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ET is back on his FoKalm label

An unraveled feeling when the action drops in. There is no time to escape, you have been overpowered.
You just realized that moment when you arrived in a intergalactic backlight battle war between masters and servants.
The invasion belongs the force of the occupied lords of monarchy. There is only one option to be the commander on this EP.

limited edition of 200 copies. Vinyl only. Red transparent (a bit marbled) 12" record.-

A new reference of the prestigious Spanish Techno label Injected Poison Records. After a year since from her last release on vinyl, during this time, we have been able to see some of her releases in digital format, but, It's vinyl time , we have generated enough waiting and now we can enjoy a powerful vinyl, with a magnificent work of art and design for collectors and four powerful tracks with 3 of the best producers of the Techno scene. We are proud to welcome our well-known label partner Christian W nsch and a new member of the Pole Group; P.E.A.R.L. At the vinyl we can listen two original tracks from the owner of the label, Jose Pouj, with two remixes of Christian W nsch and P.E.A.R.L. The release date will be available in September. Enjoy.

We don't know what good old Louis Jordan would've thought of a House-gambler like Rampa, translating his Let the good times roll.'-credo into the clubagenda. Quite possibly he might've forked out some sax samples for Rampas next cuts, after revising this
upcoming KM026, the Good times / Roll' EP.

Good Times feat. Aquarius Heaven' on A evokes its feelgood vibe on a crinkling collection of percussion elements and therefore redeems all the trademark-claims one could address towards the rhythm-fond originator. Not to forget this synth-hook, that's adjusting the potential of this track right into the middle of the floor and at some point stretches out into a trippy organ-jam. All last restrain then should be swept away when Aquarius starts his nasal croon. There's a moment in the night, when everything is right.' And you might've guessed it, he's talking about the moment, this tune is spinning.

Roll' on the flip embraces us with sassy snare-snaps, a full bodied kick and secretly whispering hihats. This beat, containing a rather subtle realization of Rampa's percussive fetish, builds up alongside comfortably warm synths and a bassline raising the temperature another notch. A warm-up-weapon full of dynamics that finally drifts towards a chord meditation dropping any burden left. You could call it a complementation of the Good Times' - and no doubt, the combo of this two-track-ensemble will get the best out both, the peaking and the tension building moments of the night.

Two exclusive tracks from Ancient Methods and Vatican Shadow on one limited 10". Heavy duty industrial techno...

On Bunkerterror, Vatican Shadow and Ancient Methods finally yield two exclusive industrial techno tracks, both offering unrelenting examples of their notorious b2b live/DJ shows from the past 12 months.

Vatican Shadow bosses the 'New York' side with Monotheism & Zarqa, offering the VS sound at its most willing and able with stomping kicks piling thru sheets of shuddering white noise. It's quite possibly the most deadly and dancefloor-dedicated cut in his cabinet of horrors - proper industrial cynicism!

The 'Berlin' side belongs to Ancient Methods' Immured In Supreme Beliefs, a perfectly rictus example of his pitch black war funk, finding intense pleasure in the near-refusal of syncopation, save for pendulous ice pick snares that nail the groove perfectly off centre.

For legion industrial fiends this record is a dream come true. Arriving in Hospital Productions' 20th anniversary year, it demonstrates the label diversifying and specifying their bonds...

