Beats Новости

Any fan of drum & bass will know the name Cyantific. Having built a reputation as a leader of the new school D&B generation, Jon Stanley is now approaching a decade of releasing incredible music that's equally at home on the dance floor as it is on your iPod or in your car.Last year saw Cyantific unleash an incredible single for Ram Records, as well as 'Bounce It' / 'Obey' on his own self-titled Cyantific record label. Here we have the follow up to that release and it's undoubtedly another exciting 12', packed with plenty of Cyantific's trademark energy.Effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new Cyantific record is one to watch out for and this new single is certainly no exception.'Mirador' takes the lead, opening with huge sweeping sound FX and a bouncing synth line that harks back to a classic Ram sound. It's not long before you notice Cyantific's signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. This one undeniably straddles the line between restrained musical class and outright dance floor mayhem.On the flip side 'Defect' comes in at an infinitely more paranoid level. Strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. You won't be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into Cyantific's musical world.

Oakland based producer curates his 1st vinyl release. His productions are always rich with mood, swing , & depth & pulls from a variety of styles w/fluid programming. A real eye-opener. 3 tracks from his digital output + exclusive AYBEE remix.

Following his ice-cold 12"s for Black Box and Blackout Music, the double EP project 'Making Simple Things Complex' by Data is finally ready for release.

To complete his 'Making Simple Things Complex' project, Data has produced an EP of sculpted, streamlined D&B that balances the cyber-creativity of techno with funky, more human elements.

David Lynch sent his album ('Crazy Clown Time') to his friend Moby and asked him to choose a track to remix, Moby chose the track 'Noah's Ark' and this is the first time that Moby has remixed one of David Lynch's solo tracks.
Sunday Best now release this excellent remix exclusively on limited edition 12' for Record Store Day on April 21st. The artwork for this limited edition release is once again designed by the legendary designer Vaughan Oliver and features special metallic colours on a one sided disco bag, heavy 12' vinyl with a special vinyl etch on the B-side as well as a run out groove message from David Lynch himself.

I am a pianist, composer, improviser, performing artist and a multitasking musician in life,
currently living and working in Reykjavík.
I was born 1978 in Seyðisfjörður, Iceland and have been playing the piano and keyboards since age of 9.
My main focus and interest is in improvisation, composition and performance of music.
How improvisation and composition can meet effortlessly as a creation of musical ideas and sounds.
I am also thoughtful of the general passion & drive behind creation of things, in what way they are presented and passed on to people, in music, arts and life in general.
Since childhood I´ve collaborated with a whole spectrum of artist, from obscure troubadours in the countryside to stadium bands, covering all fields og music, both in Iceland and abroad.
I have also composed and arranged a great deal of music for Theater, Film, Art installations, performances and videos of all kinds.
Released my first album Rask in 2002, and now I am currently composing and working on a series of records with solo piano music for Radio Bongo with Improvised Pianoworks I (broadcast01) as the first Radio Bongo release.

Bringing his sound to a new boil, dBridge gives us the first serving of 'Velvit' with these two new monster tracks. Following on as the second course of Convex Industries, dBridge is no stranger to the insatiable appetite of electronic music. Showcasing his mastership with these solid tracks, defying tempo and genre, there is a taste for Velvit lingering on everyone's tongue.Passing Encounter: dBridge shows his new Velvit alias is a delectable force to be reckoned with. Dipped in 90s jungle with 2012 construction, 'Passing Encounter' fuses a catchy lead and tribal beat that simmers over an 808 bass heat, finished off with a drizzle of lush vocals.Scarlett: 'Scarlett' is caramelised in a classic reese bass line reminiscent of early Kevin Saunderson. Relentless 4×4 kicks stew over the thickest marinade of bass and detuned synth drones. Already with heavy play from Jon Convex, Martyn, Jimmy Edgar, Benji B (just to name a few) this track is fast becoming a favourite on the summer menu.

'I'm not a girlie-girl,' claims Madi Poncia, sitting before me with an armful of body art, a nose stud and Dr Marten boots. The founder and front person of Brighton-based punk-pop/new wave band Dear Prudence is a disarming mix of feisty noir-ish pop songstress and charming girl-next-door. At her side are Rick Ahir (guitar/backing vocals), Alexis Nunez (drums), Paul Egan (bass/backing vocals) and Andy Highmore (keyboards).

'I got into Siouxsie, The Cure, Depeche Mode at school,' Madi says. 'Everyone else was listening to chart music and I was looking for something different. Those groups struck a chord with me. Their legacies are such an inspiration.'
Madi has an extraordinary, spellbinding voice, a giant, soulful siren that crackles with heartbreak and sadness, irony and elation. Lyrically, the songs have a bittersweet, lovelorn feel, a fact that Madi ascribes to events in her personal life. 'Songwriting is a form of escape for me. I grew up in a very quiet coastal town where I'd spend hours imagining the future. As I got older songwriting also became a way of dealing with the difficulties of things like love and loss.'

Powerful and dark, their recordings have a modern, mainstream pop flavour, underpinned with a strong undercurrent of moody '80s electro. It subtly reflects other inspirations, too, such as Pulp, Blur and The Smiths, and more recently Biffy Clyro, Lower Than Atlantis and Twin Atlantic.

Clearly a band with big ambitions, Dear Prudence is named after the '80s version of the song by Madi's heroes, Siouxsie and The Banshees. 'I love Siouxsie Sioux's dark glamour and feisty attitude,' Madi explains. 'I really admire her.' Bright, bold and beautiful Madi has an endearing charm and confidence that's likely to draw a crowd of her own female admirers, as well as cement her allure for a male audience. With their debut album due and a hunger to get out on the road, 2012 looks set to be a very exciting year.

Join the Dots reaches it's dirty dozen in the form of Leeds based noiseniks 'Death on the Balcony'. After a year of rather big releases, hanging out with Wolf & Lamb, Soul Clap and other assorted cool cats and playing a hectic schedule of gigs across the world that literally saw fans throwing themselves (from a ruddy great height apparently) at our boys they now contribute DOT012 to the JTDs family.Whilst being described as everything from disco, house, deep techno and any number of other pointless monikers (these are just their own descriptions we should add). Death on the Balcony have you could say come home to roost. Think of us as their crash mat, their safety harness, their bungee cord. We are going to look after them whilst they just sit back and admire the view.Whether they are moon lovers or have had an experience of being caught in a rip-tide, dragged out to sea and marooned on a dessert island with nothing but a generator, a macbook pro and a copy of Reason, lead track 'Change In The Tide' name aside, contains nothing to link it with either experience, whilst 'Far From Home' continues the marooned on a desert island theme but is actually a huge star-gazer tune, stacked with soaring vocals and kick that whilst hidden under the layers of synth action is never lost again. The B side heads further down the to the low end of the bass spectrum. Both tracks could be described as 'chugging'. 'Look To Higher Ground' would be the perfect place from which to catch sight of passing ships whilst it is also is flooded with the darker side of cosmic influences, voices flutter, riding the groove, all of which is whipped massively into shape by growling bass line. 'Visions' being the effect of sunstroke is also a piano laden bass driven throdder (as opposed to thrapper), a ton of reverb and looped vocal and yet more piano stabs. It's a choice piece of warm up gear if ever there was one.

Following on from their last release was no easy task. 'Overkill / Hold Me' held simultaneous number 1 spots on Trackitdown drum and bass and dubstep charts with 'Hold Me' named by Skream and Benga as one of their 'Drops of 2011'. The official video for 'Hold Me' has racked up 2.5 million views and to date Delta Heavy are the only artists apart from Knife Party to have had releases on all UKF YouTube channels.

