepping up to deliver their twist on two big tunes from heavy-hitters Butch and Henrik Schwarz. First up is Matthias' remix of Butch's cosmic tale 'Shahrzad', and he dishes out a truly timeless piece of dance floor euphoria. With his trademark organic groove and lush swirling pads Meyer guides us through a heavenly journey into the distant reaches of sonic elation. On the flip side, Jimi Jules brings his A-game with a revision of Henrik Schwarz' classic 'Words In Return' by demonstrating an incredibly mature restraint of precise and calculated efforts resulting in an enchanting trip of dreamy aural pleasures.
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The First Lady of Watergate, La Fleur, is back again with a massive three track EP titled 'Make A Move' and, in true La Fleur fashion, it bridges classic aesthetics with future concepts. By employing what is a uniquely La Fleur palette of sound, she has created three distinctly individual cuts resulting in the perfect recipe for brilliant and undeniably body shaking dance floor burners. Kicking things off is the title track 'Make A Move' and it hits hard. Vintage House hi-hats and top end percussion balance perfectly with a grand bassline that is as memorable as it is gripping. Descending tones, a sultry female vocal, and a long sustained string break up the constant borage of manic euphoria creating a timeless club tale that will never leave the DJ bag. Following the title track is another bomb eerily similar to the previous tune, but yet completely owning it's own identity. 'Just In Time' seamlessly balances the wash of lush pads as it canvases a rolling and unrelenting bassline as a looping female vocal circles the room slowly rearing itself and then quickly hiding again. Classic piano chord stabs and a ripping ride cymbal keep the track at full tilt as it ascends to full on climax and, before it's over, 'Just In Time' has already been burned into your memory. Wrapping up the EP is the most organic of all the tracks, 'Result'. With its foundation laid in live, natural drums, it grooves hard while a cosmic flute-like wind instrument calls out through the dense, yet soft bass. As all the sounds culminate into a trippy version of the primary vibe, 'Result' quickly drops back into its pristine, original idea from before the break, flawlessly designing a perfect dance floor hit. La Fleur has always been on fire and without a doubt consistent, but with this EP she is clearly at the top of her game and we couldn't be more thrilled to present to you, 'Make A Move'.
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The boys of Mappey again achieved to compose a very picturesque sound telling the story of Mr. Miyagi's wisdoms.
A technical and yet precise fighting scenario between Miyagi and a Muk Yan Jong (wooden dummy) opens up this track using a warm wooden percussions and a solid human kick. The depth of this intense karate training sessions is perfectly reflected with a well handled reverb.
I totally love how the fighting scenes building up in their intensity, created through the musical instruments, reassembling Miyagi and his enemies.
In which the old master is resembled as the melodic and soft flying sounds with instruments such as a Sitar. Where as his enemies audibly appear as huge and forceful giants using bone breaking synths with heavy drives.
Possibly this is just my very own interpretation, so let yourself being carried away by this very cinematic tune.
WATZLAV/London
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Delivering us the nineteenth edition of Balans Records is Benny Rodrigues aka ROD, a well-versed and talented producer who has had a strong relationship with the Dutch label and its owner after releasing its fourth release back in 2011.
Opening the EP is '3yr', a mellow track that steadily climbs into a euphoric blend of dub-inspired chords and refined symbols to form an elegant composition. Taking an unexpected turn, 'Float' is reminiscent of a nostalgic voyage Eastbound into the unknown as a traditional flute whistles a techno lullaby.
On the flipside, 'Kloduba's composition cleverly corresponds with '3yr' as its gentle patterns gradually develop to harmonize together. To close out the EP 'Lego' engages the listener as the sounds of watery blips enthusiastically scatter throughout. This four-tracker finds itself a perfect home in the Balans collection, filled with masterly Dutch artists taking a stab at timeless techno tracks.