Returning to Kompakt after his quirky label debut "Mission To Bars" (Kompakt 347), transcendental house music producer CLARIAN resumes his search for mesmerizing soundscapes with a surreal hue on the ANKH EP. Three new tracks continue the spaceman chronicles, with the last EP's protagonist embarking on a grander adventure than ever before - our unfortunate hero, who initially got stuck in a bar on a strange planet, now intends to travel to the outer rim of the known cosmos in a desperate bid to stop the ancient evil army of the space zombie lizard kings.
At least that's what he's trying to do - unprecedented turmoil brought him to a moon rave in the Hipston Galaxy, "the dopest galaxy with the freshest Eco-galactic-friendly products and politically correct views on Space Blobs". And it's here that the spaceman spends the next three years in an awesome blur of party photons and anti-gravitational break beats... until that fateful moment during an after party in an illegal crater with Ricardo Villaroboto, when he's doing bumps of Kryptonite with a Zorgonian in a bathroom stall and hears about the space zombie lizard kings for the first time. Their formidable stupidity and greed for brains has the potential to destroy the very fabric of space and time, a very troubling thing for people who care about existence and stuff.
Only one mysterious object is powerful enough to take down the zombie lizard empire and restore balance to the universe: it's called ANKH and emits its dreamy harmonics, glistening synth motives and gentle beat throbs from deep within a crystallized pyramid. Just as the spaceman is about to respond - probably with a heroic vow to the good cause -, the 17-tentacled DJ drops the slightly nostalgic OLD MIAMI, a groovy, hypnotic late-night jam for the raving fla^neur (also a reference to a dive bar in Detroit where CLARIAN played one of his first shows) and our hero euphorically sneezes so hard that he accidentally sprays the Kryptonite all over the floor - while smacking his space helmet against the wall behind him.
Several million moon cycles later, he wakes up with a pounding headache, freely floating in space. Completely alone and with out a single glass of whiskey to take the edge off, he starts feebly humming to himself - a song called ALIENATED that perfectly showcases CLARIAN's well-documented knack for catchy weirdness, letting its main motive glitch in all the right places. Following releases on imprints such as Multi Culti, Soft Touch, Rumors or Turbo, plus a stint as mixer, arranger and audio engineer on Tiga's last album "No Fantasy Required", this latest offering reveals an artist that has built himself a strong pedigree with fans of immersive, melodic dance music - but still manages to surprise with ambidextrous sound design and that refreshing tang of absurdity that seems to be his specialty. What about the spaceman, though Is this the end of him Will he ever be able to sip his beloved whiskey Will the space zombie lizard kings prevail Find out more in this next chapter of the spaceman chronicles

Scotland's premier electro alchemist is back on Shipwrec and this time flying solo with five shards of sharpened machine music. Beats rain down in solid sheets, a hail of drum patterns pelt and pound. Acid scorn, speeding snares and scorched sound roar and rumble in the menacing "Days of Rage." The 12" hisses and howls, sending forth a searing line of percussion as gears crank and grown. "Glasgow to Detroit" is just as fiery, scorn and sparks leaping off burning bars. Aggression is always at the surface, and behind the razor rhythms lurks a palpable paranoia, as in "Daisy Cutter" or "Uprising." The only respite comes with the complex and textured "Stones and Sticks." Harsh mechanics from an industrial heartland.

The T-Rex is loose! Roars can be heard from the house of UKTURA. UKT APA and Ascon Bates are collaborating and present UKT003. Three tracks, all of them functioning techno, take you on a trip into the past. The Elder' rousingly leads you through the prehistoric landscape and makes you curious for more. Ton' advances progressively, like escaping the T-Rex which gives up the chase in the last second. Isn't that just pure thrill! Fog and Mist' is reminiscent of a prehistoric dawn, smooth sound with rough touches. There are many ways to interpret it, but one thing is clear. All of it is techno!

repressed !


Due to it's 10th anniversary, Kittball Records presents a limited white vinyl series throughout the year 2015, as a special edition in four parts reflecting its most successful tracks within the past quarters. Having the hottest tracks from July to September on the spotlight, The third edition includes originals only by Tube & Berger and Hanne & Lore on the A-side, with Joeski's 'Black Door' on the B-side and the latest collab by Tube & Berger with Juliet Sikora initialy been featured on the 100th release.

Istanbul based 'Roit' drop their latest EP 'Music Sounds Good', a split work featuring the label head Ave Astra and Ireland's up and coming talent Embezzlement Society.