It's been a while since we have seen a release from DFRNT for On The Edge, but I'm proud to announce, the wait is finally over! This 3 track EP provides us with an abundance of different flavours, but still retains the genius sound that is DFRNT at the very core of every tune. Let me first draw to your attention to 'The Big Freeze'. It's a Drum and Bass track that has been moulded like a true pro. It sounds like DFRNT has been producing D+B for a long time with the finishes on this track, but believe it's one of his earlier efforts. It's a refreshing BPM for his take on electronic music and hope to hear more of the same from DFRNT soon. Then DFRNT shows us what he is all about when he goes all out 4X4. A dirty, gritty Techno roller (with a skip) that will blow your socks off! Love the production on this one. Then we have 'Monday Morning'. This does exactly what it says on the tin, just the type of tune you need to bring you down after a heavy weekend. As though that wasn't enough, there is a 170 remix from man of the moment, Indigo!Support comes from: Hatti Vatti, Synkro, Versa, Mary Ann Hobbs, Kissy Sell Out, Fused Forces, Loxy, DJ Rum, 501 and Truth to name a few.

2012 marks the spot for the return of the most applauded, the most respected and simply the loudest bass music record label in the world, Valve Recordings. Captained by two of the most revered producers in the game, Dillinja and K-aze (Lemonde's all-new multi-genre production project pseudonym), the Valve has set a course for global domination once more as they get ready a whole host of beats from the full spectrum of electronic music. D&B, dubstep, grime, garage, house, footwork..it's a new era for Valve Recordings; be warned, bars will be raised!

Limited pressing of 300 heavyweight vinyls with a gold screen printed cover, inner sleeve embossing and hand numbered. 'This is sick. Fuck Genres.' - Youtube comment on 'Detonate'It's hard to know where to place Dismantle's new evolution of 140bpm sounds. Some describe it as Clubstep others are arguing it's somewhere between Moombahton and Dutch House. All we know, and this is for certain, is that they smash up any rave they are played at. Hailing from Brighton, U.K, the exceptionally talented 19 year old producer has been putting out hard hitting dubstep since 2008. His restless and creative mind has caused him to explore the genre and push Dubstep into a new direction. The success of this new sound is confirmed by crowd reaction every week at clubs across the globe.DETONATE - This is a peak set tune, no doubt. A building, rising, endorphin enriching intro literally detonates and explodes into a pounding four four rhythm. There's really no way out once this tune drops and listeners are in for the full ride.2 IN 1 - The snares on the introduction hint at the pace and style of this tune but in no way prepare the listener for the absolutely meaty drop that thumps on through. This then parts like the red sea to make way for a bleep-tastic army of push button telephones that feast on bass riffs. Another floor shaker for definite.

For Distal, 28 year old Atlanta producer Michael Rathbun, his highly anticipated debut album 'Civilization' is the crowning point of his past two years of work. Releases and remixes for labels such as Soul Jazz Records, Grizzly, Fortified Audio, Trouble & Bass, Seclusiasis and Tectonic (not to mention his own imprint, Embassy Recordings, which he runs in tandem with old school friend Ethan Anderson aka Mite), and tours with Pearson Sound and Africa Hi Tech has seen his name on the lips of discerning electronic tastemakers worldwide. Before entering the world of production, Distal spent a few years researching a sensational auditory phenomenon called Synesthesia at Georgia State University. One day while digging through break-core records he stumbled upon a sound that would inspire him to launch his production career. This record, in a turn of complete serendipity, was 'Punisher' by Tectonic label head Pinch. Using his newfound passion, traditional teachings and his scientific studies in unison he ran head first into the studio. Taking influences from his love of techno, jungle and hardcore, Distal's sound fluctuates between a wide array of moods, rhythms and tempos that veer between dubstep, juke, footwork, house and, naturally being from Atlanta, southern hip hop. From popping 808 cowbells on opener 'The Sun' to dancehall minimalism in 'Rattlesnake' to the Balearic tribalism of 'She Wears Pearls'; these elements join the dots on Distal's map of 'Civilization'.

100 Copies LTD. Crunchy Violent Hardcore flavour.

In our opinion this is the biggest tune Guv has made to date and Majistrate snapped it up on his Sweet Tooth label. Both 'Water Technique' and 'Shadow Boxing' are designed to do one thing, smash up the dance!

Up next on Union recordings we present the final in the legendary Hybrid Series. A huge release from DJ Hidden and The Outside Agency who continue to set high levels in production for DrumandBass and Hardcore. The Hybrid Series goes out in style.

Guess' was originally released back in 1995 and is one of the biggest V tracks of all time. Now remixed & reinvigorated for 2012, V present two new takes on this classic.

DJ Marky & S.P.Y. are fast becoming one of the most formidable partnerships in DnB today. With a catalogue of chart topping tracks already under their belt, the duo now look set to kick off the start of Summer time in style with their latest effort for Innrground "Last Night/Love Affair" which has been receiving support from some of the biggest names in the game.

EPRESSED as a white label - Excellent french Banging Drum & Bass, with this south Frenchtouch of electric-light.. Brighting drum !! Dilemn early work !

Dose's Debut release on the legendary Subtitles Music. Limited Edition white label.

Calling Home is the debut album from Dot a.k.a. Natasha Musevic coming out on Read WriteMusic. Having had various tracks released through Imminent (former Immigrant) Recordings, this female dubstep producer chooses to introduce a truly diverse set of tunes, including the most distinctive feature of the album that at the same time shows a new approach to her music production - her vocals. This might imply an idea of tenderness but with an incredible fatness of beats, a combination of sub bass deepness, aggression and edginess intervening throughout the whole album, Dot proves the opposite. The album created in 2009 starts off with unique deepness in the first track MX4, announcing the feeling of the album which - like the track itself - tries to trick you with the introductory soft vocals but instead hits you with its massive sub space. The tension grows in the following tracks, pumping up the pressure through atmospheric sounds, dark and hard-edged beats, reaching its peak in Ratio which is with its mixture of four on the floor rhythm and minimal brake downs an absolute dance floor killer. The following Dreamz Are Forever takes a slower and dreamier pace and a sudden cut happens in the shorter Interlude that follows, proving the unpredictability and the experimental spirit of the album. The journey continues in a melodic manner, gradually building up the tempo from a jungle inspired feel in IMF to the deep and yet relaxed end.The eleven tracks on Calling Home show Dot's ability to combine the usually unimaginable: quirky piano melodies flow on a thick sub bass line, adding a classical touch to it, her soft voice contradicts and at the same time complements the criticism of her lyrics, interlacing with a variety of sounds, ranging from hardedged dubstep to pure instrumental and ambiental tunes. Dot's debut album manages to string together industrialized and yet atmospheric tracks, showing more than enough distinctiveness to stand out from her British counterparts.

2 Dot - Confession
3 Dot - Calling Home
4 Dot - Lack of Sight
5 Dot - Ode
6 Dot - Ratio
7 Dot - Dreamz Are Forever
8 Dot - Tunning In (Interlude)
9 Dot - IMF
10 Dot - Monday
11 Dot - Walking to the Sun

Dr Bastardo is known around the Uk and Europe for his Breakcore but this time he indulges in this cheeky little mix of one of the biggest selling Jungle tunes of all time. On the flip Stazma gets technical with his production and slams you directly in the face with some fast paced amens.

dRamatic & dbAudio have been a solid pairing in drum & bass for the last 18 months, with 12's on Ingredients , Liquid V & Mars.They are continually pushing the liquid style and have a real feel-good vibe to their music.