New from the FDX camp comes an undercover project, back to basics, no frills, white label hard amen destroyers. Artist and track titles can be worked out if you keep your ear close to the underground.... a mix of back catalogue and brand new beats for the street but nothing that's been previously committed to vinyl. These white labels are seriously ltd business.....
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For its first release, Rapid Eye Movement gives voice to VII Circle who sign with 'Archetype' an inaugural powerful and exquisitely crafted EP for the imprint.
The EP, to be issued in October 2017 in both vinyl and digital versions, features three original tracks as well as remixes composed by no less than Dutch techno wizard Keith Carnal and Belgian arising talent Farrago.
Opening the journey, the title track and 'Alpha' exemplify the Italian duo's maturing and sophisticated signature, whose master ingredients are a compelling and obscure-minded groove nurtured by the layering of deep, immersive and melodic waves of arpeggios and punctuated by dramatic and atmospheric breakdowns. Following the path in an ambient-like and ethereal mode, 'Nobody can escape from himself' develops strong and haunting cinematic textures which give an epic climax to the ensemble.
For its interpretation, Keith Carnal sets the tone with an energetic approach of this spacey gem, stamped by massive and catchy basses without neglecting to stay true - or rather to magnify - the strong emotional and cosmic aura of the original piece.
Stepping up on reworking duties, Farrago first delivers an 'Alpha' version which enhances its out of space and out of time spirit with trippy flavors and then ends the pack, in a banging and uncompromised manner, with a raw and pumping techno energy which echo the buoyant force of the underground. Deep into tribal darkness, but without falling with despair into sadness.
Five weapons of electronic mastery which display a captivating and emotional dancefloor-orientated odyssey, to be savoured in the intimacy of its own soul or to be shared with nightclubbing fellows.
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For their next EP, Moon Harbour welcome back Daniel Stefanik - an artist who has been a core part of the family since 2005.
Stefanik is known as a master of intricate grooves, subtle sound design and compelling cuts that really get under your skin. He has put out four albums and countless EPs on labels such as Cocoon and Raum, and also co-runs the Dambala Experience label.
As well as serving up one vinyl exclusive, this EP features a fully licensed cover-version of Hardrive's classic 'Deep Inside,' which originally started as an edit Daniel made last year, but has since found its way into some key DJ sets and become quite in demand.
That track, still called 'Deep Inside', is a fantastically writhing monster with kicking drums, bounce in its bones and anthemic appeal in the classic cut-up vocal cries. Driving but party-starting, it is a surefire way to ignite any dance floor and it only grows more unhinged as it unfolds.
The excellent and vinyl only exclusive 'Another Year' is more stripped back but just as loose and fluid. Constructed from layers of vocal yelps, tumbling percussion and loopy sub bass, it all adds up to a supple yet wild jam that makes you want to cut some fancy shapes.
This is an easy to love EP that features two essential dance floor bombs.
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First up on the fresh Amsterdam-based label Late Night Burners is Kurley's debut 'Feelings EP'. For this young and very talented musician anything goes, as long as it's unique, warm, rhythmic, and raw, and this five tracker perfectly showcases this ethos. From the uplifting, acid-driven title track, we dive straight into Heartbeat', taking us a level deeper. On the B-side Kurley starts off with the stabby, slightly melancholic 'Long Time' while never losing the floor out of sight, preparing us for the vocoder-infused killer 'Groove All Night'. Closing off the EP is 'Tribute', bringing a more exotic type of heat. In short: a lot to love.
Since Maxime Dangles' contribution to our head honcho Gregor Tresher's 'Breaking New Soil Vol. 7' early 2015 we received several fantastic new oevres from the frenchman. It wasn't easy to decide which ones to release but Sian (Octopus Records) gave us a hand and focussed on 'Fokal' for his remix! Anyway we are proud to release Maxime's debut EP for Break New Soil and are curious how you share our taste.