Roit's manifest declares that the Turkish record label looks out to Detroit with respect. Their sound goes way beyond the borders of the Motor City, mixing UK friendly grooves with Paradise Garage's Disco Edits and with something that sounds like a mix of Gene Hunt and Enzo Siragusa.. Their innovative and multicultural approach to dance music is perfectly showcased by this latest EP 'Music Sounds Good' which features 2 artists pretty active on different fronts. On one side there is Roit's head Ave Astra, who is soon to be releasing on Moscoman's Disco Halal and on the other there is Banoffee Pie Records contributor Embezzlement Society.

Ave Astra's title track is a powerful proper Disco cut: club friendly, hands in the air. A2 is a more stomping but still uplifting House cut, NYC garage inspired rhythmical parts, in your face kick, melodic pads a pure dance floor banger. On the B side Embezzlement Society produce 2 darker party tunes: 'Glad Your Mine' merges sampled guitars and vocals with a relentless beat while 'Westside Rumble' fuses Detroit and London, grooves and bassline, drops and enormous hi hats. It's party time.

DJ Windows XP's highway route from the strange deserts to the over-the-top underground clubs somewhere deep in your imaginative 18 karat gold vinyl players. Straight debut fire on Who's Susan. Wait, who is Susan

Has Jesse Rose reached legendary status yet He's certainly made a good attempt at it. The course of his career has seen him collaborating with internationally-acclaimed artists like Henrik Schwarz or Switch, producing talents such as Hot Chip and Chiddy Bang, and having three labels that have created careers for artists such as Oliver $, Riva Starr & Homework to name but three. Then there's the remixes... from Bob Marley, SND, Totally Enormous Extinct Dinosaurs, to this years smash of Rufus 'Desert Night' (BBC Radio1 Essential New Tune). Even more adventurous & expansive are Jesse's own genera melding dance floor productions (go to Discogs there are 39 pages of them!). After having a hand in prototyping the early sound of tech-house, to chopping up & twisting the template on Derrick Carter's Classic, to his infamous productions on Dubsided, Jesse's most recent foray has been his classy modern take on house on his own Made To Play and Play It Down imprints. And we haven't even started discussing his game-changing compilation 'Body Language' on Get Physical, six-year residency at Berlin's techno-mecca Panorama Bar, Kiss FM radio show, Made For The Night parties, signage to Roc Nation/TSZ, or his BBC Essential mixes... One thing is for sure- Jesse has never stopped putting out tracks that move dancefloors the world over and has never allowed anyone to box him into one genre. If Jesse Rose could be remembered for one thing it's that he has always pushed for something new... which now takes us to his latest bomb 'FLY TONIGHT'. A modern take on a classic sound, 'Fly Tonight' honors the foundations of French house with a heavy and honorable nod to Thomas Bangalter's Roulé records

Played by Ben Sims, Dave Clarke, Len Faki, Laurent Garnier, Marcel Dettmann, Pan-Pot, Perc, Mark Broom, Gary Beck, Marcel Fengler, Francois X, Mr Jones, Funk D'Void, Dan Curtin, Johannes Volk...

S-File is back with his second record in this year. Broken and Shelter is his new double a side record. Shelter is a monster tune with a catchy old skool vox hook, that guaranteed work on the dance floor. Ben Sims played them early in his NTS Live Show and also the Baron of Techno, Dave Clarke played the track as opener in his Tomorrowland 2017 set. He sayed also in his White Noise Show: This is a weapon for all festivals. The second track on the record is a catchy broken beats tune with a catchy chord hook. We hope that you are as much excited as we are about his new record!

9 years on from their inaugural release from back in December 2004, Saved Records have now reached their landmark 100th release. Ever since SAVED001, Skylark presents Buick Project - "Chancer / Drop The Beat" Saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. Celebrating the achievement in style, the Maidstone based imprint will be bringing together a mind-blowing collection of the label's favourite producers and DJ's, covering all aspects of the musical spectrum; from deep house to peak-time techno and will be available on limited vinyl samplers.