First up is a duo whose names are on the tip of everyone's tongue at the moment: UK's dRamatic + dbAudio stake their ground within the TELLURIC camp with their first label offering in form of 'Soulwave.' Wasting no time, the pair get straight down to business with a richly-textured mosaic of soul music. Well-polished breaks, emotive vocals, and an uplifting piano line are underpinned by a locomotive sub bassline combining to make one memorable slab of dance floor pressure. Huge Support From LTJ Bukem, Fabio, Bailey, Nookie, Paul SG. Flip the wax over as we welcome yet another artist on-the-rise to the TELLURIC family. UK's Blade marks his label debut with the captivating deepness of 'Vegas.' Tribal drums, cavernous stabs and pulsating pads lead the way to make this hypnotic and mesmerizing roller another fine addition to the growing legacy of TELLURIC RECORDINGS. Huge Support From LTJ Bukem, Fabio, Bailey.

Dream & Chill: Verträumte Melodien und der trance-artige Rhythmus - eine Formel, die seit dem Megahit "Children" wirklich jeder kennt. Die neue Version des Klassikers von Scotty enterte vor einigen Wochen erst die Dance Charts und dient somit als Beweis, dass der Sound auch knapp 15 Jahre nach dem ersten Hype noch immer relevant ist! "Dream & Chill" vereint die Klassiker und unentdeckten Perlen des Genres mit aktuellen Sounds und Remixen! Mit dabei sind u.A. Scotty, Zhi-Vago, ATB, Gigi D' Agostino, Mauro Picotto und DJ Taucher.

The new Dub Elements Party Program LP showcases the broad range of the drum & bass spectrum that Dub Elements has in store. From straight-up party tracks to hardcore influenced drum & bass and even some good old fashioned techy rollers. It's all there.

DEEP MEDi are very happy to introduce to you The Dub Mechanics. The Dub Mechanics are a South London based DJ and production team, producing Dubstep with a heavy influence on Dub. The Mechanics have been producing and honing their production skills over the last seven years and have now decided that they have something very special to share with the world!Some previous productions have appeared on Dubstep Allstars Vol. 7 and they have made guest DJ appearances on Rinse FM, Kiss FM and SUB FM alongside playing at DMZ, SubDub and tearing up room 2 at the DEEP MEDi Xmas party! 'The Clash' and 'Highest Strain' illustrate both sides of the Dub Mechanics productions skills. 'The Clash' featured on Mala's XLR8R mix last year and has been a regular in his sets amongst a select others for some time, pure fire! On the flip 'Highest Strain' show the Dub Mechanics in their more meditative, subtle, melodic and highly infectious mood with their dub roots shinning through.

ubble ft. Echo Ranks(UK) 10" on Dub Tunnel Records(DT001). This is the first release of croatian dub veteranswith their new dub project on new dubwise label! Dubble(Vanya O,
Dubolik) bring you two heavy tunes with their dub versions. First side is roots style tune with the beautiful voice of Echo Ranks alongside wicked drumming of Judahman, while side B is digital dub style with smooth vocals of Vanya O. More

Duke Slammer keeps the freak flag flying high with his fifth 7" release on bonus7 records.
'Pachinko Wizard' is a stripped back electro-boogie roller, raw moog basslines combine with tr808 drums and splashy
spring reverbs give this track a real old school flava. Field recordings taken in a Tokyo Pachinko arcade give the track
a nostalgic atmosphere. Flip for 'Watch Betsy Boogie', featuring Duke himself on the vocoder this one is for the b-boys
and girls, pop-locking 808 beats and old school electro synths bring the funk for real !

The pioneer producer of all things electro swing and Balkan beats delivers his new song "Schlawiener": [dunkelbunt] takes the mic himself, rapping about Vienna the way he sees it... and his life as a traveller & jetlag junkie.This limited edition release (only 300 copies!) comes in white vinyl and includes a bonus CD.

Durty Phresh has been smashing it up recently. The Audio Phreaks new signing has gained a lot of attention from some the biggest names on the circuit that include, Doctor P, Hatcha, N Type, Genetix and Diesel to name a few.'Jelly baby' is one of the best recordings to date from Durty Phresh and 'Swagger On a Million' on the flip is of equal standard.In your face, high quality produced Dubstep at its very best!

Vladivostok lad Eastcolors is probably most well-known within the DnB community for his mixes and for his collaborations with Enei and Nuage. As far as modern drum and bass is concerned Eastcolors is at the forefront of that techy, fresh sound emanating from Eastern Europe and Russia. With this in mind then, it's clear that while his tunes fuse well with his fellow Russian drum and bass cohorts, Eastcolors is making a departure from collabs.
What better way to celebrate Demand's tenth release then, with Eastcolors settings about placing his name upfront and alone with his first ever solo 12'.
Bursting into techy synths right from the off, 'Things Inside' is one of those rare steppers that's just as effective on headphones as it is through a proper system in the early hours of a Sunday morning. Already a dancefloor staple and a favourite with the likes of Friction, Ant-TC1, Chris SU, Mutated Forms, Villem and Foreign Concept (to name but a few), you really should to grab this while it's hot.
On the flip 'Heavy Tone' rumbles forth with a typically Eastcolors take on what a roller should be. Lenzman-esque synths and strange, celestial vocals are quickly worked over by an electrical storm of droning bass and pads. As the synths return to break up the clouds here and there, 'Heavy Tone' loses the idea of becoming another lost bass-heavy roller and settles into being a multi-layered piece of quality drum and bass.

Back after 7 years. A pioneering drum n bass project

Lifestyle Records is such a good label and only normally releases on Digital but as a treat they have released this cut from Ed.It and Helix which as done really well on promo. This techy number squelches along providing big bass and clicky beats.

Electric Guest is a Los Angeles based rock band formed in 2010. Their music is a melding of R&B, funk,
pop, and classic rock. With meditative lyrics, catchy choruses, and dance inspiring rhythms the band brings
a feel-good experience direct to the eardrums.
Side A:

After a good Harstep Mix... Why not tunning into some Drumcore Electric Kettle got what you need !!!

Following the great success of the CD & digital release of Electric Wire Hustle's self entitled debut album and the great demand for vinyl, BBE now proudly presents the gatefold double LP edition of 'Electric Wire Hustle'.

Developing their own sound and twist on modern hip hop, psychedelic and soul, New Zealand's Electric Wire Hustle has forged a fresh sound that challenges genre boundaries and preconceptions.

The music of EWH reaches forward while referencing key points of music's past. Thick drums and percussion layered with synth lines, hints of Fender Rhodes and nylon stringed guitars have your neck snapping while your ear cranes to the evocative vocals of Mara TK.

Since forming in 2007 the trio of - Mara TK, Taay Ninh and Myele Manzanza - have experienced an outstanding response to their music. Their strong live shows have seen them support the likes of UK soul singer Alice Russell, Japan's DJ Krush, Grooveman Spot and U.S. psychedlic soul outfit SA-RA Creative Partners.

EWH have also had the pleasure of collaborating with U.S. recording artists Georgia Anne Muldrow (Epistrophik Peach/SomeOthaShip/ Ubiquity Records), Atlanta based Stacy Epps, Mara's dad; NZ blues legend Billy TK and UK future Soul exponent Steve Spacek who all feature on this album.