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Miss Jools finally steps inside with her deep and groovy signature sound with her first EP on Sol Asylum with a remix from Dana Ruh. We instantly fell in love with Stepping Inside," this beautifully crafted atmospheric groover is destined to be a timeless gem. Followed by Dana Ruh's swingy reinterpretati that is finely crafted for the dance floor while still keeping it's original sophistication. We are definitely not sorry to have this spaced out deep roller with a nice melodic surprise in the middle titled Sorry Not Sorry.' Then wrapping this package beautifully together is 444 Marjorie' a more classical approach to deep house but always with a modern twist with a dedication to someone very special to Jools.
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Blue Vinyl
Molecule returns with a new odyssey both physical and musical. Following the success of 60°43' Nord, his concept debut played, recorded and mixed on a fishing boat during a 34-day journey in the Atlantic Ocean, the French producer decided this time to take the process further up North and embarked on a voyage to Greenland. Isolated for five weeks in the small Inuit village of Tiniteqilaaq, Romain Delahaye used his 'survival electrokit' to find new sounds in the fjords, the icefields and the hostile yet dazzling landscapes surrounding him. Entirely recorded and mixed in this remoted place, the tracks of -22,7°C range from contemplative ambient atmospheres to more upbeat techno blizzards and accurately translate this epic self-reflective adventure across a land of contrast, its abyssal silences, its immaculate glaciers and its blinding whiteness. With ten previously unheard tracks and very enthusiastic early feedbacks from medias internationally, -22,7°C is set to confirm Molecule's status as a one-of-a-kind producer in today's electro scene.
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Raw District is Massimo DaCosta and Vernon Bara, a Belgian duo now making their debut on Moon Harbour with two fine original tracks and a remix by Italian Davide Squillace, who has a long and storied history of DJing and producing with label boss Matthias Tanzmann.
Raw District have been building momentum for the last couple of years with releases on Crosstown Rebels and Defected, and now come into their own on Moon Harbour. The pair who also run Homecoming Music previously released under a different name, but this new project focuses on darker club sounds that are truly compelling.
'Underrated' features disco soul vocalist Forrest, who delivers some attitude riddled rhymes in libidinous fashion as hypnotic synth stabs and rolling rubber drums drive on below. It is the sort of essential groove that will make whole 'floors march as one and is perfectly steamy and emotive.
David Squillace is known for his essential extended DJ sets at Circo Loco as well as current AV project Blender, plus his collaborative project Better Lost Than Stupid with Martin Buttrich and Matthias Tanzmann. His remix breaks up the beats into a more tumultuous and shadowy groove that is weird and freaky, with whispered vocals sounding all paranoid. Prying bass sucks you in and clever filters make it a dynamic and ever evolving affair that never lets up.
Raw District then come correct with the invitingly jittery 'Their Eyes', a smooth, deep rolling groove that evolves through a number of subtle peaks and troughs. Tumbling toms and sweeping filters bring the sort of drama that dancers love, and when it kicks again you can almost hear their whoops of joy.
This is a fresh sound from Moon Harbour and a fine debut on the label from Raw District.
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2000 AND ONE (aka Dylan Hermelijn) has been on the forefront of electronic dance music since the late eighties. His pioneering vision across more than two decades of music genres now ranks him as one of the most versatile, in-demand international artists, commanding weekly performances on the house, techno and tech-house global club and festival circuits.
Not only recognized as a magnet for the clubbing crowds, he is also credited for championing the sounds of Amsterdam's new school DJ and Producer generation and propelling the scene's visibility into the international club headlights with his six Amsterdam based labels, of which the oldest, 100% Pure, celebrated its 20-year anniversary in 2013.
After the release of 2000 and One's 'Rambik EP' on Intacto Records this summer, Pitcher Plants EP continues to success the journey of Detroit Techno. Early plant explorers were convinced that the most mysterious pray-tapping pitcher plants came from Mars because they are so out-of-this-world, as is the ode to this EP.
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