Saved 100 will feature original material from label bosses Nic and Mark Fanciulli alongside Saved mainstays Robert Dietz, Philip Bader, Stacey Pullen, Gary Beck and Alex Tepper. Mouth-watering remixers include Danny Daze, Frankie Knuckles, Joris Voorn and Adam Beyer with the likes of Subb-an, Spencer Parker, Terrence Parker and Mark Broom all also set to feature in a compilation that displays both the depth and dexterity of Saved Record's impressive back catalogue. The compilation will also come with an exclusive mix from Mark Fanciulli, serving up a label perspective from right within the eye of the Saved nucleus.

The Saved 100 tour began at Output in New York on January 3rd before heading off to Mexico for a stellar Saved showcase at this year's BPM festival. Continuing until April, it will then encompass shows in Tel Aviv, Dublin, Montpellier, Munich, Basel, Barcelona, Chicago, Miami, Detroit, Antwerp, Copenhagen, Toronto and many more.

When we launched our digital imprint in 2013, one of our explicit reasons for doing so was to fund a vinyl label. It may have taken us four years to get to this point, but we re finally here FKOFv001 is upon us. The debut FatKidOnFire physical release sees new artists join our roster. Taiko s
Untitled Grime has been blowing up the dances for a hot minute; championed by the likes of Truth, Spooky and many more. Spooky even named the tune in his Fact Mag top ten 'most prized dubplates list! We linked Taiko up with Mancunian wordsmith Skittles (currently smashing it with the Levelz crew), and 'Don't Be Stoopid' is the anthemic result. FKOF fam and producer extraordinaire District adds an industrial grime-esque flavour to his remix for a killer one-two punch. The two producers collaborate, for the first
time ever, on the B-side, entitled Yoakai . It s a tune that demonstrates why we signed both musicians incredible atmospheres, depth and weight. Beau at Ten Eight Seven, as ever, has mastered the tunes to perfection. We re proud of this release and, on first listen, we hope you ll hear why... Follow

Bomb-O-Matic Crew from Antwerpen celebrates 10 years with this Releases in limited different Color Edition !!!

with remixes by Dave Tarrida , Mascon and Alan Oldham aka DJ T-1000!

deep timeless dub-techno for perpetual immersion. Vinyl Only!

Redeemer is the brutally seductive debut album by Phase Fatale, a key player in the recent charge of EBM and post punk-informed industrial techno infecting 'floors from his home city, NYC to his DJ residency at Berghain, Berlin. In Dominick Fernow's Hospital Productions, Phase Fatale finds a fitting home for his personalised brand of clinical, rictus rhythm programming and searing synth and guitar lines, adding a vital streak of black and blue electric energy to the legendary label in its 20th year of cultish operation.
In seven parts (and a trio of extended Silent Servant mixes due to come), Redeemer follows the direct, jagged lines of his 12's for Jealous God and Unterton to a deeply personal realisation of weaponised sonics, upholding a strong tradition of techno as a prophetic exercise or ritual to gird dancers and listeners for the onset of future war. It presents Phase Fatale as an ultimate emissary of electronic violence and domination in the process, steeling the limbic system and muscle memory thru a fine-tuned disciplinarian approach to pharmacokinetics and biomechanics.
Picking from the leather-bound cadaver of industrial dance music past, Phase Fatale reanimates his influences with pointillist precision and unapologetic force. Alloying muscular bass and metallic percussion with wire-combed 16th note synthlines and a barbed perimeter of guitar distortion, his sound can be heard as a metaphorical representation of holding your line against the attrition of a degenerated present.
Each track dances concisely around the 5 minute mark, unfolding a series of densely packed and subtly rendered minimalist/maximalist structures. The shuddering tension of Spoken Ashes opens with banks of rotted chorales against a coalface of hacking stabs, establishing a pent vibe that vacillates precariously thru the adrenalised battery of Operate Within, to the clenched funk of Human Shield and the bombed-out,
Alberich-alike Interference, seeming to resolve slightly with the supple roll of Order of Severity, before Beast bottoms out into immolating synth distortion, and Redeemer brings up the rear with a coolly-tempered, stoic form of industrial ecstasy.