Stableface", one of the standout tracks from Lithuanian producer Eleven Tigers' debut album "Clouds Are Mountains" finds itself pride of place on this 12" release from Soul Motive. Opening with an extended intro of cracked Burial-like atmospherics, the track soon gains a life of its own with its minimal 2-step beat and cracked vocal samples, complete with the kind of intricate melodicism of Four Tet. On the flip side Bristol's Peverelist turns in a fine reworking of the track. Taking the already sparse original and extending its panoramic reach even further, he concentrates on the micro qualities of the rhythms, opens up huge holes in the original's deft tapestry and creates a masterful reworking which brings out the dubstep within its DNA.

Texas based imprint Warm Communications latest cut is a double header from London based Fracture. Label boss Heath is keen to keep the label diverse whilst pushing some of the finest producers around in Seba, Equinox and Resound to name a few and the new release from Fracture sits perfectly in their catalogue. Up first its a sweet remix of Ella Jones' 'Lately' which builds with nice vibes and a track here just in time for the summer. On the flip the mood is darker with 'Tunnel Track' and it's refreshing to hear D&B sounding this good again. Haunting pads with solid beats gets the head nodding and the feet moving.

Huge banger from Emalkay's album Eclipse gets the remix treatment.

Mit der "Chemical Fever" EP erscheint die brandneue Single der in Berlin lebenden Produzentin Emika, die sich bereits mit ihren 12"es und ihrem gleichnamigen Debütalbum aus dem letzten Jahr eine breite Fanbase aufbauen konnte - und diese reicht von Resident Advisor über Thom Yorke (Radiohead) und Amon Tobin bis zu Marcel Dettmann. Remixe kommen diesmal von den Berlinern Sub:Stance und Tommy Four Seven (CLR). Als Bonus beinhaltet die 5 Track EP mit "Save It" noch einen exklusiven und unveröffentlichten Track!

Loud snaring Drum & Bass. Yellow 500 LTD plate. Cut by Simon @ The Exchange.

Ltd Edition 300 copy 10' press with illustrated collectable comic strip series 'The Phantoms inside me are beginning to win...' And so, 7 years after it's original release Equinox's legendary darkside classic 'The Phantoms' resurfaces, this time with a distinctly more oldskool feel after some studio treatment from fellow breakbeat protagonist Nebula. Opening with some stark atmospherics and a subdued voice telling of a dreamed communication, a bubbling bass builds the tension thicker still before it's suddenly released by a metallic break that will be familiar to fans of the original tune. This is Jungle, 2012 style! On the flip side, crystalline pad sweeps and a rolling drumline make for a calm prelude to the barrage of chopped beats and the urgent bassline that follows. Different breaks and percussives drop in and out, sometimes tangling to create intense whirlwinds of rhythm. The track changes direction with the introduction of a searching synth combined with some drifting atmospherics which make this another trip for the imagination.

After months of hard work Forbidden Society can proudly present the new album To the Treshold, which is coming out on Forbidden Society recordings label. Album consits of 15 tracks total (6 available on LP, 13 on CD and 15 in digital form). The album is filled with all sorts of different genres from Drum and Bass, Drumstep, Crossbreed to Electro or Dubstep, all precisely fitted together with Forbidden's charismatic and solid sound, which will creep under your skin up to the point where it is almost unbearable (that is why the new album is called To the Treshold). Solid fans of Forbidden Society were able to hear some of the tracks, remixes and co-operations with other artists on various places in Europe, or even in Tokyo, Japan. The album itself can show off with awesome cover, all done by Kikai(JAP), well known for his Manga-Anime desings, in co-operation with Kristof from NOSQRL graphics. LP album is coming out on the 21st of May, and the CD one week later. On the 1st of June the album will be available completely in digital form in FSRECS's internet shop and on the 4th of June the album will reach wide distribution through out Beatprot, Itunes, etc.. You do not want to miss the great experience of the new album!

After months of hard work Forbidden Society can proudly present the new album To the Treshold, which is coming out on Forbidden Society recordings label. Album consits of 15 tracks total (6 available on LP, 13 on CD and 15 in digital form). The album is filled with all sorts of different genres from Drum and Bass, Drumstep, Crossbreed to Electro or Dubstep, all precisely fitted together with Forbidden's charismatic and solid sound, which will creep under your skin up to the point where it is almost unbearable (that is why the new album is called To the Treshold). Solid fans of Forbidden Society were able to hear some of the tracks, remixes and co-operations with other artists on various places in Europe, or even in Tokyo, Japan. The album itself can show off with awesome cover, all done by Kikai(JAP), well known for his Manga-Anime desings, in co-operation with Kristof from NOSQRL graphics. LP album is coming out on the 21st of May, and the CD one week later. On the 1st of June the album will be available completely in digital form in FSRECS's internet shop and on the 4th of June the album will reach wide distribution through out Beatprot, Itunes, etc.. You do not want to miss the great experience of the new album!

This is a new label for us and we're impressed by the music they are signing. If you like your dubstep dubby then you'll be all over this.

Jungle Juke Following on from Philip D Kick's 2011 experiments, Astrophonica ventures further into the cosmic dance floors of bass music ... The first of a new 3 part series from Astrophonica, with contributions from Om Unit (aka Philip D Kick) and Machinedrum to follow, sees Fracture juking one-of the label's biggest tracks to date. dBridge was one of the first to draw for 'The Limit VIP' and it has since damaged dance floors worldwide in sets by Daedelus and Mark Pritchard.The series continues the label's dedication to delivering a complete physical package. Each part will be limited to an edition of 300 and released on 10 vinyl with 2-colour screen printed/hand stamped sleeves.dBridge: 'The Limit VIP was a crossroads for Fracture. His approach to the tune has set him on a path I don't think he knew he'd be on. If anything it should be called Limitless, as the way ahead is full of possibilities.'

Played and Supported by Kenny Larkin, Adam X, Perc, Norman Nodge, Drumcell, Truncate, Samuel L Session, Inigo Kennedy, Dadub, Max_M, Bcr Boys, Forward Strategy Group, D.Carbone, Claudio PRC, Electric Indigo, Conrad Van Orton, Dave Ellesmere and more.
Freddy K is an icon of the historic Italian techno scene. In 90's his productions were on the historic ACV Records label. Then over the years has always been one of the key points of the techno scene, with record music stores, radio shows (Virus) and new labels like the historic Elettronica Romana (he was one of two minds that created this label, with Sandro Nasonte). His experience led him to be behind many current projects, he moved to Berlin. This time it wants to make its contribution on his own label which is already out talents like Conrad Van Orton and Shapednoise (and it's only the beginning). A label on vinyl only!
Here begins a series in 10 "which will be just him and friends. Here he presents his own original tracks and a track on the other side along with another new (but not young) artist who has quickly attracted the attention of many artists in the world with his new label Kript: Ken Karter.

Freddy K's track is pure techno. A trip that starts hypnotic. Sounds of a modern techno rhythm already heavy...it's just the beginning. Drones and metallic sounds create the expectation. Sounds strange and perverse to make up the rhythm again after the first break. A constant sound in the background makes you totally hypnotized. The sound goes up like an alarm to go off. But you are not yet arrived. At the second break .. sounds and distortions open up in a frenzy of techno obsessive and destructive. No mercy!
On the other side,the track with Ken Karter will fight two different schools. Noise, an almost drum'n'bass rhythm break. Sounds sick of Ken Karter. hysterical atmosphere and rhythmic electronics. A journey through the experiences of two artists who are attracted to each other. Everything explodes after a series of psychedelic and visionary atmosphere. Until you get to TB303 sounds distorted and very old school. Amazing!

In a remarkably short amount of time, Adam Gibbons (Lack Of Afro) has amassed an extensive and varied body of work. From his own recordings, featuring his multi instrumental skills, to producing, DJ-ing and of course remixing tracks by a huge range of different artists.

You know the drill with the Jungle Cakes releases, it's all about good fun, rolling breakbeats and a classic early-'90s vibe. For those who were there, and those who were only just born, the era still holds a special place in musical history and you know some jungle beats are perfect to get the party started!One of dance music's most successful acts, Freestylers, offer up a supreme slice on the A side of the latest Jungle Cakes release. 'Entertainer' takes a classic vocal and works in chunky breaks and enough bass to make the floor quake. Big tings indeed!Leaders of the new school jungle sound, Serial Killaz, step up on the flip with a rolling, rinsing, clattering remix that's packed full of their trademark energy. This is yet another dancefloor filling release from the Jungle Cakes camp.

Gatekeeper's forthcoming release on Apple Pips, due on a stunning combo of dusty vintage synth pads, chopped breaks, and deadly deep subs - proper Theo Parrish meets Steve Gurley down Metalheadz vibes on this one! (in my head anyway!) Let Us In takes things dubbed out with killer beat edits and echoing synth stabs - rolling, futuristic bass music..

Gemmy returns to form with this monster of an EP, delivering in both quality and quantity for the 3rd offering on his World Of Wonders (W.O.W) imprint. 4 excellent tracks here brim with energy and innovation.

Glitterbug's albums, releases and remixes (on respected labels such as Mule, Nowtown, Ghostly, Ki Records and many more) have long placed him in a musical and artistic category of his own. He is a timeless, skillful and daring
producer, immune to hypes and seasonal sub-genre fashions. He has developed his own particular musical language that spans seamlessly between deep techno and abstract intimate compositions, always poignant with score-like textures.
His 3rd studio album, Cancerboy, is another milestone conjoining powerful musical expression with heavy content. Cancerboy is an intimate autobiographical journey investigating one of the major experiences that shaped his life, his childhood struggle with cancer. Cancerboy is a personal, private chronicle of battles won and struggles lost, a sound-log suspended in an in-between world.

Cancerboy is an album on the edge of consciousness. Faraway reverbs and analog roughness gain presence, and forward strides an unreserved sound; candid, direct and near. It's music that allows itself to be angry and
desperate, to battle and depart, to challenge and gall. Yet within all its
darkness are driving, hopeful moments that shine bright - celebrating a deep
love of life.

Freedom' is a Goldie record. For some that's all that needs to be said about Metalheadz' 100th single release, a short statement that embodies a deluge of associations.
METH100 is to be released as a one track limited edition vinyl with a hand written statement from Goldie etched on the back.

Dope Ammo Records step it up once again for this massive release featuring a selection of big Drum and Bass names. This release really does showcase what the label is about. A perfect mix of new skool Jungle and devastating dance floor jump up for the Drum and Bass masses!

This is a welcome return from Sheffield-based producer Grievous Angel who has been known for his slew of edits and live remixes - whether it be Grime, Dancehall, House or UK Funky. Having done this for Keysound label-mates Dusk & Blackdown as well as random re-works of productions from artists like Wiley (check 2009's Ice Rick refix under the alias of Bubblez), Grievous Angel has got an eye for recycling existing ideas but is no slouch when it comes to his original productions either.

His new EP on Forefront recordings see's him manifest his love of UK Funky with two cuts that showcase his ability to move dancefloors with crispy drums and the undeniable swing of House and Garage.

Lead track 'Kleer' is built up around grandiose arpeggios over percussive drums that mirror the brutal urgency of UK Funky. Whilst the basslines are militant, the addition of the whirring synths adds an air of smoothness to proceedings and builds a sense of eerie tension around the otherwise stomping effort.
On the flipside is his remix of J Beatz' 'Subwoofer' (previously released on Forefront) oozes tropical vibrations with a tribal-esque beat pattern that ebbs and flows effortlessly and will work as a great tool in club sets. Rhythmically the remix possesses all the swagger of early Cooly G and Roska efforts yet there's an underlying influence of dub as the subtle low-end bassline becomes more prominent as the track progresses.

Limited edition (only 500 copies press up Worldwide) double-LP release in deluxe packing with poster of the 3rd album by French beatmaker Guts, a well known artist on the Hip Hop/beatmaker scene. His first solo album 'La Bienheureux' was released in 2007 on Wax On Records, the label of Nightmares On Wax. 'Paradise for All' features 11 finely crafted tracks drawing on a wide selection of sounds and styles including hip-hop, soul, electronica and boogie and features artwork by urban artist Mambo.

UK house favourite Hackman has teamed up with one of the most promising producers around, Bristol's Tessela, on a single of heavily swung garage, with more than just a touch of El-B in both the drums and the bassline. Audio Culture will be releasing it next month, backed with a Presk mix.

After the amazing success of his Ram Records debut single, 'Brainstorm / Echoes' Hamilton is back with a release that contains a pair of undeniably epic tracks. Hamilton runs riot with his impeccable production skills to offer a 12 that has already gained support from all the major players within the dance music scene, including Andy C, Hype, Culture Shock, Chase & Status to name but a few.

If you like the sound of "cheap" analog synthesizers from the mid 80s, drum machines and strangely pitched human voices this might be the record for you. A small warning about the quite melodic and poppy arrangement, it is not minimal, nor pure drones. Sorry. Estelle EP has nothing to do with the car äkoda Estelle, even though some instruments used on the songs were produced during the same years. Estelle EP is more or less a result of the new Kranglan Broadcast hardware studio environment. The plan was simple: to get rid of the machines that were not being used and to make the rest communicate with each other. This resulted in some very fine jams where realtime feelings and spontaneous ideas were converted into music. Each track is its own moment in time.

Massive anthem from 2010 gets reworked and bigger bass than before this smashes the dancefloor to pieces!!! On the flip Spies pays homage to the old skool jungle amen era of 94 and with the man of the moment Bladerunner giving his magic touch well what can we say!

Haze lays down his first release on Sin City, this time leaving his Funtcase mask in the record bag to reveal his alter ego. Maestro: step into the dub war soundclash. This dark aggy half step smasher will conquer any sound system! Haze aka Funtcase has leaped 'face' first into the darkside, producing nothing more than pure dread. My Selecta: Round 1 to Maestro the conquering Lion, Round 2 comes harder and faster. The revenge of the sound system. You can almost hear Haze & Funtcase battling it out in this one. Half step movements shuffle into 4×4 kicks. Dancefloor killer! Both tracks Supported by Hatcha, N-Type, Walsh, Tubby, Funtcase, Trolly Snatcher, Dismantle and Benton.

RRT020 is the 12" vinyl release of Heavy1's highly anticipated "Minimalized" Album. This is the first album on Rubik Records since Kubiks' "Blurred Vision" and it's clear to see how the sound of electronic music has evolved in recent years. The A side Ongaku is a bass heavy monster that has been doing damage across dancefloors worldwide, and the moment you hear the drop you will see why. The AA side Fear the Sattelite is a choice example of Heavy1's unique style. Punishing beats contrasted with intruiging synths make this a strong yet well balanced tune. DJ support includes Loxy, DJ Marky, Makoto, Zero T, DJ Flight, and Icicle.