180 gr vinyl incl. cd) Token is pleased to announce the sophomore album from Sigha. Metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.

Token is pleased to announce Metabolism, the sophomore album from Sigha. The LP marks James Shaw's third release on the Token label following his singles Christ Figures and Our Father. Metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.

Shaw's work as Sigha has always placed the listener at a centrifugal point that invites a clandestine hypnosis rather than an abject hysteria. Cavernous low ends fixed firmly and effectively in a mono space tether the music to the body, while exquisitely executed white noise patterns and crystalline pads warp and hiss around the stereo environment. This keen ear for distinction within the frequency spectrum acts as the central theme on the LP.

Metabolism encompasses a power dynamism that departs from the explicitly greyscale finish found on his more conceptual work as Sigha and as A Vision Of Love for Guy Brewer's Avian label. Though elements of Metabolism maintain a driven, corrosive quality, each searing sequence or mordant drum machine hit occupies its own space. On high-energy dance floor moments and abstract tracks alike, Shaw's approach to distortion is one that sets out with an objective to separate components rather than to bind them. This creates a matrix of aural stimuli that remain heady and inherently propulsive, but are realised in a fashion more akin to high fidelity sound design than processes traditionally associated with the techno genre.

The record possesses a powerful musicality beyond this acute attention to form and structure. In the past, Shaw's productions have often married high-energy drum work with subtly shifting minor keys spread around the sonic periphery. On Metabolism, emotive leads sit squarely and comfortably in the foreground, and build towards rapturous crescendos that are crisp and omnipresent throughout the mix. These careful layers generate the extraordinary tension that has since become a hallmark of the British artist's work.

Metabolism is a techno album, but its frame of reference is generous, drawing on the finest facets of the artist's own varied discography and the wider electronic music landscape. Cohesive and modern, Shaw's latest work eschews a handful of riffs on a single idea in favour of a multi-faceted, fully realised expression of what the genre can be - it is a vital addition to the Token label's already enviable catalogue of releases.

Leave all the preconceptions behind and engage with the sound for a moment. Two spaced out sides which drag into a unreal act of travelling, through the dense basslines and visionary synths. Going through both sides will take you to a well aranged after party mode, still going forward in a very solid and well expressed rhythm. This release easily flows into the entourage and becomes something memorable.

Nach Releases auf Highgrade, Gigolo und Dessous und Killer-DJ-Performances auf der ganzen Welt liefert Rumäniens feinster Dancefloor-Export und einer der innovativbsten Produzenten Europas, Mihai Popoviciu, seine mittlerweile vierte EP für Poker Flat ab.

Zellyana drop out her first vinyl release on Vi Två Musicgroup. This serbian bomb contains at Zellyana´s site a phantastic deep sound. Hurry up and enjoy the Zexy Sound of Vi Två Records! Also she invited her friend Shekimon for A-Side and here he will wash music with 'Die Waschmaschine'. This Ep is made in serbia and a perfect start for Zellyana´s new vitZexy series.

Two fresh jams from the meeting of two minds that is Genius Of Time!

2529KM Records is a new dub techno label created by two friends and artists - Piotr Bejnar aka N1KT (Warsaw, PL) and Leon Lolishvili aka Boyd Schidt (Tbilisi, GE). 2529 KM stands for the distance between Warsaw and Tbilisi. The idea of the label to release compilations with artists from different countries and nationalities. Through music the label wants to unite different cultures and to create a group of friends all over the world, who support themselves in music and life.

The first release 2529KM 001 is the compilation from Idealist (Switzerland) - producer, DJ and label owner of Idealistmusic, Stojche ( Macedonia) - Berlin-based artist who's primarily inspired of the local electronic scene in Skopje, Boyd Schidt (Georgia) - one of the leading techno artists in Georgia and N1KT (Poland) - new techno alias from the owner of 2529 KM and Otake Records.