"Minimalized" is the highly anticipated debut album from Tokyo's Heavy1, and with its release, he pushes the boundaries of electronic music, and further cements his position as one of the most exciting new artists on the worldwide scene. This standout producer has masterfully composed 11 tracks spanning from hard hitting Drum n Bass, to musical Dubstep, to the album's title track, which is a nod to the analog synthesizers and hardware drum machines of a bygone era. Throughout "Minimalized," Heavy1's clinical and precise production is always balanced with intriguing synthesis, lush and emotive songwriting, and punishing percussion and bass. Tracks like Ongaku or Judge with June Miller show a more aggressive take on music, and tracks like Deep Train and Light Upon My Road are more musical and feature stunning original vocals from Key MC and Iriann Joyce, respectively. This body of work truly appeals to anyone with a taste for subtlety, without sacrificing impact.DJ support includes Loxy, DJ Marky, Makoto, Zero T, DJ Flight, and Icicle.

Die legendäre "Serve Chilled" Hed Kandi-Serie meldet sich pünktlich zur anstehenden Balearen- und Sommer-Saison 2012 zurück!

Hellfish is back by dope demand on Deathchant Records. The 62nd release contains 4 awesome tracks that bring you UK finest. The a-side features West Coast Boogie and East Coast Boogie, two great tracks cooked up by Fish his finest recipe: Hardcore Hip Hop! The flip side has 'The Reprobate' and 'The Reprobate's Revenge'. Two devastating hardcore tracks that are calling the hardcore people to go absolutely mental at any party. Deathchant Records is still going strong and deliver with this 62nd release another must buy release! Order now, Hellfish on Deathchant, you can't go wrong!

2 Kings steps forward with a pair of fresh remixes from two of the scene's leading lights Pinch and RSD.Both adding there unique signature sounds to 'Love Like' (taken from the Henry and Louis LP 'Increments') but approached from different angles.Rob Smith (RSD) and Pinch are an integral part of 2 Kings, with Rob Smith being with label since its inception and Pinch previously remixing 'Rise Up' and 'Answer' both to critical acclaim. Pinch this time has delivered a tough brooding 4/4 workout, menacing bass rips with deep heavy subs underpin the groove around the relentless heartbeat of the kick. RSD comes in with a dub garage twist on the original, the rolling 2 step beat punctuated with breaks and shots of synth and bass, building to the release of the sub slewing bassline.The haunting vocals warn of 'changing moods and dangerous' as the music evolves over the meditative movement of the sub bass. Drawing on sounds of all ages of dub and bass music, its a masterclass of melding influence and knowledge of sound-system rave culture since its beginnings.

Pressing limited strictly to 300 copies on white vinyl *A rare opportunity to buy a highly collectable piece of jungle history, with two of the biggest artists in the genre appearing back to back on one slice of surgical plastic. *High Contrast 'Tread Softly' an oldskool gem from his 2007 album 'Tough Guys Don't Dance' *Logistics 'Murderation' was one of the stand-out cuts from the 2009 album 'Crash Bang Wallop!'

Our new release has a particular importance in the history of Wicked Bass, being incidentally both the latest and the first to appear on vinyl. The four-track record comes from our long-time favorite KC wunderkind, Huerco S., who evidently grasps his inspiration from literally everywhere, be it UK Hardcore, pitched down American vibes, or even modern art. Scoring No Jack EP with three original tracks and a remix by the US scene's fresh discovery, Braille (who is coincidentally 'one half' behind Sepalcure), as his first physical release, Huerco S. embarks on a far-lying journey with even more to come.The opening and title track, 'No Jack', basically sets the mood for the entire record with its slow-paced tempo, deep chords, soul-touching processed repeated vocal samples, spacey pads, reverb claps and an unorthodox bassline. Needless to say, all of these paradoxically sum up to an absolute dancefloor slayer, which is followed on the same side by 'Bypass', a nearly beatless, obviously difficult to repeat and surprisingly haunting work of art that stays in the minds of listeners for good.Flip the record, and you find yourself absolutely startled by 'Untitled', a more simple and common for Huerco S. piece of production with easy-going vocals, yet unbelievable in its perfection — especially considering the Chords (only with a capital letter) that appear towards the end; making you want to listen to it from beginning till end over and over again.What is left for 'dessert' is the long-awaited psychological re-interpretation of the above from Braille, who takes us 'deep, deep, even deeper', as sung in a popular house track, while reanimating the song, masterfully changing its mood and making it more optimist by adding some of his trademark displaced beats, and re-working the pads, synths, vocals in a manner in which Larry Heard would back in the days.The concept behind our long-awaited very first record is clear, and judging from the reaction we have already received, it will most likely please all kinds of audience, be it the bass heads, Chicago house lovers or even disco spinners. For the lack of better words, however, we'll leave it up to you to decide whether you will listen to it intimately at home or destroy the nearest dancefloor by dropping it in the right moment.Support from: Neville Watson, Locked Groove, Throwing Snow, Hackman

Here we present a preview of the A side 'Crumbled' which presents Hybris in clear full on dance floor destruction mode. The AA side 'Ender' is a much deeper offering and something we dare say very reminiscent of LFO's classic early rave/ acid house material on Warp Records, either way Hybris does the sound justice as you'd expect!Support from the likes of: Alex Perez, Goldie, Marky, Octane & DLR, Skeptical, Lenzman, Calyx, Teebee, Survival, Ant TC1, Data, FD, Ulterior Motive, EBK & Xtrah

Smackdown Recordings sets the pace for 2012! Just only 1,5 month after the previous heavy hitter by COOH and Counterstrike they present the I:gor: 'This Is What I Am EP'. Long and awaited tracks in the making makes this one is a guaranteed heavy hitter. The A-side features the hit: 'This Is What I Am' which makes any dance floor burn down till the ground. The B-side contains the famous track: 'Coretoon', a beloved track by the hardcore audience. Other tracks on this EP are '4 Fuck Sakes' and Ofiomerfus'. Smackdown keeps setting the tone with original releases and the 4th release offers a great combination between Hardcore and Drum & Bass. Must buy release for every I:gor and Smackdown fan! clear vinyl pressing!

The sun may be shining outside but as ever deep within the chambers of the Icicle studios there's a chill in the air. Having honed his 140bpm skills to an exact science, Shogun get ready to showcase his first full dubstep EP that's sure to please the hoards of electronic music aficionados around the world. With all but one of the tracks featuring on his upcoming 'Rinse:19' mix album, this is yet another essential slice of Icicle for the collection.

Ill Blu return to Hyperdub for their second single with 'Clapper', which contrasts deceptively swinging claps and funky but martial drums with crazy pitched up and down synth stabs and shrieks that sound like psychotically angry birds. It's an incredibly infectious and energising club banger that manages to retain its swagger without losing its sense of humour. On the flip, West Chicago's juke and footwork veteran Traxman takes the bpm up to 160 with his energetic mix, which takes the mood darker, switching from 4 / 4 kicks to 808 electro claps, with jittery punched-in stabs giving the track a nervous energy.

Illum Sphere employs a stellar cast from some the most prescient producers working today to remix a selection of his previously released material.

Mob Tactics roll out these naughty little mixes of Imogen Heap's 'Headlock' and Jill Scott's 'Whatever'. Both are a treat to the ears and we highly recommend em.

The second release from DJ Die's Gutterfunk multi-genre label is a double A side that further reveals the young label's personality.

Iron Curtis - Soft Wide Waist Band (Text: Gerd Janson) As we all know, there is a first time for everything. In this case, it's even a debut for both: the Tensnake co-run label Mirau and Iron Curtis. 'Soft Wide Waist Band' is Curtis' entrance into the world of long players and the first of its kind for the Hamburg imprint that fittingly put the producer on the map with his 'Solgerhood EP' in 2009. Three years and a string of releases on Retreat, Kolour, Mule Electronic, remixes for Jacob Korn, Ripperton or Mano Le Tough and a move to Berlin later, Johannes Paluka alias Iron Curtis has matured enough as a producer to take on the heavy burden of a 'house music' album - if you want to call it like that at all.

"Two places up from Park West, the dusk reflecting off the steel as steam hisses thru the rain, open zones to glide thru in the orange light. Something metal claws at your leg as the sky continues to burn pink"

This is a record about elegance, violence, electricity, water, marble, plants, trenchcoats, oily black jeep windows, crashed motorbikes, parks at twilight, clubs in the dark, broken DX7s and missed phone calls, written and recorded over a hot summer in a cramped flat with neighbours having sex through the walls.

The pairing of Jay 5ive & Kromestar have birthed a number of exquisite tracks; and as they grow and perfect their studio presence together this has become apparent in their new work, their third release BNL003 sets the scene for an exciting time for bass music and opens the doors for more enjoyable experimentation.Deepest Fears: An orchestral choir sings out while weird and wonderful synths flutter and float around the mix. An equally unnatural and charismatic bass line moves in and out of an excitable hat arrangement. As the ghostly haunts of the Choir return they're joined by new melodic content and the introduction of additional percussion opens a whole new dimension and exciting chapter to what seems like a book which may have multiple outcomes. Backwoods: Enter the 404, kick and claps, as Backwoods tips it's hat at the early 90's west coast hip hop era, an assortment of pads and melodies create an eerie atmosphere as bouncy bass establishment the theme, unorthodox strings and sweeps unite together to compliment subtle synth harmonies.

'Aura Go' rises, opens, rouses not unlike a soft light growing to illumination, a day slowly revealing itself. Synths whisper and ring out - like bells marking an early hour - at the start, followed by a succession of other awakenings: a palpitating beat, vocalizations that repeat like undulations, percussive poundings and ringings. It all leads to full on, acid-infused, dance floor hypnosis, with producer Dennis 'DJ' McNany pushing polyrhythmic, almost tribal beats to the very front. With the addition of husky vocals from collaborator Jee Young Sim - imagine Siouxsie Sioux crossed with Planningtorock - the sound becomes something altogether, and altogether unexpectedly, gorgeous.

Run Roc's Whisper Dub is a more intense revision of the Jee Day original. While the first version of the track achieves its enthralling propulsion through the melding of so many disparate sounds, Roc's version achieves greater alarm with the addition of elements in a higher register. The effect is a song that feels both tauter and slightly more dense than in its first incarnation. Despite the hushed singing that leads off the track, the fiery feel of the music makes the 'Whisper' in the title seem nominally deceptive.

This is the debut vinyl release from up & coming producer Jim Morton. The 12' presents two different flavours of the Jungle sound. The A side is 'NYC-DUB', a heavy duty track with plenty of pace and energy.An atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. Think Ray Keith meets Breakage! On side B, 'Underwater Chord' is again a Jungle Bass tune but on a different vibe. It's a brighter sounding track, due to the chords and sounds used, which wouldn't be out of place in a Liquid style production. With both tracks there is a 'tip of the cap' towards the old skool sound.

After a two-year break, Detroit producer and wayward star-child Jimmy Edgar debuts on Scuba's Hotflush Recordings armed with an album full of futuristic sleaze. Known for his unique take on jacking house and electro funk, he's recently been splitting his time between the US and Berlin, exploring transcendental meditation and the boundaries of the non-physical. This offering is an extension of that journey, bringing eleven tracks of erotic robo-pop to the table. Titled Majenta, this LP is a departure from his past sound, marking a shift in his own ever-expanding consciousness, as well as another exciting chapter of his musical career.Each track is an aural manifesto, giving well-deserved nods to his varied musical influences. Close encounters with Detroit legends Derrick May and Juan Atkins, Jimmy's 2004 signing to Warp Records, and his early exposure to Kraftwerk have all acted as lynchpins in the cultivation of his sound. With a number of releases on Glasstable, Semantica, Nonplus and long player releases on both Warp and !K7, Majenta reflects Jimmy's evolution as both artist and child of the cosmos.According to Edgar, the making of the album was steeped in countless synchronicities, continuously reminding him he was on the right path. In contrast with his last LP, XXX, for !K7, which took five years to make, Majenta is more raw, more spontaneous and in his words, 'more futuristic ... than my other music, which played a lot with retro, especially R&B.' From the outset, Jimmy's flexing his Kraftwerkian muscle, with vocoder complimenting his own unadulterated voice and '80s synthlines bubbling away alongside jazz-funk keyboard riffs. From the raunchy and sexually explicit 'Take Me on a Sex Drive' ('windows down, legs up high') to the low-lit, hypnotic feel of 'Attempt to Make it Last', to the UK garage rhythms of 'Let Yrself Be', to the Kiss-era Prince vibe of 'I Need Your Control', it's clear that the postmodern is Edgar's domain. The Frampton-esque vocals of 'In Deep' close out the LP and further cement his enviable place in the intergalactic community.Spring/Summer 2012 will see Jimmy playing a number of live shows across Europe and the US in support of Majenta (including major festivals such as Glade, UK), as well as his continued exploration into the world of LEDs and synchronized light technology.

20 Years - Peacefrog Records! Limitierte Neuauflage des 1996'er Debütalbums von John Beltran auf Peacefrog, einem Klassiker des Ambient-Techno, inkl. dem zauberhaftem "Collage Of Dreams". Blaues Doppel-Vinyl in klarem Plastik-Gatefold. Limitierte Auflage von 300 Stück weltweit. Bislang exklusiver Vertrieb nur über die Peacefrog-Homepag

Joker has been riding a rocket propelled trajectory with an exponential rise in popularity since he first caught the attention of underground DJs and bloggers alike, back in 2007. Signed to major player 4AD for his debut LP 'The Vision', dropping late last year Joker has won the hearts and minds of both respected underground players and pop-loving youth alike. Here he returns to his home imprint for a rare excursion away from 4AD with the monstrous, infectious fresh cut rhythm that is our lead track 'Skitta'. You know it must be a big lead if when you flip for the AA side and find the almighty Newham Generals featuring in secondary place! 'I Think You Should Know' sees Footsie and D Double roll out a shoulder popping beat in fine style while fans of all things instrumental can also enjoy an extended instrumental version of the same track. Huge release all round.

You know a producer has got something when the first note of the first track you hear makes you sit up and take notice. So it is with 19-year-old East Londoner Joss Ryan: the instant the jabbing orchestral motif at the beginning of 'Melancholy Dreams' - the title track of his debut EP - kicks in, it hits your emotional centres hard and lodges in your memory. As statements of intent go, it's a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.To put it simply: Joss is a grime kid who expanded his horizons. . His popular mix of his own material for Mary Anne Hobbs's radio show last December already shows that the three tracks on this EP are by no means a fluke, and there's a whole lot more to come besides...

Marking the rebirth of Metalheadz and following on from Goldie's seminal 100th Metalheadz single release is Jubei, one of the most exciting artists leading the new school of bass-heavy music.A Say Nothin Feat. Flowdan B Accidental Note Feat. Consequence 

Thinking Too Much/Where The Helios is Juk Juk's second release on
Nommos.
Thinking Too Much is the most direct Juk Juk release so far. It's peak
time fare, aimed squarely at the dancefloor. The dreamy intro will fool the
unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass.