Good news for exigent Techno lovers, here comes another deep and mesmerizing release by the Californian Techno ambassador Drumcell, with remixes by three highly inspired co-conspirators. Many have already heard Drumcell's original album version of 'Speak Silence". The slow and haunting beat, the hypnotizing poetry of the vocals, the incredibly well-defined bass and the dark, enthralling atmosphere characterize the work of this restless sound designer and make it clearly irresistible. Furthermore the choice of the remix producers also could not have been any more spot on. CLR core artist Brian Sanhaji, one of today´s most creative and in demand Techno live acts, crafted a driving and very club friendly version of Drumcell´s intriguing original composition. The man who is also taking care of the entire mastering of the label has once more proven his sonic and musical sensitivity while effortlessly taking the very essence of 'Speak Silence' straight to the dance floor. The Slumberman Remix creates a spherical and epic vibe without ever using any stylistic stereotypes. Not only di

Deep and weird, rave influenced techno tracks.

It's 3am. The club is still open. You're bathed in sweat, mid-set. It's not time to go home. Not just yet.Now imagine the new release from Germany's Oliver Deutschmann kicking in on the sound system. This is the new release on Swiss imprint, Caduceus Records. They're back with yet another undiluted dancefloor bomb from the man himself - a release guaranteed to take you to that place and guide you further down the rabbit hole.Oliver is a producer that needs little by way of introduction. Over the last 15 years his reputation as a producer and DJ has been driven forward by his own dedicated passion, a slew of unforgiving releases, a diverse track selection and an even more uncanny ability to mix.On his new release, Locked, Deutschmann presents a three-tracker with that hypnotic, peak-time attitude in his sights. Gravely brooding,EP opener 'Locked' is a heads-down techno anthem which slowly unfurls into a seven minute hi-hat workout which still manages still to cut a deep groove. Track two, 'Plus' delves deeper into his more minimal leanings as he paces himself into the swelling, shapeshifting modus that the track belies.

A return to the source: 'Ribcage' is where it all began for the Dubfire project. After years of exploring, subverting and setting brave new benchmarks in the house world, this marked the start of Ali Shirazinia setting out to set the same creative benchmarks in techno. Restrained, drawn-out but beastly when it wanted to be, the original was a serious statement of intent. Even at the time you got a sense it was going to be a historic tune. Loco Dice especially felt that when he signed it to Desolat 10 years ago. To celebrate this time-flying milestone, Dubfire's recruited two of the most respected names possible for remix duties. First up, the unstoppable, unavoidable, unquenchable Dense & Pika who keep within the dramatic rising template but with a whole new set of instruments and textures... And a percussion palette that absolutely sizzles when the whole groove kicks in mid-way. Phenomenal. Hot on their heels comes a unique remix invitation to On-U legend and one of the UK's most decorated and treasured studio controllers Adrian Sherwood. Turning in a serious techno re-cut that pays tribute to every element and takes over 12 minutes to make sure they each shine amid the head-twisting pools of tripped-out decay, it's clear his time with Pinch has had a profound effect. Two incredibly well considered and detailed remixes that remind you what remixes should be... Brave new chapters of a story we all love being told. These will sound great when the 20th anniversary remixes are

I'll never forget the many dancefloor dates my friends and I had with Harry Romero back in the late '90's and early naughties. Nobody turned out beats like 'Choo Choo'. Cro-Magnon, Erectus, Tania, Night At The Black, Suck My Clock, Beats Vol. 1 & 2, Mas Pito (as Mongobonix), the list goes on and on... Each and every one a seminal house smash, played by all and still sounding as fresh today as they did on their first spin.

2013 is the beginning of a new chapter for Harry, parting ways with his long time label group Subliminal, after completing a ten year deal, he is now free to release with other labels, and importantly, return directly to the beats. Already forging ahead with new releases on Ovum (under his Vaggio alias) and Sneak's I'm A House Gangster among others, here he makes his debut on Circus Recordings.