Ghettos & Gardens LTD Edition Gatefold Double Vinyl, features 'The Gurner' exclusive to vinyl.Justin Martin made the very first release on dirtybird records in 2005. Seven years later, he delivers his long awaited debut artist album with the very same smile and fun loving attitude he's had since the beginning. 'Ghettos & Gardens' is exactly as advertised - a tender and tough collection of songs that build you up with sweeping strings, then break you down with earth shattering basslines. It's sunsets vs. cyclones, roses vs. razors, and bunny rabbits vs. wolverines.Maybe it's the streets of San Francisco that made his music this way - a place where you can see a beautiful woman and a crippled homeless addict on the same city block. Maybe it's the juxtaposition of the famous dirtybird Golden Gate park parties, where Justin's loving parents make tacos and chop fresh salsa while total freaks lose their minds in front of the massive sound system. Not a whole lot of producers are just as influenced by E40 as they are by LTJ Bukem, and even fewer of them played the jazz saxophone in high school. Whatever is going on, most people would say that Justin is one of the most charismatic likable DJs to walk the earth. In this album Justin demonstrates his unique ability to blur the lines between musical genres, taking us through beautiful melodies, UK basslines, moody funk and devastating drops. You can hear the meticulous production techniques in every track - from the slow Hip-Hop style of Hood Rich to the heavy duty low-end of Molokini. The whole thing is fresh and uplifting like the smell of ozone after a lightning strike. Ghettos & Gardens sounds like nothing else out there - it could not have come from anyone but Justin Martin. Such originality is a formidable achievement, and adds to Justin's reputation as one of the most talented and exciting electronic music producers of our time.

Kahn is a member of the Young Echo Collective and has previously released on Punch Drunk and Black Box.

Kaiju are two monsters making music for Osiris Music UK. A Side 'Close Break' rolls out hard with its stuttered heavyweight bassline, smoked out atmospherics and dreamy vocals. 'Belcanto' digs deep with ethereal vibes. Another Osiris must buy record!Support from Distance, Bunzero, Kryptic Minds, Youngsta, Icicle & VIVEK.

kampengrooves feiert die zehnte Jubiläumsedition so, wie man es auf Sylt, in Kampen und im Club Rotes Kliff kennt. Man stößt mit Champagner an. Und deshalb präsentiert sich der bekannte Sylter Musikexport, ganz im Sinne der Kampener Gepflogenheiten, in feierlicher Champagneroptik. Als musikalische Ehrengäste mit dabei: Thiervery Corporation, Plej, Jazzanova feat. Ben Westbeech...

Keyboard Kid is from Seattle. Following a string of critically acclaimed self-released beat tapes, remixes and insane amount of productions for Lil B (Keyboard Kid is Lil B's main producer) on May 7th 2012 we are proud to present to you his first official solo release, The Transition EP. Five tracks of hyper-charged synth workouts, off-the-grid hip hop and computer techno.

We love this release and think it's as good as or better than anything out there at the moment. This Aussie label knows how to cherry pick music and the releases keep getting better and better. What out for Koncept, big things for this producer in 2012.

Almost a year since his last outing on Idle Hands, we are pleased to announce Kowton's third excursion for the label. Two tracks of heads down, bass heavy house music: minimum fuss, maximum effect. Support from Ben UFO, Joy O and 2562.

Built For Love is the single that brings the campaign for Kraak & Smaak's third album Electric Hustle to its peak. Previous singles Let's Go Back and Hold Back Love are still mainstays of many charts months after their release and new EP Kraak Beats Vol. 2 is currently held in very high regard as we speak.

Detroit Underground put out wildly variant musical styles on their label, from minimal to house, techno and electro - they certainly can't be genre pigeon-holed! This release comes from Swedish duo Kritical Audio and spans through the aforementioned genres and at moments even into dubstep, breaks and D&B territory. Moody, mind-tripping journeys are intricately created on Katacomb through eerie synths, deep glitchy 303 basslines and arresting electro rhythms. "Bugsmasher" rides electro punches and pounding 303s while the title track finds itself with a low slung, dubstep feeling. "Oceans 1300" meanwhile explores yet another route with emotive synths and tight percussion, while the spaced out atmospherics of "Taipei" round off an excellent 12".

Following his recent 'Jetstar' EP on Alphabet Set, Dublin's kingpin bassman T-woc flips Lady Grew's 'Ghetto Croppee' on a cumbia tip, complete with signature twists and drops in a rubadub style. On the AA side, Mad EP joins the encampment bringing the rooftop party vibez on his Sunshine Knuckles Mix of 'Bass Bully', a grimy bassline roller in hi-top kicks. Super limited to 200 7-inch copies only.

Amazing white label release with remixes of Lana Del Rey's Born To Die single. Two Armadillos are the chosen ones to remix the follow up of her huge ''Video Games'' that got remixed by Joy Orbison and Larry Heard. The Two Armadillos chose to do 2 versions. Quite a departure from their established deep house and techno releases is the first slow burning 80bpm dark electronica track utilising the full vocal! Killer mix that has garnered much praise from the few that have already heard it. The flip side gives us a big ''Club dub'' with it's more driving sound that goes somewhere between the known deeper house productions of the Two Armadillos and the exciting fresh sounds from the UK bass scene with its steppy percussion and sub bass stabs. A refreshing remix that's exploring new territories between house and dubstep/bass music and very well fitting to the nice vocals of Lana del Rey!. Two Armadillos step to the next level of the game with this release!

Independent record label, street wear brand and artist management agency Lo Note UK release the eagerly awaited 12' 'Ambush' b/w 'Tactics' by Last Japan. The 12", that has already received extensive support from Oneman, Jackmaster, Rob Da Bank, and Seb Chew will be pressed on 150gr wax and housed in a matte varnished sleeve featuring a digital camouflage print, joining the dots between Lo Note UK's work as both a record label and streetwear brand. South London born Marco Giuliani, better known under his production alias of Last Japan, is a 22 year old beats and bass wizard. His tracks have already enjoyed heavy support from the likes of Rob Da Bank, Toddla T, MistaJam, Logan Sama, Sinden, Oneman, Jackmaster and Seb Chew, plays regularly on Rinse FM and NTS, and has been asked for remixes by the likes of Diplo, Mumdance, Laidback Luke, Crystal Fighters and Brodinski. Lo Note UK is headed up by South London based DJ and graphic designer Oscar Morgan and DJ Charlie Stewart. The hybrid brand's ethos is pushing the best in new music from the UK underground along with producing crisp, limited edition street wear. Last Japan's affiliation with Lo Note UK extends back to representing their tees in the official video for his 'Settle Down' single and has been a regular booking at their events.

Laurel Halo's first full album following well-received EPs on Hippos in Tanks and Liberation Technologies (the latter under her King Felix alias), plus a cassette-only ambient record on NNA Tapes, it's also her most vocal-led affair since her debut EP - eschewing the techno flyovers of Hour Logic for a slower, squishier brand of synth-pop that features often untreated, raw vocals.
Quarantine's striking artwork is taken from a piece by Tokyo artist Makoto Aida called Harakiri Schoolgirls 2002.

With releases already under his belt on DJ Marky's Innerground, Chronic and Liquid V, Brazilian producer Level 2 lands with his debut solo release on the mighty V Recordings.

UK bass iconoclast Lil Silva fires up what is set to be a busy year with a highly limited two track white label.

With a track record of bringing us stone cold classics throughout his decade-long career, the man otherwise known as Matthew Gresham returns with his fourth artist album 'Fear Not'.
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