There is no question that Harry is one of the finest and most accomplished producers in electronic music, a serious beat maker like few others. And a seasoned dj since the early 90's in New York. Raised in a musical family -- his mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. As a result, Harry was constantly looking to expand musical range. His trademark Latin touch can be heard in full effect once again on his new three track Circus release, The Butcher.

Circus Recordings owner Yousef spoke to Harry about his new music and his departure from Subliminal, visiting him in his New Jersey studio to discuss an EP. As a fan who has respected Harry's body of work for many years, Yousef was blown away when listening to track after track of Romero's new material, signing 3 cuts on the spot.

Harry tells us The Butcher was born after a night in Ibiza watching Luciano control the Pacha floor. Solo Man is nod to the mid nineties Romero, whilst Keep Pushing On is a jerky view on bass line 2013. All 3 tracks have been smashing Yousef's dance floors for some months now.

The Butcher EP put's Harry's name directly back on the underground dance floors, showing the world (once again) that Harry Romero is most serious of players.

It's a big year for Woo York. Loud gig in Tresor, more than 10 vinyls to come, recordings for Soma & Invite Choice. They prove that techno is evolving. Now it's time for eastern Europe to make some great changes. Aesthetics of Planet Rhythm imprint appeal straight to your brain. It doesn't matter are you from London, Tokyo or Berlin. Techno is universal language. Ukrainian duo welcomes you on board.

Yellow Vinyl

'Chico Buarque Construção Revisited' by L_cio is a beautiful debut project part of a DOC series of releases combining classic Brazilian names with DOC artists and producers.
L_cio (Laercio Schwantes) the man with the transverse flute known for some of the freshest and unique tracks coming out from Brazil is behind this gemstone.
Increasingly building a legacy of fans following his live performances and recent releases on DOC Records (Vazio; Traffic; People Talk; Schwantes), this man is a non-stoppable 30 hours machine gun.
On this long awaited 2-track limited edition vinyl release, L_cio and Gui Boratto kept the roots of this classic track 'Construção'. However they added all the proper elements of a techno dance floor knockout. By inserting malicious baselines, flutes and strings they generated aggressive melodies while keeping all characteristics of this epic song.

Voted as the greatest Brazilian song by Rolling Stones magazine, 'Construção was originaly recorded by Chico Buarque in 1971 with production by Roberto Menescal. Released during military dictatorship, Chico Buarque criticizes the way of life of the Brazilian workers, comparing them to machines.

The song is known for its interchangeable last words, used 'as if they were pieces of a board game', as said by Buarque.
Generatiions apart, Construção (L_cio & K_ri Version)' and 'Construção (L_cio & Boratto's Deconstructed Mix)' are the first ever authorized remixes in over 45 years.
L_cio the latest dance floor brazilian soldier, a menacing builder of beats completes an epic turnnig point by editing and lapidating a classic poetry.

With a B Side dub version beutifully crafted by label boss Gui Boratto, this limited edition pearl is finally here for our joy!

Classic rare The Timewriter track with faboulus Sascha Dive Cosmic Dub Remix

Here comes the final chapter in Android's Three Laws' trilogy vinyl series. In this Third Part, the label elegantly moves away from it's past and makes way for new theme, new sounds, and new breed of artists that have been closely representing this label for the past year.

Gynoid's head 'Advanced Human' from Sydney, new Android lady 'Maria Savage' from the Netherlands, and two of Italy's rising stars of tripped-out, atmospheric techno, Alessio Pili and Dorian Gray, are all here to introduce the audience to the new sounds of Android Muziq.

Die Berghain-Reihe auf Ostgut Ton geht weiter - mit Volume 07 und acht neuen, exklusiven Tracks auf zwei EPs, alle auf dem Berghain 07-Mix von Function enthalten. Auf Part I finden sich Beiträge von Steve Bicknell, Post Scriptum, L.B. Dub Corp und Blue Hour.